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Oathbringer release party ()
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Brandon Sanderson

I have it cutting right now, but I don't know if I can have it actually completely cut because we slide it through the rock and things like that, right? So it's gotta be that, like, atomizing a little bit into Investiture or something like that. Because I use it in a way that they just-- but there's not really friction on it, so mathematically I'd probably have to say that something is vanishing... I don't want it to but I probably have to.

Questioner

Yeah, I was just sitting there, thinking about Dalinar getting that trench. That would be difficult.

Brandon Sanderson

RAFO. RAFO for you, sir.

Interview with Isaac Stewart ()
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Trevor Green

I know some of us have heard the story of how you came up with the symbols for Mistborn, but tell those of us who haven't how they came about.

Isaac Stewart

I'd drawn about a half dozen pages of symbols inspired by my first reading of the book. Pages with dozens and dozens of tiny, intricate symbols—maybe someday I'll write a post about the process: Failed Allomantic Symbol Designs. But nothing was really working for me or Brandon.

I'd collected a lot of reference material for the steel inquisitors—nails, railroad spikes, those sorts of things—and one day when I was looking at a picture of a rusty pile of bent up nails, I saw the symbol for iron. It was a Beautiful Mind experience. The symbol just jumped out at me. Glowing and everything.

After that initial experience with the symbol for iron, it was easy to come up with the others. The bent nail part eventually became the crescent shapes used in the final book.

Mistborn: The Final Empire Annotations ()
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Brandon Sanderson

Vin's attempt at killing the Lord Ruler was, I thought, rather clever. I made a point of making her be able to touch her past self when she was burning gold. There are a couple of reasons why this didn't work. First of all, the images are just that–images. When Vin touched the face of her past self, it was all part of the illusion that gold produced. None of it was real. So, even if she HAD been able to touch the image of the Lord Ruler's past self, she wouldn't have been able to hurt the Lord Ruler himself by killing it.

The other reason is important as well. The thing is, the Eleventh Metal isn't actually an alloy of gold, but an alloy of atium. If you understand Allomantic theory, you'll understand why this has to be. Each quartet of metals is made up of two base metals and two alloys. The base metals are the Pulling metals, like iron and zinc. They are also made up of two internal metals and two external metals. Two change things about you, two change things about other people.

The Eleventh Metal, like atium, changes something about someone else. Both have to be external metals–that's the way the pairing works. Gold (and its compliment) change things about the Allomancer.

So, atium shows the future of someone else, malatium shows the past of someone else. Gold shows the past of yourself, and electrum (gold's compliment) shows your own future. (We'll talk about that in a different book.)

So, anyway, the Eleventh Metal (malatium) matches with atium–both of which create images from other people. And, just like atium shadows are incorporeal, so are malatium shadows. That's why Vin couldn't touch the one she saw of the Lord Ruler.

Elantris Annotations ()
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Brandon Sanderson

Boy, I have a lot to say on this chapter. Let's talk about Sarene's engagement to Roial.

Some moments, when you're writing, things just click together. The moment when I came up with this plotting element was one such moment. I hadn't actually planned this into my outline. Suddenly, as I was writing, I realized just how much sense it made, and how wonderful it would be to force the characters to have to go through this. Even still, this is one of my very favorite twists in the book.

The scene in the carriage has been there from the beginning, but I did change it slightly in the last draft, adding the section where Roial talks to Sarene about herself. His line "You're an excellent judge of character, except for your own" is something I think needed to be said to Sarene at some point in the book. The actual suggestion that it happen came from my Master's Thesis committee. They–correctly–saw Sarene as someone who had an unrealistic image of herself.

She really isn't as unmarriagble, or as unwantable, as she thinks she is. Even back in Teod, she wasn't regarded quite as harshly as she assumes. However, she's very hard on herself. Someone needed to sit her down and tell her–at the same time acknowledging to the reader–that she isn't half as bad as she seems to think.

The Hero of Ages Annotations ()
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Brandon Sanderson

Chapter Sixty - Part Two

Vin Defends Herself before Yomen

I really like this conversation between Vin and Yomen—it's one of the pivotal scenes in the Vin/Elend chapters. Not only is Yomen a decent man, but he's got some sound reasons for doing what he does. He doesn't kill Vin because he's worried that doing so would upset the Lord Ruler's plan. He listens to her, however, and I think he's about as good a person as could have existed within the upper ranks of the obligators.

The interjection of Ruin walking around in the room at the same time adds some dynamic to the conversation, bouncing Vin's—and the reader's—attention back and forth between the two discussions. I wish I could have done more of this, since it was so interesting to write two conversations at once.

Regardless, Yomen isn't spiked. Ruin tried several times, but never managed to pull it off. (I think I have an epigraph on this in the book.) In a way, Yomen is doing just what the Lord Ruler would have had him do—and, in the things he does, he's helping frustrate Ruin. So he gets marks for being a faithful follower of his religion, if nothing else.

Brandon's Blog 2008 ()
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Brandon Sanderson

Meaning

In its most basic form, Omi is used to represent love and benevolence. It is a common root Aon for a wide variety of words, including affection, care, passion, piety, zeal, and some synonyms of loyalty.

A complex Aon with strong symmetry, the Aon has often been used as an example of balance, and even perfection. The great AonDor scholar Enelan of the fourth century called it “The most perfect of Aons, fully incorporating the base of Aon Aon and spinning it into a complex icon that is artful and complicated, yet somehow basically simple at the same time.”

In later centuries, the symbol has come to mean not only love, but divinity as well, an association created by the Korathi Church’s appropriation of the Aon. Many Korathi devout also regard the symbol as representing the potential unification of all mankind through peace, temperance, and love.

History and Use

Aon Omi is best known as the official symbol of the Korathi church in Arelon. It was chosen by Korath (known as KoWho in JinDo) himself to represent the church and God. Scholars of the time say that Korath made the decision late in his life, after decades spent preaching his interpretations of the tenets of Shu-Keseg (which eventually became the Korathi religion) in Arelon and Elantris itself.

The choice was shocking to many, as the young Korathi devout saw the Elantrians and their worship as a competing religion. Their Aons, the basis for Elantrian magic an power, were then regarded as heathen symbols. Korath was always bothered by this competitive streak in his believers, and it is widely accepted that he picked an Aon to represent God and his religion as an attempt to show that all people were acceptable beneath the blanket of the Korathi doctrines. He himself called the Aon a “Thing of Beauty” and asked an Elantrian smith of his acquaintance to craft a silver pendant for him bearing the symbol.

That event, and the subsequent adoption of Aon Omi by the Korathi church, led to the odd relationship between the Elantrians and the Korathi religion which found root in their homeland. (Though, following Korath’s death, his right hand man and follower ShanVen moved the religion’s center of operations to Teod instead, where the young monarchy there had embraced Shu-Korath as its official religion.)

Over the years, many other Aons have been adopted by the Korathi religion, but this one–Aon Omi–has remained their most powerful and important symbol. It is used extensively in Korathi religious services, and pendants bearing Aon Omi are commonly worn by the devout. (Many simply call them Korathi pendants, or Korathi religious pendants.) Such pendants are commonly exchanged during Korathi wedding services. (See the end of ELANTRIS the novel for an example.)

Many Korathi priests now look at the use of Aons by their religion as symbol of the potential unity of all mankind, when different beliefs, sects, and cultures will be drawn together through sincere affection for one another.

Naming and Usage in ELANTRIS

As can be expected from its meanings, Aon Omi is a common root Aon for names in Arelon, particularly among those who follow the Korathi religion.

The most obvious word using Omi as a root is the name Domi itself, the Korathi word for God. This usage did not become common until the seventh century; before then, the Jindoeese name Dashu was used by the Korathi, and the Elantrians preferred a word using Aon Daa as its root. In an interesting exchange, the Aonic word ‘Domi’ eventually became a loan word back to Jindoeese, where the word DoMin eventually came to mean ‘god.’

The head priest of the Korathi chapel in Kae, Father Omin, also uses this Aon in his name. (As a side note, like many Korathi priests, Omin chose a new name for himself once he joined the priesthood. In his youth, he went by the name of Elenan.) Father Omin wears a jade pendant of Aon Omi.

Eondel wears a pendant of Aon Omi, his sky blue. Sarene wears one of green and gold, while Raoden wears one of black.

AonDor

Aon Omi is a powerful Aon, and before the fall of Elantris could perform powerful magics. When drawn it puts out a powerful and pure white light; any who are touched by this light find their negative emotions wiped away, replaced by a sense of serenity and peace. It is difficult indeed to maintain a sense of hatred while Aon Omi is in force.

So powerful is this Aon, however, that using it requires much of the Elantrian who draws it. The Aon will be weak unless the one drawing it feels a sincere affection for those around him, making this Aon very difficult to use in tense situations. This strange requirement has fascinated AonDor practitioners for centuries, as it is one of the few Aons which requires something other than skill in drawing from its Elantrian.

Aon Omi is also used in other places in AonDor equations. It can be used to tie other Aon chains together, and is also a weaker power modifier, if used in the correct way.

Starsight Release Party ()
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Questioner

Do you plan on writing Stormlight Archive where you have to be Cosmere aware?

Brandon Sanderson

I intend Stormlight to always be its own story. The Cosmere will start influencing a little more here and there, but I never intend you to have to know anything about the Cosmere. Who knows how I'll be at the later books if I'll change my mind, but I intend it to be no more than it's really been now.

DrogaKrolow.pl interview ()
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DrogaKrolow

Speaking about other movies, do you have your favorites?

Brandon Sanderson

Favorite films? Picking favorites is always so hard. In recent years I really liked-- I don't know if it's my favorite-- but I really liked Live.Die.Repeat./Edge of Tomorrow.

DrogaKrolow

The book is better.

Brandon Sanderson

The book is better? I really liked that. I really liked Lincoln. I mean, it’s not science-fiction/fantasy but I really liked that-- Classics, Fifth Element, it's like my go-to guilty pleasure space opera, I really like that. I really like the movie Gattaca… You guys ever seen Gattaca? Gattaca is good movie. It's an oldie now but it's great. It's a science-fiction. What else have I really liked? I like Chris Nolan's movies, I like them all.

DrogaKrolow

Inception.

Brandon Sanderson

Yeah, Inception would be my favorite, I think. Though I really like The Prestige also. But on that one the book is legitimately better, also. But Prestige turned out very well.

Prague Signing ()
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Paleo

You also said... somebody asked whether there are points in Shadesmar where you could instantly travel across diametrically opposed points on a planet.

Brandon Sanderson

Right, there has to be.

Paleo

Of course, I heard topology last year in university and it's all about mappings and stuff like that and so I was wondering just how continuous - if you know math term - the mapping from like the Physical Realm to the Cognitive Realm is.

Brandon Sanderson

It's not very. You'll notice already elevation is not mapped, you can find points in the books already where someone appears closer to the sea level and things so it's not very... there's a lot of bending going on and it gets worse or more obvious the further the series goes. Not a one to one correlation, not even close.

Paleo

So it's not just that it's very compressed it actually doesn't match some things.

Brandon Sanderson

Yeah, no. Imagine that things in the Physical Realm are mapping to places in the Cognitive Realm but not, they're not alternate dimensions of one another that are overlapping one to one.

Calamity Denver signing ()
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PhotoFrog (paraphrased)

What types of Investiture can be stored in an Investiture mind [metalmind]?

Brandon Sanderson (paraphrased)

Any, but some types are harder than others (they take more finagling, but technically any)

Direct submission by PhotoFrog
The Dusty Wheel Interview ()
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Brandon Sanderson

At the end of the day, when I've been looking for my own adaptations (this is just kind of a personal philosophy), I'm not looking for someone who's gonna film my book scene-by-scene. Working on my own adaptation now for Mistborn, the treatment, I basically had to throw out the whole book and start over with the same premise, and build up the story again in a way that works for the movie medium. And that's when we finally got a treatment that works.

Miscellaneous 2010 ()
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Peter Ahlstrom

Nobody except Brandon has ever read all of Liar of Partinel. His writing group got about 75% of it, and those people are not going to talk.

Chaos

And rightfully so, if Adonalsium was Shattered at its ending.

Peter Ahlstrom

As I understand it, that does not happen at the end of that book.

Mistborn: The Final Empire Annotations ()
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Brandon Sanderson

Okay, so I lied. I thought the fight scene came in chapter six, but it came in five. I'm better at pacing than I thought!

The truth is, this is one of my least favorite fights in the book. I put it in primarily because it gave a good, quick showing of the basic concepts in Allomancy. You got to see Kelsier enhance his strength with pewter, his senses with tin (including using it to help him focus), and then use both steel and iron in a variety of different Pushes and Pulls.

The thing is, it wasn't that exciting because it wasn't really a fair fight. As soon as Kelsier got ahold of that ingot, those soldiers were toast. I did spice up the fight a bit by giving them shields–something that was missing from the original draft of the fight. Even still, this seems like a kind of brutal combat, not the more poetic and flowing battles I generally envision for Allomancy.

(This is, by the way, the only fight I ported over from Mistborn Prime. There was a similar scene in that book where the protagonist took down a group of men with only an ingot. Again, I decided to grab it because of how well it introduced the concepts of Allomancy. It was quick and dirty.)

TWG Posts ()
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Brandon Sanderson

Now, I would like to point out that I have been miss-represented. While I have a penchant for characters who avoid marriage, I have some (not as many, I admit) who look forward to it. Let's look at viewpoint characters in my current novel:

Jasnah: Female. Doesn't want to get married.

Taln: Male. Doesn't want to get married.

Shinri: Female. Eager to get married, and engaged.

Merin: Male. Never really thought about it (only 17) but not really opposed to it.

Jek: Male. Neutral.

Dalenar: Male. Has been married twice, and is currently married. Wanted to the first time, was forced into it the second time.

So, while I wouldn't argue that I tend to have a lot of characters who (perhaps) share my philosophy, I try to represent the other side as well.

EuroCon 2016 ()
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Questioner

It has been said that there is a change of cycle, that in the last twenty years everything was focused around fantasy, but there were many decades of science fiction before that, and now science fiction is coming back. But in my opinion, that's very simple, and authors like you, like Sanderson, have proven that there is a third way, I'm sorry to call it that way, but this third way would be something like scientific fantasy. This scientific fantasy consists of a mixture, a hybrid genre, mixing both. I would like to know if you really believe that there is a change of cycle or that we are still in this mixing form?

Brandon Sanderson

No, I do think that genre moves through cycles, certainly, and some things are popular at some points, and other things are more popular at other points, and as a student of fantasy as a genre, I'm very interested in how the different cycles happen and the different kind of family trees of fantasy we look at, and I think that your observation is correct. I think the scientific fantasy is a natural outgrowth of the fantasy my generation spent our youths reading, because I'm not the only one who does it. Pat Rothfuss has a very rule based magic, though of course his magic, he has two in his books, and it is about the contrast between the one that's very scientific and the one that is not, about Naming things. But you see a lot of my generation of authors building upon what we read, and I think that the next generation will respond to us and go a different direction, perhaps in something less rule based. But the thing that has never gone out of style is a good story, well told. When people were saying, "Oh, people don't read science fiction, people read fantasy," Lois Bujold was still writing fantastic science fiction that was still selling very well. So, even though there are trends, a good story will always be well received.

Words of Radiance Philadelphia signing ()
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Questioner

They mentioned a video game in the Mistborn world at one point - I was wondering, in terms of the story, is it just an adaptation or--?

Brandon Sanderson

I wrote a story for them to use that is in the second century of the Lord Ruler's reign. The idea was for them to use that story and then come back to me with the finished game and then I would write the dialogue for the characters to match the story. That is what we want to do, it is taking them forever to write this game. [...] Our goal was to do a kind of Infamous-style open world RPG sort of thing.

Footnote: The Mistborn video game (Mistborn: Birthright) was officially cancelled in July 2017.
The Hero of Ages Annotations ()
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Brandon Sanderson

The Number Sixteen

I worry that having Vin make this connection is one of the more forced events in the book. She'd just finished telling everyone that she wasn't a scholar, and now she discovers a pattern of numbers hidden in the statistics of how people fall sick? My original intention for this was to have her be in a mind-set where she was looking for natural rules—because of her earlier discussion of Ruin and his rules—which then allowed her to see this pattern.

Rereading it, I'm not 100% pleased with it, but it's too late to make a change. I'd probably rewrite it so that Noorden or Elend make the connection, then let Vin connect that to what she's been thinking about. That would have been a much more natural progression.

Note that here, Vin misunderstands what these numbers mean. She's looking for rules that bind Ruin. What she finds is not that, but instead a clue left by Preservation. Numbers are understandable to people regardless of language, and so Preservation decided to leave some clues for people to discover that would hopefully lead them to follow the plans he'd set in motion. In my prewriting, I'd intended there to be more hard facts to be discovered in the workings of the universe—numbers hidden in mathematical statistics that said rational things, like the boiling point of water or the like. All as a means of Preservation hinting to humankind that there was a plan for them.

In the end, this didn't work out. I decided it would be overly complicated and that it would just be too technical to work in this particular novel. The only remnant of that plot arc became the number sixteen that Preservation embedded into the way the mistsickness works, intending it to give a clue about what the mists are doing to people. "You now are Allomancers!" is what this was supposed to scream. Unfortunately, the Lord Ruler's obfuscation of Allomancy—and the number of metals in it—left this clue to fall flat.

Oathbringer release party ()
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LadyKnightRadiant

So you're really good at ending books, especially like post-climax resolution that I feel is always my real weak point. I always find that I tend to write things that end up sounding really, really cheesy. I feel like you have, like, perfected the, like, decent resolution that's not horrifically cheesy. I was wondering if you have like any tips on how to end things properly.

Brandon Sanderson

It's all about promises, right, and I've talked about this a lot. Like, what-- remember that the ending, if you've earned it-- Cheesiness is based on whether the reader is on board with you or not-- Cheesiness is not like this intrinsic property of a scene. Cheesiness is, are they on board? Do they want this? Have you done a good job with this? So if you get people on board-- yeah.

Starsight Release Party ()
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Questioner

What's your favorite idea that you're never actually going to get around to writing?

Brandon Sanderson

That I'm never, or that I am eventually?

Questioner

Either or.

Brandon Sanderson

I always talk about my favorite idea that I haven't written yet which is the idea about the magic system that's based on diseases. Like, when you catch the common cold, you can fly but when you get over it, you lose the power. Which I just think would be kind of cool and kind of chaotic. I had another idea the other day that was really cool but it was for a video game. If I tell you, it would spoil it, so I'm not going to tell you that one. But, I don't know if I'll ever make this one, because I don't know if I will ever be able to make video games. I have tried and it has not worked, so we'll see.

Starsight Release Party ()
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Questioner

If you could do a fourth Allomantic [Metallic Arts] magic system. Have you thought about that?

Brandon Sanderson

I actually hadn't even thought about it. You'd think I would have but I haven't. Those three interlock so well. I'd have to think about it. I really don't know that I have one. I'm sure I could come up with something but I'll put that in the back of my brain. They interlock so well that I've never even considered what I'd do for a fourth.

Alcatraz Annotations ()
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Brandon Sanderson

The Limits Of Alcatraz's Power

How much could Alcatraz break, if he really set his mind to it? I liked asking this question here because it’s going to be a theme of the entire series. I’ll answer it, eventually. For now, let us say that Alcatraz doesn’t understand his own power.

Note here, by the way, that he mentions that he broke his family’s hearts. His power is far more abstract that simply being able to break objects that he touches.

Barnes and Noble Book Club Q&A ()
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Joshua_Patrao

The Eternal Question: Mac or PC?

Brandon Sanderson

PC. Not out of any avid devotion, but because it's what I've grown up on. My wife is a Mac person, though.

Joshua_Patrao

Your word processor of choice?

Brandon Sanderson

Word. Same reason as above.

Joshua_Patrao

Do you have music on real loud when you write (I've heard Steve King writes like that) or is it soft in the background?

Brandon Sanderson

Soft in the background.

Barnes & Noble B-Fest 2016 ()
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Questioner

I have a question about the cosmere, and Hoid specifically. The way that he is worldhopping, is he using Cognitive and *inaudible* Realms?

Brandon Sanderson

The times you have seen him worldhop, it has involved shardpools, or perpendicularities, as we call them. He is using primarily the Cognitive Realm.

Questioner

Because, from what I understood from Secret History, that he's going through the shardpool, from the Cognitive to the normal Realm.

Brandon Sanderson

Yeah, he's traveling through the Cognitive Realm, and then jumping back to the Physical one, once he's where he wants to go.

Questioner

So, I'm guessing what's going on, though, is that he's travelling between planets using the Cognitive and coming out from the shardpool to the Physical Realm?

Brandon Sanderson

Yes, that is exactly right.

A Memory of Light Seattle Signing ()
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Brandon Sanderson (paraphrased)

Seasons on Roshar are based around the storms (ie long lighter storms in the winter, short stronger storms in the summer) rather than time or temperature

Temperature stays fairly constant because of the lack of an axial tilt

Despite not having traditional seasons they have the concept of seasons which must have come from somewhere else (read as: cosmere shenanigans)

The Hero of Ages Annotations ()
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Brandon Sanderson

Kandra Have Spikes

You should be worrying here about the kandra having spikes. After all, just one chapter back, Ruin took control of a pile of koloss and turned them against their allies. He's already done that with the Inquisitors. Only the kandra remain.

Ruin has generally ignored the kandra. He doesn't see them as all that useful. They can't kill people, and they are too thoughtful and quiet to be destructive in the way he wants. He considers them a much inferior creation to the koloss and the Inquisitors.

That doesn't mean he isn't aware of them, though. You are right to be worried.

/r/fantasy AMA 2017 ()
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Glorious_Infidel

The part of Mistborn Era 1 that I absolutely loved was how the flower drawing made its way among characters, eventually allowing the Hero to place them on Scadrial again. How early was that little plot piece put into the outline? Did the idea for it come from somewhere in particular that you remember? Little details like this are what make me love your work and I just want to get an idea of where they came from.

Brandon Sanderson

The flower plot started as a way to characterize Kelsier. As I've talked about before, I generally start an outline, then write my way into characters with some actual chapters, then go back and finish the outline with these characters in mind.

I knew I needed a way, after writing a few chapters of the book, to indicate to readers who might have missed it that this world has some strange ecology. Providing the picture of a flower, and talking about how strange it was to them (and the legends of it) became a method of showing this, but also showing Kelsier's feelings about Mare. Once I had it written into the book, I planned for it to show up other places, as a kind of visual reminder of what the characters were fighting for. (Even if the reader didn't quite understand how far it would go.)

Oathbringer release party ()
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Questioner

So, I was curious if the Alethi were always-- like, if there was a time where there wasn't a segregation between lighteyes and darkeyes.

Brandon Sanderson

Yes, that did exist.

Questioner

...How did the separation occur?

Brandon Sanderson

There are some clues in [Oathbringer] and in the last book. It has to do with Knights Radiant and Surgebinding and things like that. It's a part RAFO. It's pretty guessable. There's nothing--

Alcatraz Annotations ()
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Brandon Sanderson

Chapter One

So, there I was, tied to an altar made from outdated encyclopedias, about to get sacrificed to the dark powers by a cult of evil Librarians.

The first line here was the original inspiration for this book. I got that line before anything else. I still love it – particularly since it plays into the theme of this book by not really giving you any information on Alcatraz’s predicament. More on this in later annotations.

YouTube Livestream 6 ()
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Questioner

As a writer, what are your feelings of altering characters' race and gender when adapted for TV or movies.

Brandon Sanderson

I am generally going to be against this. Because normally what's happening is, they're whitewashing the characters. Normally, they are taking books that are more diverse and they are making them not as diverse, and there is a problem with Hollywood with... even when we've talked about doing Stormlight, they are really resistant to casting Asian characters in the main roles in Hollywood. This has just been a hard thing to get across to them. I think there are situations where it is appropriate, depending on the property. This is probably a bad example, because it's a terrible movie, but I know a lot of people were up in arms about Aang being cast as a caucasian character. But then a lot of the fandom said, "No, he's kind of supposed to be. This is who he is." But then they also recast, what, Katara and her brother as white characters? When they weren't supposed to be, and are very clearly not. That is just insulting.

I am totally fine with it in the instance of the Wheel of Time. The reason is specifically, with the Wheel of Time, what's going on is, Robert Jordan really wanted to build a society that indicated that our world is this same world, many thousands of years in the future. And he wanted to have metropolitan cities have become rural areas again over time. Sort of this regression from giant city into rural countryside. He also has a main theme in the Wheel of Time that culture is more important than race in the Wheel of Time world. They are very, very biased toward one another based on nationalism. Nationalism is a huge thing. But not based on skin color. And so because of this, the changes to, say, make the Two Rivers have black people in it works really well with Robert Jordan's worldbuilding and with the theme of the story he's trying to do.

Plus, I am generally in favor of diversifying stories, rather than the other way. That is a political leaning of mine; I understand that people have arguments against this. And I can understand those arguments. I can understand the argument of "You should not have changed the races of the characters in the Wheel of Time; this is going contrary to..." The best arguments against say, "If you're looking for diverse stories to tell, find diverse stories that were written that way and adapt those." Which is a pretty good argument. I can't fault people for saying, "Why buy the Wheel of Time and then do this? Why not buy a story that already is like this?" I think in the instance of the Wheel of Time, it makes perfect sense. And having met the actors, they are perfectly cast to the characters. And so kind of having a race-blind casting process in that case just really worked out. But, like I said, I can see arguments on that.

The place that it's hit me is that I have written some stories that star mostly what we would call on Earth white characters. And I'm totally fine with those stories being adapted with that cast. They all come from the same country; that makes sense. But Stormlight Archive? Getting such resistance on that really bugged me. They're like, "What if we cast this character?" I'm like, "That's great, but that character's not Dalinar, because that's not how Dalinar looks."

You hit a nerve there, let's just say.

The Great American Read: Other Worlds with Brandon Sanderson ()
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Questioner

You have a good amount of accountants in your books.

Brandon Sanderson

My mother is an accountant. So accounting is one of my go-to references to my Mom. She's an accountant for the city of Idaho Falls. So that is why so many accountants pop up in my books.

Questioner

Is that where [Lightsong], is that a direct, for her?

Brandon Sanderson

Yep. [Lightsong] is also based on a friend of mine who is a computer programmer, and you don't have computer programmers in fantasy worlds. So I'm like, "Well, what's the closest thing to that?"

Footnote: The questioner and Brandon both refer to Llarimar, but it was Stennimar who was the accountant.
Hero of Ages Q&A - Time Waster's Guide ()
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Andrew The Great

Why can Vin fuel Elend's atium-burning, even though Atium is Ruin's Body and Vin is using Preservation? Or did I misread that and he was just burning atium and had run out of everything else?

Brandon Sanderson

Yes, as has been pointed out:

A powerful peace swelled in Elend. His Allomancy flared bright, though he knew the metals inside of him should have burned away. Only atium remained, and the strange power did not—could not—give him this metal. But it didn’t matter. For a moment, he was embraced by something greater. He looked up, toward the sun. (From the text.)

As a note here, the powers granted by all of the metals—even the two divine ones—are not themselves of either Shard. They are simply tools. And so, it's possible that one COULD have found a way to reproduce an ability like atium's while using Preservation's power, but it wouldn't be as natural or as easy as using Preservation to fuel Allomancy.

The means of getting powers—Ruin stealing, Preservation gifting—are related to the Shards, but not the powers themselves.

Mistborn: The Final Empire Annotations ()
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Brandon Sanderson

Originally, I had Vin far less emotionally affected by the scene of slaughter. I wanted to imply that she's seen a lot of death and hardship in her life, and so something like this wasn't all that shocking to her. Alpha readers, however, found her too callous here. I did a rewrite, and realized that I liked it much better with Vin reacting emotionally to the scene of death. She still puts up a strong front, which is very like her. However, she no longer just walks through it without reacting.

Words of Radiance Omaha signing ()
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Questioner

As an English teacher, what inspired you to be a fantasy writer?

Brandon Sanderson

I was inspired by the book Dragonsbane which was given to me by an eighth-grade English teacher at Lincoln East High School, who was convinced I was reading below my level and felt I needed to be stepping up my game a little bit. And she took me to the back of the room and had me browse on her little shelf of books that she'd read, that she'd recommend to me. And that book worked for me.  It probably shouldn't have - it's about a middle-aged woman having a midlife crisis - but I loved it.

Mistborn: The Final Empire Annotations ()
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Brandon Sanderson

Hum, let's see. Anything I'm forgetting? I do mention boxings in this chapter. You might be interested to know (now that you've read pretty much the whole book) where I got the word. In my mind, boxings (the coins) are actually called "Imperials" on the official coffers. However, that was too boring a word.

So, the people call them boxings because they have a picture of Kredik Shaw on the back. The Lord Ruler's home–or, his box. Boxings.