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Brandon Sanderson

Updates on Secondary Projects

White Sand

Graphic Novel Two came out this year, and was very well received. (Save for the forced artist change, something I hated to have to do. That said, the new artist is doing a fantastic job.) Graphic Novel Three is the end of this sequence, and is well on its way to being completed.

The prose version is still available if you sign up for my mailing list. Though remember, we've made numerous updates to the story during the adaptation process.

I have no immediate plans to do sequels to this in graphic novel form, though you can expect stories set on Taldain to happen in the future.

Status: Final graphic novel is well under way. Release in 2019 or early 2020 likely.

Brandon Sanderson

Nothing is worse than trying so hard to do the right thing, then discovering that it was the worst thing you could have done.

I wrote this final chapter to be a slight upswing in the plot so that we wouldn't end on such a sour note. No, I didn't kill Elend. I sure wanted you to think that I would, but I never planned to. I had always intended them to discover where the first Mistborn had come from when they reached the Well of Ascension, and this bead of metal is very important to the cosmology of Scadrial and, indeed, the entire overarching story of my books as a whole .

Elend was intended to become Mistborn from the very early stages of this book's development. So, I figured I ought to do something to him that would make him NEED to be Mistborn. Why did I want to make Elend Mistborn? I know it bothered some readers. I felt I'd explored his character as well I could in this book, and I needed something to upset the balance–tenuous as it is–that he'd arrived at here. He's not going to replace Vin–you'll see in the next book that Elend as a Mistborn doesn't change as much as you might think. But it does put him in new situations, and those situations allow him to progress as a character in the way I felt he needed to.

Anyway, this will make for a very interesting book three. Also, the mist spirit–now, maybe, you can see a little of what it was trying to do. It was struggling to find a way to get Vin to NOT go to the Well of Ascension. Giving hints to Sazed, scaring her, threatening Elend, pointing in the opposite direction. However, it is rather hampered in what it can do, as we'll find in the next book.

EHyde

I was wondering if, at the Recreance, the Radiant were deliberately trying to put Shardblades in the hands of non-Radiants? Since they left them all outside a military base.

Brandon Sanderson

RAFO.

Questioner

I'm not sure if it was duralumin or something but the Feruchemical ability to store Connection, is that how Hoid worldhops? It stores Connection to another world?

Brandon Sanderson

It's a good question, it doesn't have anything to do with worldhopping but what it does do is once you have worldhopped you can change your Connection to which planet you are on, which helps you with magic systems.

Questioner

In the Arcanum Unbounded, it says that a Rosharan foot is longer than cosmere standard. How does that compare to an Earth foot?

Brandon Sanderson

Longer. Kaladin is almost seven feet tall, by our measurements. We've got a height comparison, Shallan is about six feet tall. She thinks she's short. Compared to us, she'd be on the taller end. That's why if you notice people from around the cosmere that show up, they're often mentioned as short. Not Hoid, who's able to use magical means to change how he's perceived, but someone like Felt, and stuff like that.

BrandonColevander

Is there a relationship between the power of [iron] Ferrings and the power of Windrunners?

Peter Ahlstrom

Like what?

BrandonColevander

Just curious. Sazed says that filling his [ironmind] affects the pull of gravity on his body and Windrunners are similar...?

Peter Ahlstrom

An [iron] Ferring is basically changing weight. It's not the same as lashing.

Questioner

You've stated before that Denth's ability to change is hair color is independent of him being Returned? So meaning he has the Royal Locks. Are Siri and Vivenna descended from him, or just a separate line of the same family tree?

Brandon Sanderson

I will RAFO that. But he does have the Royal Locks, so you can at least assume that they're related, at the very least.

Amira Kessem

​What percentage of fantasy vs sci-fi is Frugal Wizard?

Brandon Sanderson

I would say 50-50-ish. I would say 50-50, but in-world they would say it 's all sci-fi. Just like Anne McCaffrey said the Dragonriders of Pern are science fiction, not fantasy. And these dragons teleport and fly and breathe fire. Yeah, but it's science fiction. And are telepathic. All I'm saying is that Dragonriders of Pern can be classified as straigh-up science fiction if you want; so could this. I would classify Dragonriders of Pern as fantasy novel with science fiction roots that changes to science fiction as the series progresses. But still stays partially fantasy, and I would say Frugal Wizard has a foot in each of those genres.

Brandon Sanderson

Anyway. . .I break triad here again. I'd forgotten about this one. Actually, you'll note that the closer I get to an action sequence or a climax, the more quickly I shift viewpoints. I do it half-intentionally, half-unconsciously. (If that's possible.) Logically, I know that quickly-shifting viewpoints give the scenes more tension and a sense of movement. Unconsciously, I just know that it's good storytelling to keep things quick–and it's more dramatic when you can end with a cliff-hanger line, then switch to a new viewpoint.

I'll admit that this scene borders on being too melodramatic. A couple of things justify it in my mind. First, the scene is more about Raoden confronting how he'd made a mistake with Shaor's men than it is about Sarene discovering that she'd been betrayed. Second, Sarene's "betrayal," as explained in the next chapter, is really about her own prejudice. Inside, she was just waiting for something like this to happen. That's why she didn't give Raoden the benefit of the doubt–she never wanted to like him. It was almost like she was eager to be hurt, expecting it, since things obviously couldn't work out for her. (Or so she unconsciously assumed.)

So, in a way, they were both kind of expecting something like this to happen. When it did happen, they allowed it to. In my mind, this takes it from a "silly misunderstanding" and changes it into a "character-driven conflict."

pundromeda

Question that I expect to get RAFOed: Does each Shard correspond to a particular Dawnshard? i.e. are there 4 Shards that correspond to the Change Dawnshard (of which I assume Ruin and Cultivation would be 2)?

Brandon Sanderson

RAFO, as expected.

Questioner

If I have a Hemalurgic spike, can a Shardblade steal my soul? Don't the spikes ground your soul?

Brandon Sanderson

They basically staple pieces of things on your soul that can still be cut. No they couldn't steal it but they could still cut it.

Questioner

When you took over the whole Wheel of Time thing, that must have been-- there was so much going on there... they had their own characters and you had to immerse yourself in that role and to try to create-- writing in your own words. Do you think that helped you develop as a writer?

Brandon Sanderson

It totally did. The most I've grown as a writer was my first year writing, but after that, the number two time that changed me the most, was working on The Wheel of Time. It was incredible, and awesome, and terrifying, all at once. The hardest thing I've ever done professionally was write those books. For those who don't know, I didn't know Robert Jordan or his wife. I got a phone call one day, asking if I would finish his series. His wife, who was also his editor, she discovered him and then married him, which is a really good way to make sure your editorial advice is taken; *laughter* he asked her to find somebody-- before he passed away he said to her "If I don't make it, go find somebody". So she read Mistborn and she called me, and asked me "Would you be willing--" Now she knew I was a fan of the series, because I'd written a eulogy for Robert Jordan on my website, and that's how she found out about me. But then she just called and said 'here', and the things was, she then had to go grieve, right, she's like "Once you're done I can edit it, but I'm an editor, not a writer, I can't write this myself". So she gave me all the stuff, and then I basically did it all by myself for a year, and wrote that first one. I did send her some test chapters, is this right, is this wrong, but it was a very daunting task, he had not finished very much of the book. He had some notes, but he was a discovery writer so his notes were very vague. "I'm thinking about this happening", "oh, this character has a scene that's kind of like this", "I might do this, I might do this". A lot of stuff like that in the notes and so there was a lot of-- I describe it like someone takes a Ming vase and they smash it and they throw away half the pieces and they throw in pieces of another vase just to screw you up and they give it to you and they're like, "Alright, now make the vase, see if you can do that".

Questioner

He did a lot of foreshadowing in his books...

Brandon Sanderson

There were certain things he did, to have out, and some of the most important ones he did have, other ones, I just had to catch the ball that he had thrown using my experience as a writer.

Questioner

Is there a particular reason behind the spelling, or is it just coincidence that Kelsier and Kaladin are both K-names?

Brandon Sanderson

Just coincidence. Kaladin's original name was Merin, and it was a weak name that didn't work for me, so I changed it. It took me forever to find a good name for him. It comes from "paladin". Not the inworld origin, but that was the word that [inspired it]. [...] It was more that I was searching for sounds, and I realized it sounded a bit like [paladin], but I was okay with that. Just like Elantris sounds a little bit like Atlantis. It's not like I was purposely [choosing it]. I just liked the sound of it.

Questioner

You said you were going to rewrite Dragonsteel? Is it going to be a one-book thing, or a trilogy, or what?

Brandon Sanderson

Dragonsteel is set to be seven books. I shouldn't tell you these things, because it scares people. The cosmere sequence is set at, what did I say, 36 books? Yeah, it's 36 books. A trilogy of Elantris, Two books from Warbreaker, ten books from Way of Kings, and the Mistborn series, and some other books. So anyways, this is a big thing, but don't get scared. You don't have to pay attention to any of this. Just go ahead and enjoy the books. This is behind the scene stuff, and in fact the reason why we don't have a book about Hoid is because I don't want you to have read all of those books in order to understand that book, does that make sense? As soon as Hoid becomes a main character, then you have to have read the whole sequence in order to get it. I don't you to have to do that. I don't want you to have to read Mistborn to understand Stormlight Archive. Hoid may be involved in these things, but he will never be a prominent character, changing things, until he gets his own sequence.

Brandon Sanderson

Nightblood and Vasher Interact as He Sneaks into the God King's Palace

Note that Nightblood is capable of more change than Vasher assumes. Vasher has a bit of a blind spot when it comes to Nightblood. He makes assumptions he wouldn't make regarding other people or elements of Awakening. It's hard for him to regard the sword without bias. If you want to know more about this, read the sequel. (Er, if I ever write it.) Which is tentatively named Nightblood.

Brandon Sanderson

The Symbol of the Spear

I'm not trying to overtly duplicate Christianity with the spear becoming the symbol of the Church of the Survivor much like the cross became for Christians. It just seemed a very natural symbol, and I do very much like playing with the idea of how a religion grows and changes from a loose set of beliefs into an organized theology.

Brandon Sanderson

Endpapers

The endpapers were one of the things that we weren't certain whether we'd get into the final book or not. Tor was iffy on paying for them, as they add a large expense to the novels. In the end, Tor stepped up because they believed in the project, for which I am very grateful.

These are one of the last things we finished, and it took several tries to get them right. I knew I wanted them to be in-world pieces of art–things that are supposed to have been created by artists living within the world of Roshar. The front endpapers are murals crafted from stone and gems fitted together, and the back endpapers are stained glass. But the tones and the exact look of the images took some time to get right. (For a while, the symbols of the various magics on the first one had gemstones overlaying them. That turned out to look bad on the page. Perhaps when Peter is putting this up, he can grab those old drafts and post them beneath here.)

The first one of these is the one I'll talk about the most, the design that outlines the magic for Roshar. (Well, some of the magic.) This design is one of the very first things I developed for the art of this book, way back in 2001. The "Double Eye," as the people in world would call it, is a connection of ten elements.

I avoid elemental magic systems. I feel they're overdone. However, one of the concepts of this world was to have a theology that believed in ten fundamental elements instead of the ordinary four or five. A focus would be on them, and on the ten fundamental forces—the interplay between the two being a major factor in the magic, the philosophy, and the cosmology of the world.

Well, that's what these twenty symbols represent, with each of the larger symbols being a Radiant element. The smaller symbols are the forces. You can draw a circle around one element and the two forces that connect to it, and you have one of the orders of Knights Radiant.

For example, top right is the symbol for air—with the symbols for pressure and gravitation connected to it. The Windrunners.  

Peter Ahlstrom

Indeed, there was a lot of swapping around at the last minute to get everything working right with the magic. This is actually why the Way of Kings audiobook gets the Ars Arcanum chart wrong—it was using a version that was messed up between rounds of changes.

Brandon Sanderson

Alcatraz's Self-Awareness

The biggest change to this chapter was one I couldn’t talk about above. You see, in the original version of this book, Alcatraz was far more self-aware of the fact that he was intentionally driving his foster families away. In this chapter, he saw it as a game. Originally, he didn’t burn down the kitchen by accident–he did it on purpose to get the parents to send him away. He did this because the first few families sent him away after he got attached to him. So his goal with later foster parents was to push them away first before they could do it to him.

Getting rid of this knowledge was one of the very first things that Anica suggested. You see, Alcatraz has such a great chance for character growth and revelation later on, when he’s in the prison, that having him be aware of what he was doing the whole time undermined what could have been a great scene.

I agreed with this immediately, since I’d been thinking of doing the same cut. The edited manuscript, then, has him accidentally setting the drapes on fire, then not caring about it. I think that gives me a nice balance.

However, the broken smoke alarm here is a reminder of the original draft. I left it in, implying that Alcatraz does partially know what he’s doing, even if he won’t admit it to himself. He broke the smoke alarm because he knew that by fixing dinner, he would likely start a fire. Grandpa Smedry hints at this later.

Robert

Was Syl's appearance and behavior caused by Kaladin giving up his shardblade?

Brandon Sanderson

It was a major fundamental factor in what happened between them.

TheBurningDusk

How do artifabrians cut the rubies in half? Do they use a Shardblade? As far as I understand, gemstones don't exactly get sliced very well because of how hard and brittle they are.

Brandon Sanderson

RAFO--but answered (I think) in this book.

Questioner

As your characters have evolved and grown, as we've seen in different books-- We've also seen, like with your character Wayne, kind of the sense of humor inside of the characters changed, and with him we've kind of seen this-- I guess, uh, kind of more seedy and base sense of humor with him, which in some ways made him more lovable and more of a favorite sense of humor. But like with kids, I've kind of been like-- worried a little bit.

Brandon Sanderson

Yeah Wayne is…

Questioner

--with the age level and I'm wondering if we're going to see more characters like that grow in as we're looking at Mistborn Era 2 and 3 coming out, and if so, do I need to be more concerned, or is it really gonna be, or is it… what methods, do we need some rating system.

Brandon Sanderson

*amused* Rating system… *laughter*

Questioner

*audio obscured*

Brandon Sanderson

Yeah, I would say that this is more, "I write the character that fits the situation" rather than any sort of an evolution on my part of this, so… I don't know. I will… really, I would leave that to other people. This is kind of one of those weird things where, like, I will both get on the same day, sometimes, e-mails from someone who's like "how can you be so crude in your books, I thought your books were supposed to be family-friendly" followed by "why won't you address adult topics in your books *laughter* why do they all feel so children-esque, child-esque", and I would assume that those are the types of e-mails that everyone gets, even George RR Martin. *laughter* "When are you gonna get to some real adult themes, George?" I'm sure there's someone who's sent that e-mail to him. Um, yeah, I write the books, you know, I have… I'm certainly not as interested as some authors in digging into the more... quote-unquote "explicit content", but at some points there are characters like Wayne where I'm like, "you know, I need to write this character who they would be", and I can have them dance around the worlds-- words to obstinate *laughs* that was not an intentional slip! Dance around the words to obfuscate things and stuff like that, but if I don't let Wayne say some of the things he wants to say, then I'm not being true to that character in the same way I wouldn't be being true to Dalinar if I didn't let him, you know, be the strictly "I follow the rules" type person that he's become, because both of those types of people exist in the world.

Um, your specific question on Era 3 of Mistborn, um, is… I don't anticipate a Wayne-like character, but who knows? Right, Era 3 right now is kind-of focused on two Terris people, the main character and her brother, and she's a computer programmer in the early days of computer programming, and--

Bystander

Fortran.

Brandon Sanderson

Yeah, like a Fortran programmer or something like that… And, you know, it's going to be-- Her story will be a little bit more geek-culture-ish and things like that. You'll have very fun with the artwork in those, let's just say that.

I can't promise you one way or the other what I'm going to do, so I think what you're-- what you should be doing is reading them yourself and then deciding for yourself with whom you will share the books.

Brandon Sanderson

As we get ready for the release of The Alloy of Law, I find myself wondering what the teenage me would think of what I’m doing in this book.  You see, I became a fantasy addict when I was about fourteen, and one of my mantras quickly became, “If it has guns, it’s not good fantasy.”

Now here I am, adding guns to my most successful fantasy series.

Despite the ways I’ve changed over the years, despite my belief that fantasy should be (and is becoming) something more than the standard “guy living in idealized chivalrous England leaves his farm and saves the world,” a voice inside of me is screaming that nobody will buy this book.  Because it has guns.

I don’t believe that voice, but I think it says something interesting about me and others like me.  Perhaps we fantasy readers sometimes mix up correlation and causation in our fantasy novels.  In fact, I’m more and more convinced that taste for a specific genre or medium is often built on shaky ground.

An example may help.  I have a friend who once claimed he loved anime.

Over the years, he consistently found anime shows superior to what he found on television.  But as he started to find more and more anime, he told me that he discovered something.  He liked the anime he’d seen at first because these were the shows that were successful and well made, the ones with the quality or broad appeal to make the jump across cultures.  He found that he didn’t like all anime—he only liked good anime.  Sure, the medium had something important to do with it—but his enjoyment came more from the quality of his sample than the entire medium.

Likewise, I’ve come to find that what I enjoy is a good story.  Genre can enhance this—I’m probably going to like a good fantasy more than a good thriller or romance because worldbuilding and magic appeals to me.  In the end, however, it isn’t the lack of guns (as my young self assumed) that draws me to fantasy stories.  It’s the care for setting, pacing, and character development.

This is actually a correlation/causation fallacy, and I wonder if I’m the only one to have made it.  Many of the books in the fantasy section we love (perhaps because of the setting attention or the types of writers attracted to fantasy and SF) have dragons.  Do we therefore make the assumption that we only like books with dragons?  These two things (the dragons and our enjoyment) are parallel to, but not completely responsible for one another.

On the other hand, maybe I just think about this kind of thing too much.

Either way, I present to you The Alloy of Law.  A look at the Mistborn world several hundred years after the events of the original trilogy, where the industrial revolution has finally hit and knowledge of gunpowder is no longer suppressed.  That means guns.  Lots of guns.  And magic too.

The young me might have been horrified, but the thirtysomething me finds the mix to be exciting, particularly in a world where the magic is directly related to metal

sebarial

Would a Feruchemist actively storing Identity be more susceptible to Forgery? Would more outlandish changes be able to take effect? Thanks for your time, and have a wonderful day.

Brandon Sanderson

Yes, if you store Identity, it makes you susceptible to ALL KINDS of things in the Cosmere. Forgery would be on the short list.

bubblebooy

Does the difficulty of affecting metals in a body with Allomancy have to do with Identity?

Brandon Sanderson

No, more to do with the fact that most people are innately Invested in the Cosmere--and certain planets have extra Investiture. Something Invested is more difficult to transform/move/etc with another form of Investiture.

bubblebooy

That is what I had originally thought before you capitalized "ALL KINDS." Is Soulcasting people like Jasnah Kholin did doubly hard since people a have a strong sense of Identity and have innate Investiture?

Brandon Sanderson

We're getting a bit far on this course, so it's time to pull out the RAFOs. I don't want to overplay my hand and leave the books without anything to talk about. :)

Phantine

Does that 'inside a body' thing work on most magics?

For instance, if Han stuck Luke into a Mistborn Tauntaun (a distant and unlucky relative of the mistborn llama), would Luke be protected from both the cold and emotional allomancy?

Brandon Sanderson

He'd have to get him inside a living one.

It does work on most magics, though the interactions can be odd unless you know a lot about the workings. Emotional Allomancy, for example, works by lapping against the outsides of someone's cognitive self, influencing you the way music might stir your soul. So being inside a living body wouldn't necessarily stop it--you'd just have more interference. Kind of like how you can still hear music outside if it's loud enough.

Actual mind control in the cosmere requires you to get INSIDE the soul, which you've seen happen frequently enough. There has to be a gap or an opening.

Or, conversely, you just have to be so powerful that you can push through the interference.

Brandon Sanderson

Vivenna Watches the City

One of the reasons I knew that I had to make Vivenna a viewpoint character was that there was such a wonderful contrast between her and Siri. The way they look at the world is so different that it provides excellent opportunities for the story. The way they each respond to their first visit to T'Telir is an example of this.

Beyond that, with Siri and Lightsong locked in the court, and with Vasher doing whatever the heck Vasher is doing, we didn't have any characters who could experience the city itself consistently with a sympathetic viewpoint.

As I've stated, this book began as one about the two sisters who are forced into each other's roles, and how they deal with those changes in their lives. Vivenna is an integral part of this process.

Comrade Herald

If Shallan had married into Veden royalty, would she have taken on the family surname?

Brandon Sanderson

If she had moved into royalty? I don't think the Vedens take last names. I think that is in the wiki. I don't think that you change your name when you're Veden and you're marrying, regardless. It might be different for the royal family. But my gut says "no." This is not stuff that's in the books, so I'm out on a limb here. If I've just said something that is contradicted by the books, I'm sorry; I don't have Karen looking over my shoulder. But I don't believe Vedens take each other's last names.

Questioner (paraphrased)

When you paint a shardplate, how do you change the paint job? Do you have to break the pieces to get it off?

Brandon Sanderson (paraphrased)

You would use a paint thinner and it would come off alright. Actually, you have to reapply the paint pretty often as it would naturally wear off on its own and it would have trouble sticking to the plate.

Questioner

With the Stormlight Archive, when you created this, do you know everything? Do you know the end of the book at the beginning?

Brandon Sanderson

I do, but... You have to be willing to change as you go, as the characters mature and you mature. For instance, Adolin wasn't gonna be a main character in the original outline. And as I developed the first book, I realized I needed another perspective of somebody who could offer perspective on the things that were happening. That was Adolin's perspective. So I brought him in as a main character. So that wasn't in the original outline.

And for instance, the ending of Book 2, with Kaladin, was actually originally the ending of Book 3. So I ended up switching those around. So things like this happen.

Books 4 and 5, my dividing line, where those two divide, is not really strict right now, and so one of the things I'm doing in outlining is saying, "Let's make sure Book 4 feels like a book, rather than half of a book that Book 5 ends."

Lauren Zurchin

Any good reads you recommend for the book fans?

Brandon Sanderson

I have recently read Promise of Blood by Brian McClellan. I guess it's been a few months now. I really like that. The other most recent book I read is an unpublished novel that I'm hoping will be published because I thought it was fantastic, by a friend of mine. It's called A Thousand Faces—I don't know if she'll end up changing that title. But, Promise of Blood, very good, highly recommended. And if you're looking for something great, and you haven't tried Terry Pratchett, he's one of my go-to recommendations. I love Pratchett's work. Don't start with the first one. Start with Guards! Guards!, or The Truth.

Questioner

In the Stormlight Archive we saw the sword from Warbreaker and we also know that the royal line can change more than just their hair, will that come into play?

Brandon Sanderson

They can! What’s that?

Questioner

...will that come into play?

Brandon Sanderson

That will come into play, keep your eyes open.

Questioner 1

So I've spent quite a few hours trying to work out Pattern 1, you know Ceiling of the 2nd Rotation of the Diagram. *inaudible* But I wanted to ask you-- And Peter said you wanted to make us sweat, you know of course, on the 17th Shard. But I want to ask you, and hopefully you'll be able to answer this... Is Pattern 15 used in the solution? Would you tell me that at least? Please, I beg of you.

Brandon Sanderson

The solution... Indeed, the key to the solution is somewhere in the book.

Questioner 1

No, that doesn't help me!

Brandon Sanderson

That helps you! That helps you. 

Questioner 2

*Questioner 1 moans* We've already got 15 pages. On the 17th Shard.

Brandon Sanderson

You can interact with Peter, because I ran everything through him on this. Because... And so... I actually did it all myself, but then he corrected me where I was wrong. So I'm gonna send it his way, because I don't know if he's made any tweaks to it from what my original concept was.

Questioner 1

I know there was a change in the gamma read with some of the number.

Brandon Sanderson

Mhm... Yes.

Questioner 1

You know it's pretty cool. There seems to be a ketek in there people have discovered, or a palindrome or whatever where there's numbers, patterns matching. Mirror image. Yadda yadda. *inaudible*

Brandon Sanderson

You should be... Yeah, see what you do.

Questioner 1

I've just-- It would be nice to know.

Brandon Sanderson

I've alr-- I've given you the fact that there's a key to it.

Questioner 1

A key to it... *inaudible* *Questioner 2 gasps* Alright...

Brandon Sanderson

Yes. In the book, there is a key to it.

HazelCharm47

Let's say we have a hypothetical situation with Miles Hundredlives. In this scenario, he is wearing a gold metalmind filled to the brim with stored healing power. He is then spiked with a cadmium spike and loses his gold allomancy.

Now, if I recall from various WoBs, he would be able to heal using the gold metalmind and regain his gold allomancy. I could be misremembering and he cannot heal it, but I believe he would be able to since it is part of his Identity.

However, one question I have never seen the answer to is this: what happens to the ability in the spike? Is the allomantic ability still contained in the spike, leading to a duplicate? Or is the spike's ability lost? Or maybe I have this whole thing wrong and Miles could never have regained the ability in the first place.

If the ability duplicates (which I doubt), that could lead to some crazy things. Also, this applies to any Twinborn with gold Feruchemy, I just thought Miles was a good example I guess :)

Brandon Sanderson

I'd like to see the exact WoB's here to make sure I'm being consistent, as I don't know that I confirmed you could regain lost powers--only that you could heal from hemalurgic soul damage. Most likely, what you'd end up with is a person who has been healed and can remove the spike from their body without damage, and without needing it to hold their soul together--but who has lost the ability in the spike.

Regardless, though, what you want here (the mass production of spikes charged and even blanked) is possible with the right levels of investiture. It's an energy, like things in our world. The difficulty is finding out how to 1) get enough investiture and 2) key it to the right people and/or magic.

Hope that's a little more clear.

That said, a lot of times people just ask me if something is possible--and a lot of things are possible, but just very difficult. And with the right boost of investiture, in the right circumstances, it WOULD be possible to regrow lost (to spikes) powers. It's just highly unlikely.

I'm not sure if the questions people are asking me are ones I've qualified, or not, in these instances. Also, this is all something I'm playing with still behind the scenes as we enter the modern age of Mistborn.

HazelCharm47

As requested, here are the WoBs I believe are related. They might be obsolete, however. And I assume things will get changed a lot before Era 4, but hey, it's fun to ask anyways :)

WoB #1:

https://wob.coppermind.net/events/331/#e9434

This one states that as long as Miles still has his Identity, he would be able to use his Feruchemical metalminds after being spiked and would be able to heal.

WoB #2:

https://wob.coppermind.net/events/102/#e983

This one says that Miles would be able to heal his soul using Feruchemical healing and regain his gold Allomancy (assuming he survives the spiking). I think this is the most essential one!

WoB #3:

https://wob.coppermind.net/events/76/#e6335

This one is only somewhat related - implies that the Feruchemical and Allomantic powers are spiritually part of him.

WoB #4:

https://wob.coppermind.net/events/7/#e6435

Also tangentially related - damage to the soul from Hemalurgy can be healed (Although this might just be a Hoid thing). I guess the question could be expanded to include non-Feruchemical healing as a way to repair the soul after being spiked.

Brandon Sanderson

Well, I don't think any of those are specifically inaccurate. I just didn't quite understand what people were trying to get out of me. A lot of times, I don't know quite what people are trying to get out of me. I can see now they're trying to figure out.

I see now, and I appreciate you putting this all together for me so I can see what the fans are trying to figure out. So the answer is a cautious yes. The problem here is that he'd need to compound a TON of healing first--but yes, it would work. You could theoretically turn someone like Miles into an invested spike factory.

If he didn't have enough healing stored, though, he'd end up with a healed soul but a gap (like a scar on his soul) where his spiked-out abilities were. That could theoretically be healed with application of more investiture, depending on things like how he views himself, and if you could get the right type of investiture.

Questioner

So I was wondering, can Siri and Vivienna, does their hair change to unnatural colours, like pink and green--

Brandon Sanderson

It can. Yes.

Questioner

What would elicit that?

Brandon Sanderson

Well, I would have to go back to look at my notes, honestly. I would expect you could get green by eating something that made you sick, right? They're gonna associate these colors partially with associations that people are putting on them, the same way that spren are acting like the associations that people give them, but I would have to look at the culture, because in their culture, they may not associate green with disgusting the same way we do, right, if that makes sense. So that's why I'd have to look at the notes. These things are partially based on their own interpretation.

Only4DNDandCigars

Just wondering, I read the old version and it was great, but will I miss out on continuity if I skip the graphic novel release? Also was Hoid in this novel? I dont remember finding him.

Brandon Sanderson

Hoid is referenced in the novel, but it's like Emperor's Soul or a few of the others, where he's only mentioned. We beefed up his presence for the graphic novel, though he'll equate to still just a cameo, because of certain cosmere timeline issues.

I don't plan to change continuity dramatically from the novel to graphic novel--just tell the same story, better. I hope that people will still read and enjoy it, but I also don't want you feeling left out if you don't get around to it.

Brandon Sanderson

This [Isles of the Emberdark] is a book with dual narratives and one flashback sequence. Some of you may have read the flashback sequence already, because it is a short story that I wrote. What I am doing is, I didn't want (it's more of a novelette) not having read that to be something that held you back from buying this book. So as I was thinking about it, I'm like, "What I should do is, I should revise that story and make it a flashback sequence to kind of bring us up to speed." What I plan to do in the book is have a little brief thing at the back that, if you've read the novelette, it points out some few small details I changed, so you can skip those flashback sequences, if that's something that appeals to you. But I'm trying to perfect getting the balance right for everyone to be able to read the story, beginning to end, incorporating those flashbacks so that they are up to date on the things that happened before.

Brandon Sanderson

There are a few points in this chapter that really and truly sum up Vin's character for me. The first point comes in her asking Kelsier if Marsh beat him often. The fact that Vin wouldn't even consider the fact that two siblings could get along without some form of beating or dominerance speaks a lot about the life she's led.

She's not a bad person, however. Kelsier gets it right–she isn't herself bad, she just assumes that everyone else is. In my opinion, the amount of good left in her despite what she's gone through is a powerful testament to her character. And, finally, some of that starts to come out in this chapter. It might be a little early for her to begin changing–it's only been a few days–but I wanted to leave a few hints in this chapter, since we're going to have a big time jump here pretty soon.

The first hint is that she really is starting to want to become part of the team. She feels sad when she thinks she won't get to act the part of Renoux's heir. In addition–and, for Vin, I meant this to be something very telling–she left food behind. That's a great moment in the chapter for me.

Brandon Sanderson

Part Four Wrap-up

Oo. I can't wait to see what happens next!

Actually, the section breaks mean a lot to me in this book. They divide the novel in my mind, as opposed to Elantris, which was divided by viewpoint and not by section of the book.

Often, when I write novels, I plan sections around climactic scenes which leave the characters changed. That's why this story broke in such places as when Vin nearly got killed, or when Kelsier really did get killed. In this book, they sometimes mark the passage of time as well—that happened with the first couple.

It's kind of an odd thing that I do, but often in my books I will have a "section" that is simply the climax. That's the way it is with this book; part four was the lead up to the climax. Part five is, essentially, one big long climax. The Brandon Avalanche, so to speak.

So, why is it like this? Why have a short "section" at the end that is the climax, rather than just having part four continue on to the end? It has to do with how I write books.

A novel has to be divided into chunks for me to work on it. I divide it in my brain by section, then plot those section separately. Often times, the climax—on my plot outline—is it's own section. That's because the division in my head requires the section before it to be set up. Then, the set up is finished, and I can move on to the pay off.

And so, that’s what you get now. The pay off. Hope you enjoy it.

Questioner

Why didn't Dalinar get the powers of a Stoneward when he bonded Taln's [Honorblade]?

Brandon Sanderson

Some readers have already figured this out, so I don't think I'm engaging in too large a spoiler to dig into this one here.

There are several oddities going on here. The most important one relevant to this question is the Blade in question. If you compare the descriptions of the sword described in the epilogue of The Way of Kings to the one that traveled with the madman (allegedly Taln, the Herald) to the Shattered Plains, you'll find they are different.

The one that the characters obtained in Words of Radiance is NOT an Honorblade. It's an ordinary Shardblade (as ordinary as one of those can be called.) I'm not going to say specifically what happened to the Blade Taln arrived with at Kholinar, but I will say that it IS a different weapon from the one in Words of Radiance.

The other issue here is the somewhat lesser question of whether this character is actually Taln, the Herald, or not. Some characters in-world don't believe that it is, though his viewpoint in Words of Radiance strongly implies otherwise. This isn't specifically relevant to the conversation for reasons I'll talk about below--but it is tangentially related. Because in the cosmere, Intent is important to many of the types of magic. It's theoretically possible to hold an Honorblade and not realize what its powers are, and therefore be unable to access them.

As an aside, this character was actually the primary protagonist of the version of The Way of Kings I wrote in 2002. A man who woke up, with lingering memories of madness, and claimed to be a Herald when nobody believed him--as he couldn't manifest any powers, seemed to have lost his sword, and lore said the Heralds weren't coming back anyway.

When I wrote the new version of The Way of Kings in 2009 or so, one goal was to focus the storyline. I'd included so many characters in the 2002 version that none of them progressed very far in their arcs, creating a strong setting and interesting characters--but a bad book. During the new version, I decided that this character would be moved to the later books, and I'd explore him there.

In the 2002 version, the text was very dodgy on whether or not Taln was a Herald. Confronting the fact that he might be crazy was a major arc and theme of the book--however, as I've worked on the new version, I've realized that it would be dangerous to be too vague on this. Stringing people along with the question for a book or two is one thing, waiting until book six or eight to do a character's arc, and leaving the question of whether they're a Herald or not all that time, seemed unfair.

So the text is going to be making manifest fairly quickly who this person is. You'll have confirmations long before we dig into his viewpoint in the later books.

So, a recap:

1) The swords WERE swapped somehow.

2) Someone could hold an Honorblade and not realize they had access to powers.

3) This character may or may not actually be a Herald--but the text is going to make the answer clear, and I'm not trying to trick you.

Brandon Sanderson

Back with another update. It's been a few months, and I have worked through the third draft of Oathbringer. Original draft didn't have a few of the interludes, so I added those in this revision, as well as incorporating feedback from my team and the team at Tor Books. Earlier today, I wrote the epigraphs and the Wit monologue, then polished off the ketek.

The current length is 514,000 words--so around 100k longer than Words of Radiance. Whew! That's big enough that we're not sure if we can bind it in paperback. (We can manage it in hardcover without too much trouble, though we might have to do some old term paper tricks such as expanding the margins.) The book won't be split in the hardcover US release, or in the ebook, but there's a possibility the US paperback might be split into two volumes released at the same time. (As has been common in the UK for all the books in the series.)

We'll see what happens. Next revision, 4.0, is to incorporate Beta Reader comments and to make some tweaks I've been thinking about. This should be the fastest of the drafts, as I don't need to make any big structural changes or write many new scenes.

5.0 (the final draft) will be a polish and trim. Publication date is still scheduled for this November. The US cover came in just recently, so expect a reveal on that soon. Michael did a fantastic job.

As a warning: I'm not going to be able to monitor this thread very well, as I'm off to Europe. (I'll be in Poland, Germany, and Bulgaria--details on the events section of my website.) So be warned in advance that I probably can't post many replies to your questions here.

I'm still making my way through my recent AMA on /r/fantasy, though, so you can pop over to that and read what I've had to say recently.

As always, thanks for your patience. Beta read responses to the book are strong, so I think you'll be pleased with the result come this fall.

wicktacular

At the end of the first Mistborn trilogy it's really significant that 1/16th of the soldiers who got really sick are now atium Mistings.

Brandon Sanderson

Yes.

Brandon Sanderson

Yes. Sixteen that he-- when Preservation set that all up. He, number one, was not all there. But he was trying to create sixteen as a symbol to say, "Hey, catch this. I've given you a clue-- uh-- help." And so it was devised specifically for that. "*inaudible* Something's going on here."

wicktacular

But we know that there's more than sixteen metals. Wh--

wicktacular

So were there-- were 1/16th of the rest of them just *inaudible* just not significant?

Brandon Sanderson

No, no, they would have been Mistings of other types as well.

Brandon Sanderson

Yeah.

wicktacular

Did he bump one of the other types then to make it sixteen?

wicktacular

Okay. Do you have in your head *inaudible*?

Brandon Sanderson

Chromium.

wicktacular

Chromium?

Brandon Sanderson

Yes, that's right. It would probably have been one of the metals that was difficult to get at that level of technology. It would have been chromium - chromium would be hard gather at that time. Actually, no, it would have been aluminum. *about a minute later, while signing someone else's book* Hold on, there's a caveat to that last answer. Let me finish signing this and expand on that. *pause* So, it would still have been aluminum, but not for the reason you're thinking. It would have been aluminum, but there's an asterisk next to that answer.

wicktacular

Okay. Interesting.

Brandon Sanderson

Hard to get chromium.

wicktacular

I've been thinking about--

Brandon Sanderson

Oh no! He bumped aluminum. Yeah, he bumped aluminum. Sorry I had to-- I changed my mind.

wicktacular

Oh!

Brandon Sanderson

*a moment later*

Okay, Chad? I have a <qualification> for you. I'll do this and then we'll...

*a moment later*

So...

wicktacular

On the sixteen or the *inaudible*...

Brandon Sanderson

The sixteen. So the answer is "yes," but it's not something-- it's not what you're thinking it is. 

wicktacular

Okay.

Brandon Sanderson

Alright, there's an asterisk on it, okay? There's an asterisk on it, it's not what you're thinking. Uh, you're making-- you're making assumptions. 

Questioner (paraphrased)

Would the powers of a magical object change if it went to a different world?

Brandon Sanderson (paraphrased)

It is plausible that they will, but most likely is that they don't work right. Most of them will not.

kakarotoks

As for Skyward, you said before that you got stuck because you weren't liking it, then you finally figured out how to fix it, will you write a blog post after release about how it was before and what needed to be changed to make it fit your standard?

Brandon Sanderson

Did I say that about Skyward? I got stuck on Apocalypse Guard, and pulled it for that reason. I don't believe I had any big issues with Skyward that weren't up to standards, just normal revision issues. The biggest hurdle came long before writing the book, as I was trying to figure out ways to approach this plot archetype in a way that wouldn't simply be a rehash of what people have done before.

Dan Wells

Who here is a big Brandon Sanderson fan? We've talked about doing weird collaborations forever. We actually did one. And if you are a big Brandon fan, you have probably heard about a book called The Apocalypse Guard. Which is one that he's been working on for a while, and he eventually came to me and is like, "This is broken! Help me fix it!" So I came in, and I fixed some of it. And we went back and forth and we did a few revisions, and we got to the point where everything's working except the magic system. And I'm not the a-hole that's gonna change a Brandon Sanderson magic system. So it's on the back shelf until we get a chance to go through and have him do another pass. But I'm gonna read a little bit of the first chapter to you right now.

Brandon Sanderson

Adhesion allows you to bind things together.

Gravitation allows you to change the direction and strength of an object's gravitational attraction, including that of yourself, which essentially gives you the power of flight.

Division allows you to manipulate the rate an object decays.

Abrasion allows you to make objects, including yourself, frictionless.

Progression and Regrowth allows you to heal organisms and alter their growth.

Illumination allows you to create illusions.

Transformation allows you to soulcast objects from one material into another.

Transportation allows you to travel between the Cognitive and Physical realms.

Cohesion allows you to alter the shape of solid objects.

Tension allows you to alter the stiffness of objects.

Mad Hatter

Terry Brooks recently said he'll be doing more Shannara books and that he wishes he didn't use the title The Elfstones of Shannara already since his new arc is basically all about the Elfstones. Did your reticence to titling The Gathering Storm as such have anything to do with The Stormlight Archive? The Gathering Storm certainly seems like a perfect title for a book in the series.

Brandon Sanderson

Yeah. I didn’t choose The Gathering Storm. If you know the story, it all happened while I was asleep, and they said this was the title they were going to use. There were a couple of reasons. Number one, I knew I was releasing a book soon afterward that was in a series called The Stormlight Archive. Perhaps I pay a little too much attention to making sure that I don’t feel like I’m repeating myself. Kaladin in The Way of Kings was originally named Merin, and one reason I changed his name was because it sounded too much like Perrin. He had been Merin for eight years or so, but when I was just a Wheel of Time fan, it was okay to have a name that sounded a little like a Wheel of Time character’s. But now I may be a little hypersensitive to that.

Honestly, the greatest reason I might have preferred The Gathering Storm to have a different title is that I felt it was just a little bit generic, more so than recent titles in the series have been. Recent Wheel of Time titles have been beautiful; I love Crossroads of Twilight as a title, for example. But The Gathering Storm is a good title for a lot of other reasons, and it works very well for the first of that sequence. So I was satisfied with it even though it wasn’t the title I would have chosen.

Questioner

You mentioned in your newsletter that you were thinking of doing a Mistborn film, and I'm wondering because it's an internal magic system, how you would differentiate which metal was being burned?

Brandon Sanderson

We've got a couple of tricks up our sleeve that we've been working on. One thing that we're changing in the screenplay is, when you burn iron and steel it makes metals glow blue rather than shooting out blue lines. Basically this will keep it less cluttered, and you can kind of dim the screen a little bit and show everything glowing blue. We're doing that, and when you start burning one of the, for instance, one of the metals that influences personality, we're gonna actually kind of like send a pulse out of the person, and have it kind of wash across people, and things like that, so we're coming up with visual clues to show them.

TopRamen713

I think it's probably the remnants of the first agreement between the singers and humans. They were allowed to terraform Shinovar, and rule that area, but anywhere else, they were forbidden from. Eventually, it morphed into the "soil lands are for humans, everywhere else is for singers." Then, over the millennia, it became a religious teaching, "don't walk on stones."

Peter Ahlstrom

Brandon wrote a ton of worldbuilding down before starting to write the first book, and this particular thing is definitely something he planned from the start. He does keep a lot of stuff in his head, but sometimes that shifts over time. Part of our job is to make sure what's in his head now doesn't conflict with what has previously been published.

If the outline doesn't work for something, Brandon will change it while writing. As long as it doesn't conflict with published canon, it's always more awesome than his earlier plans.

Questioner

Have you ever read a book that has made you cried? Or made you so frustrated that you wanted to throw the book?

Brandon Sanderson

It's not that hard to make me emotional in a book. I'm normally a very even-keeled guy, but a really great story told really well can really get to me. It's part of why I wanted to be a writer. I've got a very even temperament. I wake up most days, just kinda feeling the same I did the day before. So, if there's, like, bipolar or things like this, I'm like the opposite. I'm, like, if you vary, like, people vary from a 0 and a 100, I'm, like, at a 75 all the time. Which can be really cool, except when everyone else is, like, super excited, and they all go to, like, 90 and 100, and I'm like, "Yay? That's cool. I'm happy too!" But a good story, that gets me, right? That can really get me. So, a lot of my favorite stories-- Anne McCaffrey was really good at doing this for me. But Terry Pratchett, right? They're comedies? If I mention that I like something, it's probably stirred powerful emotions in me.

What have I wanted to throw across the room? I'm sorry, I know that some of you really like this, but-- and I'm sure they're really good books if you're in the right mindset, but-- this is gonna date me a little. There was a sequel series to the Willow movie, which was written. And Chris Claremont is a great writer, right? I think this is the X-Men Chris Claremont. I don't blame Chris. [George] Lucas was involved. Strike that from the record. But I loved Willow. When I was a kid, I'm like, "A fantasy movie that doesn't suck! Yes! Nothing against you Beastmaster, but, you know, a fantasy movie that doesn't suck, and Warwick Davis was awesome, I love that movie!" And then the books came out, and in the first one, you're like, "Yeah, all those people you loved? They're dead." That's how, like, the prologue goes! And the character whose life they saved in the movie, and things like that--spoilers, it's been like thirty years--is, like, a spoiled brat, and everyone's personality changed. That's probably the book I'm the most, like, throw-against-the-wall-ish. I'm like, "No, don't kill all my favorite characters!" Here's a clue for ya: if people love a whole bunch of stuff, don't start the sequel with, "Yeah, all that stuff you loved? We're just gonna..." Don't Aliens 3 your movie. Don't do that to your books. It's okay to have loss, but don't have all the people you love die in between stories. Bad idea.

Questioner

I finished Shadows of Self and TenSoon is still wearing the dog body, why is that?  

Brandon Sanderson

Because he found he liked it.

Questioner

Really? Because he hated it so much.

Brandon Sanderson

He did, he actually changed back and just didn't like it, he couldn't adapt. So he went back to what he had found very familiar now.

Questioner

What was your inspiration for Wayne?

Brandon Sanderson

Wayne had a lot of inspirations... Obviously, there's some Mat Cauthon going on for me when I do Wayne, particularly the way that Mat would see the world differently from the that way he would act. The original inspiration for Wayne was a character who changed personalities based on which hat he wore. He was actually the lead in a Mistborn story I was writing, and he didn't work well without someone to play off of... Some characters work way better when they are surrounded by more normal people. Not gonna say anything about things like the Minion movie (which my children loved), but it's very hard to tell a story about everyone being crazy instead of having a framework of someone to keep it going in the right direction. So that was a big inspiration for Wayne.

The other big inspiration for Wayne was something I noticed about human nature, where I wanted to tell a story about a character who had some really deep-- Wayne should bother you. Like the way he treats Steris. And the way he treats Ranette. And the way he treats some of the people in his life should really bother you. And one of my goals with Wayne was to tell a story that mimics what I see in real life, where there are people I know and I love who also have this way about them that you realize they aren't quite-- grown-up's the wrong term... Like, all of us are the heroes in our own group of friends. We're all the hero of our story. We each have different things we're working on. And some of them are classic good storytelling things, like "I'm gonna learn to be more bold." Which is totally me. Totally something I need to work on. But some of them are "I treat people who aren't in my inner circle really poorly, especially if they're trying to get into my inner circle. And then when you're in my inner circle, I have a dysfunctional relationship with you a lot of time." And I thought I could only really do that with a character that you loved while you were really annoyed by them, because otherwise I feel like the character wouldn't work. Maybe I could do it a different way, but I really wanted to dig into that in these new Mistborn books, and Wayne was my vehicle for doing this.

Some kind of nebulous sort of writerly things going on there.

Jennifer Graham

I was re-reading Alloy of Law and wondering...was naming them Wax and Wayne by accident, or is there a higher purpose?

Peter Ahlstrom

It was an accident, and Brandon almost changed their names when he realized it, but they were too solid in his head by then.