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Starsight Release Party ()
#1 Copy

R'Shara

In Defending Elysium, you had a guy in a white room with the communications. Then Spensa sees the delver in a white room...

Brandon Sanderson

That is an intentional harkening of the same idea.

R'Shara

Are they closely connected?

Brandon Sanderson

I wouldn't say closely, but I would say moderately.

Idaho Falls signing ()
#2 Copy

Questioner

I read Skyward, like, two weeks ago, I finished it in two nights. It was honestly one of my favorite books I've ever read, and I can't wait to see where it goes. 

Brandon Sanderson

Thank you! Book two is done. 

Questioner

I'm excited to see what-- I need to read, uh, about the "Defense of Elysium"?

Brandon Sanderson

Yeah, yeah, Defending Elysium, it's free on my website. It'll tie-in in ways that you'll find interesting. One of my very first short stories.

Questioner

I'm super, super excited to see it. I loved the whole idea of when they're peering into the stars, it's like they're looking back with hatred. It's awesome.

State of the Sanderson 2017 ()
#4 Copy

Brandon Sanderson

Movie/Television Updates

Other Properties

Legion and Dark One are currently in negotiations. The rest of the Cosmere is covered by the DMG deal, as we want one company working on that at a time. We have a small deal for Defending Elysium that has it under option with a screenwriter, and the first draft screenplay is good. That leaves AlcatrazThe Rithmatist, and a couple of shorts (DreamerPerfect StateFirstborn) with no options right now.

YouTube Livestream 12 ()
#5 Copy

Robert

In your last Reddit update, you gave a good rundown of your future projects until Stormlight Five. Time permitting, could you talk about other side projects, like the non-Cosmere short works collection, Apocalypse Guard, Alcatraz, and The Rithmatist?

Brandon Sanderson

Alcatraz Six is done, being illustrated as we speak. We have the deal in hand from Tor to publish it. Alcatraz Six is a go. Should happen next year, I would suspect. And that is the actual ending to the Alcatraz series. Co-authored with Janci, who is amazing.

Apocalypse Guard has been kicked back to me from Dan, I think I mentioned before. I need to do a draft on it. Dan improved it wonderfully, but what he didn't fix is the ending, which is still broken, because endings aren't Dan's thing in the first place, they're kind of my thing. Which is part of why I pulled the book, is that the ending was not working. So, I need to fix the ending. Fortunately, I came up with a pretty good plan for doing it. So it's going to go on my list sometime during these next couple years, when I need a break between things I will do an Apocalypse Guard revision. It will probably only take me, I would guess, two to three weeks of work to fix it. So that's a strong plausibility that I will be fixing that book in the coming months.

Non-Cosmere collection. I have lots of stories for it; we actually commissioned all the art for it, but that's when we thought that Snapshot was going to get greenlit. It got really close to being greenlit as a movie, but then the option on that lapsed, as they didn't end up doing the greenlight last year. So now, we don't have a movie tie-in to push us to do that, which we still probably should do at some point, is get that collection out. With the couple of short stories I've written that would go in there that we're not gonna necessarily publish somewhere else. Though I did tell you guys, I am sending them out under a false name to see if I can get any magazines to pick them up. It's going to happen eventually; I don't know when. There's some new, cool talks that are happening around Snapshot, which is the most movie-friendly of the things for the non-Cosmere collection. We will see.

I know, for instance, in Spain, they want to take Defending Elysium, which is tied to the Skyward books, and do a Spanish translation of that, in conjunction with a Skyward book, so that might be happening. But I'm not sure how that's going to end up working.

This schedule for me does not include any little side novellas that I decide to write, or side short stories. It leaves some wiggle room, but not a lot, for me to do something like that. So we'll have to see. If some Secret Project pops up on the progress bars, you will know that I have felt too constrained by the schedule I have set for myself and have started writing something else. That hasn't happened in a little while, but it totally could happen. I think the last one of those was the Wizards of the Coast story, where I just had to write that.

The Book Smugglers Rithmatist Interview ()
#6 Copy

The Book Smugglers

In addition to The Rithmatist, you've also ventured in the the Science Fiction realm with your short stories ("Defending Elysium" and "Firstborn"). We recently learned that you're creating a cool, limited edition tête-bêche ("head-to-toe") bind-up format of these two novelettes, in the style of the groovy old school Ace Doubles. What made you want to create this particular type of print version of your novelettes? And, since these are science fiction, tell us a little bit about writing scifi and how that differs (or is similar to) fantasy.

Brandon Sanderson

We were looking at doing con exclusives, something I can take to conventions to make them a little more special for those who make the extra effort to come see me. Yet we didn't think it would be fair to my readers who can't make it to the cons (my readers in Sweden, for instance) if I took a story that was only available at cons. But "Firstborn" and "Defending Elysium" fit perfectly. Both stories have been out awhile, and both are free to read online. If you can't make it to the con, you can still read and enjoy these stories.

Singly, neither story was long enough to justify the price point required for us to go through all the effort to create a book. But both stories are science fiction, and both are novelettes, so doing an Ace Double-style book sounded like the way to go.

A lot of my short fiction comes out as science fiction. When I sit down to write something short, I've often wondered why a science fiction story pops out. Why do my longer works come out as epic fantasy? I've got lots of theories. They're armchair theories from Brandon the English major, not so much from Brandon the writer.

In science fiction, a lot of times the worldbuilding is easier to get across. Science fiction films have been such a part of our culture for so long, and imagining the what-ifs of the future leaves you with more groundwork to build upon, that in many ways there's more the reader immediately understands and accepts.

I've often said that great stories are about great characters first. But beyond that, science fiction stories are about ideas and fantasy stories are about the setting. I think that's why when I come up with a great idea story, I write it as science fiction. If I come up with some interesting setting element, like a great magic system, I write it as fantasy. I've found that getting across an interesting and complex magic system in a very short amount of time is extraordinarily hard, so it tends to work better for longer stories.