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Why is there such an imbalance between the amount of atium and the amount of lerasium in the world? Also, why are atium and lerasium very imbalanced in Allomantic power (Lerasium is far more useful than atium, really)?
There isn't. Leras is just spread out further. He is in the mists, in the Well, and in the lerasium. Ruin's power however is condensed strictly in atium.
Yomen Is a Seer
That raises the question of how Yomen discovered that he was a Seer. He mentions that atium was too valuable to waste on testing for atium Mistings. That's true, but incomplete. The Lord Ruler did test his obligators for the power, particularly the high-ranking ones. Those he found were told of their power and used as an extra level of security. There weren't many, but there were some—and they tended to rise very quickly in the ranks (like Yomen) and be given important positions. Yomen's power with atium made him a valuable secret weapon, and when in a position of power, he could use his ability to quell rebels or perform feats of wonder to keep the people in line.
Metal in the Mistborn world, is it renewable somehow? Because when you burn it, it just goes away and then it's converted somehow into energy. Can they run out?
The way that atium gets back into the system is a bit of a hint... Atium grows out of crystals, and that is being distilled. Let's just say... Investiture is changing into matter as atium is being made.
Why didn't Vin know the Atium bead Zane gave her wasn't real? Cant she sense how big reserves are?
Atium reserves always look bigger than they are to an allomancer. It burns so quickly.
She just didn’t have enough experience with atium to realize she’d been duped.
Can any Allomancer burn atium?
Can any Allomancer burn atium? Atium, no. Asterisk but no. There is a reason why. But no, they cannot.
Using the Atium
I hope that the use of all that atium in this chapter was spectacular enough for you—after all, I waited three books to finally have them find the Lord Ruler's cache. I think that discovering it before this moment would have been anticlimactic. In books one or two, it would simply have meant wealth. The characters getting rich is all well and good, but I think that would have meant a letdown for the reader. All of that anticipation for something so mundane?
Instead, I wanted to use an entire army's—or at least a large platoon's—worth of Allomancers burning atium to fight two hundred thousand koloss.
If atium isn't a regular metal then why are there atium Mistings?
They were designed and created specifically to do what they did. Remember this is-- Preservation and Ruin were able to influence the world and rewrite people's spiritual DNA.
If someone isn’t an Allomancer, could they burn atium? Since it’s…
They could not burn atium. They would have figured that one out.
So nothing would have happened, or?
No. But there’s a little more to that story, but I’m not going to get into it right now.
What happens to god metals when a Shard is Splintered?
God metals are unaffected.
And atium and lerasium stayed unaffected when they merged?
Lerasium and atium that existed before were unaffected.
In Allomancy, normal metals are simply a tool that channels Allomancer's already existing Connection to the power of Preservation, which is why non-Allomancers don't get powers from digesting metal. But if I understand it correctly, god metals are an exception, since they are a form of a Shard's power, burning them directly uses the power stored within.
If I have this right, how come a normal person can burn lerasium, but not atium? Or could they, and no ones thought to try? But if that was true why are there atium Mistings?
Suffice it to say that what people both in the books and out think about the god metals has some holes in it.
Was atium truly one of the 16 metals, or can it be used by anyone just like lerasium?
Atium has some screwy things going on. It's not one of the 16, but not just anybody could use it.
I saw Brandon at a book signing back in mid-December, and I asked him about the 16 percent deal. He said that Preservation replaced the real External Temporal Metals with atium and malatium (at least I'm assuming malatium, but he didn't mention that specifically. He only said atium). So not-cerrobend and cadmium weren't counted in the 16%. nicrosil and chromium, on the other hand, were. So there are chromium andnicrosil Mistings running around, not knowing that they're Mistings.
We know that Hoid has a bead of lerasium. Does he have any atium?
He has access to atium, yes.
Allomancy is fueled by Preservation's body? How exactly does that work? And how does that interact with Atium—it's fueled by both gods' bodies?
The powers of Ruin and Preservation are Shards of Adonalsium, pieces of the power of creation itself. Allomancy, Hemalurgy, Feruchemy are manifestations of this power in mortal form, the ability to touch the powers of creation and use them. These metallic powers are how people's physical forms interpret the use of the Shard, though it's not the only possible way they could be interpreted or used. It's what the genetics and Realmatic interactions of Scadrial allow for, and has to do with the Spiritual, the Cognitive, and the Physical Realms.
Condensed 'essence' of these godly powers can act as super-fuel for Allomancy, Feruchemy, or really any of the powers. The form of that super fuel is important. In liquid form it's most potent, in gas form it's able to fuel Allomancy as if working as a metal. In physical form it is rigid and does one specific thing. In the case of atium, it allows sight into the future. In the case of concentrated Preservation, it gives one a permanent connection to the mists and the powers of creation. (I.e., it makes them an Allomancer.)
So when a person is burning metals, they aren't using Preservation's body as a fuel so to speak—though they are tapping into the powers of creation just slightly. When Vin burns the mists, however, she'd doing just that—using the essence of Preservation, the Shard of Adonalsium itself—to fuel Allomancy. Doing this, however, rips 'troughs' through her body. It's like forcing far too much pressure through a very small, fragile hose. That much power eventually vaporizes the corporeal host, which is acting as the block and forcing the power into a single type of conduit (Allomancy) and frees it to be more expansive.
Any more Mistborn stories in the works?
Yes. For those who aren't aware, when I pitched the Mistborn series to my editor originally, way back when, I pitched it as a trilogy of trilogies—a past-present-future—where I would do an epic fantasy trilogy and then I would jump forward hundreds of years and explore what happens with the magic in a modern-day technology level setting, and then I would jump forward hundreds more years and allow the magic to then become the primary means by which FTL—faster-than-light space travel—is able to happen. And so, the three metallurgic magic systems actually have FTL built into them. And so there will be a space-opera series set in the future, because I was able to plan all this stuff out finally knowing what I would be publishing. One thing that I ran into doing that was, when I delved into The Way of Kings and The Stormlight Archive, I realized that I wasn't going to be able to get to that second Mistborn trilogy any time soon, so I didn't want to have two big epics going on at the same time—I wanted, you know, one epic, and then other things—and so what I did is I said, well I'm going to try writing a short story in the Mistborn world, and this will be something exciting for people that, you know-- I kind of sort of do some of these things to keep Mistborn going.
And, I tried writing a short story and it flopped horribly. It was a terrible story. Wayne was in it, but otherwise it was awful. It just didn't work...
Okay. Anyway, so back to your story. I tried to write this short story, and it was awful. And I said, well, it's just not working, but there's some ideas here that I want to expand on. Maybe I'll write something bigger. And I started working on it, and I got about three chapters in, and said, okay, this is a novel.
Fortunately, I'd built into—this was a time where I'd built in myself a couple of months between Wheel of Time books to just do whatever I wanted. You can go back to my blogs at the time, and I said, people, I need a couple months to do something else to refresh myself. And so, I went in my outline to a full short novel that became Alloy of Law, and this is an interim book meant to be kind of more fast-paced, only focused on a couple characters, to deal with, you know-- I describe it as, sometimes you want to go have a big steak dinner, but sometimes you really just want to have a hamburger, and Alloy of Law is a hamburger. *laughter* It's faster. It's fun. It's meant to be a cool character interaction story, and with a mystery, as opposed to something that big.
And so I plan to do some more of those; I actually got about halfway through a sequel during moments of free time that unfortunately I can't continue because the Wheel of Time project went-- I would do it when I'd like send a revision to Harriet, and it would be, she'd be like, "I'll get back to you in three days," and I'm like, alright, I'll work on this. And then when the revision comes back, I don't keep going on this; I have to work on The Wheel of Time. It's not something I can put off. And right now with Stormlight 2—I have to do Stormlight 2; deadlines are so tight—but I will eventually get back to Shadows of Self, the second Wax and Wayne book, and you will get some more of those, to have some things going on in the Mistborn world until I get to the second epic trilogy, which will happen eventually.
Chapter Seventy-Four
Allomantic Secrets
Some people have asked me why the Lord Ruler was so careful to keep secrets about Allomancy. What would it have mattered if he let out that there were atium Mistings?
Some of the secrets offered a sizable tactical advantage. Keeping back duralumin and aluminum gave him and his Inquisitors (the only ones told about those metals, other than a few select obligators) tools that nobody knew about. Very few Inquisitors could burn duralumin (and most who did it gained the ability through the use of spikes reused from previous, dead Inquisitors—and those spikes were therefore much weaker.). However, those who did have the power could appear inordinately skilled in Allomancy, enhancing the Lord Ruler's divine reputation.
Beyond that, knowledge is power. I believe that. And I think that if you're the Lord Ruler, you want to keep a few secrets about your magic system. Mistborn are very rare. Mistings among the nobility—particularly in the early centuries—were not rare. If they'd known about atium Mistings, it could have upset the balance by creating too many superwarriors.
Plus, if there are unknown superwarriors to be had, then you want to keep them for yourself.
I am also wondering, does atium actually still regenerate?
Atium does not regenerate.
It stopped when--
It stopped when Ati stopped existing. Yep.
Could a Twinborn with Feruchemical zinc and Allomantic atium beat an atium Misting in a fight because of the enhanced mental capacity?
RAFO.
Alloy of Law leatherbounds? Have you made any decisions?
Alloy of Law and Shadows of Self will come together. They will be separate leatherbound books, but they will be packaged together, not in a slip case. They will probably be, together, around $150 as a package.
We're gonna try to keep elements of the design from the Mistborn books, so that they look good in a line, but have something that is a little bit different about them.
Because of our contracts, we will not sell them separately.
One of the things I also wanted to do before the series was done was show someone burning atium without regard for it running out. I wanted to show the awesome power of the metal. And then I wanted to have them lose.
Why? Many reasons. Because violence may work to solve some problems, but it isn't always the answer. In fact, it's often a poor answer, even if it's the only answer. (As it was for Elend.) Killing koloss doesn't solve anything in the long run.
Yes, atium is amazing. Yes, showing it off like this was inevitable in the book. However, I figured that most fantasy novels would get to a point where the character drew on the ultimate hidden weapon, and then would save the day. I didn't want to do that. Not just because I like to do the unexpected, but because it didn't fit what I wanted to say with this book. It didn't fit what felt right.
A twist is no good if it's just there to be a twist.
In Secret History, Fuzz mentions having buried something. That's the atium, right?
RAFO.
So, I was just thinking, if it's something of greater import, I'll just leave it to that it's not the atium. But it's something else, I think. But, I was just thinking, if he wanted to hide something, he could build a planet around it? Because he built a planet. I'm guessing, if I asked a question about that...
You would get RAFOd. Excellent question.
In Mistborn Era 2 Marsh has a pouch with some atium leftovers. If he burns a bead occasionally (and hereby burns a part of Ruin's body) does this weaken the Ruin part of Harmony/Sazed somehow?
Technically yes, but it's too little atium to make any difference.
The Hemalurgy table, you wrote down "atium steals any power, lerasium is all abilities, nicrosil is Investiture"; what's the difference between those three?
Hemalurgic atium, lerasium, and nicrosil. What's powers, abilities, and Investiture?
People are Invested in ways that do not give them active powers. So for instance, everyone on Nalthis is Invested. Everyone in the cosmere is, really. You want to steal their Investiture, but they don't have a power. You're still ripping off a piece of their soul. So there is a distinction between the actual Investiture that's in a human being and a specific power that they have.
So that distinction is pretty easy. You can also, with Hemalurgy, steal specific things. You can steal just general Investiture. You can steal, if you want--this is where the kandra Blessings come from. You can instead steal specific things that are not like stealing Allomancy. Stealing, for instance, someone's mental acuity.
So abilities is like the half that's all the strength, speed, all that kind of stuff? Those are abilities, versus the Metallic Arts are all powers?
Yes.
Then Investiture, is that offworld magics?
No, no, it's the raw power.
Nicrosil is their soul?
Yes. A piece of their soul, essentially.
So how would you go about stealing an offworld power?
It's going to depend. A Breath, you would steal with nicrosil. It's general Investiture, is what you would probably going call that. You could forcibly remove someone's Breath from them. The ability to be a Sand Master you would steal with the power ability.
Atium is the best metal to use for Hemalurgy. Does *burning* atium help you figure out where to put the spikes?
Anything that gets you a glimpse of the Spiritual Realm could help with placing spikes.
Would flaring iron and steel also help?
No, not without additional help.
What would have happened if Ruin did get the atium? Yeah, the world is destroyed, but how does Ruin "absorb" the atium so he can utilize the power?
He would metabolize it, just like the normal people have to do. However, if he did get it he would then be able to destroy the world.
The light-hearted banter in your recent standalone Mistborn book, The Alloy of Law, is an unexpected yet delightful change from the more serious tone of the original trilogy. Why did you decide to make such an abrupt shift? Will we get to read more about Waxillium and Wayne?
This was quite conscious on my part. One of the reasons I ended up writing The Alloy of Law as I did is because I personally wanted something to balance The Stormlight Archive, which is going to be more serious and have a tone more like the original Mistborn trilogy. I'm planning a five-book sequence to start off The Stormlight Archive, so I wanted something to go between those books that was faster paced, a little more lighthearted, and more focused.
I love The Stormlight Archive—it's what I think will be the defining work of my career, but that said, sometimes you want a bag of potato chips instead of a steak. Sometimes you want to write that, and sometimes you want to read that. I knew not all readers would want to go along with me at the start on such a big, long series; they may want to wait until it's finished. So I wanted to be releasing smaller, more focused and more simply fun books in between, both for my own interest and for my readers. And I will keep doing this; there will be more Wax and Wayne books in the future, spaced among my bigger epics.
Atium spikes, they can hold a lot. Can they hold multiple different abilities, can they hold Surgebinding and--
Usually you've gotta use a spike for one thing at a time.
How extensively do you outline?
Depends on the book. Alloy of Law had a few pages. The Way of Kings had hundreds of worldbuilding notes. The outline for [Words of Radiance] sits open on my computer right now at...12 pages single spaced. It's maybe 2/3 done.
Why can lerasium be burned by anyone in the cosmere, while atium is restricted to a small portion of the population of one planet?
RAFO.
Last time we spoke, we were talking about the 45-hour audiobook for The Way of Kings. Each of the Mistborn books came in at 25-30 hours, but The Alloy of Law comes in at a tidy 9 discs. Did you set out to write a shorter book?
I knew I wanted to do more in the Mistborn world, and for a long time I played with writing a short story. The short story that I tried to write didn't work; I tossed it aside after maybe a thousand words, and began working on a different story. I can usually judge what the length of a story will be, and I knew this one would be longer, but I wasn't sure how long I would want it to be, or whether I should make it a full-blown novel. So I wrote what turned out to be three or four chapters' worth, and at that point I decided, it was a big enough story to can make a novel of it. I knew it wasn't going to be the same length as the original Mistborn books, but I felt okay with that, because for a long time I've been wanting to start writing some—I don't want to say shorter, but quicker, faster-paced stories; thrilleresque, maybe a little more pulpish. I just think of it as a fun book, that doesn't require quite as much of an investment of time and energy for the reader as something like The Way of Kings—which I love, but I want to be doing a variety of things. So writing a shorter book was intentional, but I kind of slipped into it.
The second thing I tried writing was a short story set in the Mistborn world a few hundred years after The Hero of Ages. This one just didn’t work; the characters weren’t gripping for me. More importantly, it just didn’t FEEL like a Mistborn book. I got about one scene into it.
As I was working on it, however, I did some worldbuilding on this time period in Scadrial’s history. I got to thinking about what was wrong with the short story, and why it didn’t feel right. This grew into an outline regarding a completely different story—with no overlap of characters—set in the same time period. I nurtured this and started writing, and it felt right from the get-go. I had the right tone, so I kept writing, expanding my outline, letting the story grow as big as it wanted to be.
In the end, I had an 85,000-word novel that I named Mistborn: The Alloy of Law.
The Book's Title
It's from this chapter that we get the title of the book. The Alloy of Law. I realize it's an odd title. However, something about it strikes me. I don't think everyone is going to like it; it's certainly not as immediately powerful as something like The Way of Kings. But then, it's also a little more unique. It does, in my mind, encapsulate the theme of the novel. The idea is that these two men—Wax and Miles—are both taking their own interpretations of what it means to follow the law, and mixing it up and making something new of it. This book is a confrontation between their two different ideals.
The working book title was simply Wax and Wayne. (As I was writing the early chapters, that was how they were titled.) I knew this title wouldn't stick, however, as it's a pretty lame pun. Now, I happen to be fond of lame puns. But they don't belong in book titles unless you happen to be writing Xanth or Bob Asprin-type novels.
I can't honestly remember which name—Wax or Wayne—I came up with first. I had Wayne as a character first, but he had a different name. Wax's name came from the Mistborn ideal, where the characters frequently had strange fantasy names that abbreviated to fun terms. (Like Hammond becoming Ham or Dockson becoming Dox.) Wax just fit well with those. Wayne, on the other hand, is a name that feels Western to me, for obvious reasons. As soon as I began thinking of the character by that name, he started to become complete to me—and so I had to keep it, even though the "Wax and Wayne" pun will probably make people groan.
The gemhearts/stormgems/whatever that are grown inside the beasts in Way of Kings ... is that the same as the way atium is grown inside geodes in the Pits of Hathsin?
It's similar. The Pits are an area where there's like a leak from the Spiritual Realm into the Physical. That's what happens there.
What happens if you become an atium savant?
I've RAFO'd that in the past, so I'll RAFO it now
When will we visit the Spiritual Realm like we have done the Cognitive Realm.
Yes, you already have, briefly when Elend transcended and burned atium with duralumin.
Did any atium survive The Hero of Ages?
Yes.
A lot happens before this book opens—how did you pick an opening for Wax's story, leaving so much of the backstory with Wayne (and others) to be picked up and absorbed on the fly?
I usually like to start my books in medias res to an extent. It brings across the sense that I want to portray, which is that the characters all existed before the book started, and the characters continue—those who survive—to exist after the book ends. That helps with the sense of immersion. Granted, each book tells about a very important chapter of the characters' lives, and there's a distinct beginning, middle, and end to that chapter, but if the beginning or end are too hard and fast, it feels contrived to me. So I do this with all of my books.
It's usually harder to figure out a starting point than you might think. I often have to revise my beginnings very heavily. This is no different from my other works; in the Mistborn books I've had to do this often. The prologue for [The Alloy of Law] was actually written to be the prologue to a sequel, and after I wrote it, I thought, "No, that needs to go in this book." We did a lot of shuffling around at the beginning of this book to find the right starting point.
Got a little atium question:
If it's a god metal, and the power is actually coming from the metal, does it have added investiture that makes it harder to push or pull than the same amount of iron?
Or does the iron have an equal amount of investiture, but the investiture that makes it up is half-preservation and half-ruin, so it's 'inert' (so the power making up the iron never gets touched)?
And I guess in general, if all the metals on Scadrial are composed of preservation+ruin power, are they slightly harder to push or pull than metals mined from a random asteroid that's been sitting there untouched?
RAFO. :)
[Question unknown]
So, don't consider [harmonium] magically-enhanced cesium. Consider it a magically-created alkali metal. It's going to share attributes with the alkali metals, and generally follows the trends of the others, save for its melting point.
But in answer to your real question, atium would be a platinum group metal. (And platinum itself was my model.)
A few months ago, I discovered listening to classic jazz just really got me into the mindset for my current novel, and I think it might be because the story is set in a time similar to the America in the 1920's; do you ever try to match the music with the setting of a specific book or scene? Is there any one artist or style of music that works no matter what?
Yes, indeed I do. I actually listened to era-appropriate music when working on Alloy of Law. In general, a good soundtrack can work no matter what, but for some scenes I need something more powerful. (Szeth's scenes in [The Way of Kings] were usually to Daft Punk.)
I asked what would happen if you burned lerasium or atium near ettmetal.
RAFO! :)
Is the liquid in the Well of Ascension Invested mercury? What is the chemical composition of lerasium + atium?
No.
RAFO!
If someone burned atium in the modern era, after Sazed changed things around, would it do the same thing that it did in the previous era?
Yes it would.
It would? Interesting.
If you could find some.
If you could find some…
If it didn’t then Marsh would be dead.
Good point.
If it changed its powers.
At the end of the first Mistborn trilogy it's really significant that 1/16th of the soldiers who got really sick are now atium Mistings.
Yes.
Yes. Sixteen that he-- when Preservation set that all up. He, number one, was not all there. But he was trying to create sixteen as a symbol to say, "Hey, catch this. I've given you a clue-- uh-- help." And so it was devised specifically for that. "*inaudible* Something's going on here."
So were there-- were 1/16th of the rest of them just *inaudible* just not significant?
But we know that there's more than sixteen metals. Wh--
Yeah.
Did he bump one of the other types then to make it sixteen?
No, no, they would have been Mistings of other types as well.
Okay. Do you have in your head *inaudible*?
Chromium.
Yes, that's right. It would probably have been one of the metals that was difficult to get at that level of technology. It would have been chromium - chromium would be hard gather at that time. Actually, no, it would have been aluminum. *about a minute later, while signing someone else's book* Hold on, there's a caveat to that last answer. Let me finish signing this and expand on that. *pause* So, it would still have been aluminum, but not for the reason you're thinking. It would have been aluminum, but there's an asterisk next to that answer.
Chromium?
Okay. Interesting.
Hard to get chromium.
I've been thinking about--
Oh no! He bumped aluminum. Yeah, he bumped aluminum. Sorry I had to-- I changed my mind.
Oh!
*a moment later*
Okay, Chad? I have a <qualification> for you. I'll do this and then we'll...
*a moment later*
So...
On the sixteen or the *inaudible*...
The sixteen. So the answer is "yes," but it's not something-- it's not what you're thinking it is.
Okay.
Alright, there's an asterisk on it, okay? There's an asterisk on it, it's not what you're thinking. Uh, you're making-- you're making assumptions.
How much did you focus on writing The Alloy of Law as a starting point for readers who were new to Mistborn? Was it hard to balance writing for new readers versus wanting to give your existing readers a "welcome home"?
It takes place hundreds of years after the trilogy, so there was enough that I had to bring longtime readers up to speed on that it felt very natural to write the book as a potential new starting point, just because the world had been updated so much.
That said, I did make sure to slip in lots of fun things for those who had read the original trilogy, that are callbacks or that show how the world got updated and how it grew. I was conscious of the book possibly being a new starting point, but it's more that it felt natural for what the story required, as opposed to me sitting down and trying to force the book to be a new starting point.
Does atium have a "side effect", much like how lerasium has a "side effect" in creating Mistborn?
RAFO.
Where'd you come up with Wayne's kleptomania where he steals things and replaces things he finds of value. I think that's the funniest part of his character, that he determines that "oh, this is worth more than this" and "that is a good trade".
I have no idea where that came from, I can take no responsibility for that man. He just kinda popped out fully formed. I started writing a short story about him, which was where I started, I was gonna do a little Mistborn novella in the wild west era with Wayne as the main character. He was a riot but he couldn't be a main character, he couldn't be the main character. He needed somebody to play off of, and so the Wayne and MeLaan story got shelved--eventually I'll show people, I only got about a thousand words into it--and instead we got Alloy of Law.
The Lord Ruler died because he had filled his bracers with a large amount of youthfulness, and had to keep drawing it out to stay young--as his soul knew how hold it was, and his body kept trying to 'bounce back' to its perceived age. Compounding is how he gained enough extra youthfulness to pull this off.
Actually, I have a question about the 'bouncing-back'.
Is the 'bounce back force' actually what's stored in a metalmind?
For instance, when storing atium a feruchemist ruins his body to make himself old, and then his metalmind 'catches' the force the soul puts out as it tries to restore his true, younger age?
So you create metalminds by seesawing a ruining and a preserving impulse together.
The bounce back is caused by the relationship between the three realms of the cosmere. What you're saying isn't terribly far off, but at the same time, ignores some underpinning fundamentals of how it all works.
In the cosmere, your soul is basically an idealized version of yourself--and is a constant force pushing your body to match it. Your perceptions are the filter through which this happens, however, and many of the magics can facilitate in interesting ways.
Could a person Soulcast more atium and lerasium if they had a bead?
No. Investiture messes things like that up.
There is a cameo of Josh & Mi'chele in Alloy of Law! There's a gunfight at their wedding reception
