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General Reddit 2019 ()
#1051 Copy

Marethyu316

Those are all good possibilities [for a novella Brandon is working on], but it could also be the one he mentioned during the first Book 4 update where an apprentice of Hoid is stranded on a minor shard world with an umbrella-based (Edit: oops!) magic system.

Brandon Sanderson

Please. It was a KITE based magic system. An umbrella-based magic would just be silly, now, wouldn't it.

I'm tempted to plot that one as a YA book, to be done after the Skyward novels. I'd like to do something YA in the cosmere, but have been waiting for the right moment.

coolRedditUser

Would Mistborn Era 1 not count as YA? I got those vibes from many parts of it, though most/all traces of that vanished in Era 2.

Brandon Sanderson

Mistborn Era One walks the line. (Having a teen protagonist for one of the viewpoints does indeed give it the vibe--and we did a YA printing of it, with YA covers.) Really only the first book would fit, though, and it's kind of a stretch.

Generally, YA is defined by the age of the protagonist, and the conflicts they're seeking. Vin's quest to find a home where she can trust the people around her is a YA style plot, but by the second book, it's drifted more toward adult style plots.

A lot of sf/f walks this line, though. There are arguments for some Game of Thrones to be YA for similar reasons. (Be aware that in the industry, content--meaning sex/violence/language--is not a descriptor of whether something is YA or not. It's age of the protagonists and the nature of the conflicts.)

Words of Radiance Chicago signing ()
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Questioner

Are gemhearts, the gems in those chemically identical to mined [gem] stones?

Brandon Sanderson

*clarification* They are very similar. Not 100% chemically identical, they are far more pure for one thing. You would call them the same substance, but you would say, "Wow, this gem has no impurities." They may have flaws, but no impurities. Meaning, in a lot of gemstones the colors waver and vary as they different minerals come in, and things like that, and so what makes a--

Questioner

So it's just a pure ionic bond?

Brandon Sanderson

Yeah.

Skyward Houston signing ()
#1056 Copy

Paladin Brewer

Previously you were asked if Hoid could have been using the lerasium to alloy with other metals to change his spiritweb, and you answered it was technically possible. Does that mean you’re finally admitting that Hoid did not digest the bead?

Brandon Sanderson

I am not admitting that. It was possible for him to do that, but he did not.

Skyward Houston signing ()
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Questioner

On Skyward, I love the Graphic Audio adaptations. Do you know if there's any plans to do a Graphic Audio recording on Skyward at this time?

Brandon Sanderson

There's not plans right now. I'm trying to talk Random House into it. I guess it would be Audible into it, 'cause they have the audio rights. They haven't let us do the Reckoners. It's tough because Audible bought the rights directly, and Graphic Audio is a direct competitor. Whereas with the Stormlight books, MacMillian audio is not the same. So, we'll try.

Ben McSweeney AMA ()
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Zuesz

How many folders/piles of fan art do you have that have never been seen?

Ben McSweeney

There's not so much fan-art buried in the stack, because I usually publish it online as soon as it's done (if you can't share fan-art, what's the point?), unless I judge it to be awful in which case I bury it with the bodies and nobody will ever know.

But there's a lot of jobs that generate ancillary material which is never seen by the public. When it's client work, it's not mine to freely share. With Stormlight in particular, we'll hopefully be able to collect it all into a book at some point, so there's value in keeping it archived.

Worldbuilders AMA ()
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sheesania

Are we ever going to find out more about Tarah, the woman Kaladin was involved with somehow during his time in Amaram's army? I'm curious about what sort of woman could manage to pull Kaladin out of his depression and obsessive training in the spear after Tien's death...

Brandon Sanderson

Yes.

Leipzig Book Fair ()
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Questioner

You said that there were some things in the Cosmere that happened accidentally. What was one of them?

Brandon Sanderson

Shard pools is a good example. So when I started writing Elantris I knew I would have these concentrations of power. But I didn't know how I'm going to use them exactly. Like what's the connection... This was way at the beginning. By the time I had Mistborn, I knew all this. I knew I had a well of power there. What does it do? Shardpools are a good example of writing into the story and figuring out how the magic works bei actually playing with it.

YouTube Livestream 25 ()
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Questioner

Which order of Knights Radiant was hardest for conception?

Brandon Sanderson

It was definitely the Dustbringers, which I'm not even sure yet, because I haven't done a lot with them in the books. But I wanted the Dustbringers to be more than just "generic fire magic." Not that people haven't done great things with generic fire magic that they have individualized, but kind of the whole idea behind the Surges in the Stormlight Archive is that they are using, as the elements of their society and the fundamental forces, things that you wouldn't normally see as magic systems in a fantasy novel. And generic fire magic didn't fit into that schema very well.

DragonCon 2019 ()
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Brandon Sanderson

Writing my fight scenes, biggest challenges I have. One of the things I learned when I was a brand-new writer, approaching fight scenes, is that the fight scenes I loved in movies didn't translate well to fiction. I can sit and watch Jackie Chan punch and kick people for an hour and a half, and I'll just be happy. But if you tried to write that in the book, even done as dynamically as Jackie does it on the screen, it'll just get boring. "He kicked him. He punched him. He kicked him a different way. He punched him a different way." Just strict narratives of a fight are generally not very exciting, unless you make them very true-to-life and make them very short. You can certainly do just a straight fight narrative if it's a three-minute bout. But if you have somebody in battle, and it's going to stretch forty-five minutes or longer and you're gonna have this big, long, epic thing...

One of the things I learned very quickly is that the advantage we have as writers of fiction is we are inside the characters' heads. And that's an advantage that we have over film. So while they can make kicking and punching really interesting for a long time, we can focus the reader's attention by having the character have distinct goals they want to achieve, show their emotions, and show their reactions to what's happening around them. So, my biggest advice to you would be: look at your character. Decide on what you're character's goals are for this fight. Treat the fight like it's own sort of chapter, it's own sort of narrative, with beginning, middle, and end. With the character trying to achieve things, and either succeeding or failing. And trying to just filter it through their pain, their anguish, their confusion, or their excitement. Whatever their emotion is for that chapter. And keep your eyes on the character. Less on trying to have a spectacularly visual action scene, have a spectacularly emotional action scene.

Goodreads: Ask the Author Q&A ()
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Matteo

Why do you so often include some sort of religious government in so many of your worlds? Is it something that comes from looking at how history developed on Earth, or do you think your religious faith influences the way you write/worldbuild?

Brandon Sanderson

There are a lot of reasons. One is because it happened that way so often in our world. Another is my fascination with religion, and wanting to explore what people do with it. The biggest one, however, is related to how I worldbuild. I like things to be very interconnected, as I think that's how real life is. So, when I build a religion, I ask myself what its political ties are, as well as its relationship with things like the magic, economics, and gender roles of the culture.

Shadows of Self Lansing signing ()
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Questioner

The thing about women eating sweeter foods, and how sharp the gender divide was and-- I just found that worldbuilding really interesting, so how do you get inspired by that?

Brandon Sanderson

So I noticed that a lot of cultures have these really stark gender disparities. And I think in America we don't—like even around the world we still have a lot of them—in America we kind of-- I'm glad we don't because I think it is actual progress to not [have these disparities]. But at the same time that's a really big part of so many different cultures that I wanted to play with that idea.

And I loved in The Wheel of Time how Robert Jordan had the magic word differently [...] and so I was looking for a long time for something I can do that plays with the idea of gender roles, and that's kind of what rose out of it. It actually came from when I was working on the history and the moment when the men kind of seized control of the Shardblades. You know about this?

Questioner

Yeah, I read about it online.

Brandon Sanderson

So that moment I'm like "alright, there's a divergence there. How do they strictly define the gender roles to maintain the power of these weapons?" And I think that's-- and I just kind of built from there.

Questioner

It's really interesting though that women in a way are actually the creative minds-- they're actually not suppressed, but they're repressed in a different area.

Brandon Sanderson

It is, right. It's this weird repression where you can't do what you want, but they're actually in many ways the most powerful ones in society, but they're constrained by it.

Questioner

Yeah, they're the ones that are creative because men don't even read because they're not supposed to. I guess that's what's really interesting to me.

Brandon Sanderson

It was sooo much fun to figure some of these things out because it plays with expectations a little bit but also plays into them in really interesting ways.

The Alloy of Law Annotations ()
#1072 Copy

Brandon Sanderson

Sazed speaks to Wax

So, if it matters to you, this is actually Sazed talking to Wax here. It's not just Wax's imaginings.

I'm not sure what readers are going to think of this. My goal with the original Mistborn trilogy was to set up a mythology for the world, one in which real characters were playing a part. Sazed is, essentially, God now. Maybe a lowercase g would be better on that word, but regardless, he's the one watching over the world and making sure things go as they should. At this point, he's working hard to discover what's going on with the other Shards and to keep another disaster from coming Scadrial's way.

I've spoken before on my fascination with religion, and this aspect is a particularly interesting one for me. I've played with the ideas of men being treated like gods in Elantris and Warbreaker—but they didn't really deserve it. Here, however, we have Sazed who is approaching more of what a god would be. Should he be prayed to? Why or why not?

You should know that holding two opposed Shards of Adonalsium has made Sazed more . . . zen, if you will. Not inactive. However, he has taken a belief that both Ruin and Preservation are important in people's lives, and doesn't feel that interfering is something he should often be doing. He sees his primary role being to encourage people to be better, to keep an eye on the other Shards, and to make sure the world keeps working as it should.

Skyward Atlanta signing ()
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Questioner

Is there anything about the Stonewards that you can share that's not a RAFO? I know they're coming later.

Brandon Sanderson

They are coming later, so not really. They were more of the Knights Radiant front line troops, as opposed to the Windrunners who were scouts. But you probably already knew that.

Firefight Atlanta signing ()
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Questioner

And are there established trade routes between Epic-controlled areas?

Brandon Sanderson

Yes.

Questioner

Are they patrolled by Epics?

Brandon Sanderson

Umm, yes to an extent. For the most part you know that if you hit an Epic's trade caravan you're all dead, y'know? So they don't have to worry about it that much. But some are patrolled. Not by the Epics, but by their people.

State of the Sanderson 2018 ()
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Brandon Sanderson

Updates on Secondary Projects

The Original

I'm moving this novella (which I don't think I've mentioned before in a State of the Sanderson) into the Secondary Projects section. A while ago I had an idea for a story about a world where, if you committed a crime and went on the run for it, the government could create a clone of you (with your memories and personality) to hunt you down. After all, who better to hunt a criminal than a copy of that criminal? The copy would have strict controls in place so they could be killed by the government with the press of a button, but would be given the promise that they could take their Original's place if they succeeded in hunting them down and killing them.

Earlier this year, the idea developed into a full-fledged outline, which I wrote out during time when I needed a break from other things. It worked out well, and so you might see progress on this in future years. Right now, I like the idea of doing it as an audio original, perhaps with a coauthor who is more experienced in audio or voice acting. So watch for updates here.

Status: Outlined.

Calamity Houston signing ()
#1082 Copy

Cadmium (Written) (paraphrased)

Would it actually be possible for a kandra to "become a rusting bunny?".

Brandon Sanderson (Written) (paraphrased)

Yes, But it would be tough.

Brandon Sanderson (paraphrased)

They must keep a certain mass to maintain intelligence and a bunny is very small.

Cadmium (paraphrased)

But obviously being a Harvey sized bunny is totally doable.

Brandon Sanderson (paraphrased)

Yeah... Good movie reference.
Firefight San Francisco signing ()
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Questioner

When it comes to like, touring and stuff like that, how do you pick these locations?

Brandon Sanderson

Sometimes, it's my publisher, sometimes it's me saying let's go somewhere different. And sometimes it's places where I've come a lot where they do a good job, like when I come to a store like this, I feel like they do a good job, so I put a good report into the publisher and say, feel free to send me back to that store.

Questioner

Ok, because I'm a student at Sunset University, and I have a lot of people who are fans there, and I'd love it if you know--

Brandon Sanderson

The best way to get me into places like that is if you have a local convention, science fiction convention, having them invite me to be guest of honor, I do that sort of thing a lot.

Firefight Phoenix signing ()
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the_archduke (paraphrased)

If the Lord Ruler captured Shai and gave her 100 days to craft a soulstamp that could turn an iron Hemalurgic spike into a steel Hemalurgic spike, could she do it?

Brandon Sanderson (paraphrased)

Yes, but she would need a boost of power to do it. Affecting an Invested object is hard.

the_archduke [Alternate wording from stormfather's report] (paraphrased)

Can Shai change Hemalurgic spikes?

Brandon Sanderson (paraphrased)

Yes, but it costs a lot of power and she wouldn't be able to do it alone.

Warbreaker Annotations ()
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Brandon Sanderson

Vivenna Reads Her Father's Letters to Lemex

So, is what Dedelin did wrong? I don't know. Again, I'm not here to give answers. He did what he felt he needed to do. Getting Lemex into the Court of Gods was an extremely important task. Without access to the assembly sessions, he had to rely upon paying people who could get in to take notes. Much better to get your spy in there himself. Unfortunately, the easiest, best, and least obtrusive way to do this was to get Lemex a pile of Breaths.

Now, I don't expect any readers to be shocked by what he did. The tone of the book presents Awakening as being far less inherently evil than Vivenna sees it. I'm afraid this is a bias I can't stamp out, since I myself see the power as being something other than evil. Neutral, as are most of my magic systems.

But I do think it's important to hold to your own personal code. Vivenna is rightly shocked about what her father did. But, then, perhaps this is a sign that she wouldn't have made as good a queen as she and her father assume she would have. While she's perfectly willing to sacrifice herself for Idris, she doesn't seem willing to live for Idris—meaning to stay behind and lead her people. She ran off. Beyond that, she would never have been able to make the decision her father did, buying Lemex Breaths.

Ben McSweeney AMA ()
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JavaPython_

Do you have any drawings of the Cognitive or Spiritual realm that we haven't seen that you can share?

Ben McSweeney

Not yet... there's a few doodles somewhere of a black sun against a sea of beads, but they're not even close to comprehensive... a circle over scribbles hardly counts.

Children of the Nameless Reddit AMA ()
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drostandfound

Are these characters yours, as in you have claims to them for future writing, or do you hope to see other authors take them and move them through the multiverse?

Brandon Sanderson

I absolutely want to see other authors do things with these characters. Part of the fun for me in doing an MTG story was the chance to do something like create a character for the Marvel universe--I wanted to add to the story, and throw some of my creativity into the mix, and hope to see them get used in the future.

I'd hope that if there's ever a main-line story involving Davriel or Tacenda that I get a chance to write it, or at least consult. But I don't consider them "mine." They were a chance for me to add to the lore of something I love.

Idaho Falls signing ()
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Questioner

Would Dalinar or Kaladin like Kelsier?

Brandon Sanderson

You know, I think they both would have their issues with Kelsier.

Questioner

'Cause he's more of a rogue.

Brandon Sanderson

It would really depend on what situation they were in. But I think Dalinar would not approve of his methods. And I think Kaladin would empathize with him, but at the end would not approve either. To Kaladin he would probably represent the things that Kaladin kind of wishes he would do, but is too moral to do. And that would be a dangerous thing for Kaladin.

White Sand vol.1 Orem signing ()
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Questioner

...Really?

Brandon Sanderson

Yup. Most of what you see him doing, Renarin did in the original outline, much more awkwardly.

Questioner

Did you keep him in for longer because he has an important part to play?

Brandon Sanderson

Yes. remember, this is the draft I did in 2002, things were very different. Like in that draft Kaladin took the Shardblade and became a Shardbearer and stuff like this, and so it was a very different book, very different themes. I beefed up Adolin's part when I was doing this and eventually he developed into a stronger character. I need Adolin because Adolin is the guy who is not gaining all the magical powers and flying in the air and stuff. I need the guy who is more normal. As normal as the prince of Alethkar can be. I needed him and I really liked where he went after doing that, so.

Idaho Falls signing 2014 ()
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ProfessionalLurker (paraphrased)

Any news on Alcatraz 5?

Brandon Sanderson (paraphrased)

He said he wrote the book last summer, and is waiting for the greenlight from Tor to hand it off, basically. They want to publish books 1-4 first, followed by this one. But the only thing needed is a schedule and edits! Still sounds like an early/mid 2016 thing to me.

Goodreads: Ask the Author Q&A ()
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Moogle

If a non-Windrunner Surgebinder (who had spoken all the Ideals of their Radiant Order) summoned Jezrien's Honorblade, what color eyes would they get? A blend? Different colors for each eye?

Brandon Sanderson

:) I'm going to RAFO eye color questions for the moment. We'll actually be dealing with some of these in the books. Maybe not the specific ones you ask, but the concepts in general.

Words of Radiance San Francisco signing ()
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Questioner

Are you ever going to expand on the cosmere in its own book or is it going to be a long *inaudible*?

Brandon Sanderson

Yes, the thing that started it all, Dragonsteel, is going to be about the cosmere a lot more, and the third Mistborn trilogy will be also.

Questioner

I like how you have that background going through all your different cosmere novels, tying them together

Brandon Sanderson

I want to make sure that it never becomes the forefront until I am warning people, "Now, you need to know this stuff."

Stormlight Book Four Updates ()
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Brandon Sanderson

Back in update #3, I promised to check back with you mid summer. I'm here a little early, as this felt like a good point to let you know how your book is going. Yesterday, I finished Part One of the novel, which (at 111k words) puts us at just under the 28% mark, assuming the book is 400k words total. (The first book was around that; the next two were longer, so fair warning, the % may not be entirely accurate.)

The short, TLDR version, is this: Part One is done, the book is looking good, and I'm modestly confident in a 2020 release.

Read below for a more fiddly, numbers oriented analysis of how things are going.

I gave myself 10 months to do the rough draft as a hypothetical deadline. That is a little on the quick side, but doable. That translates to about 1300 words a day, if I were writing seven days a week. (Which I don't do--I usually manage to write new fiction four days a week, with one day dedicated to email, meetings, newsletters, grading student finals, that sort of thing.) Once in a while, I sneak in a little work on Saturday, but I don't count on it.

What this really means is during those four days writing time, I need to do about 9k total words to keep pace. This wordcount number, I should warn you, is more a way for me to judge my progress rather than it is an absolute requirement. The writing process needs to remain flexible, even for someone who likes a strong outline like myself, and while guidelines for wordcounts are helpful, I'm careful not to treat them like a factory quota, to be achieved regardless of quality.

They are helpful for pace, though. In an average week, I commonly do between 8k and 15k of writing, so this is a manageable goal. With that in mind, how is it going?

Well, as talked about in the last post, I started Stormlight about a month late because of some work I decided needed to be done on Starsight. That meant I started the book at about 44k words behind in April. Steady writing through April up until May saw me making up ground. When I flew to Germany for the tour there, I was 31k behind instead, and was feeling good about the progress.

Germany was, of course, a disaster for new writing. (Tours almost always are.) I got some work done on a sequel novella to Sixth of the Dusk, but no Stormlight writing. (Really complex narrative is difficult for me to do when traveling a lot, as it requires more focus than I can often give.)

When I got back, I had slipped to 52k words behind. I dove back in, and restored the writing grove for Roshar, and have made back most of that time. As of yesterday, I'm 33k words behind, assuming I want to have the rough draft done by January 1st. (Which is pretty much a must if I want to release the book in 2020.)

As before, I do need to give the warning that if the book needs more time, I WILL take it. I recognize that is what most of you would like anyway, so we'll see what happens. Part One, however, turned out very close to my plan--and I'm pleased with it. As I said, this book follows more of a Book One style plot than a Book Two or Three style plot. The characters will be mostly isolated doing their own thing in three separate plot lines, interwoven in the narrative, but with little interaction between them. In fact, the three different arcs should (if I work it out right) hit their climaxes at three different points, giving a more sequential hit of more intimate plot moments rather than one big enormous finale, like happened in Books Two/Three. (Not that there's anything wrong with that; I just prefer some variety. Book Five, as you should be able to guess, will be more like Books Two/Three than Books One/Four.)

So my next step is to dive into a revision of Part One. This will put us a little more behind, as it will take about a week--but it will let me get the first chunk (which is book length on its own) to Moshe for editing over the next few months. That way, we can use his time in parallel to mine, as well as let Karen do continuity edits and Peter (eventually) do an editorial pass.

If that works as it should, and if I do this with each part as I finish them, I'll have 3/4 of the book waiting with editorial work done on it come January 1st. That will let me dive into a third draft immediately.

My goal after the revision of Part One is to pick one of the character clusters mentioned in the previous updates, and work on it straight through to the end. (I'll probably pick the second arc, which should be around 80k words long and follow three viewpoint characters in their distinct plot sequence.)

As always, thanks for reading and for putting up with my eccentricities as a writer. As a note, like in the other posts, I will not be sending replies to my inbox--so apologies if I miss something you say in this thread.

17th Shard Forum Q&A ()
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Thoughtful Spurts

If tapping heat means your own body gets hotter, does it also mean you become immune to hot temperatures so long as you're tapping it, or should you fill heat and grow colder for that to happen?

Brandon Sanderson

As everything in Feruchemy, you become immune to the effects of the ability only. Like weight doesn't crush you, but at the same time doesn't have a net gain in strength. Growing colder, however, would be more helpful in this regard.

The Alloy of Law Annotations ()
#1099 Copy

Brandon Sanderson

Chapter Twelve

The group investigates the railroad tracks and canal

So, let's talk about the realities of speed bubbles. I did research on this, and got different answers from people on what really should happen if you could slow time like this. One of the issues is that light doesn't change speeds based on this sort of issue, so there was discussion of what things would look like inside looking out or outside looking in. It seems likely that there'd be some sort of red shift, and also that things might grow more dim inside a speed bubble. This is all really very theoretical, however, and so, in the end, I decided that there was enough disagreement among scientists with whom I spoke that it wouldn't be glaringly irregular if I just had the shimmer at the borders and stayed away from dealing with speed of light issues.

There's a much larger issue dealing with slowed time that rarely gets addressed by this type of fiction. I considered using it, and it's this: conservation of energy. Inside the speed bubble, Wax and Wayne are moving far more quickly, and therefore have a ton of kinetic energy compared to those outside of it. And so, a coin tossed from inside the bubble going outside would suddenly move with a proportional increase in speed (proportional to how much slower things were outside).

In essence, speed bubble = railgun.

This is dangerous for narrative reasons. I've often said that the limitations of a power are more interesting than the powers themselves. (It's Sanderson’s Second Law of Magics: Limitations > Powers.) One of the reasons for removing Mistborn and Full Feruchemists from the setting was so that we could focus in on the usefulness of the individual powers in Allomancy and Feruchemy. That falls by the wayside if any of the individual powers become too strong on their own.

I didn't want Wayne to be able to slow time, then sit inside his bubble and leisurely pick off enemies one at a time. And so, I had to place strong limitations on the speed bubbles. (Much stronger limitations than on other aspects of Allomancy. Pushing and Pulling, for example, have their limitations based in solid science. With speed bubbles, I eventually decided that solid science made them way too powerful. So I had to change things.) Therefore, the rules became: No shooting/throwing things out of speed bubbles, no moving speed bubbles, and a required couple second cool-down between creating different speed bubbles. The first rule broke required objects to be deflected when leaving the bubble and that we have the bubble absorb excess kinetic energy when something leaves it.

Disappointing for the scientists, I know, but it makes for a stronger story.

Shadows of Self Lansing signing ()
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Questioner

I've always wondered, was there actually a plan for [Sazed] to bring Vin and Kelsier back?

Brandon Sanderson

No. In fact I wrote that epilogue after initial test reads from the audience all thought "we need more closure, we need more closure" so I actually wrote a mention from him of them just because I wanted give you indication "they're okay" but that is it, Vin and Elend are not returning.

Footnote: It seems that the questioner misspoke and meant Elend rather than Kelsier