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X-Thorin

If inter-dimensional travel exists in this story [Secret Project Two], could they eventually travel to the Cosmere’s universe? Or do these worlds exist in different multiverses?

Brandon Sanderson

You will get to a point in the book where they kind of explain probability and the idea that theoretically anything is possible. They could not travel to the cosmere. What is theoretically possible is they could travel to a dimension that, by coincidence, matches the cosmere one-to-one, but it would not be the cosmere. But the chances of them being able to find that are so infinitesimally small that the atoms in this room, the oxygen atoms, all bouncing to one side of the room and suffocating us all is more likely, I would guess. But even if they did, it would not be the cosmere, it would just be be coincidentionally an identical version of the cosmere that just through random happenstance popped up.

Questioner

Could you use AonDor to manipulate Connection? If so, would a real AonDor smarty be able to do something similar to a Bondsmith?

Brandon Sanderson

The short answer to your question is: yes. Let me give some explanation.

Even when you are seeings some things happening in Elantris itself, you are seeing them manipulate Connection. It is mostly reinforcing Connection, but it is, in a way, manipulation. Rewriting Connection, rewriting Identity are both things that they can do. So with enough power, with enough smartiness, what a Bondsmith can do can be done.

In fact, we have seen short-range Elsecalling done by… Obviously Elsecalling’s not Bondsmithing, but you know that a Bondsmith powered a big Elsecalling [to migrate from Ashyn], one of the big things you’ve seen a Bondsmith do is get people between planets. And you have seen people use AonDor to Elsecall. You’ve seen them Lightweave, you’ve seen them do a lot of these things. They also could do some of this same stuff.

Basically, rule of thumb is: almost anything in the cosmere that is possible can be replicated with AonDor with the right program. But you may need an injection of Investiture in certain ways.

Parshendi of Rhuidean

Do dragons always go through their early life in human form? Or would being a Sho Del also be possible for a young dragon?

Brandon Sanderson

The way I have it right now (which, we’ll give this as a Word of Brandon that could change, because I haven’t written Dragonsteel yet), it’s a human form. I imagined dragons like amphibians, that they have part of their lifecycle… the Yolish dragons, they mate in human form, they bear children in human form, raise children mostly in human form, but their dragon form is equally part of their identity.

Jared_A

Brandon, how do you feel your identity and upbringing as a Mormon has affected your work?

Elantris, for instance, centers around a magic system that has essentially been broken because something in the world has changed—a "new revelation" if you will. And then Mistborn has at its core a set of holy writings that have been altered by an evil force.

These things seem decidely Mormon to me, or at least informed from a Mormon perspective. Do you feel that is the case?

Brandon Sanderson

I don't set out to put anything specifically Mormon into my books, but who I am definitely influences what I write and how I write it. I'm always curious at the things people dig out of my writing—neither of the two points you mention above are things that I was conscious of, though they certainly do make interesting points now that you look at them.

My goal in storytelling is first and foremost to be true to the characters—their passions, beliefs, and goals. No matter what those are. I'm not trying to make a point consciously ever in my writing—though I do think that good stories should raise questions and make readers think.

Who I am as a person heavily influences what I write, and I draw from everything I can find—whether it be LDS, Buddhist, Islamic, or Atheist. It's all jumbled up there in that head of mine, and comes out in different characters who are seeking different things.

In other words, I'm not setting out to be like C.S. Lewis and write parables of belief. I'm trying more what Tolkien did (not, of course, meaning to compare myself favorably with the master) in that I tell story and setting first, and let theme and meaning take care of itself.

Fiction doesn't really exist—certainly doesn't have power—until it is read. You create the story in your head when you read it, and so your interpretations (and your pronunciations on the names) are completely valid in your telling of the story. The things you come up with may be things I noticed and did intentionally, they may be subconscious additions on my part, or they may simply be a result of your interaction with the text. But all three are valid.

Jared_A

On a different but related note, I really love that you honestly look at religious convictions in your books and that you don't portray such convictions in a shallow way.

Brandon Sanderson

Regardless of a person's beliefs, I think they would have to admit that religion and spirituality has played a large part in our development as a people. It's a very important thing to so many of us—and I also think that for most of us, our beliefs are nowhere near as simple as they seem when viewed from the outside. I appreciate your praise here, though I think I still have a lot to learn. There's a real line to walk in expressing a character's religious views without letting them sound preachy—the goal is to make the character real, but not bore the reader.

CPiGuy2728

When you wrote the epigraphs to the third book, how much were you expecting to lead readers astray? How loony is it that I thought their author was TenSoon for most of the book? (After all, he is not a man, but a force. He defended his ways, yet violated them. He was their savior, yet they called him heretic.)

Brandon Sanderson

I wanted very much for people to think they'd figured it out. I was actually annoyed when my editor wrote in the jacket copy a question, implying that the identity of the Hero was a mystery. I wanted people to assume it was Vin.

Jarett Braden

With a huge interconnected work like the Cosmere, do you ever worry when introducing a new concept in a book? How it may affect past and future novels?

Brandon Sanderson

I do. This is the biggest challenge of having a large, interconnected universe like this. And the farther you write, the more difficult and dangerous this becomes. And this is why I need to have a large team, and some really solid beta readers. Because every writer, when writing a book, can get a little myopically focused on that book only. Which can be a good thing; most writers, it doesn't matter, because that book is going to be that book. But because the interconnectedness and the continuity of the Cosmere is so important to me, it's really handy to have a lot of people looking over my shoulder saying, "Are you sure you want to do that? Because it has this ramification here." We're not gonna catch all of them. But I do like that protection, and it is something that I think about quite a bit.

It is one of the reasons why I tried to build the underpinnings of the cosmere to be adaptable to a lot of different of the types of magic systems I type to write. This is why these fundamentals of Fortune and Identity and Connection are really what kind of drive creating the magic systems. You're often going to see me wanting to create magic systems that do similar things. And having these sort of magic system underpinnings that both drive me to ask "what new could I do with this?" but also have an intended connectivity between them is really helpful in a lot of different ways.

But it is dangerous, yes. And if I were going to give advice on that, it would be that make sure your fundamentals 1) naturally fit the type of systems that you would want to build, and 2) have enough versatility that they can be adapted to a variety of different styles of system. And stay away from some of the big problems, like time travel. Very early on, I'm like, "Cosmere can time travel into the future. You can speed things up for yourself, you can slow things down, your movement through space. But you cannot go backward." And having a few rules like that... there are not alternate dimensions in the cosmere. There are different planes of existence. But there are not alternate realities. We are not going to have the sort of things. (That I played with in Steelheart, because I knew I didn't have it in the cosmere. The Wheel of Time loves to play with alternate continuities as one of its themes of magic, and I love it. But it was built in and baked in from the beginning and used very well well. I didn't want to go down that rabbit hole.)

Make a few rules like that, and I think that's helpful from writing yourself out of problems with solutions that break everything. And let's just say that it is very hard to not do that, as evidenced by many film series which have a lot of different people working on them who can make their films work, but often will break the rest of the continuity in order to do so. And we can't afford to do that in the Cosmere. That's not something that I want to do.

Enasor

Merrin was a terrible name... It makes me think of member of Robin Hood, men in tights. I am super glad Brandon decided to change his name: Kaladin works much better, IMHO.

Peter Ahlstrom

It was Merin, but it did rhyme with Perrin and Verin. He was actually still using Merin when he was halfway through the first draft of the published WoK. I was totally used to it and thought it was a fine name, but Kaladin is better.

Enasor

Thanks for the added precision. Merin still make me think of Robin's Hood Merry Men... It somehow does not reconcile quite well with the mental imagery I currently have of Kaladin. I guess it feels rather different when you've known him as Merin for a long time, but knowing him as Kaladin to then find out he initially was a Merin is somehow weird.

This being said, it is super interesting to find out so many names were changed from the early version of WoK to the published book. It wasn't just Kaladin.

Peter Ahlstrom

Yeah, Sadeas used to be a guy called Meridas. One of Meridas's things was wanting to marry Jasnah (and Jasnah did not return the interest). But Sadeas didn't have that interest. So Meridas became Amaram's first name instead.

Enasor

Oh sweet. I didn't know about this one. I also heard Dalinar originally had no sons, then he had three and now he has two: none the original names were retained (except Renarin, I think). Quite a lot of changes. It is very fascinating how characters can move from one identity to another and through this morphing, earn another name.

Peter Ahlstrom

Dalinar's second wife in Prime was one of the craziest things.

Enasor

Oh I would have loved to read that. Has she become the inspiration for another character?

Peter Ahlstrom

No. At least not yet, and the way the series is going I doubt someone like her will fit.

Enasor

Ah then may I ask what she was like?

Peter Ahlstrom

I would leave that up to Brandon to reveal.

Phantine

Any plans to do another Altered Perceptions sometime?

Peter Ahlstrom

Brandon is in no hurry to be involved in something like that anytime soon, but we wouldn't rule it out. More of Way of Kings Prime will be revealed eventually, but at this time some elements of it are still spoilers for future books in the Stormlight Archive.

Brandon Sanderson

The Origins of Siri and Vivenna

Back around the year 2000 or 2001 I started writing a book called Mythwalker. It was an epic fantasy novel, an attempt to go back to basics in the genre. I'd tried several genre-busting epics (one of which was Elantris) that focused on heroes who weren't quite the standards of the genre. I avoided peasant boys, questing knights, or mysterious wizards. Instead I wrote books about a man thrown into a leper colony, or an evil missionary, or things like that.

I didn't sell any of those books. (At least, not at first.) I was feeling discouraged, so I decided to write a book about a more standard fantasy character. A peasant boy who couldn't do anything right, and who got caught up in something larger than himself and inherited an extremely powerful magic.

It was boring.

I just couldn't write it. I ended up stopping about halfway through—it's the only book of mine that I never finished writing. It sits on my hard drive, not even spellchecked, I think, half finished like a skyscraper whose builder ran out of funds.

One of the great things about Mythwalker, however, was one of the subplots—about a pair of cousins named Siri and Vivenna. They switched places because of a mix-up, and the wrong one ended up marrying the emperor.

My alpha readers really connected with this storyline. After I abandoned the project, I thought about what was successful about that aspect of the novel. In the end, I decided it was just the characters. They worked. This is odd because, in a way, they were archetypes themselves.

The story of the two princesses, along with the peasant/royalty swap, is an age-old fairy tale archetype. This is where I'd drawn the inspiration from for these two cousins. One wasn't trained in the way of the nobility; she was a distant cousin and poor by comparison. The other was heir to her house and very important. I guess the idea of forcing them to switch places struck some very distinct chords in my readers.

Eventually, I decided that I wanted to tell their story, and they became the focus of a budding book in my mind. I made them sisters and got rid of the "accidental switch" plotline. (Originally, one had been sent by mistake, but they looked enough alike that nobody noticed. Siri kept quiet about it for reasons I can't quite remember.) I took a few steps away from the fairy tale origins, but tried to preserve the aspects of their characters and identities that had worked so well with readers.

I'm not sure why using one archetype worked and the other didn't. Maybe it was because the peasant boy story is so overtold in fantasy, and I just didn't feel I could bring anything new to it. (At least not in that novel.) The two princesses concept isn't used nearly as often. Or maybe it was just that with Siri and Vivenna I did what you're supposed to—no matter what your inspiration, if you make the characters live and breathe, they will come alive on the page for the reader. Harry Potter is a very basic fantasy archetype—even a cliché—but those books are wonderful.

You have to do new things. I think that fantasy needs a lot more originality. However, not every aspect of the story needs to be completely new. Blend the familiar and the strange—the new and the archetypal. Sometimes it's best to rely on the work that has come before. Sometimes you need to cast it aside.

I guess one of the big tricks to becoming a published author is learning when to do which.

dark-winter-knight

What is the difference between a person's Spiritweb and their spiritual DNA? Is there a difference?

Brandon Sanderson

Soul, generally used in the cosmere, is a spiritual or philosophical term. It refers to the part of a person that continues to exist after death, or to the "being" of the person in a philosophical term.

A Spiritweb is a measurable, quantifiable thing in the cosmere. (Granted, it's not easy to do either to one, but it can be done.) It is a scientific term, though because the cosmere hasn't reached modern scientific understandings yet, there is a lot of overlap between science, philosophy, and spirituality.

This way, acknowledging that a person has a Spiritweb does not require an atheist/humanist to affirm religious ideas or concepts--like acknowledging that the Vessels/Shards exist does not require also affirming that a capital G God exists.

The separation of the two is necessary to allow people like Jasnah to not be undermined by the text. It wouldn't be right of me to work for having representatives of viewpoints contrary to my own if the very foundation of the magic systems and physics proved them wrong.

So, in short, you can measure a Spiritweb. Whether a person actually has a soul or not (even in the cosmere) is subject to your own personal philosophy on the idea. Even ghosts and other persisting personalities after death, like certain individuals who shall remain unnamed, have a very real and rational magic system explanation for their existence.

aravar27

Is a Cognitive Shadow essentially Investiture filling in the molded pattern of a Spiritweb to the point where it resembles the initial person?

I'm interested in the implications with respect to personal identity--the "soul" would be one of the competing answers for the question "what am I," but some argue for psychological continuity and others for biological continuity. A Cognitive Shadow seems like it might better fit the Psychological Criterion, since it seems like Investiture replaces the biological body as the source of living and experiencing things.

Brandon Sanderson

You're getting into things that are subject to debate among people in the cosmere. Most shadows would insist that they're the same person. Others would dispute this, saying they're essentially a spren--a bit of the power that came alive like you said, taking on the personality of the person when the person themselves died.

BipedSnowman

Like uploading a brain to a computer. Made of Investiture.

Brandon Sanderson

A fitting analogy.

Aurora_Fatalis

Does it matter what kind of power it was that filled the gaps? Like, if you were a normal human and made a Cognitive Shadow fueled by AonDor, would you be more able to "possess" a modern computer than if you were made a Cognitive Shadow by - say - Odium?

Brandon Sanderson

This can matter. Shades from Threnody, for example, work differently from Returned, who are different from Heralds. But all are Shadows.

R'Shara

Would Stormlight healing, Progression, or Feruchemical gold healing count as some of the ways that a transgender person could change their body to match their identity?

Brandon Sanderson

Yes. Those would work. In fact, that's kind of the main way that you would make that happen. Injections of Investiture making the body match the Spiritual and Cognitive.

Brandon Sanderson

Movie deal? Let's preempt that one. Yes, we are doing Cosmere as a movie series. *audience cheers* What happened is-- The short version so I don't get in too much trouble. The short version. We started-- They came to me for The Emperor's Soul, like three or four years ago. And I was like, "Emperor's Soul? You realize this takes place all in one room?" *laughter* And it turns out they're a Chinese company and they had been looking for good fantasy properties, and action properties, or fantasy-- whatever, they just wanted properties where they could feature a Chinese actor because they feel there aren't enough Asian people given roles in Hollywood. And so the company's specific goal was to do this. They're one of the production companies for Iron Man 3, so they've done some things. And so they came to me "Emperor's Soul stars a Chinese woman and it's this awesome fantasy story. We might have to leave the room and go to different locations, and stuff like that, or field trips. But we want to try and adapt it." And so I said, "That sounds really cool, go for it." So they bought Emperor's Soul and then a few months later I got a phone call from them. And it was a guy in LA, one of their American correspondents they said "Start working on how we would adapt this. Pick a-- Work with a screenwriter and things like this." And he said "Alright let's get some backstory, it's related to Elantris I'll read that. Oh Elantris is related to Mistborn, I'll read that." *laughter* So he called me having just read all the works of the Cosmere across about a month and having spent about eight hours on the 17th Shard's Coppermind. *crowd cheers* So that's actually how the movie deal happened. He called and said "I need all the unpublished books."

There are two unpublished Cosmere books I'll send out to people. They're not very good but you can write us through my website and we'll send them. Theoretically... So if you want'em-- It takes about a month or two to get back to you on them, but will send them to you. Because I don't think they're worth charging for, but-- One of them is White Sand, which is now a graphic novel, it's the prose version of that. So hopefully you can get the graphic novel and compare it to the prose. and the other one is Aether of Night. Which is really fun but it's like two books that never matched. Like how I have those ideas, right? So you read this book and it's like this mistaken identity, Shakespearean comedy, fantasy thing plus one of the Shards of Adonalsium trying to destroy the world. And it just doesn't mesh. But it's got cool magic. So if you want those you can write to us.

So he got those, he read those, he's like "I need everything." and got all that and I'm like "What do you want?" and he's like "I'm trying to convince my boss to buy the whole Cosmere." And he did, he convinced his boss to buy the whole Cosmere. Except for Mistborn which was optioned to someone else. So when people read the thing and said "Why are they developing Way of Kings first?" Well technically they were developing The Emperor's Soul first. That came back as "This a really hard one to develop because it takes place in one room." And so they're like "We're going to fast-track Way of Kings." Way of Kings is also very hard to develop, but that's what they started on. And when Mistborn became a available this summer they bought that and that's when they did the big announcement. "We now have the whole Cosmere and they put Mistborn immediately into development for screenplay. So I bet the screenplays come in at about the same time, even though they had Way of Kings for about a year longer. Adapting that book-- We want feature film because there are so few places to do a tv show right. There's like two markets, maybe three. Amazon, Netflix, HBO. That's basically-- There's so few options, and there's way more movie studios and things like that. If it doesn't fit into a film we all agree that television is next. But if the screenwriters can get it into a film that we like we'd rather do-- we'd rather do that. Our chances of getting something good go up. There are lots of markets for television but most of them don't have a budget, right? So that's what we're looking at. Everything's looking well. They're great people. Multiples of them have read the entire Cosmere now. And when I get phone calls from them I get asked questions like this. *laughter* They're good people, they're doing a great job. I can't guarantee we'll make any films, right? It's Hollywood. It took twenty years to do a Spiderman film. It took like twenty-five to get an Ender's Game film, and that's practially written-- When you read the story it has "Oh this is a screenplay" all over it. So I can't promise that we'll get it done but we're going to give it the old college try.

Questioner

So there are some forms of Investiture that some people can access regardless: like BioChromatic Breath, but there are some that are not like Allomancy—and there are a few exceptions of course—but are there other ways besides [hemalurgic] spikes that you can access investiture from different worlds?

Like if an Elantrian went to-

Brandon Sanderson

If you can blank your Identity and create the right Connection you can have it happen.

Questioner

If an Elantrian showed up on Roshar, they wouldn't bond with a spren?

Brandon Sanderson

They can bond with a spren, the spren is up to the spren's choice. The spren can bond with whoever they choose to bond with.

Patrick

The Way of Kings is a book that you have been planning for a very long time. Is the finished book close to your original vision or has it altered significantly in that time, with the influence of your other work, particularly on The Wheel of Time?

Brandon Sanderson

I would say yes, it has altered significantly. Eventually I'll be able to release the previous version of The Way of Kings so people can see how. It's really kind of odd; I can now almost see it as a parallel world, with several important deviations that branch out and create spiraling different stories. In some ways it's very similar. Dalinar's character is essentially identical with who he has always been, yet Kaladin and his story have transformed extensively. Szeth is essentially the same person. Shallan didn't exist in the previous draft; she's new to this one. Some things are the same—the world, the history—and yet some things are different. The characters are more complex and have more depth now, and that certainly was influenced by the Wheel of Time. I think I'm better at foreshadowing, which something else the Wheel of Time influenced.

yulerule

So if you were in the cosmere, and you know how it works, or how it all should work. Would you hack it like all ridiculously and like what would you-- Do you have a plan of action.

Brandon Sanderson

Oh yeah I would. I would have two choices. I would go hide on the planet I know is safe, and ride it all out. I have those two options.

yulerule

What was the second option?

Brandon Sanderson

Well the second option is try to take over, right? 'Cause I know all the secrets. I don't know which one I would do.

yulerule

Would you be able to hack it all?

Brandon Sanderson

Well, would I be able to? It depends on where I am in the cosmere, and how easy it is to get a hold of some Investiture.

yulerule

But once you get some initial Investiture then you go out.

Brandon Sanderson

Then things start rolling. As soon as you can get one of the easy ones, it's easy to use, transfer. 

Argent

Like Breath.

Brandon Sanderson

Yeah like Breath, or uh...

yulerule

Mistborn?

Brandon Sanderson

Yeah, well Mistborn's harder, but you know Breath is the easiest I've approached so far. Unless you kind distill it, then you've got the... Anyway. We won't go there. You saw that in Secret History. 

Argent

Oh, oh that.

Brandon Sanderson

Yeah. When you strip off all kinds of identity and stuff.

Argent

Connection Juice...not Connection Juice.

Brandon Sanderson

Connection Juice?

Argent

Yeah, that's what we're calling it.

Brandon Sanderson

Okay, okay I suppose.

Questioner

We know that finer gemstones like the King's Drop can hold Stormlight longer and encases other things that I won't say because of spoilers. Is that because of the craftsmanship, connecting their Identity in the Cognitive Realm?

Brandon Sanderson

Excellent question. "You can hold Stormlight in gemstones, and the more perfect a gemstone the more Stormlight it'll hold. Is the craftsmanship required to create it part of the reason why?" And no, it's actually the crystalline structure. Fewer flaws in the crystalline structure means fewer places for the Stormlight to wiggle out.

Questioner

Do gemstones exist naturally on Roshar? Or are they all gemhearts?

Brandon Sanderson

Yes, but you gotta dig through lots of layers of cremstone to get to them, so most of the time you're getting them from gemhearts.

Argent

I was talking with someone about the woman on The Way of Kings endsheet, and I wondered about her identity - could you reveal whether she is supposed to depict a someone/something specific, or is it just a somewhat generic image of a woman?

Brandon Sanderson

The woman on the border of the maps isn't meant to be anyone specific, I don't believe. I've never asked Isaac about it, actually.

ceraius

This is involving gemstones and their properties on Roshar. Given that Sapphire and Ruby are actually the same crystal - corundum - differing only in their impurities - how would you explain the differences in their properties, with respect both to their essences and their function in fabrials? For example, I am assuming that two identical fabrials, one made with a sapphire and one made with a ruby, would not function the same. To take it a step further, any corundum that is not ruby red is simply called a sapphire of whichever color it happens to be (blue sapphire, green sapphire, colorless sapphire, etc.). How does this play into things; would a blue sapphire have different properties than a green one or a colorless one?

Brandon Sanderson

This was a big part of the magic for me in working on Roshar, as I wanted the gems to work differently from Scadrials metals in order to avoid repetition. The fact that many gems are basically the same thing was one of the launching points actually. Let me say that you are on the right track.

On Roshar, color of the gem is more important than actual crystalline structure.

Questioner

I'm sooooo curious about the whole Krell thing! Is there something big hiding behind their identity?

Brandon Sanderson

Yes.

Questioner

I wanted to ask whether cake has a soul? In Realmatic theory, stuff has souls. So, somebody turns wheat into flour, and flour has a soul. Do they come together when I bake the cake?

Brandon Sanderson

...So, this gets into some weird cosmere theory stuff. The level that if you are a student of philosophy, you'll recognize just wearing on the sleeve where this one came from. This is a mashup of Shinto beliefs and the theory of the forms by Plato, and kind of its own weird thing, that became Realmatic theory in the cosmere...

So, in the cosmere, things take on an Identity and a soul based on how people perceive them. It's human perception that is creating a lot of this, because the various powers that made the universe have this sort of desire to be sentient. And power left long too long in the cosmere starts thinking, that's just how it goes, and starts thinking of itself the way it is perceived. So, that cake, as soon as its created, the disparate parts of the souls start being thought of as a cake, and start gaining some traction as a cake. If you left that cake alone long enough, which wouldn't take too long for a cake because people don't look at cake and think "Oh, a bunch of wheat and flour." They think "Cake." That thing will start having a combined soul of the various bits of power, and the longer you leave it, the more permanency it's gonna have as a Spiritual artifact in the cosmere.

So, yes, cake has a soul.

Alex M

What's the difference between avatar and Splinter?

Brandon Sanderson

These are all very weird terms that I'm just using.

*mistakenly answering for Sliver* A Sliver is a person who has held the power of a Shard, and then let go of it. A briefly held time, holding the infinite power of a Shard, but no longer does. So what does that do? That changes your soul, and leaves markers on it. It's a real physiological thing.

An avatar is... a Shard manifesting a semi-autonomous piece of themselves that is still connected to who they are. An avatar, for instance, of Autonomy - depending on how Autonomy creates that avatar - might know, might not know, but they are still an aspect, they are still part of Autonomy. And when you get down to it a part of them knows that, and it's almost a god roleplaying, but in a way that only a Shard, or a lowercase-g god in the Cosmere, can do.

Brandon Sanderson

*realizes that he answered for Sliver earlier, and clarifies*

A Splinter is a piece of a Shard that is fully autonomous, where an avatar is not. So something that is Splintered does not consider itself - and would not be considered by the definitions  - an actual piece of it [the Shard], and has free will. So once it has free will, and/or could develop free will (because some of the Splinters haven't gotten there yet), but is fully cut off from the direct control and self-identity of the Shard, then it is called a Splinter.

Questioner

Can you confirm the identity of Azure.

Brandon Sanderson

Yes, I can.

Questioner

Is it Vivenna?

Brandon Sanderson

Yeah.

Questioner

So you said you play Esper in Magic: the Gathering, the central color of which is blue. All the Shards shown black/blue. Is this intentional, saving the Shard you identify with for the later bits of the cosmere?

Brandon Sanderson

So, yeah, if you were going to say blue, who is blue? I would say that definitely we do have some blue Shards, but it didn't just naturally fit to do the stories the blue way, it just didn't happen. So it wasn't that I was saving back the traditionally sneaky or conniving Shards, or at least the powers that are related to that, it's just how it played out. It was very natural for Mistborn to play around with black-aligned and white-aligned, if you are giving a single color to the various Shards. And then on Roshar, it just made a lot of sense for what I was building to have a red-aligned, a white-aligned, and a green-aligned. I don't really think of the Shards that way - I can retrofit a Magic color identity to them, when thinking about it. But White Sand, there's some blue going on with what is happening there, so you have seen some, but you're right. 

R'Shara

Does a region's cultural identity ever have anything to do with their Spiritual DNA?

Brandon Sanderson

Yes.

R'Shara

So, like, people expect Alethi to be tall, so they are more likely to be tall?

Brandon Sanderson

Oh, what you're saying like that? No. Not that part. You're saying like, how someone...does ex...I don't have it working like that right now. That would take more... I will say no on that. Yes, but no.

LewsTherinTelescope

Soul Tones. The "pure tones of Roshar", and the various Rhythms of the various Lights, made me think of these. Does every person and object have a Soul Tone still, similar to the Lights and Shards?

And a followup: if so, is this a manifestation of Identity on the Physical Realm?

Brandon Sanderson

This would still be a way of describing it, though I don't know if it will be used that way on screen at all.

har

Is Cephandrius the real name of the character who goes by different names on different planets?

Brandon Sanderson

No, but it's one of his earliest aliases.

faragorn

I'm positive this is RAFO bait but would one of Hoid's aliases possibly be Cephandrius?

Brandon Sanderson

Hoid is Cephandrius. It's less an alias and more a long term identity. If you read Dragonsteel, it is super obvious.

Brandon Sanderson

Chapter Fifty

Joshua absolutely hates it when I use plots like this.

I don't know why I insist on putting things like this (mistaken identities, people pretended to be someone else, that kind of plot) into my books. I think, deep down, I've got a weakness for old-school Shakespearean farces. Storytelling is just more fun when people can do a bit of pretending.

Anyway, I'd been wanting to show a real Dula ever since I started writing the book. Galladon is such a "bad" Dula that I was very pleased when I found an opportunity to work Kaloo into the plot. You've been hearing, through various asides, about Dulas for most of the book. Now you actually get to meet one. Or, at least, someone pretending to be one. (Uh. . .I hope I'm not giving anything away by letting you know that Kaloo is really Raoden. It wasn't supposed to be a surprise.

Anyway, we'll get an explanation from Raoden later about why he didn't come clean immediately. If he were truthful, however, he'd have to admit something: Though he sometimes teases Sarene for being too fond of political games, he likes them just as much as she does. The opportunity for him to meet her for the third time for the first time was just too tempting to pass up.

In order for "Kaloo" to appear in this chapter, he and Galladon had to do some serious moving. (Realize that this has to be the same day as the last chapter.) I imagine that they made their discovery early in the morning, and Raoden was extremely eager to get out of the city and find out what was happening. They put on new faces, snuck out of the city, and went to the Arelene market to buy some costumes. After that, they went looking for Roial–whom Raoden wanted to contact first. Instead, however, he found Sarene and company fencing in the backyard. As mentioned, Raoden couldn't resist the opportunity to see her–and the opportunity to try out his Dula impersonation.

By the way, you might remember that I've mentioned Raoden's fencing ability before. Very early in the book, I note during one of the fencing practices that Raoden had Eondel teach him to fight simply to spite Iadon. He's actually surprisingly good–Raoden, however, is the type of person who is surprisingly good at a surprising number of things.

grampipon

Considering inside the hardcover Words of Radiance is a giant, extremely high quality, official art of [Shallan], and she totally looks like the northern european stereotype. We might need /u/mistborn for this, because sometimes even official artwork is a mess [with regards to ethnicity].

Brandon Sanderson

Yeah, I've had a tough time pushing to get the images to work like I want. (Oathbringer's cover was more successful here.) The problem is that a lot of artists work from models, and it's hard to find appropriate models.

I've let Shallan slide because I know that if the films get made, she's likely to be cast with a Caucasian actress--and am more ready to make a fight over Kaladin, Jasnah, and Dalinar. So I don't particularly mind if people see Shallan as white, for various reasons--the main one being the one that's been brought up in this thread, I believe. The fact that Vedens, Alethi, and Horneaters aren't real Earth races--and can't really be cast with them. Shallan, having all three bloods intermixed, makes for a difficult description--particularly since I know the average reader is going to peg her as Irish in complexion because of the hair.

I would say that it's all right to imagine the characters however you would like, as it's your version of the story in your head. The Whelan art in book two is how I think most people will imagine her, and I'm fine with that--I wish I'd been able to get Kaladin looking a little more right on the book two cover, though I was successful with Jasnah on book three.

Enasor

How would you cast Adolin? He's always been one I struggled to pinpoint too due to his blond hair and his mixed heritage. Blond hair and blue eyes do bring in given imagery which seems to clash with the Alethi racial identity. Or at least, it does to me as a reader. So how would you approach it while remaining faithful to your work?

Brandon Sanderson

I actually think Adolin could be somewhat easier than others.

When we make the movies, I'll probably suggest that we make anyone from Shin, Iri, or Rira (all along the coast there) look Caucasian. The books can handle a lot more of a learning curve, I feel, than the films--and we won't have things like the Interludes to jump over to Iri to explore their culture. So a race of strange, golden-skinned and haired people who ALSO aren't native to Roshar (different from the Caucasians in Shinovar) might just be too odd.

The Rirans, which Adolin comes from, are already a mixed ethnicity themselves--not even Iriali, so it's fine to make them Caucasian. So Adolin could be cast white, if they really want to. Basically, I'm expecting it to be a bit of a fight to get them to cast four of the leads (Kaladin/Dalinar/Jasnah/Navani) as Asian actors. Maybe I'll be wrong, but from what I've heard from actors in Hollywood, directors and studios are hesitant about not being able to cast known names in big roles. (Ignoring the fact that's hard for Asian American actors to become big names if they aren't ever given big roles...)

So, I can imagine allowing them to go with someone Caucasian for Adolin and Shallan, in exchange for pushing the rest of the cast to be how I'd like.

In a perfect world, though, I'd want someone like Dave Bautista for Dalinar--and someone like Alex Landi for Adolin. (Note that I'm not a casting director myself, so I have no idea who could act the role the right way--I'm just judging based on what I've seen of them in the past.)

Badloss

How would you differentiate the "weird" Caucasian Shin eyes from the others in that case?

Would you go for Alita Battle Angel eyes or something to make the Shin distinctive?

Brandon Sanderson

No, I wouldn't do that. In this theoretical land, the Iriali and those around them would also have Shin eyes. That's basically how it is in the text right now. (Drehy, from Bridge Four, for example isn't Shin--but he's mentioned as looking like a person from "Western Roshar" which means Caucasian to them.)

Badloss

Why do people think Szeth's eyes are creepy and "child-like" if Caucasian eyes are more prevalent on Roshar than being a uniquely Shin characteristic? I read it as the eyes being an exotic and strange Shin thing, just like their animals and plants.

Brandon Sanderson

They are exotic and strange. A pure-blooded Shin is a rare sight, and the way I have it now, even westerners like Drehy are mixed breeds. Even then, someone like them would not be something you see often. But at the same time, it might not be as rare as you think. Like encountering an American when in Japan. Something that happens regularly, but they still stand out. And many people from the rural parts of Alethkar would never have seen one.

Argent

Would a parshman who received multiple breaths, or any other type of Investiture, be able to gain sentience or become more like listener-- Kind of like mistwraith/kandra?

Brandon Sanderson

That would require some Identity changes and transformations.

Argent

So it's not just a dump of--

Brandon Sanderson

It's not just a dump. It's a biological thing for them, they've adapted. So they've evolved to the point where this sort of thing-- It would be like trying to power DC with AC current or the wrong voltage or something like that... I mean once you figure it out it could be an easy hack but finding out that hack it's like-- You know it's like going back to people in the 1800's and being like "Why don't you guys have electricity?" *laughter*

Questioner

Is there a relationship between cinderhearts and what happened to Amaram? And if so, what is it?

Brandon Sanderson

Yes, there is a relationship. It just kind of built on some basic, fundamental cosmere principles. This power feeding a little bit on even your own sense of Identity and Connection and things like this, as the power consumes it, and kind of starts to turn you into a spren a little bit, is what's happening there. Drawing it in. They're very similar mechanisms; it's not that they're related magically, like a lineage of magic sort of way. But on the same fundamental principle. And this is what lets the Unmade kind of just take over a person, quickly consume them, and then move on.

Nouf

What does it mean that Kaladin is close to Honor, and how did that factor into him staying conscious while every other Windrunner in the tower didn't?

Brandon Sanderson

The nuts and bolts answer is, Kaladin basically was in a place where he could say the next oath, and should have said the next oath, and indeed knew the next oath, and it was on his tongue, and he refused to. So basically he was as close to being the next level of Knights Radiant as a person could humanly get, because everyone considered him ready except himself. He even knew that he was ready, but by saying it, it would require him to give up something that was precious to him, which is his feeling guilty. A precious part of his identity as he saw it. And he would have to relinquish that. That's the bulk of it.

The other bulk of it is, the level to which Kaladin tries to protect, the level to which Kaladin exemplifies the Ideals of the Windrunners, and indeed of the way that Honor would have all Knights Radiant act, is so over the top, in alignment with the way Honor would like it to be, that it could even be considered unhealthy. Remember, Honor didn't always encourage healthy relationships with things like the power, particularly later in his existence. So either way, Kaladin is just kind of extra aligned with that intent, if that makes any sense.

Brandon Sanderson

Duladen, Jindoeese, Svordish

Duladen is a language purely of tonal convenience. My only rule for this language was to use that which ‘sounded right.’ It seemed wrong, in a way, to force any firm linguistic constructions on the Dulas. In addition, Galladon’s use of Dula slang was to become a major mood element of the book. I didn’t have enough time in the book to develop the language in detail, but I needed its sounds to give atmosphere.

Duladen implies a laid-back, loose culture. Its words flow smoothly, and even have a hint of ridiculousness to our English-accustomed ears. Even the Dula word for Hell, ‘Doloken,’ has a kind of rhythmic nonchalance about it. Ironically, the part of the Dula language I was most unsatisfied with was its lead character’s name. I eventually changed it from “Galerion” to “Galladon” to make it fit better.

JinDo is probably the least original of the languages in the book. It is an unabashed rip-off of Chinese, as can easily be distinguished. I did this with some hesitance. I worried that I had too much of a ‘learning curve’ in the setting of the book already, especially with the strange circumstances Raoden was going to be forced to endure. When it came to the JinDo language and culture, I feared that stuffing too much development into such a minor part of the book would make it unwieldy.

JinDo is most important for the philosophers it spawned, three men who eventually became the religious foundations of the continent. I chose an Oriental culture to mimic in this case because of the mystical way in which most western cultures regard Asian-sounding names. Simply by calling something “JinDo” gave it an instant sense of foreign-ness.

I went, perhaps, too far by making the adjectival reference for the nation ‘Jindoeese.’ I probably should have gone with simply “JinDo” as both noun and adjective. Other than that, I am satisfied with the culture, despite its lack of original sounds.

The final language, Svordish, was almost an afterthought. I wanted to make it a dialect of Fjordell, something I could point out to show that all of the nations beyond the mountains weren’t just one big stereotype. By giving Svorden a minor identity of its own—with a side character and the ‘sv’ pattern of sounds—I hoped to give a bit of roundness to the unseen Fjordell empire.

Narkac

Can you give us a hint on the madman identity, the man everyone think he's Taln ?

Brandon Sanderson

Everyone think he's Taln!

yoontruyi

Is the magic system being used end-neutral? It appears to be using their Identity to fuel it? Or is that just other magic shenanigans going on causing that kind of effect? (making them grow tired, losing themselves, etc.)

Brandon Sanderson

RAFO. The book will answer some of this but not all of it.

Brandon Sanderson

Chapters One to Three

So, for a little commentary on these chapters, you might find it interesting that I plotted this opening sequence as if it were a climax section of a book. In the Stormlight novels, I generally limit myself to one viewpoint a chapter. This is to give a stronger identity to the chapters and characters--we usually get big chunks from a person's viewpoint (with chapters that average two or three times as long as chapters from something like Wax and Wayne or Skyward.) This gives each chapter a kind of short-story feel with their own arcs and themes.

However, as I approach climactic sections of books, I bleed the viewpoints across one another, adding to the frantic feel of a building crescendo. Viewpoints alternate in quick succession, with bite-sized chunks, hooks and payoffs, like one might plot closer to what you'd see in a thriller novel. The goal here is to evoke quick scene changes, lots of twists and turns, and a general sense that viewpoints are piling up on top of one another to enhance the feeling of an impending climax.

In a normal stormlight book, I generally start slow and build to such a climax near the end of part one. (Though I usually don't start the full viewpoint bleeds until the end of the book.) Here, I wanted to give the feeling that the year that passed had its own narrative arc, and some of those threads were culminating here. So we're beginning the book at the end of the "previous book" (imagining the in-between year as a "book."

That led to some confusion and consternation among alpha and beta readers, since this isn't how a Stormlight book generally begins--but in this case, I decided I was all right with that feeling, as this truly was the tone I wanted starting out.

Questioner

Is Shallan's truth, "I am hap-- It's okay that I can be happy?"

Brandon Sanderson

I'm going to dig into that, but this is a big part of it. Let me RAFO that because I'm not sure exactly how I'm going to express it as it goes along, but that sentiment is a huge part of what's going on with Shallan.

Questioner

I was expecting her to manifest Shardplate in the middle of her wedding because she had spoken such a core truth of her identity.

Brandon Sanderson

Let's just say that I'm being very careful about how I show off the first manifestations of Shardplate for narrative reasons.

Questioner

Why is there only one... I mean is there either one Allomantic power or all of them?

Brandon Sanderson

What do you mean? Oh, why is that? That was mostly for narrative reasons and for making it easy for the reader to track. And, so, why in world? Just ended up being the way the Investiture split but mostly it was for narrative reasons, it was for author reasons.

Questioner

I was thinking if it was related to Identity?

Brandon Sanderson

Yeah, no. It's mostly for my convenience as a writer.

Questioner

We know the Moon Scepter helps to change Identity [and/or/of] Investiture? So in the case of Raoden using *inaudible* Elantrians off-planet, would the Moon Scepter allow them to...

Brandon Sanderson

So the Moon Scepter is part of a key that they are trying to figure out how to do this. Because, Elantrian magic can be really powerful. All of the Selish magics can be really powerful. Because they are drawing from the Dor the way that they do, you're basically hooked up to a giant battery.

So, none of the other Cosmere magics you've seen have that level going on. The closest you're going to get is when you've got a Bondsmith powering the magic for the Knights Radiant.  Cracking how to make that work on other planets is a really important thing that people are trying to figure out.

Freddy

If a gold Feruchemist formed a Nahel bond, could Stormlight healing fill goldminds? Could they turn into basically a hospital by storing Identity?

Brandon Sanderson

Plausible, there's a few things you're not considering.

Chaos

Has people knowing more about the Cosmere changed how you've written the books? Have you put in more connections or less than you planned?

Brandon Sanderson

No, I've put in more. I always wanted there to be more but my instincts said don't do it. Because people were pretty anti-continuity for a long time. They wanted continuity in a series, but this sort of stuff... it's a hobby horse of mine - a pet theory, that I think people becoming familiar with the internet, and becoming comfortable with fan wikis is what made the MCU possible, and is what made the Cosmere work. 

WandaVision - which I've just watched the first two episodes of - doesn't feel like that could exist in a previous incarnation without the internet for people to look up, 'Who are these people? What's going on here? Who are these cameos?' It's just too weird to exist in a pre-internet era, my gut says. 

My publisher was saying 'Don't do this, you don't want people to feel like they're diving into something too deep that will scare them away.' So I was really cagey with it at first as you can tell from the books. And it turns out we're in a different era. We're in an era where this sort of thing is not so threatening. Also my popularity has influenced that as well. The fact that the books sell really well, means that there are good fan wikis, which also means that there are people talking about the stuff behind the scenes in the books. It means I can be a little bit more free with that. 

I still want each series to have its own identity. When I do crossover things, I want them to use the crossover each in their own way. So it doesn't become a big hodgepodge of ideas. The further I've gone the more comfortable I've been making these crossovers happen, and I've been able to experiment and see which ones work best, and what people like. I've also come to better understand it's okay for their to be a chapter where Vasher explains deep cosmere magics. As long as that's not the core of the book people can read that, and people will be like 'he knows lots of weird stuff, oh well', and to them it reads like Star Trek technobabble. But to those who follow these things it will give some structure, and delve a little bit further into how some of this works. 

Questioner (paraphrased)

If two people are identical twins, and one is a Mistborn, will the second be Mistborn?

Brandon Sanderson (paraphrased)

No. They could have different Spiritual DNA.

Questioner

What happens in cosmere terms with Parshendi? Like, they Connect to a spren. And then, by it do they change their Identity, or what?

Brandon Sanderson

Yes. Basically what's happening is, that symbiosis has a similar effect to Hemalurgy, but not so nasty. And it's being reflected there in the Physical Realm.

Brandon Sanderson

For the recording and for the sake of you, Peter and I have a big document that talks about all these mechanics [of blank identity and metalminds]. It's entirely possible that when I'm actually sitting down and building future Mistborn, like 1980s technology, that I'm like "Ahh some of this needs tweaking". So what's not expressly in the books, that I'm telling you guys, has not...I mean it's like 90% canon but it's possible that I'm like "Ahh this is just not going to work" because when we get to the actual plotting of that and future Mistborn, science fiction Mistborn, I'm going to have to look at that and decide, how is the power ratio, right, am I breaking the economy by doing these things. So things that I just have instincts on right now, I haven't worked out the economics of. 

Questioner

So that'll come later.

Brandon Sanderson

That'll come later in the series, so I'm just giving myself some wiggle room on some of these things, but that's how I have it in my head right now.

Lasernatoo

You said before that you want to cameo in any adaptations of your books as someone who dies in each one. Assuming you do this, would it just function as an out-of-universe nod? Or would you canonically be playing a very unlucky set of identical worldhopping siblings?

Brandon Sanderson

It wouldn't be siblings; it'd probably be, like, somebody who keeps getting reborn. Somebody who's immortal in some way, and something terrible happens to him every time he goes. A little like the unluckiest planeswalker from Magic, if you guys are familiar with that.

I would be the same person, I think, because we'd want to keep canon, and things like that. Some dude who maybe had a certain Dawnshard that makes him indestructible, for a short period of time (not Hoid), but tries to keep going places to get out of danger and just ends up getting squashed every time.

Kind of like I'd be the cosmere's Kenny.

Questioner

Have the Heralds lost Connection and Identity? And, if so, can Regrowth heal it?

Brandon Sanderson

*Brandon motions for Joel to hold up the RAFO sign*

Oudeis16

If Bob the Awakener Awakened fifty straw men to dance around, then died, then Returned as FormerBob the Appropriately Named, would FormerBob be able to reclaim the Breath from the straw men in the normal fashion (once he learned the "Your Breath to Mine" Command)?

Brandon Sanderson

Yes. He has enough of his original Identity, and the spiritual connection would remain.

sonofstannis

What if he instead were reincarnated as a lifeless? Is there a way he could reclaim it then?

Brandon Sanderson

Lifeless have someone else's investiture replacing their own. (As opposed to Returned, who are augmented.) Depends on how much of them is left, and if they can achieve sapience again, but I'd say this is unlikely.

WeiryWriter

What if the Lifeless is Awakened with their own Breath? (i.e. they gave it away right before they died and the person they gave it to then used it in the Awakening)

Brandon Sanderson

This has happened already in the world, and it does help.

-Nayrb

Did this happen "on screen"?

Brandon Sanderson

RAFO.

Argent (paraphrased)

Is spiritual DNA inherited the same as regular DNA?

Brandon Sanderson (paraphrased)

Inherited similarly, but not 100% identically, to regular DNA.

Leinton

Who shaves Marsh's head? Is he able to see his hair well enough to do so? Does he have a barber?

JazzyKandra

Is it a matter of Spiritual Identity? Marsh sees himself as Ironeyes, like Kaladin sees himself as branded. Seems like similar things.

Peter Ahlstrom

I do not think it's like that for Marsh in this case, for various reasons.

Avery Hinks

Is there a canonical reason why Vasher and Vivenna changed their names to Zahel and Azure on Roshar?

Brandon Sanderson

Yes, it kind of comes into the fact that Vasher has gone through a bunch of name changes and there are a couple of answers to this. One is, in the Cosmere, like in a lot of like fantasy worlds, names and identity are just a pretty big deal, part of how the magic works is how you view yourself, and I like, in that instance, indicating that time has passed and the character has adopted a new name and things like this, it's just that's a thing.

You've also probably noticed that behind the scenes in the Cosmere there are lots of different groups vying for control and power and things like this, and so going under a pseudonym's actually a pretty good idea. I guess an alias, they're not writing books, it's not pseudonyms, you know what I mean, going under an alias's generally a pretty good idea for just if you don't want attention from the wrong people.

That said, I do have to balance this because, for instance, in Azure's case, you know, I picked something that Vivenna had, you know, blue had been associated with her in the previous book, so it's not a completely, that's partially for the reader's benefit, so it's easier for you to track who is who, just a little bit, and just a little bit easier to figure out who is who.

But if run into someone like Felt, right? Felt doesn't care. He's not hiding from anybody. Felt is, you know, he's more like "I moved from Nebraska to Texas," right? "And now I'm living in Texas." That's more how he views it a little bit. He's not a secret agent (ooh, big spoilers). Felt just, you know, he moved, so he goes by the same name. And that's, you'll see some of that as well. If someone's going by an alias, I'm doing it to indicate one of those two things, usually.

Phantine

... are there also spren attracted to robots?

man, that would be terrible. Being tied to a concept that nobody's thought up yet, so having a huge identity crisis.

Brandon Sanderson

The way spren are created makes this not an issue. :)

Kurkistan

Could an Augur Compound Health out of a goldmind if its proper owner messed with Identity in the right way?

Brandon Sanderson

This is possible