Questioner
Is all the worlds in the Cosmere on a linear timeline?
Brandon Sanderson
Yes, with an asterisk. There is time dilation. If you get too close to large amounts of matter or large amounts of Investiture, you will have time dilation.
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Is all the worlds in the Cosmere on a linear timeline?
Yes, with an asterisk. There is time dilation. If you get too close to large amounts of matter or large amounts of Investiture, you will have time dilation.
Will we see more about the Scouring of Aimia...
Yeah, Aimia-- you will learn more about the Scouring of Aimia. Unfortunately for Aimia fans, that's basically all that's in this book. But we will work-- we will find out more about what happened there.
My editor in America made me cut out half of the kolo's – what did you translate "kolo" as?
"Kolo." 'Cause you know, it's foreign language, so I just preserve it as it is.
Yeah. He made me cut half of those. He was so annoyed by my kolo's. You don't to understand, languages use these little verbal tics, that are very common – I don't know if Hebrew has one, but, like, they're very common, like - Korean has one - <Kuritzu?> - which people put at the end of a lot of sentences, and they just mean "Isn't that so?" or "Am I right?" or... it basically gives you a moment to think while you're talking, and a lot of languages have them. So, this is one of the examples of: fiction happened to be less realistic than real life, because in a lot of real-life texts you would have one of those every other sentence. And I use them like, you know, once a page, and my editor is like, "This is way too much."
The Mistborn series was sold as three trilogies. The first trilogy (the one we know) is set in medieval/16th century technology and is fantasy. The second trilogy will be set in the current day, or at least with the same kind of technology. This makes it urban fantasy. The last trilogy will be science fiction set somewhere in the future. Of course, all of them have the Allomancy magic system to get things interesting. The short novel The Alloy of Lawthat will be released in the fall this year is set between the first two trilogies so the tech level is around 18th/19th century with steam power. Brandon said it was about some Wild West-like character getting involved in a murder investigation in a city. So Clint Eastwood meets Sherlock Holmes in London.
Brandon mentioned the possibility of a "Girl Who Looked Up" picture book at Dragoncon. Is that something you guys have talked about? It sounds amazing.
We're actively working on "The Girl Who Looked Up." My part in it is fleshing out the descriptions of what the illustrator will draw. I don't know a publication date, but there is a strong possibility of this happening.
Yes, Elend is chosen as king. I wondered if this would be seen as a stretch or not, which is one of the reasons I didn't put it in scene. I think it's easier to believe if I simply explain that it happened, rather than trying to make it work in narrative. The problem is, after the big climax with Vin and the Lord Ruler, I think anything involving Elend's actual speech would have been a distraction.
So, I leave it at this. It's a foreboding ending, I know. Elend is king, but honestly, none of these people have ever done anything like this before. The crew has no experience with government, and Elend has very little. (Though he at least knows a lot of theory.) So, then, this is set-up for the next book, where I wanted to ask some very tough questions. It seems to me that overthrowing the empire would actually be easier than trying to make it run smoothly. This is what the group is going to have to deal with.
So, you mentioned, at the beginning of Words of Radiance, that you were originally planning on making it shorter than The Way of Kings. How long is Oathbringer going to be?
Oathbringer is plotted at the same length as Words of Radiance. Isaac has seen my outline, and Peter has seen my outline, and they're like... *beat* "Okay. Um, all right." So, we'll see. Like the other ones, it can't really be cut. That's the big problem with these Stormlight books, because the way I plot them, the ending is so important to justifying the fact that you've spent a lot of this time building with some of these books. A lot of my books, they're zippy, but these, you invest a lot of time knowing there's gonna be payoff, and so, it's like, if I cut the last third and make it into a book, you've got a book with no payoff, and a book with only payoff, and that just doesn't work.
You've said that Nalthians without Breath have something missing (are less invested) than other humans. Was this the case before Endowment invested on Nalthis? Would a non-Nalthian given Breath, who then gives up that Breath, be less invested than before they got the Breath? Would there be something missing in their spiritweb compared to their original state?
So, no. If someone from Sel went to Nalthis and got a Breath and then gave it up, would it give up more, the answer would be no, they would be who they were before.
The Salvation of Elantris
Yes, Raoden lets the Dakhor monks go. That's the sort of thing that happens in this book. If you want something more gritty, you can read Mistborn. (Which is gritty for me, though nowhere near the genius sadism of George R. R. Martin's books.)
I like having this scene from Lukel's viewpoint. If nothing else were gained from his other sections, I think the scene of the Elantrians emerging from the flames would be enough to justify his viewpoints in these last few chapters.
So, anyway, that's one major plot line finished. Elantris has been restored. Most fantasies, however, are about characters more they are about plot. I love great twists and revelations–but the book isn't over until the characters are fulfilled. So, onward.
What was the very most fun writing Legion? Was it writing aspects, or creating each of the new aspects, or was it thinking up the twists, or maybe thinking up crazy stuff like a hallucination with a hallucination?
Right, so the most fun for Legion... I don't know if I can say specifically what was the most fun, there were a lot of things which I'll go into. One thing that was really fun to me was this idea of coming up with a detective who was themselves more of a middle manager than a hero. A lot of detectives or people are these action stars, these Tom Cruise types, and I instead wanted this guy to just be a manager who kept all these other crazy hallucinations targeted on the right thing. But I also wanted the Legion stories to have some sort of science fiction element to them. Because I always point out: "Why not have some sci-fi or fantasy?" They always make a story better to me. So I’d say the idea that first made me want to write the Legion story was the idea of a camera that could take pictures in the past.
So when do we get to see a Radiant and a Mistborn go at it?
It's gonna be a while.
Once, all the gods and goddesses did as Allmother now does—if someone came to them with a petition, they tried their best to find a way to help them without giving up their Breath. The modern gods consider this far too much trouble, and it has fallen out of practice. Everyone says that the gods of this day are weaker than the previous ones. They're right, though weaker isn't the right word. They're just not as high quality a group of people, partially because of their traditions and expectations.
Chapter Fifteen
When I teach writing, one of my major educational philosophies is that an author must understand his or her strengths. If you do something well, play to that strength. Write books that show off what you can do. This isn't a reason to ignore, or to not work on, your weaknesses. However, like the opportunity cost laws of economics, the more time you spend on your strengths, the greater rewards you're going to receive. That translates to better books, a better chance of publication, and better sales.
Every writer is different. We can't all do everything perfectly. As a writer, one of the things that I don't do is beautiful prose. I don't think my prose is bad, but it is somewhat utilitarian. Some authors, like Orson Scott Card, can turn this minimalism into a strength itself. I'm not there yet–I still write with a more flamboyant style, I'm just not a brilliant prose craftsman like Gene Wolfe or Ursula LeGuin. I think I do other things, however, that are better than those two can manage.
Anyway, despite that acknowledgement, I occasionally write a paragraph that I just think is beautiful. The first paragraph of chapter fifteen is probably my favorite descriptive paragraph in the book. I love the imagery and language of it. Perhaps others will see it as trite–I had to end up changing the first line of the prologue, after all, which I also thought was beautiful. However, one of the nice thing about being published is that I can look at this paragraph in a bound hardcover and say, "I did that."
Why does Vorinism use imperial instead of metric base ten?
They don't really use imperial. The words don't mean quite the same thing. A foot or mile won't correspond to the exact same measurement.
But still, why don't they use a metric system? They're all about number 10.
Who said they don't? The foot has ten inches.
And by the way, we don't see Tonk Fah, Jewels, or Clod again in the book. They'll come back in the sequel. Without Denth's control, Tonks is off to start murdering and killing wantonly; by the next book, he'll have changed quite dramatically.
Jewels, on the other hand, is taking Arsteel (Clod) to his brother, who is a master of Lifeless Commands. (Yesteel invented ichor-alcohol.) She hopes to find a way to restore to Arsteel some of his memories and personality.
Does Khriss owe Nazh a new coat?
Is what?
Is Khriss owe Nazh a new coat? That little picture in there where it says 'you owe me a new coat'. I'm wondering if that's Khriss who owes the coat. Not going to tell me on that one either?
I'm gonna stay closed mouthed on Khriss.
When you store multiple memories in a coppermind is it still technically one large coppermind or could you say it's more like a ton of "virtual" metalminds, because you're technically tapping individual ones?
More like the second. I would say that's accurate. I mean I'm not sure that really aligns one to one but it is another good model, though.
Has Hoid ever died before?
Define died. He has had his head chopped off. It just, like, didn't work.
Didn't work?
Yeah. He actually ends the book Dragonsteel - that's unpublished - being beheaded. That event happened, although that book didn't happen as the book was written.
What made you decide on Rysn for the next novella?
Mostly the fact that Aimia has some relevance to the story in coming years, and she's the one best set up to go there.
It's not that the glyphs use Thaylen graphemes. It's that they ultimately derive from the same source.
In one of the bumps, Sazed mentions a discussion between Vin and Ruin in which Vin asks Ruin why she was chosen to release him from the Well. Did this discussion occur in the in-between afterlife where Vin, Elend, Kelsier, etc., were, or did it occur off-screen while Vin and Ruin were busy stopping each other from affecting the world?
I was fairly sure she asked it while she was a prisoner of Yomen, but I could be wrong.
Yes, as has been pointed out, that's in the text—unless I cut it during editing for pacing issues. If I did, the conversation still happened, but it just didn't get shown on
*inaudible question*
For some of the planets you definitely need to have some kind of magical adjustment happen, otherwise it's very difficult. Others are easier to get between.
What was Skyward inspired by and how long have you been working on it?
I've been working on it since about 2012, on and off. It was inspired by my love of stories about kids finding dragon eggs.
How emotional do you get when you write the sadder parts of your books? I sobbed like a baby at the end of Hero of Ages, and I wonder what it’s like to conceive something like that.
I'm generally more emotional about the books when planning the first ideas of them--when I'm listening to the right music and planning the way the story will play out. When I actually get there in the writing, I'm more focused on sticking the landing, so to speak, than being emotional myself.
Part One Wrap-up
"The Shadow of Elantris." These section headings were added in the last real draft I did, while I was visiting my father in Massachusetts during the summer of '04. By then, the book's title had firmly been changed from The Spirit of Elantris to just Elantris. I knew I needed to divide the book into sections, and decided that I'd use "The Spirit of Elantris" as the final heading, as kind of a nod to the original title of the book.This presented me with several problems, however. First, I needed two more good sub-headings to go along with "The Spirit of Elantris." Second, I needed to find good places to divide the chapters. Because of the chapter triad system, I'd probably need to base my dramatic section cuts on Hrathen's chapters, since he came third in the rotation.
The Shadow of Elantris came easily as a title. It, of course, has reference to the first chapter, where Raoden looks out the window and feels like Elantris is looming over him. However, it's also a nice summary of the first section. Elantris looms over everything, dark and dirty, during the first section of the book. While we see the beginnings of light from Raoden's efforts in the city, they don't really come to much fruition.
If we throw out the nostalgia factor "Spirit" has going for itself, "Shadow" is my favorite of the three section titles.
Several of my friends play the [Mistborn] tabletop game, and we have a question, so, if you want to burn a metal Allomantically do you actually have to ingest it, or can it just be in your bloodstream, or-?
If it gets in there somehow, you can use it.
So you can inhale something, or inject something ... what about spikes? Could you like burn a spike that was-?
Yes, you could, but not if it's Hemalurgically placed or Hemalurgically charged. But otherwise yes. If it gets in you-- I almost wrote a scene where someone got stabbed through the chest and they burned it. The problem is your metal also has to be of the right allomantic alloy.
Chapter Twenty-Six
Spook Starts to Believe in Kelsier
In this chapter, Spook begins to turn into the person he was during the first draft of the book. In that draft, he immediately listened to Kelsier's voice and didn't question its existence at all. The revision changed things so that he was surprised when he heard it, looking around several times, uncomfortable. This works better in many ways, though the starkness of how unhinged his constant burning of tin had made him before was kind of sad to lose.
Part Two Wrap-up
Things certainly are moving along now. I told you the book would speed up as it approached the ending.
There were some very good moments in this part. I like how removing the Mad Prince from the book streamlined the pacing, and I think it pushes quite well to the final section. A lot is happening now, so I hope that it's hard for you to get to these annotations—I want you to keep reading the book! You can always re-read it a second time, and look through the annotations then.
We've had great topics and discussions about this. If all of your characters were in a death match, who would win?
Honest truth is Kelsier. This is because of most of the characters, Kelsier is the one that is ruthless enough to get what he wants. Others would not be as ruthless. Kelsier as a character is very interesting to me. My kind of pitch on him to myself was he would be the villain in most stories. Kelsier in a lot of stories being told, in a lot of books that I would write, he's the villain but in this world, at this time, it is what the world needs and he is the hero. That's why I say Kelsier.
Sazed's Speech Patterns
Sazed thinks here, I am, unfortunately, in charge. Look back at the very first epigraph of the book. Notice a similarity? All of the epigraphs in this novel use Sazed's distinct language style. They sound so much like how he talks that I thought, at first, that it would be blatantly obvious from the first few chapters. Fortunately for me, most people don't pay that much conscious attention to how characters speak.
So, yesterday on the metal panel, you talked about how creating aluminum revolutionized our society. So ever since yesterday, I wondered if you one day can see some kind of... like you know, the Empire from Star Wars? Like, a society like that, probably from Scadrial that is made entirely out of aluminum and things of that nature.
Yeah, I totally can. Absolutely, I can see that and it's going to be pretty cool, if I can get it all to work.
What philosophies do you feel like inspired you the most? Philosophies, or mysticisms, religions?
I like a lot of different things. You'll see a lot of things in Way of Kings of Pantheism. You see all the old Greek dudes. You'll see some Cartesian stuff. It's kind of everything. You'll see a lot of Shinto. Yeah, probably the most has been Shinto or actually more of the kind of Buddhist and Jainism sort of idea.
You know, Taravangian I feel like is embodiment of compassion versus seeing the world for what it really is.
Yeah. Right. And then there's the whole Utilitarianism versus altruism and I just find all of that stuff fascinating. I don't know if there's any one. Shinto, that idea of animism, the idea of everything having a soul, is probably... Yeah.
Sidenote, but I believe BDSM would have been quite big on this planet [Sel], as control and trust are both so central to that community/ fetish. Not that Brandon would necessarily want to get into that stuff. Any quick thoughts, /u/mistborn?
Ha, you know, I'd never made that connection? It would be completely in line with the worldbuilding, so I think you have a very valid line of reasoning here.
Does it have to be on Scadrial for Hemalurgy to work?
No.
This is not a 'typo' per se, maybe it's a "translation" thing that I notice when reading the book (probably me being far too pedantic):
In Kaladin's POV's, Moash is consistently described as a 'hawk-faced man'. What's a hawk, precious? Is it some kind of chicken?
Them again, I can't think of an economic way of describing such a physiognomy that does not reference birds of prey.
Brandon says it's an idiom leftover from centuries earlier.
[Something about whether Elantrians are immortal or long-lived]Â
Elantrians have no physical limitations on their lifespan. The power will sustain them, but it's emotionally and mentally exhausting to be an Elantrian, so as far as immortality goes it's actually harder to be an Elantrian than other forms of immortality that exist in the cosmere.
Could you have a good conversation with Adonalsium, back in the day?
Back in the day? I actually have to RAFO that because I actually haven't said whether Adonalsium was a force or an individual. So it is an excellent question, no one has asked me that before, but it's not one I can answer.
That was a bit of a sneaky one, because it seems like it would be an easy one to answer, but it gives away too much
It does.
*inaudible*
Technically, Marsh shows up onscreen. I guess he's not technically... I guess you would have to argue whether or not he counts.
Is it possible to worldhop from/through Patji's Eye? If yes, could a naturally Invested creature like a nightmaw worldhop?
Worldhopping is hard if you are not sapient--but yes, it happens.
As for Patji's Eye, RAFO.
How old is Taravangian?
Taravangian is in his 80's, I believe. He is not immortal, he has not lived an extra long time. He might be 70's local time.
How many kids does he have? If he has all these granddaughters running around.
He has a number of children, but I have not defined it.
Were they all with the same wife?
No. That, I have defined.
Were they all by a wife?
A better question. RAFO.
Was he as much of a stud as Spook?
RAFO.
What metal is the lynchpin spike made of?
RAFO.
Have you ever thought of doing a magical school series a la Harry Potter, The Name of the Wind, or The Magisterium series? Or did Skyward kinda fill that spot for you?
We'll see. I've never had a really good idea for one. I need to feel like I'm bringing something new to a sub genre like that.
Rysn has come up a lot in interludes in both books.
Yep.
Will she continue to be in the--
She does have an interlude in the third book. She is kind of, like-- so far I have wanted to use one of my interludes on her each time. I only get, you know, I get like only like eight or so per book, but I've used one of those on her every book. And I probably will going forward, but I can't promise.
Are you interested in seeing any of your books become video games?
I would love to see my books get made into video games. Yeah, I’m a gamer. So if I had the right company, I would love to do it.
Have there been any offers, anyone vol--
Someone optioned--or bought the rights--to Mistborn. They were never able to get a game off the ground. I don’t think it’s going to happen. They still have the rights for another year but it’s looking really slim that they’ll get it made.
That’s unfortunate, that’d be a great game to play.
Yeah. And consoles are doing better, there was this time between the last generation and this generation where mobile took off and it was mobile that just kind of--and there was all this question about console, that’s when they were working on this and a lot of people were really timid about jumping in and making a big budget fantasy game.
Alcatraz, My Boy!
Here we get Grandpa Smedry, introduced for the first time. As I believe I mentioned earlier, I wanted this book to be a subtle satire of some of the books on the market in fantasy. Not a full-blown satire, of course–I don’t tend to like books like that. They’re forgettable. Instead, I wanted something that had its own world, magic, characters, and story–but something that also occasionally took a subtle shot at the fantasy establishment (of which my other books are a part).
I love fantasy. However, what I loved about writing these books was that I could strip away some of the self-importance and seriousness. Standard epic fantasy, as a necessity of the genre, takes itself very seriously. These books don’t. That doesn’t mean that I don’t want the stories to have structural integrity or good storytelling; it just means that they can be a little more silly at times.
All of this leads to why I wrote Grandpa Smedry the way I did. I wanted a wise old mentor character. We’ve seen plenty of the type–Belgarath, Gandalf, Dumbledore. However, I wanted to make him a total spaz. Hence Grandpa Smedry, who’s a great Oculator and a very competent person–but who is also a complete spaz, and who is sometimes his own worst enemy.
His curses, by the way, are all the names of my favorite fantasy and science fiction authors. (In no particular order.) So, in this chapter he curses by Melanie Rawn’s name and Robin Hobb’s name, I believe. That’s only the beginning. [Assistant’s note: Terry Brooks and David Gemmell are also sworn by in this chapter.]
What happened to Kwaan? I was half expecting to see him amongst the kandra First Generation.
Kwaan went into hiding, and he was eventually discovered and executed by Rashek. He wasn't among the First Generation, though he would have been if he hadn't turned against Rashek. Rashek kept the plate, however, just as he kept Alendi's logbook. Partially because even then, Rashek was going a little mad, but partially because of the reminders about his old life they contained.
I'm assuming you meant Alendi hunted him down because he turned against Alendi. Or did Kwaan also turn against Rashek?
No, I meant that he turned against Rashek. Remember, the members of the First Generation were offered immortality in exchange for their Hemalurgy. They had to make this choice for all of the world's Feruchemists. Because his uncle had been the one who gave Rashek the chance to become the Lord Ruler in the first place, Rashek blessed him and included him in the decision. (Speaking directly into his mind along with the others during Rashek's moment of ascension.)
Kwaan was the only one who turned down this offer, calling it a betrayal of who they were as a people. Rashek could have just made him one anyway, but in a moment of anger, he tried to destroy Kwaan—which he couldn't do, not with Preservation's power. As the other Feruchemists changed, Kwaan remained the same. Rashek eventually hunted him down and killed him.
The second set of Stormlight books, [six] through ten, will that-- will those be more focused on the Heralds' point of view, is that the idea?
Yeah, so Taln and Ash, who are both Heralds, are going to be main characters, and they'll each get books dedicated to them. The characters who survive the first five will still be main characters as well, but it's gonna turn more on what happened with the Heralds and things like that. The first five are turning more on what happened with the Knights Radiant and then the last five are more what happened with the Heralds... 'Cause we'll get flashbacks to the time of the Dawnsingers and things like that.
Why do female*inaudible*
Well, there are several answers to this. The Alethi would say it is because it is the only way to be modest. But that's not the real answer. The writerly answer, which is also not the real answer, is that I grew fascinated by interesting social taboos by traveling to other countries where, for instance in many countries showing the bottom of your feet to people is insulting, and stuff like that. But the actual answer is that, you saw the events after the Recreance when the Knights Radiant abandoned their shards and, at that point, some people in power realized that if they could eliminate women from picking up the shards then it was twice as likely that they would get one. And so they started popularizing a work, an essay by a woman who had talked about feminine arts were one-handed, painting and things like this, and masculine arts were two-handed, breaking rocks and fighting and stuff like this, and they popularized that and some of the women who were involved in this seized writing, in this division, as a feminine thing. So there were both men and women involved in this sort of split that was kind of a conscious attempt to struggle power, or struggle the power in different ways, and that became not just a thing that people talked about, but an actual feature in the society moving forward.
The Shaod is an effect of Elantris.
Irich had that degenerative disease. If the Set still had Miles available, could he have cured Irich's disease by giving him Compounded health with a primer cube?
This requires more steps than it would appear, but this is the sort of thing people will trying very hard to figure out in coming novels.