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Phantine

At the risk of getting too technical, is there anything besides lack of knowledge preventing a soulcaster from turning some rocks into a bunch of plutonium and exploding?

I know you've got some rules attached to time bubbles to avoid those going nuclear so I wouldn't be surprised if there was something or another.

Brandon Sanderson

Well, Soulcasting isn't fission or fusion. It's a spiritual transformation process, not a physical one, and so you don't have to worry about some of these issues. There IS historical precedent of accidentally setting off fission reactions in the cosmere using the magic, but that was a different process. Soulcasting is actually pretty safe. (Well, on a grand scale.)

You could end up irradiating yourself, though, which wouldn't be very fun.

If you know what you were doing, making plutonium or uranium on Roshar wouldn't be difficult. The problem is more a matter of knowledge, and room for scientific exploration. They're unlikely to make atom bombs for the same reason they haven't made gunpowder. Once they figure out that some substances are important, they can learn to make them with Soulcasting (assuming they have Radiants) but some substances just don't occur naturally--so discovering them in the first place is difficult, and would require more modern scientific process.

Phantine

Okay, just to clarify here (since I'm not sure how up you are on early nuke designs)

A big enough chunk of uranium or plutonium will explode regardless of whether it's in a bomb or not. Early bomb designs just slammed two smaller chunks together so they'd be one big chunk.

For plutonium 'big enough' is about 35 pounds in one place - a chunk somewhere between the size of baseball and volleyball.

If I understand properly, people can soulcast from the cognitive realm into the physical, which implies once we get into a more modern stormlight setting soulcasters will make nuclear submarines look like small potatoes.

Brandon Sanderson

Slamming two chunks together so they became one big chunk seems an understatement, from what I remember. I'm under the impression that you had to use a great deal of explosive force to ram them together in order to set off a viable fission reaction. Doesn't it have to be compressed somewhat in order to react with itself?

I'll admit, it's been a long time since I've looked at this, but I remember glancing it over, and deciding that you'd need more than just soulcasting to get it to happen. Though it's not outside of reason that a soulcaster could learn to create super-dense plutonium. The problem is one of understanding, however.

Just like it's totally possible that we, with our current technology, could figure out some huge breakthrough in science allowing FTL or other incredible discoveries. But we don't have the understanding to pull it off yet.

In a modern setting, however, a lot of these complaints go out the window. Let's just say that this isn't the only reason a modern society that can instantly transmute one substance to another is potentially a very interesting place.

Phantine

You're totally right that everyone currently uses an 'implosion' style compression design. It's a lot more bang for your buck, and you need less radioactive material to work with. They're also a lot safer, because just sitting around they're well below critical mass - without the power-boosting tricks they basically can't go off.

The old "nobody uses these anymore" designs were 'Gun-Type'. Very simple - shoot a uranium bullet into the center of a uranium ring (or vice versa). Inefficient as heck (the Hiroshima bomb only fissioned 1.4% of its uranium), but also super simple to put together.

Despite being simple to build, gun-types were also super unsafe relative to modern implosion devices (among other worries, dropping a gun-type device into the ocean could potentially set it off because of how neutrons react with water). Also, getting the timing perfect on the fissile 'bullet' was a problem, so practically speaking it could only be done with uranium.

After WWII, the only use the US ever had for gun-types was in bunker busters and nuclear artillery (because of course that was a good idea).

Darn, that post turned out longer than I expected it to.

Anyway, I'm looking forward to see you make something really cool out of a post-scarcity transmutropolis setting (especially since the liespren would be in charge of nuclear treaties), and also my roommate just pointed out all the laying out of nuclear bomb details is pointless if they could just make antimatter instead. D'oh.

Brandon Sanderson

This is useful information for me, but my gut says that Rosharans couldn't get this working with their current tech level. That said, the REAL issue (as you mentioned in your original question) is knowledge, not feasibility. They'd have to know how to make the right kind of Uranium or Plutonium--and would need to be able to get this across to a soulcaster in a way that works, then THEY would need to get this across to spren. Cross that hurdle, and I suppose it's not at all implausible to imagine Alethi during Dalinar's era with nukes. I suspect the right kind of fabrial could make a trigger device to match ring and bullet at the right time. Depends on how quickly it needs to be going, though.

mooglefrooglian

If metals shape the Investiture in Allomancy, causing a Steelpush or whatever, how is it that the mists can be used to perform the same feat? What is 'shaping' the inhaled mists into a Steelpush, if there's no metal "nozzle" to do so?

Brandon Sanderson

Consistently through the cosmere, once you have the power in hand and it has permeated you, will becomes your nozzle. This can be seen in Warbreaker, where the power has been distributed and inhabits the people. The nozzle idea is important for Magics that are drawing power externally, as it keeps the power from overwhelming and destroying you. (Which, basically, happened to Vin at the end of the Trilogy--she got consumed by the magic. She became something new, now, so it didn't KILL her. It destroyed what she was, transformed her into something else.)

So you see magics like on Sel and Scadrial where a specific nozzle is needed--as the power source is external, at least with Allomancy. Will and intent take a backseat, though still pop up on occasion. On Nalthis (and in a lesser way, Roshar) will and intent are more important, and what you are trying to do shapes the magic more directly.

A little direct manifestation in this is found in the subtle differences between Allomancy and Feruchemy. In Allomancy, when you enhance the senses, you just get a blast of power--and all senses are enhanced, whether you want them all or not. In Feruchemy, you can be more precise, and pick a specific sense to store. The power is internal here, and therefore more limited in how much you can draw--but you can also be more precise with its manipulation.

Note that Roshar Surgebinding is a special case, as the magical symbiosis there is stronger than it is on other worlds, as much of the magic involves bits of power who have become sapient.

uchoo786

How much crossover is there in use? Like if one "breathes" in the mists they can use it to power their allomancy. Could an Allomancer utilize stormlight to power his allomancy as well?

Brandon Sanderson

Most of the magics can be hacked together in one way or another, but some are easier to interchange than others.

JazzyKandra

I've been wondering about Cosmere holidays and feast days, specifically for Mistborn. I'm wondering, does Era 2 Scadrial have a Christmas-like or Easter-like holiday, and is it called Maremas?

Brandon Sanderson

No, this is something I think about and then don't have as much time ever to work in as I want to. They have quite a few holidays and feast days in Era 2 Mistborn, partially because Era 2 Mistborn was founded by a bunch of people who didn't get a lot of holidays during their life and then suffered through quite a bit in their lives, and then found themselves in a situation where, perhaps, hard manual labor, while important, was not as necessary as it might be in some other situations. So yeah, there are quite a bit; they are good at taking time off. Probably the best of all of the cultures depicted in the book... I don't know. They're gonna have a lot of feast days on Nalthis also.

Yes, but I would have to go to my notes. I'll try to do a better job of getting more of those in the books. 'Cause it's a place that I feel like I don't do enough. I don't talk enough about sports, I don't talk enough about feast days. Everything is about the plots of the stories, and sometimes I wonder if this just presents an inaccurate representation of the society. But of course, when our viewpoint character is someone like Wax, who looks askance at holidays, then I get a little bit more leeway on that.

Questioner (paraphrased)

Who would you ask to finish the Cosmere if you were unable to?

Brandon Sanderson (paraphrased)

Brian McClellan. He's one of my students and he also writes epic fantasy.

theomnilurk

Are there any cosmere books you’d recommend reading/rereading before RoW comes out? For instance, Vivian from Warbreaker appears in Oathbringer, so, those who don’t know that character would benefit from reading Warbreaker before Oathbringer.

Brandon Sanderson

I don't think there is anything in this book on the level of that from Oathbringer, so I'd say no right now. In general, Stormlight readers will need to be aware there is a universe out there, but I try to put the knowledge they need to know in these books themeselves, not requiring external knowledge.

Isaac Stewart

Thought I'd just get this out into the world since I hadn't yet: The Feruchemical symbol for Harmony.

ArgentSun

Ah, so I am not the only one who thought they looked like fangs

Isaac Stewart

I was looking to the Feruchemical symbols for lerasium and atium for inspiration. Thus the sort of fang-like projections. :) This is starting to look very Decepticons to me...

QuestReadyMD

So cool. The symmetry is perfect. I also love that you can see elements of the symbols of lerasium and atium in it.

Isaac Stewart

That's exactly what I was going for. Glad you saw those symbols in there!

ArgentSun

Hey, you say Harmony do you mean harmonium? As far as we know, we only have symbols for metals, not Shards

Isaac Stewart

The symbol for Scadrial (at least among the Cosmere-aware) is also the symbol for Harmony but will probably also be used for Harmonium. It was a mashup of the other god metal symbols. It was natural to make a symbol to fill this void in the Feruchemical symbols as well.

Joe Sanders

Was this on purpose or is it an accident? I can see both the symbol of the Chalice and symbol of the phallus in this, is this a sign of him being an Eunuch?

Isaac Stewart

Totally on accident!

Giffyglyph

Rare to see symmetry in Feruchemy glyphs; does that reflect Harmony's "balanced" nature? Or perhaps an implicit connection to Roshar's glyphs...?

Isaac Stewart

Harmony's symbol was symmetrical and balanced in its Allomantic form, so I decided to carry that over in its Feruchemical form. No relationship to Roshar's glyphs. :)

UppityDarkeyes

When the Internet develops somewhere in the cosmere, will Hoid become a forum troll?

Brandon Sanderson

You bet he would. He would probably be like KenM.

Chaos

Do you ever worry, like, when you actually need to write Hoid's backstory that it... That's a lot of pressure, in a way, Hoid's backstory..

Brandon Sanderson

It is a lot of pressure, yeah. I am not worried about the book being great, because the story that I have for it is a great story. What I am worried about is: what random things have I said in books that I didn't write down in the wiki that I need to make good on? That he's mentioned doing at some point. Those are the things I worry about. The actual story is really solid for Dragonsteel, the new one. And I think people will really like it. I think it does cool things. But we will see. We'll see if I can.

The longer it goes without me writing it, the more expectations there will be on it. And so I should be telling people, "Look, it is just a book like the other ones." It is hopefully a great book that you will really love, but it is just a book. Once I write it, it can no longer be all the things you're imagining it to be, and I apologize for that. I do want to do it, but it is just a book. It's going to read like a lot of my other books. It will be in first person, which is the only planned first-person cosmere series. That will set it off and be distinctive in ways I think will be cool.

Questioner

If you could have any two characters cross over from different series, which ones would they be?

Brandon Sanderson

Well, you will be seeing that as it happens, right? Because Stormlight and Mistborn are in the same universe, so you will see. If it were not limited to the Cosmere, then I'd be very interested in seeing Moiraine from The Wheel of Time.

simonthekillerewok

How much have the aethers changed since Aether of Night? 

Brandon Sanderson

The big change I made to the aethers, other than adding this other world... A couple things going on with the aethers.

First off, when you finally meet people who bear the aethers (which we're calling aetherbound, currently, and I like that term), you will find that, in order to differentiate them from things like seons and things like spren bonds and things like that, I've decided that one core aether bonds a lot of people, and it's one entity that you are all bonding with. So, if you meet five aetherbound who have bound to the Verdant aether, they are all bound to the same individual, at least on the core aether world. And that just adds a different nuance to it. There is lore and worldbuilding that is different that I will leave. There's a lot that's the same; there's a lot that's different that I'll leave to you to discover. I am working quite a bit on this planet for future projects (which, no, I haven't secretly been writing yet). But that's the big change.

And the other change is that I decided that aethers would be able to... I would have different things happening with them, different strains. In their own lore, they were not... the aethers themselves don't believe they were created by Adonalsium. And so they're, like, a different sort of thing, a different entity, so to speak. And this goes back, even, to way back when I tried to write them into Liar of Partinel, them predating things like the Shattering and what not, and it feels right for how I want to treat them.

Those are a few little tweaks that you will eventually get. But the basic mechanics of how they work is the same as they worked in Aether of Night. I think that one of the things that really worked in Aether of Night was the mechanics of the aethers. I thought they had a lot of interesting storytelling play, I thought that they did different things than some of the other magics that I was writing did. And they have remained solidly a part of my brain for how the Cosmere will proceed. And that's why you see Mraize having a chunk of an aether and things like that in his trophy case. 

simonthekillerewok

We know there are multiple planets with aethers, so do both of these worlds exist simultaneously? Or is this one an evolution of The Aether of Night's Vaeria? 

Brandon Sanderson

They do both exist simultaneously; this one came from that one. The answer to both is "yes." 

Questioner

In Warbreaker, the royal family's hair can change colors based on their emotions. Why is it only natural colors? Is there a reason for that?

Brandon Sanderson

It's only natural colors, they could go further than natural colors. Basically, their perception is what's influencing that. They can actually change more than just the color of their hair, but as in a lot of things in the cosmere, the way you view how your abilities work shapes the actual abilities.

JHWOLFSTAR

I was wondering if you had any certain inspiration for Adonalsium, Hoid, and the Cosmere other than the concept of a Creation story itself. To clarify, I guess I'm asking if you had any other author you read as an aspiring author that did anything similar.

Brandon Sanderson

There are certainly authors who have done this sort of thing before. I generally tend to react against what inspires me instead of toward it. I've talked about this before—if I think someone does a very good job with something, I'll try to approach it from a different direction because I figure they've covered that concept. At other times, if an author does something that I thought could have been way cooler, then I will react I guess in that direction...I don't know if that's a reaction for or against.

Asimov eventually had an overarching plot/universe. Stephen King did it. Other authors have done it, but they have not planned it from the beginning. As well as Asimov did with some of the concepts, I was always disappointed in his attempts to bring all of his stories together into one world because it just wasn't meant to be that way, and it felt like that. It felt clunky—I've always preferred the early robot stories and the early Foundation books to the later ones.

So I felt that if I was going to have a supermyth, so to speak—an overarching paradigm for these books—it would have to have a number of things. One, it would have to be limited in scope, meaning I wasn't going to try to cram everything into it. That's why ALCATRAZ is not involved in any of this. Number two, I would have to plan it from the beginning, and number three, I would want it to be subtle. In other words, I don't want it to come to dominate any of the stories because I want the books, the series, to stand on their own. I want this to be something that you can find if you're searching, but that will never pull the characters of a given book away from the focus on what is important to them.

wiresegal

In OB, you explained that the Singers have four sexes. I was wondering... Can the Singers have genders other than those four, like humans? Even as simple as just not going with male, female, or malen/femalen. Could a transgender Singer use their ability to shift forms to change their biological reality? And, finally, could a Spren be non-binary, if it wasn't personified in a typical male/female way?

Brandon Sanderson

In the cosmere as a whole, a person's perception of themselves has a lot of power over both their Spiritual and Physical forms. It is possible, with Investiture, to change their biology to match Cognitive perceptions--and while this could be easier for some races (like the Singers) it's not outside plausibility for any race.

There are non-binary spren, actually--and you should be meeting one important one quite soon in the books.

Questioner

Last month you posted a picture of your Dropbox right and there is that one folder that we read about. Is there anything you can tell us about that yet?

Brandon Sanderson

So I posted a picture of my Dropbox and I just happened to have crossed out one of the folders. What can I say about that-- you'll know eventually. There's not a whole lot i can say about it because its mere existence is a spoiler to people who haven't read certain other books. And so that's the reason why I crossed it out.

Questioner

We can assume it's cosmere?

Brandon Sanderson

I can't say either way. It's mere existence is a spoiler. You will find out eventually, but it is definitely a little side project that I may or may not actually ever finish.

Questioner (paraphrased)

Do you know what the next big series will be?

Brandon Sanderson (paraphrased)

Right now, my job is to finish things. I won't start anything before that. There's some other big books I want to work on in the Cosmere. I will finish Wax and Wayne and Skyward 4 after SA 4, then comes SA 5.

Questioner

Are there planets in the Cosmere in which there is no Investiture, and could Sig accidentally skip there and get permanently stuck?

Brandon Sanderson

There are no planets with no Investiture. You would have to have no matter in order for there to be no Investiture, because matter, energy, and Investiture are the same thing. There are planets where, let's just say, natural sources of Investiture that are easy to reach are not present. So you would have to figure out another way to make this all work, which would be very difficult. It is possible for him to get there, but the way the magic is working is he is being drawn partially to sources of Investiture, so it's highly unlikely he would end up on one of those planets.

Snoxcatko

At the end of Words of Radiance, when Hoid met Jasnah, he said he wasn't scared of the Shardblade at all. Is that just because he has enough Investiture to heal himself or is there something else going on?

Brandon Sanderson

There's multiple reasons but you're theorizing along the right terms.

Connor

Are you planning to release White Sand as a graphic novel exclusively, or will the story be published as a regular novel further down the line?

Brandon Sanderson

The plan is graphic novel right now. We'll see how the reception is, but I think it would be awesome if this entry into the cosmere story were always in a graphic form.

Gary Singer (paraphrased)

Could Lift convert food from other cosmere worlds into Stormlight?

Brandon Sanderson (paraphrased)

Yes. Lift's Spiritweb has something changed about it to allow converting mass to Investiture directly.

Zenith

Szeth mentions that Lashings don't work with shardplate (on?). Is there any way to get around this (As in, lashing with Shardplate on, or lashing people with Shardplate on), and, if so, does it have anything to do with the Knights Radiant and/or their Ideals?

Brandon Sanderson

This has to do with the nature of the magics in the cosmere. They interfere with one another. Something that contains a lot of power--we call it Investiture--resists the efforts of magic to influence it. A strong spirit can interfere as well.

Fakjbf

When Sazed ascended into Harmony, he recreated many extinct plants and animals based on the fragments of knowledge he learned about from various religions. Many ancient and medieval texts in the real world had pictures of animals with wildly inaccurate features and proportions. Were the texts that Sazed drew on fairly accurate, or are there herds of monstrosities roaming Scadrial now like on Roshar?

Brandon Sanderson

Fortunately, Sazed was able to work with something that you wouldn't be able to here. Which is—remember that Realmatic Theory is based on the theory of the forms by Plato. This is where I got it. I've been very open with that idea, that the first glimmers of that occurred when I was taking my philosophy classes in college. I liked the idea of there being this perfect version of something somewhere in another realm. Now, the thing I've done in the Cosmere is that that perfect thing can change and be shaped over time, but the remnants of those things were still there. He could latch onto something, something that knew what these things were supposed to look like, because he had this deific power.

So the answer is no, there are not versions of very very weird lions as drawn in illuminated manuscripts. I love where your brain went on this one. We were actually talking about, I can't remember the name of it, the wolf that they thought was killing all the people in France in the seventeen or eighteen hundreds, that they had these drawings of this monstrous wolf—where it was probably just a pack of wolves that were particularly hungry because their normal food source was being impacted by human expansion or something. But for a period of like five to ten years, perhaps hundreds of people got killed by this wolf, and all the depictions of it are these giant werewolfy sort of scary things.

I love seeing the pictures of all of those things, the pictures of giraffes on illuminated manuscripts that have just been described thirdhand to someone. Your brain is going cool places. You can make monstrosities like that with Hemalurgy, but fortunately Sazed did not run into that problem. 

Brandon Sanderson

Warning, Evgeni. I'm really considering doing a backpedal on savants. The more i think about them, the less I'm not liking how my current course has them being treated in upcoming books. I think it deviates too far from my original vision.

Argent

Hey, I wouldn't normally contact you directly like this, but given that you thought it important enough to reach out and let me know you might change how savants work, I figured you probably wouldn't be too upset by this message. I replied to your Facebook comment, asking if you could clarify a little bit which aspects of savantism you are thinking of keeping and/or cutting. I don't need an essay on the topic (though you know I'd love one!), just some details on what we can consider canon for theories, and what we should be careful around.

Brandon Sanderson

Evgeni,

So here's the problem. The more I dig into savants in the later outlines, the more I feel that I'm in a dangerous area--in that I'm disobeying their original intention. (Which is that using the power so much that it permeates your soul can be dangerous, a kind of uncontrolled version of a spren bond.)

And so, I don't want to let myself just start making people savants right and left. It needs to be a specific thing. Wax is the troubling one, as I have him burning so much steel that he's well on his way, but isn't showing any side effects. If I'm going to give him savant-like abilities, he needs savant-like consequences.

That's the danger, just falling back on savanthood to do some of the things I want, so often that it undermines the actual point and purpose of them in the cosmere lore.

So if I backpedal, it will be to contain this and point myself the right way, sharply curtailing my desire to make people savants without their savanthood being an intrinsic part of their story and conflict in life. (Like it was for Spook, and is for Soulcasting savants on Roshar.)

Feel free to share this.

Argent

Okay, so - if you do decide to go this route, I see the story implications (larger focus on consequences, less easy to get to the point where a character can be considered a savant). What I am not sure about is the potential for a mechanical change. Would a backpedal on your side cause a conflict with information you've shared with us, in or out of your books? Are you saying that it's possible that Wax won't be considered a savant (if you can't squeeze a good ramifications plot for him that doesn't contradict the apparent lack of consequences so far, for example)?

Brandon Sanderson

I haven't decided on anything yet. It's mostly consequences for the future--just a kind of, "be aware I'm not 100% pleased with how Wax turned out, re: savanthood and Allomantic resonance."

The idea of resonance is that two powers, combined, meld kind of into one single power. This is a manifestation of the way Shards combine. Wax was intended as a savant of the two melded powers. But without consequences in his plot, I'm not confident that I'll continue in the same vein for future books.

Questioner

Is the concept of the King's Wit inspired by Shakespeare's Twelfth Night?

Brandon Sanderson

Yes, a lot of Shakespeare's fools. But the fool in Twelfth Night, and the fool (for a different reason) in King Lear, both are inspirations. And I think you would find that as a blanket truth for a lot of us writers. I haven't asked Robin Hobb this, but I'm willing to bet that there's some Shakespeare's fool characters in that. Twelfth Night is my favorite of his fools. In fact, in the very first versions that I wrote of him, he was way more jester-like than he ended up being in the published version of the Cosmere. But if anyone reads Dragonsteel, the one at BYU, he'll feel even more like a jester.

sandersonfan

Why are the people of Roshar so much more aware of the Cosmere? They seem to know more than any other world you've written to date.

Brandon Sanderson

I believe the people of whom you are speaking are mostly not native to Roshar. On another side, however, it is the first planet we've seen with three Shards, and it is the furthest along in the timeline. One final thing is that they had some very unique experiences early in the planet's history. It involves the Heralds, and various items I think would be spoilers right now.

Questioner

So is there a connection with K's? Where the characters...

Brandon Sanderson

You mean names with K's?

Questioner

Yes...

Brandon Sanderson

I'm going to say it's more coincidence. It has to do with what I like to name people. Kaladin's original name was Merin and it was just bad. So I eventually settled on something I liked. I just like the sound of it.  If you dig down into it, most of the names in the cosmere do not have similar linguistic roots. Some do. I'm just going to chalk it up to coincidence.

Snote85

Is the story of the girl who looked up a story that is only known to Roshar? I know it could have spread out, especially since we see paintings alluding to it in the cosmere seen by a non-Rosharan but could it be a story they talked about on... say... Yolen?

Also, was the "god" from "God's love" mentioned by Hoid a piece that either should have or did belong to/with Passion/Odium? Cause that would make all the sense in the world to me that somehow Odium was Passion but because Odium once he lost love from his being... I know it doesn't make a lot sense in the timeline. I just can't get the thought out of my head.

Thank you for the time you spend answering my inanity or was it insanity. Either/or.

Brandon Sanderson

These are actually both RAFOs, I'm afraid. I do appreciate you asking, but I'm going to remain silent for now.

Questioner

Will there be any more of Silence from the Forests of Hell?

Brandon Sanderson

The world is very relevant to the cosmere. I have several books planned there, I don’t know how many of them I’ll write. I will at least write one of them. Silence herself is not a character from the books. I designed that story and it matched the world so I put it there. But yes there will be other things from that world.

Questioner

I think you're going to get asked a lot about the Cosmere today, so I wanted to make a question about the Reckoners saga, because, while I was reading it, there was one recurring thought in my mind, and it was, "Gosh, I wish I could have read this as a teenager," and it's equally enjoyable as a adult, but that kept running in my mind, and I was wondering if when you wrote it, you wrote it with these audiences in mind, or it's simply that David is so real and so like us when we were fifteen or fourteen that it came out that way?

Brandon Sanderson

I'm very curious that you noticed this, because in the United States, this is actually published as a young adult novel. In the UK and Spain, and France, it is published as an adult novel. And I very much left it up to my publishers to decide what was best for their market, because David is nineteen, which puts it on the border between is this a young adult or an adult novel. However, when I was writing it, my target reader in my head was me at age fourteen, because, when I was young, it wasn't that nobody gave me books--people did give me books, they tried to make me into a reader--but the books were all boring, and I think the great power of science fiction and fantasy is that we are able to mix deep thought and exciting narrative. Every morning, my wife makes a smoothie for my children with ice cream. They love ice cream, my three little boys, so they're very excited, and every morning she adds a handful of spinach to it, because they love the color green and they think it's cool to drink a green drink. Of course, she adds it because the spinach is very healthy, and I feel like science fiction and fantasy is very good at this blend for books. All of our books are green, because we deal with very important issues, but we mix them with wonder, exploration, adventure, and human experience.

The Reckoners is about power corrupting. I started the first book after driving on the road and nearly getting in a car wreck because someone pulled in front of me too quickly, and I was very annoyed with this person, and in that moment I imagined myself blowing the car up. I thought, "You are so lucky I don't have superpowers." It was a very cool explosion, too. Yeah, I have a good imagination. After this, I was immediately horrified, because I write books about people, generally, who get incredible powers, and then go on to protect others, but in that moment, I had the worry that I could not be trusted, myself, with those powers. So, The Reckoners is about what happens if people start gaining superpowers, but only evil people get them. It's Marvel's universe with no Avengers.

Pagerunner

Let's use a time machine and change the past. Let's say you aren't asked to finish the Wheel of Time, and instead fix Liar of Partinel. How do you think the Cosmere fan experience would have been different if mysteries like Hoid and the Shattering had been explored earlier?

Brandon Sanderson

Boy, this is an excellent question, and it's hypothetical enough that I can ignore my cheeky answer to time machine questions, [which] is always, "Don't go back in the past. I've seen that story too much."

In this case... Liar of Partinel. Liar of Partinel did not work. I had already abandoned it and started working on The Rithmatist. So, if I had not been asked to finish The Wheel of Time, most likely I would have thrown myself into The Rithmatist more. And then, the question becomes, would have I decided to do Way of Kings? Or would I have gone and taken another stab at Liar of Partinel? And for your hypothesis, I will say that I did that. I don't think I actually would have. I think that I was disappointed enough in Liar of Partinel and realizing that this wasn't the right time, that I would have gone a different direction.

But, for the hypothetical, let's say I did. What would it have changed? Certainly, I don't know that I would have gotten all the way through the Hoid series before starting Way of Kings. More likely, I would have done Liar of Partinel as a standalone, then done something else, and eventually released Book Two of that. Because, remember, back then, I had envisioned this as a seven-book series. I was looking for a big epic to do, and I thought, "Let's do the Dragonsteel series. And I'll do several books about Hoid. And then I'll do the full story of Bridge Four," which was then on Yolen, not on Roshar. So, you would have gotten that story on Yolen instead, and then, who knows where that would have gone. When I release Dragonsteel itself (which won't be too much longer), you guys will be able to read the earliest version of Bridge Four, back before Kaladin was involved, and it was on Yolen. So, I think, at that point, we would have learned more about Hoid, but we probably wouldn't have pushed all the way to the Shattering, I don't think.

But, hypothetically, let's say I do. I don't know how much of a change that makes, honestly, over Stormlight. Knowing the personalities of the three Shards involved and a little bit more on Hoid certainly would change your perspective on them, but Stormlight, assuming... I mean, it's so hard to go into these hypotheticals, because if I write Dragonsteel with Bridge Four, then Bridge Four isn't in Stormlight. It's very hard to imagine where Stormlight goes. It's possible that I make it completely Taln's story, and Stormlight becomes a five-book series, which focuses on what's going to be the back five. That would be my best guess of where that would go. So, instead of ten books, you get five books, and we focus on Taln as a main character. And Kaladin just vanishes. We don't have Kaladin as a character. He's replaced by whoever takes the lead in Dragonsteel. But, of course, the flip-flopping, what actually happened is, Dragonsteel shrunk to three books that focus on Hoid, 'cause I realized I was doing in Stormlight all the things that I intended to do in Dragonsteel, and they were working better in Stormlight, and I no longer needed that Bridge Four sequence in Dragonsteel because it worked so well in Stormlight.

So, it is hard to say what exactly would go on. You would know the personalities of the Shards, how about that? You would definitely know who they are. You would know a lot more about Hoid.

Badger (paraphrased)

What will be in Arcanum Unbound?

Brandon Sanderson (paraphrased)

- All of the things.

- All of the short stories and novellas that are part of the Cosmere by the release date will be included in it, as well as the Lift novella.

Questioner

You've spoken before about if the Shattering took place at a different time or in different circumstances, the Shards would have been different.

Brandon Sanderson

Could have been. Could have been different, yes.

Questioner

Does that mean, someone 100%s the cosmere and gets all sixteen, does that make them (or does that produce) Adonalsium? Or would that be different?

Brandon Sanderson

That is a RAFO.

Brandon Sanderson

Let me set up this piece for you. Let me see if I can--I'm gonna look at the file and see when I first started writing this piece-- The master computer, that if you ran away with you would get all of my secrets. *crowd laughs* Nope, it says created when I created this new computer, so that doesn't help me.

But this is old. This is like 8 years old. Maybe 9 years old? And this is a story that I started writing-- You can date it by-- because you guys have been waiting for it. You can date it by when I told people I had written this thing in interviews. So it may be 2010, I dunno. You'll be able to find out I think by looking through the interview archive.

I wrote this thing that is very cosmere-aware. It's very kind of inside-- sort of a little bit self indulgent. And I wrote it, I'm like, "I'm gonna post this on my website." And then I thought, "No, this gives away too much. I can't post this on my website, and so I'm not going to finish it. We're going to wait." But now most of the stuff that it gave away then has come out in things like Secret History and stuff like that, so now I can actually read it. So I called this "The Traveler."

DMTrnkers

Any other cosmere short stories in the pipeline?

Brandon Sanderson

I do have a couple more in the works! One perpetual one is the Silence Divine (which I'll probably rename, since I've used Silence in a title recently) about the planet where magic is tied to disease. But there are others!

Questioner

Aside from The Apocalyse Guard, are you planning on making a sequel to Calamity?

Brandon Sanderson

This is actually a really good question, because Apocalypse Guard was going to dig in to a few of the questions that Calamity asked at its ending. And so cancelling Apocalypse Guard leaves me saying, "Well, I maybe need to answer those questions." So there's a chance I will do a Mizzy book in the future. I'm not 100% sure, because I want to be closing off more things than I'm opening these days, so promising more sequels is a bad place for me to be.

But to run down the big sequel list, Legion is done. Reckoners is done. It doesn't mean that I might not do more, but just consider it done for now.

Alcatraz versus the Evil Librarians, halfway through the last book. Don't believe Alcatraz when he says Book Five is the end. He lies. You should know that from Chapter One of the first book. The last book is called Bastille versus the Evil Librarians. That one should be out pretty soon. That is the last book. You can trust me on that, because I'm saying it, not Alcatraz...

Rithmatist, I can't promise. It's the number one requested sequel I get. I was working on it when the Wheel of Time came along, and The Wheel of Time changed my career dramatically. It's been very hard to figure out how to do that sequel the right way. So no promises when on that, though it is still on my radar.

Warbreaker, Elantris, probably yes, but not until Stormlight Five is done. Stormlight Four, I start on in January. You can follow the progress bars. *applause* The last Wax and Wayne book will probably be also next year, as I need to take a break at some point from Stormlight.

If it wasn't on that list, then don't hold your breath. Most of the novellas I write, I write specifically so that I won't be starting a new series. Turns out if I write a novel, I'm very bad at writing that novel standalone by itself. Instead, I've written novellas in order to get the idea out of my head and be expanding the cosmere in interesting ways but not be promising sequels, okay? That said, there's a Threnody novel somewhere in me that will probably come out.

Questioner

If someone was a good enough writer, would you ever consider letting someone else write in the Cosmere?

Brandon Sanderson

It is a possibility. I'd be very wary of doing it, but right now, Isaac, who's my illustrator, wants to do it, and he's been a friend for many years. So I've said, "If you really want to you can." So I'm open to the idea. You probably want to be a professional writer first, and have your own things published.

psychomanexe

I think that in the Spiritual realm a person's spiritweb sort of manifests as a collection of "nodes" which are the Forms of their body/mind/subconscious, and these nodes are connected by "lines" which are interactions between the pure Forms. These lines are what actually make up the person's character, how the body is "supposed" to be (barring accidents/disease, basically what magical healing attempts to restore the body to), as well as what interactions with investiture the person can use (what magic systems they have access to)

Am I completely off base here or should I keep thinking about this?

Brandon Sanderson

This is a good line to be thinking along.

Dan Wells

This is actually an idea we came up with on the cruise last year was to do an episode about all the things that we have tried to make work and couldn't; the novels that we abandoned halfway through or the short stories that just never came together. And we thought it would be a really fun way to end this year in kind of a backhanded, inspirational way to say, look, we're all successful at this and we still screw up all the time.

Brandon Sanderson

Yeah. And it's not just what we do when we were trying to break in, not those old trunk novels. It still happens every year. Let's take each, our biggest one, like the thing we got the most involved in, or the one that was most tragic to us that we couldn't make work and talk about it. And I'll just go ahead and start.

Brandon Sanderson

I - right before I got the call for the Wheel of Time, which changed my life dramatically - I had finished the Mistborn series, I'd finished Warbreaker and Elantris, and next I thought, I'm going to jump back in the shared universe of my Cosmere and write the prequel series that started it all, where everything came from. This is the backstory of the character known as Hoid, who is a fan favorite. And I'm like, I'm going to do this trilogy, or more books. It's going to be super awesome. It's going to just be the greatest thing ever. And I actually finished the whole book and it was a disaster. It was a train wreck of a book. The character, for the first time - it's like this whole problem you have when you have a really engaging side character that you try to make a main character - didn't work at all as a main character, at least as the personality I had for them way back when. The plot was boring. The setting just was even more boring, which is saying a lot for me. I tried to pull and incorporate some different elements from books that I had tried before and none of them meshed. And so it felt like five books with a bad character and no plot. It was a huge, just terrible thing.

Howard Tayler

Did it have a good magic system?

Brandon Sanderson

The magic system was weak.

Here's the thing. It had a really good magic system from another world that I ported into this world that didn't jive. And the one that was from this world never meshed well with that. And so the magic system was really weak in that it was doing cool things, but in complete contrast to the tone of the novel. Dan may have read some of it, Liar of Partinel.

Dan Wells

Uh, no.

Brandon Sanderson

OK. The writing group which just kind of baffled by this. I actually tried -speaking of what we did last week - I actually started with the clichéd scene of someone being hung and then flashing back to show how they got there - like it had so many problems with it.

Dan Wells

72 hours earlier.

Brandon Sanderson

Yes. Yeah, it was, exactly. It was one of those things. Exactly one of those things. Like "I'm going to to try this tool. Oh, this tool is not a tool," right? Like some tools you try and you're like, "Oh, that's a cool tool that doesn't deserve its reputation." Some of them you try and you're like, "This is so..."

Dan Wells

There's a reason everyone makes fun of this one. Wow.

So I kind of want to ask questions about how bad it was.

Specifically with Hoid.

Because that's what fascinates me about this. He was, he is a fan favorite and he's always the side character, you know.

He's the one who's sits off and makes goofy comments and, you know, maybe appears once and then leaves. What did you do when you attempted to make him a main character? Like what was your process there?

Brandon Sanderson

So I knew the biggest chance for failure on this was, you know, taking him a bit, having be too wacky through the course, right? It's the Minion movie thing, which worked for my kids, but for a lot of people are like "These side characters that add flavor to a larger story, when you make the whole story about them, are super annoying." I'm like, I can't have him be super annoying! Well, that's OK. It's you know, when he was young, when you're seeing him in the books, he's hundreds and hundreds years old. He was young, and so I will take that part out. But I did this weird dual identity thing with him, where he was like pretending to be someone else for a big chunk of the book because it had a really cool twist when I did the whole reveal. But then that meant I had to characterize him as somebody you grew too emotionally invested in somebody to...at the end you're like, "Surprise! In the next book you'll get to know who he really is." Which was part of it. And the person I was having him be was bland on purpose because it was like trying to hide and pretend to... Oh, man! There were so many problems with this character, like it was trying to be too clever, leaving out the cleverness that had made him a fan favorite on purpose. Right? So it's a different kind of cleverness. And it just did not work. Didn't work at all.

Dan Wells

Do you think that if you were to write that book today, you could make it work?

Brandon Sanderson

I have completely scrapped that, and what actually changed my opinion on how to do this was Name of the Wind. It needs to be him in the future, flashing back and talking about himself because people will have already bonded to who he is in the future. And it needs to be a memoir. It needs to be...the Assassin's Apprentice is a better example of what this needs to be, because Robin Hobb does such a great job of showing you that contrast between what someone is now and what they've become. And so I need to do something like this. This is now my feel on it. If I then can set in his own voice, I can have these, you know, this first person where we're really, really fun in Hoid's voice for all, and then he fades into the story when he's telling a story, he's not nearly as, you know, he doesn't try to zing you every minute, he tries to tell the story well. That's who he is. And so he will tell the story well. And then we can pop out occasionally and get, you know, it's like Bilbo from The Hobbit.

Brandon Sanderson

So we'll see if I can write it. But that's my plan right now. And there is my true confession of failure. There've been other ones since, but that's the one that hurt, hit me the most. I actually wrote The Rithmatist as I was supposed to go into the sequel to this and start outlining it, and I'm just like "I can't, this book is so bad." And I wrote The Rithmatist without telling any one of my editors I sent that in instead of Liar of Partinel.

Questioner

I was wondering if there will be any follow-up books to Elantris?

Brandon Sanderson

Follow-ups to Elantris. Yes, I would like to do some sequels. They are probably the sequels to the world rather than sequels to the characters. One of the reasons I didn't do them, or haven't done them yet, is when I first published, Elantris was my sixth book. It was the first published of those thirteen I wrote. It's the only one of those thirteen that got published. It was the only one that was worth being published. And when I wrote it I was really excited by Mistborn--or when I published it, because it was years later. I thought I could do a really good job with a trilogy. When they said, "Do you want to do a sequel to Elantris?" I thought, "I really like that there are sometimes really great standalone books to try an author out on, and I would rather people be able to have a standalone to try me out." Because back then I remember looking at new authors coming out and saying, "Brand new author. Book one of twenty," and thinking, "I don't know if this author can pull it off," right? I would rather try them out on a single book, or maybe a trilogy, and see if they can really tell a good story before I commit to something huge. So I figured doing a couple of standalones--I did two standalones and one trilogy before I launched into anything big of my own, because I wanted people to be able to try me out. And I really like how Elantris has stood on its own as a single book.

I do have plans for some follow-ups. Elantris, that world, is pretty important to the cosmere. I need to bring it up to speed with the other things. So there will be sequels, but like I said they're going to be world sequels. Like Sarene and Roaden may get mentioned and you may see them, but they won't be the main characters.

Questioner

So if there *inaudible*.

Brandon Sanderson

Yeah, yeah. Maybe a little closer to like-- For years I wanted to do the sequel about Kiin's children (that's Sarene's uncle). Like after they're grown up have them be the main characters, and I was kind of seeding that. We'll see if that's still the way I go, but that's the plan right now.

Schaaschaa

How significant of an event or time period, on a cosmere scale, was the Reod actually? 10 years seems like a blip. Do most worldhoppers even know about it?

Brandon Sanderson

It was a big enough event that by now, yes they do. Most worldhoppers, actually no. Because most worldhoppers are going to be common tradespeople, things like this. Running caravans from Roshar to Nalthis or things like that. The majority of them are not paying attention to things that are happening, so I'm gonna say the majority wouldn't. But the arcanists, the people who are watching the various magic systems, who know about the Shards and are paying attention to this, what happened on Sel was a big deal.

yahasgaruna

I vaguely recall reading a WoB somewhere saying you were toying with the idea of doing cyberpunk Mistborn between Era 3 and 4. Have you shelved that completely?

Brandon Sanderson

It's still there in the back of my mind, but I'd need to see how Era Three plays out before I say more. Beyond that, I have to make certain I'm setting goals I can realistically finish before I'm too old. I'm trying to contain the scope of the cosmere to be certain I don't start too many things that slow down the release of the main line books.

simon_thekillerewok

The Mistborn cyberpunk era and the 1940s era would certainly be fun to see glimpses into in novella form, even if they'll never be the main "Eras".

Brandon Sanderson

That's a distinct possibility.

taveren

If someone goes to every planet and get Invested from every Shard, if he was Invested enough would he become a new Shard?

Brandon Sanderson

That’s an excellent question that I’m not going to answer.

taveren

And I am assuming you will not answer if anyone is trying to do that.

Brandon Sanderson

Yup, I am not going to answer. Sorry. That's too deeply related to things that are happening in the Cosmere and I don’t want to dig into for a little while yet.

Luke Monahan

I was wondering if you could only write in one universe from now on, assuming it was any one you wanted, what would you pick?

Brandon Sanderson

Well you gave me an out, since so many of my books are in the same universe.

Luke Monahan

You know, I thought you might say that.

Brandon Sanderson

So that, I could cheat and just say the cosmere, but I think the soul of the question is which series would I write on.

And I would probably have to... boy it would probably be a toss up between Mistborn and the Stormlight Archive, Mistborn because I've invested so much into it already. If I can only pick one, I would probably pick Stormlight because there is so much left to tell there and I've got a lot of places to explore, but I would cheat and say they're all in the same universe.

Zane Borrow

Would you ever consider creating a sport in one of your series similar to a quidditch thing?  Selling jersey and such?  Mistborn Dodgeball?

Brandon Sanderson

Yes!  In fact, the previous Wax and Wayne book has little hints about this, and the new one has another step forward.  Obviously, Rithmatist is this; but they mean in the Cosmere and more of a formalized sport.

For those who don't know, part of the reason I wrote the Rithmatist is I'm like, "I wanna do a book where they use the magic for some sort of game or sport."  But you can anticipate in Era 3 fully Metallurgic Arts-enhanced sports teams.

The Not So Dark One

With your penchant for developing very different types of world and types of magic as you go from series to series are you ever tempted to allow other writers to expand your universes in the way George R. R. Martin does with the Wild Cards series? Open but controlled?

Brandon Sanderson

I have never been tempted by this, basically because I have so many things balanced in the Cosmere to not interfere with one another, to make the story come out the way I want. I would be worried about things breaking continuity. And if there are stories in these worlds worth telling, they're stories I want to tell. That doesn't mean I won't eventually do something like that; I would consider it someday, but I haven't considered it yet.

PrncRny (paraphrased)

How and when is the type of Misting you become determined? Can you tell what type of Misting you are before you Snap?

Brandon Sanderson (paraphrased)

It's determined at birth. The cosmere by combining 3 aspects of self. Your physical self, mental self, and spiritual self. The spiritual self is tied to the Investiture of the world that you come from. When an Allomancer snaps, a piece of their soul is broken and some of that power leaks into them, giving them their abilities.

Questioner

Would copper or, like, an aluminum hat influence subliminal messaging and that kind of thing?

Brandon Sanderson

*laughs* Only if they are working through cosmere magics. Not if they are just normal... which is of debatable effectiveness anyway.

AndrewStirlingMacDonald (paraphrased)

Is being a little bit crazy a prerequisite to becoming a Knight Radiant?

Brandon Sanderson (paraphrased)

Well, so, for many of the cosmere magics to work, you have to... it has to get into the soul somehow. Right? Sometimes you ram it in by spiking someone else's soul and ripping off a piece and sticking it into yours. Sometimes, it just seeps in the cracks. Sometimes the bond allows it to kind of bypass some of this, but it's usually traumatic experience. So crazy is not required, but there's got to be a place for the magic to go, to get in.

Questioner

Is Hoid a dragon?

Brandon Sanderson

Oh I will give you a RAFO card. You're very good, Have you read Dragonsteel?

Questioner

I have not but--

Brandon Sanderson

Don't read it, it's bad.

Questioner

Okay then. I am just-- What? Okay then. That's awesome. We have some ideas but-- Hoid is amazing. I figured he was really old but it's cool knowing for sure that he's exceptionally old.

Brandon Sanderson

He is one of the oldest people in the cosmere, but he is not the oldest.

Questioner

Ahhh...

Brandon Sanderson

The person he is writing a letter to is indeed older than he is.

EEroden

Can any invested person "skip" to other planets if they have enough investiture and the knowledge to do so? If not, is this ability specific to Nomad?

Brandon Sanderson

What's happening with Nomad is fairly individual to him, though based on Cosmere logical principles.

Brandon Sanderson

Hello, all. Time for another update on your book. (See the last update HERE, if you are interested.)

This post WILL have Oathbringer spoilers, and slight spoilers for Book Four. So if you are concerned about those things, here is the no spoiler update: I just passed the 50% mark! The book is looking good so far. Moshe had some very enthusiastic and positive things to say about the first chunk I sent him. I'm still hoping for a Christmas 2020 release.

Now, for slight spoilers. At this point, I've finished the second chunk of the book. This means I've finished viewpoint cluster two, for those who are following along. If you aren't, or if this confuses you, I whipped up a little visualization.

This book, as I've said before, starts with all the characters together--then splits into three groups of viewpoints. The first group is the largest, and the most involved, with five viewpoints characters. Two of these, however, will have only a few viewpoints (and one might just appear in other viewpoints, save for an interlude.) Really, this is the story of three characters, and forms the core arc of the book.

The second viewpoint cluster, which is the one I've now finished, follows two characters on a very involved--but more narrowly focused--plot. The final cluster takes two remaining viewpoint characters, and touches lightly upon what they are doing, without going into quite as much depth as the other two groups.

Now that group two is finished, I have turned my attention to group one--the most difficult of the sequences to write. This should take me a few more months. After that, I'll write group three and the interludes.

One issue I've been having with the book is the flashbacks. I'm not 100% sure they'll work the way I planned them to. In that case, it's possible I will toss them and doing them from Venli's viewpoint instead. I'm excited to write more Eshonai, but there's a real chance that the viewpoints will feel like fluff, as Venli is the one who knew the secrets happening behind the scenes among the Listeners at the time.

This might be a place where I have to kill my darlings and just do what makes the most sense for the narrative, even though the other way (with Eshonai having the flashbacks) always appealed to me from a "this is less expected" angle.

I can't say for certain, and my gut says that--in abstract--more people would enjoy reading about Eshonai as a character, but would find the chapters a little boring and out of place. Venli flashbacks would, instead, be filled with cosmere mysteries and answers that will be more interesting.

We'll see how it goes. I haven't written the flashbacks yet, so we'll need to see about them as I write.

Otherwise, how do we look? Well, my trip to France and Spain really took a bite out of my writing time. We're hovering right at about 30k words behind (with 200k finished of a projected 400k.) 30k behind is roughly one month behind. (We've been about this far behind since I started on the book, as touring delays continue to eat up any progress I make catching up.) Hopefully, September will involve a lot of good writing time, as I don't have any trips planned except for Dragon*Con this weekend.

Of course, come October, it's back on tour. (France and Israel this time.) The goal is still to try to finish by January. Getting halfway took basically five months, however, and there are only four months left in the year. If I don't hit January for finishing, we're likely looking at a spring 2021 release.

As always, thank you for your patience and enthusiasm. Also, as always, I promise that I do consider these goals of when to finish only to be goals--not hardfast rules. I will take the time I need to make the book great, and if it comes down to delaying the book or releasing a novel that isn't ready, we WILL delay.

I will not be sending replies to this thread to my inbox, so there's a good chance I'll miss your comments. If I do, just let me say thank you again!

Brandon