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General Reddit 2022 ()
#101 Copy

[deleted]

Given Brandon's answer to a block of Cheese stopping a shardblade, how does the last clap work?

Brandon Sanderson

So, I'll admit, I've been considering the cheese question since it was asked.

I'm not sure if it has to be cheese. But any object that is sufficiently thick but also sufficiently pliable that it's going to press down on the blade while it's cutting IS going to create drag on the blade.

The Blade does, by necessity of my understanding of the relevant physics, need to be able to vaporize a tiny bit of matter into Investiture while cutting, in order to create space for the Blade to continue to slide through. This is related to why it doesn't cut things with souls.

At the same time, I'm not convinced that this is relevant to the actual question being asked. I think that I have to relent that, with a sufficiently large block of cheese and a Shardbearer trying to cut lengthwise through it, the drag produced on the flat of the blade is going to tire the Shardbearer. Making cheese legitimately more difficult to cut through than stone or metal. And a big enough block of cheese might stop the slice straight up, because the weight placed on the blade will be pretty heavy.

That said, the top replies to this thread are pretty relevant, and are correctly explaining the mechanics of the situation. There is this little "shield of vaporization" around a Blade while it cuts, so a thinner Blade (like Szeth's Honorblade) might not have this drawback at all. It depends on how far back the shield of vaporization extends, and how thick the blade is.

My current instinct says that wider blades would be stopped by this, and so those of you planning to make ten-foot-thick walls of cheese to stop an invading Shardbearer can continue in your...endeavors.

Remember, kids, keep your Shardblade thin for actual combat (for multiple reasons.) Only make the big showy forms when you're trying to look intimidating. (With a nod to the fact that a thick blade does tend to be better for getting through Shardplate, giving you more mass to hit with. Choose Adolin's Blade for Shardplate Duels. Szeth/Jezrien's Honorblade for cheese.)

YouTube Spoiler Stream 3 ()
#102 Copy

SnooPeanuts464

Now that Kaladin has Radiant Shardplate, could he trap others, particularly other Surgebinders in the Plate and neutralize their powers like the end of Iron Man 3?

Brandon Sanderson

RAFO, but with a "I don't think this works the way you think it works."

Ben McSweeney AMA ()
#103 Copy

jessybaby82

I would like to know what makes Brandon's books so well-suited to visual adaptation.

Thanks!

Ben McSweeney

He describes dramatic events and characters with clarity while including creative action, which makes it easy to visualize but also stimulating to imagine. He's also gotten quite good at giving you enough information to draw conclusions, without giving you so much that you don't need to bother drawing anything... that took some time, his early books are a lot less descriptive, but even with the first Mistborn novel he had some very strong visual concepts.

In addition, he's often combining something familiar with something fantastic (literally). The familiar elements give an artist a basis upon which to map the fantastic. So we have something like Shardplate, which is plate armor (familiar) but it's made *only * of plates, no cloth or chain (fantastic), and that's where it gets interesting to design. Or we have the Chasmfiends, which were described by Brandon to me as "crayfish-dragons" (familiar/fantastic). Or we have the Inquisitors, tall scary men (familiar) with shiny steel spikes through their eyes that emerge from their skulls like horns (WTF).

Thanks to his descriptive clarity and the familiar/fantastic mix, a properly-trained illustrator has the right elements to produce content with enough basis to set a firm foundation, but enough freedom to add their own creativity to the mix.

Plus, his stuff is just fun. Fun goes a long way. :)

Barnes and Noble Book Club Q&A ()
#105 Copy

BenFoley

One common theme in magic systems across fantasy is the use of artifacts to focus, increase or do something specific with the magic. Inclusion of artifacts is something you have avoided in your magic systems (although I will say I haven't missed them). Is there a reason for this? How has your writing changed with the 'forced' introduction of artifacts (i.e. finishing the Wheel of Time)? Do you plan on using artifacts in your own works after you finish the Wheel of Time?

Brandon Sanderson

I've not done artifacts for the same reason I've not yet done a lot of things—not because I don't want to, but because I like to keep the focus in a given book or books. There wasn't room for yet another extrapolation in that direction when writing the Mistborn books, and the magic system didn't really allow for it.

However, I think there is a lot of room to explore magic artifacts. I've long been wanting to do something that refines magic and uses technology based on it, in kind of a magic-punk sort of way. Kings, for instance, does use artifacts and magical items—very specific kinds, mind you, that are built into the framework of the magic system. But they're there. One of the big elements of this world will be the existence of Shardplate (magically enhanced, powered plate armor) and Shardblades (large, summonable swords designed to cut through steel and stone.)

This isn't really because of the WoT—I wrote the original draft of this book long before I was published, let alone working on the WoT—but I have always lilked the use of artifacts in the WoT world, and it has been fun to use some of them in that setting.

Ben McSweeney AMA ()
#107 Copy

_0_-o--__-0O_--oO0__

Do you think it ruins some of the mystique to include Shallan's sketches in the novels since her skill level is not left up to the imagination? It's kind of like the recently announced Kingkiller television show that's being developed. No matter how good of a musician they get to represent Kvothe, they will never match the skill level that I imagine him having from reading the books. Do you get what I'm trying to say?

Ben McSweeney

I totally get what you're saying.

The meta-function of Shallan's pages are to help illustrate the more alien aspects of the world around her... we focus largely on the wildlife and fauna of Roshar, with the occasional diversion into something like Shardplate. The idea is to supplement the descriptions, not to supplant them. We try to avoid illustrating characters (even though Shallan often draws portraits) in order to leave them to reader's imagination as much as possible... it's the only perfect tool for interpretation.

Unfortunately, the more popular something becomes, the greater the demand rises for visual interpretations. As such, I think it's much better to have a dedicated team directly working with the author on the subject. Because the alternative is the standard, in which artists will interpret the work at the direction of a third party (usually an Editor or Art Director), without direct, unfiltered authorial input... and possibly without even reading the book itself. I may not match Shallan's skills, but I know that I'm matching what Brandon wants to see, to the best of my ability.

/r/books AMA 2015 ()
#108 Copy

VindicationKnight

I know Invested objects and people are harder to effect with magic, but does that also apply to indirect magic, like using Aon Daa to strike someone in Shardplate?

Brandon Sanderson

It all depends on how the magics are trying to interact. In the case you mention, there would be little interference.

Ben McSweeney AMA ()
#109 Copy

tritlo

What is your favourite drawing so far? What is your next project?

Ben McSweeney

I think Shardplate is my favorite page. My favorite drawing... I think I'll have to think on that.

My next Brandon project is, unless something breaks, Stormlight III. Of course, Shadows of Self just came out, and Bands of Mourning will hit the shelves early next year, so those are the next things to see print.

tritlo

Nice! Are there any other artists that inspire you in particular?

Ben McSweeney

Oh gosh, lots and far too many to list!

If I was hoping to emulate anyone in my Stormlight work, it'd be artists like Alan Lee and John Howe for Peter Jackson, or Ralph McQuarrie and Johnston for George Lucas, or Ron Cobb and Chris Foss or Syd Meade for Ridley Scott.

I think Brandon's got the legs. But we've got a long way to go. :)

Dragonsteel 2022 ()
#111 Copy

Brotherwise Games (paraphrased)

There were four of the miniatures that are candidates to get turned into painted figurines: Shardplate Kaladin, Syl, Navani, and Leshwi. Brotherwise plans to make two of those four into figurines, and they polled the crowd as to which two they wanted the most. The crowd began to chant "All Four!" 

General Reddit 2017 ()
#112 Copy

Blightsong

The whole Radiant/Light motif fits naming their Sprenblades 'Dawnshards'.

The term 'Shards' in-world have almost exclusively been in the context of Shardblades or Shardplate. I don't see why they would name a fabrial something in a way that breaks the pattern.

Y'know, if I'm right this wouldn't even really be a spoiler for Brandon to confirm. Maybe the main man u/mistborn could weigh in?

Brandon Sanderson

The nature of the Dawnshards will become (slightly) more clear as the series progresses. For now, RAFO.

Shadows of Self release party ()
#113 Copy

Questioner

In Adolin's fight in Words of Radiance, when his shardplate was being destroyed. Had he fought Sadeas right there, would he have been able to win? Or would he have--

Brandon Sanderson

Adolin thinks that he would have been able to.

Questioner

Adolin thinks he could, but would he be able to?

Brandon Sanderson

I don't know. Adolin's pretty good, but Adolin's not as good as he thinks he is.

Calamity release party ()
#114 Copy

Questioner

Could a Forger, like, reforge a Shardplate to look differently?

Brandon Sanderson

So here's the thing... Um, yes, *but*... Anything that is Invested is-- resists all of the forms of Investiture. And the level of Investiture in it determines how hard it is. Forging is one of these things that-- It's very hard to reforge things that are Invested. Not impossible though. So yes, *but*... Do you see what I'm saying? There's that-- there's a pretty significant "but" on that one.

/r/fantasy AMA 2013 ()
#115 Copy

ryanthelion

I know that you are very meticulous in developing your stories. Were the shardblades, shardplate, mistborn cloaks, or even Nightblood from Warbreaker developed in a similar fashion, or is it a more organic process to making cool weapons and armor? How do you blur the line between what makes sense, and what is just plain fun?

Brandon Sanderson

There are connections in the things you mentioned above, though I don't want to speak of specifics yet for risk of spoiling future revelations.

As for blurring the line between what makes sense and what is fun...I err on the side of the fun. However, part of my meticulous planning is about how to make the fun make sense. I feel that is part of what makes this genre interesting. I decided I wanted to do a story about the Knights Radiant, with the Plate and Blades. From there, I spent a long time thinking about what would make those kinds of weapons reasonable and important to a society.

You can do anything, but do try to focus on laying your groundwork and being consistent.

Dragonsteel Mini-Con 2021 ()
#116 Copy

Questioner

In Rhythm of War, Nightblood broke off a piece of an Honorblade. Could you technically pulverize an Honorblade to the point it wouldn't exist? If so, what would happen?

Brandon Sanderson

You could pulverize an Honorblade to the point that it wouldn't exist. You would basically need to repair it with Investiture, and if you didn't, it would happen, the same thing that happened to Shardplate. You would be making... basically it's changing form. Either you would end up with a bunch of dust made of a God Metal, which you could do stuff with, or you add Investiture and reconstitute it, or you get it to change back into its other states. Those are all possibilities.

Oathbringer San Francisco signing ()
#117 Copy

Questioner

In Way of Kings, all of the philosophers and logic masters are male, and reading and writing is described as a feminine art. It was long ago, so was there...

Brandon Sanderson

...This was a shift that happened in Roshar at a certain distinct point, where reading and writing became feminine arts. It was related to a power struggle over Shardblades and Shardplate, where certain people in charge realized, "If we can push the women towards something else, we can have all their weapons!" I know, it's not a good thing. But it happens. That's where safehands came form, and things like this, philosophies written in the past being taken kind of as dogma, and power struggles being involved, and things like this, and there was a shift happening. You'll find there's plenty of female philosophers, but they tend-- that tends to be a dividing point, and you start to see female philosophers appearing in Roshar after that divide, and you tend to see a lot more male philosophers beforehand. Good question.

Miscellaneous 2023 ()
#118 Copy

Ben McSweeney

The early designs of Shardplate helmets had some options with holes instead of slot visors. These were specifically rejected, and thus all helms (in canon art, so far) have some variation on a slot visor.

I tried getting 'em in there with Plate, but he's got reasons for the slot shape.

Calamity Chicago signing ()
#120 Copy

Questioner

[...] The [...] written on a Shard, is there a correspondence [correlation] between that and when the Blades, and the armor in Words of Radiance and The Way of Kings [...] on a Shardplate?

Brandon Sanderson

Yup, yup.  There is a direct correlation there.

Questioner

The Shard...

Brandon Sanderson

I mean the naming convention is the same naming convention.

Questioner

[from…Radiant...]

Brandon Sanderson

I haven’t answered that yet, and I’ll remain close-lipped on it for now.

Questioner

Where did the worldhoppers get their powers, because if all powers come from the Shards, and the Shards came from the breaking of Adonalsium, so how can Hoid have his powers before...

Brandon Sanderson

That is correct.  So before the breaking there was magic in existence.  For instance, the spren on Roshar, some of them predate the breaking-- the Shattering.

Questioner

So, if spren are caused by thoughts, and the Shards caused some of the humans, and humans cause thoughts, then there were people alive before

Brandon Sanderson

Then there were people on Roshar before the breaking of Adonalsium.

Orem Signing ()
#121 Copy

Questioner

How many shots would it take for Wax using his gun to break a section of Shardplate?

Brandon Sanderson

Depends on the gun... Okay, so Vindication. He could probably... depends on the bullet, cause he's got several styles. But let's just say two or three. There's an argument he could do it with one, with the right shot, the right bullet, in the right moment.

Skyward Seattle signing ()
#122 Copy

Questioner 1

Can people not from Roshar bond with spren and get the Shardplate and whatnot?

Brandon Sanderson

RAFO. Well, okay. You don't need me to RAFO on that. You have seen someone not from Roshar bond a spren. You have seen that much happen.

Questioner 2

We know for sure that Hoid is a Lightweaver.

Questioner 1

Do we know that?

Brandon Sanderson

Hoid has bonded a spren.

Ben McSweeney AMA ()
#123 Copy

TsorovanSaidin

How awesome an anime do you think Stormlight would make?

Ben McSweeney

OH MY GOD SO AWESOME.

I am biased, as an animator, of course. But I think the world of Roshar is too fantastic and unique to be anything other than fully animated. If you do it with actors, they're gonna do it in the big green rooms, and that so rarely works out well.

I'd be content with a CG animated series (Shardplate kinda begs it), but it'd be a lot trickier to do well. That being said, I've seen some really great CG, so it could be done.

TsorovanSaidin

I'm so happy you agree. I've been a pretty huge fan of Knights of Sidonia on Netflix. That's a perfect style for Plate in my opinion.

Ben McSweeney

KoS is pretty great (awesome manga, too), but the cines for Guilty Gear Xrd are just sick.

Game cinematics offer the best examples of quality, but it's not easy to get a studio in the range of Plastic Wax or Blur to dedicate the resources required for a full feature or a 22x12/24 series. Well, mostly it's just crazy expensive. But costs are always adjusting, the field is expanding, and we've got a lot of books left to publish before anyone's adapting it for animation or film.

ari54x

I think some of the 2.5d CG animation they do could work well for Stormlight- you know, where it's mostly illustrated but some action scenes use cell-shaded 3d models as a reference for the perspective and animation so it's really spot-on? That would be really cool.

Ben McSweeney

Oh, it's entirely feasible. Just a matter of the right budget with the right people at the right time. 'Course, that's a tricky triumvirate. :)

ari54x

Definitely. I'm hoping White Sand does well as a start to prove that drawing Brandon's work is a good idea.

Ben McSweeney

I think it might. And if nothing else, it's one more branch on the tree. Reaching out to new audiences is almost always a good strategy. :)

Salt Lake City signing 2012 ()
#124 Copy

Questioner

Shardplate, does it have to be fitted by a smith or does it just kind of magically...?

Brandon Sanderson

It magically fits to you.

Rubix

I’d like to see it fit to someone three foot tall.

Brandon Sanderson

If it’s within reason, it can fit.

Questioner

But they do weld stuff to it to it?

Brandon Sanderson

They weld stuff to it to ornament it.

Questioner

But that doesn’t really stick?

Brandon Sanderson

It won’t stay, it can get cut off and things like that. Yeah, and they paint them and things.

Questioner

So the actual color is gray, right?

Brandon Sanderson

Dalinar’s color is the actual color.

Questioner

He doesn’t have it painted, yeah. It’s kind of stone, right?

Brandon Sanderson

It’s not really stone, it’s more like a deep metallic, like an unbuffed steel sort of metallic. A dark charcoal metallic.

Alloy of Law London signing ()
#126 Copy

Fejicus (paraphrased)

Concerning the Radiants shardplates, and the glyphs on them that Dalinar had never seen before, is there any relation to these and the AonDor? could they perhaps act as an added focus.

Brandon Sanderson (paraphrased)

From what i recall, he didnt really give a definitive answer on this one, but he seemed as if we were in the right direction

FanX 2021 ()
#128 Copy

Questioner

In the fourth book of The Way of Kings, when Kaladin ascends to the fourth thought [ideal]. The only thing I don't like is that he projects the Shard [Shardplate], you know, to protect the kid and stuff. How - I don't know, that bugs me.

Brandon Sanderson

You are allowed to be bugged. And I give readers line-item vetoes. If you want to pretend that doesn't exist, you'll just have to imagine some of the scenes in future books differently.

Questioner

Well I mean, hopefully there will be an explanation for that or something, I don't know. As of right now, it bugs me, but everything else was awesome.

Brandon Sanderson

I'll try to explain it, we'll see if it works for you.

Pat's Fantasy Hotlist Interview ()
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Patrick

Over your previous books you've developed a reputation as the 'magic system guy'. Was it therefore a deliberate move to hold back on the magic in The Way of Kings, at least compared to your earlier books?

Brandon Sanderson

Yes, it was. That's a very astute question. I've written a blog post that I'm not satisfied with, but that I'll probably be revising and posting very soon, that is going to talk about this. When I finished the Mistborn trilogy and Warbreaker, I felt that there were a few things that were becoming Brandon clichés that I needed to deal with. I don't mind being known as the magic system guy. But when I become known ONLY as the magic system guy, that worries me. It isn't that I sat down with this series and said, well, I'm gonna show them, I'm not going to do a magic system. But when I planned this series, it was not appropriate for me to shoehorn in a lot of the magic system in book one. Though my agent suggested that I do just that. He said, look, this is what you're known for, this is what people read you for; if you don't have this it's going to be glaringly obvious. My response was that I would hope that story and character are what carries a book, not any sort of gimmick—well, gimmick is the wrong word.

Something that I pondered and wrote about a lot—just to myself—is that Mistborn was postmodern fantasy. If you look at the trilogy, in each of those books I intentionally took one aspect of the hero's journey and played with it, turned it on its head, and tried very hard to look at it postmodernly, in which I as a writer was aware of the tropes of the genre while writing and expected readers to be aware of them, to be able to grasp the full fun of what I was doing. And that worried me—that was fun with Mistborn, but I didn't want to become known as the postmodern fantasy guy, because inherently you have to rely on the genre conventions in order to tell your story—even if you're not exploiting them in the same way, you're still exploiting them.

For that reason, I didn't want to write The Way of Kings as a postmodern fantasy. Or in other words, I didn't want to change it into one. And I also didn't want to change it into a book that became only about the magic, or at least not to the extent that Warbreaker was. I like Warbreaker; I think it turned out wonderfully. But I wanted to use the magic in this book as an accent. Personally, I think it's still as full of magic as the others, but the magic is happening much more behind the scenes, such as with the spren I've talked about in other interviews, which are all about the magic. We haven't mentioned Shardplate and Shardblades, but those are a very powerful and important part of the magic system, and a more important part of the world. I did intentionally include Szeth's scenes doing what he does with the Lashings to show that there was this magic in the world, but it just wasn't right for this book for that to be the focus. I do wonder what people will say about that. I wonder if that will annoy people who read the book. But again, this is its own book, its own series, and in the end I decided that the book would be as the story demanded, not be what whatever a Brandon Sanderson book should be. As a writer, that's the sort of trap that I don't want to fall into.

Shardcast Interview ()
#130 Copy

Comatose

Can we finally confirm what type of spren is used to create half-shards? Is it Radiant spren, Shardplate spren, or something different?

Brandon Sanderson

RAFO! This theoretically should be confirmed in the RPG. We should be giving you all the tools that you need for these sorts of things, including all of the armor spren, all the different brands of Fused, and things like that. The stuff we need so that you can roleplay...

Comatose

People who are making them?

Brandon Sanderson

Yeah. This should all get confirmed in that.

Isaac Stewart r/Stormlight_Archive AMA ()
#131 Copy

Swahhillie

Have you gotten to depict or seen depictions of the summoning of Shardplate? Do you think it looks different per Order of KR or is it universal?

Isaac Stewart

This question is way too spoilery. :) I'm going to have to give out my equivalent of a RAFO, which is probably a Now Isaac Can't Say, or a NIX. :)

Ben McSweeney AMA ()
#132 Copy

Rutsahl

How does the process work?

Does he give you his ideas, have you draw something up and get back to him when you're finished, or do you both work on it together (like in the same room, with him watching you draw.)

How many rough drafts and back and forths do you usually go through with a particular piece of work before it's called complete.

Ben McSweeney

Usually I get a rough draft of the novel, which lets me start looking for seeds (here is a neat thing) and direct subjects (here is a neat thing that Shallan is specifically described as drawing), and from that we build a list for what we'll actually produce.

Unfortunately, geography prevents me from working in the same room with Brandon very often, but we live in the age of email and Skype so it's mostly just an inconvenience that we work around. Generally what I'll do is start drafting rough sketches, submit them for feedback, and begin a cycle where we spitball ideas and work back and forth until the subject's design is settled. Then I lay out the actual Shallan page itself, putting the subject into place and deciding what else we can include. Once the page layout is approved, I'll render the final illustration.

During the entire process I'm in a regular email loop with Brandon, Peter and Isaac. We make loooong email threads. Some designs take many iterations before we get it right (the axehound was particularly difficult), some designs are nailed down almost instantly (Brandon and I got on the same page with Shardplate pretty early). There's no way to predict how it will go until it gets going.

Oathbringer release party ()
#134 Copy

Questioner

Could a Windrunner in Shardplate travel to other planets?

Brandon Sanderson

Uh, theoretically possible. Take a long time.

Questioner

Yes, it would. 'Cause he wouldn't need to breathe, if he's got enough Stormlight.

Brandon Sanderson

Yeah, well, I mean, they can control pressure, so. You'd need oxygen scrubbers, but they can also, so... you can create a ball of air around yourself with their power anyway, so--

General Reddit 2017 ()
#135 Copy

Badloss

I love, love Brandon Sanderson but I feel like every time he needs a "magic word" he just takes two regular words and jams them together.

Dreamshard, Shardblade, Shardplate, Lightweaving, Mistborn, Coinshot, Pewterarm, Coppercloud, Surgebinder, Soulcaster, etc etc etc

Sorry u/Mistborn I still love you

Brandon Sanderson

It's done intentionally. Let's look at our options.

I can create all-out fantasy words for terms like this. (Lait or crem from Stormlight are examples.) Problem is, the more you do this, the more you pile a difficult linguistics on top of a reader. The more words like this they have to learn, the more difficult it is to get into a story. If you were doing it, perhaps you'd go this direction. I feel that overloading on these terms is dangerous. Already, the main reason new readers put down my books is that they feel overwhelmed by the worldbuilding.

So we have the second option. Use a latin, germatic, or greek root and create a word that FEELS right, has some mental connection for the reader, but which isn't a real word. Allomancy/Feruchemy/Hemalurgy. Veristitalian. To a lesser extent, Elantris.

This so called "Harry Potter Spells" method gives some familiarity to the naming, makes them stick a little better in people's heads, which makes the books a little easier to get into. But they're also distracting to some readers who say, "Wait. There's no Latin in this world, so where did Latin root words come from?" And for others (particularly in translation) those roots mean nothing, and so these all end up lumped into the first group.

The final method is the pure Germanic method--creating compound words. It works in English very well because of our Germanic roots--and is one of the main ways (other than turning nouns into verbs or the other direction) that we create new words. Supermarket. Masterpiece. Newspaper. Thunderstorm. Footprint. Firework. Heartbeat. Yourself. None of those look odd to you because they are words that are "meant" to go together in your head.

I use some of batch one, some of batch two, but I do favor batch three--it does what I want it to. Works in the language, has an "otherworld" feel but is also very quickly understood by someone new to the series. There are arguments for all three methods, however.

Phantine

You can also just go the route of using an English word despite it clearly not being accurate.

"He tied a ribbon around his horse's third antennae, and patted its chitinous flank."

Brandon Sanderson

Agreed. Re-contextualizing English words can work too--I find it particularly useful to do what I mentioned above. Take a verb and make it a noun or vice versa. Or use a verb in a way that you normally don't. (Awakeners or Lashings are examples from my work, though Spice from Dune is one of the grand-daddy examples of this. As it is for a lot of fantastical linguistics.)

FanX Spring 2019 ()
#136 Copy

Questioner

So...what is the safehand about-- Like how did that develop into a thing, having one hand being scandalous?

Brandon Sanderson

So it relates back to philosophical treaties written in world, long ago, where a woman was saying 'these are feminine arts, these are masculine arts'; that sort of thing. It was partially a way to control access to Shardblades, when Shardblades and Shardplate first entered the-- common people being able to have them because the Knights Radiant had abandoned them. At the same time there was a struggle for power over language, and this happened long ago. Really the reason is "humans are weird".

General Reddit 2013 ()
#138 Copy

Brandon Sanderson

You got it wrong. I'm not busy because I'm writing other books, I'm working on the licensing deals! Cardboard shardplate! Official Bridge Four loincloths! "There's spren in my poop" toilet paper!

Rutthed

Serious question: are there poopspren, and how would they fare in indoor plumbing situations?

Brandon Sanderson

Well, it depends on how you're defining spren. In the books, they don't make a distinction, but there are several varieties. At the basic level, everything has an identity--a soul, you might say, but more than that. This is based on how it is viewed, and how long it has been viewed that way. Feces would have this, but wouldn't have a very strong cognitive identity because of its transitional nature.

Other types of spren, the type that characters see and interact with, are cognitive ideals or concepts which have taken on literal personification over time. These are usually related to forces or emotions, and don't relate to this particular topic.

And that's far more than I ever expected to say on this...

Firefight Miami signing ()
#139 Copy

Questioner

The Mistborn RPG. How involved are you still in that? Are they still making-- I got the two supplements they made.

Brandon Sanderson

The first one, I was very involved in. The second two, I let my assistants take over. Because I just have too much to do. So, I'm only involved as much as I like-- the original core, and then I've given the okay to go forward. But I made them put, particularly for the second two, the disclaimer at the front that says "This isn't canon, guys. It's canon for your version of the universe, that you're roleplaying." And I think that's just fine, because your roleplaying stories are only canon for your group anyways. I mean, I will have to have the freedom to come up with things I need to come up with, and I told them that. I said, like, Alloy, I was not planning to do this era, so I don't have the detailed notes I can give you on the other ones about all the houses and things.

Questioner

Are they looking to do Elantris and Stormlight?

Brandon Sanderson

No, right now they just want to do Mistborn. I think Stormlight would be the next they would do, but I think they want to cover Mistborn.

Questioner

There's stuff in their forums where people I've seen are throwing stuff out, like "Here's what I would do for Shardplate." I didn't know if there was anything official that they were--

Brandon Sanderson

Nothing official. No, we are doing a Shattered Plains board game. War game board game things. Someone came to us with a really cool proposal. It's a little ways off, 'cause we just signed on it in September. They had a great proposal, it's gonna be so much fun. One of these German style, with all the pieces and things.

Ben McSweeney AMA ()
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Kopaka99559

Which of your illustrations would you say was the most enjoyable to create?

Ben McSweeney

Shardplate and Blades, hands down. It was also kinda the easiest, because I'd been doodling different types of Plate since the first pitch to Tor back in 2008. Brandon basically gave me a big ol' present with that one. :)

Discounting that, probably the Chasmfiend, just because it was one of those designs that was awful and failing and then suddenly I figured out a solution, and ultimately I loved the results. That nosedive is the worst on the way down, but man it feels good when you pull out of it.

platysaur

Chasmfiends are some of the most badass and terrifying creatures in fantasy, I think. So in that regard, you did an amazing job! Whitespines are pretty awesome too.

Ben McSweeney

Thank you! The whitespine design was particularly challenging, we almost went with a different creature up until just a few weeks before the deadline, when I scrapped it and redrew it all again. It really was a bad design, anatomically, and while I could have let it pass I would have hated it forever. The end result isn't perfect, but it's much better.

I think there's a blog post about it on Brandon's website, somewhere. Isaac did a whole interview with me, including pictures of the previous designs.

platysaur

Interesting story! Thanks for replying. I can't wait to see what you have next for Stormlight Archive! And great job on Shadows of Self too, I just finished it yesterday. I love the dude's super long and pointy mustache.

Ben McSweeney

Haha, I think Isaac came up with the description of the moustache, so he deserves much of the credit. They are dangerous-looking, aren't they?

Ben McSweeney AMA ()
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sansaTheGreat

Who's your favorite Cosmere character to draw?

Ben McSweeney

Mmmm... lately, Adolin. But I don't get to draw the characters "officially" very often.

Enasor

Does it mean you have drawn Adolin? Any chances were are going to see those sketches someday? As a die-hard fan of him, I am dying to see a proper representation.

Ben McSweeney

There's a peek at Adolin's face on the Shardplate page, but just a peek. His armor does appear twice, both on the same Plate page and as Adolin's chapter icon, and those are Brandon-approved designs for both Plate and Blade... we might modify them as time goes on, but for now they're a good starting point.

Brandon's always been pretty cagey about releasing official illustrations of characters... Michael Whelan gets a pass because he's Michael flipping Whelan and because covers need faces, but we try to limit it within the pages of the book (covers change around the world, but the interiors go everywhere). This is because Brandon doesn't want to force one interpretation of a character's likeness down the reader's throat. He describes them, but the face you see in your mind is your own creation, and that should remain as valid as possible for as long as possible.

Someday we might collect those background works into a book, but not for a while. :)

Enasor

Oh that's a shame. I really hoped to see a more detailed facial within the next book. The miniature was amazing. You did a great job: I especially loved the little bangs of hair. I wished we could see what hid under the helmet though or just Adolin without his armor.

Ben McSweeney

I might do some unofficial version at some point. I like doing fan-art as much as anyone, it's how I got this job to start with. :)

Words of Radiance Seattle signing ()
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Questioner

Safehands: Where did, that-- like why? Is there like a cultural *inaudible*?

Brandon Sanderson

There is a culture-- Now the actual answer to that is because different cultures have really different mores, and if you go around our world you will find places where, for instance, showing the bottom of your foot-- where the bottom of your foot is offensive, or where showing certain parts of your anatomy is not offensive that it is here. And that is very common, it's part of what it means to be human.

Now if you want to trace back in Rosharan time, there is actually a moment that you can point at and say "this is where it started" and it started right after the Recreance where all these Shardblades and Shardplate were suddenly out there everywhere, and certain people in power wanted to make sure that half the population didn't have access to them, and so they started emphasizing a certain philosophy book that had been written by a woman that said "feminine arts were one-handed, masculine arts were two-handed".

And because of this it became culturally ingrained, which then-- basically it was a misogynistic ploy to keep the women from having the Shardblades, and then in that a certain movement of the women seized writing, and that's when men stopped writing. It's kind of a reciprocation on it. But that's kind of where it went, but it's become much bigger than that, if that makes any sense.

Questioner

What do you do if you safehand is your dominant hand?

Brandon Sanderson

If you are darkeyed it's not a problem, you just wear a glove. If you are lighteyed then you learn to write with your non-dominant hand, which is a problem.

Footnote: The book here is likely Arts and Majesty, referenced in WoR 25
#safehands