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So, in Steelheart, if you were going to have an Epic be good, who would it be?
If I were going to have an Epic be good in Steelheart, which one would it be? That it as big ol' R-A-F-O, which stands for Read And Find Out because I will talk about that through the course of the books. So you need to read Firefight, okay?
Would the weaknesses that you thought of for Firefight... Is that, did you think of that when you were writing Firefight, did those apply in Steelheart?
They should apply in Steelheart. The things that I thought of in Firefight should apply in Steelheart, the weaknesses.
I loved Firefight... what happens to Houston?
Oh, what happened to Houston, yeah! *laughter* One of my favorite things is, like, destroying my favorite cities. I do this in my epic fantasy. If you've read The Rithmatist, I turned my hometown in Nebraska into the dark tower that all the evil comes out of. And Chicago, one of my favorite cities, has turned to steel. I just melted Houston. Because it's hot here, it kinda made sense to melt, but yeah. Sorry. *laughter* I apologize for melting you. But, y'know, you-- You probably got out. *laughter* You were smart enough to go "They're all evil. I'm going to go somewhere else." It was all those people from the political party you don't like that melted.
Was all of your work on Firefight, is that based on the Butterfly effect?
It is a little bit, definitely.
What exactly is needed to make a motivator? In Firefight they operated on Oblivion to build the bomb, yet people still trade with any amount of Epic cells. Does the amount simply relate to power or is there something else?
This is covered in detail in book three. I've been pretty sneaky about some of this setup, on purpose.
Have you ever thought about making the Steelheart series a graphic novel?
You know, we thought about it for a while. And then what we eventually decided is that we wanted to focus our graphic novel efforts on things that hadn't been published yet. There is actually a mini graphic novel of Mitosis, the short story, but that's the only one. That was when we were experimenting with it. It's not impossible that someday we will.
Steelheart and The Rithmatist, are they a part of the Cosmere as well?
They are not, yup.
Just someone in line said that Steelheart was Hoid's planet, but I thought that they were not part of it.
They are not part of it. Anything that mentions Earth is something that I didn't want to be in the Cosmere.
A lot of people have been asking if this is the end of the Reckoners. It is. The trilogy is finished, and came together wonderfully. However, as you all know, I'm unlikely to leave an ending without some hints of where the characters would go in the future.
I don't currently have plans to do a direct sequel series, but the next project I'm planning is in the same universe. This is a new trilogy in the works with Delacorte (the publisher of the Reckoners), and it's the unnamed project I talked about in my State of the Sanderson post in December. It's scheduled tentatively for a 2018 release, and it's called The Apocalypse Guard.
Here's the pitch:
Over a decade ago, people started manifesting strange, incredible powers. One side effect of this was an awareness of alternate dimensions—some of these powers could reach into other realities, other versions of Earth. Though infinite dimensions are present, most of these are unstable, existing only as vague possibilities.
A few of these worlds, however, are stable. These real, alternate versions of Earth are sometimes very, very different from the one we know. And a bizarrely large number of them, it turns out, are doomed. And so the Apocalypse Guard was founded: an organization of thousands of scientists, engineers, and extraordinary individuals who save planets.
They comb the dimensions searching for stable worlds to contact. When they find one that is facing some kind of cataclysm, the Guard either finds a way to save the planet, or evacuates it. The process can take years, but so far the Guard has saved some dozen planets—though it has lost half as many to utter destruction.
Emma is the Guard's coffee girl. On summer internship at mission control, she gets to witness—from a safe distance—their activities. During the events surrounding the rescue of a planet, however, a shadowy group attacks the Guard and throws it into chaos. Emma finds herself cast through dimensions to be stranded on a doomed planet the Guard had been planning to save. Cut off from mission control, woefully inexperienced, Emma has to try to meet up with the Guard or find another way off the planet before cataclysm befalls it.
In the tradition of the Reckoners, The Apocalypse Guard is a fast-paced, action-oriented story with roots in comic book traditions. This one is a little more science fiction and fantasy than it is superhero, and it will dig deeper into the mythology begun in the Reckoners. It is not a sequel to the Reckoners, in that it has new characters and a new story, but it might help answer some questions left by the end of Calamity.
It's going to be a little while before I write this. Stormlight 3 takes precedence currently, and after that I'm thinking I should probably write the sequel to The Rithmatist. However, I've been mulling over this new series a lot, and even went so far as to commission some concept art.
I've only done this before with the Stormlight books, having Ben McSweeney (who ended up becoming the illustrator for Shallan's sketchbook pages) do concept roughs for the characters, so I could have them as kind of a quick reference for how the characters look.
This was really handy, and so I had it done for The Apocalypse Guard as well. We put the characters together in an action shot, though keep in mind that this was mostly for my internal reference (and kind of as a proof of concept). This isn't the cover art, and isn't intended to be a finished "movie poster" for the books. More a cool piece of concept art trying to nail down character looks and outfits.
Anyway, enjoy!
Art by Kelley Harris – Check out her website and Deviant Art Page!
PART ONE: MAINFRAME ANNOUNCEMENTS
As I will be getting into some of these projects below, I think it’s time to talk a little bit more about Mainframe, my audiobook company.
A few years back, a friend of mine from Hollywood and I were chatting about how hard it was to get things made for film/television. Such projects are just way too big for us to do on our own. Yet I had a lot of projects I thought would work really well in this space.
As kind of a stepping stone toward that, the two of us founded Mainframe with Recorded Books being a launch partner. We figured that we could start taking some of the things I wanted to do for film/television and do them as audio originals—as this was a space the two of us, with some help from things like a writer’s room, could do ourselves. This would let me both explore storytelling in some new ways and build toward one of my eventual goals, which is having my own film production company.
The main goal of Mainframe, then, is to take ideas I have that I (so far) haven’t been able to do anything with, or to take stories I want to see done more as a television show, then try to make audio-drama-style expansions to them.
The first thing we collaborated on was The Original, which you can find right now on audiobook platforms—and is on sale for just $2.75 on audiobooks.com until the end of the year. This was written with Mary Robinette Kowal. I wrote the outline, she did the first draft, I went through (kind of more in an editorial role) and did a second draft, then she did a third draft. I hope you’ll give it a look!
(Note that it, like the other things that come out from Mainframe, should eventually have ebook/print releases. However, they will need some revision to accomplish that, because they are being written specifically for audio. MRK did some excellent work in this area for The Original, as she has a lot of expertise in the world of audio.)
Along with The Original, we began several other projects like this for Mainframe. And I finally get to talk about them here! The first is an extension to the Reckoners series. When I wrote the original books, in my pitch to both the publisher and Hollywood, I explained that I’d really like to do a video game or other tie-in to the series by showing a different group of Reckoners and what they were up to.
To that end, we’ve developed three novellas (cowritten with the talented Steve Bohls)—Author of the middle grade book Jed and the Junkyard War (which has fantastic worldbuilding)—following a new group of Reckoners in the same universe. The novellas start around the time of the end of the original trilogy, then go past them into the future of the series. They can be seen as three “episodes” of a television show, or read together as a single novel, since they are all told from the same character’s viewpoint.
The second project is working on the Legion/Stephen Leeds series. Many of you may know that I wrote the original novella as kind of a pitch for a television show—and while that show has been in development pretty much continually since then, it’s never actually gotten made.
Therefore, we decided to try and basically build our own television series based on the concept, only doing it as audio dramas. In this case, we went with a traditional Hollywood writer’s room, letting a “showrunner” (in this case, my partner Max, with whom I founded Mainframe) guide the process. We’re working together on a “pilot episode” in this framework.
The final project I want to announce is an expansion to the Skyward series. The way the series has gone, the second book focused only on Spensa, without much of a look at the rest of Skyward Flight. As the third novel mostly continues Spensa’s story, I worried about how isolated from the rest of the team the narrative would feel.
Therefore, Janci Patterson and I have designed a sequence of three tie-in novellas to this series. These will each be from a different viewpoint, three members of the team back on Detritus, running parallel to Skyward Three and having some cool overlaps between them.
While the previous two announced Mainframe projects will be audio only, it’s our intention to release these Skyward novellas simultaneously in ebook and audio, with a print follow-up. We feel that because the series is ongoing (and these novellas are therefore a little more important for keeping track of the novels), we don’t think audio exclusive is as good an idea for these.
This may seem like a lot with these three projects, but we’ve been working on most of this for years now—I just haven’t been able to announce it yet. Plus, we wanted to try a variety of different things and see what my readers liked the most.
The Original is a completely new story. The Reckoners novellas are a continuation of a series I’ve finished. The Legion series is a Hollywood-style adaptation, using screenwriters instead of novelists. And the Skyward tie-ins are unique in that Janci and I are working very closely on a story in progress, with the goal of expanding the narrative to give it more depth. (These should read a little more like the Stormlight novellas I’ve been doing.)
After a few years, once these are all out, I’m hoping to get some feedback from you all in regards to these projects about what you liked and what you didn’t. The eventual goal will be to try some things like this in the Cosmere (since I’ve been getting a lot of requests for more Cosmere material). However, I wanted to experiment a little first with things outside the Cosmere, where continuity isn’t as complex and the stakes aren’t quite as high.
So if you want to help me with quality control and making sure we’re doing expansions like this right, check out these projects as they come along! Some of them (like the Reckoners novellas) should be available to grab for free for those of you with Audible Plus, as I believe they’re being released under the Audible Originals banner.
And lastly, Tor just recently released a new box set of Stormlight books 1-3 and make a great gift last minute gift for the holiday season. We’re not sure, but we’re hoping a year from now that we’ll be able to offer a hardcover box set with the first four books.
This week we just had go live the cover of Lux, which is the new Reckoners novel. This is an audio original. There will probably be a print edition at some point. But this is right now an audio original. You can only get it on Audible. We’re doing a preorder push for it right now.
What is going on?
Well, I sold to Audible three Reckoners novellas that I was co-writing with my friend Steven Boles. And he’s a really great writer. And we’re doing these as part of the Mainframe Project. You can read more, if you’re really interested, in the Mainframe stuff in my State of the Sanderson from last year. This is the second of these that have come up together. And while working on this, Steven and I decided just to make it a full novel. Instead of three novellas, we just did a full-blown Reckoners novel with a new crew of Reckoners.
So you don’t have to have read any of the other books to jump into this one. It is a new jumping off point. It connects to the other books, but it is a little bit parallel with the other books and then passing them up and continuing on and continuing the story.
Main Projects
The Apocalypse Guard
This is my next YA book series, in the same universe as the Reckoners. The simple pitch is: Emma is the intern/coffee girl for the Apocalypse Guard, a group of scientists, engineers, and superhumans specialized in saving planets from extinction-level events.
When the Apocalypse Guard headquarters gets attacked by a shadowy and unexpected force, Emma gets stuck on a doomed planet they were planning to save. She has to either find a way off, or find a way to put the Apocalypse Guard's plans into motion—and do so with no training, no powers, and no support.
This will be my next writing project, between Oathbringer revisions and Wax and Wayne 4. Like the Reckoners, it's right on the borderline between YA and Adult—and might be published in my adult line of novels in some countries.
I intend the series to follow in the footsteps of the Reckoners—having the feel of a science fiction/superhero action film. Sometimes as a reader (and as a writer), I want something a little less "steak dinner" and a little more "hamburger and fries," if that makes any sense.
Stormlight is my steak dinner, and while I originally thought of Wax and Wayne as hamburger and fries, by books two and three they became steak dinners too. (Just a 6oz fillet instead of a 12oz T-bone.)
Okay, that metaphor is getting a little out of control. I might need to go out for steak for my dinner. Let's just say that the Reckoners managed to hit that sweet spot of fun action, interesting worldbuilding, and quick plots I was looking for—so I'm eager to do something similar. The Apocalypse Guard is the next step; look for the progress bar to start on it sometime early in 2017.
Status: Outlining almost finished; will be my next project.
Part Five: Updates on Minor Projects
For many of these little projects, you may want to glance back at previous State of the Sanderson documents to see what they even are, as this is pretty long already and I don’t want to keep making the same pitch every year. So really, take note if a specific idea interested you, but don’t worry if you’re confused and you don’t get many details here on these.
The Reckoners, Legion
Both are completed. Though I’ve had enough people asking after them that we’re toying with doing some audio-original novellas set in these worlds. For example, one of my big goals for Legion was to get it made into a television series. While that could still happen, as it’s under option by a production company, I’ve been thinking that maybe I could do something like that on my own—as an audio series. We could create a sequence of episodes written by a writer’s room with me as the “showrunner.” I could see doing something like this with the Reckoners to continue that story, for those who want to know what happens next.
If we can get these off the ground, I’ll let you know. Also, if you like The Original, please let me know—as that will influence me in doing similar projects with Legion and the Reckoners.
STATUS: Completed, but cool things could still happen.
Adamant
No change from last year. This space opera series of novellas is in limbo until I find the right time to work on them. It will happen eventually.
STATUS: No movement.
Starburner/Soulburner
Something’s happening here, but it’s hush-hush for now.
The Apocalypse Guard
Well, this book got weirder—as expected with Dan and me working together on something. It’s moved to the back burner, as even Dan’s revision wasn’t enough to get it where we want it to be. So this one is entering limbo for now.
STATUS: No motion for months now, might be dead.
Other Projects
Untitled Threnody Novel, Sixth of the Dusk sequel, another story with Shai, and The Silence Divine persist as “maybe” stories that someday I might write. They are joined by a Secret Standalone Cosmere Book, that wacky YA Cosmere Book with Magic Kites, Untitled First of the Sun YA novel (not involving Sixth), and a few others as Cosmere novels that might someday make it to the front burner. (Once Skyward is done, I think it would be good to do a YA book in the Cosmere, so I’ve begun working on possible ideas.) Aether of Night also is still hanging around, maybe needing a novel. So we’ll see. I’ll talk a little more about the Cosmere in a future section, after we get to the film stuff.
If I write a novella to go with the Stormlight Kickstarter, it has about an equal chance of being Wandersail (a Rysn novella), Horneater (a Rock novella), or a sequel to Sixth of the Dusk (which is tricky because it reveals maybe a little too much about Space Age Cosmere politics).
Will there be a follow-up to The Rithmatist? Let's go down the list.
So, I am writing Stormlight 3 right now. So, Stormlight 3, our goal is for next fall. You can follow along on my website, the projection right now is for, like, April, which is gonna be really tight for next fall. If I can get it done before April, then we can get it out in November. Otherwise, they would probably wait until January. Usually they skip December, 'cause it's just so crazy for bookstores, you don't want to be sending new books to them in December. So, if that happens, then it will be another January release, or something like that.
I have Bands of Mourning, the next Mistborn book, in the queue.
I have Calamity, the next Reckoners book, in the queue.
And I have the fifth book of the Alcatraz series in the queue. We got the rights back, and we can start publishing the Alcatraz books again in January, so we will be rereleasing the first four with new cover art. It's really cool, we're trying something out with these books, as an aside. We did this really cool full-color map, and we're putting it on the inside of the jacket flap thing. So you can take off the jacket while you're reading the book and see the map, and if this works, we're gonna try it with Stormlight, where you can take off the jacket and see the map, it's just printed in full color on the back, but we wanna make sure it looks nice, that everything's gonna work with it... And then the fifth book will be in June.
By the way, as an aside, those books I just listed, are all collectively shorter than a Stormlight book. You can add the word counts, two Mistborn books, one Reckoners book, and Alcatraz, plus a novella, all were written last year. And this year I've only been writing Stormlight, and I'm still-- yeah, anyway.
Once I finish Stormlight, the next project will be the new new YA series from Random House, following Reckoners. It will be a new thing. I will write one of those, I will probably write Rithmatist 2, I will probably write the last Wax & Wayne book, and then I will go to Stormlight 4. Those will be the three projects I do in between.
So, if the book you're waiting on a sequel to wasn't on that list, I will get to it eventually, but that's, like, the list for the next couple of years.
PART FOUR: UPDATES ON SECONDARY PROJECTS
Alcatraz Series
As I warned you last year, 2021 was going to be spent on repackaging this series–and getting the art for the sixth book done. I also co-wrote this one with Janci, as I got about halfway through it back in 2014 and got stumped on something, so I went to her for help both with that and with smoothing out the character voice. (This one is from Bastille’s viewpoint.)
So, there’s not much of an update from last year. The first five books are coming out with new covers in 2022, culminating with the final book on September 20th. Final revisions for the book are in, and artwork is approved for the new covers of the early ones, so we should be super close.
Their release schedule is below, including the brand new sixth book!
Dark One
A second Dark One graphic novel is in the works for those who enjoyed the first! But in case that’s not your thing, you can go read the Mainframe update above, where we’re working on a prose version. That should be released first in audio, but Dan Wells is currently drafting from my original outline for that–and I’ve read some of his work on it, which has made me very excited. In the meantime, enjoy Dark One: Forgotten, a shorter tie-in that Dan and I have created for release this fall.
Elantris, Warbreaker, Rithmatist
Nothing here, again. (Yes, Rithmatist fans, I hear you screaming at the screen.) Elantris/Warbreaker sequels aren’t planned until after Stormlight Five, as I’ve been saying for years now. Rithmatist might be a little closer than it was, as we’ve been researching potential co-authors who have knowledge and background in the real-world Aztec lore I’d like to incorporate into the book. So don’t give up hope. But, like finishing Alcatraz, this is more a labor of love than a mainline series of mine, so it has to take a back seat to the main stories I’m telling.
Part Four: Updates on Secondary ProjectsSongs of the Dead
Moving this one back to minor projects this year. Though Peter Orullian is still working on it, this is one of the co-authored projects that has turned out to be a more difficult write. He’s spent this year on revisions of it, and I hope you’ll all be able to read it someday. But we need to make sure it’s working right first.
The Reckoners
If you didn’t see that there is a new Reckoners novel out…then there’s a new Reckoners novel out! It’s called Lux, and I co-authored it with Steven Michael Bohls, another of my writer friends. (This was a Mainframe project, and so it was an audio original.) The reception was great, and the sales were great too, so I wouldn’t be surprised if we did another one soon. But we’re figuring out when and how to do this. (Also we plan a print edition sometime, but at the very least an ebook should come out around the one-year mark of the audio edition.)
The Original
This first of the Mainframe projects will soon be getting an ebook release! So if you don’t like audio, take heart. It’s coming in January. I wrote it with the excellent Mary Robinette Kowal, and it’s a kind of cyberpunk/action/mystery.
Check out the pitch for it here!
White Sand
We should have the graphic novel omnibus coming at you sometime in the near future. I hear that the individual original volumes are sometimes going for a lot of money, but I’d suggest not grabbing one of those but waiting for this new edition. We’ve spent a lot of time making it the quintessential White Sand graphic novel experience, updating text and dialogue to be more in line with the Cosmere. There are 38 new pages at the beginning, revised text and art throughout, a new map and glossary, and fourteen Ars Arcanum pages. We think you’re really going to enjoy experiencing the complete package.
All Others
If there’s something not on this list you’re waiting for, then there’s not really anything to update you upon. Other novellas and small projects continue to bounce around my brain, but I haven’t had time for most of them lately.
Are you going to be doing another spoilery livestream?
I think that we will be doing another spoilery livestream. When do you want to do another spoilery livestream? We could do one next month, or we could do one the month after. We could say they're an every-six-months thing. So the next one in July. June or July.
Let's start with that. We're gonna do spoilerific livestreams every six months. They are much harder on me, because I have to pay much better attention to what I'm saying. But they are a lot of fun. I could imagine a world where we get to them three times a year, or something like that, but let's just start with that.
The spoiler stream was December 17th. So, June.
June. So it is. That actually works well, because the spoiler streams can be near my birthday every year. Koloss Head Munching Day. Maybe we don't do it on the first Thursday, and we move it back.
Let's just do full spoilers. What do people want? Do you want full Cosmere spoiler, but no spoilers for non-Cosmere? At some point we should do a Cytoverse (as the fans call it), the Skyward spoiler stream. But only after Book Four is out would that make a ton of sense. Maybe we'll just do full Cosmere. Because the only non-Cosmere stuff people would care about spoilers are probably Skyward and Reckoners. Let's do, like, a Skyward and Reckoners one later. Because we do have some things in the Reckoners world coming our way, the novellas that Steven Bohls is writing. And then we have the Skyward stuff. We will do, maybe, a Mistborn exclusive one after Wax and Wayne Four, with only Mistborn.
I know FOX bought the rights to Steelheart. Do you know if there is anything coming out of that? An update?
Alright. Big update on media properties based on Sanderson things. We'll start with Reckoners since you started there.
FOX owns the rights to the Reckoners, they have been bought by Disney. We don't know what that's going to do to it, but FOX has always been very excited about Steelheart so we will see what happens. We do have the Reckoners board game that came out and is shipping to backers. It's not for sale yet to people who haven't been backing it but it will be eventually. Let's see-- let's go down some of the smaller projects.
Legion is owned by a company out of Canada called Cineflix, and they are working very hard to make a television show out of that. They just bought the rights last summer, but last I heard they had a showrunner interested, so maybe some announcements about that.
The closest to being published-- the closest to being a movie is probably Snapshot. You probably don't know what that is. It's one of my novellas, it's like a mix between The Matrix and the movie SE7EN, so it's very different from a lot of my stuff. It's very close, they have a script and the screenplay's really good, they have someone attached to direct but they haven't announced it yet so I can't announce it. That one is probably the most close, which is going to be weird when my first movie is a serial killer thriller, but y'know, whatever.
The Cosmere books are owned by DMG Entertainment. They are a Chinese company that funded some of the Marvel films. They've moved into making their own films. They have been a wonderful partner. They are trying very hard to make Stormlight a television show and Mistborn as a movie. It's very hard to get epic fantasy things off the ground but they're making good progress, but there's nothing to announce yet. I think that is everything.
Remember next week we have the new Reckoners novel, which is audio only right now. Why audio only? Well, Audible actually funded it. Audible’s the one that paid for us to spend the time and put this all together. There will be a print edition eventually. But right now we’re pretty happy with the fact that Audible, who had the audio rights to the previous Reckoners novels, they wanted more. They were really excited by the idea of getting more, and they’re some of the ones that pushed for it. This wouldn’t exist without Max at Mainframe who is my business partner over there, who is running that side of things really well and making audiobooks. And without Audible wanting a fourth Reckoners novel, which I wanted to do but just didn’t quite have the time or motivation or things like that. Eventually we’ll get an eBook and an audiobook, a print book, and an eBook out eventually. For now, audio original.
If you want to see more sorts of things like this, let me know, like by go purchase the book. Let me know what you think of it. Lux is a big experiment. I really want to hear from you guys on if this is the sort of thing you want me to be doing more of.
PART TWO: MY YEAR
I keep a handy spreadsheet to track my work throughout the year—it has a list of dates on the left, and then a column for words written each day, and other columns for goals and targets and the like.
One of the ways I keep myself productive on projects is by setting goals and tracking my progress toward milestones. Making progress really helps me feel the book coming together, and it keeps me motivated. It also lets me look back and see what I spent my time doing each year. So, I can give you specific dates of when I was working on what during the year.
January–July 12th: Rhythm of War
December 2019 on the 31st, I finished the first draft of Rhythm of War in a marathon writing session. Then, three days later, I launched into revisions. Revising a book this big is a long, involved procedure, using many alpha and beta readers.
It’s not my favorite part of the writing process, particularly with these long novels that take a ton of effort to revise. However, I’m extremely pleased with the resulting book. These days, I balance my time between Stormlight books and other projects—eighteen months on each, in rotation. It’s been working well, so I imagine continuing it for at least one more cycle.
That means I’ll start writing Stormlight 5 on January 1st, 2022 for a fall 2023 release.
July 13th–19th: Songs of the Dead Revision
You can hear more about this in project updates below. This is a book I’m working on with a friend, Peter Orullian. His latest draft came in, and it was my turn to do some work on a few key parts of the story before turning it back over.
July 20th–August 26th: Dawnshard
I would have liked to have had more time between Rhythm of War and Dawnshard, the latest Stormlight novella. (This one focuses on Rysn and Lopen, if you haven’t read it yet. The ebook is out now.) However, since I wanted to get it out to Kickstarter backers before the arrival of Rhythm of War, I had to slot it in as early as possible. To that end, I dove in and finished the first draft in July–August.
A fun fact in here is that my computer died halfway through writing this one, but I had a new computer within a day—since I work from the cloud, my computers are basically dumb terminals. This is probably my favorite thing about the modern writing process. Unless major cloud services somehow lose all their data at the same time my computer completely dies, I’ll never lose any writing ever again. (Something that has really happened only once in my life, long ago, but it was a perpetual worry for a big chunk of my writing career.)
August 28th–September 17th: Reckoners Novellas
My extra time this year gave me time to do a pass on these novellas, which had been in the works for a while now. (See the Mainframe announcement above.)
My work these weeks, then, was me getting the first drafts from the author and going through for my pass, working on them—mostly in an editorial role, making suggestions and helping beef up the story in various ways.
We hope to release these in 2021 sometime. So stay tuned!
September 18th–29th: Skyward Three
The third Skyward book (out of four) is my current main project, and things are going really well for it. (Particularly because I’m excited about the Janci novellas, and how they’ll tie together with the novel.) I dove into Book Three in earnest in September, first cleaning up the outline, then writing a short chunk of it before Dawnshard revisions came due.
I did take a day off in here to rent a theater (which was really cheap to do in the COVID months) and go see Tenet with my family. I love me some Christopher Nolan, and wanted to experience it on the big screen. I think you can guess from the way I like to plot that I loved the film—it might just be the most Nolany Christopher Nolan film that was ever Nolaned upon the world.
October 1st–13th: Dawnshard Revisions
I actually did a brief 2.0 of this between work on the Reckoners novellas earlier in the year, but the bulk of the revision process happened here, after we got back beta reader feedback.
Print and audio editions should be forthcoming. I’ve been thinking I’ll probably release the audio under my Mainframe imprint—even though this book isn’t a collaboration—as the print edition’s publisher is undecided as of yet. Translated editions should be forthcoming in most of my major markets.
October 14th–Now: Skyward 3
The tentative title is Nowhere. If you want to read the various updates on this book, look at the updates section. (I did also sneak a final polish of Dawnshard in October, and had a week off to do Rhythm of War launch party stuff in November.)
Movie/Television Updates
Steelheart
The Reckoners series was optioned some years ago now by 21 Laps, Shawn Levy's company, using backing from Fox. We were happy when they renewed their option this past summer, as we weren't certain what the status of this would be in light of the Fox–Disney merger. It seems they're planning to take the Reckoners with them through the process, which is good news.
This was an exciting deal, as Mr. Levy has done some great work—including the film Real Steel, which was an excellent adaptation of the original story. (And, of course, he was heavily involved with Stranger Things on Netflix.) Beyond that, it came with the implicit promise of support from Fox, meaning that we could skip the "finding a studio" step. That said, this is still in the screenplay stage.
How do you go about setting the age/reading level of your books? Alcatraz, Reckoners, and Mistborn feel completely different...
Also, where does Skyward fit in the spectrum of maturity?
It's mostly done by instinct as I look at similar books, at myself at a given age, and at what my readers think. (Particularly those of younger ages.)
Skyward is somewhere just underneath Reckoners in age.
Are we going to see anything in the Elantris universe anytime soon?
You should see-- I mean "anytime soon" is a very sub-- difficult to answer. Like the next thing I'm doing are the Mistborn books, I actually wrote two of those instead of one because two for the price of one, right? Did you guys know this? I sent them to my publisher because the book was due and I sent the book off and I attached a sequel to it *laughter* in the email and said nothing about it except "Here's your book" and then went to bed 'cause I was sending this at like 4AM because I stay up really late. And so I got up the next morning to mass panic from my publisher and agent and they're like "You put two books in here!?!" and I'm like "Yeah I wrote two on accident" *laughter* And so I did that, and yeah. And then they threw a party because an extra Sanderson book, unsurprisingly, is a pretty big deal at the publisher and then they decided to publish them very quickly. So what I'm doing is I'm writing Calamity, third of The Reckoners, and final of The Reckoners, right now. So our next sequence of books will be two Mistborn, then Calamity, and then the third Stormlight book.
When is the next book coming out?
The Rithmatist is the number one most requested sequel I get. This is probably because people know that I’m working on Stormlight, otherwise that would be the number one most requested. To understand, I have to tell you a story about where The Rithmatist came from. So after I finished Warbreaker, I very deliberately said, I want to write something else in the Cosmere, and maybe this is the time to write the backstory of a character named Hoid. So I sat down and tried to [...] write this book, which I called The Liar of Partinel. The book was a disaster. Sometimes even as a pro, books just don’t go well. I had a contract for it and everything. I was supposed to be writing this book, and then its sequel, and... big disaster. I finished the first book, I forced myself to finish it, but I had no desire to revise. It was just not what it needed to be. When I eventually write that story, people are going to be expecting a lot from it and it can’t be a half-hearted book, and it felt half-hearted.
So instead of [...] I told my editor, “oh yeah, I’ll be getting to that” and I wrote a [...] book, which was called Scribbler back then. Originally named Scribbler, and the origins for it were, the magic system is the start of this one, as you might be able to guess. I started doing these little drawings, which Ben McSweeney eventually re-drew to be a little bit better, but they started as my own drawing that we put between the chapters. But we started with those because I wanted to do something new with magic that I hadn’t done before. What I realized is that I never made a book where the magic was used to play games. We as human beings, we play games with everything. We turn anything into a game. This is a hallmark of humankind, we play with stuff. When we’re no longer killing each other, we come up with jousting, so we can make that a game. The idea of basically playing magical Starcraft on the ground around you was really interesting to me.
So I started doing all these drawings and writing this book without telling my editor or anybody I was writing this book. Wonderful experience. The book came out very very well, it just came together. It’s one of those books, you don’t expect it, I didn’t have long term plans, I hadn’t worked on an outline for years and years, I discovery wrote most of the book. About the time I had to go to my editor and tell him, “I’ve written a book on accident”, I think I sent you The Rithmatist, right Joshua?
I said I wrote this book on accident, right around that time, I got a phone call from Harriet McDougal, who’s Robert Jordan’s widow. She said, it’s a long story but it ended with me on the phone with her, because she’d left me a voicemail and I’d missed it, but I eventually got a hold of her, and she said, “Well I was just wondering if you would be willing to finish my husband’s series, the Wheel of Time”. To which I responded, “dakjs;dlfj;alkna;sdf” [verbal keyboard smash basically]. I really did. I wrote her an email the next saying, “Dear Harriet, I promise I’m not an idiot.” But the book that got left hanging was The Rithmatist. Liar of Partinel I was happy to shelve and do nothing with. It wasn’t a good book. Rithmatist was. But I knew that if I were stopping to do the Wheel of Time that I would not have the time to do a Rithmatist sequel for a while. Because my career so far had gone standalone, series, standalone, and then I was looking to do another series, which is why I tried Liar of Partinel.
Once I did Wheel of Time, I said now is the time to do Way of Kings, which I had been putting off for a while cause my skills weren’t capable. I tried it and it hadn’t worked and I was like, I need to get better as a writer. But I was pretty sure I could do it, so I sandwiched Way of Kings in between two Wheel of Time books. But then I had The Way of Kings going and people expecting those, which is a good thing I got started on it because it’s a long series. If I were still putting it off, we might have troubles when it actually came out. So eventually, Rithmatist, I need to release this book, it’s really good, people are going to like this. So I gave it to Tor and had them release it. But the problem is, when am I going to do a sequel? It had been a little side project in the first place that I’d done instead of writing something else.
I found time about 3 years ago. I took out my outline. My process often is, I will write a first book, then I will outline a series for it, then I will revise the first book to match the outline. I did this with Mistborn, I did it with the Reckoners, and I had gotten as far as outlining for the second book of The Rithmatist. I sat down to write it and I didn’t like the outline anymore. There were some things wrong with it. One, I had grown a lot as a writer. One, I don’t know if you guys discussed this, but the Rithmatist as a whole, it’s a great book but there’s a big danger zone in it. And that is, how do you treat indigenous people during the area of colonialism? There’s a big big minefield there, and the second book’s goal was to start dealing with that minefield, and I felt my outline for the second book did not do that respectfully. As I had grown as a writer, when I looked at the outline, and I was like, I cannot write this book because I’m not treating the original inhabitants of America’s cultures well enough. So I stopped and I read three books on Aztec culture. The second book is called The Aztlanian. Aztlan is the mythical origin of the Aztecs, it’s where their legends say they came from. If I’m dealing with real world mythology, that minefield grows so much bigger. You gotta do it right. This is something I wanted to do right. So I read a bunch of books. I rebuilt my outline, I felt really good about it, but there was no more time to write. I had a month or two left, so I wrote the fifth Alcatraz book instead. I can do those in a month or so, but this I knew was going to take three to four months, so I put it off again.
I’m still looking for a hole in my schedule. The new outline for The Aztlanian is very good, it’s solid, I feel like I’ve got a handle on how to write it in a sensitive way, because we don’t want to avoid difficult topics in science fiction and fantasy. If we do that, it’s just the same as it’s always been. But if you are going to touch on sensitive topics, you need to do it really well. I really like where it is now, but when am I going to write The Aztlanian? I don’t know yet. The answer to you is, when am I going to do this? I have to find a time between my mainline projects, which right now are Stormlight Archive for Tor, alternating with Mistborn novels, and for Random house it’s the Reckoners books and that sequence. In between one of those times, I will find some time to The Aztlanian, and I will do it, and I hope it will be awesome, but I don’t know when that is.
This is the book I’ve left hanging the most. Most everything else is a side project or it’s the Alcatraz books, which I’m making fun of people by taking a long long time, it’s intentional. If you haven’t read those books, they’re very different from everything else that I’ve done. The whole point is to make fun of the reader while the reader reads them. Every book plays some sort of dirty trick on the reader. The fifth book ends on a huge huge huge down note with the author, who’s Alcatraz, of the book saying “I’m not going to write any more, sorry guys”. But then there’s a little footnote at the end, one of the other characters like, “I’ll write the story so you get an actual ending.” Jokes like that on the reader, and the fact that it’s taking forever is part of the joke. Rithmatist is the one I actually feel bad about.
So, you've mentioned-- you have an idea of how the Cosmere's going to go. The ending of the Cosmere, considering you have seven more Stormlight books to write and years to go, does the ending of the Cosmere hang over your head?
Does the ending of the Cosmere hang over my head 'cause I've got a ways to go-- Yeah, it's starting to loom a bit! You know, when I was in my twenties and thirties doing this, "Ah! I can write every story, I've got plenty of time!", but now that I'm in my forties I'm-- let's make sure we focus and keep going on this. So one of my goals has been to try to learn to write novellas so that the random ideas that pop in my head became novellas and not novels, because the way I work, I can't stay on one thing between books I find that it burns me out really fast if I don't have something new to work on, but if that new thing to work on can be a novella like one of the Legion books, or like Perfect State, or Snapshot or something like that and then I can jump back on the kind of mainline book I can reset myself quickly. And that why you see me practice that and things like that.
My goal is kind of closing things off faster than I open them. This is why Legion got finished this year, why Alcatraz will probably get finished next year. Those of you waiting for a Rithmatist sequel *sighs* eventually. I need to get those other two closed off first. For those of you waiting for Reckoners, I consider Reckoners to be done. If I eventually fix and release Apocalypse Guard, that might answer some of the questions you have about the end of that series. Elantris and Warbreaker are both part of the Cosmere arc, what I'll probably do is I'll write Stormlight 4 and 5 and the last Wax & Wayne book over the next few years-- five years, next five years probably. *laughter* And then I'll probably stop and do Mistborn Era 3, which is the 1980s Mistborn, and maybe some Elantris sequels. And then I'll come back and do Stormlight 6-10 which take place about 10 years in-world after Stormlight 5. Same characters, at least the ones that survive. *eruption of laughter* That might be all of them! No spoilers there. But Stormlight is ten books. The way Stormlight will go is Book 4 is Eshonai, Book 5 is Szeth, 6 is Lift, 7 is Renarin, 8 is Ash, 9 is Taln and 10 is Jasnah. That doesn't mean that the person survives, it means that it's a flashback sequence. *nervous laughter* Just keep that in mind. So if your sequel wasn't on that list then don't hold your breath.
Leatherbounds. Will Skyward be part of that?
There are plans to eventually do Skyward. Here's the thing: we have the rights. Reckoners, we don't have the rights on. So we would like to maybe do a Reckoners one, but we would have to go to the publisher and work out the rights. By the time we signed for Skyward, we knew this was a thing we loved to do, so we just included it in the contract. So Skyward is actually more likely than Steelheart, even though Steelheart came out first. Though I would like to do both of them eventually.
The primary Cosmere stories are our focus, and so it remains to be seen whether we will have the resources in-house to put together other books. We would like to. We are not promising them.
<audio obscured> in the Firefight-- The Reckoners series, was there a particular character you gave the <audio obscured>
So the question is: In The Reckoners, was there a particular power that I gave to someone because I just thought that power was cool. And yeah, the tensors. They can turn things to dust. For years I'd been walking around looking at our society where we have all this metal and this wood around, and things like that. I just loved the idea of just being able to turn it to dust. Maybe it's like a "reducing things to their more primal state" or whatever-- but anyway it was one of those magics that was in my head for a while. And really superheros are magic. I don't pretend that they're science fiction, they're magic. So I just designed these magics that feel cool to me.
Inquiring about the possibility of new things coming to the Reckoners world?
Actually, yes, I am working on something new with the Reckoners right now, that I can't quite announce yet, but it is likely to be audio original. I think I talked a little bit about that in State of the Sanderson.
Where are Brandon Sanderson properties as far as other media are concerned? So let's run down them.
Fox has The Reckoners. I don't know how being bought by Disney affects that at all. But they have been very enthusiastic about The Reckoners for many years, and I hope that they will continue to be.
MGM has Snapshot, which is lesser-known, it's like a cross between The Matrix and Se7en. It's very different for me. They are very far along, they have a really excellent screenplay, and that one, I wouldn't be surprised if that's the first one that gets made. Which would be kind of odd if the first Brandon Sanderson property is a serial killer thriller.
Speaking of thrillers, Legion is owned by a group, they just bought it this summer, and last I heard they were working on showrunners and had somebody interested, so that is in a good place also. We probably have to change the name, now that Marvel has a Legion show.
The Cosmere is owned by DMG Entertainment, whom I love. They have been great to work with. The Cosmere is very difficult to adapt. They have been good partners in trying to find the right way to adapt that. Nothing is off the table. I still think it's most likely that we would see Stormlight as a television show, Mistborn as a movie, but these things are still in the foundational stages, just of getting screenplays that we like and things like that.
I think that is everything right now. I'll do a bigger thing on my blog in December where I catch anyone up.
Any more board games? There was a Stormlight board game, and we have backed off on that because some of the early things we got, we didn't like the direction it was going. We have really liked the two board games that have come out. They have both turned out really well. They have both fulfilled their Kickstarter requirements, which is one of our number one things, we don't want to have that hanging over people. So they've both been really great partners. I still would like to see Stormlight, we were going to do a Shattered Plains style game. We'll see how that goes.
Snapshot sounds very interesting! Knowing that it's set on the Reckoners universe, I was wondering if I should change my reading plans and start with them now, or if Snapshot can be read without previous knowledge.
It is unconnected to the Reckoners story. You can read it without reading the series.
Can Megan manifest a Cosmere reality? The Reckoners is not part of the Cosmere, but one of they main character's power is reaching into alternate dimensions. I want to see some epics on Roshar!
I wanted to avoid multi-verse theory type things in the Cosmere, in part because the Wheel of Time delved into these concepts, and even before working on the WoT was looking for ways to keep the Cosmere distinctive from it.
Beyond that, multiverses (along with time travel) really play havoc with continuity. I felt the cosmere was stronger if I kept to the three Realms--that's complex enough. Assume that in the cosmere, while different possible futures/pasts do branch (and can be seen) things like Allomantic gold are NOT looking at other realities--and there is only one reality, once events actually occur.
This does mean that time travel into the past is not going to be a factor in the cosmere.
This separation does let me divide these concepts off and play with them in other realms (like the Reckoners) where they're 'quarantined' so to speak.
Part Four: Updates on Secondary Projects
Alcatraz
At long last, after years of promising it, Book Six, Bastille vs. the Evil Librarians, came out earlier this year. Janci did a wonderful job, and I am delighted that we were able properly conclude this smaller yet still beloved series. Alcatraz now joins Legion in that category, and only The Rithmatist remains. (I almost don’t want to get back to that one now, if only for the memes…)
Anyway, if you’ve been waiting on this series, it’s done! This concludes updates on the series, and I’ll move it off the State of the Sanderson going forward.
Dark One
Mainframe Audio will be releasing a collaboration I did with Dan Wells in the Dark One universe sometime very soon. It’s called Dark One: Forgotten, and I’m thrilled with how it turned out. Rather than writing that one as a novel, it’s presented as a fake True Crime podcast that slowly uncovers a supernatural mystery; because of that, it’s an audio exclusive, and you can pre-order it HERE. In addition, work proceeds on the second graphic novel and the actual novel–which isn’t a novelization of the graphic novel, but instead working from my original outline and spinning off into exciting new directions.
Anyway, lots of fun things are happening with this project, which I hope you’ll enjoy.
Other Cosmere Novels
The Year of Sanderson includes three books in the cosmere on new planets, with new magic systems. (Well, new-ish in one case.) Each of them are self-contained. (Well, self-contained-ish in one case.) But each book has some references to characters and/or worlds you already know.
I really hope you enjoy this surprise experience next year! And I hope you don’t get overwhelmed. I promise not to do anything like this again in the near future, but at least all four books (plus Defiant, which also releases next year) when added together are not that much longer than a Stormlight novel. So it’s actually a quite ordinary amount of Sanderson, if you think about it, just spread out across multiple titles.
It’s also worth mentioning that Tor has repackaged and will be re-releasing the original Mistborn trilogy, with all-new covers. They look great, and I’m grateful to everyone who worked so hard on the new editions.
Elantris/Warbreaker/Rithmatist
All will have to wait until Stormlight 5 is finished, I’m afraid. Stormlight’s my main focus now!
The Reckoners
I am letting a friend of mine, Stephen Bohls, play around in the Reckoners world! He has one book out, titled Lux, which he wrote with heavy input from me on the outline and revision. It’s only in audio right now. No other updates currently, though we’re considering more books in this series. Weigh in on how you’d like me to proceed! Did you enjoy Lux, and want more?
PART SIX: LICENSED PROJECTS
Brotherwise Games
Brotherwise Games, the team that created Call To Adventure: The Stormlight Archive, would like to announce a new project: Stormlight miniatures. They’re working very closely with Isaac and the Dragonsteel team to create official sculpts of more than 20 characters. The miniatures will be standard scale (28mm-32mm), unpainted but highly detailed. This project will head to Kickstarter in summer of 2022. You can sign up for more information at the Brotherwise Games website.
The Kings Wild Project
Jackson Robinson and co at the Kings Wild Project have created a fantastic deck of Mistborn playing cards that are currently up for pre-order. They visited a few months ago and filmed some of Brandon’s reactions to the cards themselves.
Nauvoo Games
Nauvoo Games ran a Kickstarter in late 2020 for The Reckoners: Steelslayer expansion to their Reckoners game. They have some nicely detailed updates on their Kickstarter page, including a way to lock in a late pledge. The game is being shipped internationally, and the latest update from November has some specifics for what to expect depending on the continent.
The Black Piper
The producers of the Kaladin Album are waiting on their hardcover art books to arrive and will send them to backers soon after that. They’re unable to sell the exclusive hardcover edition outside of the Kickstarter, but for the Dragonsteel convention in November, they were able to make available some softcover versions as a bundle with the album. Some of the second edition softcover art book/album bundles are still available for a limited time.
Here’s a list of our other licensees in case you would like to check out some of the awesome things they’re doing
With the second draft of Calamity done and awaiting editor revisions, I thought I'd take this opportunity to re-approach a very common fan question. Do we learn Regalia's weakness in this novel, and if not, would you mind telling us what it is here?
Boy, I do get this one a lot. I'm wary of saying anything until Calamity is out, not because Regalia's weakness is specifically relevant, but because I've found that even the most innocent of things I say can sometimes lead to spoilers. The nature of the weaknesses is a big part of the three book arc of the Reckoners, so I don't want to hurt anything.
That said, as I mentioned, Regalia's weakness is not actually relevant. I've just been avoiding the question for reasons stated above.
Regalia's weakness was being proven wrong. If you could figure out something she'd done incorrectly, and prove it to her so she couldn't avoid the truth, she'd briefly lose local control of her powers. But I didn't want that book to be about figuring out/using her weakness, in order to distinguish it from books one and three, which use that as the major plot. So I avoided bringing up the idea, or really even using it in the story at all.
How hard would it be to trigger exactly? For example when David called Regalia to his location in the Reckoner hideout she figured out that she was searching for it in the wrong location. Is that why she took a while to appear or was there something specific about that situation that made it not count?
Yes. That is a time that would trigger her weakess.
In Alcatraz, he mentions a souvenir about a bullet that can pierce steel. Was that nod to Reckoners?
Yes, that's a nod to Reckoners. There's lots of them. If you read the Alcatraz books, there's an Asomedean joke, there's a Spook's street slang joke. The Alcatraz books, if you haven't read them, are kind of me practicing my improv skills as a writer. Every writer, I think, needs to have some measure of ability to outline, and some measure of ability to just "pants it," as we say. And the Alcatraz books, I write completely pantsed. I give myself a list of things that need to be in the book, and I try to work those in as I go. And that ends up with a lot of me making jokes about myself and my process.
Can I ask what defines a "trilogy's worth of arcs"? I always thought that roughly corresponded to wordcount, but your wordcount-per-trilogy has halved from ~650k (Elantris, Mistborn 1, Warbreaker) to ~325k (Mistborn 1.5, Stormlight-without-interludes, Reckoners) so I must have that wrong... but I'm not sure why that's wrong.
I plot these like a trilogy each. The entire [Reckoners] trilogy, for example, is shorter than the way of kings. I plot a book of Stormlight using similar (though not exactly the same) methods as I use in building a series of other books.
What does "like a trilogy" mean? Or is there somewhere you'd recommend I go to learn more? From my uneducated perspective, "like a trilogy" means "long, lots of stuff happens, three books".
Well, what makes a book for me is usually an arc for a character mixed with a plot arc. Often multiple plot arcs and character arcs. It is less "stuff happens" and more "stuff happens for a reason, building to pivotal moments or discoveries." My YouTube writing lectures might help explain better. Look for the ones on plotting.
I think I understand...maybe...
Do I have that right?
Yup. You've got it. Though often, the difference in a longer book is the number of arcs. For example, in Mistborn, Vin has multiple arcs. (Learning to be part of a crew, training to use the magic, practicing to join high society, falling in love, and learning to trust again.) Those are mixed with a large number of plot arcs. A shorter book might have a character with a more straightforward, single or double arc.
My first encounter with the term "story arc" was from J Michael Straczynski talking about Babylon 5 in explaining how it was plotted.
The term to me invokes a visual of tracing an arc across the sky from left to right, symbolizing the journey of an overarching plot or narrative to its conclusion.
Brandon was using trilogy with respect to the Mistborn series until Shadows of Self got away from him and became two books bumping the total to four :-).
That's almost right. I wrote Alloy of Law as a stand alone test of the new era. I liked it, so I plotted a trilogy to go alongside it. I ended up writing Bands of Mourning before Shadows of Self for various reasons, but it isn't that Shadows of Self got turned into two books. Those were always two very different books in the outline.
The point where things expanded was after I tried out Alloy of Law, liked it, and decided to do more books with the characters.
My Year
January–June: Oathbringer Revisions
I spent most of this year doing revisions for Oathbringer. I did several exhaustive drafts during the January–June months, and did the final handoff to Peter (for copyediting and proofreading) right at the end of June.
June–Mid September: The Apocalypse Guard
Then, for the first time in what felt like forever (it was really only about sixteen months), I got a chance to work on something that wasn't Oathbringer or Edgedancer. I launched right into The Apocalypse Guard, the follow-up to The Reckoners…and it didn't work. I spent July, August, and part of September writing that. (I finished the last chapter sometime in early September, and turned in the second draft a few weeks later.)
September–October: Legion 3
I was already feeling a little discouraged by that book not quite coming together, though at that point I assumed I'd be able to fix it in revisions. (Well, I still think I can do that–I just think it will take more time.) Mid-September, I launched into Legion Three: Lies of the Beholder. That took around a month to finish, bringing us to mid-October. By then, I knew something was seriously wrong with The Apocalypse Guard, as my revision attempts were fruitless. So, I called Random House and pulled the book–then launched into Skyward.
October–November: Skyward
I have been writing on that book ever since, and you can read the blog post yesterday about that.
November–December: Oathbringer Tour
The tour was wonderful–somehow both exhausting and energizing at the same time. Here are some of the fan costumes that showed up this year. Thank you all for coming out to see me!
December so far: Skyward
Unfortunately, and I know you guys know to watch for them, there are no hidden or secret novellas or books for this year. I have been running around feeling behind all year, first on Oathbringer, and then trying to find a replacement for The Apocalypse Guard.
When planning multiple eras in Mistborn, did you know, for example, all the metals and magic when you published The Final Empire? Or did you leave open areas that you hinted at so that you could later explore and fill in the magic?
Final Empire is an excellent example, because it established what my model became. I wrote Final Empire, having an idea, but not have the entire nin-book sequence plotted. Not even the three-book sequence. I wrote that one and said, "Let's just write the book and see if it works." This is generally what I like to, rather than planning out the whole series. The exception to this was Stormlight, which needed the entire series planned out first. But with Mistborn, I was able to write the first book having ideas of what I wanted to do, but just make that book right. And then I sat down and said, "All right. The first book worked. I have the characters where they work. Now let's build the series." And when I did that, I went into a lot more depth on the metals.
But I did still leave... I knew, basically, what the other metals were gonna do, but I didn't have the mechanics down. Because I wasn't sure if it was gonna work. Playing with time, and all the stuff in Feruchemy where I'm playing with Connection and things like that, these were all kind of fundamentals of the cosmere that I wasn't 100% sure how I wanted to play out. So I basically kinda did the "best of both worlds." I left those holes knowing what they were probably going to be. But I was very careful not to give too much about them in the original trilogy, just in case what I wanted to do didn't end up working.
And that's worked out pretty well. I did manage to finish writing books two and three of Mistborn before I released the first one, so I could make sure that the continuity on the narrative really worked. Still, there are some things that I would change. I was much younger as a writer back then. I think some of the stuff in the third book, though it clicks together, it doesn't click together quite as well as I wanted to. Ending of the first book, I've talked about before. But I'm pleased with that process. Though every author has to use a different method, I do suggest trying that one. It's worked very well both for Mistborn and for Skyward. Worked a little worse in Reckoners, to be honest. Because the first book, I did not deal with any multi-dimension stuff, but I built it in after. Wrote the first book, went back, made sure the first book worked, then I wrote book two and three. And I was never quite satisfied with how the interdimensionality worked in that series. I think the magic system ended up cutting a few too many corners. So, in that case, doing it from the get-go from book one, instead of writing book one and then building it, might have worked better. Book one remains the strongest of the Steelheart series, I feel, because of that reason.
Regardless, it's been an effective method. It worked very worked Mistborn. It worked very well for Mistborn Era 2. And it has worked really well in Skyward so far.
I've heard you are a plotter, yet chose to write The Reckoners as a pantser. What were some of the unexpected difficulties or advantages of pantsing?
I "pantsed" the first few chapters of Steelheart, but I quickly went from there to creating an outline. The early part was exploration, the first three or four chapters. That's not uncommon, even for an outliner. However, I did then stop and produce a really solid outline for the book. (Actually one of the most solid I've ever made.)
When you're discovery writing, you often have a lot more success creating and discovering characters, in my experience. That's why I often free-write a few opening chapters to a book, so I can get a feel for who these people might be.However, a difficulty with discovery writing (pantsing) is plotting it's very difficult to create a tight narrative without an outline. (That said, many people who love to discovery write can fix this problem in revisions.)
Projects in Development
These are projects you might have heard of, but for which no solid evidence of them ever being released is out there. On occasion I might do readings from them, and I might tinker with them—but I don't have much specific to tell you about release dates.
New YA Series
I am developing a new YA series to be released after the Reckoners with the same publisher. I can't say much about it right now, though we will probably do some announcements regarding it during the Calamity tour. If all goes well, the first book of this trilogy will be the third shorter novel I write between Stormlight 3 and 4.
I always need to have something new to be working on, if only in the back of my mind, to help prevent burnout. I'm excited about this series right now, and actively working on the outline. But I won't be digging into writing it until next summer or fall, depending on when Stormlight Three is done. So I don't expect a release for a while yet.
Status: Outlining
In the last SoS, Brandon mentioned that a new Audible original called "The Original" was coming out soon that he wrote with Mary Robinette Kowal. I haven't seen any news of it in the last six months. Does anyone know anything about it?
The publisher decided they wanted it to come out later this year, rather than earlier. I'm still a little baffled as to why. I think they're looking at August right now?
Audio original, though it's not published by Audible. (I think it should be still available there; I just did it with a different company, one I've worked with before. For the record, the only ones Audible has published directly are the Reckoners and Skyward.)
This one isn't full cast, but does have some audio mixing and the like, with a little original music.
I want Megan to have a novella.
It's possible. Most likely, Mizzy will get a story, if I do another Reckoners. She would be the next most likely. But I can see doing a Megan story.
How do you keep it all organized when you're doing so much at once?
A wiki. An internal wiki is where I keep all the cosmere and all the notes on that. The other things, I don't have to worry about as much. For instance, Reckoners, I've got one viewpoint character and one major plot; that I can keep in my head. I've got note files and things like that, but the Cosmere? Big old wiki full of stuff.
With The Reckoners you had to make the decision not to put it into your cosmere cosmology, was that a difficult one?
It was not difficult once I realized I did not want Earth to be part of everything else.
If it had been would Calamity have been a Shard of Adonalsium?
That’s an interesting question. Maybe.
How much do you see your family every day?
So, my family is at a hotel right now. All of them, including the two-year-old. So, I had a very fun airplane flight. Normally, when I'm tour, I'm in first class. I'm not ashamed to admit that because I can write in first class. In coach, I just can't get that done. So I'm up there in first class, typing away. This time, I was in coach with a two year old on my lap, watching Elmo.
You know, it's not as bad as it looks, because every day that I'm not on tour, I'm home all day. And my schedule still being what it is, I still generally write at night. So I get up at noon. And I go the gym, I check my email, and I only really get, like, three hours or so of good writing in before 5:00 rolls around, and I go out and I play with my kids, and I spend time with my wife. And at about 8:00 or 10:00, depending on the night, I go back in to work, and I work from 10:00 to 4:00. And that's when the real work happens. My wife, being a more morning person (she was a schoolteacher; I did marry an eight-grade English teacher, as well), she, more of a morning person, goes to bed at, like, 10:00 or 11:00. So she can go to bed, and I can go to work. And it's pretty awesome, honestly. Once she got used to the idea that I'm gonna go to bed at 4:00 AM (I tried to go to bed at her time, and I just laid there at bed; I'm a night person.) But it can be pretty awesome. For instance, when the kids were babies, we didn't have the whole sleep-deprived thing. Because I would stay up with the kid, I would just stay up a few extra hours, and I'd do the 2:00 feeding and the 6:00 feeding with a pumped bottle or whatever, and then she would get up and take over. And we both got full nights of sleep. So, it was pretty awesome.
I do see my family quite a bit, although I do feel I've been touring a bit too much lately. It's the idea of having two publishers, because Random House does my teen books, The Reckoners, and Tor does the rest of my books. So when I go on tour for one, the other one, like, shows up on my doorstep, like a sad puppy, like, "We want a tour, too." And then the Brits show up, and they're all, like, charming and stuff. And they're like, "Chip chip, wanna go on a tour?" A free trip to London? Okay. It's kind of hard-- I shouldn't make fun of the Brits, but the fun thing is, when you're touring there, all of the Sarahs, every Sarah that I had to sign a book, I'd say "What's your name," they'd say "Sarah with an haitch." Every time. I got used to saying "with an haitch."
I tour too much, but I like going to these places. It's the awesome part of my job, that we get a phone call, like, "Do you want a free trip to Taiwan, because we'd love to have you sign here." I'm like, "Taiwan is cool. Dumplings..."
My Year
This year was almost completely dominated by the writing of Oathbringer, Book Three of the Stormlight Archive. The first files I have for the book were Kaladin scenes, written in June 2014. But the book didn't really start in earnest until July 2015, when I wrote the Dalinar flashback sequence. (See State of the Sanderson 2015.) I had those done by October, but November was when I really dove into the novel.
I spent most of 2016 working on it, with only a few interruptions. It was an extremely productive year spent writing on something I'm very passionate about—but it was also a monochrome year, as I poured so much into Stormlight. There were far fewer side projects, and far fewer deviations, than the year before.
I've come to realize I can't do a Stormlight book every year, or even every two years. You can see that this one took around 18 months of dedicated writing time (though that does include some interruptions for edits and work on other things.) My process is such that, when I finish something like Stormlight, I need to move on for a while to refresh myself.
That said, Oathbringer is done as of last week! Here's a quick breakdown of the year.
January: Oathbringer
A lot of this month was revisions. I decided to do something unusual for me, and revise each chunk of the book as I completed it, which let me get my editor working on his notes early in the year—rather than making him wait until this month, when the whole thing finished. That means I'll soon have a second draft of the book completed, though I only completed the first draft a little bit ago.
Also squeezed into January was a trip to Bad Robot, where I had a cool meeting with J.J. Abrams. (In conjunction with a video game my friends at ChAIR Entertainment are making—the Infinity Blade guys. I just gave a few pointers on the story; I'm not officially involved.)
February: Calamity Tour
I toured for Calamity, the last book of the Reckoners. The whole series is out now, so check it out! There is a nice hardcover boxed set of all three available in most bookstores, and it makes a great gift.
While on tour, I read from Stormlight 3, and some kind person recorded the reading for you all. Also, here's another version from FanX in SLC.
March: Trip to Dubai
I was invited to, and attended, the Emirates Festival in Dubai, then traveled south to Abu Dhabi to visit some friends. This was an extended trip, and I often find it difficult to work on a main project (like Stormlight) while traveling. I have too many interruptions. I can write something self-contained, but have more trouble with something very involved.
On this trip, I wrote a novella called Snapshot: a science Fiction detective story where people solve crimes using exact recreations of certain days in the past. It's a little Philip K. Dick, a little Se7en. This one's coming out in February, and will likely be my only release in 2017 other than Oathbringer (which will be in November). More details here.
April: Oathbringer
I got back into the groove of writing, and did a big chunk of Oathbringer Part Two. If you missed the discussions on Reddit, here are my various updates there spanning about a year's time, talking about the book: One, Two, Three, Four, and Five.
May: Edgedancer
I took a short break from Stormlight 3 to write…Stormlight 2.5, an extended story about Lift, with smaller appearances by Szeth and Nale. If you want to get your Stormlight fix before the release in 2017, you can find Edgedancer in Arcanum Unbounded: The Cosmere Collection. (There will eventually be a solo ebook release, but that's a number of years away, as required by my contract with Tor.) I also wrote essays and annotations for each world and/or story in the collection.
When I decided I wasn't going to kill myself (and my team) trying to get Oathbringer out in 2016, I committed to writing this novella to tide people over. I think you'll enjoy this one, unless you're one of the people that Lift drives crazy. In which case you'll probably still enjoy it, but also want to punch her in the face for being too awesome.
June-August: Oathbringer
I finally got a good long chunk of time dedicated to Oathbringer.
I do love traveling, but it takes a big bite out of my writing time. So please don't get offended when I can't make it out to visit your city or country on tour. I try to do as much as I can, but I'm starting to worry that has been too much. Last year, for example, I was on the road 120 days for tours or conventions. This year was a little better, clocking in at about 90 days.
September: Alcatraz Release & Writing Excuses Cruise
Book Five of my middle grade series, Alcatraz vs. the Evil Librarians, came out this month. (A long-awaited book.) You should read it.
The cruise was a fun time, but very unproductive for me. There is too much going on, and too much to organize, for me to get much writing done. I did finish one chapter of a potential novella on the single day of writing time I got. (The story, called "The Eyes," is a space opera inspired by Fermi's Paradox.)
I might do something with the chapter eventually, but for now I'm sending it in to be this month's Random Hat reward for the $10 patrons of Writing Excuses on Patreon.
As a warning to those planning on attending the cruise in 2017: we'll have a ton of awesome guest instructors, and it will be well worth your time and money. I, however, won't be attending. I'll be on the cruise other years in the future, but (like JordanCon, which I love) I can't promise to go every year. Once every two or three years is more likely. It's just a matter of trying to balance touring/teaching with writing.
By the way, JordanCon, FanX, and Dragon Con had some amazing costumes this year—but I'll save those for another post.
October: Europe Tour
Though I had a few good weeks of writing between the end of the cruise and the start of the Europe trip, I quickly lost steam again as I visited France, Italy, Spain, and Portugal on tour. I had an awesome time, signed a ton of books, and met many people in excellent costumes.
November: Arcanum Unbounded Release
Finally, I released Arcanum Unbounded: the Cosmere Collection. The tour for this was short, and I apologize for that, but…well, there's this writing thing I need to do sometimes…
December: Writing Excuses and Oathbringer
I got about half the episodes for next year's writing excuses season recorded at various locations, and then finally managed to type "THE END" for Oathbringer.
There's still a lot of work left on the book, but I'm confident we'll hit our November 2017 release date.
Let me go down all the movie rights stuff.
Reckoners is still owned by Fox. Shaun Levy's company, 21 Laps, producing. He's the guy who made Night at the Museum. He's one of the directors on Stranger Things. Really great guy, I really like Shaun Levy. They called recently and said, even though there was a lot of turmoil at Fox right now, they were still interested and wanted to keep working on the thing. They just had a new script come in. That's where we stand on that. So, they're enthusiastic, they like it. I worried that The Boys coming out, which is a similar idea, would make our chances less. They think it makes our chances more, because The Boys turned out really well and everyone likes it, and we have a more family-friendly version of basically the same premise. So they think that that will still work. So I'm very hopeful on that.
Let's see, what else is in development. I just got an offer on Alcatraz. Can't say a lot about that yet, but it has been offered on. Legion is still under option for a television show by Cineflix up in Canada. The Cosmere rights, I'm still working on DMG on part of those, and I'm working with other people on other parts of those. The Cosmere rights are kind of in flux right now, we're looking at a bunch of different things. Nothing I can announce yet.
Of course, the big one that is not mine, but that I am a producer on, is the Wheel of time. Harriet, I asked her first. I'm like, "Harriet, tell me if you would be uncomfortable with me being a producer." Because this is not mine, I don't want to take it over. And she said, "No, no, I want you on it." So I said yes to being a producer. That basically comes down to, they are showing me the scripts, and I am offering feedback. I have liked what I have read so far. The first script is spectacular, and the second one's pretty good. (They warned me ahead of time, the second one needed a little work, so I didn't ream them too much on it. Actually, there was a lot good to it, but the things they said needed work did need work. But they knew it already.) I was able to offer a few (I think) very helpful pointers. I can't say a ton, because I'm under NDA. But I will be flying out to Prague in October, and I hope to represent all of you Wheel of Time fans and get some photos and things that I can release and what-not. I think the Wheel of Time show is in good hands. Rafe, I really like Rafe. He's the showrunner. Every interaction I've had with Rafe has been extremely positive. He loves the series. He has his own vision for it. So I will warn you that. Any adaptation you get is filtered through the eyes of the showrunner, and this is going to be filtered through Rafe's eyes. And there are certain things he wants to do that are bold, but are good choices. So just keep that in your mind. That's what I would say.
Otherwise, let's see. I think that's about everything on there. I'll keep my fingers crossed on the Fox thing. Like I said, I really like Shawn Levy. His adaptation of Real Steel, the Richard Matheson story. If you guys haven't seen that, it's spectacular. I really like it. It's got Wolverine making robots punch each other. It turned out to be a really touching story, really great adaptation. That was one of the main reasons I said yes when they came knocking.
Part Five: Updates on Minor Projects
Warbreaker/Rithmatist
No movement. (Remember that part about me only being able to do so much?) Someday.
Reckoners/Alcatraz/Legion
Finished. Nothing to report, though Steven Bohls is still interested in doing some more Reckoners, so maybe someday.
The Original
I keep letting this one slip through the cracks. Will try to get you all an ebook.
Unnamed Dan and Isaac Cosmere Novels
Both have made progress this year! But we’re doing this slowly and right. So nothing really to report yet, though Isaac has some words farther below.
Various Cosmere books I Might Write Someday
The Night Brigade, Dragonsteel, the Silence Divine, the Grand Apparatus, Mythos, the Aether World book series…wow, this list keeps growing. My my.
Could the entire city of Newcago in the Reckoner's world act as a giant steel metalmind?
Sure! Yes. That'd be awesome.
Aside from The Apocalyse Guard, are you planning on making a sequel to Calamity?
This is actually a really good question, because Apocalypse Guard was going to dig in to a few of the questions that Calamity asked at its ending. And so cancelling Apocalypse Guard leaves me saying, "Well, I maybe need to answer those questions." So there's a chance I will do a Mizzy book in the future. I'm not 100% sure, because I want to be closing off more things than I'm opening these days, so promising more sequels is a bad place for me to be.
But to run down the big sequel list, Legion is done. Reckoners is done. It doesn't mean that I might not do more, but just consider it done for now.
Alcatraz versus the Evil Librarians, halfway through the last book. Don't believe Alcatraz when he says Book Five is the end. He lies. You should know that from Chapter One of the first book. The last book is called Bastille versus the Evil Librarians. That one should be out pretty soon. That is the last book. You can trust me on that, because I'm saying it, not Alcatraz...
Rithmatist, I can't promise. It's the number one requested sequel I get. I was working on it when the Wheel of Time came along, and The Wheel of Time changed my career dramatically. It's been very hard to figure out how to do that sequel the right way. So no promises when on that, though it is still on my radar.
Warbreaker, Elantris, probably yes, but not until Stormlight Five is done. Stormlight Four, I start on in January. You can follow the progress bars. *applause* The last Wax and Wayne book will probably be also next year, as I need to take a break at some point from Stormlight.
If it wasn't on that list, then don't hold your breath. Most of the novellas I write, I write specifically so that I won't be starting a new series. Turns out if I write a novel, I'm very bad at writing that novel standalone by itself. Instead, I've written novellas in order to get the idea out of my head and be expanding the cosmere in interesting ways but not be promising sequels, okay? That said, there's a Threnody novel somewhere in me that will probably come out.
There's a bunch of us on 17th Shard doing a role playing game set in the Reckoners universe, and we were wondering if there are any powerful Epics on the west coast that we should know about.
Night's Whisper is a super powerful Epic on the west coast, and Obliteration could definitely be there for Oregon's destruction.
Let's go down the sequel list.
My next book coming out is Skyward. You can read sample chapters of that right now, we've been doing a lot of publicity. If you watch my social media, I'm sorry; you probably are done hearing about Skyward. But you can go read the chapters of that, it comes out in two weeks. I turned in the sequel to that, and I'm gonna try and squeeze in the third book before the year ends. We will see. 'Cause I would like to have that series done and ready to be read, and not have to--
Because, starting January, I promised my attention turns back to Stormlight. *crowd cheers* Everybody cheers for Stormlight. And I will be on Roshar until Book Four is done. Those books take, like, eighteen months. The Skyward books each took 3 months. So, you can see, a Stormlight book's a major undertaking, and nothing else gets done during Stormlight. Which is why it'd be really nice if I can squeeze in that third book, but I only have two and a half months, so I don't know if I'll be able to do it. But I'll start on Stormlight Four.
So that leaves you hanging on a few things. What about Wax and Wayne Four? Wax and Wayne Four will happen. I'm not sure when, but it will happen. I need to keep steady progress on Stormlight. It'd be really easy to get behind on that series, because they are so big and take a lot out of me... I have to take a good year, year-and-a-half break after a Stormlight book to make sure I'm not burned out on the series when I start again. At about eighteen months, actually about a year, I start to get really excited for working on it again, which is where I am right now. And that's where you want me to be when I'm writing a 400,000-word epic fantasy. So, Wax and Wayne Four will happen. But we will see.
Probably not any new Reckoners books for a while. That series is done. There's a Mizzy book in me somewhere, but I don't know when I would do that. Who knows.
Elantris and Warbreaker, sequels wouldn't be approached until after Stormlight Five. Probable they'll happen, but again, wait 'til Stormlight Five. Stormlight's two five-book arcs.
The Rithmatist. Oh, man, that book has been hard to do a sequel to. I tried to write a sequel, and it just didn't work. So I set it aside. I've got a new outline that I like for it, but it has to get slotted in. It's been a really tough book, probably the toughest book to figure out how to do right ever.
If the book is not on that list, then probably not a sequel coming anytime soon.
