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staircasewit

You’ve mentioned some of the characters who we are going to see throughout the Stormlight Archive series (Shallan, Dalinar, Szeth, Jasnah, etc.). However, I don’t remember seeing you comment on Wit. Are we going to see Wit (or plain ol’ Hoid) more throughout the series? Or less? (Hopefully more! :D)

Brandon Sanderson

Hoid has a large part of the story in the Stormlight Archive. You will be seeing much more of him. However, he will not get a 'book' of his own, most likely. He will get his own novels, just not among the Stormlight sequence.

EHyde

I was wondering about the in-world text, the Way of Kings. It's older than those 4500 years, right?

Brandon Sanderson

It was written by Nohadon.

EHyde

Especially since Jasnah mentioned how all the texts have been corrupted or changed since then, especially the ones dealing with the Radiants, I was wondering if we will find out how the Way of Kings survived intact for so long, or if it actually did, or if it's...

Brandon Sanderson

They do say that...well let's just say that some books exist in translation over the centuries with the primary text having been lost, or things like this.

EHyde

But you're not going to say if the translation is guaranteed to be accurate.

Brandon Sanderson

I am not going to say that.

Questioner (paraphrased)

How many orders have we seen so far? I know there're the four identified at the end.

Brandon Sanderson (paraphrased)

You've seen Jasnah's, so that's the fifth one. You've seen Lift which gets you to six. You've seen Ym.

danimalod

In TWOK, Shallan is abruptly introduced to Shadesmar, the Cognitive Realm, when she accidentally Soulcasts for the first time.

In Words of Radiance, Jasnah explains that Shadesmar is always around us, but we just can't perceive it while in the Physical Realm.

I think the "safehand" is hand is a beautiful metaphor for this duality of existance (or is it a triality? can anyone access the Spiritual Realm?).

Safehands are mentioned many times throughout TWOK and Sanderson never really gets into why there is a safehand (IIRC). But so much talk about safehands in the book sets up this idea, in the background, that we aren't allowed to see everything - and that even though we can't see something, doesn't mean it's not there. Just because a hand is covered in a sleeve, doesn't mean we can't see it. Just because we can't see Shadesmar, doesn't mean it doesn't exist.

Was using safehands as a metaphor/foreshadowing of Sahdesmar a thing?

Brandon Sanderson

I am very aware of duality, opposites, and symmetry as themes on Roshar--but I was not thinking specifically of this with safehands. That said, I think OP is discovering real themes in the series, and I like this discussion.

Questioner

When Jasnah takes Shallan on as a ward, she teaches her a strategy for research. Is that strategy you use when you are doing research?

Brandon Sanderson

No. It's a strategy like the one they tried to teach me in college, and I was never good at.

Questioner

So you used it as a-- You used it intentionally because of?

Brandon Sanderson

Not that I don't like it. My brain doesn't work the way that note-taking methodology worked. I know it worked for some people, and probably if I had spent more time on it, then I would have. But I work in a different way.

Questioner (paraphrased)

How deep are you going into Shadesmar in Words of Radiance?

Brandon Sanderson (paraphrased)

Not terribly deep in Words of Radiance. We're going to have to wait until Jasnah or Shallan are exploring it more.

Questioner

So, how do you pronounce [Jasnah's] name?

Brandon Sanderson

They use the J as a Y. But you don't have to say it that way, you can say it how you want. Because they actually use a guttural, sort of Middle-Eastern <koh>, which is in Kholin. You can say the names however you want, but that is the pronunciation style that I'm using. It's very Semitic, the language family.

Questioner

And you also said that they don't look human. They're humanoid...

Brandon Sanderson

No, they look human, but they have the epicanthic fold. So,  they have what we would consider Asian eyes. So when they see Szeth, who has very Caucasian eyes, in fact a little rounder than ours, he looks childish to them. If you saw Kaladin, for instance, you would say, "Wow, that guy looks like he's half Japanese half Middle Eastern. Vaguely darker skin, curly black hair. The actual model I used for Kaladin is a Hawaiian who's half Japanese.

Questioner

So, that's Kaladin, I assume, on the front of Words of Radiance. Does that look like him, or not?

Brandon Sanderson

No, but he redid the picture. Yes, there will be a different Kaladin on the front. He actually redid the cover, Whelan did. So, it looks better, but it still doesn't look 100% like... Getting across the ethnic sense is a little harder.  He hasn't quite gotten Kaladin down, in my head. No one has, even the sketches that I got to do early on, the concept sketches didn't capture him. They got Dalinar, and the Shallan are perfect, they're dead-on. But the concept art for Kaladin just didn't work.

Questioner

In the second series of Stormlight Archive, are they going to be about the same characters?

Brandon Sanderson

That's an excellent question. So when I sat down to build The Stormlight Archive, there were a couple of things that I learned from The Wheel of Time. One was that the further an epic fantasy series goes, the more important it is that you have a structure to the series. It's very easy for the books to start blending into one another, and it's also very easy to let side characters take over books. This is very natural for us as writers, particularly in a big epic fantasy, and I felt that when I approached The Stormlight Archive there are a couple of things I did. One is that I said "All right, I'm going to confine all my side characters to these things called interludes, where I can just go crazy and do whatever I want, but they have to be like, isolated in their own containment unit called the interludes to prevent me from turning from the books just going in all directions at once."

The other thing I said is, "Each book is going to be about an order of Knights Radiant, and it's going to have a flashback sequence directly tied to that order." So that when you say "All right, which book is book three," you're like, "Oh, that's Dalinar's book, that's the Bondsmith book." All of the characters are in all of the books, but each book has kind of its own soul and theme that helps me as a writer structure where I'm going to release information, and what it's going to be about. And so when I set down this, I said said "I'm going to pick 10 characters, 10 orders (and they are not always going to be exactly what you expect), but I'm going to build each book to have a theme based around those things."

The first five were Dalinar, Kaladin, Shallan, Eshonai and Szeth. So those are the five books you are going to get in the first arc. And the second arc is Lift, Renarin, Ash, Taln and Jasnah, right. Now, all the characters from the first five will be in all those books, and some of them will still be main characters. You can expect it, like it is one series. All the ones that survive *crowd groans* no spoilers. But you can expect in the back five, people that you are expecting that are main characters now will still be main characters, and you will have a lot of space dedicated to them still, but the flashback sequences, and the themes of the book, will focus on those five. And so it hopefully will help it all have a structure and a feeling. 

Between book 5 and book 6, in-world, there will be a time jump of about 10 years, so just be expecting that. But I can't say anything more without getting into spoilers, so I won't. But that's what you can expect.

Yeti Stomper

Structurally, The Way of Kings is fairly unique. There are three main POV characters in Kaladin, Dallinar, and Shallan, a handful of minor POV characters Szeth, Adolin, and then The Asides in which we only get a few pages of material largely unrelated to the overall plot. How will the cast grow and change in future volumes? Are you thinking of keeping each volume to a similar number of POVs or expanding it?

Brandon Sanderson

There will be a similar number, with a small expansion. At this point I believe you have met every one of the major viewpoint characters for the series. I don't want it to spiral out of control. I think too many viewpoint characters is a danger to epic fantasy, putting a writer in difficult predicaments for subsequent books—whether to leave some characters out, or whether to show a little bit of each of them without getting any major plot arcs for any of them.

So you've seen pretty much everybody. Now, at this point there are several who are major viewpoint characters for the series who we have not had many or any viewpoints from yet—Jasnah is one, a character who shows up in the epilogue is another, and there are a few others—but there are in my mind essentially eight or ten major characters in this series, and it will stick to that.

The interludes will continue to be what they are, which is that those characters may show up again, but it's unlikely that there will be many more viewpoints from them. The interludes are there because I wanted to have my cake and eat it too—I wanted to have the big sprawling epic with a lot of major viewpoints that we spend a lot of time on like Robert Jordan did, but I also wanted to have the quick jumps around that George R. R. Martin does, and they're two masters of the genre. And so I decided on the interludes as a way to jump around and show the world, to give depth and to give rounding to what's happening—give you little glimpses into important aspects of the world—but those characters are not people you have to remember and follow. Each of the interludes will have one character that you need to pay attention to, but you can take the interludes and read them and without having to focus too much on remembering and keeping track of what their plot is. Then you can jump back into the main characters. And that's always going to be the case in the books to come.

Each book will also have one character who has flashbacks throughout that book—we'll stick to one per book, and you will find out how they ended up where they are as we dig back into their past.

Argent

In English, "N" is articulated the same way "T" and "D" are - on the alveolar ridge (as all three are nasal alveolar). It seems like in the women's script "N" belongs to a different family from "T" and "D". The former is a "left facing arrow" while the latter two are "right facing arrows", to use some very basic description of the symbol shapes. Why is that?

Isaac Stewart

Peter might have a better explanation for this, but because of the three sizes, we had to group things in ways that didn't always make sense. The N was a fourth letter in a set (TDL), so looking back, maybe we should've grouped N with TD instead of the L, but then that has a cascading effect, so this was the best we could do in the time we had. But we don't know exactly how the Alethi speak. There's always a chance that the Alethi Z sounds more like "dz," and the Alethi "S" sounds more like "ts" (like the German Z), in which case the SZN grouping makes a lot more sense. But that's just conjecture.

Peter Ahlstrom

The symbol sets are all based on historical place of articulation (and articulating tongue part), and there have been some sound changes over the centuries so they don't currently all line up exactly. The t/d/r/th/l group (historically alveolar) is articulated with the tip of the tongue, and the s/z/n/sh/h group (historically postalveolar) is/was articulated with the blade of the tongue.

The modern h sound (like h in English) used to appear only in the palindromic locations, and was written only with the diacritic. This diacritic is mirrored on the top and bottom of the character. Some writers may use only the top or bottom because lazy. Also, sometimes the diacritic can be left out entirely and people just know to pronounce it as h because it's a very common word or name.

The h character used to stand for a weakly-voiced postalveolar non-sibilant fricative. This later shifted backward to a velar fricative (first weakly-voiced, later voiceless) as in Kholin. In modern times the h character is usually for the same h sound that we have in English. Sometimes kh is written using a combination of the k and h characters, and sometimes it's written just as h for historical reasons. Different regional dialects also shift the pronunciation one way or another.

The L sound has also shifted. It used to be a voiced alveolar lateral fricative, and this is still seen in names like Lhan. It's now a regular L sound.

The final group, k/g/y/ch/j, used to have dual articulation, similar to velarized postalveolar. Now the articulation has separated, with some velar and some postalveolar.

Currently y and j are pronounced the same or differently based on class and regional dialect. So, a darkeyes name like Jost or Jest will be pronounced with a regular j sound, while with the upper class it has merged with y so that Jasnah and Jezerezeh are pronounced with a y sound. Historically they were always separate sounds.

Brandon Sanderson (paraphrased)

For the first 5 SA books he's heavily outlined them. For the last 5 SA books he has outlines for the main climax scenes. For the flashback characters for the last 5 books he's not settled on which ones or order but current plan is for Taln, Ash (aka Shalash), Lift, Jasnah and Renarin.

He also specifically stated that for one of the flashback characters that they would be already dead (sounded like definitely dead not maybe dead).

Kimbobhi

Is it possible to Surgebind using gaseous Investiture other than Roshar's?

Brandon Sanderson

So here's the thing. It depends on your definition of Surgebinding. Surgebinding would be the Rosharan definition of all of the magics. They would call the Metallic Arts Surgebinding. You are binding the powers of creation, which the word "Surge" is that word translated from Rosharan into English, that's what the word means in Rosharan, is the powers of creation. The fundamental forces which inspired me to make this. So they would consider all of them to be Surgebinding. And that's just what you're doing, you are binding and using those powers.

Other people, including Khriss, would not agree with that definition. They would say: Surgebinding is specifically binding, through the Nahel bond, the spren, the specific manifestations of Investiture on Roshar, by using specific sets of oaths in order to gain access to those powers. So she would say: no, that is not Surgebinding when someone uses Allomancy. I would lean with her on that one, but the other one's a viable definition.

What you're really asking is, can someone, one of the Rosharan, the Knightly Radiant Orders, could they power that with a different form of Investiture from a different planet? And yes, this is possible, though there might be some difficulties in making it work, which I haven't explained entirely yet. But yes, this is possible. In fact, it is possible to power all of the different magics with the different forms of Investiture. That is a possibility

This is one of the reasons why Mraize and Thaidakar are so interested in Stormlight. Because if you could get Stormlight off, and you can crack that... just way easier to get Stormlight than it is to get the other ones. Like Breath, you could consider easy, but hard to morally harvest; in fact, perhaps impossible. If you want ethical, sustainable magic, then Roshar is a much better bet than some of the other places that you could...

Adam Horne

Does that mean Mraize and [Thaidakar] want an ethically sustainable...?

Brandon Sanderson

They're really interested in the sustainable part. I would say that they both would say "yes" to that question. They would consider their actions to be, on an ethical spectrum, at least in the neutral area, perhaps. Others would disagree with that.

Adam Horne

Where would they fall, philosophically speaking, like Kantianism, or?

Brandon Sanderson

I'd have to think about that. That's a good question. Certainly not as far on the utilitarianism side as someone like Taravangian, who's about as far as you can go. But Jasnah is pretty far on that side, also. Though she considers her version more of a "what is the greatest good I can do with any action I take?" (Which one is that? It's not Kantian, but you know what I mean.) That is a little on the utilitarian side. Not a little, that's... not as far as Taravangian, but that's definitely, yeah. They would maybe be in between those two, maybe. Depends. They're not the same individual, they would have different lines.

There's gonna be (let's just say) future books that explore Thaidakar's relationship with that. But you have seen in other books the lengths that Thaidakar is willing to take in order to achieve his goals. He is not far off from Taravangian in some of those things that he has done.

Brandon Sanderson

Chapter Three

Shallan

I chose to use Shallan as my other main character in Part One, rather than Dalinar, because I felt her sequence better offset Kaladin's. He was going to some very dark places, and her sequence is a little lighter.

She is the only "new" main character in this book. Kaladin (under a different name) was in Way of Kings Prime, and Dalinar was there virtually unchanged from how he is now. The character in Shallan's place, however, never panned out. That left me with work to do in order to replace Jasnah's ward.

Shallan grew out of my desire to have an artist character to do the sketches in the book. Those were things I'd wanted to do forever, but hadn't had the means to accomplish when writing the first version of the book. I now had the contacts and resources to do these drawings, like from the sketchbook of a natural historian such as Darwin.

One of the things that interests me about scientists in earlier eras is how broad their knowledge base was. You really could just be a "scientist" and that would mean that you had studied everything. Now, we need to specialize more, and our foundations seem to be less and less generalized. A physicist may not pay attention to sociology at all.

Classical scholars were different. You were expected to know languages, natural science, physical science, and theology all as if they were really one study. Shallan is my stab at writing someone like this.

dark-winter-knight

What is the difference between a person's Spiritweb and their spiritual DNA? Is there a difference?

Brandon Sanderson

Soul, generally used in the cosmere, is a spiritual or philosophical term. It refers to the part of a person that continues to exist after death, or to the "being" of the person in a philosophical term.

A Spiritweb is a measurable, quantifiable thing in the cosmere. (Granted, it's not easy to do either to one, but it can be done.) It is a scientific term, though because the cosmere hasn't reached modern scientific understandings yet, there is a lot of overlap between science, philosophy, and spirituality.

This way, acknowledging that a person has a Spiritweb does not require an atheist/humanist to affirm religious ideas or concepts--like acknowledging that the Vessels/Shards exist does not require also affirming that a capital G God exists.

The separation of the two is necessary to allow people like Jasnah to not be undermined by the text. It wouldn't be right of me to work for having representatives of viewpoints contrary to my own if the very foundation of the magic systems and physics proved them wrong.

So, in short, you can measure a Spiritweb. Whether a person actually has a soul or not (even in the cosmere) is subject to your own personal philosophy on the idea. Even ghosts and other persisting personalities after death, like certain individuals who shall remain unnamed, have a very real and rational magic system explanation for their existence.

aravar27

Is a Cognitive Shadow essentially Investiture filling in the molded pattern of a Spiritweb to the point where it resembles the initial person?

I'm interested in the implications with respect to personal identity--the "soul" would be one of the competing answers for the question "what am I," but some argue for psychological continuity and others for biological continuity. A Cognitive Shadow seems like it might better fit the Psychological Criterion, since it seems like Investiture replaces the biological body as the source of living and experiencing things.

Brandon Sanderson

You're getting into things that are subject to debate among people in the cosmere. Most shadows would insist that they're the same person. Others would dispute this, saying they're essentially a spren--a bit of the power that came alive like you said, taking on the personality of the person when the person themselves died.

BipedSnowman

Like uploading a brain to a computer. Made of Investiture.

Brandon Sanderson

A fitting analogy.

Aurora_Fatalis

Does it matter what kind of power it was that filled the gaps? Like, if you were a normal human and made a Cognitive Shadow fueled by AonDor, would you be more able to "possess" a modern computer than if you were made a Cognitive Shadow by - say - Odium?

Brandon Sanderson

This can matter. Shades from Threnody, for example, work differently from Returned, who are different from Heralds. But all are Shadows.

sebarial

Would a Feruchemist actively storing Identity be more susceptible to Forgery? Would more outlandish changes be able to take effect? Thanks for your time, and have a wonderful day.

Brandon Sanderson

Yes, if you store Identity, it makes you susceptible to ALL KINDS of things in the Cosmere. Forgery would be on the short list.

bubblebooy

Does the difficulty of affecting metals in a body with Allomancy have to do with Identity?

Brandon Sanderson

No, more to do with the fact that most people are innately Invested in the Cosmere--and certain planets have extra Investiture. Something Invested is more difficult to transform/move/etc with another form of Investiture.

bubblebooy

That is what I had originally thought before you capitalized "ALL KINDS." Is Soulcasting people like Jasnah Kholin did doubly hard since people a have a strong sense of Identity and have innate Investiture?

Brandon Sanderson

We're getting a bit far on this course, so it's time to pull out the RAFOs. I don't want to overplay my hand and leave the books without anything to talk about. :)

Phantine

Does that 'inside a body' thing work on most magics?

For instance, if Han stuck Luke into a Mistborn Tauntaun (a distant and unlucky relative of the mistborn llama), would Luke be protected from both the cold and emotional allomancy?

Brandon Sanderson

He'd have to get him inside a living one.

It does work on most magics, though the interactions can be odd unless you know a lot about the workings. Emotional Allomancy, for example, works by lapping against the outsides of someone's cognitive self, influencing you the way music might stir your soul. So being inside a living body wouldn't necessarily stop it--you'd just have more interference. Kind of like how you can still hear music outside if it's loud enough.

Actual mind control in the cosmere requires you to get INSIDE the soul, which you've seen happen frequently enough. There has to be a gap or an opening.

Or, conversely, you just have to be so powerful that you can push through the interference.

ISw3arItWasntM3

Do you plan to write the stormlight archive books with the same POV characters throughout the series (like WoT) or do you think that you give other characters POV (aSoIaF) as the series continues?

Brandon Sanderson

Most of the main POV characters have been introduced. Each book will take one major character (Kaladin, Dalinar, Adolin, Jasnah, Shallan, Navani, Szeth, Taln) and give them 'flashback' sequences in the same way Kaladin got flashbacks in the first book. There are some open spots for which I'm toying with other characters being used.

p0staldave

I believe I've heard you mention more than once that you weren't happy with WoK, could you explain a bit exactly what you would change or love to do-over with it or expand on your comments?

Brandon Sanderson

The original draft of The Way of Kings had some big issues. One of the largest ones was that I was trying to do too many characters with too many separate plots. (Jasnah and Taln both had full sequences with as much complexity as the three main characters in the current draft.) Beyond that, Kaladin's character (he had a different name there) was bland and never worked. I needed to rebuild him from the start.

I'll post more explanations of this in the KINGS annotations, which I'm working on right now. As for teasers for the second book, one of the interludes is from Taln's viewpoint. (He's the guy who shows up in the epilogue of the previous book.)

Glamdring804

In Way of Kings, Jasnah recommends to Shallan the Devotary of Sincerity. Their motto is "There is always something more to discover." That sounds very similar to our favorite Mistborn psychopath's saying; is Kelsier connected to that at all?

Brandon Sanderson

RAFO.

Questioner (paraphrased)

Twelfth - is it challenging to write from the POV of a female character and why/why not.

Brandon Sanderson (paraphrased)

Early on - yes it was, now less so. problem was: treated characters other than the main character as roles only, centered around main character. "writing characters without giving them their due". "You have to be able to write the other. Every character has to be a piece of you and a piece of not you." discusses Jasnah in particular. Point of literature is "to see what it’s like to be people who aren't us".

Ravi (paraphrased)

How old is Gaz?

Brandon Sanderson (paraphrased)

Early to mid 30s, so around Jasnah's age.

Questioner

How much does your theology, like your theological background, makes it into...?

Brandon Sanderson

It's rarely intentional. But you can find it all over the place kind of unintentional in there. More it's like what I find heroic influences it, right? I find faith and optimism heroic, so you'll find that sort of thing in my books, and things like that. Makes me very fascinated by religion, if you can't tell.

And reading books where people include someone LDS who doesn't well represent what I believe, has made me hyper-conscious to make sure I don't do that to other people, if that makes sense. That's why you find Kaladin's agnostic, Jasnah's atheist, Navani's like orthodox, and Dalinar's kind of more of a reformist. You kind of find all four quadrants of religious thinking and everything in between, it's just me being fascinated by this.

Questioner

What are you reading?

Brandon Sanderson

Right now, I actually just started reading [Under] the Pendulum Sun... I read two chapters of it, it was very good. It's by an author [Jeannette Ng] who is British, who came to one of my signings earlier, so I looked it up... She came in costume, she came as Jasnah, and she's a professional writer herself, so I'm like, "I've got to read her book." ...The first two chapters were delightful. Missionaries going to fairyland, the land of the fae.

Questioner

How many of the Stormlight Archive, how many are you planning?

Brandon Sanderson

There are two sets of five. The first five will come to a climax, and the second five are going to take place ten years later. Some of the cast will be the same. It's the same series but some of the cast will change. For instance, Lift is being seeded as a main character for that series. She'll be grown up, so she won't be quite-- She'll still be Lift, but she may not be quite as teenagery. She's a very special individual.

Renarin will be one of the main character in that series. Jasnah will be. And Taln and Ash, who are both Heralds that we barely see on screen in the current ones, they'll be main characters.

Questioner

How did the Nahel bond manifest in Way of Kings Prime? What was missing?

Brandon Sanderson

I had a little light-and-sound show. It never actually happened on-screen. I had it-- If you've read Snapshot, it was this sort of thing that I intended to be a thing that they would see and could not be replicated, and you just kind of knew when it happened. Like, you were glimpsing the Spiritual Realm, something like that. But it never actually happened.

Questioner

Was he actually a Herald, then?

Brandon Sanderson

He was actually a Herald. The book ends with him dying, and no one believing; except Jasnah, the atheist, believed he actually was a Herald, even though she didn't believe in God. And so it was like, "Well, we have to find out how to get him back. Because he can obviously be reborn." So that was one of the ends.

Questioner

Are we ever going to get to read that?

Brandon Sanderson

Yeah, once it's no longer spoilery.

Questioner

I really love the female protagonist in the Way of Kings series. I was wondering where you pull your inspiration for a woman like Jasnah?

Brandon Sanderson

So, my mother graduated first in her class in accounting in a year where she was the only woman in most of her accounting classes. So, I draw of inspiration from my mother. But, also good authors I've read. Anne McCaffrey, I would recommend. Melanie Rawn. Some of these people who were my introduction to fantasy were also very good at writing characters and taught me a lot.

lightylantern

I'm fairly invested in the pairings of The Stormlight Archive, with my favourite being Jasnah/Szeth. Do either of these two have any romance planned in their future?

Brandon Sanderson

I am purposefully vague about upcoming romantic pairings in my books, because most of the characters would not want to be defined by their romantic inclinations--and at the top of that list is Jasnah. So I'll remain quiet on this one for now. Sorry.

Shadowglass0

We've seen the drawing of a gigantic greatshell towering over a city in Way of Kings. Jasnah's book called it a voidbringer. How big was that compared to the Reshi islands greatshells? Do they look similar (proportions, etc.)? Are the Reshi islands greatshells really-really old? So old that someone pretentious enough to speak in all-caps could call them 'ancient ones'?

Brandon Sanderson

That picture is very, very inaccurate--by design. However, the Reshi Island greatshells were one of the models this illustrator in world used to create his fanciful drawing. They are, indeed, very long lived.

The Dusty Wheel

When it comes to trying to do an adaptation. How would you perceive that with the Stormlight Archive? Have you thought through adapting them? And if you have, how would you proceed with it?

Brandon Sanderson

We've got three main options. The most obvious and easiest is an animated program. The level of special effects you need to have to show the spren and the strange world is so high that an animated show makes a lot of sense. And I'm monitoring very closely the fact that adult animation is becoming more and more a thing as the years progress.

Option number two is straight-up television show, streaming service high-budget television show like Witcher or something like that. Which is totally in the cards. Totally viable, not outside reason at all. Getting back a 300-page-plus screenplay that someone tried to do of The Way of Kings, it is pretty obvious that it's gonna be a tough adaptation.

If you're gonna do a movie, you do a film, I feel like the Cosmere would already have to have been established with other films that are successful, so that we could get away with a longer, higher-budget (even than the others) film. And I think there's probably a film adaptation that could work. One that focuses mostly on Kaladin, and one that probably moves Shallan's plotline to the Shattered Plains right from the get-go, in order to have her be a viewpoint of Dalinar, that you can get to know Dalinar through her being Jasnah's ward, and things like that. Which doesn't require as much time spent on Dalinar. The big problem with The Way of Kings is that it's really hard to cut any of the three major plot sequences and have it still work. Because Dalinar needs to exist in order for the ending of the book to work. And Shallan needs to exist so that you're not always at war. So that there's something else to this story to give a B story that you can cut away from to occasionally show other things happening. I think it's vital to what makes The Way of Kings work as a book, is that you get to have these cutaways.

So, yeah, I think something like that could theoretically work. But the high-budget television show is probably the best option. And that's one reason why I'm pushing so hard for a Mistborn adaptation right now. I do think Mistborn working really well lets us do a lot more with Stormlight, either with a television show or with a film, whichever direction we go. And Mistborn is the book of mine that could be a film the easiest. Right now, what we're actually looking at for Mistborn would be: Book One as a film. Book Two and a few things we cut from Book One becoming a television show that bridges to Book Three being a film.

The Dusty Wheel

Have you had any offers along those lines?

Brandon Sanderson

Yes, but I'm being very cagey about who they're from and whether I'm accepting them or not. Basically, I don't want to sell the rights to Mistborn or the Cosmere again. I would be interested in partnering with people, where I'm a producer and very much involved. And I don't know how reasonable that is for me to expect that it can happen, because I've not done a ton with Hollywood. But I've read all these scripts that people have set in, and I legitimately think that my outline for a script is stronger than any of the Mistborn scripts I've seen. I don't know if my screenwriting will be as good. But if I can get down the script, the outline I've written, and then have someone else polish it up so it actually works, then I think we'll be in good shape.

Questioner

I wanted to know what your stance on gods were, if you were trying-- If you had a meta-message about God.

Brandon Sanderson

If I what?

Questioner

If you had a meta-message about God.

Brandon Sanderson

I do not really. What I'm fascinated by ends up in the books and I'm fascinated by religion. But even in something like The Stormlight Archive, I don't want there necessarily even be a definitive answer? There are god... lowercase "g" gods. Whether there is a capital "G" God is still, in my opinion, left to the interpretation of various people. I'm not necessarily trying to say anything specific, I'm trying to say what the different characters say. Does that make sense? Jasnah doesn't speak my belief, but neither does Dalinar. But they speak their belief, and I try to respect their belief the best I can. So it's more like trying to be true to the different characters.

Stephen Kundy

If you were to write Elantris now, with all the writing experience that you've gained over your career, would you change anything?

Brandon Sanderson

Yeah, there are a lot of things I would change about Elantris. I have an autistic character in Elantris that I did not do a very good job with. It's more of a pop science version of autism than it is an actual in-depth look at what it is to live with autism. My prose is pretty rough, back then. Prose has never been my strongest suit, granted, but I do think I've gotten a lot better over the last twenty years. (Published fifteen, but twenty years ago, I wrote it.) I think my prose has improved dramatically over the years, and I think my ability to do dialogue has improved, and a lot of things like that.

Would I change any major plot features of Elantris? No. I'm actually fairly pleased with Elantris, plot-wise. There are aspects to it, right? I mean, Raoden's character arc is primarily externally driven. He is not a character who is going through a big change internally. But that was intentional. When I sat down to write it, the book I had written right before was about a deep and angsty character who had one of these very, very dramatic character arcs. And I was tired of angst, and I wanted somebody who dealt with external pressure in a fantastic way and was put into a very extreme situation externally and was someone who was kind of a little more like me in that that didn't really faze him, and he did his best with the situation. And I like that aspect of it. It does mean that some people who read it think Raoden isn't as deep as someone like Kaladin. Which you are perfectly fine in thinking that, but I think they are just different types of characters. I wasn't trying to write somebody angsty in Raoden, and I am pleased with how he turned out.

Sarene, as a character, was always kind of me trying to write someone who was a little more confident than they, perhaps, deserved to be. And that's a personality trait of Sarene. I actually, when I was plotting Stormlight, I once described Jasnah to someone in my writing group as "the person that Sarene thinks she is." And I like that about Sarene. She's young. She's got gumption and grit. And she's not quite as capable as she thinks she is, but you know what? Thinking you're capable can get you a long ways, as long as you have a minimum level of capability. And she does.

And I'm very proud of Hrathen as an antagonist. It has taken me until The Way of Kings and Taravangian to find someone that I feel is as strong an antagonist as Hrathen from my very first book. I'm still very pleased with how he turned out.

Questioner

After people die, in this universe, where exactly do they go? Because, at first they appear in this one world, and then they go somewhere else.

Brandon Sanderson

So where do people go when they die. *laughter* In the cosmere. One of the things that's very important to me as a writer, when I am writing stories, is when we get to these kind of fundamental questions about faith and religion and things like this, that the narrative is allowing multiple characters' viewpoints to be plausibly true, if this makes sense. For instance, I am not gonna come out and say, "Is there a capital-G God of the cosmere, is there an afterlife?" These are not questions I'm gonna answer, because in-world, they can't answer them. What they can say is, your Investiture will leave what we call a Cognitive Shadow, which is an imprint of your personality that can do certain things. And that most of those fade away, and you can see them, glimpse them, and then watch them go. But, are they going somewhere? Or are they not? Is that simply the Investiture being reclaimed, Is it more of a Buddhist thought, where your soul is getting recycled and used again? Is it nothing, you return to, you know, being-- yeah, is it a different type of matter? Or is there a Beyond, is there a capital-G God? Things like this. These questions are not answered. I'm never gonna answer those.

Now, the characters will try to answer them. But it's important to me that both Dalinar and Jasnah can exist in the same universe, and that the story is not saying "This one is right, and this one is wrong." The story is saying "This is how this one sees the world; this is how this one sees the world." It's very important to me from the beginning to do that, just because-- Like, I hate reading a book where someone espouses my viewpoint only to get proven wrong by the entire structure of the narrative, and in that universe, that person is wrong. But I'm like, "In our universe, I don't think that I am. Just the way you constructed everything makes it so that I have to be wrong, if I were living in your universe, even if it's a universe that's not a sci-fi/fantasy one." If that makes sense.

This is just kind of for respecting my characters and for the people who hold the viewpoints of my characters, in particular if they happen to be different from my own viewpoints. I feel there are certain lines I'm not gonna cross.

So, the answer is: who do you believe? Which of the philosophies in the books do you look at and say "Yeah!" Or, even better: listen to lots of different ones, and maybe these different viewpoints are all gonna have interesting points that'll give you things to think upon.

Questioner

So, Jasnah has the same shape appear around her as when she first appears out of Shadesmar at the end of that-- At the end of the second book, when she appears out of Shadesmar, she has the same shape appear around her as she does in the last battle, but we never see her do anything (this is about Transportation) And we saw people flying away beforehand. Can you-- Does Transportation allow you to push other people. Similar to Lashings, but kinda differently. I'm just wondering if you can use it on other people, basically? 

Brandon Sanderson

You can, but it's not what you’re thinking. 

Mrrobot112

Is it possible to know which characters will be getting viewpoints after Part 1?

Brandon Sanderson

All the main characters get viewpoints, though there aren't a lot of them for Szeth or Jasnah. (Technically, she isn't a main character of this sequence--but she has a couple viewpoints here and there regardless.) The structure is a little more like Book One, with one "A" plot that runs the entire book (in book one, it was Kaladin in Bridge Four) and two "B" plots that each are in half of the book.

In this book, parts 2 and 4 are one of those B plots and parts 3 and 5 are the other one. (In book one, the first B plot was Shallan and the second was Dalinar/Adolin.) Like the previous books there are two "C" plots. One being a flashback sequence for one of the characters (in this case two) and one being a sequence of interludes.

Venli's flashbacks are weighted toward the back half of the book, as it felt better to have them in quicker succession, since she's sharing them with Eshonai.

The A/B/C breakdown doesn't start happening until after Part One in this book, though. So I'd say wait until you get the book. Anyone you don't see in Part Two will be in Part Three (and a group of people in Part Two won't be in Part Three.)

I do this deliberately to keep the number of viewpoints down per section, as it helps with the complexity a little. Epic fantasy tends to have a problem of viewpoint sprawl, which has made problems with the pacing. This kind of structure is how I combat that in the Stormlight Archive.

That doesn't mean characters don't have a part in the story, even if they aren't getting viewpoints. For example, Dalinar is in multiple chapters in Part One, though he doesn't get viewpoints in this part.

Glamdring804

Since this is a front half book, can I assume that this doesn't include Ash and Taln?

Brandon Sanderson

That is correct. No Ash/Taln viewpoints in this book, though they do appear in the text briefly.

ascraz

Do we have any view points from moash as well? I really enjoy the character.

Brandon Sanderson

There is at least one Moash Viewpoint in the book.

Paleo

Then I was wondering about the Dysian Aimians or the Sleepless. Do they reproduce at all, and if so how does it work? Like is it that one... is it asexual if they do?

Brandon Sanderson

So they reproduce, yes. But reproduction for them has a variety of terms. They can breed specific cremlings for specific purposes over time if they want to. They can also exchange cremlings if they need to, in order to improve their genetic diversity. Creating a new one is a different experience but yes. In fact, they... I've written sections, not for the books yet but where I talk about them developing and over evolving one of their cremlings to do something new.

Paleo

Okay. If they do reproduce does it require two of them or is it more like they breed enough and then they split one off.

Brandon Sanderson

That's a RAFO for now, but the individual's consciousness is an interesting thing for them.

Wyndlerunner

Queen Aesudan, when we see her in Kholinar, seems to have some knowledge of Gavilar's doings and his plans. And given Gavilar's propensity for trying to marry his children to members of secret societies, as seen with Jasnah and Amaram, was Queen Aesudan a member or affiliate of the Sons of Honor?

Brandon Sanderson

RAFO!

Peter Ahlstrom

It was Meridas [dual-wielding Shardblades in Way of Kings Prime], but this never actually came up in the book itself. It was just Brandon's headcanon. Would have happened in a sequel or something. Though, something about this is implied, if you read the chapters in Altered Perceptions, because of the way Shardblade bonding worked in that draft.

Meridas was kind of part-Amaram, part-Sadeas, part-...I dunno, Vstim? His personality was most like Sadeas, but he was a trumped-up merchant who wanted to marry Jasnah.

Kabsal

Huh. It seems a proto-Shallan did already exist as of this version [Way of Kings Prime]. I thought with the prologue's discussions of House Davar that Shallan would have been a more recent development.

Peter Ahlstrom

Brandon sees Shinri and Shallan as entirely different people who have the same last name and are both Jasnah's ward. However, most of the other characters are the same people as they are in the published novel.

BimGab

Why are so many of your primary female characters named with "s" and "v"? Sarene, Siri, Shai, Shallan, Vin, Vivenna? Is there a reason?

(I ask because you're obviously able to find cool female-names with other letters too, Jasnah, Danlan, Navani and so on.)

Brandon Sanderson

No reason. I've noticed that trend myself; probably something to do with innate "this sounds right" things on my part. I think Vin/Vivenna is a coincidence. (Vin did start in a rough first draft as male, after all.) But there are also some other V names, a disproportionate number. So...just the way my ears work, and something I need to be aware of, I guess. Thanks for the question!

Questioner

The woman that dances with Wax in Bands of Mourning. I've heard a lot that it's Khriss, a lot of people say that, when I first heard that I thought "Is this Jasnah?" Could you give me a--

Brandon Sanderson

It is Khriss.

zuriel45

Jasnah, as I've said, grows more important in the back five.

I'd say spoilers, but I doubt you'd kill her off..

Pitchwife

This is entirely from memory so please forgive me if I get this wrong, but I believe [Brandon] has hedged on this topic in the past, e.g. who says she has to be alive (in the usual sense) to be a POV character?

Brandon Sanderson

I've said that flashback characters (which are the ones I've announced as having "books" dedicated to them) can die before their book arrives.

mooglefrooglian

You've previously mentioned that someone bonded to a Seon would get some benefits if they went to Roshar , basically that it would be treated sort of like a Nahel bond. This implies to me that something about Roshar likes to give powers from bonds. (Hi there, Honor...)

Should this be taken to mean that spren-bond based Surgebinding won't work off-world, as it's a benefit Roshar gives from having a bond? Or would it be more specific, and mean that some of the passive benefits Radiants get (visions, Windrunner squire strengths) would be lost, but Surgebinding retained?

Mainly I'm interested in whether or not we can reach maximum Jasnah levels and have the possibility of her appearing in non-SA books. I don't think she'd be much into worldhopping if she couldn't get back with the Travel Surge...

Brandon Sanderson

Surgebinding will work off-world.

calvinist-batman

Could Shallan or Jasnah, with the help of a Bondsmith, take a bead from the Cognitive Realm back into the Physical Realm, thereby creating a version of remote controlling something in the Cognitive without having to go there in the moment?

Brandon Sanderson

This is RAFO territory for now.

Soni

Is there a reason for why so many early Radiants were family? Including theorized ones, we have Tien and Kaladin, Jasnah and Elhokar, Dalinar and Renarin, Shallan and Helaran...

Brandon Sanderson

Yes, so I can give you the "how the sausage is made," I call this the narrative reason vs the in-world reason. I can give you both.

In-world reasoning is that, when these bonds are forming, these human beings have bonds to other people, and that naturally leads the spren along those bonds. When Kaladin is forming a bond with a windspren [honorspren], and windspren [honorspren] start looking, or even other sapient spren start looking for people, they're going to notice. Remember, they're coming into the Physical Realm, it's very hard for them. They're doing this partially from the Cognitive Realm, searching and trying to get pulled through by the attention and the bond that is forming. They're naturally led to other people who are related. You could even say that, because of Tien, Syl found Kaladin.

I built this in for a narrative reason, and the narrative reason is: we generally are going to want to have a larger than average number of people among the core characters, who are involved in the magic system, and involved in the narrative. Because the magic system is so important in my books, I knew that I was gonna have a lot of friends and family of main characters end up with spren bonds.

But I don't think this is unusual. In fact, I think this is more true to life. It's not one of those coincidences we make up for a book; it's one of those coincidences that happens in life that seems unusual. It seems unusual if you look at it and say, "There are five people who became full-time in the publishing industry during the year Brandon was a senior at BYU. And they are all friends; in fact, they were all friends before they got published." This seems unusual; like, why didn't anyone else? There is nobody else that I know that broke in into the industry from that year. Maybe it happened, but nobody I knew who wasn't in our immediate friend group. Well, this is not that surprising if you actually look at it, because when one person breaks in, it becomes so much easier for everyone else that knew that person. Not just for networking reasons. (Networking reasons: obvious). The other obvious one is: the people are gonna know each other because they're all gonna be moving in the same circles, looking for each other without knowing it. They're gonna be looking for other good writers, and they're gonna be making connections with them. They're gonna notice when people ask questions in a class that are the right kinds of questions to be asking about getting published.

But even beyond those two things, once I broke in, Dan Wells has said before he realized, "Brandon did this; this is real. He actually did this. I can do this." And indeed, he went and broke in. Once this thing that seems impossible, whether it's becoming a full time novelist, or forming a spren bond and becoming a Knight Radiant; once you've seen somebody do it, it becomes way easier for you to conceive of yourself doing it. This is why C. S. Lewis and J. R. R. Tolkien were in the same writing group. This is why you see this sort of thing happening all around the world and in all sorts of professions, that people who were friends together... Every time that people are like, "Wow, these three major Hollywood stars knew each other in high school." Well, yes, that is actually more likely to happen than not, because of all these reasons I've talked about.

ZenBossanova (paraphrased)

Since Shallan has a unique ability of memory from her blended surges, is fighting what Kaladin has?

Brandon Sanderson (paraphrased)

No. His unique ability is "strength of squires".

ZenBossanova (paraphrased)

And Jasnah?

Brandon Sanderson (paraphrased)

RAFO.

Enasor

While I am glad to hear the book is going along well, I will not hide the fact I am severely disappointed by Adolin's lack of page time. I cannot believe we won't get to read his thoughts following the events of WoR. If there was one POV I wanted to read, it was his, but according to the planning, we won't, not until the very end of the book.

I truly appreciate the efforts done to keep the fans informed, but I cannot hide my disappointment. I guess it is better knowing now than finding it out about it after having waited for the book for another year.

Sorry.

Brandon Sanderson

I don't know if you're the same person who wrote to me in private, as I closed that window--so forgive me if I'm repeating myself somewhat.

I am well aware that many people are very interested in what is happening to Adolin, and I consider him one of the more interesting and unexpected developments of the series, in deviation from the original outline. I intend to dig into things with him in the book.

He's done a lot with very few viewpoints in the books so far. Why not read and see where he goes in this one?

Enasor

Thank you for your response. I have pondered on it all day yesterday.

Unfortunately, knowing Adolin doesn't have viewpoints until the last 100K words of the book basically is a show stopper for me. While I knew his story arc would never be as large as other characters, much to my sadness, I had hope he would, at the very least, remain a steady viewpoint character. My expectations for this book were to read more of him, especially considering how his story arc ended in WoR, not less.

Those very few words might be amazing, but it sounds too little and too late: especially knowing they are cramped into one of the smallest part of the book and shared with 5 other viewpoint characters including the three major ones.

My expectations sincerely were very different. It might my own fault for not having understood before how small Adolin's role was bond to be, but I cannot help being disappointed by it. If I knew Adolin had a bigger role waiting for him in later books, I would bear my time and think I only need to be more patient, but I know it will not happen.

So all in all, as much as I have loved the first two books, knowing Adolin's overall arc in so small in the upcoming book is a show stopper for me as a reader.

I truly appreciate your work as an author, but I had considered Adolin to be one of the major payers, despite the lack of flashbacks. I had expected him to be present within the story and not just through third person's perspective. Knowing it won't happen basically breaks the magic for me.

So sorry again.

Brandon Sanderson

I still think you're over reacting, and prematurely at that. Jasnah was a major force in the first book, and became many people's favorite, despite having no viewpoints. Sometimes, keeping someone from having viewpoints actually enhances their story.

Regardless, there is a bigger issue: the story cannot be everything to every reader. It must be the story I shape it to be; to try anything else is madness. You have the option, when reading, to edit the story in your experience of it, if you wish, to better match your desires. I have to tell the story the way my writing instincts say is the strongest, and this is the viewpoint breakdown that is best.

Chaos

There has been a question in the fandom ever since [Rhythm of War] Part One, where we learned that the Thrill got tossed in the ocean.

Brandon Sanderson

They, at Jasnah's suggestion (which came through Hoid), locked it in an aluminum box and threw it in the ocean. The argument for this being that anywhere they could hide it, the enemy could get to. And an Unmade would be pretty easy to find in the Cognitive Realm. You can't hide an Unmade very easily. Aluminum's gonna help a ton with doing that. So, what you have to do is try to make it as inaccessible as possible. And the most inaccessible thing they could do is lock it in an aluminum box and throw it in the ocean. If they had kept it anywhere in the city or what-not, then the enemy would have been able to find it very easily, even inside an aluminum box. This method was their best guess at being able to keep it out of the enemy's hands. It is not a great solution, unfortunately. There just isn't one that they could find. As we talk about a certain other Unmade who is somewhere locked in a gemstone that might come up in the next book maybe, we'll talk more about this.

Blightsong

Would it be harder for Jasnah to Soulcast a Knight Radiant?

Brandon Sanderson

Yes.

Questioner

Would it be harder for her to Soulcast a Mistborn?

Brandon Sanderson

Yes, Investiture resists Investiture. It's harder for her to even Soulcast a person than a rock, right?

Questioner

Is a Mistborn Invested?

Brandon Sanderson

The Mistborn, while they're burning the metal. They are not specifically Invested when they are not burning. When the Investiture becomes active, then yes. Before, no.

Blightsong

So Kelsier, he stayed around longer, not because he was Invested, but because he had the potential to use Investiture?

Brandon Sanderson

Over time using the magic will Invest you, on Scadrial. Most of the power is not coming from, on Roshar the power isn't coming from the person either [he cut himself off, so I assume this is how it works on Scadrial even though he didn't finish his thought] so I'm going to have to back up on that one and say, yes, the Mistborn are as Invested as a Knight Radiant, because in both cases the majority, bulk, of the power is coming from somewhere else, but there is the Spiritweb. Investing the wrong term, but you have all these connections in the Spiritual Realm, so yanking you away from them, or rewriting them is harder.

Questioner

Would they be harder with more Stormlight or metals burning?

Brandon Sanderson

Yes, yes. That would increase the difficulty ratio. For instance, wearing Shardplate is gonna be a great barrier, right, and things like that so yeah. The problem is like, Invested is the wrong term for that, their Spiritweb is connected in different ways.

Bayin

How much research into philosophical work do you do before each book? And what inspired to use thesein particular: Kantian deontology for the Knights Radiant, consequentialism for the Alethi and Taravangian, and secular morality for Jasnah?

Brandon Sanderson

Why did I choose the ones that I did? I really like when stories are not just a conflict of personality; they are a conflict between ideologies and ways of viewing the world which are all valid ways of viewing the world. When I put Taravangian and Dalinar into conflict with each other, it's because they are both looking at life in a different way. And I'm kind of reaching to different philosophical bases for those. And I will butcher it if I try to use the actual terminologies, because I am not a philosophy major.

Why did I take what I did? They matched the characters. And they matched what I'm trying to explore, without trying to give you the answers; trying to explore theme in stories. And I just love doing that. It's what makes me excited about writing characters.

Questioner

Any teases on upcoming LGBT characters?

Brandon Sanderson

I put some hints in Rhythm of War. I should be making those canon by Book Five for you. But it wasn't quite time. I actually tried writing them harder into Rhythm of War, and they felt like it stood out too much; it was unnatural. So go ahead and begin your theorizing. It's not gonna be a big surprise; I think that people will figure it out pretty easily. But I'm not intending it to be a big surprise; I'm just trying to let things like what happened with Jasnah in this book come out naturally as they fit the characters.

No big surprises, but for those who would rather read about it in the book when it happens, then I will leave it to Book Five.

Sethel

What color of Magic [the Gathering] decks would some of your characters play?

Brandon Sanderson

It's going to depend on the character right? I often say Kelsier is black-blue. I feel that Vin is red-green probably. And Sazed is about as mono-white as you get. It's going to depend on the characters. Kaladin is pretty mono-white, though some of his powers are blue based so you could make a very good argument <for that.> That's the thing in Magic, you have both personalities and power suites of characters influencing what colors they [are] and what they would play. So you get Kaladin where personalty: white, power set: blue, would be pretty common. Dalinar is going to be mono-red for most of his life moving slowly into white-red. And you'll get someone like Jasnah who is very mono-blue with some touches of black or Shallan who is also just mono-red.