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Epic Games interview ()
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Epic Games

What are the benefits of people becoming more comfortable consuming their books, games, etc. digitally?

Brandon Sanderson

Certainly there's just a convenience factor. In book sales, we lost a big convenience factor during the 90s and early 2000s, and that is that we lost mall stores. A lot of the bookstores in malls went away. And a lot of the distribution to little gas stations and corner stores went away, for various reasons that I can't explain in the length of this interview. Basically, our science fiction and fantasy books lost a lot of the places where readers could pick them up. As I said before, a lot of people when they run across a good book and start reading it, they love it. Yet now they don’t have as many opportunities to come across books. Recently they've been having to go to one of these big box stores, they have to make reading a destination. Because of that, all the people who would pick up a cool science fiction book that they would see in their corner store aren't reading anymore. Hopefully if we can show them books on their phone or in their game, they'll be reminded, and we can replace those distribution methods we lost with these new distribution methods where we can sell books for half the price and deliver them right to you in the moment of super convenience. I'm hoping this will encourage more people to look into our stories.

FAQFriday 2017 ()
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2017-08-25 - FAQFriday.jpg

Questioner

How did you come up with The Stormlight Archive's gem magic/technology?

Brandon Sanderson

One of the things to keep in mind is I that developed this book before Mistborn was published. I do wonder if sometimes people are going to say, "Oh, he did metals before, and now he's doing crystals." But the thoughts arose quite independently in my head. You may know that there is a unifying theory of magic for all of my worlds--a behind-the-scenes rationale. Like a lot of people believe there's unifying theory of physics, I have a unifying theory of magic that I try to work within in order to build my worlds. As an armchair scientist, believing in a unifying theory helps me. I'm always looking for interesting ways that magic can be transferred, and interesting ways that people can become users of magic. I don't want just to fall into expected methodologies. If you look at a lot of fantasy--and this is what I did in Mistborn so it's certainly not bad; or if it is, I'm part of the problem--a lot of magic is just something you're born with. You're born with this special power that is either genetic or placed upon you by fate, or something like that. In my books I want interesting and different ways of doing that. That's why in Warbreaker the magic is simply the ability to accumulate life force from other people, and anyone who does that becomes a practitioner of magic. 

In The Way of Kings, I was looking for some sort of reservoir. Essentially, I wanted magical batteries, because I wanted to take this series toward developing a magical technology. The first book only hints at this, in some of the art and some of the things that are happening. There's a point where one character's fireplace gets replaced with a magical device that creates heat. And he's kind of sad, thinking something like, "I liked my hearth, but now I can touch this and it creates heat, which is still a good thing." But we're seeing the advent of this age, and therefore I wanted something that would work with a more mystical magic inside of a person and that could also form the basis for a mechanical magic. That was one aspect of it. Another big aspect is that I always like to have a visual representation, something in my magic to show that it's not all just happening abstractly but that you can see happen. I loved the imagery of glowing gemstones. When I wrote Mistborn I used Burning metals--metabolizing metals--because it's a natural process and it's an easy connection to make. Even though it's odd in some ways, it's natural in other ways; metabolizing food is how we all get our energy. The idea of a glowing object, illuminated and full of light, is a natural connection for the mind to make: This is a power source; this is a source of natural energy. And since I was working with the highstorms, I wanted some way that you could trap the energy of the storm and use it. The gemstones were an outgrowth of that.

YouTube Livestream 6 ()
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Questioner

I want to know if Kalad's Phantoms made it to Idris to stop the Lifeless.

Brandon Sanderson

This is a spoiler—it spoils Warbreaker—so I have to be very careful, but what appears to happen at the end did happen.

Oathbringer release party ()
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Questioner

Where is the status, or will it ever happen on the pizza necromancer book?

Brandon Sanderson

...Death by Pizza's floating. Really I can only start new things if it's directly for my contract for Tor or for my contract [with Random House] until I clear off a few things, so I'm not letting myself do that one. I considered slotting it in when I did Skyward, but Skyward was the one I ended up doing. So, that one's, basically-- I'm not gonna do it until at least I get Rithmatist and Alcatraz done.

Questioner

Well, I'm excited. It sounds fun.

Brandon Sanderson

It is a load of fun.

Mistborn: The Final Empire Annotations ()
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Brandon Sanderson

Things are going to start picking up in the novel from here out. We haven't hit the infamous "Brandon avalanche" yet, but the pacing will increase from here to the end. So, I wanted to have this more light-hearted, relaxing scene as kind of a calm before the storm.

Also, I like to laugh. Mistborn, as a series, hasn't given me as much opportunity to have friendly banter as some of my earlier books. It's more dark, and more intense. However, I did want to fit in what I could. That makes this one of my favorite scenes in the book.

Oathbringer London signing ()
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Questioner

How do you write the <Shardblade> fighting, like the fencing aspect of it? I guess you do all the research for that, the way the Shards actually work?

Brandon Sanderson

So, the fight scenes, right? The first drafts are usually pretty bad. I kind of just get down what's happening, who it's happening to, what I want the outcome to be. And then I do a lot of refining, and I try to find people who are actual fencers...

And I usually try to add something to my worlds that doesn't exist in our worlds, like Shardblades and things, just so I can have a little more suspension of disbelief for people like yourself, where you're like "Well, they have different positions."

...But I do try to get some primary sources who can tell me where I'm doing stuff really bad... Matt Easton's YouTube channel is really great for that. Schola Gladitoria, Matt Easton. When I have two people who are fighting with actual weapons, I go-- He usually has done some HEMA things where you see, like, ten bouts with that. And I can watch it, and be like "Alright, this is how it would go down."

General Reddit 2020 ()
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calvinist-batman

In the last SoS, Brandon mentioned that a new Audible original called "The Original" was coming out soon that he wrote with Mary Robinette Kowal. I haven't seen any news of it in the last six months. Does anyone know anything about it?

Brandon Sanderson

The publisher decided they wanted it to come out later this year, rather than earlier. I'm still a little baffled as to why. I think they're looking at August right now?

Audio original, though it's not published by Audible. (I think it should be still available there; I just did it with a different company, one I've worked with before. For the record, the only ones Audible has published directly are the Reckoners and Skyward.)

This one isn't full cast, but does have some audio mixing and the like, with a little original music.

Calamity Seattle signing ()
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Questioner

How did you think of the idea for some who could, like, pull alternate realities through?

Brandon Sanderson

I was looking for a different type of illusionist, because in the Stormlight Archive I did illusionists straight-up. So I wanted to do somebody who did something similar, but had a different origin for those powers.

Idaho Falls signing ()
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Questioner

How do you do go about worldbuilding for religion?

Brandon Sanderson

It's a little bit of a mix between the way I see religions work in our world, and trying to find a fantastical version. Something that couldn't really actually exist in our world, 'cause that's part of why I write fantasy. So what could people worship, what methods of worship could they have, that kind of echo things in our world, but aren't actually anything that could ever exist here. We did a Writing Excuses podcast on worldbuilding religion that you might find handy. If you Google "Writing Excuses Religion," we've got a podcast for you.

Dark One Q&A ()
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Brandon Sanderson

I’m almost 100% settled on the title for the novella. It’s not gonna be Wandersail. Because Wandersail implies that it has something to do with Wit’s story. Which it doesn’t; it’s just the name of the boat. So I have another name that’s actually much better that talks about what the story’s actually about. Once I’m sure that I like that, we’ll do an announcement on that.

Oathbringer Edinburgh signing ()
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Hoidonalsium

The resonance between various powers, specifically about Shallan... The way that she seems to be sort of Soulstamping herself, is that due to a resonance power? Or is that something external—or is it mental?

Brandon Sanderson

...It's a combination of the two, but it's not resonance. It's more mental health and her magic kind of interacting.

Steelheart Chicago signing ()
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Questioner (paraphrased)

Was Calamity and its appearance in Steelheart just kind of an ad hoc? We know that it showed up about a year before the Epics started showing up, so people naturally assume one was the cause and one was the effect, but was that really the case and are both of them just the effects of something else?

Brandon Sanderson (paraphrased)

Good question! I will say that this is something I've done before, so my fans will kind of expect it. I am aware of this expectation too, and I am careful about repeating myself.

The Well of Ascension Annotations ()
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Brandon Sanderson

Part One Wrap-up

Well, reading that section of the book again, I'm now very pleased with how it turned out. It introduces what I wanted it to, keeps things moving, and sets up the conflict for the book.

It's hard, however, to look at it objectively. It's been through so many drafts, with so many beginning chapters, that I can't quite see it the way that I once would have—and certainly can't see it like a reader might.

As we move into part two, things stabilize back to the original order and plot I'd planned and outlined for the book. (Though, there is another major upheaval at the ending.)

It's strange how a book, for a writer, can bring back memories. You know how scents can trigger memories in your head? Well, sometimes chapters can do that. You work on a project like this for so much of your life that it becomes part of you.

I submitted one of the revisions to chapter one (the Vin fight on the streets) to my college class in which I met Heather, the girl I dated for much of the year last year. I was beginning to imagine the ending of Mistborn 3 when I went on vacation last summer, and was missing Emily, whom I eventually married. I was imagining Mistborn 1 as I got the phone call that eventually landed me a book deal.

This series is a big part of my life, and I will be living it for years yet. That's kind of a comfortable, yet interesting, thing for me to imagine for some reason. I can't even begin to understand how it must be for authors who write series longer than trilogies!

Oathbringer Houston signing ()
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Questioner

How much is a stone-weight on Roshar?

Brandon Sanderson

Uh... that is actually a question for Peter. I actually, often, will just write in brackets "this much," and he comes up with the weights and measures, because I can never be consistent in my first drafts. So, yeah, you ask Peter, he can get that for you. I do the same thing with spheres, right? I'm like, "This costs roughly 100 bucks in our world," and he'll go "All right, fine" and go look up all the things. I used to keep it all in the first book, but since then I just let him do it.

LTUE 2020 ()
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Questioner

When is the next Alcatraz book coming?

Brandon Sanderson

Very close. Very close. Last draft. I wrote half, Janci is writing half. And she just did her last revision. So now I just have to read through and do my last revision, and we'll be ready.

Mistborn: The Final Empire Annotations ()
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Brandon Sanderson

Chapter Sixteen - Part One

The epigrams in this section of the book should look familiar. Not because you've read them before, but because–assuming you have any familiarity with fantasy–you've read this kind of story before. The young peasant hero who rises up to fight the dark evil. I suspect that the jacket flap, if you've read it, gives away much of this storyline. This is one of the foundational concepts for the book, however. I've read too many stories about young peasant boys who save the world. I wanted to tell one about a world where the prophesied here came, then failed!

This concept, of course, evolved. The original idea was for the Dark Lord to defeat the peasant boy. Instead, however, I found the concept of the peasant boy becoming the dark lord more interesting.

Salt Lake City ComicCon 2017 ()
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Questioner

Is Marsh happy?

Brandon Sanderson

Marsh is Marsh's version of happy.

Questioner

I'm just worried about him.

Brandon Sanderson

...He has never been a happy person. But he's in a better place now than he's been in other times of his life.

There's a part of Marsh that really likes skulking around and being an incarnation of Death in peoples' minds. He's not really one, but you know what I mean? There's a part of him, the part that's related to his brother, that really digs that, even if he would never admit it.

Interview with Isaac Stewart ()
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Trevor Green

What are some of the books you've been a part of, and what exactly were you in charge of?

Isaac Stewart

I’m responsible for all the maps and symbols in the four (so far) Mistborn novels as well as all the symbols, chapter headings, maps, color end pages, and Navani's notebook pages in Brandon's Way of Kings. (The other artwork in the book was done by Michael Whelan, Ben McSweeney, and Ben Call. I'm thrilled to be showcased in the same book with these amazing artists.)

On the design side of things, I've been designing self-published books—covers and interiors—for a while, but recently had the luck to get into the business professionally with the book design for Bryce Moore's YA novel, Vodnik. I've also done covers for some ebook re-releases of some science fiction and fantasy classics from the 80s.

In addition to Brandon's maps, I've also worked on maps in the re-release of Robert Silverberg's Nebula-winning novel A Time of Changes and the upcoming reprint of his very-enjoyable Downward to the Earth.

Read For Pixels 2018 ()
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WeiryWriter

Are you planning on using what you learned from writing Renarin and Steris to improve the characterization of Adien when you write Elantris 2?

Brandon Sanderson

Yes. Adien is one of my-- regrets is probably the wrong term. But I talked earlier about coming to terms with the fact that as you grow as a writer, there are certain things that you will have done less well then you can do them now. I consider Steris and Renarin my-- Again, apology's the wrong term. I tried very hard when I wrote Elantris. I was not the writer I am today, and I did not have access to the helpful readers who could point me-- you know, by writing Adien a little pop culture-y, the pop culture version of someone with autism, I was able to be told by people, "you know, this is kind of a stereotype." What Adien is does exist, but very rarely, and if you wanna have a more complete picture of it, you should read this resource or talk to this person. That's one of those areas that, here I thought I was being all forward thinking. And I did something that perpetuated a stereotype at the same time. That's not something I think you need to be embarrassed of, as a writer, as long as you're willing to listen and do better.

YouTube Livestream 13 ()
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Questioner

If you had to design a legendary creature for Magic: The Gathering for Szeth, what would it do? And what colors would it be?

Brandon Sanderson

Szeth is maybe Mardu. Maybe Orzov. It depends on if you get that red in there. He's very passionate, but his passions don't really direct him, it's more the logic. So probably some sort of White/Black, maybe with Red. Like, Mardu is a pretty good fit for him, but the Red is definitely the weakest of those three.

What would I have him do? I don't know. The tricky thing about designing characters as Magic cards is: the power sets in the Stormlight Archive do not match the colors of the personalities of characters. A lot of times, for the iconic Magic characters, they make their power set match their personality leanings. Szeth's powers may not really match a White/Black character very well. Having power to fly works in White/Black, so you could do that. So he would probably have some sort of thing like that. But there's also kind of an indestructibility, which also could work. Maybe some of the vampire designs recently would work for Szeth. I don't know; I'd have to think about it.

Forbidden Planet Interview ()
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Matthew

If the Lord Ruler was able to enter the Well of Ascension a second time, what would he have done with its power?

Brandon Sanderson

He probably would have tried to fix and tweak a few of the problems that were happening, but he had learned not to do too much. So I would say: minor tweaks, and perhaps some power solidification things, and stuff like that. He would not, probably, have been able to fix things as well as he wanted to. It probably would have gone more poorly than he implies that it would have gone.

Firefight Seattle Public Library signing ()
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Questioner

Is Hoid a dragon?

Brandon Sanderson

Oh I will give you a RAFO card. You're very good, Have you read Dragonsteel?

Questioner

I have not but--

Brandon Sanderson

Don't read it, it's bad.

Questioner

Okay then. I am just-- What? Okay then. That's awesome. We have some ideas but-- Hoid is amazing. I figured he was really old but it's cool knowing for sure that he's exceptionally old.

Brandon Sanderson

He is one of the oldest people in the cosmere, but he is not the oldest.

Questioner

Ahhh...

Brandon Sanderson

The person he is writing a letter to is indeed older than he is.

Oathbringer release party ()
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Questioner

In correlation to art. Leonardo DaVinci has the Mona Lisa. Michelangelo has the Sistine Chapel. Have you created-- Do you feel you've created your Mona Lisa, or is that something you're still working on?

Brandon Sanderson

Number one, I do not belong mentioned in the same breath. Let's establish that. I actually got to see the Sistine Chapel last year, and wow. You think you know it, because you've like, seen the pictures. It's not the same.

So, have I? That's not for me to decide. That is actually for readers and history to decide. Most entertainment is ephemeral. Most of what we release will go out there, it'll make peoples' lives better--I hope--it'll be fun, you'll all like it, but then it vanishes, and a new generation of artists create new things for that generation. And that's fine. Right? Like, I'm not chasing Voldemort's immortality in that way. But, maybe I'll create a Dune, right? Or an Ender's Game, or something that is larger than the author by orders of magnitude, and becomes an enduring part of the pop cultural landscape. Maybe. But that's not the sort of thing I think you can set out to do. It's like a combination of all kinds of factors come into these things hitting at the right time and working in the way that certain films and books do, like Harry Potter did. You know, ask me that in 100 years, and we'll see. It's a good question to think about. But it's not a good question for me, necessarily, to answer for myself.

Skyward release party ()
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Questioner

For the interior art [for leatherbounds], do you find the artists, do your publishers find the artists?

Brandon Sanderson

It depends. A lot of these are covers. And in those cases, I picked my favorites. Otherwise, Isaac commissions where we have holes. The Miranda piece here. He and Peter are the ones, these are kind of their babies, putting together the leatherbounds. So I give them leeway to kind of do what they want. He commissions the endpages, and things like that.

Mistborn: The Final Empire Annotations ()
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Brandon Sanderson

Now, if Sazed's leaving her alone didn't hint at you that something was coming. . .well, you need to go back to foreshadowing school.

The image of Vin bursting out of the building as the rose window churned the mists, falling beneath her, was one of the first fight scene images I got for this book. When I came up with it, I knew that I absolutely had to find a way to have a fight at Keep Venture.

Originally, I was going to have Vin use her Allomancy more obviously in front of the crowds. Having her do it the way it ended up happening in the book was simply a matter of convenience–the plotting of the chapter had her end up in the back corridors rather than in front of any crowds.

Either way, this turned out to be a very powerful chapter, one in which I'm extremely pleased.

The Hero of Ages Annotations ()
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Brandon Sanderson

Parting Thoughts

What are my parting thoughts on this series? Well, honestly, they're "Damn, that turned out well."

It was my first series. I began the first book the year I sold Elantris, back before I'd met my wife. I'm writing these annotations in December of 2007, with my first child being about a month old. Mistborn has dominated my life for some four years.

I love these characters. I am thrilled with how the world turned out. And the plot . . . well, it just all worked out even better than I'd hoped. I worry about being able to top this—but then, I always worry about that.

A book is a window into the author's soul, and there was a lot of soul-searching in these books. My thoughts and fears about leadership, religion, relationships, and the nature of truth all show up in the interactions of the characters.

These books are part of me. But now they're part of you too. Thank you so much for reading.

Brandon Sanderson

The Mistborn Project

May 2003-December 2007(For now.)

General Reddit 2020 ()
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entreri22

Is it bad that I don't want to start reading stormlight until after you've finished it all. I hover over the buy button all the time, but can never bring myself to do it. Do you ever have the same problem reading a new series?

Brandon Sanderson

Yeah, I do--and I understand how you feel. As someone who spent years always waiting on the next book of the Wheel of Time, I certainly can't complain if you decide to wait.

My goal is for book five to come to a kind of "mid-series climax" wrapping up several of the main plot arcs, so you could read there. But there WILL be things after that book, still dangling, that I won't get to until the back five books. So I could see someone wanting to wait until they're all done.

Until then, there are plenty of finished series worth a read. Malazan book of the Fallen is done, for example, and is really well done.

Chris5176

For the back 5, is it gonna be the same structure as the originals? Example being, interludes, 3 primary POVs, Keteks, etc.

Brandon Sanderson

Mostly the same. Prologues should all be on the same day, but a different day from the first five. Will included flashbacks, in the same style, but will probably have more than three primary POVs. Not sure on Keteks yet.

Rhythm of War Preview Q&As ()
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karyaland

Can we expect these kind of chapter notes [Rhythm of War Annotations] for the rest of the book once it’s released? I absolutely love them.

Brandon Sanderson

I wish I could say yes, but these sorts of things are really tough for me to promise. I used to do way more of them, but the amount of writing I need to do these days can get prohibitive. For example, Dawnshard taking a little longer to revise than anticipated has put me behind on Skyward 3, and I'd really like to make deadline on that.

Skyward release party ()
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Questioner

Are the Unmade and the spheres that contain them only on Roshar or are they in other planets in the cosmere?

Brandon Sanderson

You need to rephrase that question a little bit. Ask me again, remembering there's a big difference between the Rosharan system and the rest of the cosmere. There's three planets in the Rosharan system.

Questioner

*Gestures* Particularly in these ones.

Brandon Sanderson

It's possible that Unmade influence and existence would extend beyond Roshar.

Words of Radiance Seattle signing ()
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Questioner

With covering the safehand for women, how does that affect how left-handed women are treated or perceived?

Brandon Sanderson

Left-handed you are trained- Well it's not a big deal for darkeyes because they wear gloves. Lighteyed women are trained to use the right hand, even if they're left-handed; which does cause some problems, but that's how they are trained.

Skyward Denver signing ()
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Questioner

You've mentioned that the Lord Ruler had children? Have we been introduced to any of them in the books?

Brandon Sanderson

No.

Questioner

Interesting. But they're out there?

Brandon Sanderson

Well, they were. It's been a while... Descendants, potentially. You have not met any of the Lord Ruler's children.

Words of Radiance Portland signing ()
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Questioner (paraphrased)

Twelfth - is it challenging to write from the POV of a female character and why/why not.

Brandon Sanderson (paraphrased)

Early on - yes it was, now less so. problem was: treated characters other than the main character as roles only, centered around main character. "writing characters without giving them their due". "You have to be able to write the other. Every character has to be a piece of you and a piece of not you." discusses Jasnah in particular. Point of literature is "to see what it’s like to be people who aren't us".