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General Reddit 2017 ()
#51 Copy

B-more_freshout

I think [Brandon] would benefit a lot from finding some kind of way in-universe to convey when we can be certain that the character is dead. Something like what we see of Vin and Elend in Secret History after they die. I think that he was trying to prove how definite their death was.. I don't know how he could realistically or smoothly accomplish this, but I think that until we see some proof beyond what is normally expected to see for a death, we can't be 100% sure that anyone is dead.

Brandon Sanderson

Yes, I've been thinking about this. Spoilers below.

The issue is, resurrection is a major theme of the cosmere. The very first line of the first chapter of the first cosmere book starts with someone dying. The story is about his return to life.

The death of Adonalsium, and the questions surrounding the persistence of his power, is THE single pervasive theme of the works. And so, I've returned to this theme multiple times--from Sazed's more metaphorical rebirth in Mistborn Three to Syl's more literal one in Words of Radiance.

At the same time, the more this theme continues, the more it undermines the reader's ability to believe someone is really dead--and therefore their tension at worrying over the safety of characters. So we need a better "Dead is dead" indication, otherwise every death will turn into Sirius Black, with readers being skeptical for years to come.

So, let's just say it's something I'm aware of. Josh, of the 17th Shard, was the first one to raise the issue with me years ago. We need a balance between narrative drama and cosmere themes of rebirth.

dce42

I figured Nightblood was your answer to dead is dead.

Brandon Sanderson

He's certainly AN answer. But there are way more ways to kill someone in the cosmere--I just need to be more clear on how that works, giving the right indications to readers.

/r/fantasy AMA 2017 ()
#52 Copy

Phyrkrakr

I just finished Arcanum Unbounded and I have to ask: Who's the "dangerous" guy in the corner of the waystop in Shadows for Silence in the Forests of Hell? That's not Hoid, is it?

Brandon Sanderson

This is not Hoid. I toyed with a cameo for him in the story, but decided that forcing him to be at every little point in all the smaller stories was just having him be there for the sake of having him be there. It's better for the cosmere if I don't force him into every story, but let him be involved in the ones where he has a legitimate reason.

Beyond that, getting on and off of Threnody is not particularly easy.

Boskone 54 ()
#53 Copy

Questioner

So with Soulforging, are you able to Soulforge yourself so that you die?

Brandon Sanderson

Uh, can you Soulforge yourself to death? So, Soulforging that requires large state changes of Investiture and/or inputs of Investiture are very difficult. However, killing yourself is not that hard, but basically you could - so, Soulforging yourself so that you are already dead would a little bit harder, but Soulforging yourself would be, yeah.

Questioner

<background noise> and be able to check in the afterlife and then return--

Brandon Sanderson

No, because transfer of Investiture to and from the Beyond or even into the Cognitive Realm is going to require more investiture than a Forger pulls through, you can Forge yourself to death.

Questioner

So I can kill myself but I can’t come back.

Brandon Sanderson

Yes. That would be one of those things where you kill yourself, your soul passes to the Beyond, your body when the Forgery is broken comes back, and just dead.

Boskone 54 ()
#54 Copy

Questioner

If you could tell yourself 10 years ago any one thing, what would it be?

Brandon Sanderson

Ten years ago? Ten years ago, I’d say “Re-read the Wheel of Time. Start early”. I got the call in 2007, September, and this would 2007 in February, and I’d have six months in my re-read going. It took me about a year to re-read the whole series and take notes on it. That would’ve been six months faster, and everyone would’ve gotten… also the book I was working on is one I never published, so I could’ve just dropped that book.

Questioner

So is it kind of surreal to you now, then, to be sort of like a [...] in the fantasy genre?

Brandon Sanderson

In the fantasy genre? Yes, I’ve kind of started to get over that. The real surreal stuff happened at the beginning, when I’m like, “I don’t deserve to be on a shelf with my favorite authors. I’m just this guy”. And then I kind of got used to that, and the rest has been easier than that initial “Why am I on the shelf with these folks?”. But you hit certain milestones where you’re like, book 3 of the Wheel of Time is when it really took off. None of you were back there then, you guys are all younger than me, but when we were reading them back then, books one and two were known fantasy quantities but not the dominant, and book three was where it was like, this is the dominant fantasy series. And I’m now releasing book three of my fantasy series. I have George Martin wayyyyyyy out beyond, I’m not going to take out that, but it is surreal to have my third book come out and to be selling so well and remembering, this is where Robert Jordan was at this point.

Questioner

You’re making your own path, different than Robert Jordan though.

Brandon Sanderson

Yeah, I always say that I’m very famous with a very small group of people. Until you have a film or a television show, you will never become a real household name, and that’s fine. Even if you do, George is not so famous, he’s the most famous fantasy writer, right, unless you count Jo Rowling. George is not so famous that he can’t walk down the street. No author gets so famous, I’ve been hanging out with George and we’re walking down the street and somebody says “Hi George” and he gets an autograph. But he can sit and have dinner and people don’t bug him, there’s not paparazzi at the windows. Even the top epic fantasy writer doesn’t have to worry about that. It’s actually the best type of fame to have. You can go to a convention like this and meet with a lot of people who’s work you’ve inspired and things like that, and it’s perfect, and then you go have a normal life. [...] you be a normal person, and it’s just the right amount. [...] our faces aren’t known, and that is what is so nice about this. If you were to take my salary, I get paid very well even compared to a football star, a music star, or an actor, but nobody knows my face. And it’s mostly because a dedicated group is hardcore [...] to my stuff. That is, thank you guys. You’ve made me the best kind of famous, stealth famous. It’s pretty awesome.

Boskone 54 ()
#55 Copy

Questioner

So, Shai and forgers. She forges the emperor’s soul, then she got to track by practicing on [Gaotona], and it kind of held for a minute since he was close to the emperor, and that means it was right. So it was basically trial and error.

Brandon Sanderson

It was.

Questioner

So even if she have a lot more time and a lot less information, she could’ve guessed?

Brandon Sanderson

Potentially, there’s a certain distance trial and error will take you; in a reasonable amount of time, there’s a certain distance that can take you.

Questioner

And in an unreasonable amount of time?

Brandon Sanderson

Unreasonable, yes. You can just trial and error your way through a lot of things.

Questioner

And by seeing it held on him for 24 hours of time, that means she got really close.

Brandon Sanderson

Yes.

Questioner

And when she was forging herself, she was basically forging lies.

Brandon Sanderson

She was forging lies, but she knew how to make them really plausible for herself. Plausibility is a really big part of it. Can you convince the soul to not just of yourself...

Questioner

The decisions that she could have made?

Brandon Sanderson

Yeah. That they were realistic, that they were there, that she could have made these, that everything lines up in the past. It’s a little like programming.

Questioner

So that’s why she could add a little bit to the emperor’s soul because that’s also plausible?

Brandon Sanderson

Yes.

Questioner

Could she have changed him more if she knew more about him?

Brandon Sanderson

Yes. She created a fake soul and put it in him, there are possibilities beyond what she did.

Questioner

So she could’ve gotten a bit wrong if her trial and error made it plausible instead of what happened?

Brandon Sanderson

Now, at least in her perspective, what she did was create a fake soul and put it in him. What I haven’t answered is did she just take the soul that was lingering on the body and fill in the gaps? Or did she legitimately craft a new soul? That I’ll leave to the cosmere philosophers to talk about.

/r/fantasy AMA 2017 ()
#56 Copy

gauzemajig

Do you think you'll ever go outside of the established raunchiness of your books? I don't mean a murder sex party, but you know, straying a bit into the dark and gritty. It's just my opinion but I feel like you play it a little safe. Not necessarily a bad thing though!

Brandon Sanderson

I don't think I've crossed the line where I'm personally comfortable doing, but I think I'm close. Usually, I give a few characters (like Wayne) the ability to go further than others, as an acknowledgement that there are good people out there who don't happen to have my same prudish nature.

I think the thing you'll see that is the closest is when (and if) I write the Threnody novel.

For everything else, you'll have to settle for knowing that one of my quirks as a writer is that I do indeed play it a little safe--and probably will always do so. I'm very aware that my children, nieces, and nephews read my books. Beyond that, I feel that I'm an intentional and specific contrast to other writers in the genre--I consider it my duty to prove that (like many of the classic movies) you can write something that is for adults, and has depth, without delving into grittiness.

This is not a disparagement of people like Joe Abercrombie, who I think is an excellent writer, or others like him--and I'm glad we have them in the field. However, my own path goes a different direction, and I think it's important that I also publish, proving to those who perhaps wish to be more circumspect in these areas that there is a place for them in the genre too.

Xluxaeternax

Does that mean that you recognize that the stories that take place on Threnody, a world of your creation, are stories that you are uncomfortable exploring because they are too harsh or intense? If that's the case I find that absolutely fascinating and very impressive- it's almost as if the cosmere is a real place with real people and you're just communicating their stories to us. I personally would rather you never told those stories instead of forcing them to be something that is untrue to what you created them to be.

Brandon Sanderson

A writer must be willing to do uncomfortable things; I fully believe that. Stories like Snapshot (my most recent novella) have done this before, and if I write the Threnody novel, I intend to do it well. (But also be very clear to audiences that it's darker than other cosmere books.)

It's not about intensity--I feel other books are intense. Or even about violence or darkness. It's about how far the narrative needs to delve into these things, or the relationship of light and hope to the darkness.

Dalinar's backstory in Stormlight is uncomfortably dark, and I won't pull punches from it. But it's balanced by the man he has become. In Threnody, some of the stories don't have that balance.

Stormlight Three Update #6 ()
#57 Copy

Argent

Is death in the Cosmere a two-stage process? It seems to me like (under normal circumstances) the body dies first, sending the mind fully in the Cognitive Realm; the soul, presumably, remains in the Spiritual for the entire process. I am a little unclear on what happens after that though - what is it that passes into the Beyond, just the mind? Does the soul / spiritual aspect / Spiritweb just kind of... break down in the Spiritual Realm, turn into free iInvestiture?

Brandon Sanderson

Yes. It's a two stage process, and most of what you said is correct. The odd thing is, though, that the Spiritweb doesn't completely break down (just like your body doesn't immediately break down.) Even after a long time, there's a record of that Spiritweb in the Spiritual Realm.

Oversleep

Wait wait wait. If there is a "corpse" of Spiritweb (so to speak) and actual, physical corpse is also there... Could it be still viable for Hemalurgy? Could it be still viable for Hemalurgy if you really know what you're doing and have some useful powers (manipulating Connection comes to mind)?

Could you patch the remnants of the Spiritweb and staple it to the body and end up with some zombie-zombie Lifeless? You'd still need to give it a mind but I figure Awakening is just doing that?

Brandon Sanderson

RAFO.

Arcanum Unbounded Seattle signing ()
#58 Copy

Questioner

Why do you teach and not just write full-time?

Brandon Sanderson

What a good question. So I only teach one class now. I used to teach full-time before the writing took off. There is a class called "How to Write Science Fiction and Fantasy," and I just can't let go. What we did is we moved it to one night a week for three hours instead of one hour three days a week and we moved it to a night class. So it's Thursday nights and it's only one semester; we cancelled all the other things of it. But I can't let go. There's enough of me that is a professor that I need to get out of the house and do something. I can't just sit in my room all the time.

Beyond that, I took this class in 2000, so 16 years ago. I took it from David Farland, who has come and signed here at UBooks before. It was so important to me as a writer because my other professors were good writers and they could talk about writing but they had never made a living as a writer. There's only so much, if you want to be a professional, you can learn from people who aren't themselves professionals. They know a lot about being a professor and they know a lot about writing good writing. They don't know about how to take that good writing and make a career out of it. When I took the class from Dave, when he said practical things like, "Here are tools you can use try and get past writer's block." I'd never heard that before. In my other writing classes it was things like, "If you have writer's block, seek your muse. Go sit outside and stare at the clouds." Things like this that you get from an art degree. And Dave's like, "Yeah, if you have writer's block, try writing longhand, that works for me. Take a notebook and write in it. Try writing a first-person viewpoint monologue from one of the characters talking about their frustrations right now in life." And it works really well. If you've got writer's block you're like, "Oh, let's talk through why the character's frustrated, have them talk to me." Or you've got writer's block, he'll say, "You know what? Try just throwing something against the wall. Try having ninjas attack." Stuff like this that you're not going to put in the book, but it's just to get you thinking and writing. Practical advice like that. He's like, "If you want to publish in science fiction and fantasy you might want to go to World Fantasy Convention and meet some of the professional writers there and get their advice." I'd never heard anything like that.

I feel it's important for me to continue this class. Dave moved off to try to make movies and they were going to cancel it because they just didn't have a writer to teach it. So I said, "Yeah, I'll teach that class". This was back when I had sold a book and they didn't know what to do with me. Here I'm teaching freshman composition, I'm getting my master's degree in creative writing and we're all dancing through flowers and talking about our feelings as you do in art degrees. Then I walked in one day and said, "Hey, I got a book deal." And it terrified all my professors they had no idea what to do with that. They said, "Well, that's probably gonna to be your master's thesis then, Sanderson." It was Elantris as my master's thesis. So having somebody there who writers can go and say, "How do I sell a book? What does an agent do? How do I make a character sympathetic?" People don't talk about those sorts of things. They talk about the prose, but they don't talk about those things. That's why I still do it.

Arcanum Unbounded release party ()
#59 Copy

Emerald101

I was wondering if there is a unit of Investiture, like maybe something Khriss uses.

Brandon Sanderson

Yes, but I haven't canonized it yet. Good question. I will eventually canonize it, because I think that people will want it, but I probably won't do so 'til [Mistborn] Era 3, because I want the scientific way of talking about the cosmere to mirror how developed the cultures are, but some of the scholars are beyond where everyone else is. It can be measured. There is a unit.

Emerald101

Like, maybe grams of solid Investiture?

Brandon Sanderson

It will probably be an in-world unit of measurement. Right now, to talk about it online if you want, the unit is probably gonna be based around Breath, because a Breath is a distinct amount. Whereas in most of the settings, there's not a distinct amount. Like, how much Allomancy, things like that. How much can a gem hold. It really depends on how the gem is cut, and how long the gem has been out. So... the Breath is a really easy one, so it's become the unit. But there will probably be a fantasy term for it. I might just call it Breath. That's why I'm not canonized yet. But if you guys wanna talk about it in Breath terms, that's probably the easiest.

Arcanum Unbounded release party ()
#61 Copy

Ward

When Harmony Ascends, he admits he doesn't have a good view of the Spiritual Realm. Does he develop a better one over time? And are there other Shards that already have a very good view of that?

Brandon Sanderson

Yes. But it is still something that is hard to grok, so to speak. In canon-- in science fiction-- hard to understand. But he has a much better understanding, and the other Shards, some of them have a very good understanding. The thing is, the difference between the Spiritual Realm and the Beyond is not something that is immediately obvious.

Ward

So, the Spiritual Realm is not the Beyond?

Brandon Sanderson

No, Spiritual Realm is not the Beyond. There are three Realms of existence. The Beyond, some would say... There are philosophers would would say, the Spiritual Realm and the Beyond are one, that the soul gets sucked into and joins the Investiture. That's the idea of the One. But, most people would say the Beyond is not...

Arcanum Unbounded release party ()
#62 Copy

Questioner

In Stormlight, Dalinar mentioned that <if he can die, he's no longer a god>, so to speak. And throughout the cosmere, gods died *inaudible*. Is there an omniscient, omnipotent, actual God in the cosmere?

Brandon Sanderson

Is there an omniscient, omnipotent God in the cosmere? Some people believe that there is. You guys laugh about this, but I don't mean it to be a laughing thing. There are certain questions I will not answer in the cosmere, specifically because it would too much undermine some of the characters' beliefs. And I want to treat characters respectfully. So whether there is life after you pass into the Beyond, and whether there is a God of gods, an omnipotent, as we would define "monotheistic God," are questions that I don't answer, and I let the characters deal with. Because if I answer that, then the character discussions about this are meaningless. Not really, but they kind of are. So there are a couple things I won't answer about the cosmere, because the characters don't have these answers.

Questioner

<Do you know the answer>?

Brandon Sanderson

I know the answer, yes.

Stormlight Three Update #4 ()
#64 Copy

Argent

How can Szeth apply multiple Basic Lashings to an object - wouldn't the first one send the object immediately beyond his grasp?

Brandon Sanderson

Hold something in your hand. There is a "basic lashing" pulling it downward. How hard is it to keep holding on to?

Often, though, then I have him Lash multiple times, he either does it all at once or in very quick succession.

Argent

I was mostly interested in cases where Szeth lashes really heavy objects - stone blocks or tables - to the side. They are not things he can hold (usually), and my understanding of physics suggests that a second after the first Lashing the object would be 9.81 (well, less for Roshar) meters away.

Maybe I can find an example where it feels weird.

Brandon Sanderson

Yes, please. It's entirely likely I've made a mistake somewhere.

With the blocks, the ones I remember are where he has to overcome friction.

Stormlight Three Update #4 ()
#65 Copy

ebilutionist

How would food production be like without soulcasters? Has Alethkar, for example, grown far beyond what it could (population-wise) without them?

Brandon Sanderson

The food question is a great one. As far as the Alethi go, it's more a matter of concentration than raw food production. Shipping is SLOW in Alethkar. It's long, which makes getting between north and south difficult, and the rivers aren't as useful as they are on (say) Earth.

The warcamps, for example, would starve themselves out short order without soulcasters. Supply lines are just not an Alethi strength. Kholinar, while not as big as Scadrian population centers, is also large enough that it depends on soulcasters for some of its food. It could survive without them, though, with northern Alethi food production.

Really, warfare is where they've learned to extend themselves, and depend on the soulcasters. Remember, gemstones in them DO break, so you do still need a ready supply of emeralds. The larger, the better.

ebilutionist

Very interesting on the food logistics of Alethkar - I never did quite imagine Kholinar was smaller than say, Elendel, but the technological progress there explains it.

Given how slow food transportation is, I would presume fresh food is a no-go. Are spices and preserved food selling well in Roshar, then? As for population centers, is Kholinar the largest around, or are other places a lot larger?

Brandon Sanderson

There's a reason that Herdazian food (which makes soulcast meat taste good) is popular these days.

Azimir is larger in population than Kholinar. Kholinar is big by Rosharan standards, but far smaller than an Earth population center (like London) at a comparable time. The warcamps had it beat by a lot--depending on how you view the warcamps. (As one city, or ten small ones.)

ebilutionist

Does that just mean Herdazian food is incredibly spice-heavy, then? Also, why is Soulcast food bland? Is it due to the nature of the object (changing food to food makes it tastier than stone to food), or just because the Soulcaster lacks practice, like Jasnah did with strawberry jam?

Brandon Sanderson

Flavorful, rather than spicy. Most western food is already spicy. The Herdazians offer something a little different, and are pretty good with soulcast meat. The portability is also a bit of a revolution.

Soulcasting anything other than the basic Essence requires some innate knowledge and practice. People could learn to soulcast better food, but it would have to be a Radiant with control over the process. The soulcaster fabrials are far more rigid in what they can create.

ebilutionist

As for soulcasting - now that is... interesting. So are Surgebinding fabrials more rigid in general? And what of an Honorblade when a non-Herald uses it?

Brandon Sanderson

A soulcaster is built to do a certain thing, and can do that certain thing well, but without as much flexibility. It is the difference between having a computer output a picture of a circle--following some inputs such as size and some changes to shape--and having an artist who can draw what you want.

Stormlight Three Update #4 ()
#66 Copy

Argent

Obviously you've developed the writing system of Scadrial at least to the level of an alphabet, but have you worked beyond it? Are there any plans to release in-world art, and specifically writing, similar to how Stormlight has them?

Brandon Sanderson

I didn't dig too far into the languages of Scadrial, at least not in First/Second era. It fits into my targeted worldbuilding philosophy--if I tried to do everything in every world, I'd never actually release any books. So I target my worldbuilding at the things that are relevant to characters/plots.

So I'm not planning anything like that for Era One or Two currently.

General Reddit 2016 ()
#67 Copy

Evilkill78

While rereading HoA I decided to do a bit of research on an informant. But I also found another interesting tidbit on Theoryland.

http://www.theoryland.com/intvmain.php?i=727#35

This WoB. It implies TenSoon is eventually going to be able to reconnect with Vin, or at least, someone with Hemalurgic spikes is going to be able to communicate with someone that's departed to "The Beyond" (or the Spiritual Realm)...

Brandon Sanderson

Yeah, this looks like one where I was tired from answering a lot of questions, and was thinking about Kelsier--I was really excited to write Secret History back then. I realize that it wouldn't make sense for Kelsier to want to talk to TenSoon, but you'd be surprised the things that you say sometimes when you're trying to write in someone's book, keep yourself from giving too many spoilers, but also answer questions. You can go on auto-pilot sometimes for a minute or two, answering questions that my brain THINKS someone asks, when it's not one they actually asked. Or mashing together two questions, and having a kind of crossed-wires brain moment. You can see me do this on Reddit sometimes too, if you look back through my history. I often catch it and edit to explain myself, but not always This was during the era when I was heavily laying foreshadowing to fans for Kelsier's return, so it wouldn't feel like a cheat when I eventually got to Secret History. So I was looking for opportunities to talk about people with spikes communicating with the Cognitive Realm. I can't remember. There's also a possibility that I was still contemplating Vin staying, which she could have done, as someone who'd carried one of the powers. Either way, I made the call that even bringing Kelsier back was dangerous for undermining consequences, and having Vin hang around would be counter to her character arc and the arc of the stories. So Vin and TenSoon won't be talking any time soon. Sorry to shut down conversation on this one, and sorry to lead you on.

General Reddit 2016 ()
#69 Copy

Tyetnic

As another note, I think it's cool that the Cognitive Realm on different planets have similarities, but different styles, like the beads on Roshar vs the Mist on Scadrial. I assume all worlds have something related to this. (?)

I'm reading (listening to) Warbreaker currently, and I'm curious as to what the Cognitive Realm on Nalthis looks like. I imagine a neutral gray wasteland to represent nonliving matter (metal/rocks) and glowing clouds of color to represent people--glowing more powerfully if they have more breaths, no color if they are a drab--and less colorful more solid structures for once-living-matter. Similar situation with the whole "water is land, land is whatever the fuck the planet wants".

Brandon Sanderson

You'll eventually figure out what Shadesmar looks like on Nalthis.

elendeldailyplanet

Are there any big plans for the world of Warbreaker beyond the sequel? Or would that be a RAFO (equally exciting)?

Brandon Sanderson

That's a RAFO.

Stormlight Three Update #3 ()
#70 Copy

OffhandOnion

Mr Sanderson, I think it speaks volumes for your character and dedication to the final product that you began this update with "I'm back for another update on how your book is going."

GunnerMcGrath

Funny, my response to that was "Brandon Sanderson is not my bitch." I'm glad he knows how invested we are in his novels but I've seen too many entitled idiots (most often Martin and Rothfuss fans) who really think the authors owe them something, and get irate if they don't get what they want in a timely manner.

Brandon Sanderson

I don't agree with your downvotes, Gunner. This is a legitimate position to take. (And for those not aware, that is a quote from Gaiman.) And I don't agree with the harassment some authors get. Everyone has different writing methods and speeds. And despite being known as "quick," I haven't been much better than Rothfuss at getting to book three of my big series.

That said, I do believe that a series is an implicit contract with the reader. When I put "book one" on a cover, particularly as prominently as with the Way of Kings, I do feel it is a promise. That's different from something like Warbreaker, where I say I'm planning a sequel, but didn't publicize the book as a series.

I use "your" in this context because I believe that storytelling is a participatory art--that it doesn't live without an audience to imagine it. Beyond that, I believe in the patronage theory of art. I am able to do what I do, as an artist, because of the support of the greater community.

That said, I am sympathetic to the Gaiman approach you quote, and think it would be good for fans to read that essay and consider it.

GunnerMcGrath

Thanks Brandon. I fully agree with and appreciate the feeling of duty to the audience when you say that this is book one. But you don't promise how long it will take to get to book two, and you don't take surveys from readers to find out what should happen. In my mind, it's not our book, it's yours, and we are here ready to enjoy it when it's finished.

Maybe my perspective is different because I'm a writer (of songs, not books) and it has taken me years of far less success than yours to come to terms with the fact that my art is mine to make or not make as I see fit. It's great to have fans who are so deeply invested in what we do but they are not the ones who have to do the creating and be satisfied with the results (which includes not only the work but also that permanent change in one's life and career after each new release).

I follow your career very closely, and I know quite a bit about your history and how you got here. These are very much your stories. You create them because they are part of you and to not create them would not do justice to who you are. You would write them if nobody read them, which is more than I can say for my own writing. So as much as I appreciate the connection you cultivate with your readers when you call them our books, I personally just don't see it that way.

Fortunately you are the most prolific author of our generation so we never really have to wait long, and yes, you are much better than Rothfuss when it comes to book three. But he's not my bitch either. So anyway, thanks for defending me a bit, I don't care about the down votes but I didn't mean to say anything too controversial to begin with!

Hope i can finally take you out for pizza next time you're in Chicago. Had a chance to do it for Michael J. Sullivan so he can tell you whether I'm mental or not. :)

Brandon Sanderson

I'll take you up on that pizza. I see you enough on-line that I'm pretty sure you're not mental. (No more so than the rest of us.)

I get what you're saying, and I agree with it. No, I'm not going to take polls on what to do with the books--this was actually a real danger when working on the Wheel of Time books. As I came out of fandom, I found it a real temptation (that I had to squish quickly) to put in tons of in-jokes and references.

There was a time, before I published, where I tried to write more of what I thought the market wanted, instead of what I felt I really wanted to write. It was a disaster, and the Stormlight Archive was my method of escaping that--my reaction to it, by writing only for me, in the way I most wanted to write.

So yes, you are correct. At the same time, I do consider the fandom at large my "boss" so to speak. The contract we have is that I will create art for them--not that I will let them control it, but that I WILL write it. I also have the philosophical belief that when a piece of art is released into the wild, so to speak, the author has to relinquish some ownership of it, for its own good. (And for the good of the community.)

White Sand vol.1 release party ()
#71 Copy

Questioner

What did Leras do to Kel right when he died that made him stay? That prevented him from going on?

Brandon Sanderson

Right when he died?

Questioner

Right, because he starts to go-- slip into the Beyond, and then Leras keeps him there.

Brandon Sanderson

Read that again closely.

Questioner

He did something. He shoves him into the pool right?

Brandon Sanderson

Okay, yes. You just answered it.

Questioner

Okay, but I wasn't sure...

Brandon Sanderson

Okay.

Questioner

...if it was specifically what Leras did? Or if that's something only [Vessels] can do?

Brandon Sanderson

So it's the pool and not Leras that is important there.

White Sand vol.1 release party ()
#72 Copy

Questioner

How involved are you in the Wheel of Time [television] development?

Brandon Sanderson

How involved am I in the Wheel of Time development? Not at all. They haven't contacted me. If they did I would be involved, but they have not contacted me.

Questioner

That's disappointing.

Brandon Sanderson

Yeah, well. I mean, I don't think they're as far as long as Harriet's limited communication to the fact has made it sound. I don't-- I think they are just starting the process. Now they own the rights outright, which is a big advantage for actually getting something made. I think the chances are pretty good. But I doubt they're beyond looking at screenwrite--scripts and things like that. Maybe they'll write a script for a season of a TV show and come to me and say, "Hey Brandon, do you want to consult on this?" But I would expect that they would wait until then. I don't know. If they ask me... But I-- the Wheel of Time is not mine, and so I have very limited creation with any of the business side of stuff on the Wheel of Time.

Barnes & Noble B-Fest 2016 ()
#73 Copy

Questioner

I was wondering if the Tranquiline halls, if that's in the spiritual, the physical, or the Cognitive?

Brandon Sanderson

So... that's a big fat RAFO, because that's actually a false dilemma, there are other options than those three. One of which just being that it is a mythological piece from their theology and not an actual location.

Questioner

So it's not an actual place?

Brandon Sanderson

That's a fourth option for the three, does that makes sense? So its a bigger RAFO even than that, it's a RAFO in that I'm not going to confirm that its one of those three. Good question.

JordanCon 2016 ()
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Questioner

I get it that sometimes writers have organic process when they're writing sometime, they start on one thing and end on something else. Is there a particular character, situation where you started that as you were writing it, it kind of evolved on its own, and really kind of surprised you. If you don't mind, could you tell us about it?

Brandon Sanderson

So… there are always things when you're writing that evolve beyond what you expect them to be, and it happens even to the most strict of outliners. And I do, even as I usually call myself an outliner, say that you shouldn't be too strict on outlining. Just because the more--

What happens with the writers, the more you steep yourself in your story, the more your subconscious will start to make connections and the more your skill as a writer will start to-- Um-- Start to take over? It's hard to explain in a lot of ways, but it's similar in-- Honestly, like hitting a baseball, right? Where you, when you're practicing, you can be very conscious about it. "Alright, here's how my stance should be, here's what I'm doing wrong, let's work on that consciously". But in the moment when you're, like, swinging at the ball in the game, most of that's out of your head and you're just letting instinct go. The planning is all of that sort of stuff beforehand that you do, like a baseball player, and then the writing often involves a lot more of the "just swinging", and then the revision goes back to a lot more conscious, if that makes sense as an explanation. And so as you're going, a lot of times the instincts start going somewhere, and you'll get this chapter and say "Ehhh, something's wrong with this", or "Oh, this is a better path, let's go look at my outline and see what needs to be rebuilt."

Um, some examples of this, if I can give them… uh, well, I mean, I write the Alcatraz books completely just as free-written books, but in books you've read, for instance, Spook's story in Hero of Ages was not in the original outline. Um, you know, what happened to him and things like that in Well of Ascension was, and then I was like, um, I want to take this character further and I feel like I need more to this story, I'm missing something and Spook's story is where I started taking that. So that was a more natural, uh, sort of outgrowth of the storytelling. But that happens in every book, there are certain things that'll-- that go off target a little bit and turn out to be better. Yeah, there's a target that you're at that your subconscious is shooting for that your conscious doesn't know about yet. Yeah, it happens every book.

Calamity Chicago signing ()
#79 Copy

triforceorder

Is the dying process - death, to Cognitive Realm staging area, to the Beyond - a universal process in the Cosmere?

Brandon Sanderson

Yes. it is a universal process. People don’t always hang out as long, depending on how much Investiture is around.

Calamity Chicago signing ()
#82 Copy

Questioner

Is there a orbitary range limiter placed on the powers of an Epic, or does it vary from person to person?

Brandon Sanderson

It differs from person to person.

Questioner

So, for Chicago, what was the range of the city turning into...

Brandon Sanderson

I've got it in my notes. It was basically enough to get me to Soldier Field, because that's where *inaudible*, does that make sense? I thought we'd go to Soldier Field, and then a little ways.

Questioner #1

Like a mile?

Brandon Sanderson

It's a bit more than a mile, it's a couple miles. But the guy who said "7 miles" and I'm like "Yeah, you could be in danger".

Argent

The question is, where was [Steelheart] standing when did [the Grand Transfersion].

Brandon Sanderson

He was in a bank that I actually looked up, that was in downtown, and I changed the name of it. [...] The problem was, it went that far into the lake as well, and I wanted to get a good chunk of the lake, but not like, you know... and so, it's probably like four mile radius or something like that, so the seven mile radius guy is probably okay. I wanted to get downtown, Soldier Field, a little bit beyond...

Questioner

Chicago proper.

Brandon Sanderson

Yeah.

Calamity Philadelphia signing ()
#83 Copy

Questioner

With The Bands of Mourning, now that we understand flight with potassium, or whatever alkali metal that actually was... So is that part of where we’re starting with the Faster Than Light travel? Something along those lines with potassium and maybe like--

Brandon

I’m not going to tell you, but this is the bridge into the next Era, which the Era beyond will be FTL, but this sort of stuff needed to happen first.

Questioner

Right, right exactly and the good stuff and the technology trying to get them up to speed and plus with Kelsier going to that other realm and the glimpse of Sel and stuff.

Brandon Sanderson

Yep, yep, there will be so much fun stuff in the next series.

Calamity Seattle signing ()
#84 Copy

Questioner

I'm doing video game design, and I'm curious: what are your thoughts on constructing interesting stories, because we're kind of getting to a point where video games are able to tell... like, people are getting used to, basically, interactivity being a medium <with which> to tell a story. I'm curious, from having spent some time developing your craft, how to link that in with being forced to have the 'main character' <do that more often sorts>?

Brandon Sanderson

Yeah, I think there are so many cool <different ways> of people who are doing it, but I'm not sure I can point out and say "This is the right way." I know that my favorite stories from video games tend to be ones where they force you to experience the story without forcing you to stop the game. Things like in inFAMOUS where you're riding from position to position, you're on the phone with people. Or things like Dark Souls, where you kinda just reveal it all around you. I don't like the games where they stop. And play a cutscene.

Questioner

Where it takes you out of the game, and it's like, 'movie time.'

Brandon Sanderson

Yeah. I think there's <a way beyond doing that>. I also really like it when something about the form of the game enhances the story. Like how <Braid> was with <the guy who could rewind time to move stuff back>, stuff like that. There’s all sorts of cool things happening, VR’s only going to make that more interesting.

Stormlight Three Update #2 ()
#86 Copy

Brandon Sanderson

Hello, reddit. I figured I'd pop back in and give you a new update on your book. (I can't believe it's been six months since the last one.)

I'll give a slight spoiler warning to everything below this paragraph. I'm obviously not going to say anything story-wise that would spoil the book. However, I'll be talking a little about the structure of it and what's going on with the draft. I can see some people, very sensitive to spoilers, being concerned about learning anything at all about the book. For you who fit this description, let me just say that I'm approaching the halfway point, but I'm not there yet. The book is going very well, and I'm pleased with it.

Now, on to a deeper discussion of the novel. The first thing I did for Stormlight 3 was work on the flashback sequences for Dalinar and Szeth, as I hadn't yet decided which one would match this book. Through this process, I decided on Dalinar--a decision contrary to my original outline from the start of the series. This didn't concern me; the decision was made based on how the series had developed, and it's always good to expect some things to change during the actual writing. (For example, much of Kaladin's plot from book two was originally slated for book three.) Being too slavish to an outline isn't ever a good thing.

This decision made, I sat down and wrote Dalinar's flashbacks in their entirety. By the end of them, I was completely convinced these were the best paring for this book. That meant, as this was "his" book, I wanted Dalinar viewpoints to show up in all five parts of Oathbringer. You see, Stormlight Books have a kind of strange format. I plot them in this bizarre fashion that likely makes sense only to me. But I'll try to explain.

I split each book into five parts, which group together to form three chunks plotted like individual volumes of a trilogy--with a large, over-arching plot that ties into the five-book arc of the initial sequence, which in turn is half of the complete ten book arc. Each volume, then, has a complete trilogy's worth of arcs and climaxes for the primary characters (Kaladin, Shallan, Dalinar) while also having a self-contained flashback sequence, at least one secondary novelette about a character that hasn't had viewpoints so far, and a related short story collection. The "main character" for the book gets, beyond their flashback sequence, a role in each part of the story.

So this means a slightly larger plot for Dalinar, and a slight scaling back for Kaladin and Shallan. (Don't worry; both will be in the book around as much as Kaladin was in Words of Radiance.) Now, the plotting for Oathbringer--as I mentioned--is broken into five chunks, which combine into three chunks. (I call them books here for lack of a better word, as the novel--like each other in the series--is a trilogy bound in one volume. Don't be confused. This doesn't mean I'm splitting the book for publication, only that it is plotted in a way with divisions between the story arcs.)

"Book One" of Oathbringer is all of Part one, plus the interludes. "Book Two" is parts two and three, plus two sets of interludes. "Book Three" is parts four and five, plus interludes. Of these, part two is going to be the biggest oddball, as I'm putting another novelette (separated into six chapters) in here as I feel I need a glimpse at another character. So it's going to have the least focus on primary viewpoints.

I've finished all of the flashbacks, all of the viewpoints for part one, the novelette for part two, and part of the other novelette (the one that will take the place of Szeth from book one or Eshonai from book two.) This, so far, puts me at about 180k words written--with 130k of that being part one in its entirety, and the rest being scenes listed above.

If that sounds confusing, I apologize. These books are somewhat involved to write, and more complex stories demand some outlining that gets a little crazy. However, I did whip up a visualization of the viewpoint structure, which I've posted below.

Stormlight Three Visual Outline

This doesn't give an exact view of scale, as--for instance--part one will likely be the longest of the five. Part Two looks the most full, but it's likely to have only three or four chapters from each of the primary characters (well, one chapter from one of them) so it should actually be shorter than part one. Part Five isn't cut off; I know it will be short, as it was in the other two books.

Next up is to do a revision of part one. (I don't often do revisions in the middle of a book, but with books this long, it's helpful for me to keep the plot under control and maintain continuity through the parts.) From there, I'll write Dalinar for part two, interweave with the appropriate flashbacks and the already-finished novelette, then look at the detailed plotting of the other three viewpoints in the part. I hope to bring this part in at around 70k words, bringing the total book to 200k and getting us to roughly the halfway point.

If this makes your head spin, then don't worry, you can ignore it. It is important to me that these books, though epic in scope, retain a tight view of the primary characters through all volumes. You will see a lot of Dalinar, Kaladin, and Shallan. You will see a moderate amount of Szeth, Eshonai, Jasnah, Adolin, and Navani. There will be a few surprises regarding other characters who have slightly larger places in the plot, but in general, anyone not on one of the above lists isn't allowed more than a viewpoint here or there. (Until the second five books, where our primary characters will shuffle. So you Renarin fans will have to be patient.)

I'm determined to maintain momentum in this story without letting it veer too far away from the primary plot. I feel that a careful outline and a consistent structure are the methods by which I will achieve this.

Thanks for your patience.

General Reddit 2015 ()
#87 Copy

Ben McSweeney

One of the developments of the [Mistborn] RPG is that we're already seeing some "B-Canon" being produced as a derivative of the game mechanics (for example, the game develops the Koloss a lot further), where Brandon has tentatively approved the content but retains the right to modify or nullify it as his interests dictate. Same idea as Lucas and the EU, and in that you can see the framework for developing creative content through third parties. Beyond that, characters like Allomancer Jak and Nicki Savage are tailor-made for "Legends" material, with their narratives being framed as "stories within the story".

Worldbuilders AMA ()
#88 Copy

WeiryWriter

Can a person who dies but somehow hasn't passed Beyond the Three Realms (a la Kelsier) serve in place of a spren for Radiant purposes?

Brandon Sanderson

This is theoretically possible, but it would require an unusual sequence of events.

WeiryWriter

We know that the Stormfather is a Cognitive Shadow and is also acting as a spren for Dalinar but is he able to do that because the "unusual sequence of events" took place or is there something else going on specific to the nature of the Stormfather?

Brandon Sanderson

RAFO. :)

Carluun

If Kelsier became a "spren" for a Radiant, would he grant Surgebinding or Allomancy?

Brandon Sanderson

RAFO.

The Alloy of Law Annotations ()
#89 Copy

Brandon Sanderson

Chapter Thirteen

Train-Top Fight

Yes, I had a fight atop a moving train. DON'T JUDGE ME.

I couldn't help myself, honestly. This fit perfectly with the narrative, and while I realize it's a bit of a stereotypical place for a fight sequence, I really wanted to see it happen. So there you go.

This is a rather cinematic book—meaning I see it as translating easily to film. Unfortunately, I doubt that will ever happen. Not because I'm pessimistic about having films made in the first place (which I am), but because this is essentially book four in a series. Beyond that, it's a very odd book four, one that departs wildly from the previous trilogy in setting and (in some cases) tone.

What that means is that we'll probably never see a film. We couldn't start with one just of Wax and Wayne, because the setting is too much of a mismatch. Magic, plus the wild west, plus urbanized early 1900s, but it's not on our world and has three books worth of mythology to it? This sort of thing can work on paper, but I find it unlikely that studio executives would look at it and say, "Yeah, that sounds like a surefire hit to fund."

Still, we can still hope for the original trilogy making it to film. Perhaps if they’re really successful, we could see something happen with these books.

The Alloy of Law Annotations ()
#90 Copy

Brandon Sanderson

Chapter Fifteen

Miles talks with Suit, gets two minders, then burns gold to see two versions of himself

One curiosity of dealing only with Mistings, rather than full Mistborn, was what to do with the less powerful metals. Certainly a Pewterarm or a Tineye can be useful. We've seen them in the series do plenty of interesting things.

But what about a person who can burn only gold? I think there's just one place in the entire first trilogy where someone does it, the time Vin burns it in the first book. (I may have put a second time in; I don't recall.) Gold, as a power, was placed into the schematics to give a clue as to what the Eleventh Metal was. Beyond that, I wanted some of the powers of Allomancy to be more metaphysical, more thoughtful, and less about combat.

I'd already decided that Miles would be a Gold Compounder, capable of the Lord Ruler's healing. That meant he had to be a gold Misting. What would one do, with this power? Ignore it? Was there a way to use it? His nature as a gold Misting is a large part of why Miles is such a thoughtful, introspective person. He is not a good man, but he is a self-reflecting one.

There's more going on here, of course. Pay attention to the name he mentions: Trell. This is one of the gods from the ancient religions Sazed talked about. You might think that the spikes in Miles will let Sazed influence him directly, and they would—except that Sazed has taken a complete "free will is needed" perspective on life. He won't let himself take control of people directly unless they've "given themselves" to him, as most of the kandra have at this point. Even then, he usually only nudges.

But there is something odd going on with Miles.

The Alloy of Law Annotations ()
#91 Copy

Brandon Sanderson

Chapter Eighteen

Vindication

I didn't really intend Ranette to become a kind of "Q" figure, providing Wax with a cool gun. I had written into the outline (once I added her) that he got a new Sterrion from her.

However, I wanted some more quirk to her character. Beyond that, I felt that one of the things this book should do is show the ways that Allomancy—and dealing with Allomancers—has entered the common consciousness of the world. It makes sense to build guns to deal with them, just as now we build guns specifically to deal with armor, or specific situations a combatant might find themselves in.

I felt that I wanted to integrate the Metallic Arts more into real society. You may notice, for instance, that I worked hard in this book to work Allomancy and metallurgy into the way that people speak. The metaphors they use, the way they see the world. A person who is up to no good is a "bad alloy." That sort of thing.

It would be possible to overdo this, of course, but I feel—looking back objectively at the original trilogy—that I didn't do enough of it. That's okay, because in the original trilogy Allomancy was something that you kept hidden, and the common people didn't know much about it. Feruchemy was an underground art, and only the Inquisitors knew of Hemalurgy.

Now however, at least two of the three are very common in society. I wanted to account for that. Building Vindication, the special Allomancer's gun, was a way to integrate the two halves of this book—the historical western and the fantasy.

Shadows of Self Chicago signing ()
#92 Copy

Alteroden

With [Feruchemical] zinc, you get mental speed. How is that any different from [Feruchemical] steel, except without [physical] speed?

Brandon Sanderson

I think of the mental speed actually turning you into... Let's say you sped up your body, and you wanted to figure out some really complex equations.

Alteroden

So it lets you have intuitive leaps.

Brandon Sanderson

Right. It basically turns you into Ken Jennings. That's how I imagine it.

Kurkistan

So it's not like bullet time?

Brandon Sanderson

No... It'll bullet time a little bit, it certainly will, because you're thinking faster than everyone else, but it has applications beyond bullet timing. Bullet time is really--

Kurkistan

That’s steel’s thing?

Brandon Sanderson

That’s kind of steel's thing. They kind of overlap on that one, because the steel thing... But yeah. It's more like "I think fast, but my reaction speed is not sped up".

Shadows of Self Chicago signing ()
#93 Copy

Questioner

[In Forging], if you rewrite the history of an item, and it took effect permanently, would there ever be a potential to have a butterfly effect, out beyond the history of the item, that might directly affect something somewhere else in the world?

Brandon Sanderson

It would be very very hard for that to ever happen, because it's like spliced DNA or something like that. It's not real. It's a forgery. Nothing else considers it, that it did that. The only tricky bit would be if you have children, and you've rewritten yourself in an interesting way that’s actually changed your DNA, that... might have ramifications.

Shadows of Self Chicago signing ()
#95 Copy

Questioner

We were talking about Kelsier, and how he was much more powerful than most Mistborn, and how Vin was slightly more than most Mistborn...

Brandon Sanderson

Why were Vin and Kelsier more powerful?

Questioner

I know why Kelsier, but why Vin?

Brandon Sanderson

Vin was not more powerful. Vin just took to it very naturally. She was highly skilled. It was very instinctive to her, but Elend was actually more powerful than she was, if you count just raw power. Vin just knew her stuff. Beyond that Vin is a rare individual that for reasons I have not explained yet, was able to draw in the mists for a little extra boost at times. And there are other characters you have seen do this.

Ben McSweeney AMA ()
#96 Copy

SonOfOnett

Do you think illustrations in books are going to become more common in the future? Sanderson seems to be enjoying exploring the idea of using them as part of his writing process and as another way for the reader to interact with the work (particularly with Elantris and Rithmatist).

Ben McSweeney

Gosh, I sure hope so. I'm a huge fan of illustration, and I think when it's done well that it really adds value.

I just picked up the George Martin collection of his Hedge Knight shorts, A Knight of the Seven Kingdoms, which has 160 beautiful pen illustrations by Gary Gianni. And I love the huge, hardbound Kaluta-illustrated of A Princess of Mars that came out last year.

Beyond that, I'm a huge fan of what Brandon's been doing with specifically illustrating in-world documents. We don't really do "scene illustrations" in Stormlight, and we only do spot illustrations in terms of the chapter icons. Some of those are more contextually descriptive, like Lift's pile of food (which is doing double-duty by being both thematic of her power and hinting a little at Rosharan food typs. Lots of gourds, shelled meats, berries and seed-breads) or the straightforward picture of Adolin's Plate, but for the most part we're pretty careful about making every illustration also serve as an artifact.

A page of Shallan's represents a page in her collection. A map of a location is a map on someone's table. An image of Alethi fashions is part of a regular delivery of correspondence that Adolin recieves because that's how damn rich he is.

Not every book would benefit from that sort of supporting content, but some might. I'm reading Jim Butcher's magical airship adventure The Aeronaut's Windlass and enjoying it, but I could really go for a series of illustrations on just how these ships are meant to look. He gives a pretty good description of one of the main vessels... 190-some pages into the novel, after a couple action scenes involving that ship, and I'm still kinda unsure of what the other ships look like.

Lastly, given that there's plenty of precedent for books that are well-suited to be adapted for other media, it's not a bad idea to establish aspects of the property as the author intends while he's still got some input. Once it gets licensed, that opportunity is often reduced or lost.

Ben McSweeney AMA ()
#97 Copy

JavaPython_

What is it like to be famous really only because someone else famous hired you? That sounds impersonal, but it kind of feels like that's what happened to me.

Ben McSweeney

Nope, I know what you mean. It's a weird place, being on the coattails.

I try not to give it a lot of thought, really... I trust that I'm the right person for this job, because I bring a unique combination of skills and interests to the table beyond just my ability to render.

It also helps that Brandon and I started working together before he became the Fantasy Superstar... when I first started drawing for him back in 2008, he had only a handful of novels out, and his part in The Wheel of Time had not yet been the rousing success it eventually was.

Lastly, I do a lot of work for other clients aside from Brandon, and some of those clients also represent high-profile property like LEGO and Gears of War. If I'm good enough for them, and good enough that they keep coming back and asking me to do more work, I must be doing something right.

So I try to not fall victim to a sense of Imposter Syndrome. I think I might maybe be good at this stuff, or at least good enough. :)

Ben McSweeney AMA ()
#98 Copy

Phantine

Have you seen the Deep Forger?

https://twitter.com/DeepForger

It seems like once the processing time comes down a bit, it'll be a pretty powerful tool for doing concept art and rough outlines, but I'm not really into the illustrating business. What are your thoughts on it?

Ben McSweeney

It's pretty neat, but it's worth noting that what Deep Forger does is create an approximation based on certain distinct styles of painting, and then applies that effect to a photograph. It's not doing anything particularly creative, it can't produce a Monet or a Picasso from scratch, without input. And from looking at the samples, it seems that most of the time the photographic source origins are still pretty clear. Sorta the same way rotoscoping rarely fools anyone into thinking it's hand-keyed animation.

That being said, I'm often impressed by what I see people doing with Zbrush and other 3D sculpting software and then applying the right lighting and render techniques to create some very illustrated results. The trick is that it often takes as long (or longer) to produce content that way as opposed to illustrating it traditionally. The advantage is that you can often do a LOT more with a well-sculpted 3D model, even when it's a static object.

I don't feel that traditional illustration as a craft is particularly at threat, because the real value in an illustrator isn't in the skills their hands produce but in the brains that come up with ideas and new applications and twists, and that's some next-level AI stuff.

Digital painting has totally changed the landscape in which we work, but it hasn't changed the heart of the illustrator... just the tools. As such, we'll always be using the most effective and efficient tools that we can, but the fundamentals that lie beyond tools and techniques haven't changed much.

Phantine

Yeah, I guess my real question is more along the lines of 'does this seem like it'll be a useful tool, and where would that fit in your normal workflow?'

Ben McSweeney

I don't think it'd fit in the workflow of what I do... I could perhaps see some potential for it to serve as a method for creating photobash assets that would more easily merge with a larger painting (like serving as a method for creating backgrounds, if you have the right location or can dress a set), but part of the weakness of something like Deep Forger is that it requires an existing image to manipulate.

A huge part of what I do is visualize and illustrate things that don't exist, and often can't exist in the physical world. I can source reference and I do, pulling ideas from here and there to flesh out the kernel of a concept, but ultimately I don't have anything more than description and design mandates to build from... and that's something a computer can't quite do yet. Someday... maybe.

Shadows of Self release party ()
#99 Copy

Questioner

Is there a way for any of the Shards to circumvent the Cognitive Realm and resurrect somebody?

Brandon Sanderson

...So, resurrection in the cosmere is-- depends on if-- where your mind is, and the status of your body, and whether your mind and soul have kind of combined and passed on. If you get to them before that happens, then you can re-attach the soul to the body. And you see that happening in Warbreaker quite often.

Bystanders

The Returned.

Brandon Sanderson

The Returned, yeah. You just gotta get the soul before it passes on. Once it passes on nobody knows where it goes.

clyguy

Now Harmony tells Spook that Kelsier and Vin say hi. So is he able to reach into wherever they are?

Brandon Sanderson

He doesn't say that they say hi, he says--

Bystanders

They're doing well.

Brandon Sanderson

They're doing well.

clyguy

Can he see them or communicate with them at all?

Brandon Sanderson

He has interacted with them at some point.