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Warbreaker Annotations ()
#1551 Copy

Brandon Sanderson

Chapter Forty-Five

Lightsong's Very Short, Two-Paragraph Chapter

I was tempted to make this annotation the longest in the pile, just for irony's sake. But I thought that might get boring. So you'll just have to settle for the only annotation in the batch that's longer than the chapter it annotates.

I've long wanted to do a chapter like this, one that's just a few sentences in length. (Or even one sentence.) I toyed with it in Mistborn, but never found a good place for it. When I was writing this book, it seemed very appropriate here. Something about the rising tension, the need to include a scene from Lightsong, and the poignancy of having a chapter like this right here—following the previous Siri chapter—worked perfectly in the book.

The reason I'm most sad for making Lightsong's dreams of earlier chapters more violent is that I lose some of the punch of this chapter. Originally, this was the first place he dreamed explicitly of T'Telir burning. Before, there were hints, but he never remembered the actual scene of fire. Then we got here, and it hit with a pow.

But the need to keep the tension up earlier outweighed the need to make this scene unique. I have had troubles in the past with my endings being too overwhelming, particularly when compared to earlier points in the book. So Joshua's constant pushing on this point here was very appropriate. I think the book is stronger, even if this chapter is slightly weaker.

Warbreaker Annotations ()
#1552 Copy

Brandon Sanderson

Vivenna Talks to Jewels about Religion

I'm very conscious of the fact that all of my major viewpoint characters in this book—Lightsong included—don't believe in the Hallandren religion. That worries me because the book presents a very one-sided view of their beliefs.

Religion isn't a simple thing. In my books so far, I fear that I've presented the religions in a far too one-sided way. Hrathen with his Shu-Dereth, the Lord Ruler and his religion—these were not the types of religions that are very enticing to readers. The characters, even those viewpoint characters who followed the religions, didn't present them very well. (And, in truth, the Lord Ruler's religion—the Steel Ministry—was a pretty despicable religion.)

In this book, I wanted to present several different viable religions. There is something to be said for Austrism, with its goodly monks and teachings on humility through the Five Visions. But it's a very superstitious and xenophobic religion at the same time, and it is very biased against the magic of the world. The Hallandren religion has more going for it than the characters would like to accept.

So, even though most readers might consider this a throwaway scene between Vivenna and Jewels, is a very important one to me. It is the place where we get to see a follower of the Iridescent Tones really stand up for what she believes. Vivenna deserves to be smacked down here, I think.

Boskone 54 ()
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Questioner

(Paraphrased) [Something about treating religion fairly]

Brandon Sanderson

I feel that a story is best when there are multiple people with strong viewpoints who disagree.

Questioner

In a lot of books, religion is the weakness.

Brandon Sanderson

I always hate it when there’s a character in a book who expresses an opinion I have, and they’re the idiot.

Calamity release party ()
#1555 Copy

Little Wilson

Have we seen any of them [Rashek's children] in Era 2?

Brandon Sanderson

Any of the Lord Ruler's descendents?

Little Wilson

Yes.

Brandon Sanderson

Yes...

Little Wilson

Where?

Brandon Sanderson

It is not necessarily... Um... I'm not gonna answer that.

Zas678

Is it-- Are they just descendants in the same way that, you know, after two thou-- after thirteen hundred years they're all descendants?

Brandon Sanderson

You will-- They're not all, but there's a lot of them, percentage-wise. So it's not like you're...

Zas678

Specially just kind of...

Brandon Sanderson

You're looking for something that's not really there. I'll go ahead and tell you that. There are descendants of the Lord Ruler. But it's not like they have some secret coven or anything like that. At least--

Zas678

The Illuminati!

Brandon Sanderson

At least, you know, there are-- there are-- How should I say? It's not outside of reason that there are people who are descendants of the Lord Ruler who are part of a coven or something. But you know what I'm saying?

Zas678

Yeah, it's not like... super secret magic power society.

Brandon Sanderson

Yeah, mhm.

Zas678

There could be a group of people who are like, "We're so much better."

Brandon Sanderson

Yeah.

General Reddit 2018 ()
#1557 Copy

simon_thekillerewok

A lot of collaborations coming up: Alcatraz 6, Death (Without Pizza), Apocalypse Guard, The Original. How many of these are you expecting to be officially coauthored?

Brandon Sanderson

If I release a book that someone else worked on with me, it will be co-authored. So I'd say all them--but like a lot of projects I have cooking, it's possible that any or all of them might not come together.

/r/books AMA 2015 ()
#1558 Copy

ArsenoPyrite

Is the act of taking up a shard parallel to the act of Awakening? In broad strokes awakening gives a piece of a soul for power along with a purpose or compulsion. So, say, when someone takes up Ruin, are they operating on the same principle, taking a fragment of Adolnasium's 'soul' along with the command "ruin things"?

Brandon Sanderson

You could make this parallel, and argue it to many of the cosmere-aware scholars in the books, and they'd find themselves nodding.

Calamity Chicago signing ()
#1560 Copy

Argent

If a Shard wanted to affect another Shard’s magic system, would they need to Invest themselves in the world, or can they just kind of show up and do things?

Brandon Sanderson

“Affect their magic system”? What do you mean by that?

Argent

So for Roshar, let’s say additional Surges or modified Surges. For Scadrial different metals. For Nalthis--

Brandon Sanderson

That would require more than just showing up.

Berlin signing ()
#1561 Copy

Questioner

You were mentioning outlines before. I was just wondering, when you start your outlining and you're done, is it usually a very clear process of outline and writing, or do you go back and forth and back and forth?

Brandon Sanderson

The question is, "Is it a clear cut process of finishing an outline and then writing, or do I go back and forth," and it's the "go back and forth."

Usually what I can do is I can get an outline about three fourths of the way there before I need to start writing. The issue is, I share a little bit with the discovery writers in that I tend to discovery write my characters. I don't usually outline my characters nearly as much as I do my world and my plot. But the problem is, characters then can evolve to being people that wouldn't do the things the plot calls for them to do, and in that case I have to rebuild my outline to fit who the character is becoming. I find if I don't give myself that flexibility, the characters start to feel wooden, and start to feel like they're cardboard instead of real people. So this requires jumping back and forth with that outline, and changing things and knocking out walls so to speak.

So an outline is not a rigid structure I have to follow. It's a guide map to where I want to go, but sometimes I might change the destination or I might want to take a deviation. And at that point I put down the book, and I go back to the outline, and I rebuild the outline, and then I go back to the book.

I also have something I call the floating outline, which is-- It's a separate document that's the next three chapters in detail, outlined out. The main outline may just say, "Bullet point: characters go here and accomplish this." But then the floating outline has, "Well I need to work in this character relationship, and this scene, and this little part of the worldbuilding. And this part over here is an info dump and boring, so let's do that in an interesting way. And let's have Shallan stab herself in the leg while she's doing it," or things like that in order to build an actual scene rather than just a lot of info dump.

DragonCon 2019 ()
#1562 Copy

Questioner

At what point when writing Dalinar's character did you realize that he was going to become the <champion>?

Brandon Sanderson

Ah, I am not going to answer that, because you're asking about future books. Sneaky, sneaky. There you go, that's not confirmed yet.

Boskone 54 ()
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Questioner

When Sazed moved the planet in the third Mistborn, I know it has it’s own solar system but did it affect the cosmere in any way?

Brandon Sanderson

Not in huge amounts. Technically yes, because you change gravity, but they are lightyears away, so they wouldn’t even notice. I mean, it changed Shadesmar a little bit too, so there were upheavals, but it was not drastic. If what you are looking for is the cause of the earthquake on Sel, then no. The earthquake was years before.

Salt Lake City signing ()
#1565 Copy

Questioner 1

When Sazed is fighting Marsh he hears a voice telling him about his rings, in his head.

Brandon Sanderson

Mhm.

Questioner 1

Whose voice is that? Can-- Can I make some gueses?

Brandon Sanderson

Sure.

Questioner 1

Is it Kelsier?

Questioner 2

*Brandon hands RAFO card?* What does that mean? *laughing*

Brandon Sanderson

That means I'm not gonna answer that. 

ICon 2019 ()
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Questioner

We've heard a lot about the lighteyes' ranking system, but less so about the darkeyes. I would like to ask if you can tell us more about what happens at, like, tenth nahn, the lowest of the lowest.

Brandon Sanderson

So, tenth nahn is easy, because that's the slaves. So, it's the middle ones that get really interesting. And actually, in some ways, the top ones are interesting because the nahns, the top of the Alethi darkeyes, would be analogous to how in the early 1800s, you saw a rise of a merchant class -- that actually started back in the 17, maybe 1600s -- but the rise of a merchant class who were not noble, but more powerful or richer than the nobility in almost every situation except for some legal situations. And that's what you're seeing there. That's really interesting.

The middle nahns are also interesting because they have the right of movement, which is an Alethi right that you can leave a city and move to another city. You basically can't be a sharecropper, you can't be required... you can't be a serf. And that power can be wielded over the lighteyes, by -- if the lighteyes is terrible, they can call upon the right to move, leave to a different city and that lighteyes is demoted, right? Because your lighteyes rank can be influenced by how important the people... your civic rank, you could actually become a lower dahn because of that, or at least lose a lot of prestige because of that.

And then the lowest of them are basically serfs, they don't have the right of movement, and the right of movement is a big dividing line. There is a nahn that doesn't have the right of movement that isn't a slave, also, and these people have pretty dismal lives.

Sasquan 2015 ()
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Questioner

And the Steelheart film?

Brandon Sanderson

Steelheart film is owned by Fox, different company, Shawn Levy's company, 21 Laps at Fox, they are the ones who did Real Steel if you ever saw that, the Richard Matheson story, and I thought their adaptation of that was really good. They also did the Night of the Museum films, and so when they came to me asking for Steelheart, I said yes, but I only signed on that in June, so I don't know- it's only been a couple months. I wouldn't expect an update for another couple months.

We signed on Emperor's Soul in November, October of last year, so I've been able to see the progress on that one come along.

Salt Lake City Comic-Con 2014 ()
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Questioner

In Warbreaker how did you come up with the idea of using colors for magic?

Brandon Sanderson

You know it's the goofiest story. A lot of them have really awesome stories and this one is just goofy. In this one I had written Elantris and written Mistborn and they are both kind of dark and my editor said to me, I kid you not, "Your next book needs some color to it" and I said "Oh I'll do a color-based magic system then". And that's where it came from.

West Jordan signing ()
#1569 Copy

Brandon Sanderson

The video game is coming along very nicely. In fact, earlier just this week I built the whole plot sequence for that. It’s going to have some really good twists and turns and theoretically, if it works well, I will be writing all the dialogue and all the story.

Audience Member

Which is more on your plate

Brandon Sanderson

Which is more on my plate. But that can be fun, because the main character is a really sarcastic kind of a little bit of a jerk. And so I can actually write his dialogue on napkins while I’m sitting, waiting and be like “Alright, here’s a good line,” and things like that. That’s because most of it is gameplay. I have to just come up with lots of good wisecracks and then of course, I have to write the cutscenes. But those really aren’t that much in a game like this. It’s maybe a week’s worth of work to get all of that written.

Zas

How long before is the game going to be? I remember you saying it was going to be before Final Empire, but I was wondering how long before?

Brandon Sanderson

We are shooting for second century after The Lord Ruler's Ascension.

Warbreaker Annotations ()
#1570 Copy

Brandon Sanderson

The Tunnels

The tunnels become a focus for Lightsong, though the truth is that they're not as important to the case as he thinks they are. Yes, there are things to be learned from them. Bluefingers has sequestered a large group of mercenaries down in a secure chamber under there. He's also begun using Pahn Kahl Awakeners (yes, there are some) to Break some of the Lifeless. The tunnels are central to his plot of getting into the God King's palace at the end of the book and securing it.

But Lightsong doesn't know any of this, and doesn't figure out most of it during the course of the book. (It's left for the reader to infer.) Lightsong's fixation with the tunnels is driven partially by the visions he's been seeing at night, which include the tunnels and his discovery of Blushweaver being captured. He's made a subconscious connection.

Words of Radiance Chicago signing ()
#1573 Copy

Questioner

 Why can Stormlight heal Lopen's arm, but can't heal Kaladin's scars?

Brandon Sanderson

Because *photo pause* a lot of the healing in the Cosmere works on principles of expectation and how you envision yourself. 

Questioner

So Kaladin has accepted the scars.

Brandon Sanderson

Kaladin has accepted the scars, and Lopen never accepted the one arm. It's a good question, it's one I am hoping people will ask. [...] It's one of these ties when I built the magic systems that I wanted certain threads to run through them, so when I eventually have them being used in the same books, that there will be consistency among them, that so they won't feel like everything's just thrown together. So, for instance, the intention and expectation, for instance, in Warbreaker-- What you want to have happened influences what does happen, the expectation, the way you are thinking about things. Very important for most of the Cosmere magics.

Orem Signing ()
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Questioner

What are all ten Stances?

Brandon Sanderson

I'm going to RAFO that, but you can email me, and we'll just pull them out of the wiki for me. We'll get the other two. The question is, which of the other two haven't I said? They're related to the Ten Essences. So, I have to go look and see which two we haven't put in the books. But if you say "Hey, what are the other two here?" we can canonize that for you.

YouTube Livestream 21 ()
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Questioner

Is there an update to the combined volume of White Sand?

Isaac Stewart

This has been a hectic year. We've had a lot of things going on. I've had to prioritize things like the Kickstarter and the manufacturing of all of the goodies for that. In addition, I've had Rhythm of War and all of the art and art direction that comes along with that. It's just been a really big year. As things are tying up (as far as my involvement on the manufacturing side of things, we're getting close to having everything approved and in process there), I will be able to spend more time on the omnibus.

In the background, though, I have kept the letterers working and the artist working as much as I could, and I think all of the minor fixes... a lot of people know, there were electric lamps. And I hired my brother (who is also an artist), and he, in the latter half of those, erased a lot of those. There was a modern IV in one scene that we needed to erase. But I think that changes to the art, small things like that, are pretty much almost done.

There are a few other things that need some attention, and I'll be able to turn my brain to that here soon.

Brandon Sanderson

You're adding some pages and things, right?

Isaac Stewart

Yeah, there will be 38 more pages and a prologue to introduce characters a little bit more. Those are almost completely done. The writing on those is done.

There are some pages that are more world-building that are written by Khriss, and I have to find out where we have room for those so I know how many of those that we have, and then write out some of the worldbuilding. And that's what I'm in the process of doing right now. Getting really close to being done with that.

So that's where we're at on that. And as soon as that's done, we will discuss that with Brandon's agent and with the publisher and figure out where to go from there.

Warbreaker Annotations ()
#1580 Copy

Brandon Sanderson

Chapter Fifty-Two

Lightsong Gathers His Finery in His Palace

Is there a lesson in all of this, as Lightsong accuses Llarimar of teaching? Perhaps. The value of something is indeed in how you treat it. All of the riches in the world could be piled in one place, and they would be unimportant unless you ascribed value to them. I think this is one of the reasons Lightsong has been so flippant all of his life as a god. Before Returning, the things he valued were far more intangible. People, his life's work, intellectual freedom—all these things were taken from him, then replaced with gold and baubles. To him, they're inferior replacements, and he can't help but chafe—unknowingly—at his confines.

I wanted a chance for Llarimar to take off his hat and be just a friend for a time. His belief system is complex, since he knew Lightsong ahead of time. He sees the divine mantle, but he also sees the man.

The man who was his younger brother, the daring and gregarious one, the one who didn't always do what he was supposed to. One of the subtle twists of this book is that Llarimar and Lightsong's relationship is supposed to be a parallel of Vivenna and Siri's. They were closer than those two ever were, and as both were middle-aged, they interacted differently. But Lightsong (or Stennimar as he was then known) never married. He liked traveling too much, and enjoyed his bachelor lifestyle. Llarimar was the one who always did what he should, but he also always admired his brother for his sense of adventure, his proactiveness, and his simple kindness toward other people.

Calamity release party ()
#1582 Copy

Questioner

So if someone is storing weight-- Feruchemy-- Can you store enough that you can actually float like a balloon?

Brandon Sanderson

Uh, your clothing and stuff will still have weight.

Questioner

If you were, like, completely naked and just *unintelligible* your hand up a wall, you will?

Brandon Sanderson

Yes. You will-- You could float, yeah. That's-- I mean, you could get your weight so low that it's basically like being in microgravity, which is...q

Questioner

Like 99%? Like a vacuum balloon?

Brandon Sanderson

Yeah.

Warbreaker Annotations ()
#1583 Copy

Brandon Sanderson

Vivenna Visits Lemex

In the very early planning of this book, I intended Lemex to live. He was going to become a mentor figure for Vivenna, and have the very personality that she described him as having in her imagination. Spry, quick-witted, intelligent.

So I decided to kill him off.

Why? Well, it's complicated. On one hand, I felt that he was too much of a standard character from one of my books. The witty mentor is not only a stereotype of fantasy, but something I rely upon a lot in my writing. (Though, granted, many of those haven't been published—however, Grandpa Smedry from the Alcatraz books is a great example of this kind of character.)

I also felt that Lemex could too easily be a crutch for Vivenna in the same way that Mab could have been for Siri. The idea was to keep these sisters consistently out of their elements, to force them to stretch and grow.

Instead, I upped the competence of the mercenaries and decided to have them play a bigger part.

Firefight Seattle UBooks signing ()
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Questioner

When is the second book of The Rithmatist coming out?

Brandon Sanderson

I haven't written it yet. I started doing the research, and it was so much work I realized I needed more time to do it, because I'm going to South America in it, and I just needed to know South American cultures better, so I decided I need to take another year to do research. So I'm doing research for it right now, I'm going to write it hopefully after I finish the next Stormlight book, and then we'll release it soon after. So it's a little ways away.

Goodreads: Ask the Author Q&A ()
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Leinton

So a friend and I who share a passion for sword fighting have been trying to find the real world correlates for the stances that Sharbearers use. So far we've made connections between Windstance and Haidong Gumdo, and Smokestance and the late Medieval/early Renaissance fencing. I was wondering if you could give us more information or at least hints on the other real world correlates?

Brandon Sanderson

I developed these with Ben McSweeney's help, and we plan to include representations of all the stances eventually. However, a few are NOT based on real-world equivalents, because of the size of Shardblades. Look at how various very-large weapons like zweihanders or Zanbat's were used.

Orem Signing ()
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Questioner

Do you have an update on when the Hemalurgy table's gonna be available on the website?

Brandon Sanderson

I do not. That's really Isaac, you bug him and poke him. Whenever he decides to release it. He's kinda just in charge of that. Karen's around, I don't know if she knows.

Berlin signing ()
#1588 Copy

rxience (paraphrased)

Would a single spike be sufficient to staple a Cognitive Shadow to a mistwraith?

Brandon Sanderson (paraphrased)

Yes, that could happen.

rxience (paraphrased)

Did that happen in the past?

Brandon Sanderson (paraphrased)

That's a RAFO, I'm afraid. Who are you thinking about?

rxience (paraphrased)

Kelsier of course!

Brandon Sanderson (paraphrased)

Well, he is somehow in the Physical Realm. And he does look like himself, doesn't he?

Isaac Stewart r/Stormlight_Archive AMA ()
#1589 Copy

ArtemosHyre

There was a really neat recent post that showed how they use a rotated Copper symbol like we use the "cent" symbol ¢. Are there any other examples in your mind?

Isaac Stewart

I'm glad someone noticed that we took copper and rotated it to mean "clip." Since Scadrial is the closest planet to being like Earth in the Cosmere so far, it's fun to do little things like that. I could see us doing something similar with one of the other symbols to use it to mean a boxing, maybe the symbol for Gold.

YouTube Spoiler Stream 2 ()
#1590 Copy

James Clifford

Science question!

Brandon Sanderson

Ohh science. Is it real science, or fake science?

Adam Horne

It is Brandon science.

Brandon Sanderson

Fake science!

James Clifford

With the discovery of anti-Investiture in Rhythm of War, would the correct form of anti-Investiture be usable to clear up the mess in the Sel Cognitive Realm. If so, would this completely destroy a splintered Shard?

Brandon Sanderson

*laughs, coughs, and is otherwise stunned* That would not be a good idea. So why would that not be a good idea? So no, this would not clear up the problem. The problem that's going on in the Cognitive Realm in Sel is that a bunch of Investiture that should be in the Spiritual Realm has been packed into the Cognitive Realm instead, through a very weird circumstance of events. If you were to introduce a bunch of anti-Investiture of the right type there, you would just generate an explosion that would be a very bad thing. Matter cannot be created or destroyed, Investiture can't be either, so it's actually changing forms. It's going from Investiture into energy! Which you know, does not leave the system. So the investiture would eventually make its way back around, you can't destroy anything in the Cosmere, just like you can't destroy anything in our universe. But you can make it change forms. And so, what's going on there is just this hope by a certain individual that what has happened there will prevent the power from becoming self-aware.

It's basically Odium being like "alright I just murdered you people, I don't wanna have to come back and do it again". So he's trying to figure out a way to make this happen. As it currently stands (again, these things can change when I write future books), it was partially happenstance that he took advantage of rather than something that he was able to set up very intentionally from the beginning, but he was definitely a part.

Kraków signing ()
#1591 Copy

Questioner/Translator

There are games, comic books and films had been made or are being made based on your novels. How do you coordinate work so there are no, lets say, errors in it and tell something about <that experience>

Brandon Sanderson

Coordinating to make sure there are no errors: I wish that Hollywood would let us do that! Mostly they kinda do what they want to do and then send us what they've come up with. I am working with one company right now that seems like that they are willing to listen a little bit better.

<Throughout> other things that hasn't been particularly difficult. <For> the RPG, I am a gamer, I love RPG and so it's very easy to work with them. In fact where it came from is they came to one of my signings and said "Do you want to make an RPG?" and I'm like "Yeah, I want to make an RPG!". So we had some brainstorming sessions where I told them my favorite styles of game and they built rules that they've thought to match Mistborn and kinds of things I wanted.

We'll see what happens with the movies. They are in development and they're very early in the process.

FanX 2018 ()
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Questioner

When did Shallan take the First Oath?

Brandon Sanderson

That's been quite a while. She's been on this path longer than almost anybody. Jasnah's been going for a while. If you look at the timeline, I think Jasnah beats her. But she's been on this path for years.

Questioner

Do we get to find out when she took that First Oath?

Brandon Sanderson

Yes, I'm planning to delve into that. It's supposed to be a "Wait, What?" I'd have to look exactly at the timeline, Jasnah beats her.  Jasnah definitely beats her.

Questioner 2

<Are you sure?>

Brandon Sanderson

Maybe not. I'd have to look at the timelines. This is why I have Karen, to keep my timelines for me!

Words of Radiance Portland signing ()
#1596 Copy

Swamp-Spirit

How do you-- Like both Shallan and Kaladin obviously haven't had good lives, but like-- How do you write these really tragic backstories without them feeling kind of gratuitous or forced?

Brandon Sanderson

Good question... This is really about the whole idea of making sure you are avoiding melodrama... And melodrama-- the defining aspect of a melodrama is a story in which each character only exhibits only one emotional state. A great example of this done poorly is--despite me liking a lot about it--there was a show called Lost... So there's a character whose son gets kidnapped, and from that moment on the only thing he cares about or talks about is the loss of his son. And it's a very tragic thing for him. Losing your son, I can imagine how tragic that would be, and yet this character became so defined by that one attribute that it turned into melodrama for him. The rest of the characters will be standing around saying "Alright we need to do this thing, these guys are over there with guns, they are going to take us down. What do we do?" And they're like "We should do this." "We should do this." and this guy is like "My son!" They're like "We know you want your son back but--" "My son!" "What do you want for dinner?" "My son is gone! How can I eat dinner?!?". And so having a character exhibit only one emotional state is always going to feel like you just set-- It's going to ruin the character, whatever that is.

So a tragic backstory-- People joke about Batman. When Batman is written poorly it's always about "My father's d-- My parents are dead" and when he's working well that's an aspect that influence things he does but it's not the only thing about him. And so that would be my warning to you. You can do all of these sorts of things but make the character's not about-- You know we are in part defined by things like this but as real people we are not about the bad things that have happened to us, we are about so much more. And make that the case, alright?

Salt Lake City Comic-Con 2014 ()
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Questioner

The Lord Ruler, sixteen-- all sixteen metals, full metalminds, and can compound versus Rand at the end of A Memory of Light *laughter/cheering*

Brandon Sanderson

...At that point probably Rand. Sorry. *cheering*

Questioner

But the Lord Ruler has luck, he can Compound luck.

Brandon Sanderson

He can do a whole lot of stuff. Now if it's the Lord Ruler during the moment of Ascension, it's the Lord Ruler, but post-Ascension? No.