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Who would win in a game of chance: Mat, a chromium compounder, or Hoid?
In these kinds of questions, more and more I give "points" to the character with the most established narrative, set of powers, and momentum. So Mat wins hands down. In twenty years, maybe not. But right now Mat.
I assume that the Worldhoppers (characters who travel from planet to planet between books) can and sometimes enter into romantic relationships. Have there ever been any children born on one world with powers from another? (For example: A misting being born and raised on Roshar)
Yes, this has happened.
If it's okay, what colors would Spensa's class be?
Spensa is about as mon-red as a character can get, I think.
Are all the red-eyed characters influenced by the same Shard?
No. Good question! I was waiting for someone to ask that. You will come to learn what red means in the Cosmere. There is a meaning for red in the Cosmere.
Elend reveals that he's joined the Church of the Survivor
Unfortunately, this entire chapter is a big mallet driving the wedge down between Vin and Elend. The next chapters are why I had to make sure I established their relationship earlier in the book, so that readers would hope for them to stay together as the novel progressed. However, I suspect that at least a few readers are pulling for the Vin/Zane thing to work out.
Either way, it's better–narratively, and character-wise–to have Vin figure out Elend's plan on her own. It gives her the chance to show how she's grown. She sees things like a politician. Though she's hard on herself, she knows a lot more about these things–and is a better match for Elend–than she gives herself credit.
I actually think this is a clever, clever move. Elend has done a lot of work for the skaa, but he's never really worked to make himself seem like one of them. This establishes him as on their side, solidly–but also gives him a kinship with them. He doesn't worship the Lord Ruler. He worships their god. That gives him a lot of credibility with them.
Do you have a character who is very special for you in a personal way? The one closest to your heart?
Probably Dalinar. He is one of the first I ever developed, and existed (in a proto-form) in the very first novel I started writing.
...Really?
Yup. Most of what you see him doing, Renarin did in the original outline, much more awkwardly.
Did you keep him in for longer because he has an important part to play?
Yes. remember, this is the draft I did in 2002, things were very different. Like in that draft Kaladin took the Shardblade and became a Shardbearer and stuff like this, and so it was a very different book, very different themes. I beefed up Adolin's part when I was doing this and eventually he developed into a stronger character. I need Adolin because Adolin is the guy who is not gaining all the magical powers and flying in the air and stuff. I need the guy who is more normal. As normal as the prince of Alethkar can be. I needed him and I really liked where he went after doing that, so.
Why so many characters from Warbreaker [in Stormlight]?
'Cause Warbreaker is a prequel to Stormlight. I wrote Stormlight first, and then I actually went and wrote Warbreaker about Kaladin's swordmaster, but then that version of Stormlight didn't get published, and this one did, but they're very interconnected to me.
I asked Brandon if it was any coincidence that Sadeas's name sounds suspiciously similar to the word sadist.
In essence his answer was no, it's not a coincidence, but he didn't consciously choose the name for that specific reason. More like his brain decided it sounded good for that character because his subconscious heard the similarity.
A little while ago, you had a little competition thing with James Dashner... I was wondering, is there some secret writer club where you guys all send each other emails saying, "Oh, in my book, my newest character does this cool thing."
The truth is, there are kind of some things like that. We have some listservs. But more, it's not on email, it's having dinners, things like that. Particularly people who broke in when I did, like [Patrick] Rothfuss, [Joe] Abercrombie, and some of these guys, we end up at cons kinda the same time, running the same rounds, and end up chatting with each other, and just-- We've become friends that way, and also slightly rivals. You see us doing things like this.
My Abercrombie story. Did you guys see on my Twitter feed? ...I was in Amsterdam, I was running to catch a plane in Amsterdam. I started in London, I had a signing in Calgary. I don't know how that happened, but I needed to do a signing in Calgary. So, I'm through passing Amsterdam. This sounds a lot more glorious than it is. I'm passing through, and I found my book at an English language bookstore in the airport in Amsterdam. So, I did my normal thing, I hurriedly signed it, I stuffed some goodies in it, I took a picture, and tweeted my fans, "Anyone passing through Amsterdam airport, look what you can find!" And then I get a text from Joe Abercrombie where he's like, "Dude, my book was next to yours." I'm like, "Oh, great, nice. Great." And he's like, "No, no. Go sign that." *laughter* Pardon my French but, he might have said, "Go sign that bitch." (That's not me. I don't use language like that.) I'm like, "I'm gonna be late to my flight." He's like, "I don't care, go sign that book!" So I had to run back-- He'd done this over Twitter, so everyone knew he was doing it. So, I had to run back to the bookstore, sign Joe Abercrombie's book. You know, people ask me a lot, when I do these stealth signings, do I ever get caught? No, they never-- If someone starts signing a book, if they see me, what they say is, "Oh, are you the author?" They're used to authors coming through. I've had to show ID once, and it was my picture in the back of the book. But I was sure that this time, they were gonna be like "Oh, Mr. Abercrombie!" And then see the picture in the back of the book and be like, "What are you doing?!?" But that didn't happen, and I made my flight, though I had to-- I was so late, I had to check my bags, there wasn't enough space. That's Joe Abercrombie for you.
So, yeah, we just kind of end up in the same circles, and things.
I love Wax as a Skimmer and a Coinshot. Is that your favorite Twinborn combination? If not, what is?
It's certainly one of my favorites. However, some of the characters in the modern day trilogy have some really neat combinations as well.
Chapter Fourteen
And here the action picks up again.
I love me a good action scene. There’s something very fun about constructing action on the page. Partially, I think, because it’s tough to do. In a movie, you can make the visuals happen the way you want to. However, in a book, you have a real fine balance to walk. You want people to be able to imagine the action, but at the same time you can’t include too much, because every bit you include slows the action by a proportional amount.
This action scene is my favorite in the book. True, there aren’t a lot to choose from here–it’s not like Mistborn, where there are more fights. However, this one really works for me for a couple of reasons. First off, we’ve just had a lull in the book with lots of interesting–but not very fast-paced–things happening. Second, we get a good character climax in the middle of this scene. Third, there’s a real sense of danger here.
Again, it’s nice that the first few things Alcatraz tries don’t work. It’s a frustrating metaphor for his life that he has so much trouble. It seems that the harder he tries, the worse things turn out for him. That’s just perception, of course–effort is rarely wasted in my opinion, even if all it does is improve you as a person and your ability to work. However, as Alcatraz sees things, he often gets beaten down when he tries. So he’s stopped trying.
Up until here. The fact that he doesn’t just give in is the show of what I told you in the last few chapters–it is supposed to reinforce that he really is changing. That he does care. And that caring is now driving him to channel his Talent.
Was there a person in real life that you based the character Kelsier off of ?
There is not. Kelsier grew out of the idea, primarily, of the thief who is really good at his job, like the gentleman thief, who then picked up a larger purpose. And I kind of built him out of that. I built him first as kind of the con artist that I wanted to have gone through something that changed him. And I explored that and that's just who he became. But there's not really a specific person.
Random question! Will we see any cosmere characters crossing over from other series in this book? The 3rd book seems like a good point to start messing with that, since we have settled into the world, IMO.
RAFO.
We're hoping at some point that you will do a collaboration with Patrick Rothfuss.
I would love to do one someday. I pitched one at him. I pitched a concept at him. It was a Brandon Sanderson vs Pat Rothfuss where we would both pick, we would brainstorm a story together then put characters on opposing sides where we try to screw up each other's story and them we get to near the climax and we give it to George Martin and we say "read this and tell us how we have to end our story" and then we have to do what George says and he's the judge. Wouldn't that be awesome?
Vin Tries to Determine if Dockson is the spy.
This Dockson scene is one of my favorites in the book. I'm a little bit sad that Dockson, like Ham, doesn't have much time for development in the series. In book one, he only got a single good scene–the one that Vin references here. During that scene, we really got a good look at his personality and his inner demons.
Those demons come up again in this scene, where we get to see the haunted worries of a man who has received what he wanted, but then come to realize that he shouldn't have wanted it so badly in the first place. He's a good character, Dockson is–but the only thing I can give him is one powerful scene per book. At least he gets one. Ham and Clubs don't even get that.
By the way, Vin calling Dockson boring is particularly ironic here because during our first introduction to Dockson in book one, he tells Kelsier that he'd 'Grown boring' over the last few years.
You've talked a little bit about scripture readings contributing to your writing earlier today. How do you keep that separate from the worlds you're creating?
I've really never had a problem with that. It's easier than keeping myself separate from other fantasy writers' things and that I've had to learn to put a line in place where I'm like "Ooh, this is a cool idea. Remember that this was someone else's cool idea." Because I consider the scriptures history, I don't mind if they influence me. Like, history does a lot. In Roshar you'll find the Mongolian invasion being a big basis for where the characters for the Alethi come from and in the same way, King Benjamin's speech is a bit of an inspiration for Nohadon's Way of Kings. I don't mind getting inspired by history.
Introduction
Hello, all! I recently turned in Shadows of Self, the new Wax and Wayne Mistborn novel. (And, well, something else too. More on that below.) In addition, tomorrow is December 19th—known with fondness as "Koloss Head-Munching Day." Also my birthday. (I'll be 39.)
This seemed like a good chance to take a step back and give you all a long-form update on what I've been doing lately, and where I am looking for the future. I like to be accountable to you, my readers, for what I'm doing. You are the ones supporting me in this, my lifelong dream of being a professional writer.
2014 was an excellent year for me. Words of Radiance has been very well received, and enthusiasm for the Stormlight books is very high. As this series is my baby, it feels awesome to see people getting to know characters like Dalinar and Kaladin, whom I've known for decades. At the same time, I've been jumping back into teen books again after the Alcatraz books. (Which kind of fizzled back in 2010 or so, though we're planning a relaunch.)
Having two publishers made for a very challenging tour schedule. I've been away from home far more than I want to be, mostly because of the need to add more touring (along with things like school visits and appearances at teacher/librarian conferences) for Steelheart and The Rithmatist.
I'm still struggling to find a balance I like. On one hand, I enjoy visiting you all and going cool places. On the other hand, my real love is writing the books—and I don't want to get so busy that the stories fall by the wayside. Anyway, the following is an account of my 2014 writing experience for those who are curious.
What is the [Dark One] podcast piece going to be like? An old-style radio serial or something?
The original pitch was for something more contemporary, like a fake version of the podcast Serial--but in-world and dealing with a specific character. But a lot will depend on how the series develops.
I'm doing video game design, and I'm curious: what are your thoughts on constructing interesting stories, because we're kind of getting to a point where video games are able to tell... like, people are getting used to, basically, interactivity being a medium <with which> to tell a story. I'm curious, from having spent some time developing your craft, how to link that in with being forced to have the 'main character' <do that more often sorts>?
Yeah, I think there are so many cool <different ways> of people who are doing it, but I'm not sure I can point out and say "This is the right way." I know that my favorite stories from video games tend to be ones where they force you to experience the story without forcing you to stop the game. Things like in inFAMOUS where you're riding from position to position, you're on the phone with people. Or things like Dark Souls, where you kinda just reveal it all around you. I don't like the games where they stop. And play a cutscene.
Where it takes you out of the game, and it's like, 'movie time.'
Yeah. I think there's <a way beyond doing that>. I also really like it when something about the form of the game enhances the story. Like how <Braid> was with <the guy who could rewind time to move stuff back>, stuff like that. There’s all sorts of cool things happening, VR’s only going to make that more interesting.
The only question I have is how soon are we going to be expecting to interact with Urithiru?
It is a big question on the minds of the characters and it will be a major theme of the next book. Whether or not it'll actually happen or not
where do you get your inspiration to create new worlds & characters?
Inspiriation comes from all over. Often things I see. Color magic in WRBRKR came from watching b/w movies.
The mist in mistborn came from driving through a foggy night at 70mph..
Sazed came from a Buddhist monk I met in Korea.
Sarene came from a friend, Annie, who complained that she was too tall and too smart for men to want to date.
If you want more, send me an email and ask for my “Ideas” essay. @PeterAhlstrom will send it to you.
Trip into Straff's Camp
Seeing the obligators here is my other nod to the fact that they're still a small force in the world, that they haven't disappeared, and that they can be important to the setting and the characters. However, we're just not going to deal with them much.
I hope that readers buy Straff's easy dismissal of Vin as they first enter his tent. It was a bit of a stretch that he'd let Elend into his camp with a Mistborn, but I believe it's important here to remember a few things.
First off, a Mistborn could probably go into the camp on her own, if she wanted, at pretty much any time. If Vin had wanted to attack Straff's tent, she didn't need to wait until Elend had an invitation to visit to do so.
Secondly, there is the feel in this world about using Mistborn–it's a little like the modern idea of Mutual Assured Destruction. If both parties have Mistborn, and one attacks, there will be retribution. People tend to hold their Mistborn back, using them only in emergencies, lest they unleash something dangerous in return.
Is Eshonai really going to be the flashback character for book 4? Don't you mean Venli?
No, it is Eshonai. (And has always been planned to be Eshonai.) As the series progressed, I knew I wanted to do some unusual things with the flashbacks to keep them all from repeating the same themes and format. My hope is to craft something that is very interesting in the way that it both informs what Venli is doing in the future, and expands upon who Eshonai was in the past.
Speaking of the other Prologues… I have a looney theory that the assassin Liss is actually the Herald Chana in disguise. :D
Chanaranach has definitely been seen onscreen by at least one character at least one time in the first two books.
Chapter Seventeen - Part Three
This conversation between Kelsier and Vin on the balcony is one of the most foundational scenes in the book, at least in regard to how Vin's character is going to progress. As I've mentioned, I'm often accused of being overly optimistic in the way I view the world. I'm probably guilty as charged, but I figure that most optimists I know tend to be pretty darn happy. Seems like a good life.
Anyway, I really do think it would be better on a person's psyche to just go ahead and trust those that are close to you. However, you run the risk of having to deal with what happened to Kelsier. Do you stop loving someone because they betray you? No, that's what makes it hurt. That's why breakups are tough, because you can't really change your feelings. You can only try and overwhelm them with bitterness instead.
Another interesting moment in this scene is Sarene's idiocy act. There's actually a good story behind this plotting device. I've always enjoyed this style of plot–where a character intentionally makes people underestimate them. You can see a similar plotting structure (pulled off quite a bit better) in my book The Way of Kings. (It should be published around 2008 or so. . . .) Anyway, some of my favorite plots of this type are found in Hamlet and Dragon Prince (by Melanie Rawn.)
Sarene's own act, however, plays a much smaller role in the book than I'd originally intended. I soon discovered that I'd either have to go with it full-force–having her put on a very believable show for everyone around her–or I'd have to severely weaken it in the plot. I chose the second. There just wasn't a reason, in the political climate I created for the book, to have Sarene pretend to be less intelligent than she was. (The original concept–though this never made it to drafting–was to have her pretend to be less intelligent because of how many times she'd been burned in the past with people finding her overbearing and dominant.)
I decided I liked having her personality manifest the way it is. The only remnant of the original feigning comes in the form of this little trick she plays on Iadon to try and manipulate him. Even this, I think, is a stretch–and it has annoyed a couple of readers. Still, it doesn't play a large part in the plot, and I think it does lead to some interesting moments in the story, so I left it in.
I have a couple of questions regarding Dalinar. We know that he visited the Nightwatcher and it doesn't look like anybody else knows about it.
Have we seen anything in the first two books, which shows the boon he got from the Nightwatcher?
As we see from the preview chapter of Oathbringer, Dalinar was extremely brash and maybe a bit cruel in his youth. Does his change of character has something to do with the Nightwatcher?
These are both questions that, presumably, the Dalinar flashbacks in book three will answer. So RAFO. :)
I just finished my copy of Skyward (I got it at launch, but I've been finishing up your other books) - did the story of The Eyes (Fermi's Paradox space opera novella) end up being rolled into Skyward?
Yup, it did. I actually still imagine The Eyes mostly being in continuity, with tweaks.
Is this to say we should expect a tweaked The Eyes novella to come out in the Skyward universe sometime in the future? Or were you just saying that The Eyes was basically the first draft of Skyward?
I imagine the characters from The Eyes are still around. (You'll see the alien race from the story in the second Skyward book.) It requires a few tweaks because of how humans are regarded, but otherwise, the story could have happened--so maybe I'll eventually finish it and release it.
What's with the Stormlight Chapter symbols, and their similarity to other Cosmere symbols? I guess this is specifically talking about Kaladin and Shallan's symbols, and their resemblance to an Allomantic symbol and an Aon, respectively.
Is this just showing Roshar's place as significant in the Cosmere? Is there a reason those specific symbols were chosen for those characters? Anything you'd want to share, I'll take.
The meaning of Kaladin's symbol will be made manifest eventually. The connection to an Allomantic symbol, however, is mostly coincidental. (Both were drawn by Isaac.)
Chapter Twenty Three
Has it been too long since we've seen Elend? I think so. I wish I could have worked him into the story more earlier, then shown him a little more consistently. I promise that you'll see more of him in the upcoming chapters, however.
He's one of the major characters in not just this book, but the entire series, after all.Elend and his scholars inspect the law
It was fun to write this scene with the scholars sitting around. I could show their different styles, with Ham browsing, Elend thinking about implications, Sazed reading very carefully line by line, and the obligator looking at the money trail. I added Noorden in because I wanted to do another nod toward the fact that obligators used to be a force in the world, and also because I wanted someone fresh in this scene–another character we could play with. We'll see him again, but not until the next book.
Chapter Ten
Are the Elantrians zombies? I've been asked this question before. The answer is a little bit yes, a little bit no. I very intentionally don't make any references in the story to them being zombie-like, and I certainly don't call them "undead." Both words bring a lot of baggage with them.
No, the Elantrians aren't "zombies." However, they certainly would fit the standard fantasy definition of being "undead." After all, their bodies aren't really alive, but they can think. Still, I resist comparisons to established fantasy traditions. I wanted the Elantrians to be their own genre of creatures. In the world I have created, they are simply "Elantrians." They are people who don't need to eat, whose bodies only function on a marginal level, and whose pains never go away. For the function they fill in the world and the story, I'd rather that they be compared to lepers.
That said, I always have wanted to do a story with a zombie as a main character.
I worry just a tad about the light-hearted feel of the end of the chapter here. Originally, this scene was in the book BEFORE the army showed up to attack. In the original draft I showed Elend and company living (and fighting off assassins) without knowing that an army was bearing down on them. Moving the army so that it began the book on the horizon was the major pacing change I made that sped up the book, and increased the tension.
However, we missed a few of the more light scenes–like the upcoming sparring–and I didn't want to cut them because they were so indicative of character. I decided to leave them in. Kelsier's crew is accustomed to dealing with stress and remaining jovial. The only change I really had to make was in the Elend viewpoints, which you will see in the next chapter. Still, I hope the tone isn't off–that's a real worry when you transplant scenes from a previous draft, as opposed to writing them new when you change as much as I did at the beginning here.
The Storage Caches
One of the major revisions I made to the book during drafting was to reduce the number of storage caches. Originally I'd planned for eleven or twelve. The one here in Vetitan was still going to be the penultimate, with Fadrex being the last—the team just would have discovered more of them between books.
I changed this in order to make the cache in Fadrex seem more important. I wanted to get across the idea that taking that city was vital to the plans and goals of the team, and making it have one of five caches instead of one of twelve seemed to help with that.
In the first draft, the major draw of the final cache was the hope that it contained atium. But I realized that atium just wasn't that useful anymore—or, at least, many of the reasons it might have been useful are no longer important to the characters. Vin's instinct is right—the atium is more important than it might seem at first, but the original draft made it look like they were chasing a hope for something that wasn't even very useful. So, during revisions, I inserted Elend's acknowledgment that they don't really need atium, and I also added Vin's instinct that it's vital. We'll see how this plays out.
Of course, the reason Vin has an instinct that atium is vital is because of Ruin's touch on her emotions, driving her to seek out the final cache, where Ruin himself hopes to find that atium. To him, Vin and Elend are just another pair of pawns—in some ways more useful than Inquisitors because they don't even know they're following his goals. Ruin isn't sure if these caches will have the atium—he's in fact rather suspicious that this is a ruse of the Lord Ruler—but he's willing to dedicate some resources to the possibility, hence what he did to send Elend and Vin searching out the caches. He worries that there will be some kind of guard set at the final cache or the atium that has been told to watch for Inquisitors and keep them away, and he feels that using Vin and Elend is both more clever and potentially more effective than just sending an Inquisitor.
What book has inspired you the most?
I'd say Les Miserables.
Oh really, why's that?
I love Victor Hugo’s writing style. His use of character and his use of language.
Is Hoid real, or is he just a fantasy form.
Is Hoid real? Hoid is real in the books.
In the books, yes. So the characters are not hallucinating him.
They're not hallucinating him. We're not pulling a Fight Club or anything on you.
What first gave you the idea for Warbreaker? What was your first inspiration for it?
WRBRKR came from a lot of sourcres. Siri and Vivenna were side characters in a book I never finished.
Vasher came from the line that starts the book. No space to post it here, but give it a read.
Nightblood came because…well, I just wanted to have a talking sword.
I have a question about White Sand Vol 1, although this comment thread is probably not the best place to ask it.
Just wondering how you view the final product, in the range of "learning experience, next one will be different" to "amazing book, won't change a thing"? I've never published a graphic novel, and I'd love to know how you feel about it now that you're past the first volume and have the second one upcoming.
Hmm...
I'd say halfway between those two. I am very pleased with a lot of things about it. The thing that I don't think came out right is the worldbuilding, particularly the cultural worldbuilding.
That is one difference I noticed. When you describe clothing and buildings and whatnot, it sort of brings them into focus in a different way than a graphic novel (or movie) does. With the graphic novel, my brain just went "ah, they're all wearing this kind of clothing, sure. Oh, she has a Victorian style dress, that's neat." and that was kind of the end of it.
I think it might have something to do with lingering on it? Like spending a lot of time describing something can show how important a thing is to a character (or the plot), but I kind of skipped over the descriptions by glancing at the picture then returning to dialogue.
On the plus side, it helps me reinforce the fact that I need to spend more time describing things in my book.
Yes, that's part of it. Though I don't think we got in the graphic novel some of the important worldbuilding elements, such as the armor that melts when sprayed with water, the unique forms of fighting, and the fact that the people you assume are the advanced ones (because they live in buildings instead of tents) are actually far less technologically developed than the ones who live out in the desert. (Because on this planet, that's the "good" land while the low sands are the less fertile parts.)
That was a dynamic that was very hard to get across in the book, though, and I don't know that my skill at the time was up to it. I was disappointed in the graphic novel once the colors and final art came back to discover a number of pages that looked like brave Europeans fighting savage desert people--which was the reverse of what I'd been trying to accomplish. (But is part of our cultural biases, so I'm not surprised it was how the artists ended up interpreting it. And I'm to blame for not reinforcing the idea stronger back when it could have been changed.)
So with your Cosmere books. I started reading with Mistborn, and I got through the trilogy, all three books-- I read really fast, so I was done with all three of them in under a week. And so I went looking for some of your other books, and I think I came on The Way of Kings and I started noticing there were little bits of connections because it's not really apparent--
Yes.
--that they're connected until you start looking into it. And of course then I go online and figure out there's this whole wikipedia--
Then you went down the rabbit hole. *laughter*
Then I went down the rabbit hole and then I go "Oh look, all of these worlds are interconnected. And there are these characters who are supposed to be Worldhoppers or something." I could not figure out where the origin of where you learn these people are actually from the other series.
So where did people learn this. So first I'm going to give the caveat, if this daunts you, don't worry it's all cameos right now. You don't have to read the books in a certain order-- Well you should read the series in order, but you don't have to read the series in a certain order. You're not missing out on something, you can read the books and if you don't see it, it's okay. It's meant to be cameos... It's supposed to be very subtle.
However, where they're getting it is Hoid is almost always mentioned by name. That was the first clue to people. Once in a while he doesn't use his name, in each series at least he's mentioned his name. And people started connecting that name. And I will usually give little tells where they Galladon in The Way of Kings because he spoke in Dula, and so they caught the same words that he used, even though he spoke another language. Some of the words were words he used in Elantris. They were like "Oh." So there's always going to be some connection there.
Watch for people who use the wrong words. For instance if someone says in The Stormlight Archive, if someone uses the word "coin", they're probably using magical means to translate and they're thinking "coin" when they mean "money" or "sphere" and they don't use coins on Roshar. And so you'll have people make mistakes like that in-world, and they'll talk about things the wrong way. And that'll be part of the way you can connect who doesn't belong there. I intend it to be very subtle however. I think in The Way of Kings Hoid is the only one who uses "coin" and things like that. If you watch out for stuff like that--
But here's the thing about it, at the same time I learned from Robert Jordan fandom that fans will theorize about everything. *laughter* And I realized-- I had to make a decision pretty early on. And this decision-- Some authors do it one way, others do it another, I decided I had to be okay if the fans guessed what I was doing. Because if I put the foreshadowing in then it's going to be a mark of respect if people figure it out. And so if you're one of these people who dig in deeply, you will figure out some of things that are going on and they won't be surprises when the book comes along. And I think that's okay for the fans that are doing that. I will warn you, I'm not going to change what's happening, just 'cause you figure it out. So if you don't want massive spoilers you shouldn't necessarily hang out to much, because they are going to get it right. I will put in the foreshadowing so that it is possible to guess what's going to be happening and things like that. Because if I don't it won't feel like the book is fulfilling, if that makes any sense.
That's just a little warning to you guys. But so far there are some things they haven't figured out yet that I think they're going to soon, but they haven't quite yet.
The Cognitive and the Physical Realms...do they stay connected to the Shardworld for the character they're related to, or can you go back and forth - like in Secret History, when he passes off of Scadrial and to the outskirts, within I guess the Cognitive Realm, is that something they could do with other Shardworlds?
Yes.
Book Wrap-Up
And . . . those are the annotations! I hope you enjoyed reading them. As you can probably tell, I write them rather quickly. This, of course, is to give them that feel of an improvisational director's commentary. (And it has nothing to do with the fact that when I work on them for a book, I'm usually about three weeks behind deadline on turning in the copyedit. Why do you ask?)
Joking aside, I'm quite proud of this book and what it does. I think it's the first time I've blended plot twists, humor, worldbuilding, and romance all together in a book the way I've wanted to from the beginning of my writing career.
Would I do anything different? Perhaps. I still wish Parlin had a more compelling character, so there could be more emotional impact when he died. I wish the ending had a bit less of a deus ex machina feel to it. But overall, I think the writing here is a big stride forward for me.
Thanks again for reading, both the book and these annotations.
Brandon Sanderson
October 2008
One of the major post-sale revisions I did to Elantris came at the suggestion of my agent, Joshua Bilmes. He noted that I had several chapters where Hrathen just walked about, thinking to himself. He worried that these sections made the middle of the book drag a bit, and also feared that they would weaken Hrathen's character. So, instead, he suggested that I add Telrii to the book some more, and therefore give Hrathen opportunities to be clever in the way he achieved his goals.
This is the first chapter that shows any major revision in this direction. In the original, Hrathen simply walked along, thinking to himself. I added Telrii to the second half of the chapter, putting some of Hrathen's internal musings into their discussion. I cut some of the more repetitive sections, and then left the others interspersed between lines of dialogue.
The result is, I think, a very strong new section.
You are releasing a graphic novel version of White Sand, which one is going to be canon to the Cosmere, the graphic novel or the novel you originally wrote?
Oh definitely the graphic novel. The book I originally wrote has its problems, and I never released it. The books don't become canon until I release them. This will be the canon release of White Sand. I don't think-- If the graphic novel does well we are not going to write novels, I'm going to do the second one as a graphic novel original. That's just how we are going to do it-- is my plan right now. There are things when we went back to it that we tweaked, for instance Hoid's appearance in the original novel was only a reference. He was mentioned by, what did I end up calling him, Eis? Ais, I had both names for a while, it was only a reference to one of his old cases, that's his only appearance. And we're like "Ehh people are going to expect more now". So we are writing in a better appearance for him. Stuff like that, I feel Khriss' character needs better development than the novel had, so we are working on that. Stuff, you know. Things you would do in a major revision.
You mentioned that Sazed is the character you aspire to be. Why is that?
He listens first, and then speaks, which is something that I sometimes have trouble with.
So it is said that the Lord Ruler created the nobility out of the people who supported him in his rise to power, making them taller, stronger etc.
But how does that make sense? Wasn’t his rise to power after he ascended and used up the power at the Well of Ascension, so how exactly did he change human physiology after the fact?
Unless I’ve gotten it wrong and I’m misunderstanding what happened, this timeline doesn’t fit.
There are a lot of myths about things the Lord Ruler did that aren't accurate. Most of what is said about the skaa and nobility by characters should be taken with a grain of salt.
Ah gotcha, thanks for the reply! I guess I gave it more weight because Sazed speaks about the difference as fact in the HoA epigraphs.
Thanks for the clarification!
The LR did distribute beads to some people, essentially creating major noble families with access to Allomancy. So there is truth behind what people are saying. They have just taken it too far.
Just to clarify, this is the Sazed thing he's talking about
The Balance. Is it real? We've almost forgotten this little bit of lore. Skaa used to talk about it, before the Collapse. Philosophers discussed it a great deal in the third and fourth centuries, but by Kelsier's time, it was mostly a forgotten topic. But it was real. There was a physiological difference between skaa and nobility. When the Lord Ruler altered mankind to make them more capable of dealing with ash, he changed other things as well. Some groups of people—the noblemen—were created to be less fertile, but taller, stronger, and more intelligent. Others—the skaa—were made to be shorter, hardier, and to have many children. The changes were slight, however, and after a thousand years of interbreeding, the differences had largely been erased.
Sorry, I don't think I read the topic closely enough. The issue here is that OP is, I believe, conflating the people the LR changed and the ones he gave beads to. The changes are real, but not nearly as important as people in world theorized about over the years. (At least when one talks about northern continent people.) What Sazed says here, however, is factual. (Though he doesn't know the LR's intentions, only what he did.)
To clarify, I meant to ask how did he decide who to make nobles and who to make skaa? From what I remember he made his supporters the nobility, which would imply that he made the changes in the balance after he had already used up the power. Right? Or am I misunderstanding and the nobility have nothing to do with who his supporters were?
He didn't have supporters at that point, not really. He did have people he liked, and groups of people he wanted to advantage--and other goals as well. But he was mostly a guy from the backwaters who didn't know a ton about world politics.
The people he liked later on were the ones he made Allomancers, and they became the most important noble houses. It's possible I didn't make this very clear in the text, though. It was a bit tricky to decide what I wanted to make clear and what I didn't.
I'm very curious about who writes the Ars Arcanum?
Ars Arcanum are all written by Khriss. She is a character from White Sand, which was my first novel. Never got published, but we did the graphic novel versions of it. She appears on-screen at a party with Wax in the third Wax and Wayne book. She dances with him.
When you say Scadrial has an earth similar year, are you referring to the time it takes the planet to go around the sun? Or the year as people on the planet would measure it (e.g. Vin is fifteen years old when her brother leaves her)? Are these the same thing?
While I'm here, a selection of related questions for you if you have the time:
I mentioned in another post that I'll wait a bit to give you exact numbers, because I want to make sure Peter has run all the right calculations. But yes, changing the orbit had an effect on things--though official calendars didn't need to change, as they'd been used since before the original shift happened anyway. When we talk about 'Years' in the Final Empire, it's original (pre LR) orbit anyway. I knew I was going to go back to them later in the series, and when characters were actually aware of things like the calendar, it would be close to earth standard.
Though, since you mention it, all numbers mentioned in their respective series are in-world numbers. This makes things tricky, as Rosharan years (with the five hundred days) are blatant enough to start the average reader wondering about these things.
Mostly, Roshar is the big one (not in actual deviation--I think a Roshar year is only 1.1 Earth years--but in how the scope and terminology of the novel will make people start to notice and ask questions.) Other planets have deviations from Earth, but it's not as noticeable. We'll give specific numbers eventually. I promise.
Who or what is Hoid? Or Wit?
Wit? He is a person who has shown up in all the books. What else do you want to know?
All of the books?
He has shown up in all of my epic fantasies, yes.
Every single one of them?
Yeah, he's been...
Wit or Hoid?
Hoid-- is the same, Wit.
But how do you know it's him?
Because he says his name in all of them.
As Hoid?
As Hoid.
Really?
Yep.
I-- now I need to be more careful.
How does he know so much information about what's going on, and how is he always in the right place at the right time?
Those are two excellent questions.
That you won't tell me.
That I won't tell you. You get a [RAFO] card. But he has a sp-- surprising ability to be in the right place at the right time very consistently in the cosmere. That's the name of the shared universe of all the books.
I didn't realize it was a shared universe.
Yes, it is. There are characters in Way of Kings from Elantris, and... yeah. But it's all Easter eggs. It doesn't-- it isn't something you have to.
So it's not, like, crossovers.
There are crossovers, but it's all Easter egg-ish right now. Some day there'll be one where I do full-blown crossover. For now the story is about this. And so the crossover is all just in the background.
On tour, I did a reading from what up until now was listed as "Mystery Project" on my website. If you missed the newsletter explanation, I've pulled the book I was going to release next year (The Apocalypse Guard) because it needs more work. Instead, I've turned my attention to something else—and after a furious bout of writing, I'm confident in where it's going. So it's time to announce Skyward.
Like Steelheart and its sequels, this is a kind of borderline YA/Adult project. In the US, it will be published by Delacorte Press (publisher of Steelheart) in the Young Adult section of bookstores, while in the UK it will be published by Gollancz (publisher of almost all my books) in my main line, shelved in the science fiction/fantasy section of bookstores.
I've mentioned Skyward before in summaries of stories I'm working on, but haven't said much about it. I started noodling with the ideas in 2012, I believe. (The year that the Write About Dragons recordings of my lectures happened, where I mentioned it briefly—but not by name.) The first outline thoughts are dated summer 2013. It's a book I've been wanting to write for a long time, and it finally came together this year.
It has its roots in some of the very first books I ever read as a young man getting into fantasy. Like many young readers, I was captured by books about dragons, specifically books about boys who find dragons and learn to fly them. These have been staples of the fantasy genre for some fifty years. For me, it was The White Dragon by Anne McCaffrey and Dragon's Blood by Jane Yolen. For others, the "boy and his dragon" story that captured them was Eragon, or How to Train Your Dragon.
I've always loved this story archetype, but I've never written anything using it. This is in part because…well, it's a familiar story. Too familiar. I wasn't certain I could add anything new to it. So I left it alone, letting ideas simmer, until in 2012 something struck me. Could I mash this together with a flight school story like Top Gun or Ender's Game, and do something that wasn't "a boy and his dragon," but was instead "a girl and her starfighter"?
Skyward was born, much like Mistborn, with me taking two ideas and mashing them together to see where they went. And they went someplace incredible—I grew increasingly excited about the project, as I saw in it a chance to both play in a space I loved, and do some very interesting things with story and theme. It wasn't until this year that I got the personalities of the characters right, but I really got excited when I found a place for this in the lore of stories I'd been creating.
The official pitch is this: Defeated, crushed, and driven almost to extinction, the remnants of the human race are trapped on a planet that is constantly attacked by mysterious alien starfighters. Spensa, a teenage girl living among them, longs to be a pilot. When she discovers the wreckage of an ancient ship, she realizes this dream might be possible—assuming she can repair the ship, navigate flight school, and (perhaps most importantly) persuade the strange machine to help her. Because this ship, uniquely, appears to have a soul.
As I've played with Skyward over the years, I tried to pull it into the Cosmere, then found it didn't work there. However, it is in the continuity of something I've written before. Something that isn't the Cosmere, and isn't the Reckoners. And no, I won't say anything more for now.
The goal right now is to have Skyward done in time for a publication date of November 6, 2018. We'll see if I can meet that deadline! I'm optimistic. As always, you can follow along on the progress bar on my website. Look for a cover reveal and chance to pre-order soon!
