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TheBlueShifting

As a writer I love world building. However the detail and culture of your stories are so incredibly thought out. Do you storyboard and document all the family lines, kingdomes, traditions, languages, ect before hand or do these things evolve as you write them?

Brandon Sanderson

It depends on the book and the worldbuilding element in question. I do some of each, and do more for longer series. I've done a lot more work on the languages of Stormlight, for example, than did on something like The Rithmatist, where I outlined the magic in detail but discovery wrote other parts of the setting.

Aiken Frost

Guys, have you noticed this bit in the Bendalloy section [of the Mistborn Adventure Game]?

"A physical attack made through the bubble, whether held or thrown, is robbed of its kinetic energy, often with an audible 'pop.'"

Could this be what we are looking for when trying to figure the FTL space travel thing?

Arcanist Lupus

This statement seems to violate several things from Alloy of Law: first, Wax's "shooting the bullet" scene, and the danger of being shot while inside a cadmium bubble.

Peter Ahlstrom

Not really. A bullet shot out of a speed bubble IS robbed of kinetic energy—not all of it, but just enough to slow it down to the speed it would have been moving at had it been fired outside the bubble in the first place.

Shadow Guardian

So, if a Type 4 BioChromatic entity like Nightblood was created with a different Command, would it still draw in or feed off of somebody's Breath when they drew it?

Brandon Sanderson

It is possible to create one that wouldn't. But it is a dangerous thing to do.

Brandon Sanderson

Some people have noted to me that it seems strange to them that Elantris only fell ten years before the start of the book. It seems to them that the legends make it seem older, more removed. This is actually intentional. I wanted it to be difficult to remember, at times, that it has only been ten years since the majestic city fell.

Just like Elantris is crumbling far more quickly than should have been possible, it is passing into legend far faster than people might have thought. Part of this is due to the power of rumors and stories in a land without the ability to provide archival visual records (i.e., film.) Part of it, however, is the Elantris "mystery." Something very bad happened, and nobody understands it. In a way, the entire country has been left with a hole inside of its soul, now that Elantris is gone.

By the way. Yes, the line "Its sprit has fled" was intended as another little pun off of the then title of the book "The Spirit of Elantris."

Brandon Sanderson

I wasn't particularly interested in writing a [Magic: The Gathering] novel that Wizards [of the Coast] wanted me to write, but I was in a position to write something I found really exciting--supported by their creative team, who helped make sure I was getting the continuity right.

I would be interested in doing something else like this, but it would have to be years in the future. I put off some of my own projects (Wax and Wayne 4, mostly) in order to do this, so I owe my readers some time staying on task and doing what I've promised them I'd do.

But, I guess the answer is, "It could happen." Novellas like this, or even something more. Like, I could see (crazy though it would be) moving to Seattle for a year or so and being part of an early lore meeting on a new world, then working with creative closely for the development of that set and writing a novel tied in. (Assuming they'd have me.) I really like Magic's creative team, and being deeply involved in the lore of a world like that would be a lot of fun.

This would be an AWFUL business decision, of course. So it's not anything I could do in the near future.

Brandon Sanderson

Writing Fight Scenes

A fight should be more than a blow-by-blow. I've talked about this before. In a book, you can't get away with action for the sake of action—at least not in the same way you can in a movie.

With a visual medium, viewers can simply enjoy the blow-by-blow. Character X hits Character Y can be exciting. In books, it's dreadfully boring. I think I went a little too far toward that in this chapter.

What makes a fight work? Well, emotional impact for one. If we're tied to a character and think that they might be in danger, that can make a fight work—but only insofar as we're seeing the danger's emotional effect on the character. (Which is something books can do far better than movies.) Also, interesting discoveries and ramifications can work to make a fight more exciting.

Why is Elend forcing these men to fight like this? Where are the armies he promised? How are they going to win? Hopefully these questions drive the action. Thus the final way to make something exciting in an action scene is to show the characters being clever through the way they manipulate the fight or the magic or the area around them.

That's just my take on it.

Karen Ahlstrom (paraphrased)

1. Just as highstorms come less frequently around the Weeping, they are more frequent around Midpeace.

2. Following the advent of the Everstorm, the normal highstorm calculations/schedule was found to be thrown off by about four (Rosharan) months.

3. Highstorms move at about 370 miles per hour. The Everstorm moves at about 120 miles per hour. Those are variable of course, and shouldn't be taken as official, definitive numbers.

4. For approximate Everstorm timing calculations we used a cycle of 9.1 (Rosharan) days.

5. Roshar's circumference is about 22110 miles. Again, this shouldn't be taken as an official, definitive number.

Brandon Sanderson

I was working on a book called The Rithmatist, and had just finished it in 2007, when I got a very interesting phone call. The phone call was from Harriet Rigney, who was Robert Jordan's widow, a week after his funeral. She called and said... I'd never met him or her. I'd seen him once at a convention. I didn't know them. And she asked, "Will you finish The Wheel of Time?" Just like that. I didn't know I was being considered, it just came as a phone call. And I said, after much deliberation and thought, I said "Blaeah. Yes. Absolutely." And that required me dropping everything I was working on at the time. Throwing everything into working on that. Any time I did have, I then spent on Stormlight, because I knew I wanted to release Stormlight around the same time I was doing Wheel of Time books. I thought it would be the best calling card that I could do for Wheel of Time fans. What that meant is, three projects I was working on at the time... Several of them actually. The main ones were: The Rithmatist which I just shelved. I said, "We can't publish this yet." The other one was Alcatraz vs the Evil Librarians. And the other one was the Legion stories.

I have finished the Legion stories, after a 5-year delay on The Wheel of Time, and then a longer time delay of just being in a different mindset. I have Alcatraz Six, which is being written by Bastille, almost done. It's 45,000 words out of the 50,000 words it will be. So that will be out next year, I would guess. Somewhere around there.

The big cliffhanger, then, is The Aztlanian. Which, I tried writing. I tried working on it a few years ago. It just did not work. The outline that I had for it was wrong. And there was a certain amount of reading and study I needed to do before I felt I could do the book justice. The first one turned out well, but there's certain things looming over me on the first one that I think I did poorly that I want to correct in doing a sequel. And it's still looming over me. I still feel that I need to get it done. It's, like, the biggest promise so far I haven't fulfilled is getting that done, now that I have Alcatraz Six on the way. So, I will do it. But I can't really promise when. Because, there's certain things I want from the sequel that haven't filtered through my brain about exactly how to work yet. I do have confidence I'll do it.

But this is part of the price that I paid by saying yes to The Wheel of Time, was I had to shelve basically all my side projects. And I had to, for a while, dedicate myself only to the mainline Cosmere books and to The Wheel of Time. Sorry about that. But it will happen.

If I could go back, I would revise that ending to make it a little less cliffhanger-y.

Questioner

In Part 2 of Oathbringer, the chapter headings are to Hoid, right, from other [Vessels] I'm assuming. One of them talks about Hoid. They reference to him as holder of the one gem [bearer of the First Gem]. Is that the gem that is then split into Shards perhaps?

Brandon Sanderson

RAFO. Mhm. RAFO.

Questioner

Do you get some perverse pleasure keeping secrets from people.

Brandon Sanderson

I do. Because I'm a showman, right?. I want you to get that moment where it all comes together, and if I don't keep the secrets, I can't do as many of those. If I could get away with it, I would say nothing, because I would let the books stand for themselves. But I have been a part of fandom for long enough to know people really enjoy this, and so I let them pull things out of me. But it's always my intent to never say anything. 

Brandon Sanderson

The Revision Process

As usual for my books, chapter one is the most revised chapter in the book. Getting the balance between humor, character, and plot establishment in this chapter was a bit tough. The first draft (which I’ll try to remember to post to my website so you can compare) was too long. As the book went through drafts, paragraphs were cut, trimming it down and trying to concentrate on what we really need.

This was important for this book. I still worry that chapter one is one of the least funny. We don’t really get to the right voice and tone for the book until chapter two.

I tried to fix this, but it proved impossible. The reader has to be acclimatized to the characters before I can do anything else in this book, and so I have to focus on Alcatraz’s strange power and the way he feels about life before I can get more wacky.

Some of the cuts from this chapter include a fun line involving one of Alcatraz’s former foster mothers and cookies, a longer explanation of the postage stamp mystery, and a crack about Joan being a liberated woman. That last one was edited out so that I wouldn’t have as many women throwing things at me.

Anica is a good editor, by the way. She knows how to write for kids. I’ve got a feel for how to do that, but I sometimes let my desire for a good line or quick joke overshadow the clarity of the book for the target age group. I do leave in some of my obscure jokes (as you’ll see when I make fun of Heisenberg), but Anica is great at pointing out phrases or words that just won’t work for the audience.

Questioner

Where did you get your inspiration for Kaladin's and Tien's relationship?

Brandon Sanderson

It grew naturally out of Kaladin's, kind of-- who he is and what's wrong with him.

Brandon Sanderson

Chapter Thirty-Six - Part Two

If I had a chance to rewrite the book again, one of the things I'd change is the scene where Vin gets caught here. If you want to imagine it this way instead, pretend that she dropped both Inquisitors completely, and therefore thought she was safe to inspect the room beyond. The Inquisitors can actually heal far more quickly than I've had them do in this book.

My problem with this scene is how easily Vin lets herself be cornered and captured. I think that breaking into the room is exactly the sort of thing she'd do. However, I just don't think the writing works here (around the section where she gets surprised and grabbed by the Inquisitor.) She's more careful than that. The way it's written makes it seem like she gets grabbed simply because that's what needed to happen. There isn't enough drama, or enough realization, to the scene.

I do like what happens afterword, however–Vin using the Eleventh Metal. In this book we get our first hints regarding just how much Allomancy has been hidden and obfuscated by the Lord Ruler. Vin realizes that the Eleventh Metal must be part of the structure of Allomantic theory, as is the metal that she's given that makes her lose all of her other metals. (It's aluminum, by the way.)

Brandon Sanderson

Of course their constellations form Aons. What else would you expect?

Leiyan

Do the moons relate to the Highstorms at all?

Brandon Sanderson

The moons...at all? Sure!

ebilutionist

Will we get a depiction of Dalinar, aside from the image in Unfettered II? I was slightly disappointed these [Oathbringer endpapers] are depictions of Heralds actually, although having said that, they are gorgeous!

Brandon Sanderson

I'm sure we'll get one eventually. But there's not one in this book.

Brandon Sanderson

Chapter Fifty-Nine - Part One

I think I've noted that my viewpoints tend to speed up as I approach the endings of books. Well, Elantris is a perfect example. We're hopping viewpoints like a crazed body-snatcher. At the risk of sounding redundant, I did this to increase pacing and tension. Quick-rotating viewpoints give a cinematic feel to the story, in my opinion–kind of like cameras changing angles. This keeps things quick and snappy, and keeps the reader reading.

It should be noted that writing and filmmaking are two completely different arts. What works in one doesn't work in the other–action sequences, for instance, have to be written completely differently in a novel than they would be displayed on screen. However, both storytelling forms try to evoke similar feelings in their audiences. So, you can't do the same things in writing as you can in filmmaking–but you can get a similar effect by using different tools. Here, I use viewpoint shifts, which is something a filmmaker can't really access without first-person voice-overs. Viewpoint is, in my opinion, one of the prime unique tools that we have as writers. That's why I think it's important to understand, and to manipulate.

If you're paying attention to such things, we actually get two complete–and well-rotated–viewpoint triads in this chapter. Again, this is to increase the sense of urgency and pacing.

Lhyonnaes (paraphrased)

Alright, thanks. Last question for me tonight - so, when a Hemalurgic spike steals something, then it's storing Investiture in it, yeah? So could you - could you do something with that Investiture? Like... say I'm on Nalthis, and just theoretically, I use a Hemalurgic spike to steal a lot of Breath - can I use that Investiture to Awaken something? Could I Awaken the spike?

Brandon Sanderson (paraphrased)

That... you'd need a lot of Investiture to Awaken a spike.

Lhyonnaes (paraphrased)

Because it's already charged up with something else?

Brandon Sanderson (paraphrased)

Yeah.

Brandon Sanderson

Chapter Thirty-Eight

Preservation's Power

All right, so maybe I lied about there only being three magic systems in this book. It comes down to how you term the powers of Preservation and Ruin, who kind of blanket the entire system. There are a lot of things going on here, and—well, the truth is I don't want to mention all of them, for fear of spoiling future books. However, I'll give you a few rules to apply.

First, to these forces, energy and mass are the same thing. So, their power can take physical shape—as Preservation's did in the bead of metal Elend ate. Second, there is a bit of Preservation inside of all the people—and it's this that allows the people to perform Allomancy. It needs to be awakened and stirred to be of use, but when it is, a proper metal can draw forth more of Preservation's power. It's like the metal attunes the bit within the person, allowing it to act as a catalyst to grab more power.

Allomancy is not fueled by metal; it is fueled by Preservation. The metal is the means by which a person can access that fuel, however. If there were another way to access it, then the metal wouldn't be needed.

Preservation's touch on people differs. Some have more, some have less. This doesn't make them better or worse people—indeed, some most touched by Preservation have been among the worst people in the world. As Ruin later points out, there is a difference between being evil and being destructive.

Regardless, if a person can get more Preservation into them, they become better Allomancers. Hence Elend becoming a Mistborn. Like all people, he had the potential within him—it was just too small of a potential to be awakened through normal means. That little jolt of Preservation's body, however, expanded and awakened his Allomancy.

As a tidbit, that was a side effect of what that bead of metal did. It wasn't the main purpose of the bead, and if another Allomancer were to burn it, it would do something else.

Brandon Sanderson

Elantris to Emperor's Soul? Similar time period, Emperor's Soul is a little after.

Questioner

Are the Shards ever going to be bonded like the spren?

Brandon Sanderson

RAFO, here's your RAFO card.

Questioner

A while back I asked about, have you developed your equivalency system for Breath to... 

Brandon Sanderson

No. We're still working on that. I actually have some people. I just got some physicists and mathematicians and said, "I'm gonna have you guys do this, and then you'll keep me honest." That's where we are right now.

And they're like, "It is such a big job." And I'm like, "I know. That's why I'm paying you to do this, so that I don't have to do it. So do your best, it's okay."

Adam Horne

I'm assuming that a Shardbearer can sever their own soul, right? If they were to stab themselves?

Brandon Sanderson

Yeah, yeah, they could sever their own soul.

Isaac Stewart

I just got sketches for Herald Pailiah. I don't know what we've said about her in the past, but she is the Herald who is over the Order of the Truthwatchers. Her symbol is the one on the chart of The Way of Kings that is green, it's emerald, it looks like furling grass. So the Herald, there's some beautiful things going on with nature in the background with this one.

Brandon Sanderson

If you're like, "Who are all these people, Brandon?" They are mostly going to be in the back five Stormlight books.

Snarlezz

If a Radiant was spiked, would their bond be ripped away and could their bonded spren be forced on whoever inserted the spike? Would it matter if that person didn't have any cracks in their soul?

Brandon Sanderson

RAFO. (Sorry.)

Brandon Sanderson

One of the advantages of moving the first chapter back and making it a prologue is that I now get to start the book, chapter one, with Vin. That's important, in my mind, because she's the main character of the book. Establishing her with a very strong viewpoint as the first chapter of the book adds a lot to it, I think.

We get a lot of important information in this first little section with Vin. I like starting early with Reen's advice and thoughts. As you'll see as you read the book, Reen's teachings have quite a strong influence on Vin. He's a little stronger in this chapter than in others, I think, but it's good to start off strong. You'll find out more about him, and about what these thoughts in Vin's head mean.

I will admit that one of my weaknesses in writing is that I like to spend too long in contemplative, in-head scenes with my characters. This introduction with Vin is a good example of that. I like the scene quiet a bit, but I can understand that too much of this sort of thing gets boring. That's why I move it quickly into a scene where something is happening. Given my way, however, I'd probably spend about twice as long with characters just standing around thinking.

Brandon Sanderson

The Dedication

I've always intended to dedicate my first published book to my mother. I poke a little fun at her here, since I can't resist. However, I really do owe a lot of who I am–and what I've accomplished–to her. When I was in elementary school, I had mediocre grades–and my test scores placed me as "below average" on several occasions. Well, she was bound and determined to prove that I was "gifted" despite those scores. She worked hard to get me to improve in school, and she was a prime motivator behind my reading habits.

Now, my mother is a very practical person. She believes strongly in practical professions that pay well and are stable. Writing is neither one of these. I think she realized early on that despite her hopes, she wasn't going to have a doctor or a business man–or even a scientist–for a son. She did convince me to major in biological chemistry as a freshman–though she said this was simply to put me in a better position for getting a scholarship (which I did get, by the way). However, I've always assumed that a little piece of her hoped that the bio-chem influence would persuade me to go to med school, or to at least become an engineer.

That, obviously, did not happen. The big bad English monster took me in my sophomore year. However, my mother has always been supportive, and it was her sense of dedication, excellence, and assiduousness that forged my determined personality. Without that sense of self-determination, I would never have lasted in this field long enough to publish.

So, thank you mother. Thanks for being proud of me.

Questioner

Is Lopen, is he going to be one of the secondary [main characters for the back half of the Stormlight Archive]?

Brandon Sanderson

He is not. Good question.

Questioner

So, I'm intrigued by aluminum, especially the fact that it can only be found by Soulcasting on Roshar. So, how was it discovered in the first place?

Brandon Sanderson

...Did I say you can only get it through Soulcasting?

Questioner

In the Shallan flashbacks, she has the pendant.

Brandon Sanderson

Don't take what she says at 100% truth.

Brandon Sanderson

This is a rather long chapter. Longer, actually, than I probably would have put in a regular story. However, the triad system kind of forced me to lump all of these events together. It was important that I show the danger of Shaor's gang, as well as the way New Elantris was progressing despite its problems. At the same time, we needed to find out more about Galladon eventually. So, when I did the "find the pool" chapter, I had to include these other items before it.

I kind of wish that I'd been able to include the "Once so very beautiful. . . ." in this chapter somewhere. If you've been watching, you'll know that I do mention the man several other places, often when Raoden is near the Hoed. This is one of the more clever little twists of foreshadowing in the book, if I do say so myself.

ccstat

The Great Circle in Nebrask shows you can scale up defenses. Can you make also scale up and draw a Godzilla-sized chalkling?

Brandon Sanderson

Uh, this is theoretically possible (laughter). Yeah, yeah. Theoretically possible.

Brandon Sanderson

Chapter Seventeen

The Mists Strike Down Demoux

I knew we needed a meaningful casualty from the mistsickness, somebody who we knew and cared about. I don't know if readers care about Demoux, but he's the only one among the crew who could be susceptible to the mists. My intention is that striking him down here impacts the reader directly, making the danger of the mists more concrete.

I maintain a paranoid worry that somewhere in this book, or the previous one, Demoux went out into the mists and should have fallen sick then. I can't think of an instance, and I do believe I could reasonably make this the first time he's exposed to them. But still I worry that I've missed something. I'm sure my loyal—and very meticulous—fans will let me know if I did.

(Note that Demoux would have had to go out in the mists after the time when they started killing people. This happened while Vin approached the Well of Ascension—by way of trivia, the mists changed the very moment the full power of the Well returned to be drawn again. Anyway, any times Demoux went into the mists before then would not have inoculated him.)

EHyde

I was wondering if, at the Recreance, the Radiant were deliberately trying to put Shardblades in the hands of non-Radiants? Since they left them all outside a military base.

Brandon Sanderson

RAFO.

Questioner

Can Allomancers be anemic?

Brandon Sanderson

Yes.

Gamerati

Do you have a "look bible" [for collaborating artists]? Or do you literally give them the stuff that you've already produced? Do you say, "This is my map of X," or "This is the way the Lord Ruler works," or do you kind of go, "Hey, here's what Vin has been for the last ten years, but these are the things you can't change"? Do you have guidance like that that you give people?

Isaac Stewart

Usually the guidance we give them is the words in the book. We sometimes give pictures and things, reference. We did that for the cover for Oathbringer, where we provided reference of, "Here are some pictures of people who look kind of like Jasnah that might work."  We're doing that more and more, but at this point...

I know that Magic: The Gathering has these big look bibles that they share with their artists, and those are really cool. And then they wind up turning them into these gorgeous art books that they've been putting out, using a lot of the same stuff from there. And we haven't gotten quite to that point where it's like, "You know what? This person has to look this particular way." We're moving that direction, slowly, but that's because we're based on books. We want people to be able to imagine the characters as they would.

We hesitate sometimes, when it's like, "Okay, here's the look of what this person is." Even with the Heralds, that we were putting at the endpapers of the Stormlight books, we are careful to say that those paintings are somebody's interpretation. We like ot think of these as in-world interpretations, and each of the artists who are painting them for us are maybe artists actually on Roshar, and they've painted these paintings that are hanging somewhere in some prince's palace or queen's palace, and they've got all of these pictures of the Heralds. So we treat these as in-world artifacts. However, they were not painted from the real people that the Heralds are, so it's more of the tradition of what this Herald looks like.

Gamerati

It's very interesting you say that, because you even said that, when you showed us your early sketches of Vin, looked very much like what [fan artists] made. So, the words are descriptive enough that they're fairly clear.

Isaac Stewart

I mean, there are some thing that we have to canonize later, like, "Which ear is Vin's earring in?" Well, it's not mentioned. It's not mentioned until we got to the leatherbound books, and we said, "We have to figure this out!" And then we made a few notes in the leatherbound books, "This is her left ear." But there are things we run into like that. And the more secondary the character is, usually the less words that are written about them, so there's more wiggle room on how to define them.

R'Shara

What's Morningtide's real name?

Brandon Sanderson

Morningtide's real name? I don't know it off the top of my head, so I'm just going to give you a RAFO card.

Brandon Sanderson

Worldbuilding After The Fact

That said, this chapter has some of the strongest historical worldbuilding in the book. This information–about Silimatics, the Incarna, and Biblioden the Scrivener–was all added to the book later as I developed it. The thing about a big free write like I did is that it just . . . well, wasn’t publishable.

Once I had a draft of the book, I knew that it would need stronger worldbuilding if I was going to make a series out of it. I needed a history for the Librarians, and motivations for what they were doing. So I did a lot my brainstorming for this book after I wrote it, which was kind of an odd experience.

Chaos (paraphrased)

Can Sazed "will" himself to any Shardworld if he so desires?

Brandon Sanderson (paraphrased)

Yes, he has the capacity for it. However, will he? Don't know. If he did there would be a lot of ramifications for it...

vanahian

Any news you can share with us about the rewriting of Aether of the Night novel? I suppose that if continues inside the cosmere that story will have its own Shardworld and its own magic system... If so, can you tell us the Shardworld's name and something about its Investiture?

Brandon Sanderson

Can't say anything right now. So RAFO.

Brandon Sanderson

The name "Ars Arcanum" deserves a note as well. I’ve always liked how Ann McCaffery named her appendix the "Dragondex" in the back of her Pern books. One of the biggest draws of my books are the magic systems, and since I intend to do a new one for every series I write (and many, like the Mistborn trilogy, will have multiple magic systems per series) I wanted some sort of "catch all" title I could name the appendixes in each of my books.

I fiddled around for a while. Ars Magica was my first choice, since it's kind of a cool Latinate take on "Magical Arts" or "Magical Skills." However, there's an RPG out with that name, and I figured I wanted to stay away from their title. Ars Arcanum, then, was my next choice. I ended up liking it better, if only because it has a little more true Latinate feel to it.

Kirrin

Marsh? The book doesn't mention him after he fights with Elend.

Brandon Sanderson

Marsh is alive. I changed this from when I talked to [Peter]. I realized some things about his use of Allomancy that would allow him to survive. Actually, he is immortal. He can pull off the same Allomancy/Feruchemy trick that the Lord Ruler did. (And he knows it too, since he was there when Sazed explained how it was done in Book One.) He's actually the only living person who actually knows this trick for certain. (Though there's a chance that Spook, Ham and Breeze heard about it from Vin and the others.) So yes, if there were another series, Marsh would make an appearance.

Douglas

I thought that trick required atium and involved burning the atium. With all the atium gone and Sazed not making any more, it would therefore not be possible even for a full mistborn/feruchemist. Am I wrong, is Sazed providing atium specifically for Marsh to allow a friend and valuable servant to survive, or what?

Brandon Sanderson

Marsh has the bag of atium that KanPaar sent to be sold, as well as several nuggets in his stomach. So, I guess 'immortal' is the wrong phrase. He's got the only remaining atium in the world and can keep himself around for a long, long while—but he WILL eventually run out. Unless Sazed does something.

Brandon Sanderson

Chapter Sixty-Two - Part Two

Betrayal and Trust

Sazed's discussion on betrayal and trust here is very important. It harks back to Vin's conflicts in the first book, as well as one of the major interactions between her and Kelsier.

Kelsier believed that it was better to trust people and be betrayed than to never trust at all. He loved his wife, but worried that she'd betrayed him. It was a major source of pain and conflict for him. Yet, in the end, he decided that even if she had betrayed him, he preferred having loved her and trusted her. He treated his crew the same, not letting a worry about traitors ruin the companionship of his team.

I wanted to work this into Sazed's scenes here because, to me, this entire series uses trust as a theme. Whom do we trust and why? Do they deserve it?

It's about being betrayed, but taking the time to understand why we were betrayed. Kelsier forgives Mare, Vin forgives TenSoon. Sazed has to forgive God.

Brandon Sanderson

Damsel in Distress

Now, I'd just like to note here that Raoden's just returning a favor. Sarene is the one who gave him the clue that led to his fixing the Aons, then finally restoring Elantris. Now that she's in danger, he gets to rescue her in turn. Just because someone finds themselves in danger or trouble does not mean that they themselves aren't competent.

Questioner

Can an Allomancer burn metal that is not from Scadrial?

Brandon Sanderson

Yes.

Mestiv

Can you tell something about Vax? Shardworld?

Brandon Sanderson

No, I can't tell you anything about that. But I can give you a card [RAFO] for not telling you anything about Vax; they're very interested in Vax, everybody's interested in Vax.

But I stayed very close-lipped on Vax.

Jofwu

What special considerations do you have when designing a coin? (compared to other art that you typically do)

Isaac Stewart

I haven't designed a lot of coins, so I had that same question when first talking to Woody and Helen at Shire Post. Once we decided on the sizes for the coins, the biggest issue was designing something that's legible at that size. The images and text need to read well, and for the most part, I needed to keep the text from running over the top of the images (which affects legibility). The only change Shire Post asked to be made after seeing the first images was to separate the text from the images a bit.

Brandon Sanderson

Chapter Seventeen

Of all the books I've written, I think this one hearkens most closely to our own world. Usually, when I develop cultures and languages, I try to stay away form basing them too closely on any one Earth society or race. I'm not certain what made me do things differently in Elantris. It's not just fencing–JinDo, with its obvious links to Asian cultures, is a good example too. And Fjorden's language has some obvious references to Scandinavia. (Dilaf's name comes from Beowulf, actually. I named him after Beowulf's heir, Wilaf.)

Anyway, in this chapter we find two very obvious "borrows" from our world. I've always been fascinated by fencing, though I've never participated myself. The idea of turning swordfighting into a sport intrigues me. In addition, I found the light, formalized dueling appropriate to the tone of this book, so I took the opportunity to write it in. (I do realize, by the way, that Hollywood has done some interesting things to fencing. Most real fencing bouts are much shorter, and far less showy, than what we see depicted. This is pretty much true for any kind of fighting, however. Think what you will, but combat is usually brutal, quick, and really not that exciting to watch.

This kind of fighting is very appropriate in some books. However, I allowed myself the indulgence of doing my fencing scenes a bit more flourish than one would find in real life. It felt right in the context to have the participants spar, parry, and jump about for far longer a time than is realistic. If you need justification, you can assume that in Teod, the rules for fencing are very strict–and so it's very hard to actually score a point on your opponent, forcing the battles to be prolonged.)

The other item of interest in that scene is, of course, Shuden's ChayShan dance. As mentioned above, his culture is pretty obviously borrowed from Asia. In fact, the link is so strong that some readers have trouble imagining his features as anything but Asian. (Note, once again, that this is not the case. The JinDo have dark brown skin. Though, I guess you'll imagine Shuden however you wish.) The ChayShan is a martial art I devised to feel just a bit like Tai Chi–though ChayShan focuses on speeding up the motions and gaining power from them. I've always kind of thought that Tai Chi would look more interesting if it slowly sped up.

Paleo

The Dark One graphic novel is coming out I think next year sometime? Did you also... Were you also involved there or was it more...

Isaac Stewart

So, Dark One, we are less involved with the actual...

Brandon Sanderson

We're giving them a lot more freedom because it's not Cosmere which means that their interpretation of Dark One we can let a lot more things slide because there's not a continuity happening to get in that way.

Isaac Stewart

So... Dark One is looking fantastic. They are so far doing a really amazing job. I think people are really going to like it.

Paleo

Yeah, the cover already looks fantastic.

Brandon Sanderson

What we're trying to do is to do a graphic novel where we give people a little more freedom and so my outline is pretty solid but for art direction things go with more what you feel. They send us their impressions and we give them responses but were not being nearly as, with the Cosmere we have to try do the detailing.

Isaac Stewart

And if they were to send us something we didn't like we would let them know but so far they just, the art is, I love the art in it.

Paleo

And like I said the cover already looks pretty amazing.

Brandon Sanderson

The art is amazing. The interior art like, and it's really fun because I can see exactly how my outline is turning into their scenes and things in a really fun way. I'm really hopeful. I don't know whats going to happen with the television show. That's honestly more up to Joe [Joseph Michael Straczynski] then it is to me. I mean I should be there for the writing room meetings and things like that but really we're letting Joe go and...

Paleo

How far has it progressed since it was announced that Joe would run the show?

Brandon Sanderson

How's the progress? He's finishing up a pilot for something else and then he's working on this. I don't know how far... if he's gotten to our pilot yet or not. I haven't received it yet so it's not done. Yeah, that's what I heard back in September he was finishing up another pilot so sometime soon he should be working on a pilot for this.

Questioner

Are accretion disks [acclivity rings] common technology in the universe?

Brandon Sanderson

They are commonly used in the universe. Yes.

NotBusinessCasualYT

When are you planning to do the sequel of Warbreaker?

Brandon Sanderson

I can't say 100%, but I'm hoping to do it during the time between Stormlight 5 and 6. But Mistborn era three takes priority, so we'll see.