Advanced Search

Search in date range:

Search results:

Found 14291 entries in 0.296 seconds.

Mistborn: The Final Empire Annotations ()
#8104 Copy

Brandon Sanderson

The return of Captain Goradel, the one who leads Elend to where Vin is being held captive, is a metaphoric nod to the fairy tale genre, where fantasy (partially) has its roots. Sometimes, if the lion doesn't eat the mouse but lets it go, the mouse comes back to save him. Help the old woman in the first part of the story, and she'll come back and bless you by the ending. And, convince the soldier to join the rebellion instead of just slaughtering him, and he'll return with your boyfriend and a bunch of soldiers to rescue you at the last moment.

The Hero of Ages Annotations ()
#8106 Copy

Brandon Sanderson

Chapter Sixty - Part One

Silver, the Useless Metal

I've annotated about this before, but I figured I'd mention it again. As you probably know, in book one, tin was originally silver. I swapped it out for various reasons.

However, that left silver having no Allomantic powers. That feels strange to a lot of people because of how common and useful it is in our modern culture. Such an obvious metal doing nothing seems wrong to readers.

I toyed with using it in place of aluminum at the end of book one, but I realized that wouldn't work. It was too common, so if it had any Allomantic powers, people would know about them for certain. Only a metal that was very hard to find—like aluminum—would be believable as a new metal that most people hadn't heard of.

So silver is Allomantically inert. Just one of the quirks of the magic system.

YouTube Livestream 6 ()
#8107 Copy

Michael

Do you plan a novel for Renarin, Lunamor, or even Lopen?

Brandon Sanderson

I do plan a Lunamor—that's Rock—novella between [Stormlight] books four and five. That is very likely to get done. I would like to do a Lopen novella that's set between books one and two. That one's not guaranteed, but I do plan to do that.

Starsight Release Party ()
#8108 Copy

Questioner

In the Cosmere, are we going to get any more worlds or is like what we have enough?

Brandon Sanderson

No. If I can get myself to do it, I have some other worlds that we'll show. They'll be short story stuff though. They are not major players in the actual Cosmere other than Yolen which you haven't seen yet but that's where Hoid's from and that's where the Shattering happened. That's a major one but yeah.

General Twitter 2020 ()
#8110 Copy

Yata

I have the doubt about RoW's Epigraphs. The 9-10's Epigraphs explains how pewter/tin allows to build amplifiers/diminishers but then it moves to Steel and Iron (metals never mentioned yet) cages for adv design. Is the epigraph right or is there an error in it?

Peter Ahlstrom

No error.

Arcanum Unbounded Hoboken signing ()
#8111 Copy

CCQ

You said that Ryshadium experience sentience through a spren. But I just didn't understand how that's possible. Most of them are through tension, gravitation, *inaudible*... nothing Cognitive.

Brandon Sanderson

Yes, yes, yes. So all-- so non-sapient creatures that get Invested in don't gain powers until they gain *inaudible*.

CCQ

How does that fit into the larger picture?

Brandon Sanderson

Yeah, how does that fit? It's mostly-- you can start seeing that-- things that forces are adapting to the Roshar ecology. Does that make sense? Because a lot of Rosharan-- other creatures-- have bonds with spren. Very common. And so--

CCQ

I know. I noticed the chasmfiend *inaudible*, whatever you want to call it.  I don't know how that works.

Brandon Sanderson

Yeah, yeah, yeah. You'll see the next book kind of explores it a little bit. But yes... but yeah. I'm just going to leave it at that.

Elantris Annotations ()
#8112 Copy

Brandon Sanderson

Chapter Fifty-One

This is a different kind of Hrathen chapter. With it, I wanted to set the tone for the final section of the book. Only about 15% of the novel remains, and things are going to change for the last bit. You may have noticed a slight tone shift in this chapter–I made it a little darker, filling it with death imagery. (Incense, ash, darkness, Svrakiss.) I wanted to subtly get across that things are growing more dim for Hrathen and Arelon.

Originally, this scene happened outside, at the Mad Prince's pyre. I liked the death imagery there a little better–Dilaf sifting through the ashes of a funeral pyre made for a very interesting image. However, the visuals in this newer version have their own advantages. I was able to use the lantern to half-light Dilaf's, and the smells from the tent make a nice sensual addition to the section.

The Hero of Ages Annotations ()
#8113 Copy

Brandon Sanderson

Chapter Eighty-One - Part Three

Elend's Death

I rewrote Elend's death scene a number of times. In the first draft, it happened much more quickly. He and Marsh met, Elend's atium ran out, and Marsh cut him down. Elend always got his "we've won" line, but Human wasn't getting viewpoints, so we didn't cut there. Nor did we have Vin fuel Elend's metals or have him burn duralumin and atium at the same time.

I just felt he needed more. Part of this was due to the reactions of alpha readers, and part of it was due to my own desire to make his last scene more dramatic. I wanted there to be a closeness between him and Vin at the end, and I also had too many people asking what would happen if you burned duralumin and atium at the same time to ignore that possibility.

So, I rewrote several times, eventually landing at this version. As for why I killed him . . . well, for the same reason that I kill any character in one of my books. It just felt like the right thing to do. It's hard to explain when we get down to specifics like this. On one hand, the rational side of me can explain that there need to be casualties to make victory worth something, and Vin needed to lose Elend so that she'd be willing to do what she had to in order to kill Ruin. Logic says that this book was about Vin and Elend defeating Ruin no matter what the cost to themselves, and allowing them to give their lives for the victory was noble and completed their character arcs.

Emotion, however, is what drove me—not logic. It just felt like the right thing to do. It was the right ending for the book. Now, I could have chosen a different ending. I know that I could have. It would have felt contrived to me, and would have lacked bite. Yet perhaps readers would have liked it better. I honestly don't know what doing this (killing both of my main characters) will do to my readership and if people will still want to buy my books after this. The founder and president of Tor Books, I know, would have preferred that I didn't kill my two main characters.

But in the end, I went with what I knew was the better ending. By doing this, at the very least I've earned something. From now on, readers will know that nobody is safe in my books—and that will create tension, will make the novels feel more real. (Note that I didn't do this because I wanted to make readers feel that way. It's just a side effect.)

Either way, this is where this book was pushing from the beginning. Vin and Elend followed in Kelsier's footsteps. They were both ready to give their lives, and in doing so, saved those they love. In my opinion, that's not a tragic or sad ending. It's just an honest one.

Mistborn: The Final Empire Annotations ()
#8115 Copy

Brandon Sanderson

In this chapter we also have the first mention of the Eleventh Metal. I kind of wish that I'd found another place for this, since the chapter is already filled with a long discussion scene. Yet, it proved to be the best place for it in the drafting process.

If you think that what Kelsier is saying here is a little fishy, then you're not alone. Most of the crew doesn't believe him either. I'll certainly admit that there is more going on here–far more–than anyone suspects.

The Hero of Ages Annotations ()
#8117 Copy

Brandon Sanderson

Chapter Fifty-One

Elend Fights the Koloss in the Village

This chapter gets my next award for favorite chapters in this book. (I think this is number four.)

The next few Elend chapters run him through the ringer—and yet at the same time let him shine. He's alone, forced to work through his problems without Vin, Tindwyl, or the others to support him. It's time for him to decide who he really is and what he really wants.

This chapter begins that. Elend's frustration at not being able to protect his people finally bursts from him, and his passion drives him to do as Vin did in book two. Yet there is far less beauty to his attack than there was to hers. Elend is powerful, but with Allomancy he also has to be blunt.

I love the imagery of this scene in the village, Elend fighting by the firelight of burning buildings, ash and mist in the air, koloss dying by the dozens. It's his first real chance to be a Mistborn, in my opinion, and he is kind of surprised by what it does to him.

He's not finished working through his need to protect the people of his empire. In a way, he's just beginning down the path of what he needs to work out. However, this is a pivotal moment, where he finally acknowledges what it is that has been bothering him so much. He doesn't just fear that he's becoming like the Lord Ruler—he fears that he's becoming like the Lord Ruler but doing a much poorer job than his predecessor ever did.

YouTube Livestream 1 ()
#8118 Copy

Hossmobile

If you could have a beer with one of your characters, which would it be?

Brandon Sanderson

Well, since I don't drink, I would have a root beer. I would like to go hang out with Sazed. That would be my choice. I think Sazed is more wise than I was able to write him being and would have lots of good advice for me.

Alcatraz Annotations ()
#8120 Copy

Brandon Sanderson

Interrogation And Torture

“Foolish, foolish Alcatraz” is a nod to Jeff Smith’s Bone. Give it a read, if you haven’t.

Also of note is Sing’s comment when Alcatraz is talking to Ms. Fletcher. Sing notes that Alcatraz is a little bit snide. That quip, for some reason, has been a favorite of readers ever since the first draft. I’m not completely sure why. Yes, it’s fun, but it seems to have gotten undue attention as a laugher. Sometimes you just can’t judge what will work for people and what won’t–or what will work really, really well.

And since I’m talking about little things here, let me mention Grandpa Smedry. Of course he shows up late, after Alcatraz gets tortured.

I worried that having the main character get tortured like this might be too graphic for a children’s book–but then I remembered some of the things I’ve read in children’s books lately. It seems to me that you shouldn’t pull punches because of the audience. There are words I change to make the vocabulary work for the age group, and some types of humor don’t work as well, but I don’t like talking down to anyone, even babies who can’t speak yet. Successful novels are ones that treat their readers with respect, regardless of age.

Alcatraz needed to go through this (and I know, it’s not really that graphic). It’s what the story needed. Heroes do get themselves into trouble. If standing up for people were easy, what would be the point of bravery?

YouTube Livestream 9 ()
#8121 Copy

Questioner

In Warbreaker, you dealt delicately with sex and sexuality, especially in the first half. How did you find that line of what was appropriate and what wasn't, especially given the culture of sex in the region in which you live?

Brandon Sanderson

With Warbreaker, with all of my books, basically I'm thinking less about the culture in which I live and more with my own personal lines on these sorts of things. And I've constantly said, and I still believe, that one can write mature fiction without graphic content. That is what I like to try to do. And Warbreaker is, in part, an attempt to explore where I would want to go with these themes and ideas, and a book where I was expressly not being explicit, but also going further across lines than I normally went, to see... "across lines" is probably the wrong term. Going further along a path. Because I don't think, really, that I have lines. I have paths I go on, and at some point, I'm like "This is as far as I want to go on this path." And it's not like I draw some line in the sand, it's just my own gut instinct. With Warbreaker, I just wrote what I was comfortable writing, and maybe even pushed myself a little further and said, "Am I comfortable with this or not?" as I was writing and I thought, "No, this is dealing with the topic in a mature way that I like" and it worked for me. It was an experiment and kind of a give-and-take, but every book that I write is that to one extent or another. This is just one of the areas that I was focusing on when I wrote Warbreaker.

Arcanum Unbounded San Francisco signing ()
#8122 Copy

Necarion

The compounding trick that the Lord Ruler performed. When you're storing Investiture, are you storing your "Mistborn-ness" or all the powers individually?

Brandon Sanderson

All of the powers individually.

Necarion

Oh okay!

Brandon Sanderson

Yeah, the compounding trick. Really what's happening is you're fueling Feruchemy with the power of Allomancy, but you're filtering it through you, and then you're storing it.

Necarion

So it's not that you're a more powerful mistborn when you've tapped [investiture]

Brandon Sanderson

No, good question.

Ad Astra 2017 ()
#8123 Copy

Questioner

 How sweet was it to taste the tears of everybody who read Shadows of Self?

Brandon Sanderson

Ahhhhh, uhhhhh-- It was kind of a painful book to write, so I--I sympathize.

Questioner

It was gorgeous.

Brandon Sanderson

I don't-- I'm not George Martin. I don't bathe in the tears of my fans.

Oathbringer release party ()
#8124 Copy

Questioner

How do you write a good follower? Like, you have a lot of good leaders. But what are some good attributes of followers?

Brandon Sanderson

I think that a good follower is willing to-- perform... Knowing that we all wear different hats, and not everyone can call the shots every time, and being willing to be the person that trusts someone else to call the shots.

The Hero of Ages Annotations ()
#8128 Copy

Brandon Sanderson

Chapter Sixty-Five

Ham Says Not to Attack

And, what is this? A climax for Ham?

Hammond lovers, your faith has paid off. This is the best I could give him, but it seems to me like it works. All through the series, I've had him question and debate, and he rarely comes to any conclusions on moral issues.

But, here, he gives Elend advice at the exact right moment. And it's the right advice. Now, by saying that, I don't mean to say that attacking the city was the wrong thing to do. It was just the wrong thing for Elend to do.

He's a protector, not a conqueror. Taking a city for its own good would have destroyed him, as it violates his basic life principles. He should have turned around as he did, and karma—or, well, the author—rewards him for it.

Calamity Philadelphia signing ()
#8129 Copy

Questioner

I've always wondered...I use Elantris a lot to explain what it’s like with chronic pain conditions, did you base that off any experience or friends you’ve had in real life?

Brandon Sanderson

Yes I did.

Questioner

It just felt so accurate and real to me.

Brandon Sanderson

…It was one of the major themes I came up with when writing the book […] I want to try and deal with this.

/r/fantasy AMA 2017 ()
#8131 Copy

sxeQ

Given the chance, what stories would you like to write in the Wheel of Time universe?

Brandon Sanderson

If I felt it appropriate, I'd choose to finish the prequels. I'd write one about Tam going to war, and one about Moiraine and Lan's adventures leading up to visiting the Two Rivers. Those were two things Robert Jordan had talked about writing.

He didn't leave much in the way of notes, though, so I don't think it would be right to do them.

Miscellaneous 2011 ()
#8132 Copy

discipleofhoid (paraphrased)

At the signing I asked Brandon to personalize the book with a suggestion for a unique or rare effect that could be achieved with a metal. He signed

"Watch for what happens when something leaves a bendalloy bubble."

He then laughed and said "That won't make any sense for 10 books"

This leads me to believe that this might be related to the FTL travel.

YouTube Livestream 9 ()
#8133 Copy

Questioner

Will the tenth book of the Stormlight Archive be the last book in the cosmere universe, or there a plans to continue with other stories in the cosmere universe indefinitely?

Brandon Sanderson

So, the last chronological book of the cosmere sequence is the final Mistborn book. So the way that the structure works right now. Elantris, Mistborn era 1, Stormlight Archive first five, Mistborn era 2, Elantris 2 and 3, Stormlight Archive 6 through 10, the the final Mistborn era, is how I'm going. 

Right? Did I miss one? I missed an era. So, I'm going to do the Wax and Wayne era and the 1980s era kind of together, and mash those together. 

So, era 1, era 2/3, Stormlight 1-5, Stormlight 6-10, era 4 of Mistborn, is how it is right now. Era 4 of Mistborn will the the last chronological. We will have the flashbacks to Dragonsteel after Stormlight 10 but before era 4 of Mistborn. 

I do not intend it to go indefinitely. If I manage to get all of that done before I die, which I hope I will - I move pretty quickly, then there's a decent chance I will write other cosmere books that happen in the cosmere, probably during this time frame at some point, unconnected or only tangentially related and things like that. But I do intend that to be the final book of the cosmere sequence, and I have no plans for anything chronologically after that. 

Questioner

Did you mention Warbreaker in there?

Brandon Sanderson

Warbreaker is a side project. I do count Warbreaker, there will be a sequel to Warbreaker. But Warbreaker, Emperor's Soul, Silence Divine, all of these things I might write, the unnamed Threnody novel, these are not what I consider the core, essential cosmere books that I need to write. I need to do Dragonsteel, Mistborn, Elantris, and Stormlight, and that's like your core sequence of stories, and if I can get Aether of Night in there - I sure hope that I can - if I can get the Threnody novel in there - I sure hope I can - and some stuff like that.

The requirement I placed on myself is no more than three years between Stormlight books, with a slightly larger break between 5 and 6, cause the first five are an arc. But I'm hoping no more than five years there, but we will see. And gotta just keep moving, keep going, keep writing, so that my own mortality does become a factor in the cosmere sequence.

YouTube Livestream 6 ()
#8134 Copy

Questioner

Have you ever considered writing one of your books primarily from the villain's point of view?

Brandon Sanderson

Yes, I have considered it. I do think that that is an interesting and fun thing to do, particularly if you play with "What does it mean to be a villain? What does it mean to be antagonist?" And "What does it mean to be protagonist?" The classic example being Infinity War, in which Thanos is both the villain and the protagonist of the movie at the same time. Which is really cool to see. There's also this sort of... people are the bad guys, but they're also the hero and the protagonist. This is the thieving crew, sort of thing, which is not what you're asking.

The short answer answer is yes. I'm more likely to do a novella from that viewpoint, most likely, because of various things. But there's a decent chance I will sometimes do an actual full novel from the villain's viewpoint.

The Great American Read: Other Worlds with Brandon Sanderson ()
#8135 Copy

Brandon Sanderson

Let's go down the sequel list.

My next book coming out is Skyward. You can read sample chapters of that right now, we've been doing a lot of publicity. If you watch my social media, I'm sorry; you probably are done hearing about Skyward. But you can go read the chapters of that, it comes out in two weeks. I turned in the sequel to that, and I'm gonna try and squeeze in the third book before the year ends. We will see. 'Cause I would like to have that series done and ready to be read, and not have to--

Because, starting January, I promised my attention turns back to Stormlight. *crowd cheers* Everybody cheers for Stormlight. And I will be on Roshar until Book Four is done. Those books take, like, eighteen months. The Skyward books each took 3 months. So, you can see, a Stormlight book's a major undertaking, and nothing else gets done during Stormlight. Which is why it'd be really nice if I can squeeze in that third book, but I only have two and a half months, so I don't know if I'll be able to do it. But I'll start on Stormlight Four.

So that leaves you hanging on a few things. What about Wax and Wayne Four? Wax and Wayne Four will happen. I'm not sure when, but it will happen. I need to keep steady progress on Stormlight. It'd be really easy to get behind on that series, because they are so big and take a lot out of me... I have to take a good year, year-and-a-half break after a Stormlight book to make sure I'm not burned out on the series when I start again. At about eighteen months, actually about a year, I start to get really excited for working on it again, which is where I am right now. And that's where you want me to be when I'm writing a 400,000-word epic fantasy. So, Wax and Wayne Four will happen. But we will see.

Probably not any new Reckoners books for a while. That series is done. There's a Mizzy book in me somewhere, but I don't know when I would do that. Who knows.

Elantris and Warbreaker, sequels wouldn't be approached until after Stormlight Five. Probable they'll happen, but again, wait 'til Stormlight Five. Stormlight's two five-book arcs.

The Rithmatist. Oh, man, that book has been hard to do a sequel to. I tried to write a sequel, and it just didn't work. So I set it aside. I've got a new outline that I like for it, but it has to get slotted in. It's been a really tough book, probably the toughest book to figure out how to do right ever.

If the book is not on that list, then probably not a sequel coming anytime soon.

The Well of Ascension Annotations ()
#8136 Copy

Brandon Sanderson

There were a couple of interesting edits that I made to this chapter. First off, Elend's proposal to the Assembly. It was a major point of revision in the book.

One of the biggest problems the novel had in the first draft was that readers weren't getting the right idea for the theme and plot of the novel. In early drafts, Vin's worries about the Deepness and the Lord Ruler's final words came before Straff's army arrived. So, readers were surprised when the middle of the novel spent so much time on politics and war. They wanted to learn more about the Well of Ascension. (Which IS important, but not as present–particularly at the beginning–as the rest of the plot.)

So, the revisions. I wanted to make the army a much more PRESENT in the narrative. Originally, Elend's proposal to the Assembly was about something unrelated. (Disaster relief for farmers.) I wanted to show him caring for his people. However, in revision, I realized I needed to focus more. So, now that proposal deals with the army, and is a thread that continues through the next few chapters.

Skyward Pre-Release AMA ()
#8139 Copy

Firm_Spell

How does Connection to a Shard actually work? 16 random people took 16 Shards in the past, I don't think all of them had special Connection to a certain Shard each of them picked. We even know that Ati, Ruin's Vessel, was a kind, generous man, direct opposition to Ruin's Intent.

However, in Mistborn we find out that you must gain certain amount of Connection to become a Shard Vessel. Kelsier wasn't Connected to Preservation well enough (he's more of Ruin), Sazed was somehow Connected to both Preservation and Ruin? So, should you be Connected to a Shard to Ascend? Why was it different in the past?

Also, what would happen if, theoretically Dalinar, a good, honorable man, kill Odium's Vessel and take a Shard for himself? Will he change Shard's Intent to something...let's say less destructive or Odium's intent will just devour his personality and he'll act just like Odium's current Vessel?

Brandon Sanderson

That's pretty big RAFO territory, I'm afraid. I'll just say that this is something I do intend to delve into in the books.

Mistborn: The Final Empire Annotations ()
#8140 Copy

Brandon Sanderson

Chapter Ten - Part One

This chapter has my favorite of Ham's little philosophical dilemmas. Most people I've had read the book don't think much of this argument. It seems obvious to them that resisting the Lord Ruler is the right thing for the people to do. I guess that means I've done my work well, giving the readers a distinct hatred of this government.

And yet, I don't think the answer is that simple–not for the people living in the world. Ham has a point, in my opinion. Not a big one, but at least one worth considering.

Elantris Annotations ()
#8141 Copy

Brandon Sanderson

Everything else in this chapter pretty much stayed the same. In the original draft, Galladon was actually named Galerion. I made the change because the name "Galerion" just didn't fit the eventual linguistic style I devised for Duladel. Again, I didn't do as much planning for this book as I do for books I write now, and I just kind of let the names and cultures develop as I wrote. In the end, Galerion's culture out-developed his name. I figured that the main Dula in the book needed to have a Dula-sounding name. Interestingly, Moshe–my editor–independently decided that he really didn't like Galerion's name. When I made the suggested change, he was very pleased. Originally, he didn't like Raoden's name either–but this came, mostly, because he had trouble pronouncing it. I actually really like the name, but understand that it can be difficult if you don't understand the Aonic language. Remember–two hard vowel sounds formed by the Aon, every other vowel is soft. RAY-OH-den. (Read the pronunciation guide for more.)

Galladon/Galerion originally spoke with a much stronger dialect in this chapter. However, these dribbled off after the first few chapters, and I decided I didn't want him to be quite as difficult to understand. So, I went back and cut them. You'll notice, however, that Galladon still hits the dialect pretty hard in this first chapter.

TWG Posts ()
#8142 Copy

Brandon Sanderson

Vin has a nickname, in a way. Valette. Part of my vision for this series was to get across the 'heist' feel to the book by giving everyone in the crew or related to the crew two names--their real name and their nickname.

Kelsier: Kel

Dockson: Dox

Sazed: Saze (I say his name SAY-zed, by the way. A lot of people say SAH-zed, which is just fine--only the nickname doesn't work as well.)

Elend: El (I say EHL-end, not EEL-end. So, his nickname is pronounced simply like the letter L.)

Ladrian: Breeze

Hammond: Ham

Cladent: Clubs

Lestibournes: Spook

Marsh: Ironeyes

Vin: Valette (Doesn't work as well, I know, but I liked her having another name to keep on theme.)

OreSeur: Lord Renoux

Mistborn: The Final Empire Annotations ()
#8143 Copy

Brandon Sanderson

Backing up a bit, Vin's remembered conversation here is a real one. She had it with Kelsier during the scenes when she was first training with him. He promised that he'd catch her if she fell off the wall, not using Allomancy correctly. It might seem like a little scene to you, but to Vin, it was very important. It was one of the first candid conversations she had just between her and Kelsier, and it was one of the foundational turning-points in her life. (She decided that night to stay with Kelsier's crew instead of running away with the three thousand boxings he gave her.)

That's why it's important enough for her to remember here. Her entire foundation for the last year's time–Kelsier–has just been pulled away from her. Her abandonment issues are growing more and more powerful. Fortunately, something distracts her before she can sink more deeply.

EuroCon 2016 ()
#8144 Copy

Questioner

A part of the evolution--I mean this evolution that has entailed few years, but many, many books--are, in my opinion, two elements, right? One is the female characters, and the other one is the relationship between parents and kids. Is your wife involved in both aspects?

Brandon Sanderson

I would say most definitely, most definitely. I would credit my female characters more with the authors I read growing up than anything else. If I can point to one person, it would be Anne McCaffrey, who was one of the early writers that I read a great deal. I have said, I talked about earlier, that the first book that I read in fantasy was by Barbara Hambley. I went from her to Anne McCaffrey, and from Anne to Melanie Rawn. These were chronological, by title, in the card catalog. For the young people in the audience, a card catalog was this thing chiseled out of stone in libraries that pterodactyls sat on. But I had read exclusively women writers of fantasy for many months when someone came to me with a David Eddings book, one of my friends, and said, "You should read this." And my response was, I kid you not, "I don't know if men can write fantasy." As I talked about in the last session, when I started writing, I was not good at writing anyone but the main protagonist. Women characters, side characters, the only characters that worked were the ones that were very like me. The reason I worked so hard to change this was because I knew it could be done better, because I had seen great writers before me do it so much better.

As for family relationships, as I was working on my books early in my career, I realized I was falling in a cliché. Not all clichés are bad--we can call them tropes instead, because the word "cliché" sounds so bad--but I was falling into the trope of making my protagonists all be orphans. This is very easy as a writer, because it cuts down on the number of characters, which makes it easier, but also, it has an inherent tragic backstory. I mean, it's also part of the Hero's Journey, the orphan with a hidden heritage of nobility. You see it in Luke Skywalker, you see it in Harry Potter. So, useful trope or not, I noticed I was using it, and I said, "I need to be aware of what I'm doing, not just accidentally doing things." So, when I worked on, specifically The Stormlight Archive, I said, "I want family relationships to be important to it," because most of us are not orphans. Most of us have family that have been very important to us, and it feels far more real to approach it that way.

Oathbringer release party ()
#8146 Copy

Questioner

I know Dragonsteel is going to have, like, [Hoid] as a main character in the series, or at least a more prominent character. Is there any other book series that are planned that are gonna have him as a more prominent figure?

Brandon Sanderson

Yes.

Questioner

And are those gonna come before or after?

Brandon Sanderson

After.

Alcatraz Annotations ()
#8147 Copy

Brandon Sanderson

Untold millions screamed out in pain.

The last page was one of the jokes that I gleefully entered. I know that a lot of people out there love to look at the endings of books and see how things turn out, if only to reassure themselves that nobody dies.

That’s a horrible habit, I must say. We authors hate it when people look at our endings without reading what led up to them. It gives us shivers to even contemplate. Drama becomes melodrama without proper emotional investment. If I’d wanted the ending first, I’d have written it that way.

Wait. I did.

Either way, I put this in so that you’d be chastised. So there! Ha! Hum.

YouTube Livestream 3 ()
#8148 Copy

Clarity1

How do you and Ben McSweeney collaborate on making illustrations for the Stormlight books? Does Brandon give you the ideas first, or do you both come up with your own concepts for your art?

Isaac Stewart

We're starting to settle into a way that this works with Ben, me, and Brandon. And it's usually that Brandon will say, "Hey, Isaac, this is what I'm thinking about for the book. I want to have this many pieces of plants, this many pieces of animals," whatever it may be. And he'll oftentimes tell me what those things are. I will give descriptions to Ben McSweeney. If they are hard descriptions, then we'll say, "Ben, we're kind of thinking we need something like this," and then he has a lot more leeway on those particular items. So, right now, we're working on some spren pieces. Ben has been drawing different kinds of spren.

Brandon Sanderson

Basically how all the Radiant spren look in Shadesmar, and in the Physical Realm. That's what Shallan's gonna be sketching for us in the next book.

Isaac Stewart

And then there's been some things where Brandon has told us, "This is what it's like," but he doesn't say what the clothing is like. So Ben will go on his experience on what he's read in the books, and he'll come up with something, and then we say yea or nay. And most of the times, we will go with some variation of what Ben has done. On these latest ones, there's only been one that we've really had to go back on and say "give us another concept," but that just speaks to how good Ben is.

Brandon Sanderson

He's really in tune with these books. I usually have an idea of what I want Ben to do. And you usually have some leeway to do the things you want to do. Like, if we go to Oathbringer, I would have said, "Here's the couple things I'm planning for Ben." He does the bulk of the art. He does the Shallan sketchbook pages. But then Isaac came back and said, "I think I want to do this thing with the wines," or "I want to do this thing with how you write glyphs."

Isaac Stewart

Mythica, I don't remember if you or I came up with that idea. But I read the book, and then I just make notes, and then I come to Brandon and I say, "These are the ones you want. Here are some other ideas; what do you think is good for fleshing things out for this book?"

Brandon Sanderson

We have never found a place for the Ten Fools, have we? We've bumped that one from Words of Radiance, to Oathbringer, and still haven't done it yet.

Isaac Stewart

Yeah, we don't know if it will even be in [Stormlight Four], either. But eventually, we'll get there.

I'm at the beginning of that process for Stormlight Four. I can tell you that we will have a second page of glyphs from Nazh, from his time in the ardentia.

Barnes and Noble Book Club Q&A ()
#8149 Copy

MarlonRand

Finally, do you have any advice for people that would like to write for a living?

Brandon Sanderson

First and foremost, don't give up. It can take a while. It takes time to master anything—whether it be writing, playing the piano, or brain surgery. People are willing to dedicate eight years or more to becoming a doctor. If you really want to be a writer, you need to be willing to dedicate the same amount of time and effort. Practice. Practice some more. Write a book, then write another, then write another. (I didn't sell my first, or my second, or my fifth. Elantris was my sixth book.)

Secondly, write what you love. Don't try and guess the market. Read the type of books you want to write, pay attention to what they do, and decide what it is you want to say and how you will add to the discussion. What makes your additions to the conversation unique? Write it because you feel it inside of you, not because it's what seems to be hot right now.

Finally, if I may make a plug, hop over to writingexcuses.com and listen to me and the others on our writing podcast talk about this sort of thing. ;)