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dissociation844

As a women, I loved reading about Vin who was a strong female leading character in Mistborn. It's not something easily found in the fantasy world unfortunately. While I loved Vin, I felt pretty sad after reading about the swooning-over-an-older-man tripe that was Marasi in The Alloy of Law. It felt like kind of a 360 for me after reading about Vin.

I really loved Mistborn and The Way of Kings was great, but I am just wondering if you are planning any more work with strong female leads?

Brandon Sanderson

Marasi was designed specifically to be a contrast to Vin, and to put her in a place where she really had some growth to do. I spent periods of time as a Marasi (though, in my case, swooning over women) when I was younger. I think most of us are like that at some point in our lives, and I like trying characters with different types of arcs and personalities, so I suggest giving her a little time.

I have several stories in the works I think will fit this conversation, though when they come out will really depend on timing. The 1980's era Mistborn series also has a female lead, as does one of my YA projects.

Questioner

I’ve noticed in a lot of the books—Mistborn, Warbreaker, even Elantris—that the characters are working so hard towards a goal, and then once they did it or when they get close, all the sudden they realize that it’s doing the complete opposite of what they were expecting, or just was kind of a distraction for them or whatever, and so my question is: Is that just a good way to kind of throw in a plot twist that’s unexpected, or is that a reflection of kind of how you see our lives and what we’re doing, or something else?

Brandon Sanderson

I would say it’s both of those things, certainly. I was going to say as you were saying that “that’s just how life is,” but, plot wise, plot twists are tough, because—okay, how should I say it—bad plot twists are easy, right, you can just do anything, you can be like “alright, and then ninja’s attack.” (Aside: this is a regency romance, I don’t know where those ninjas came from…(That’s actually a story, if you’ve read that)).

Bad plot twists are easy. Good plot twists, I use a phrase that they use in Hollywood, which is “surprising, yet inevitable.” This is an age-old term in Hollywood where you want it, when it happens everyone to be surprised, and yet, as it happens, then they say “oooh, I should have seen that coming.” Those are the best plot twists. You can’t always pull those off—they’re really hard—but when you can they’re great, and that’s what I’m shooting for. I don’t necessarily twist my plot just to twist my plot; I try to find a story that is engaging and interesting and then the further we go along in it, the more you learn about the characters and the world and what’s actually going on and hopefully that reveals a hidden depth.

It’s like life. Everyone that you meet, you’re going to make a snap judgment on them. The longer you know them, the more depth you will see to this person. I want you to have that feeling about a book. You’ll make a snap judgment, “okay, this is an action-adventure story.” You’ll read it more and hopefully you’ll see those levels, of world-building, the hidden depth of the characters, the things you can’t get across in one page; that’s why I like writing big epic fantasies because it gives me a lot of time to explore all that depth. And I do the same thing with the plot. Everything is about more than one thing, and I think that that just makes for interesting stories that I like to read.

Questioner

Isaac, how closely do you work with someone like Brandon when you make the maps?

Isaac Stewart

Pretty closely. Brandon has a lot of say of what's on there, because of course it's his world. So I defer to him or Peter in everything as far as the maps come out.

Brandon Sanderson

Yeah, but he adds a lot himself. He's really good, so we give him free reign. My favorite thing that he did in Way of Kings, there's actually a map that is of the warcamps, the ten warcamps if you look at that one. And it's actually done in the style as if a famous artist came and toured them and then went home and did an idealized representation of them, and so you can read, you know "done by the artist blah blah blah". But the fun thing, Isaac kind of just did this, is yeah, I figured since he's probably got this big ego he's going to name stuff after himself, so there's a river that's named after the artist. That's not really, the artist just put it in his artwork as being named after him and you just have to notice this. You have to look and say, "by the artist such-and-such" and then at the bottom in the description is "and that goes past the mighty river..." what's his name? Vandonas, yes. Stuff like that where he's just naming stuff after himself. Yeah, Isaac gets a lot of free reign to do things like that because all the art, particularly from Way of Kings we wanted to be in-world and so the different artists doing them have different personalities and different goals. One is, you know, an official survey and another is an idealized representation, and everything in between. So you have to wear a bunch of different hats like I do when I write a book. He was becoming different artists.

Isaac Stewart

It's also fun too because Brandon will say things like "eh... there's a bunch of cities over here. Why don't you name them and I'll see if they fit." So there's some cities on the Way of Kings map I wrote down and he let them stay there. Who knows if people will actually go there.

Questioner

How does rewriting the Spiritual aspect work?

Brandon Sanderson

...So, it has ramifications through the other two Realms. It can happen. You've seen it happen.

Questioner

That's what happens with kandra, right?

Brandon Sanderson

Yes, to an extent, yes.

Questioner

With the koloss?

Brandon Sanderson

Yeah, both of them. Hemalurgy is, like, sticking a piece of someone's spirit to another person's spirit and creating a Frankenstein's monster of spirits.

Brandon Sanderson

Chapter Seventy

The Reason for the Mistsickness

So, it finally comes out. I wonder at this numbers plot, as I think many readers will glaze over it and ignore it. I think others will read into it and figure out what it means very quickly, then feel that the reveal here isn't much of a revelation. Hopefully I'll get a majority in the middle who read the clues, don't know what they mean, but are happily surprised when it comes together. That's a difficult line to walk sometimes.

What is going on here is that the mists are awakening the Allomantic potential inside of people. It's very rough on a person for that to come out, and can cause death. Preservation set this all up before he gave his consciousness to imprison Ruin, so it's not a perfect system. It's like a machine left behind by its creator. The catalyst is the return of the power to the Well of Ascension. As soon as that power becomes full, it sets the mists to begin Snapping those who have the potential for Allomancy buried within them.

Many of these people won't be very strong Allomancers. Their abilities were buried too deeply to have come out without the mists' intervention. Others will have a more typical level of power; they might have Snapped earlier, had they gone through enough anguish to bring the power out.

My idea on this is that Allomantic potential is a little like a supersaturated solution. You can suspend a great deal of something like sugar in a liquid when it is hot, then cool it down and the sugar remains suspended. Drop one bit of sugar in there as a catalyst, however, and the rest will fall out as a precipitate.

Allomancy is the same. It's in there, but it takes a reaction—in this case, physical anguish—to trigger it and bring it out. That's because the Allomantic power comes from the extra bit of Preservation inside of humans, that same extra bit that gives us free will. This bit is trapped between the opposing forces of Preservation and Ruin, and to come out and allow it the power to access metals and draw forth energy, it needs to fight its way through the piece of Ruin that is also there inside.

As has been established, Ruin's control over creatures—and, indeed, an Allomancer's control over them—grows weaker when that creature is going through some extreme emotions. (Like the koloss blood frenzy.) This has to do with the relationship between the Cognitive Realm, the Physical Realm, and the Spiritual Realm—of which I don't have time to speak right now.

Suffice it to say that there are people who have Snapped because of intense joy or other emotions. It just doesn't happen as frequently and is more difficult to control.

Shawn Speakerman

So, obviously, since you spent ten years developing that kind of magic system for The Way of Kings, it can't be just a one-off book.

Brandon Sanderson

No, it's the start of a large series. I originally pitched it, and I said, "This is ten books." And the publisher said, "Oh. Make sure you don't tell too many people that." (Which, it's already too late.) "Because either they'll hear that and be scared off because it's too big. Or eventually you'll be getting near the end, and you'll wanna extend it a book or two, and you'll have locked yourself in." But ten is a very mythological number in this series, and it is based on these ten Orders of Knights, and I'm pretty sure it'll be the ten books.

One of the things I'm playing with is trying to figure a way that I can make a long series like that feel like individual books. You know, I want to have an epic series, but one of the problems with epic series is that you get a few books in, and you start to lose track. And it's hard to keep track of everything. I want each of the books to feel individual. And the way I'm doing that is, each book is essentially about one of the characters. And there are other characters that appear, other viewpoints and things, but in each book, we delve into one character's past and tell a complete story, beginning with having some flashbacks to what happened in their history, and having a full arc for that character. So each of the ten books... they take place chronologically, it's not like we're always jumping back and things like that, but in each character's book, we will see one character's past and history as it's influencing what's happening with them in the present. So, hopefully, that'll work something like Lost, or one of my models is the old Highlander TV series, with their wonderful use of blending flashback, where we can see a person's past and watch their present, and get a cohesive feel for each book. Hopefully.

TearablePuns

Can a person compounding Luck defeat a Mistborn burning atium?

Brandon Sanderson

*Hesitantly* Yes. That is theoretically possible. I would say the emphasis on, "Could there?" But it is plausible that that could get around it.

Brandon Sanderson

One interesting note about this book is how small the armies are. Often in books, I'll deal with armies in the tens and hundreds of thousands. Those, however, tend to be war epics–it makes sense to me that in Elantris, they're talking about hundreds of men, rather than thousands. This may seem like a ridiculous number for a defense force, but I imagine Arelon being a small country, quite isolated and–as noted in the text–rather innocent. They really only need policing forces.

My copy editor was worried about my use of the word "legion," actually, for Eondel's personal force. She said that a legion, dictionary wise, was usually much larger. While this may be true, I think the fact that they call it "Eondel's Legion" makes it a proper noun, and is usable. This is a kind of honorary title, rather than a descriptive name. Besides, in Arelon, a couple hundred men really is quite big.

Questioner

Is there a particular period of history you feel influences your writing a lot?

Brandon Sanderson

Yeah, early 1900s.

Questioner

Specifically America, or global?

Brandon Sanderson

Global. But, you now, America obviously is gonna have a big influence. It really starts for me, Renaissance through industrial revolution, to the beginnings of the modern era. Because, the idea of science being something wonderful that you can study, that is a big part... like, Newton believed alchemy was real, and tried to apply science to it, and couldn't make it work. That sort of thing is really cool to me. That era, moving into the modern era, where science is, like, a wonderful thing that people are discovering, is really cool to me. I'd say that's my biggest influence. I remember reading an essay by somebody who studied ditch-digging in 1910. And had been, the science of ditch-digging, and applied it to ditch-diggers and taught them to ditch-dig better, and how science can help a person dig ditches. Like, everyone's life was improved by science. That's a really cool era to me.

Questioner

So, you post enough on Reddit. But you get by with not always getting noticed, and you can actually post stuff kind of like normally, like a person. How long do you think that will last until, you like-- like, if you get a movie or a TV deal...

Brandon Sanderson

People miss when Arnold [Schwarzenegger] posts on Reddit. People just aren't used to reading usernames. And I know, if they're miss Arnold, they're always gonna miss me.

Questioner

I've started a lot of little things of literature, but I've never been able to finish, 'cause I start on one thing with all these ideas, and then I get all these ideas about something else, and I don't see the two worlds fitting. So I start on something else. So, how do I...?

Brandon Sanderson

So, this is Professor Sanderson saying, "You need to make yourself do it." You won't learn how to finish stories until you start doing it. And doing that, learning to keep on a story, even when it starts to get hard, and you're more excited about something else, and this one's not turning out the way you like, or things like that. Learning to finish it anyway is the only way you'll learn how to do that, and make it good. So, you have to finish stories. Don't stress too much about them turning out right. Books that you write are all practice. Even for me, right now. Practice at getting better. You want to be a better writer. Rather than a person who wrote a book, you want to be a writer who can write great books. So, practice like you're practicing piano, or whatever it is. Just tell yourself, you've just gotta finish.

Questioner

Do you agree with, "You should know the ending?"

Brandon Sanderson

It depends on... everybody's different. Some writers are better if they don't. Some writers are better if they write toward an ending, get there, and then revise so that ending matches. You'll have to do that. Some writers are better if they have a strong outline. Go watch my university lectures, on YouTube. In the early lectures, I talk a lot about discovery writing versus outline writing, the advantages and disadvantages.

Krios (paraphrased)

At the end of Oathbringer, Kaladin says that the Oaths are about perception. So, what would happen when a crazy person bonds a crazy spren? Is there a hard limit to what the Oaths allow or could they just go on a John Wick style rampage?

Brandon Sanderson (paraphrased)

Perception will get you a very long way, like Nightblood proves. So you can go beyond the Oaths, but there will be a hard limit. Although it will be hard to find a such fitting pair of human and spren.

KChan

How does Snapping work after Sazed changed it? If you don't want to reveal it all right now, are there any hints you can give us?

Brandon Sanderson

He couldn't get rid of this entirely. I don't want to spoil things, but Snapping was built into Allomancy primarily because of larger-scale magical issues. This is getting deep into the issue, but it has to do with a person's spiritual makeup and a 'wounded' spirit being easier to fill with something else, kind of like a cut would let something into the bloodstream. Sazed made this threshold on Scadrial much easier to obtain.

Questioner

My question has to do with the color of Shallan's eyes currently, because we've noticed over the books that Kaladin's eyes, as he's continued to use his Surge, changed to lighter and lighter blue. Whereas one could argue that Shallan is farther in her Ideals than Kaladin is, yet her eyes have not changed at all.

Brandon Sanderson

Right, 'cause they were already light.

Questioner

'Cause they were already light? So it only affects lightness or darkness in the eyes, not necessarily any other color?

Brandon Sanderson

It's not like it is-- It's not like it's saying "Light minus 50%".

Questioner

It's not like Honor is blue and--

Brandon Sanderson

No. It is not. It is just kind of the way that the changes the Stormlight is making the body and certain people are already descended from people who had repeated, over time, changes by the body which stopped physically... That's not to say that all lighteyes that's where they came from. There are some that are natural mutations.

Questioner

Shards. Is it possible for them to think outside-- without having a person they're working through?

Brandon Sanderson

The power left alone around people will eventually gain a kind of sentience.

Questioner

Kind of like the Stormfather?

Brandon Sanderson

Yes. So it is possible. It doesn't always happen, and sometimes it takes a while. For example, the Dor? Basic, rudimentary, feeling only. It's not-- you know.

cometaryorbit

In Mistborn, was Kelsier the first person ever to kill a Steel Inquisitor?

Brandon Sanderson

No.

luke.spence (paraphrased)

What caused a Desolation to end? Was it just the defeat of Odium's forces? Because the Desolations start when the Heralds break under torture.

Brandon Sanderson (paraphrased)

Because the Heralds can no longer be in existence. There is a certain period of time that they can be there, and after that, if they're there, they will start a new one. So the Heralds do need to leave for a Desolation to end

darkanimereal1 (paraphrased)

Oh. So they've got a time limit.

Brandon Sanderson (paraphrased)

They do. Otherwise the Desolation will start again. What they discovered is not all of them have to. As long as one remains, the Desolation will not start again.

luke.spence (paraphrased)

So, by the nine leaving, did that actually break the Oathpact for them? Did it change the cycle of Desolations?

Brandon Sanderson (paraphrased)

They have not completely broken the Oathpact, despite what they may think.

Pagerunner

Um, Dawnshards. So, they obviously predate the arrival of humanity on Roshar. Are they of Odium? Are they Odious Investiture?

Brandon Sanderson

I will RAFO Dawnshards.

Brandon Sanderson

Siri Saves Them from Bluefingers

Some people, as I've said, have complained about Siri's damsel in distress place in the book during the next couple of chapters. I want to draw their attention to this chapter, however, which is where she shines. She's in control and careful. She's become a leader out of necessity. She's able to make demands of Treledees and get answers. And she's gotten good enough at politics to make the connection that nobody else did, seeing through Bluefingers's ploy.

If she hadn't acted here in this chapter, this book would have ended very differently. She saved Susebron's life here. Because of what she did, Bluefingers wasn't able to implement his plan to sneak the two of them out onto the waiting boat in the Inner Sea. Her delay gave just enough time that Bluefingers had to go with his secondary plan of getting the God King to the dungeons for the next few chapters.

More than that, however, Siri became the person she needed to in these chapters. She was able to grow as much as Vivenna, but she didn't have to be knocked down for it to happen first.

Questioner

One of your characters wishes for and is given capacity... That is one of my favorite concepts of all the books that I read of yours. Can you talk about the inspiration for that gift of limited and maximum capacity?

Brandon Sanderson

To not give spoilers, there is a character in The Stormlight Archive who has asked the Old Magic, which is a force that kind of has references in things like The Monkey's Paw and what-not, a force that doesn't always give you things exactly the way you want them. And I built, by the way, the Old Magic into The Stormlight Archive because I felt that at a certain point, while I love to do these rule-based magic systems, I wanted there to be a contrast to it... It's kinda like this idea that, yes, modern science and things have explained a lot of stuff, but there's something primal, perhaps, in the past, I don't actually know. But that idea that there's a primal magic that doesn't really adhere to the rules, we can't anticipate it, was really, I felt, vital for me to include so that I didn't overexplain everything in the books.

So, there's a person who asked for capacity. It wanted to be, let's say, strong enough to lift (it's not actually strength, but it's more of an emotional thing) what was coming. That, I feel like, is a very real thing to wish for, right? I have frequently, like... people say "What would you wish for," and I say "The ability to fly," because I would love to be able to fly. But really, if I sit and think about it, capacity, ability, the capacity to hold all of this stuff in my head, would probably be the sort of thing that I would wish for. So this character, in some ways, is giving wish fulfillment for me, because that's what I would maybe ask for if given the opportunity, but even that kind of turns on its head because the Old Magic just doesn't get people in the way that people think they should be gotten.

Matthew Peterson

And your Mistborn series, like you said, it is more serious. Tell us a little bit about the Mistborn series.

Brandon Sanderson

Okay. One of the things I felt that I wanted to do, when I finally did break in, was find some way that I could add to the genre, rather than re-treading the same ground. I felt that I wanted to try and look at the fantasy genre and do plots that hadn't been explored yet. And the Mistborn books are my attempt at doing that.

A lot of epic fantasy has this same sort of concept. This young protagonist, raised in the rural area goes on a quest to defeat the dark lord. And it's a wonderful, powerful story; it's the story that Tolkien used to an extent; it's certainly the story that Robert Jordan used, and you see it coming up over and over again in fantasy and I worried it had come up too many times. And so the Mistborn series came from me saying, "Well, what if he failed? What if this kid, this plucky protagonist, you know, went to save the world and it went all wrong?"

What if Frodo kept the ring? Or what if Sauron had killed him and taken the ring? What if Voldemort killed Harry Potter at the end of book seven? What happens? And the way that I approached this is saying, "Okay, that's happened. You've got your generic epic fantasy story that all happened, and the hero failed." Thousand years later, now what? And it focuses around a team of thieves who get together and decide, "Okay, the prophecies were lies, the hero didn't save us, the world is essentially enslaved. Let's try this our way." And their plot is to rob the dark lord silly, use the money they get to bribe his armies away from him, and over throw the empire. And that's Mistborn.

Matthew Peterson

You know, Brandon, as you were talking about the Mistborn [series], you brought up some memories of my childhood. I don't remember what this series was, but I read this series that exactly was kind of like that: you know, the character is a normal person, he's great, throughout the series, but the very end, it doesn't all turn out right. He becomes evil and the series ends! And it haunted me. My whole life. And I still don't remember what the series was. I wish I would have remembered it, but . . . yeah, that's a very interesting concept and it doesn't happen very often.

Brandon Sanderson

I was tempted to actually do that. I felt that would have been too much of a downer. Which is why I jumped forward a thousand years and then used kind of flash backs to tell the story of what happened a thousand years ago, because it's not as clear cut as I've made it sound.

The other thing is I would have had to write it as a kind of more generic fantasy at the beginning and then take it other places, and I wasn't sure if I could do that because I don't know if my heart would have been in it, trying to write a fantasy that is more generic.

The other big thing I like to do with my books that I hope does something new and interesting is try to approach having interesting different types of magic. And I think the best fantasy books do this, and I wanted each book that people read of mine to have a new magic system. I like to write magic that feels like it could be a science, that in this world there's another branch of science that we don't have in our world, that if you explore and apply the scientific method to it, you can figure out how it works. And I tend to write stories where we've got people figuring out the magic. They're working in sort of a magical renaissance. That's the theme for my next series, The Way of Kings, which is what's going to be coming out next year, is the idea that we're living in a world where people are discovering the magic and bringing it back to the world and trying to figure out how it works and actually applying reason and science to it to get some hard numbers on what it can do and what it can't do.

Questioner

*Something incomprehensible about emotion* Do you like to connect with your reader on an emotional level?

Brandon Sanderson

I do. So here's the thing: I am not an emotional person by my nature, and one of the only things that makes me feel very strong emotions is fiction. A really good piece of fiction makes me feel like the characters do, and the rest of the time, I'm just kind of - I won't say emotionless, but not emotional. It's not that. It's like some people have wild mood swings; one day they're a 20 and one day they're an 80, on a scale of 1 to 100, right? I'm always a 70, right? Like almost consistently always pleasantly happy. I don't know what depression feels like. I don't know what it really feels like to be sad. I've never really felt that - except when I'm reading a book. Does that make sense? So that's one of the reasons I write, because I want to be able to [go through] those emotions with people.

Questioner

When you get, like, bonded with a spren-- the type of spren that is bonded to you, it depends on your personality and beliefs, right?

Brandon Sanderson

Yes, mmhmm. The spren kind of choose, but they-- It's not a hundred percent choice. More like if they're drawn to it, things like that. So who you are, what your beliefs are, what your kind of moral code is can influence what type of spren you would get.

Rebecca Lovatt

How much time do you spend during the initial planning stages of writing your novel, developing your magic systems and going through the laws and such?

Brandon Sanderson

It really depends on the book. For Steelheart, I didn't need very much. On that I'm using a superhero-themed story, and all I really needed to know was: How did people start getting their powers? How are their weaknesses developed? How are these things interrelated? From there I can just look at each power set and say, "Okay, this person has this power set."

You don't have to extrapolate quite as far with superheroes. At the same time, they are very limited magics that only work within a certain small realm, so the reason you don't have to do as much extrapolation is because there isn't as much to do. In that case, it was the matter of a week.

With something like The Stormlight Archive, it was a matter of months or years of working on the magic systems. It really varies.

Brandon Sanderson

Elsecaller

I will reach my potential

Elsecaller oaths are, like those of the Lightweavers or Skybreakers, themed toward the individual. In this case, the theme is progress—becoming better with each oath, seeking to explore their true potential and reach it. Because of this, the Order is open to many different types, so long as they want to improve themselves.

Thoughtful, careful, and cautious, the Elsecallers are generally regarded as the wisest of the Radiants. They seek self-improvement and personal betterment in their lives, but aren’t limited to one specific theme or set of Ideals. This makes them one of the most open and welcoming of orders, though they do tend to attract those who are less flamboyant. They have their share of scholars, and often a large number of theologians, but also attract those who are interested in leadership. They are good at encouraging others, but some are known to set their sights upon the things they want and then seize them. In the Knights Radiant, they tend to be among the best tacticians, and are logistical geniuses, aided in part by their abilities to create food and water for armies, but also their ability to move in and out of Shadesmar.

Hoiditthroughthegrapevine

If a person held enough breath to attain the 5th heightening, lived for a thousand years, and then sold all but their initial breath, would their spiritual age force them to rapidly age as we saw with Rashek, or would they resume natural aging from the point at which they ceased?

Brandon Sanderson (written)

I think they would rapidly age.

But I'm not ready to say 100%.

LewsTherinTelescope

Does "Ba-Ado-Mishram" mean "child of the light of Cultivation and Honor"?

Brandon Sanderson

RAFO, but you're doing a pretty good job picking apart the linguistics of that.

Brandon Sanderson

So, this section marked one of the biggest changes to the text during the revision process. In the Mad Prince version of the novel, the soldiers who ride up to Kiin's house were members of the Mad Prince's army. They arrested Raoden–he went willingly–and tried him for the death of their leader. This took the better part of two chapters, and ended with Raoden almost getting beheaded.

Overall, I kind of happy to lose the scene. The trial was a big distraction, and I'm not sure that I ever pulled it off narratively. There were a few interestingly tense moments, and it did let Raoden show his honor in his defense (he accepted the judgments of the army assuming they promised to make Sarene queen.) However, I sense that the scene in general was just over-written.

Gwenda Bond

Before we jump in on the third installment [of Legion], can you tell me a little about where this idea came from and how it developed into this novella series?

Brandon Sanderson

I was talking with my friend Dan Wells, who was writing a story about a schizophrenic. I started brainstorming this idea about a person whose hallucinations helped them, kind of turning it into a super power. Dan laughed and said, "That’s much more a Brandon story than a Dan story," and he was right—so eventually, I decided to write it myself.

Brandon Sanderson

Vin's Identity Acceptance

This is a very important chapter for Vin, as it finally ties up a conflict that had been tormenting her since book one. All through the first and second novels, she struggled to find a balance between her different identities. Was she a noblewoman, the wife of an emperor? Or was she a thief, trained on the streets? It might seem at first glance like this would be a simple balance to work out, but as I dealt with it in her personality through the books, it seemed a very weighty process to me.

She's come far enough that she can finally recognize why it is that she turned away from noble culture and activities. And she can also see why doing so was wrong.

Vin is half noblewoman. Her father, if you recall, was an obligator—a member of a very important noble line. (House Tekiel, if you're wondering, though upon joining the obligators he forfeited his surname.) And, while I don't think parties and ball-going are genetic attributes, she does have a heritage. Elend fell in love with her while she was attending those balls and being Valette. It's good that she finally realized that she wasn't being false; she was just showing another aspect of herself when she attended those parties.

Cassidy

What was your premise behind the main character David [in The Reckoners]? Why did you create him as he is, scared yet fearless at the same time, smart about specific things yet totally ignorant about others, etc.?

Brandon Sanderson

I built David around two pillars of personality. One is his interest in the Epics, which balances between hatred and fascination. The other one is his fierce determination, which leads him to be impulsive and bull-headed at times, but also pretty inspiring at others.

I feel that as people, sometimes our greatest strengths are also our greatest liabilities. In this respect, every human being is a conundrum in at least one or two ways. With David, his fixation on the Epics is a huge strength but he's been so narrowly focused in his interests that he neglected many other areas of study. So he's both smart and stupid. At the same time, he's impulsive and determined, which leads to acts of great bravery, but he lives in a society that beats people down so if he stops and thinks too long, he can often psych himself out.

Gagylpus (paraphrased)

How does Nightblood work on Roshar?

Brandon Sanderson (paraphrased)

Nightblood consumes any Investiture within the person, ultimately consuming their innate Investiture.

Red the Windrunner (paraphrased)

We have now seen Midnight Essence on Lumar and as part of the Unmade on Roshar, should we assume that all the other Unmade have connections to Odium’s other conquests like maybe Sja-anat and Ambition?

Brandon Sanderson (paraphrased)

Midnight Essence is more like Lightweaving in that multiple magic systems will reach the same conclusion. When something is done to the magic to corrupt it, it becomes like Midnight Essence. So while there are similarities between the two and they work the same they may not have the same point of origin.

Red the Windrunner (paraphrased)

So there is no meaningful connection between Sja-anat and Ambition?

Brandon Sanderson (paraphrased)

You weren’t going to let me off the hook. You are theorizing in a very interesting direction. RAFO!

Brandon Sanderson

Lightsong Sneaks into Mercystar's Palace

Here's the other big place where I cheated just a tad and added Lightsong's dreams of the tunnels and the moon as a reason to get him into the right place at the right time. I added this in a later draft; originally, this was one of my big personal problems with the book: the fact that Lightsong got into just the right place at just the right time. It was just too coincidental, and it always bugged me.

I wasn't paying attention to the tools I'd given myself (as I think I mentioned earlier). If I'm going to go to all this trouble to build a magic system that uses prophecy as a major component of its religion, then I might as well use a few of those prophecies as small plot points. I didn't want them to solve any major problems, but letting Lightsong dream of where he has to be brings nice closure to the entire "What's in those tunnels?" plot while at the same time playing into his quest to determine if he really is a god or not.

TheDJ47

Were you at the Shadows of Self release last night? And what was the hardest drawing to get right?

Ben McSweeney

I was not, it wasn't in the cards for me to travel this time. Hopefully I'll make it out for Stormlight 3. :)

I wasn't, and it blows 'cause Isaac sent me a very awesome photo of a Cryptic Pattern costume and I wish I could've seen it in person. Plus, I like signing and sketching in books :)

The Axehound was an early challenge to design... it's not easy to make a six-foot dog-lobster look affectionate! The antennae do a lot of the work.

The Whitespine was an interesting case because I took a design all the way to near-completion before I scrapped it entirely and started again to get the one in the book. I think I like the current one, but I know I hated the one I did the first time.

TheDJ47

The Pattern costume was pretty sweet. And your illustrations in Stormlight really helped me visualize many of the... Interesting aspects of Roshar. They are amazing.

Ben McSweeney

Thank you! That is, ideally, why we do 'em. :)

Questioner

Why, in your books, are your characters so often, per se -- before they get the powers they become broken first.

Brandon Sanderson

There is a narrative reason and there's an in-world reason. The narrative reason is characters in pain are more interesting to write about. This is just a rule of thumb for writing. Find the person who's in the most trouble, things are going the worst for and that's gonna be generally your easiest character. In the stories, the actual cosmere, the mechanics of the magic finds, this is one way to describe it -- it's not the only way -- may not even be one hundred percent accurate but it's an easy metaphor -- cracks in the soul allow the magic to seep in and that's how you end up with a lot of the different magic systems.

Dan Wells

Can you talk about the person you were pitching with, or is that secret? 

Brandon Sanderson

Yeah, I can. It was Joe Michael Straczynski. So Joe attached to it. Super cool guy.

Dan Wells

He is the guy that did Babylon 5, among other things.

Brandon Sanderson

Yeah, he attached to it and he and I went and pitched it together, and it got picked up. But then Joe really got excited by certain aspects of the story, not really by my outline. He really loved the idea of this—he had an idea, he wanted to do something that was very close to Castle, where there is an author in the real world writing books. We would write these fantasy novels and the show would be the fantasy novels. The author was like a character who was channeling and releasing them. Some of this was from the original pitch, but it was a video game in the pitch.

He was really into this and so much of it changed that I called him up and I was like, "Joe this is nothing like my pitch". And he was like, "yeah I know, I got really really excited". I was like "ughh" and he was like "ughh" and I'm like "what if we just separated them" and he said "that's a great idea". So we just hand shook on, he can take his pitch and sell it, he just took Dark One off it 'cause it was changed so much, and mine just went back into the thing. I don't know if he ever got his made. He was very easy to work with, I'll say that. Very very classy in when I called him and said "this is nothing like my pitch", he was like "yeah I know, I'm sorry, I got really excited".

Dan Wells

Well and that’s what happens, that’s what happens in Hollywood. It is such a collaborative industry and a collaborative medium that, you know, whoever has the money and/or authority is the one that is most likely to see their vision made. Which is rarely the author!

Brandon Sanderson

It got picked up. They commissioned a pilot from him on that thing. Basically, I said "go do your thing, if this takes off come back to me and I can maybe write the fantasy novels in the real world". I'm totally cool with your concept here, we will just take Dark One's name off of it. Obviously it didn't get picked up, because the show never got made—

Dan Wells

Yeah, because we have never seen it.

Brandon Sanderson

—and he never came back. Anyway, that was Dark One, was my television pitch. It was multimedia in that I planned a couple of epic fantasy novels to tie in, but that was kind of like the television show was the thing.

Erik02847

If a listener were to Awaken something, would they imitate the listener or a human?

Brandon Sanderson

They would imitate the listener.

Erik02847

And would that change based off of their form?

Brandon Sanderson

It could slightly change based off their form. More likely it's just gonna about their culture and the way the person sees the world, but the way that the listener sees the world is changed based on their form, so yeah, it'll have an effect.

Brandon Sanderson

One thought—you might want to go through the book after each section ending and read ONLY the italicized epigrams at the beginnings of chapters. They tell a story in and of themselves. I will, for those of you who are epigram-challenged, dump some of the more important sections into the narrative later. However, there are some subtle things you'll miss if you don't read through all of the introductions.

The concept of these epigrams—telling a story within a story—was another of the big things that made me want to write the book. There really is a third viewpoint happening in this book—a first person viewpoint that comes in each chapter, if only very briefly. Who is writing them? Where do they come from? You'll find out soon. (Like, in just a couple of chapters.)

Macen

Is her [Shallan's] father affected by Odium?

Brandon Sanderson

Yes.

Questioner

So, the fan page wanted to know. Would it be possible for Hemalurgy to steal a living Shardblade? That was the top voted question.

Brandon Sanderson

Ok, so you're bonded to a Shardblade. You get spiked, then they spike off the bond so that the Shardblade is bonded to someone else.

Questioner

I assume so...

Brandon Sanderson

But can they do it with a living Shardblade? You can definitely do it with a dead Shardblade because its just stealing the Connection. With a living Shardblade, yes you could do that 'though the spren could break the bond at will.

Questioner

So the spren would survive? That was the second-- the corollary--

Brandon Sanderson

Ehhh. Would the spren survive? The spren would survive as long as the oaths were--

Questioner

Intact?

Brandon Sanderson

--the person didn't break the oaths. But you could theoretically steal the bond, break the oaths, and kill the spren. If you wanted to. Its a very convoluted to kill a spren, they are easier to kill than that, but yes. You could do that. That is a viable but twisted route that you can do. You would end up with a dead spren and a Shardblade, so there is that. But there are easier ways to accomplish that...

Questioner

Adolin and his sword that wants to kind of wake up a little bit. Most of the Knights Radiant have some sort of break in their mind, mental <a little> problem. Where Adolin appears to be the person in Stormlight that's most comfortable with himself. Is that going to cause a problem, or is maybe the fact that he, at least in his mind, murdered Sadeas, going to help bring that to fruition or give us a way towards something like that?

Brandon Sanderson

Let's, first off, say I'm not going to repeat this one because it's super spoilery. So let's try to talk around the spoilers.

In the Stormlight Archive, there is a tradition among the Knights Radiant that certain traumas and/or psychological handicaps are effective in drawing the attention of a spren. I haven't actually said if that is true or if that's [just] a tradition of theirs. But there is a tradition among the Knights Radiant. that they have noticed something consistent.

Does it mean that you have to in order to be a Knight Radiant? Well, there is somebody that I would call extremely psychologically well-adjusted, that by the end of the third book is well on the way to Knighthood.

There is something going on there, they are noticing something true. But it might not be as exclusionary as they think it is.

Oversleep

What does count for Hemalurgic control? The total Hemalurgic charge or number of the spikes? If we let four spikes decay for a few years and then pierce a human with it, would that person be controllable? Does that work the same for all Hemalurgic constructs?

Brandon Sanderson

Good question to be asking, as there are spikes that come in sets that only count as a single one... I'd say you're getting close, but not quite there.

Rayborne

From what we know, the Ghostbloods want a way to move investiture offworld. Could Thaidakar/Kelsier's reason for doing that be so that he can find a way to go offworld, given that he's Connected to Scadrial in (I assume) the same way investiture is Connected to a planet? Put in a more generalized way, is a cognitive shadow just investiture with a person's mind imprint, and if so would it be possible to move it (and the shadow themselves) offworld assuming the Ghostbloods find a way to do it?

Brandon Sanderson

Wow! Great question. RAFO!

Questioner

Ostensibly, all of the magic that we’ve seen in the cosmere ultimately originated from Adonalsium. Ostensibly.

Brandon Sanderson

Ostensibly.

Questioner

Does Adonalsium have a counterpart with equal or comparable power? And if so, have we seen that counterpart’s influence in the cosmere?

Brandon Sanderson

This is a matter of personal philosophy. The aethers are said (by themselves) to co-date Adonalsium and to not be derived from Adonalsium’s power. So there is at least one that is theorized to be that way, but it’s going to depend on who you trust and who you talk to.

Brandon Sanderson

The scene where Sazed walks along inside the Conventical and talks to himself, speaking into the coppermind, is what really appeals to me about this chapter. It isn't often that, as a writer, I get to do something like this–switch up the narrative style, let myself do a monologue in first person present tense. The tense shift is, I think, what lets these scenes be so creepy. You get to feel, I hope, like you’re with Sazed, walking along in the near dark, listening to a quiet voice-over that doesn't dispel the gloom, but just echoes back to you even more creepily.

This was one of my editor's favorite scenes in the book as well. The part where Sazed describes where Inquisitors are made, and where he walks the corridors, with minimal narrative interjections by me gave this chapter a tone unlike anything else I’ve ever written.

Questioner

You said earlier that Rhythm of War includes a key sequence that you have envisioned for years. How does it feel to have captured the sequence? And are you personally happy with the result?

Brandon Sanderson

Feels great to finally write that sequence. And now that the beta reads are in, I can say the sequence works. Really, really pleased. Really happy that it came together. There were other things that needed to change, but that one worked. There almost have been no edits or revisions to that whole sequence through all the drafts. I've been planning it for so long. It's one of those things that I wrote, and it was as I imagined it, and it came together. And you will be able to read it in Part Five of Rhythm of War.

rags

If I used a Hemalurgic spike charged with Allomantic powers on a person on say Nalthis, will the focus of Allomancy change because the power is being used on another planet?

Brandon Sanderson

RAFO.

Augustine Soto

When one of your books gets a live-action adaptation, will you make a cameo? If so, which character would you like to be?

Brandon Sanderson

My goal is to cameo in all of my adaptations as a person who dies in a different way in each movie. Or something terrible happens to them. I love this idea because I kill characters in the books, so this is, like, revenge of a sort. Basically, I get to be the Kenny for all the Cosmere films. You'll have to be watching out and see. When you see Brandon, and then a wall will fall on me. Or a koloss will throw me to be feasted upon by the others. Or I'll get tossed off a wall. Or anything like that, that's what we want to do.

Peter Jackson did that to himself, right? In Return of the King. He gets shot with an arrow.

I want you to be able to spot me. And then watch me die.

awendles

I'm personally really turned off by the theme. If I'm playing a Mistborn game, I want to play as a misting and pull of some sort of heist using characters with variable powers or something. I think the last time this game was mentioned in this sub somebody said that they wanted to see an area control game based off of the plateau runs in The Stormlight Archives, and I would absolutely be all over that.

Peter Ahlstrom

There are companies that are proposing plateau run games to Brandon. It could be years before anything comes of that though. I do think of this as a no-brainer concept—of course someone should be able to make a fun game out of that!