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What effects does being a Sliver have on a person?
It can vary (on the Shard, the length of time the power was held, the power itself, etc). In some way a Sliver is someone who has had their mind, body, and spirit expanded due to holding a great deal of power, and then have had that power leave.
Chapter Twenty-Six
Spook Starts to Believe in Kelsier
In this chapter, Spook begins to turn into the person he was during the first draft of the book. In that draft, he immediately listened to Kelsier's voice and didn't question its existence at all. The revision changed things so that he was surprised when he heard it, looking around several times, uncomfortable. This works better in many ways, though the starkness of how unhinged his constant burning of tin had made him before was kind of sad to lose.
Chapter Fifty-Three - Part Two
Yes, Ahan is a traitor. When building this book, I knew that I wanted one of the characters to betray the rest. I also knew that I didn't want it to be the most obvious one in the group. This left me with a problem. I had to provide a character whom nobody would suspect as a traitor, yet at the same time make it believable that he would turn traitor.
The first thing I did was throw in Edan as a diversion. He worked perfectly–virtually all of my alpha readers mentioned that they thought for certain that he would turn traitor. I had Edan run off early because I wanted to lull the readers into a sense of security, thinking that their "traitor" character had disappeared already. I also didn't want to throw Ahan's betrayal in with Edan still there–I think that would have made Edan's purpose too obvious to those who could see the two contrasted that way.
The next thing I did was begin foreshadowing that Ahan acts, and speaks, without thinking through his actions. I mention this a couple of places, including at the eclipse party. I made his character a bit indifferent, a lot blustery, and tried to indicate that he didn't quite see the treason he was engaging in as being as dangerous as it really was.
Finally, I began having him act suspicious. You can go look through the spoiler annotations if you want notes of where I had him doing things like this. Essentially, he acted odd when Telrii was mentioned, and he was the one who went to visit Telrii when the group wanted one of their party to get in good with the enemy.
These are small things, I realize. However, I think they work well enough. I wanted to get across a sense of shock and surprise at the betrayal. I always hate it when traitors are obviously oily men with shifty eyes. I don’t think people trust that kind of man.
Anyway, I think the other thing that lets me get away with Ahan's betrayal is that he doesn't completely change characters with the treason. He isn't a different person–he doesn't suddenly become a "bad guy," like happened in some stories. (Ahem. The TV show 24, first season.) Ahan just didn't think hard enough about what he was doing–he took his actions too lightly.
Why can Rock see Syl?
Ooh, good question, why do you think Rock can see Syl?
My personal theory here is because his people have such a strong belief and reverence in them it allows him to see them for that reason because his strong belief creates some sort of cognitive or spiritual pressure which allows them...
He would agree with that philosophy. I would say, usually when something like that happens there is also something physiological going on.
Why Cultivation thought that helping Dalinar would be very, very dangerous? Also, there's a theory that she wants him for a new vessel for Honor's Shard. Is this...valid assumption?
RAFO on both, I'm afraid.
Is there any Spiritual or Cognitive effect on the subject of Shallan's memory collecting?
Well… …
Simply from taking the memory, not from the consequences of seeing the pictures or anything.
Right… no, I would say no, but there is a sliiiiight Spiritual Connection happening. So, so… but it doesn't really have an effect on the person. I mean, you could say, you could make the argument that any slight Connection like that does have one. But I don't want you to read that much into it. So the answer is yes, with an asterisk of no.
Allomancy provides many very dramatic effects, which some have noted is not very much like Preservation. Could you walk me through how Allomancy is of Preservation, though it does dramatic, dynamic things?
One of the 'basics' of the magic in all of the worlds is that the energy of Shards can fuel all kinds of interactions, not just interactions based on their personality/role. I did this because otherwise, the Magics would all be extremely limited.
The 'role' of the Shard has to do with the WAY the magic is obtained, not what it can do. So, in Preservation's case, the magic is a gift--allowing a person to preserve their own strength, and rely upon the strength granted by the magic. While Hemalurgy has a huge cost, ending in net entropy.
How much electricity stuff will we see later?
I’ve left that up to the graphic novel writer and artist. Because there’s a lot of this in the outline, and it’s a really weird Brandon world, that those are harder for people to deal with than I’ve realized. Like, making that sort of thing work is one of my personal quirks. And they came to me (and actually Joe Straczynski came to me, too), and they’re like, “This is really hard to figure out what you wanted us to do with this.” And I said, “Just go your direction on that. I understand that this is a very weird Brandon-style world and magic system. I am okay if you downplay a little bit.” So that’s gonna be up to them, honestly. It is really weird. And I am okay with people… “weird” is the wrong term. It’s very individual to me, the way that I approach this.
And you see it in White Sand, too, unfortunately. We had this same problem with White Sand. If you read the novel of White Sand, the worldbuilding is really out there in a lot of places. People are shooting water at each other and making beetle-shell armor and doing all kinds of wacky stuff in a very Brandon-style “we’re going to use the resources, economy, and worldbuilding of this place to really influence the way they have battle, the way they live their lives.” And that’s just really hard for someone to adapt. And I misjduged how hard that would be for someone to adapt on White Sand.
And so, with Dark One, I’m letting them have some flexibility there. I wouldn’t expect it to go too much in the graphic novel.
I would say that we might see hints of that in the future, where you can look at it and say, “Oh, this was Brandon’s weird world was the seed for certain things that may happen.
Teslatopia.
I’ve talked to the writers a little bit about that. I think there are plans for smaller things, but I don’t know what the extent.
You’re not gonna get a Roshar style “every aspect of the world is built around the idea of the storms” sort of thing. It is just something that comes very naturally to me that is actually much harder than I realized it was.
*inaudible*
Yes that is common.
*inaudible*
Will there be a what spren?
*inaudible*
Oh, yeah yeah yeah. So most of the spren are involved in either-- are kind of involved in all three. And so it's mostly Honor and Cultivation. But some lean one direction or the other: you'll see that lifespren will pop up more commonly around Wyndle then they will around <Sylphrena>.
Does BioChromatic Breath cure color-blindness?
So... having enough Breath will interact very strangely with color-blindness. It won't heal it, necessarily, but it will have an interesting effect.
Ah. I was hoping--
Are you color-blind?
I am. So the entire time I read the book I was hoping it could cure color-blindness.
You will have an interesting time. I think you would be pleased with how it affects it.
Will we ever see a color-blind person in the books?
I want to do one. I'm not sure if I'll be able to get it in there... but you will be pleased with how it happens.
If Nightblood was to be used by a Scadrian, would that person have to be an Investiture ferring?
No, you could be burning any metal, and Nightblood would co-opt it and feed off that.
Kelsier gets to have some last words in this chapter. He earned them, I think. I'm sorry to keep the truth of kandra from you so long, as I've said before. However, I needed to leave the explanation off so that the reader could experience the revelation with Vin here. Even if you'd already figured out what Renoux was, then I think this scene is more powerful by having the revelations happen like they did.
Anyway, Kelsier is among my personal favorite characters, if only for his depth. He is a complicated, multi-faceted man who managed to scam not only the entire empire, but his own crew at the same time. I felt I had to give him some last words, if only through a letter, so that the reader could bid him a proper farewell. In addition, I wanted him to pass that flower on to Vin–symbolically charging her with Mare's dream, now that Kelsier himself is dead.
Did the shattering [Splintering] of Honor happen in the Cognitive Realm, and Ruin in the Physical? *Brandon laughs* The reason I'm wondering is, are spren the expression of the shattering in the Cognitive Realm while Ruin's physical being is an expression of the shattering in the Physical?
This is an interesting theory that I don't want to completely shoot down, but it is not heading in absolutely correct directions. The shattering of a shard is an event that transcends all three Realms.
Could a Shardbearer materialize his or her Shardblade inside another person? What about something inanimate like stone?
RAFO.
Does firemoss use have an effect on Shadesmar?
You could tell, if you were really good... This is going to be, as we move forward, a talent in the cosmere, to kind of be able to look and basically read souls from Shadesmar and tell things about them. It would not be-- what was Robert Jordan's phrase-- "intuitively obvious to the casual observer" that this is a person that has suffered the effects of firemoss from the other side. However, like a lot of things in the cosmere, the more skilled you are at your particular version of arcanum, the more likely you are able to do things like this, and you could tell.
Chapter Six
Siri Is Bathed, Then Sent to the God King
This was a strange sequence of chapters to write. I've spoken before on writing characters of the opposite gender. This has grown easier and easier for me over the years, partially—I think—because I started out so bad at it that I insisted on forcing myself to practice and practice. Now, it's usually as easy for me as writing men. In fact, I don't even think about the gender of the character when I'm writing—I think about who the character is. What their motivations and conflicts are. How they see the world and how they react to things. True, their gender does influence this—just as it influences their personalities. But I don't sit down and say, "I'm going to write a woman now." I sit down and say, "I'm going to write Siri." I know who Siri is, so I can see through her eyes and show how she reacts.
All that said, I'd never before tried writing a wedding night from the viewpoint of a woman. It presented a few interesting challenges. For one, there's a whole lot more nudity in this book than in my other books. I don't shy away from this (even though I myself am probably more conservative than most of my readers in areas of sexuality), as I feel that what you do with your imagination is your own business. This scene could be done in a PG way, a PG-13 way, or an R way. It's completely up to you how you want to imagine it.
One interesting thing to note is that my own wedding happened during the process of writing this book. I wrote this chapter before then, but I was engaged at the time. While working on the novel I got to go through the entire progression of awkward moments of a wedding night myself. (Yes, it was our first time, by choice.)
I think that probably colored how I wrote Siri's viewpoints throughout the entire book.
Can any person absorb a Shard? Or do they have to be somewhat "magical"? (Like Vin and SazeD)
One does not have to be somewhat magical, so to speak, but it does help.
With Lost Metal in particular, I brought in a whole thing that we haven't written a book on yet. One of the big worries is: I don't want people to ever pick up one of my books (even still) and feel like they have to have read the whole Cosmere to understand it. And with the gloves off, I still maintain that. I still maintain that if you're gonna read the Wax and Wayne series, you should be able to read and enjoy it without feeling like you're lost because of the Cosmere connections. And I feel like, as a writer, I am skilled enough to say: here is this cool thing that a person is doing, they're from another planet. And introduce it as if it's brand new in a way that's both not boring but also not confusing, and just let it happen in the book. And that's what's happening in Tress with some of the things.
The aethers are not from her planet; they are somewhere else. And dragon's not from her planet. Some of the stuff that's happening relating to Elantris, not from her planet. But I feel like it works in the context of the story, and it doesn't feel confusing. You don't feel like you're left out. Hopefully. My goal is that, when you read those other books, you're like "oh, that's where this came from," rather than reading this book and feeling lost.
In Elantris, we know the Shards Aona and Skai influenced the large religions, Shu-Korath and Shu-Dereth. When Odium came to Elantris to shatter... to Splinter them, did he make the [Jeskeri] Mysteries cult?
[...]
Oh, the Mysteries, the Jeskeri Mysteries? I'll RAFO that for now.
So, I noticed that you use a lot of principles of leadership and freedom in your books. Where do those come from?
A lot of the different things I've read. A lot of my own research, my own feelings on it. Talking to my friends who are in the military who know a lot about these sorts of things. What you get in the books is partially my own personal philosophy, but partially how I feel the character would feel about. You usually get a mix. It's not exactly what I think, but it's what I think the character would think, and I created the character.
Can you tell us something about Dalinar's parents?
Their names? Why didn't they show up in Oathbringer flashbacks? What happened to them?
Dalinar gets along better with his grandparents—or got along with his grandparents than he did with his parents—let's say that. What else can I canonize? I mean, by that time they're not around. You've probably figured that out. Dalinar wasn't too sad about that. Particularly past Dalinar not being the kind of person who—yeah, let's just say that there is stuff in the Alethi family history that has caused part of Jasnah's consternation on the way she regards how families act towards one another—you know, lighteyed families—and her concerns about it.
Okay, another question that's kind of similar to that one. Why are so many Alethi point of views used as opposed to others?
Why are so many Alethi point of views used as opposed to others? This was basically one of the changes I made as I was working on the series. I originally had planned to show all of these viewpoints, from all across the world, and I found that, when...the original time I tried this book, that since people's plots weren't interwoven together, the book was very difficult to read. Because people weren't connected to one another, emotionally and spiritually. And so because of that, when I rewrote the book, when I started again, I made sure to put Dalinar and Kaladin and Adolin in proximity of one another. So that this story...their stories would play off of each other. And so you would have a consistent storyline.
That said, we do have...you know, those three are all Alethi. But Shallan is not, and Szeth is not. And those two have fairly significant parts in this book. Most of the characters will be Alethi for that reason, that their stories are tied together. But you will....see, this is one of the reasons why, with this book, once I pulled everything back and was telling Alethi stories, I felt I needed to show the breadth of the world, and that's where the interludes came from, was me wanting to jump around the world and show all these different other characters and cultures, but shown in bite-sized portions so you didn't get overwhelmed with all of these different characters, that you knew when you go to an interlude, you can read this person and then you can kind of forget about them. You don't have to follow who they are, because they're there to show you the breadth of the world and what's going on, but not necessarily to show you...to go on a big distracting tangent.
Spren are reflections of how people in the Physical Realm see things. So if you have a Cognitive Shadow, would their personality change based on what people in the Physical Realm see them as?
The short answer is, not as much as you're worried about, no more than we tend to change based on what people say to us and how we interact with the people around us.
The long answer is, over a long period of time, it can happen. And it's gonna depend on a number of factors. But we're talking a matter of centuries not years. The same sort of thing you see happening to Vessels of Shards can happen to Cognitive Shadows.
So, the long answer is yes, but it's not an immediate worry. It's not like people start thinking of you and it shifts you because your perception of yourself is enough strong usually that it rebuffs these sorts of things, being self-aware does that. And a lot of the influence to spren and things like that happen during kind of formative not-quite-self-aware times, if that makes sense.
If you were to become a Cognitive Shadow right now, it wouldn't be a major concern, but in a thousand years, you may look back and say "wow, I was shaped by public perception in ways that I wasn't expecting".
There is a person on the forums who noticed that Shallan has this awesome Memory thing going on, Jasnah seems to have a really powerful, kind of, geolocation thing going on, Kaladin is a really good fighter - are those just their traits, or is there something supernatural going on?
There is something supernatural going on. Each Order... Well, how about this. If you look at the scholar interpretations, there are some scholars who think that these things are not supernatural, in the past, and some who said they definitely are. But many, if you look, many Lightweavers had powerful mnemonic abilities.
So it's definitely tied to the Orders?
It's tied to the Orders. Now, I am not going to say that you've got them all 100% correct, but each Order, there are things that come with Order, things that do not add up from simple the "you get this power plus this power," there is something else going on. And I would say that for Windrunners, watch the number of squires and the power of the squires... is abnormal for the Windrunners.
And each Order's squires are somehow different from the other Orders'?
Yeeeaaaah... some Orders don't have them, [that] is the difference.
But some have more?
Yeah.
If Ati had somehow managed to give up Ruin and returned to being a regular person, would his mind have gradually reverted from its corruption by Ruin's intent, or would he always be determined to destroy?
Over time Ruin's influence would fade, but Ati would remain a Sliver, so there would be some permanent effects.
As I've mentioned before, the Hrathen chapters tend to be shorter than the other two. As Raoden and Sarene's chapters pick up, I was left struggling just a bit to find things to do in the complimentary Hrathen chapters. I probably could have sped up his plot through these middle chapters just a bit. However, the triad system means that I had to give him a viewpoint every third chapter. That is probably why he got so many contemplative sections–and, possibly, is what in turn made him into such an interesting character personality wise. It's kind of hard to dissect these kinds of things now that the book has been done for five years.
Anyway, I did need this chapter to give Hrathen a chance to do some more foreshadowing on Dilaf. The emergence of Dilaf in these chapters is, I think, one of the more interesting and surprising elements from the middle Hrathen chapters. When Dilaf is originally presented in the book, I expected people to see him as a simple sidekick to Hrathen, much in the same way that I established Galladon and Ashe to be counterparts to Raoden and Sarene. With this parallelism in servant characters, I hoped to pull of a subtle surprise with Dilaf when he started to make trouble for Hrathen, as he is doing in these chapters.
So the question I asked, at the beginning of this session, is: You used the definite article…
Yes.
Who’s the Rithmatist?
Who’s the Rithmatist? So I imagined the Rithmatist more being a, um, a book like, let’s see if I can find an example of it. It’s not defining a person, um, it is, uh…
The role of the Rithmatist.
...trying to. Yeah, yeah. Like I’m trying to find… There’s books that are like this, where it’s just like, uh, it’s almost like you could call a series The Rithmatist, The Archive, the this, that sort of idea where the title is… Look, it was originally called Scribbler, um, and Tor suggested changing the title to something that highlighted the magic a little bit more and was a better fit, and I liked The Rithmatist as that, but it’s particularly because the future books could be The Aztlanian and The Nebraskan.
And they’ll fit, they’ll be right next to one another--no they won’t. Cause the doesn’t get catalogued.
Yes, exactly, but it felt like it was going to, uh, it just worked. But The Rithmatist more is like, you know, it’s not specifically any individual. I know there are other books that have this feel. But yeah, all right. What do you guys want to know from me? Go ahead.
So, in Oathbringer, when Dalinar goes to the Nightwatcher, we see Cultivation intervene directly. How closely does she supervise other Nightwatcher visits? ...Could the Nightwatcher give a boon that Cultivation wouldn't want her to?
Well, yes. "Wouldn't want her to" is a strong phrase. Like, Cultivation is always aware of what's going on. Cultivation rarely intervenes, even if she thinks it would be a bad boon, because she wants the Nightwatcher to learn. And she also is very interested in seeing what happens. So, rarely intervenes, but is aware.
Would she intervene if she thought the boon would help Odium?
Not necessarily.
You'll notice in the "Sarene prays in the chapel" scene that I take care to describe how high-necked, long-sleeved, and generally enveloping Sarene's dress is. Hopefully, this doesn't look suspicious. However, those of you who are watching carefully probably realized what was going to happen at the wedding. This was just too good an opportunity to pass up–for the surprise factor, for the wrinkles it throws in to the plot, and because it lets me mix Sarene and Raoden again.
This prayer scene also offers our first, and only, real look into Sarene's religious mindset. Her faith is probably one of the only simple aspects of her personality–she believes, and it doesn't need to go much further than that for her. That's why I had this prayer be so simple. Sometimes, a simple thing can be far more powerful than a complex one.
The Butler
If you watch in these scenes, I'm trying very hard to set up the butler's eventual betrayal. This one must be done very carefully, however, for a couple of reasons. First off, Tillaume is actually a pretty good person. Loyal to Wax's uncle, true, but a good man. He doesn't want to kill Wax, but he sees it as important and understands what must be done.
What he is doing here in discouraging Wax is an attempt to keep him from drawing the old Lord Ladrian's attention. Tillaume knows that if it goes too far, Wax will have to be removed. But Tillaume is fond of him, and doesn't want that to happen. Hence his disapproval. He doesn't actually know he''ll be ordered to kill Wax; in fact, if he had known that he'd be responsible, he probably would have tried harder to sabotage what Wax is doing in these chapters. It takes him a little by surprise that Wax does all this, however, as Tillaume thought he'd sufficiently discouraged such behavior.
So, Brandon confirmed in the preface to this version [of Shadows for Silence in the Forests of Hell] that Hoid is definitely not there.
However, I wouldn't rule out the person I thought was Hoid actually being someone else important.
So in Shadows of Self, when TenSoon and Wax are fighting the spiked creature things, TenSoon mention that he was Harmony's "Preservation."
*Brandon seemed a bit apprehensive about that statement*
And he said that Wax was Harmony's "Ruin."
*still apprehensive* Yes...
Well since Harmony has been around for about 300 years someone else would have had to fill that role, right?
Probably...
And could that person possibly have been Paalm?
Maybe.
The settings of your novels often seem to be something quite different. It seems the majority of fantasy are basically earth with magic and maybe some cool animals to go along. The Way of Kings just feels different (and the Mistborn books for that matter)—harsher, darker, almost like what we would like call a wasteland. How and why did you create the world The Way of Kings in this way? The landscape of the Shattered Plains is especially unusual and evocative. Was it inspired by the landscape of the American Midwest?
The Southwest, particularly. My visits to places like Arches National Park, relatively close to where I live right now, certainly influenced me. More than that—and I've said this in numerous interviews before—I'm a fantasy reader foremost. Before I was a writer I was a reader, and I'm still a reader. As a reader, I grew a little bit annoyed with the generic setting that seemed to recur a lot in fantasy. I won't speak poorly of writers who used it very well—there are certain writers who used it extremely well—and yet a lot of other writers seemed to just take for granted that that's what you did. Which is not the way that I feel it should be done. I think that the genre could go many places it hasn't been before.
When I approached writing the Stormlight Archive—when I approached creating Roshar—I very consciously said, "I want to create something that feels new to me." I'm not the only one who does this, and I'm certainly not the one who does it best, but I wanted a world that was not medieval Europe. At all. I wanted a world that was its own thing. I started with the highstorms and went from there. To a person of our world, Roshar probably does look barren like a wasteland. But to the people living there, it's not a barren wasteland. This is a lush world full of life. It's just that what we equate with lush and full of life is not how that world defines it. In Roshar, a rock wall can be a lush, vibrant, and fertile place. It may look like a wasteland to us, but we're seeing through the eyes of someone who's used to Earth's flora and fauna. I've also said before in interviews that science fiction is very good at giving us new things. I don't see why fantasy shouldn't be as good at doing the same. Perhaps even better. So that's what was driving me to do what I did.
I want to ask you a question about Pattern. Could you speak to anything about where your idea for...
I wanted different spren to look drastically different. And, as I was building-- Like, I wanted a lot of the spren of a lot of the Orders of Knights Radiant to kind of have an internal, natural conflict. Like, that's one of the division lines between a spren that's not sapient, and spren that is. For instance, Windrunner, honorspren, right? Honor is about rigidity in a lot of ways, and Syl is the embodiment of a lot of the opposite of that. And Pattern, who is so interested in lies, is a mathematical fractal-- a mathematical equation. This sort of thing, like naming the inkspren Ivory is just-- I want that internal, natural contrast to be part of them. And Pattern, I really wanted a spren that wasn't just another ball of light. 'Cause Syl is basically a ball of light. And a lot of the others are basically balls of light. And I'm like, I need something that's different, I want something that looks different, that feels different. That's where I went.
So, are Shauka-daughter-Hasweth and Ali-daughter-Hasweth two different people? Are they the same person?
They are different people. Good question. They do have very similar names. That happens a lot among the Shin, and I'm trying to make it not confusing, but I can't promise it won't be. There are a lot of similar names, and a lot of people are named similar ways, and things like that.
The story [Yumi and the Nightmare Painter] uses the Fibonacci sequence several times as a recurring element related to art (and the golden ratio). Given that nightmares need "over a dozen" feedings to materialize and the number 13 features heavily on Yumi's rituals, would you say that 13 is related to Virtuosity in the same way that 16 is to Preservation and 10 is to Honor?
Wow. Good guess.
From a writing/world building perspective, - how much of the maths/science do you do in the background? US hardback copies of Oathbringer had a map with an inworld long/lat system, for example, and Shagomir and Jofwu worked out (with help from Peter) the amount of land on Roshar, and how much of the planet that the continent takes up. What inspired you to go to this depth? Is there anything you decided /not/ to do the maths for and just went with hand waving it away?
This is a thing I do more and more of as I gain access to the resources for it. (I have a few very large-scale mathematical issues I'm using people smarter than myself to solve.) I did a lot more hand-waving before I had these resources. I'm not horrible at math, but didn't go beyond college calculus, and just don't have the time to get everything right on my own.
It's something I do want to be right, however. It's more of a personal desire than anything else--but I think it's going to be important the further we move toward a science fiction cosmere.
What happens if you put Shardplate in a highstorm? If you are in Shardplate and you go out into a highstorm...
You're pretty well protected, but a boulder flying through the air can still do some major damage to a person in Shardplate.
What will happen to the gems in the Shardplate?
They will be recharged.
Does Szeth's connection to the Honorblade allow him to maintain a warrior's fitness as a normal person would need to?
Uh…. Noooo… I'm gonna say he… he… no. I'll just say that.
*referring to a personalization request* That is a R A F O, but you do earn a card for your RAFO... Now let me just say--
I'm not asking about Nightblood, I'm asking about the Shardblades.
Yeah-- Oh, OH. You're asking-- okay. You're not asking what other Shardblades made, but if somebody brought a Shardblade to another pl--
Like if Kaladin went to Nalthis.
Okay, his Shardblade would manifest exactly-- it would do exactly the same thing.
My other question is about the phrase "Shadows of Self". It's mentioned in the last Mistborn book. Is it a specific shadow? Are we going to see if that shadow's in Shadows of Self?
We are not going-- Well yes and no. What it is referencing in this book is the different roles that each person plays in their life. That is the core meaning of Shadows of Self. But then, there is also, there is a kandra involved, which they change shape and become different people, so "who are you?" and identity is a big thing.
Given Sanderson's Laws about limitations...
Yes.
What would you say are any spiritual, cognitive, and or physical limitations to a Returned's healing ability?
That they can do it once.
That they can do it once, and that's it?
Yeah, right? The Returned get one heal and then they die. That's a pretty big limitation. Like you have to choose really well. However, what they can heal is bounded by cosmere limitations on healing, but it is a supercharged version.
Okay. Could you define more cosmere limitations on healing?
Cosmere limitations on healing can be affected by your own perception.
Okay. Cognitive stuff.
Cognitive stuff. And so there's a part of that, and... But that's really-- cognitive interferes. And if your spirit is gone? Right? Cosmere healing, you know, if your spirit is passed on you just get a dead body even though you've healed it.
So potentially Vasher, having a much greater cosmere knowledge than others could potentially have a much greater usage of that healing than regular--
Well the healing-- What I mean by that is yourself. You impose limits. So the person being healed can impose some limits on the healing working. It doesn't happen as often as I'm making it sound. But, you know-- why Kaladin's scars have not healed, right? So Kaladin being hit by a Returned would still not heal his scars. He's got a major hangup about those scars.
Were all spren wounded by Ba-Ado-Mishram's capture like the Sibling was? Did it prevent them from hearing Honor's tone in the same way?
Alright, so first part is, were all spren wounded by it?
Like the Sibling was.
Not all were wounded in the same way.
And no, not necessarily, to the second part.
You've said before that Soulcasting can't create atium or lerasium which makes sense since they're made of Investiture from other Shards. But could a Soulcaster, perhaps in the proximity of Dalinar's perpendicularity, provide enough Stormlight to Soulcast something into Honor's Godmetal (tanavastium)? What about Cultivation's metal, or an alloy of both, like Shardblade metal?
So, creating a God Metal is not something that's done easily in the Cosmere. HOWEVER, it is possible. You'd need a ton of Investiture, and being near Dalinar's perpendicularity is unlikely to be enough. I'd say Soulcasting, or something akin to it, has the means to do this if it could obtain the proper power charge.
Chapter Fifty-Nine - Part One
I think I've noted that my viewpoints tend to speed up as I approach the endings of books. Well, Elantris is a perfect example. We're hopping viewpoints like a crazed body-snatcher. At the risk of sounding redundant, I did this to increase pacing and tension. Quick-rotating viewpoints give a cinematic feel to the story, in my opinion–kind of like cameras changing angles. This keeps things quick and snappy, and keeps the reader reading.
It should be noted that writing and filmmaking are two completely different arts. What works in one doesn't work in the other–action sequences, for instance, have to be written completely differently in a novel than they would be displayed on screen. However, both storytelling forms try to evoke similar feelings in their audiences. So, you can't do the same things in writing as you can in filmmaking–but you can get a similar effect by using different tools. Here, I use viewpoint shifts, which is something a filmmaker can't really access without first-person voice-overs. Viewpoint is, in my opinion, one of the prime unique tools that we have as writers. That's why I think it's important to understand, and to manipulate.
If you're paying attention to such things, we actually get two complete–and well-rotated–viewpoint triads in this chapter. Again, this is to increase the sense of urgency and pacing.
Blushweaver
Blushweaver was the first of the gods who I named, and her title then set the standard for the others in the Court of Gods. Lightsong was second, and I toyed with several versions of his name before settling. Blushweaver's name, however, came quickly and easily—and I never wanted to change it once I landed on it.
When developing the Court of Gods, I wanted to design something that felt a little like a Greek pantheon—or, rather, a constructed one. Everyone is given their portfolio by the priests after they Return. Blushweaver was given the portfolio of honesty and interpersonal relations, and over the fifteen years of her rule, she's become one of the most dynamic figures in the court. Few remember it anymore, but she was successful at having her name changed during her first year. She used to be Blushweaver the Honest, and she became Blushweaver the Beautiful through a campaign and some clever politicking.
Many think of her as the goddess of love and romance, though that technically isn't true. It's just the name and persona she's crafted for herself, as she saw that as a position of greater power. She actually toyed with going the opposite direction, becoming the chaste goddess of justice and honor. However, in the end, she decided to go the direction that felt more natural to her.
After these fifteen years, it's hard to distinguish when she is being herself and when she's playing a part. The two have become melded and interchangeable.
When designing this story, I knew I wanted to have a beautiful goddess to give Lightsong some verbal sparring. However, I realized early on that I didn't want to go the route of having a disposable, sultry bimbo goddess of love. I needed someone more complicated and capable than that, someone who was a foil to Lightsong not just in verbal sparring, but someone who could prod him to be more proactive. And from that came Blushweaver.
In the original draft of the book, this chapter had a slightly different tone. Lightsong didn't look forward to sparring with Blushweaver; he cringed and wished she wouldn't bother him. That artifact remained until the later drafts, though it didn't belong. I wrote the later chapters with them getting along quite well, so I wanted to revise this first chapter to imply that he looked forward to their conversations.
Why do Seons become broken when their person is taken by the Shaod?
A Seon has a Spiritual Connection with their user. When the Shaod takes the user, it messes up the spiritual nature of the user, and it really messes up the nature of the Seon.
Why do Szeth and Kaladin not suck all the stormlight out of the gems that power shardplate when they fight people wearing plate, thus rendering the plate useless? Is there something different about the gems that power plate that would make this impossible?
So, in the magic of Stormlight (and across several of my books) there's are some underlying principles. One is that the power of the magic (which we call investiture) is difficult to manipulate when it is claimed by someone, or something, else.
You can imagine that magic in the process of being used, like the energy powering plate, works like a kind of negative charge to your own magic. Trying to lash someone in Plate will be very difficult, as the stormlight in the plate is going to resist your attempts to push through it and get at the person. Likewise, that power in the plate is actively being used--draining it is difficult.
If you can rip off a piece of the plate, disconnecting it from the system, then you can get at those gemstones and drain them much more easily. But tucked away inside, they're both shielded and being actively used by the armor. They would be virtually impossible to drain.
How did Odium's people know that Taravangian stole the Honorblade?
I'll RAFO that.
In Emperor’s Soul, there are soulstamps. If you had five, what would they do?
What would they turn me into, the soulstamps that change a person? What would I change myself into?
It would be really fun to go back and recast myself as a visual artist and see what happened there. Recast myself as a computer programmer. Those are both very possible outcomes of my life. It would probably be nice to have one where I’m just a very different version of myself, to see what I could have been. That whole burning gold thing in Mistborn, that idea fascinates me, the other possibilities of what I could have been. I would look for things like that. Different things that I think are very plausible that I could have become, and it would be fun to live those lives for a little while.
I don’t think they would be better than the current one, but I certainly would be interested in them.
