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Salt Lake City signing 2012 ()
#1501 Copy

Questioner

We’ve been arguing about how to pronounce the character, either it’s “Say-zed” or “Sayzd”?

Brandon Sanderson

Right, that’s one of the most contentious name decisions that I’ve chosen. Before I tell you the answer, I will preface it by saying I don’t say the names right, in a lot of times. For instance I say “E-lawn-tris” like everyone else, but in world they say “Elayn-tris” because of the system of language that’s been built. I say “Kel-seer” and they say “Kel-see-ay,” in-world. And so I’m American and I use my pronunciations I say “Say-zed”.

However, that may not be the way they actually say it. And beyond that, every reader of a book has the ability to rewrite the book as they wish. A book doesn’t exist until you’ve read it. I write a script, I write- I get you hopefully seventy five percent of the way there but the last twenty-five percent is you, it’s participatory. And as you write, you create the images of them in your own imagination and that becomes the right interpretation for you. And you have line [inaudible] veto.

When I read Anne McCaffrey’s books the dragons are these unpronounceable things in my head that I could never actually because it’s just something a dragon can say. And it has very little relationship to the letters that are there on the page. I have a friend, who when he reads the Wheel of Time- the first time when Thom Merrilin shows up in the books, on screen, it says he has these big drooping moustaches. My friend said, “No he doesn’t.” And he cannot imagine Thom Merrilin with a moustache. To me, the moustache is an integral part of who Thom Merrilin is. It’s like him, he’s the moustached guy! Well, theres a couple other moustached guys but Thom’s the first moustached guy in the Wheel of Time! And so, you have the right to say it however you want.

Firefight San Francisco signing ()
#1502 Copy

Questioner

So it's one thing to write a book, how do you pitch a book then? What was the hardest pitch?

Brandon Sanderson

Oh pitches are hard. How do you pitch books, is what she's asking. So hard. You know what taught me to pitch books was standing in book stores. In my early days I would ask them, like I would do a signing at a Barnes and Noble and no one would come of course, because no one had ever heard of me. So it was really me standing behind a cart by the door, trying to shill my book to everyone who walked in the doors. Very used car salesman. "So, you like fantasy novels? You know anyone that likes fantasy novels? Have you heard of The Hobbit?" And so what I had to do it I had to come up with a two sentence way to tell people what my book was. And so if you have a book I would practice on just people-- you know, your acquaintances and say "Can i tell you about my book I just so I can practice", see if you can get it down to two or three sentences. And once you start doing that you'll get a feel for what things you can talk about in your book that made people say "Oh, that's cool" and what made their eyes glaze over. Usually stay away from a lot of names and background stuff, and point toward one great concept in your book, whether it's a character concept or what. When I pitched Mistborn I'm like "what if the hero who'd been prophesied to save the world failed?". Like what if Frodo had gotten to the end of Lord of the Rings and Sauron had said "thanks for bringing my ring back, I've been looking for that", and killed him and took over the world? You know, "what if", and that was how I started that one. 

Questioner

And was that how you pitched it to your publisher?

Brandon Sanderson

When I pitched the publishers I was not nearly as good at it as I am now and I just relied on my writing sample to get me through. My pitches were terrible, so don't-- It's very hard to learn but the only way to do it is to practice with people. That's good, that's going to take you further than anything.

17th Shard Interview ()
#1504 Copy

Questioner

You said it was because of your work on The Wheel of Time that you were able to do this story justice. What did you mean?

Brandon Sanderson

Wheel of Time forced me to stretch as an author and it forced me to learn to juggle multiple viewpoints. I hadn't had a lot of practice writing sequels or planning sequels, and then I had to write the twelfth book in a fourteen book series. This taught me a lot about working with sequels. Also, seeing what Robert Jordan did for foreshadowing really taught me a lot about how to foreshadow across a big long epic. But I would say mostly it's just juggling the viewpoints, learning how to make sure all the characters are making appearances and we're enjoying them all and everything is balanced all without losing track.

General Reddit 2016 ()
#1505 Copy

Phantine

Did you pre-write the Kelsier stuff for Secret History, or did you just outline the events ahead of time?

Brandon Sanderson

Kelsier was notes, though detailed ones. They might mostly worked out. I believe there was one "thought" a character has in HERO that I had written to be influenced by Kelsier, but turned out to be logistically impossible. I worked on Secret History itself on and off for years before finishing it last fall.

Phantine

Was that thought the one Sazed has in his fight with Marsh?

Those weren't coins, a voice seemed to whisper.

The bag Marsh shot at you. Those weren't coins.

Brandon Sanderson

Yup, that's it.

Moving the well, playing with where Kelsier was, and the physics of moving through perpendicularities between Realms all kind of combined to make what I had planned originally there not work. I tried fudging things so Kelsier could be there, and felt it was dishonest to the rules. So I didn't let him stray far enough from the Well to talk to Sazed there. Peter had thought for years that was Kelsier, I recall, and was sad we couldn't connect them.

Herowannabe

I don't suppose you'd be willing to share with us who the new, canonical voice in Sazed's head is?

Brandon Sanderson

I'm afraid I probably won't ever go into this. At some point, you risk twisting and turning too much. I have a canon answer in my head, but for readers, it will probably need to remain ambiguous--with "it was simply him coming up with it on his own" being a valid option.

Mistborn: The Final Empire Annotations ()
#1508 Copy

Brandon Sanderson

Originally, the nobleman Kelsier met with was Lord Hasting. This was the only place he appeared in the book. I decided in a rewrite to introduce Elend's father here instead, since he's a character we’ll see much more from.

I also strengthened Straff in this scene. Before, he came off too weak as he bought the lies Kelsier told him. (Which, by the way, I've weakened. I realized that spreading too many falsehoods would be dangerous, and not really effective. Kelsier needs to whisper half-truths, rather than outright lies.)

Legion Release Party ()
#1511 Copy

Questioner

Is there a question that's asked most often?

Brandon Sanderson

Yeah, "When's the sequel to X" is number one. Followed by what you would think are the standards. "Who's your favorite character," "What's your favorite book." Those style questions take up easily the top 20. Not at a signing like this at BYU full of Sharders, but at Comic Con, every second question is probably "When is this coming out, are you working on a sequel to this."

DragonCon 2019 ()
#1512 Copy

Questioner

If I had any questions at all, I would say: ramp? Stormlight Archive, as it's going forward, like super power creep issues. The characters get so powerful so quickly, and it's gonna be a 10 (hopefully) book series.

Brandon Sanderson

Remember, it's two sets of five. And we will be... how about this. We're just gonna RAFO you now, because I'm being recorded. I'm not gonna give you any hints about the future. Just... I've got it in hand.

I was able to write three books about Rand al'Thor at the height of his power, so I'm pretty convinced I'll be okay.

Elantris Annotations ()
#1513 Copy

Brandon Sanderson

Chapter Sixty-Three

Wedding

Well, Sarene finally gets her wedding. I hope the women don't kill me for showing it from Raoden's bored viewpoint rather than Sarene's excited one. However, there were a lot of things I needed to go over in a relatively short period of time here.

When I was younger, I always got mad at authors for having denouements that were too short. Perhaps I'd be angry at myself, if I were to read the book. (I've always wondered what Brandon the teenage reader would have to say about my current works.) Regardless, I've since become a fan of terse endings. I try to wrap things up thematically while still pointing out all the different ways the plot could go, if more were to happen.

Stories never really end. Any author will tell you this–we've always got more to say. That doesn't mean that there will certainly be a sequel to this book. (See below) It just means that the characters live on in my mind, and that I want to give a sense that the world continues.

Starsight Release Party ()
#1514 Copy

Questioner

Was the Blackthorn... Is that a reference to Tad Williams' character Camaris and the sword Thorn that's black?

Brandon Sanderson

Not intentionally but I've read those books.

Questioner

Do you see the connection?

Brandon Sanderson

I totally see the connection. I mean I've read Memory, Sorrow, and Thorn, so totally could be there in the back of my head.

TWG Posts ()
#1516 Copy

Natalie Perkins

Will we ever find out what EXACTLY gold is? That's been bugging me as well... it doesn't seem complete.

Brandon Sanderson

I leave gold intentionally vague, I'm afraid, even by the end of book three.  I do this in novels, particularly when I feel that I might do more books in a world later on.  The events of books two and three don't lend me to spending much time on gold or malatium, so I figure I'll save really digging into them when I can have a character more focused on them.  (I'd someday, for instance, like to do a Malatium or gold Misting and see if I can do anything interesting with them.) 

Mistborn: The Final Empire Annotations ()
#1517 Copy

Brandon Sanderson

After that, the scene with Ham and Vin discussing pewter is nice, but not one of my favorite of the Allomantic explanation scenes. The thing is, I had to stretch to find things that Ham could tell Vin about this one. She's really good with the physical metals–she uses them instinctively, and may even understand them better than Ham does.

I do like how Ham comes across in this scene. His personality, as the one who doesn't fake or play games in the crew, makes him really work for me as a character.

Then, of course, everything goes wrong. It always does, doesn't it?

The AudioBookaneers interview ()
#1518 Copy

Samuel Montgomery-Blinn

Michael Kramer is, other than Elantris (Jack Garrett), Warbreaker (James Yaegashi), and the Alcatraz series (Ramon de Ocampo), "the voice of Brandon Sanderson" when it comes to audiobooks, handling narration on The Wheel of Time, the Mistborn trilogy, The Way of Kings, and now The Alloy of Law. What makes him such a well-suited narrator for your books?

Brandon Sanderson

I feel there's a fine line to walk between performing too much and not enough. When I like to listen to an audiobook, I don't want to hear just a dry read. I like a subtle shift in character voice and tone when someone is speaking, so that you can get a sense of it. But I don't like it performed so much—particularly for my own works—that it takes you out of the story. Having listened to the Wheel of Time audiobooks, as that is one of the main series I've listened to in my life, I really wanted Michael Kramer for some of my works. So I asked for him by name.

Elantris Annotations ()
#1519 Copy

Brandon Sanderson

I like how Raoden and Sarene's relationship is progressing in these chapters. I realize that it's probably moving just a bit too quickly to be natural, but remember that they don't really have much to do all day besides spend time with each other.

All in all, I like that their relationship has an opportunity to really develop and progress naturally. They don't fall in love because they fight all the time (which seems to be the only reason some fantasy characters hook up) or because they're possessed by hormones. Their personalities really do compliment one another, and they get along. They both like politics and keeping secrets for the game of it, and they are both sincere, intelligent people.

In other words, they don't just hook up because–as my friend Alan likes to say–"One of them is the male lead, and the other's the female lead." I'd like to think that there is more to it than that.

Salt Lake City Comic-Con 2014 ()
#1520 Copy

Questioner

Who is Wit?

Brandon Sanderson

He is a character who has been in all of the books so far and is somehow getting between all of the different planets these are taking place on and is somehow surviving the fact that these books are hundreds of years apart.

Questioner

I have a good idea that he's a Mistborn.

Brandon Sanderson

Well he did steal a bead of lerasium.

Questioner

And he has extra Breath because he said it was easier with perfect pitch.

Brandon Sanderson

He did indeed say that didn't he... I will eventually write a book series that is about him, but it is a ways off.

Fantasy Faction Q&A ()
#1521 Copy

Overlord

 I remember you saying originally that a lot of your work you wrote from your heart and based upon your own interests. I believe you struggled to get much attention from this early work and I believe you said Mistborn you wrote for the market as opposed to for yourself. Now that you are self-publishing certain titles, do you think we will be seeing more 'unique' and 'out-there' projects? I.e. Fantasy that is quite unlike things we have seen before?

Brandon Sanderson

You've got the story mostly right, though it was the original draft of Mistborn (that did not get published) which was a 'For the market' book. It was awful. The Way of Kings was the book I wrote after that, giving no care to the world, writing only from my heart--and so you can say I've already started doing that. I would like to point out, though, that the second version of Mistborn (the one that got published, in which I tossed aside everything but the magic system and some original character concept) as in my mind a 'return to form' of the books like Elantris that I'd been writing and feeling were not getting attention.

General Reddit 2016 ()
#1522 Copy

trevorade

I read Perfect State when it came out. Reading your annotations and the deleted scene has jogged my memory. Honestly, I never made the connection that Sophie was Melhi for all intents and purposes. I believed Melhi's facade and thought he was simply a crazed do-no-gooder (I totally forgot that the Wode mentioned Melhi's gender).

Reading the deleted scene makes things alot clearer though. I was chatting with a friend about the deleted scene and we agreed that we're glad it was omitted. It smelled too much of the Matrix and, worse, it cheapened Kai's betrayal. That is, "Sophie" didn't really die. The person that Kai found attractive due to her outlook and personality was in fact not a creation on Melhi's part to simply hurt Kai but was Melhi being her honest self (I imagine it's much easier to just be yourself then construct a person as realistic as Sophie). Melhi being Sophie undoes the reversal of Sophie being a robot. Shadows of Self spoiler: It'd be like if at the end, after the Lessie/Paalm reveal, we find out it's really a different Kandra after all.

Regardless, the deleted scene interests me and leaves me wanting a sequel.

Edit: More thoughts. I appreciate understanding Melhi's motivation for how and why she does what she does. I don't think I picked up on that. Again, I took Melhi at face-value. I would say that Melhi is pretty selfish though. She feels she knows best for everyone else. That it's better for others to feel the same way about being a brain in a jar as she does. This is obviously an opinion though as any revolutionary can be viewed as a traitor.

Brandon Sanderson

I think your analysis is spot on, both about what the scene does to the story, and Melhi's character. I would call her selfish, but in an approaching self-aware way.

Either way, I'm glad to have this out there, but--though I go back and forth on it--I'm mostly glad that I left it out of the official release of the story.

Skyward Pre-Release AMA ()
#1523 Copy

LoneWarmonger

Can you write me something about Dalinar, who's my favorite character, that'll make me happy?:)

Seriously, I'm very sensitive and Dalinar has to deal with some rough stuff in this book. My heart aches for him constantly, and I need a few words for comfort.:)

Brandon Sanderson

Dalinar has indeed dealt with some rough stuff, but most of that comes from the fact that he is willing to turn and face it down--which is sometimes, the only way to deal with it long-term. So while you can let your heart ache for him, also let it be the ache of someone who was willing to pull the thorn from their foot instead of continuing to walk upon it.

And if you want something that might make you happy, in the original version of the book I forced Dalinar to have to kill Elhokar. I backed off from this when I rewrote the book for publication, realizing (I think rightfully) that I didn't need to push him into that, and the story worked better if he could help Elhokar instead of destroy him.

Shadows of Self Portland signing ()
#1524 Copy

Questioner

What made you decide to split Stormlight into two arcs?

Brandon Sanderson

A bunch of things. I'd say the primary one is that when I tried to write the Way of Kings in 2002, the first version of it, the book failed. I finished the whole book, but it failed and the primary reason for that was because I had too many viewpoints doing too man things in too many places and the reader wasn't able to follow it and it didn't give a satisfying arc to anybody because there was like a little piece of a story instead of a complete story, so I spent many years trying to figure out why it wasn't working and one of the things i came up with that i should take some of the characters and tell their stories and then take some of the others and tell their stories later.

That natural division became very obvious to me when I was re-outlining the series using this idea. That I could do a Dalinar, Kaladin, Shallan type thing and then save the Herald's viewpoints for the second half, does that makes sense. So that will... it should feel very natural. It should be some changes that indicate separate series but same... anyways, I'm please with how the outline looks.

Skyward Houston signing ()
#1525 Copy

Questioner

When writing, do you ever encounter a problem where you're building a world or writing a book is very similar to other things going on in popular culture, something like that? How do you build your world to be different from those, so it doesn't feel similar?

Brandon Sanderson

Artists and writers are more afraid, in my experience, of being thought derivative than they generally should be. A lot of times what you'll see is, people who have a similar sort of background and are reading the same sort of things will start to create things that are similar. There's a reason Brent Weeks and I both released color-based magic system books within a year of each other. And it's not because we were talking; we didn't even know each other then. But we both grew up reading the same sort of things and were exploring magic in the same ways.

I don't think you need to stress this nearly as much as you do. At least as much as you probably do. My experience has been that the only thing that's really gonna be original about your story is you. And you are going to add things to this story. Look at the number of people who have told Beauty and the Beast in different ways. Or Cinderella. We had a Cinderella book become one of the biggest books of the year just a few years back, in Cinder. You are going to be able to add things. If you have early readers say, "This feels derivative." You can always change that, or you can always write something else. Don't stress it. Write the book you want to write, and train yourself to be a writer, and it really isn't gonna be as big a problem as you might think it is. It wouldn't matter, for instance, if you released a book the same year as Mistborn that had a metal-based magic system. Like, X-Men has a character with a metal-based magic, and it was the biggest movie of the year a couple a years before Mistborn came out, and people don't read Mistborn and be like, "Wow, that's just Magneto, only lamer." *laughter* Thankfully, they don't say that. So, don't worry about this as much as you might.

The Way of Kings Annotations ()
#1526 Copy

Brandon Sanderson

Prelude

In classic Sanderson fashion, the beginning of this book was the part to see the biggest edits. I usually start a novel, write from beginning to end, then go back and play heavily with my beginning to better match the tone of the book.

Here, one of my big decisions was to choose between two prologues I had written out. One was with the Heralds, and set the stage for a much larger story—I liked the epic feel it gave, and the melancholy tone it set. The other was Szeth's attack on Kholinar. This was a great action sequence that set up some of the plots for the novel in a very good way, but had a steep learning curve.

I was very tempted to use both, which was what I eventually did. This wasn't an easy decision, however, as this book was already going to start with a very steep learning curve. Prelude→prologue→Cenn→Kaladin→Shallan would mean five thick chapters at the start of the book without any repeating settings or viewpoint characters.

This can sink a novel quickly. As it stands, this is the most difficult thing about The Way of Kingsas a novel. Many readers will feel at sea for a great deal of Part One because of the challenging worldbuilding, the narrative structure, and the fact that Kaladin's life just plain sucks.

It seems that my instincts were right. People who don't like the book often are losing interest in the middle of Part One. When I decided to use the prelude and the prologue together, I figured I was all in on the plan of a thick epic fantasy with a challenging learning curve. That decision doesn't seem to have destroyed my writing career yet.

Firefight Houston signing ()
#1527 Copy

Questioner

Can we expect a book regarding the backstory of Tonk Fah and Denth and all the characters of Warbreaker?

Brandon Sanderson

Um, yes, you can expect the sequel to Warbreaker, which will happen, but it's a ways off, to delve a little bit more into at least Denth's backstory. But I can't promise when I'll write that, or an Elantris sequel, sorry guys. The next book I'll write, after Calamity, will be... the next Stormlight book.

Elantris Annotations ()
#1528 Copy

Brandon Sanderson

Chapter Fifty-Three - Part Three

There has been some confusion about Raoden's line "After I left" to Sarene right before they go back into the kitchen. Right here, he's getting ready to tell her that he's really Raoden. He is implying that, after he left Kae (and was thrown into Elantris) he didn't think his group of noblemen would keep meeting. It was supposed to be a subtle hint–Sarene would catch something too obvious, and I didn't want to weaken the drama of Raoden's appearance.

This is a very noble, and a very sorrowful, scene. A lot of emotions fly around in this chapter. Again, if I have done my job and made you sympathetic to the characters and their stories, then these emotions will come off as powerful drama. If I've failed, then all you'll get from this scene is melodrama. I hope it worked for you. I wanted Raoden's final revelation–and return to Kae–to be a dramatic and powerful event.

Originally, this scene happened with the Mad Prince, whom I'd built up as being deathly afraid of spirits and ghosts. When Raoden appears, Eton thought he was a ghost, and ran away. (Ha ha. Another pun off the original title of the book. I felt so clever–then cut it all out.) Anyway, on consideration–and in rewriting these scenes to use Telrii instead–I realized that Telrii's soldiers would never strike down Raoden. His nature as the true king of Arelon would be enough to send them all fleeing in surprise and worry.

Firefight release party ()
#1529 Copy

Questioner

What is your favorite book besides the ones that you wrote?

Brandon Sanderson

What is my favorite book besides the ones that I wrote. That is an excellent question. I would say my favorite classic... is Les Miserables. It is fantastic. I love how Victor Hugo writes character. My favorite fantasy novel is a book called Dragonsbane by Barbara Hambly, because it is the book that I read when I was a teenager that made me fall in love with books and become a writer.

Isaac Stewart r/Stormlight_Archive AMA ()
#1533 Copy

CentralIncisor

How do such big dissimilarities in covers compared to things in novels happen? For example in Way of Kings, Dalinar has a red cloak when his colors are blue and Wayne is carrying a shotgun on the cover of the Mistborn book even though a huge part of his character is that he refuses to use guns. I love the artwork btw. Keep up the good work!

Isaac Stewart

We try to catch these things, but for The Way of Kings, if the sky is going to be a blue storm, then a blue cloak isn't going to stand out on it, so a red cloak makes way more sense and looks better. Even if the detail is off, it still gets across the epicness of the books. Book covers are supposed to give the feel of the books, not necessarily get every little detail correct. We try. And things like Wayne's gun slips through now and then. But even then, the cover to Alloy is a pretty good representation of what you get in the book.

Warbreaker Annotations ()
#1534 Copy

Brandon Sanderson

Chapter One - Part Two

Ramblemen

Ramblemen are more than simple traveling jugglers or storytellers. They're merchants who specialize in bringing news (for a price) and stories as well as goods and services.

Readers latched onto this word, and I've had a lot of people say, "I love that term! Why don't we get to see a rambleman in the book?"

Because some things in books are just there to hint at the greater world. Sometimes a keen, cool word like that can evoke so much more when used in passing than it would if developed into a side plot or attached to a character.

The Well of Ascension Annotations ()
#1536 Copy

Brandon Sanderson

The second half of this chapter, where Vin and Elend are chatting, is where the book finally starts to feel "good" to me. I'm mostly past the exposition reminding you of what happened in Book One, and I can get into more "showing" of character rather than reminding of past events.

I could have, perhaps, done something different with these reminders. I could have told you less, and let you remember on your own. Or, I could have worked the reminders in more delicately. However, the former would have left some people confused, and the later would have taken many more pages. I eventually took the easier, and time-tested, route of reminder exposition. We'll see if people like this or not, but it really did seem like the best way in this novel. (Interestingly, there's a thread about this on my forums right now.)

Miscellaneous 2011 ()
#1537 Copy

Neth

How has The Alloy of Law impacted your overall plans for events on Scadrial? Is it part of the original set of trilogies you had mapped out?

Brandon Sanderson

To worldbuild the urban fantasy trilogy coming up, I need to know everything that happened in the intervening centuries. Some stories popped up in there that I knew would happen, that would be referenced in the second trilogy. So I thought, why don't I tell some of these stories, to cement them in my mind and to keep the series going.

Neth

My understanding is that The Alloy of Law is intended to be more or less a stand-alone book. However, without giving too much away, it feels like there is a whole lot more of Wax's story to be told. When's the sequel coming?

Brandon Sanderson

I will most likely write a sequel. However, what you've got to remember is that I will be writing that future trilogy, the urban fantasy trilogy. The events in this book are of relation to what's happening in the future, so you will find out eventually the answers to the questions this book gives you, even if a sequel to this book never comes. But I more than likely will write more of these books over the next few years. The Stormlight Archive is my main focus following the Wheel of Time; I don't want to leave people hanging too much where that's concerned. But between books I will probably write more about these characters.

Elantris Annotations ()
#1538 Copy

Brandon Sanderson

Okay, so I'm a prude. I'll admit that. I like my characters to be married before they have sex. Besides, Sarene is right–she deserves a wedding. She's waited since chapter two to have her big, princess's wedding. She deserves something official. So, Raoden and Sarene spend this night apart. Besides assuaging my moral sense of decency, it works much better for the plot to have them apart.

Notice that Raoden awakes here, much in the same way that he did in chapter one. I kind of wanted this chapter to call back to that one. Both chapters open with a slight sense of peace, followed by awful discovery. Both end with Raoden being cast into hell.

The Well of Ascension Annotations ()
#1539 Copy

Brandon Sanderson

Forty-One

Sazed and Tindwyl discuss Alendi and the Lord Ruler

I added this run-down of who everyone is in the past just to help you keep them all straight. There aren't really that many people involved, but since we only hear of them via logbooks and notes, I think they might be hard to keep straight.

I like the depth of history this story-within-a-story gives us. I realize that some of you may not find it interesting, but–well–there are parts of every book that every one of us don't find as interesting. On the other hand, I know that a lot of you DO like these parts, since you email me frequently and ask if I'll do a Mistborn prequel dealing with Alendi and Rashek.

These sections are here for those of you who want to REALLY understand what is going on in the Final Empire. The weight of history that caused the characters to end up in the situation they did. In addition, one of my main motivations in writing this series was in the idea I had for Alendi, Rashek, and Kwaan. I didn't think they deserved their own book, and to be honest, I'm not convinced that the prequel should be written. (Despite your requests.) The story works better as an accent to this main story, I think. If I ever were to do a prequel (and generally I'm not fond of them) I would rather tell Kelsier's story training with his master Gemmel and finding the Eleventh Metal.

Goodreads: Ask the Author Q&A ()
#1540 Copy

Kritika

I'm blown away by all the different types of people you portray in The Stormlight Archive (different cultures, social classes, genders, varying levels of...morality). What kinds of things help you create such diverse casts of characters? I'm imagining that you have a secret encyclopedia somewhere that helps you keep all your cultures and customs straight!

Brandon Sanderson

I do, actually, have a secret encyclopedia. It's a wiki on my computer, filled with information. That helps me keep things straight. However, specific inspirations are often in the people I meet. I do spend a fair amount of time looking through the internet for blogs/forums populated by people who think very differently from myself. This helps me create realistic portrayals.

White Sand vol.1 release party ()
#1541 Copy

Questioner

So knowing that you're not likely going to get a chance to choose your own casting in Stormlight Archive, if you did who would you choose for Dalinar and Kaladin?

Brandon Sanderson

Oh boy, choosing Dalinar and Kaladin? I have no idea. The big problem with casting Dalinar and Kaladin is neither are Caucasian, and so... Like, casting the Alethi is going to be a really big challenge for the filmmaker. Do they just be like, "Alright, we're making everybody white because we don't know what else to do." Or are they going to because-- are they going to find a bunch of half-Asian, half-Middle Eastern actors? Because that's what the Alethi would look like to us, right? And so, how do you find an entire culture of people who have those specific-- I have no idea. Maybe they'll just go with Hispanic actors for them or something like that, I don't know. I have no idea. It would depend on what they decide to do for the ethnicities. 

So something like Mistborn is easier, where a lot of characters are Caucasian, or at least have a defined ethnicity. But even the Terris, you're like, "Terris aren't Caucasian, but they're not really Asian, they're not really black. They're their own race from Scadrial. How do you cast Sazed?" And so there's been a lot of talk about that with the guy-- the people with the Mistborn rights. They're like-- They're kind of leaning toward Asian--in casting someone Asian as him. But did that-- how does that work? Because you can't always tell someone who's-- whether or not they're Terris by the look of them, and things like that. It gets really weird when you're trying to cast fantasy races and ethnicities. So we'll see.

Questioner

I just wondered if you had someone in mind?

Brandon Sanderson

I do not have anyone in mind. The only-- I occasionally have ideas for Mistborn. You know, like for a while I wanted Michael Fassbender for Kelsier, but he just did Assassin's Creed, which is too similar. So we probably can't do him. For years I wanted Ellen Page as Vin, but she's aged out of the role now. I try not to think about who we would go get until we actually are casting, right? So anyone you name, tomorrow they could do a movie that's too similar and then that's not-- they can't do the role really anymore because they're headlining something that's a direct-- yeah, anyway. 

The Well of Ascension Annotations ()
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Brandon Sanderson

Chapter Twenty-Five

Vin and Tindwyl go Shopping

Part of me wants to get the same reaction out of the reader that Vin gave in this chapter. "Shopping? They're going SHOPPING?" I realize that this scene is a gamble. This is a book about a besieged city, and in the middle of it, I include a chapter spent trying on dresses.

There are a lot of important things I wanted to show in this chunk of the book, and this really did seem like the best way. First off, I wanted to get Vin back to the market so that she could see how tense the people were. Also, I wanted to have a chance to let her interact with Tindwyl–both to show another side of Tindwyl, and to finally force Vin to start confronting some of the things she needs to work on in this book.

She's reacted too strongly against the person she was becoming in the last novel. With Kelsier, and his encouragement, gone, she's reverted. She's frightened to accept the noble half of who she is.

I also wanted to show just a bit more of Allrianne. She's going to get some more screen time in upcoming sections, and I wanted a chance to give her character a little more rounding.

Beyond all of those reasons, I also just wanted to do something different, something a little more light. I miss the ball scenes we had back in book one. There was really no way to work them into this book, and so I let them go. However, I wanted to at least give a nod to those people who enjoyed them in the last novel. This scene and the dinner with Straff are both kind of throwbacks to those chapters from the first book.

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Brandon Sanderson

Chapter Sixteen

Spook Reacts to the Citizen's Reign

This is another of my favorite chapters. (So far, that count includes this one and chapter five.) In Spook's sections, I think this is one where I managed to get the balance of language, action, imagery, and theme to work just right. Not too much exposition, the fight isn't too long, and we've got some very nice descriptive passages. This is the first chapter I imagined when I planned to write Spook's sections.

My biggest worry about the Spook chapters, however, is the plot with the Citizen. To be honest, the oppressive peasant regime isn't new—either in history or in fiction. I decided upon it after a great amount of consternation.

I worry sometimes about coming off as clichéd. It's very difficult to get that balance down between being familiar and being radically new. My goal is to have new and interesting plots, characters, and settings in books that still feel like they are epic fantasy. I'm never sure if I'm erring too much on the side of the familiar or writing things that are too inaccessible. (The names in Elantris, for instance, strayed too far into the inaccessible for some people.)

This plot feels just a tad on the overused side. However, I thought it was something very important to show in the world. Kelsier's preaching was too harsh, in my opinion—it was what was needed at the time, but now that the empire has fallen, it becomes brutal and violent. I wanted to show what would happen if a group of skaa peasants followed Kelsier's advice with exactness.

Spook discovers that the Citizen is using Allomancers. However, this is a hypocrisy perpetuated by Kelsier himself. He hated the nobility, but was one of them—at least, he was a half-blood who was raised to their culture. He acted far more like a nobleman than he did a skaa, as Vin pointed out back in book one.

Anyway, I thought about what would happen if Kelsier's vision became reality, and this is what I came up with. There is more going on here—things that relate to the overarching plot of the book—but the basic concept is just what it seems to be. I toyed with doing a form of government that was more radical and new, but I eventually decided that the historical approach of the lower class becoming as intolerant as the former ruling class was the most logical.

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Questioner

The question I was a little more interested in was not so much the interludes, but like Gaz *inaudible*?

Brandon Sanderson

So Gaz was always planned to come back. Which is why there's kind of a mystery to him in the first book, like "where did he go?" It's something Robert Jordan did that I like. I don't know if you read-- oh you did, you read-- So like when Bayle Domon shows up again; and some of the characters getting woven in, I like that. And so you will see that sort of thing happening, it's just something I'm fond of that he did.

Questioner

I'm so surprised that Gaz showed up.

Brandon Sanderson

And the other thing about Gaz is: one of the things I like to do in my fiction is show that the light through which someone is seen and perceived changes a lot of who they are. We all do that, we go to different situations and we're different people. And Gaz you saw all through Kaladin's eyes as one person and I want to show you through someone else's eyes without the initial problem they had together would see him very differently.

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Questioner

So three Vin & Elend books, and then four Wax and Wayne, and five of the next ones?

Brandon Sanderson

No, we'll probably go back to three, but they'll be big, thick ones again. So... I haven't actually named the main characters of the next one yet. I'll have to think about that, so I can tell people what it is.

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Brandon Sanderson

Chapter Thirty-Seven

Vivenna Wanders, Then Is Confronted by a Thief Who Takes Her Dress

The next few Vivenna chapters are short. I wanted to convey that she's on the streets for a time, but didn't want us to have to wallow in her problems. I've seen books do that quite well, and I don't want this novel to focus on it. (If you're interested in one that does it well, Paula Volsky's Illusion has a nice section about what it's like to be a noblewoman who is forced to live on the streets.)

Instead, these chapters are the transition chapters for Vivenna's character. The representation of her going as low as she can go, so that later she can begin to rebuild. The dress was a problem—it was way too distinctive, and it could sell for enough that she wouldn't have to live on the streets. She could buy something cheap and modest, then put herself up in an inn. So, naturally, it had to get stolen.

I didn't want to strip her all the way, though. We've been through enough of that with Siri, and I really didn't want to go there in this situation. Vivenna can be brought down to the lows she needs to reach without having to be raped by a random man in an alley. (Personally, I think that rape is overused in a lot of fiction.)

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Questioner

Do you ever find yourself, when you're in the middle of writing a book, swearing like the characters do?

Brandon Sanderson

I do occasionally, yes. That does happen. Which cracks my family up. [...] I'm writing the sequel to Legion right now, and J.C. has decided that he's not a hallucination, he's an interdimensional space ranger who only exists partially in this world, so he starts using made-up future curses and so he's saying all these weird curses ... anyway. It's a lot of fun.