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Shadows of Self Portland signing ()
#12001 Copy

Questioner

Supposing that a skilled Hemalurgist got hold of some a Shardblade or some Shardplate, how would he best use it assuming that the best way isn't to put it on and kill people with it.

Brandon Sanderson

That's probably the best way, to put it on and kill people with it. I'm not sure why a Hemalurgist would want one more than anyone else would because the metal is already Invested which means its not useful to him.

Questioner

So there is no way that he could use a Hemalurgic spike to take some power from the Spren that's crafting it.

Brandon Sanderson

Oh, that's what you're saying. You want to grab something off the Spren? That's gonna be way harder than grabbing one that's not already made into something. So I don't see why he would want the Blade, just go grab it from them. Even then its going to be worse then, probably in most cases, a person. Maybe its possible that spiking yourself with a Spren would be valid, but you don't want to take it out of the Shardblade. That's gonna be harder, but you would probably have to go to the Cognitive either way to make it work, so yeah.

Mormon Artist Interview ()
#12002 Copy

Nathan Morris

How does your website fit into your work as a writer?

Brandon Sanderson

I want to do the things for my readers that I wish I had had as a reader, and the Internet gives us this wonderful opportunity to do them. We really couldn't connect with readers in the same way before. The other thing is that fantasy is a small-selling genre compared to some others. That may surprise people because it's so popular, but it's only popular among readers. It's not as popular among non-readers. Most people who buy books are buying either romance novels (most often because they buy only those kinds of books or they're grabbing something as they move through the airport) or they are buying a non-fiction book because it was suggested to them, and it tends to be the only book they buy that year. Because of all this, we fantasy authors depend on loyal readers who buy all of our books. We may have a smaller fan base, but our fans are much more dedicated, much more loyal. If fantasy readers really like an author, they will search out books by that author and read everything that they've produced. They will support you. They'll even buy the books in hardcover if they really like them. Because of things like this, I think it's appropriate to do a lot of outreach to readers—to give them a lot for their money. I mean, if someone buys one of my books in hardcover, that's almost thirty bucks they're spending, and I feel like I should do whatever I can to make that book the best experience for them possible.

My number one goal is always to write a really fantastic book. But I can give some added value by saying, "Here are chapter-by-chapter annotations," which are kind of like a director's commentary on a DVD; or if you're an aspiring writer yourself, "Here are some drafts so you can see how this book progressed and how I came up with the plot." All of these are things that I want to do to reward the people who are willing support me and actually go out and find my books. In a lot of ways, I think about it like this: in the past, for an artist to survive, they would have to have a wealthy patron. The patron would financially provide their living so that the artist could create this great art. We do a lot of the same things now, except the patron is the buying public. All the people that read my books are my patrons. It's because of them that I get to do what I love for a living. I feel indebted to them, and I want to make sure I give them everything to enhance their reading experience.

West Jordan signing 2012 ()
#12003 Copy

Questioner

I enjoy Way of Kings, it seems like that’s the one where everyone’s coming together. I was reading online about Galladon and Demoux being in it. I enjoyed that. Is that going to happen more often?

Brandon Sanderson

In that book- that series, yes. There will be more crossover. It’s kinda one of the core stories, along with the things happening on the Mistborn world and things like that. And so, there’s going to be a lot more crossover. Most of it’s still kind of subtle stuff, but if you keep your eyes open, there’ll be some real zingers in the next two books.

The Ten Orders of Knights Radiant ()
#12005 Copy

Brandon Sanderson

Dustbringer

I will seek self-mastery

Dustbringer oaths were themed toward responsibility. They were led to understand that the powers they used needed to be properly channeled, much as their own desires and wills needed proper form and shape. As a Dustbringer moved through the oaths, they were taught greater powers of destruction—and are one of the only orders where their abilities weren’t all available at the beginning, but instead were delivered slowly, as they made the proper oaths. Each oath led to a greater understanding of power, the nature of holding it, and the associated responsibility.

Dustbringers—though they sometimes objected to the common name for their order, preferring instead to be called Releasers—are living contradictions among the Knights Radiant. They believe great power requires a strong will to control it. They often attract tinkerers who like to dig down into the shape and soul of a thing, break it, and see what makes it work. However, their oaths are themed toward control—that they need to be able to control, contain, and channel the terrible power inside them. They tend to object to those who focus only on their destructive sides, as they argue that in order to create, one must understand the pieces of the thing they are trying to make. They don’t see themselves as being about destruction—though their powers are the most destructive of any order of Knights Radiant. They instead see their nature as being about control, precision, and understanding. In the Knights Radiant, they tend to act as the equivalent of artillery in a modern army. If you want a large swath of land destroyed or burned, you call in the Dustbringers. However, they were also often used as sappers, engineers, and strategists.

They attract anyone who likes to take things apart, who likes to know how things work. They also attract those who are a little foolhardy at times—brave soldiers who see themselves as containing and controlling terrible destruction so it won’t get out of hand and hurt innocents.

Calamity Seattle signing ()
#12006 Copy

Questioner

Why does everyone know about his [Kaladin] Stormblessed name?  Like Gaz knows about it before he survives the highstorms.  Like how do they know?

Brandon Sanderson

How do they know?  The rumors were already spreading, people started talking about it and things like that.

BookCon 2018 ()
#12008 Copy

Questioner

What is your favorite magic system you've read?

Brandon Sanderson

That I've read? I really like Melanie Rawn's Sunrunner books. Probably the best magic system is either Brian McClellan's, I really love Patrick Rothfuss'. Probably the best three are those, as far as magic systems.

FanX 2018 ()
#12009 Copy

Questioner

Is there a reason Kaladin is always talking about the Survivor.

Brandon Sanderson

Yes. The Survivor? No. You're trying to get me to slip up on something; no. He does not know Kelsier, nice try.

Questioner

But are they connected?

Brandon Sanderson

Only thematically.

Lucca Comics and Games Festival ()
#12010 Copy

SirSavien1 (paraphrased)

I asked about how Syl was invented, I don't even know if this is already known information, I'm not that knowledgeable in Cosmere lore.

Brandon Sanderson (paraphrased)

He said that originally he thought about the idea of wind coming alive, which remained. Initially he wanted to have only four wind spren, one for each cardinal direction, and Syl was supposed to be the wind of East. Then things changed, but this was the initial concept.

West Jordan signing ()
#12012 Copy

Questioner

I'm just getting back into reading in general, and I'm compiling a list of books I want to read after the Wheel of Time, and going through them, there's a lot of sex in them. You know, you and I as members of the Church, how do you deal with that when you come across that?

Brandon Sanderson

I don't know. It depends on the book and how it's treated. I personally couldn't read Game of Thrones, I tried it once and put it down, and tried again because he's such a good writer, and I finished the first one and decided "I can't read more of these." they were too graphic for me, despite him being a brilliant writer. Other writers... [loudspeaker obnoxiously covers sound]... has very tastefully done. So it just depends on the book. I've never been pushed to put anything in my books. I think it's a myth that publishers do that. People always worry, but, well, they just want you to write great books and they're looking for greatness. They don't say "this will sell more, this will sell less". In fact, they actually like it when there's less of that because it has a broader audience. Publishers do, at least. Same reason PG-13 movies sell more than R movies. I just write what I want to write and people seem to like it.

Questioner

But books, something to read, you know?

Brandon Sanderson

Yeah, I've put down books before and I think that's just a personal choice. You know, everyone's line is going to be in a different place. There are certain books I won't read, and so, yeah.

Idaho Falls signing ()
#12013 Copy

Questioner

One question I've been thinking about a lot, and that is the black bladed sword. Is there just one sword, or is there one for each world, that [works with?] different...like Shard powers, or is it just one sword that can work with all?

Brandon Sanderson

[Nightblood] is something special. A long time ago, some people from the Warbreaker world came to Roshar, saw Shardblades, thought, "We can do this," went home and tried to make one. And that is Nightblood. And it went horribly horribly wrong. And so they didn't make any more, except now, Azure's sword is somewhat related. But that is the origin of Nightblood. Trying to make a Shardblade out of a different magic system.

YouTube Livestream 2 ()
#12014 Copy

Untamed Banana

I'm very curious about who writes the Ars Arcanum?

Brandon Sanderson

Ars Arcanum are all written by Khriss. She is a character from White Sand, which was my first novel. Never got published, but we did the graphic novel versions of it. She appears on-screen at a party with Wax in the third Wax and Wayne book. She dances with him.

The Well of Ascension Annotations ()
#12016 Copy

Brandon Sanderson

Breeze's Secrets

Breeze's real name is Ladrian–I believe I mentioned it back in book one as well. He gets annoyed when he hears it, however, because it is a reminder that he's really a full-blooded nobleman. The "Lord" Sazed uses is even more of a reminder.

He wishes he could have left his name behind, discarding it. He sees himself as "Breeze" and has for a long time. However, he used Ladrian a few times earlier during his career, and it's never left him.

These are all things, of course, that we won't have time to talk about in the actual text of the book. So, you get them here instead.

Epic Games interview ()
#12019 Copy

Epic Games

How does the novel, Infinity Blade: Awakening, fit within the game universe?

Brandon Sanderson

It is a bridge directly from game one to game two. It begins basically right at the end of game one, and then game two overlaps. You get to play through the ending of the story, for the introduction to the game when you're going through the tutorial and whatnot. Then the game heads to new ground. This was actually really fun for me—I liked writing something and then having them say, "Wow, we're going to make this part of the game. It'll be our prologue."

General Reddit 2017 ()
#12020 Copy

falschneun

Hmmm, I just read this timetable update then went back and read State of the Sanderson 2016. I think there is a decent chance that the novella between The Apocalypse Guard 2 and 3 could be Silverlight. Could we be so lucky, /u/mistborn?

Brandon Sanderson

There's a decent chance. I've also got several on First of the Sun plotted, which are possibilities--and even a Threnody story I want to do. However, there's also a non-cosmere "minority report" style thriller I want to write, and a more thoughtful story about a world where big data predicts all of our choices. So...who knows.

havoc_mayhem

Do you have any thoughts on a short story set on Nalthis? It's the only major Shardworld we haven't yet revisited.

Brandon Sanderson

I haven't been able to get any shorts on Nalthis to work so far. Maybe eventually.

TWG Posts ()
#12023 Copy

Natalie Perkins

Will we ever find out what EXACTLY gold is? That's been bugging me as well... it doesn't seem complete.

Brandon Sanderson

I leave gold intentionally vague, I'm afraid, even by the end of book three.  I do this in novels, particularly when I feel that I might do more books in a world later on.  The events of books two and three don't lend me to spending much time on gold or malatium, so I figure I'll save really digging into them when I can have a character more focused on them.  (I'd someday, for instance, like to do a Malatium or gold Misting and see if I can do anything interesting with them.) 

Dark One Q&A ()
#12024 Copy

Questioner

If you could choose three aspects to have with you, what would their specialties be?

Brandon Sanderson

Languages. I would love to have an aspect that could help me interact with other people who speak different languages. People often ask, “What superpower would you have?” Being able to speak all languages would be among the coolest superpowers that I can imagine. Because I travel so much, because I interact with people from other cultures, and because I think language is so shapen of the way we see the world, that would be high on my list. Aspects who can do other languages: really handy.

An aspect who was really, really good at continuity that could help me when I write something, the aspect would say, “You know, this is going to give Karen a huge headache later on for continuity. Maybe you should just change it to this. I’m sure Karen would be really happy.” Reading over my shoulder as I’m typing, like, “Nope. That character can’t be over there, because you said they were over here ten years ago. So this flashback, they can’t be in it.” Stuff like that would be really super-handy.

Number three. I’ve got a linguist, and I’ve got an editor. Number three, a psychologist. I would go with an Ivy; a psychologist would be super handy.

Mistborn: The Final Empire Annotations ()
#12025 Copy

Brandon Sanderson

I really like the scene between Vin and Elend here. I think I wrote this one in the car, actually, while I was driving back from a vacation we went on in Palm Springs about two years back. My roommate—Micah DeMoux, the namesake for Captain Demoux—did all the driving on that trip so I could get some writing done. What a great guy. He deserves a character named after him.

Oathbringer release party ()
#12026 Copy

Questioner

In Way of Kings, the Death Rattles, it say that the person who said it reported seeing strange dreams during the highstorms for the past two years. What do you have to say about that, I guess?

Brandon Sanderson

Highstorms. You often see strange things during the highstorms.

Bystander

That's not a real answer.

Brandon Sanderson

It totally is a real answer! That person saw some weird stuff. Weird stuff happens. Dalinar sees weird things walking along throwing rocks at people, so. Who knows.

Oathbringer London signing ()
#12027 Copy

Questioner

It was actually really interesting, because I started reading Oathrbinger-- I'm a teacher, I teach philosophy, and I was actually using that with my students, which is interesting because it came out particularly randomly. Is there inspiration for some of the philosophy that goes in?

Brandon Sanderson

I have a philosophy minor. There's a bunch of random philosophical-- yeah. It's all over the place.

YouTube Livestream 1 ()
#12028 Copy

Lightning Captured

Is their anything you can share about your books and TV/Movies?

Brandon Sanderson

Not a lot. There's just not really any motion; I wish there were.

I'm excited for Dark One with Joe Straczynski, he just makes really good television. But really there's nothing more to announce than that. It was really fun to go to Hollywood and pitch with Joe. If you don't know Joe Straczynski, he was the show-runner on Babylon 5 and the creator of it. He's also done a bunch of other stuff like Sense8 and he has written a lot of comics and stuff like that. He is really just a fascinating guy. There is not really any motion on that.

We were really close on Snapshot and then I haven't heard anything from them for a while. We have new deals in the works for both Alcatraz and Skyward, though I can't announce those yet because I don't think they have been officially done. But at least there are deals in the works for both of those.

You can go and read my big huge spiel about movies [in] last year's State of Sanderson, or two years ago or a year ago but for two years ago where I talk about it. Nothing has made any progress lately. This is why in this year's State of Sanderson I basically said I'm to the point where I'm realizing if I really want to do anything I probably have to do it myself. I may have to just sit down and write screenplays and go find directors myself and see if that works, but historically that's very hard to do and I am not an experienced screenwriter, I have written one screenplay in my life and it was kind-of bad. So who knows? I'm moving into the stage where I am starting my own production company and I am taking the rights and leaving them in the production company rather than selling them off with the hope that whoever buys them will make it because so far no one has done any of that.

I hear Witcher is great, I haven't watched it yet. It's a really good sign that there is good a fantasy show out that is not Game of Thrones, because everyone thought, well this could only happen once. But if it is proven by [Witcher] and hopefully by Wheel of Time, when it is ready, hopefully those will prove that fantasy is viable not just as Game of Thrones which will help the rest of us get a bunch of stuff done. So thumbs up to Henry Cavill for really pushing for the Witcher to get done and doing it right. If the rest of this all takes off we will really owe a whole bunch to him pushing to get that Witcher show made.

FanX 2018 ()
#12031 Copy

Questioner

Is Wit a remnant of Adonalsium?

Brandon Sanderson

No. Good question.

Questioner

I thought I had it figured out! I figured he was going around collecting himself. Getting all the different *inaudible*.

Brandon Sanderson

No, he is not a remnant of Adonalsium. Good question, though.

State of the Sanderson 2019 ()
#12032 Copy

Brandon Sanderson

Part One: Leatherbounds and Survey Time!

This year, we’re releasing the Warbreaker leatherbound! This book is particularly gorgeous; we’ve added a few features such as illustrated drop caps and interstitial art. We put these volumes together in-house, rather than farming them out to someone else, and we pour a lot of attention into making them great. Next year is a big year for us, as we’ve reached the tenth anniversary of The Way of Kings, and will be releasing a leatherbound of that book.

Now, some of you might be wondering, “Brandon, isn’t The Way of Kings double the size of the previous books you’ve done as leatherbounds?” Yes. Yes, it is. That’s meant a lot of extra work on the part of my team, who have already been working on it for a good eight months. We want this book to be something extra special—and because of that, we’ve wanted to do preorder incentives (like goodies and swag) to go with it.

The logistics of doing this worried us a lot, however, as we’re still a relatively small team. Beyond that, we expect The Way of Kings leatherbound demand to strain our logistics and shipping departments. When talking about this with Howard Tayler, my cartoonist friend, he suggested we use Kickstarter to alleviate these problems. I was hesitant at first, as I know Kickstarter is mostly intended for people who need extra up-front money in order to create a product. We’ve been able to fund the leatherbounds ourselves so far, and we’re certain we can create these without needing extra time.

However, Howard really sold me on Kickstarter by pointing out how great the site’s management tools are for creators. If I want to offer different packages for the book, with a variety of preorder items personalized to customer preferences, the only way I’d be able to manage this is to take advantage of Kickstarter’s infrastructure and tools. As we’ve looked into the process, my team and I have come to agree that this is the only way we’d be able to do what we want to with The Way of Kings leatherbound.

So, while I know some of you might be skeptical about this like I was, I ask you to give us a chance to show why it will be a good thing. Our goal will not be to move to Kickstarter for all leatherbounds, only Stormlight leatherbounds every three years—because the added size, complexity, and logistics of such a large book require us to have some extra help. We plan to launch The Way of Kings as a Kickstarter in the summer of 2020, probably June or July. The book will likely come in two volumes, and will have to be around double the cost of our previous leatherbounds. (So, $200 to $250 instead of $100.) I thought it only fair to warn you all up front. Plus, if we hear concerns from the community that we haven’t considered, announcing it this early will help us deal with those before the actual campaign.

To that end, I have a little mini FAQ dealing with issues I think you might have.

Q: You are doing the Kickstarter in the summer. When will the books be sent out?

The goal will be to start sending these out as soon as possible, hopefully months before the holidays arrive. We are going to put our order in as soon as we can for the books themselves, and get the incentives constructed ASAP. Ideally, we’ll send you a single box with book and rewards all together in one cool bundle.

There will be some digital rewards offered as well. These will be sent out the moment the campaign closes, and will hopefully tide you over until the physical products arrive.

Q: Will this leatherbound be available on your store later, like the others?

Yes, it will. If you miss the campaign, you’ll still be able to buy the book.

Some things might not be available in the later printing, however, depending on what incentives we offer for the Kickstarter. For example, we will possibly offer a slipcase as part of the Kickstarter incentives—but (depending on the size of future print runs) we might not be able to offer that with the later editions we sell in the store. In short, the book will totally be there for you to buy later—but any stretch goal achievements and swag associated with the Kickstarter would have to come from that campaign. (With one exception mentioned below.)

Q: I like supporting my local independent bookseller. Will any stores be getting this book like they have other leatherbounds you’ve done?

I haven’t cleared this with any of the stores yet, so I don’t want to speak for them. However, we love our bookstores, and have tried from the get-go to involve them in our leatherbound distribution. Our goal will be to set aside a certain number of books as requested by the booksellers we work with frequently. (And if you’re a bookseller who has had me in your store for a signing in the past, and you would like to be selling these leatherbounds too, make sure to contact us.)

My goal will be to add all bookseller orders into the final count from the Kickstarter, and order an equivalent number of physical reward objects for them to include with their books. So these bookstore editions should include all unlocked stretch goal rewards in the boxes we send for them to sell. They might not be personalized to your preferences (e.g. you might receive a random order of Knights Radiant, based on the box you get), but we hope this will work so that readers who prefer to buy from the booksellers do not feel left out.

The short version is this: if you miss the Kickstarter, there’s a good chance that a limited number of boxes with full rewards included will be available at retailers, for the same price people paid in the Kickstarter. Those stores should be similar to the ones that have been carrying our leatherbounds so far.

Q: Leatherbounds are expensive. Will I be able to participate if I’m not interested in such a high ticket item?

My plan is to write a Stormlight (or at least Cosmere) novella next spring to offer as part of the Kickstarter campaign. We’re anticipating some lower tiers that involve getting digital-only rewards and a digital copy of the novella—all for a very reasonable price. We will likely also offer just the novella in print form, along with all campaign rewards, as another slightly higher (but still well below $200) tier that you can buy into as well. (And, of course, a tier that has everything—including the leatherbound and a print copy of the novella.)

Q: So…a novella you say. Anything else you can tell us about the rewards?

We haven’t settled on anything yet. I haven’t even written the novella, so it’s possible that won’t even happen. However, it’s likely that we’ll be letting you choose an order of Knights Radiant (and we’ll post full descriptions of all ten orders, including information not yet in the books) and receive rewards based on your preference (i.e. physical rewards with that order’s symbols on them).

There’s also a decent chance I’ll offer an ebook of The Way of Kings Prime (the version I wrote of the book back in 2002 that is way different from the 2010 version) as a stretch goal unlock. This would be sent to everyone who participates in the campaign at any level.

Okay, if you’re still with me after that (we’re over a thousand words into this SotS already, and I haven’t even really started yet), let’s talk about the survey. After The Way of Kings, the next book to hit its ten-year anniversary is The Alloy of Law. Instead of being a lot larger than the average Sanderson book, AoL is half the size. We aren’t allowed by Tor to sell our leatherbounds for less than $100, and the logistics of printing them kind of preclude that anyway.

However, I thought that perhaps you all would like to get The Alloy of Law and Shadows of Self bundled together as a single leatherbound. I figured if we have to charge double for a double-sized stormlight book, shouldn’t we charge half for a half-sized mistborn book? This would require binding the two books together though.

Assistant Adam, who is a leatherbound connoisseur, mentioned that some people might not like this—he thought the leatherbound collectors he knows would just prefer to have the individual books, separate as they’re sold in stores, for their collection. So, we thought we’d ask you.

Finally, a couple of questions for those of you who attend my book signings. I’m having some growing pains in this department. My signings, put flatly, are just getting too long for me to handle. The last Stormlight tour wore me out, with each signing lasting until 1 or 2 a.m., with signs that they were going to grow even larger. I need to do something to either speed up the lines, or make the signings easier.

Fortunately, I have some guides in this department. I’m fortunate enough to be approaching crowds similar to the ones GRRM or Neil Gaiman get, and talking to people like them, I’ve found that there are two approaches authors generally use. Neil, for example, will pre-sign all the books. You don’t get to meet him personally at a signing, but instead you get a signed book—and then he does an extra-long presentation, with much longer readings, Q&As, and speeches than I do. In short, it becomes “an evening with Neil” instead of a book signing. Other authors (I know George has done this) still sign all the books, but don’t do a presentation at all, and don’t allow personalizations or pictures.

I’m curious what all of you think. My own inclination is a hybrid of my current method and Neil’s method—where I do a longer presentation like Neil does, perhaps bringing Isaac to do a presentation on artwork too. Then have a lottery (which is not based on your ability to buy a more expensive ticket, and is instead completely random) for a hundred people to come meet me afterward and get a book personalized.

If you’re interested, I’d enjoy you answering some questions about this too. (Note that none of these apply to release parties, which will continue to be the insane and enormous extravaganzas you’ve come to expect.)

Okay, whew. Thanks for sticking through all of that for me. But we spend a lot of time on the leatherbounds, and want to make sure we’re creating them the way you want. Now, on to the regular State of the Sanderson.

Rhythm of War Preview Q&As ()
#12033 Copy

mazzeleczzare

I’m curious if you’d ever consider going into writing for graphic novels? I never considered it until reading Saga by Brian K Vaughan and then sone thing clicked where I realized that the stories I want to tell are so visual and I think that is something your writing has down perfectly. I can’t help but picture Stormlight Archive as an anime or manga in the style of Full Metal Alchemist

Brandon Sanderson

An anime of Stormlight is very much on the table--seems more viable than doing a live action in many ways. I have been hesitant about doing straight graphic novel adaptations of my works, however, as I try to come up with things like Dark One that seem to fit the genre specifically.

Rhythm of War Preview Q&As ()
#12035 Copy

therealkami

The main concern I saw with people on this chapter [Rhythm of War Chapter Sixteen] is the whole thing with where The Thrill ended up. Do we just lack info, or did Jasnah allow something that powerful to be simply tossed away and hope no one finds it?

Brandon Sanderson

Betas had some questions about this too, and my team keeps pushing me to put more info about it--but I haven't found the right place. It's more secure than you'd think.

The Well of Ascension Annotations ()
#12036 Copy

Brandon Sanderson

Obligators. This is the first time you see them in the book. It isn't the last time you'll see them, but it's nearly so. They just don't have much of a part in the story now.

I toyed with making them villains in the novel, involving them a lot more in politics, but discarded that concept. I decided that 1) The Lord Ruler's power was broken, and that fighting against remnants of it would be a little anti-climactic. 2) There just wasn't any more space in the book for more villains.

The armies invading Luthadel, and their leaders, are bad enough. Part of my rational is that the warlords–not the priests–are going to be the real danger in this new world. The priests were a force for stability. Now that everything has been overthrown, they simply won't have any power to be of a threat.

Though, I will note that a major force in the third book is, indeed, an obligator who has taken control of a section of the empire.

Oathbringer Chicago signing ()
#12037 Copy

Questioner

In this world, assuming that [Roshar] is as old as it appears to be, wouldn't it be that the creatures that have gemhearts in them, as they die their body would rot away but leaving the gemstone? So wouldn't fossil beds exist with layers of gemstones in them from the passing of the ages?

Brandon Sanderson

Yeah, that's why-- yes.

Questioner

That's how they mine them?

Brandon Sanderson

They do mine them. What you've got to remember is, in my opinion these things are going to collect in certain ways in certain places.

Questioner

Densities and stuff.

Brandon Sanderson

Yeah. But yeah. Because there's no tectonic activity on Roshar, so.

Questioner

Just the buildup of crem over time slowly covers things.

Brandon Sanderson

Mmhmm.

YouTube Livestream 13 ()
#12039 Copy

King of Herdaz

Roshar is themed around the number ten. Scadrial and the cosmere as a whole is themed around the number sixteen. Are there any other planets themed around certain numbers? And if so, where and what are they? Or Read and Find Out?

Brandon Sanderson

Read and Find Out for that, but yes, this is a thing that I wanted to do at the beginning of the Cosmere and really leaned into in a couple of them. Honestly, with Mistborn, sixteen became the thing, but I was planning to lean into four more than sixteen for that series. But then sixteen became so important to the whole cosmere, and I wasn't sure... let's just say, four is where I was gonna go with that one.

But yes, there are others. Whether I'll actually really lean into them or not remains to be seen. But yes, I have plans.

Mistborn: The Final Empire Annotations ()
#12040 Copy

Brandon Sanderson

Chapter Fifteen

This two-chapter cycle is one of my very favorites in the book. It's the sort of thing you can only pull off–in my opinion–after good set up. The reader has to feel an attachment to the characters so that the tension works. They also have to understand the magic so that the action is quick, not laden with explanations or confusion. And, they have to understand the context so that it feels like something is at stake.

But, when everything comes together, you get chapters that are very powerful and, hopefully, fulfilling. The scene with Vin falling in the rain, hitting the rooftop, then crawling into a puddle is one of the first and most vivid ones I had for this book. Then, the image of Sazed–the quiet, humble scholar–appearing at the lair with the dying girl in his arms. . . .

Well, I feel that these two chapters are some of the best I've ever written.

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Kelly

You mentioned once upon a time that you had an idea for a book based on certain viruses, bacteria, illnesses giving characters powers. Has the current crisis of COVID-19 given you any new ideas or inspiration for said idea to blossom and build on?

Brandon Sanderson

It has, it definitely has, and it's been really kind of helpful for that reason. I think I'm more likely to write Silence Divine than I've ever been before. But I've learned I have to really be careful to curtail my side projects, particularly when a Stormlight book is due, and a Stormlight book is due on July 1st. That is creeping up real quickly.

I actually got an email from someone today that just is begging me to release Rhythm of War now, while they're trapped in quarantine, because they need something to read. If by some chance you (the person who sent me that email) are watching, the book's just not ready! I can't release it, it's not done. I'm not holding it back because I'm cruel. These books, we go right to the deadline on these books, and this book will be turned in like the hour that is it required to be turned in and not before. The last hour it can be turned in and still be printed and shipped is when we will we turn the book in. There's just lots to do - going through all the beta reader comments now, and while several of the plot lines work just fine, there's some of the plot lines that need some work. You're going to be a much happier person with this book with me doing that. I cannot stop and write Silence Divine right now, I gotta keep my eyes on the goal.

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Questioner

Can we expect a book regarding the backstory of Tonk Fah and Denth and all the characters of Warbreaker?

Brandon Sanderson

Um, yes, you can expect the sequel to Warbreaker, which will happen, but it's a ways off, to delve a little bit more into at least Denth's backstory. But I can't promise when I'll write that, or an Elantris sequel, sorry guys. The next book I'll write, after Calamity, will be... the next Stormlight book.

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Questioner

We have seen Wit tell stories that others told incomplete versions of earlier in the book. Is this an in-world coincidence? Or is he aware of those stories being told?

Brandon Sanderson

It is a little of both. Nothing mystical in here; he doesn't automatically know if a story is being told. But he keeps an eye on things, shall we say, and finds out things that he shouldn't know.

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Brandon Sanderson

Chapter Twenty-Nine

This is probably my favorite section from the logbook. It really comes together here, weaving in elements from the various epigraphs, making a story out of what the reader has previously only seen in pieces.

I hope this story-within-a-story is interesting to you. It really does have a purpose in the novel, as you'll eventually see. At the very least, I should hope that the concept intrigues you. The past story is, after all, the standard fantasy novel story–the young peasant hero who follows the prophesies to rise up and defeat the dark lord. Except, as you can guess, something went wrong.

Though I try to avoid writing the standard fantasy story, it intrigues me. That's why I wanted to have these epigraphs make reference to the concept. They let me play with what has come before me, without actually forcing my readers to spend all their time reading "my" interpretation of the same old story. (It seems that every fantasy author has their own spin on this story–yet none of them realize that as a reader, I don't really want to read a new spin on an old story. I want to read a new story.)

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Questioner

When Kaladin runs out of Stormlight, is that something you've worked out, how much Stormlight should have, and how much each move takes?

Brandon Sanderson

So, what I do is, I actually write the thing first, and then I tell my assistant, "Work out how much he needs," and then I give him that much. I work backward. Yeah, I do that a lot in books, but that's a little bit seeing how the sausage is made, there.