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Robert Jordan has said that in The Wheel of Time, even material objects have a thread in the Pattern. In The Emperor's Soul, you have a world where objects have souls. Was Jordan your source for this?
Both stories draw from the same Asian belief system.
Do you ever get so creatively exhausted from producing so much that your mind feels like an old wrung-out sock? And if so, what do you do to get yourself back on form?
That's an excellent question. I have an advantage over a lot of writers in that I was really bad at this when I started. That may not sound like an advantage; but what it meant was I wrote for a long time, trying to get to a level that I was equal to some of my peers, who were much more talented, I feel, than I was when I began. And because of this, because of these long years learning to be a writer-- And certainly, I can't say I didn't have some talent. Some of what has happened is raw luck of the draw that I was able to learn how to write. What happened is, I got very accustomed to changing projects frequently and trying new things. And that process became very interesting and exciting to me and became the process by which I recharge. The way I recharge is by doing something new. And it has prevented, so far in my twenty-some years of writing, me from really ever experiencing severe burnout. Once in a while, I get really tired of the story I'm working on. Generally during the fourth or fifth draft of that story (or if it's Memory of Light, the twelfth draft). Sometimes, you get very, very tired. I do. But, because I have this sort of fallback method of "do something very different," that spark usually just lights me right back up, and I get really excited about doing something new.
And so this is why you see me writing a lot of different things. It's why you see me releasing Oathbringer, a large epic fantasy. Followed by my next book being the Legion book in about two weeks, which is a detective modern-day with slight science fiction elements. And then a YA space opera [Skyward]. This is why I hop between these different things. And really-- I haven't gotten burned out yet. I'm always excited for the next things.
How do you not get overwhelmed by all the books that you want to write?
There's a very good question in that also. Because, as I get older-- When I was young, my brain, I could tell myself, "Well, I'll be able to write all of these someday. I just have to put them in order, and write the ones I'm most excited about right now." The older I get, the more I realize I'm not gonna be able to write every idea that comes to me. And I have this core line of the Cosmere books that I'm going to write. But a lot of times now, it is a little overwhelming to realize, "I have this really great idea for a story. But it's not quite as great as the other ideas in the list. And it just is probably never gonna get written." And there's kind of a story triage that goes on in that regard. And it can be a little overwhelming sometimes to realize, "I just can't do this story." And that's something I'm coming to terms with, the older I get.
Chapter Seventeen
As I was working on the annotation for last week’s chapter, I realized it was touching on something I wanted to talk about in a more substantive way. So I decided to put that annotation off and make a separate, longer and more in-depth, post about it. This WILL have some small spoilers for the book, specifically some things to do with Jasnah and her sexual identity. If you’d rather just read it as it comes up in the story, then I’d suggest you head away now--and you can come back to this in a month or two after you’ve read Rhythm of War.
However, good communication with fans--particularly when it comes to expectations--is something I consider a foundational principle of my career. During the beta read, I had the chance to get a glimpse of how readers might respond to some aspects of Jasnah, and at that time I determined I’d do a post like this before the book came out.
So, here’s the problem: through the course of the series, people have been asking me about Jasnah’s sexuality. Gay, Bi, Straight, other? I usually answer with some variation of the following: “Jasnah would prefer you focus on other aspects of her identity, rather than her sexuality.”
I said this for various reasons. First, I felt it is in line with the character, and what she would want. Second, I’ve avoided talking too much about Jasnah as a general rule, since I plan her to be a major (perhaps the major) character of the back five books, and so it’s best to keep focus off her for now. There will be plenty of time for discussions about her later. Third, I generally don’t force relationships upon my characters as I write. It depends on the character, of course. (Navani/Dalinar, for example, had a romance planned as a main part of their storyline.) But for many characters, I give myself wiggle room to see what I feel works best as the story develops.
The end result of me being vague on this, however, was that I seem to have led a lot of people to think I was playing the Brandon game of: “If he won’t say anything about a topic, it must be mysterious, and therefore something we should theorize on a ton!” This is, obviously, my own fault.
I’ve heard a lot of different things via email and in person from people that have made me realize that a lot of people are wanting some mutually exclusive things from the character in this regard. As I started work on this novel, I decided I should say something in the book in order to pull back the shroud on the mystery a little, as I never intended it to get as big as it did.
I tried a few different things to see what worked and was most genuine for the character. In the end, I settled on what I felt was best and most in-line with how I view Jasnah. For those who want to know, and I’ll put this next part behind extra spoilers. Jasnah is asexual, and currently heteroromantic. Her feelings on physical intimacy are very neutral, not something she's interested in for its own sake, but also not something she's opposed to doing for someone she cares about. I tried several different things with the character, and this is what really clicked with me--after getting some advice, suggestions, and help from some asexual readers.
One of the reasons I wanted to make this post is because I wanted to address some of the people who are going to be disappointed as I worry that I (by making her a blank slate in this regard) accidentally led a lot of people to theorize and attach ideas they wanted to her--and so I’ll inevitably disappoint these people. (Though, hopefully, others will find the depiction I ended up with in line with the characterization and with Jasnah’s overall character mode.)
For the main body of the annotation, I wanted to talk about how Jasnah came about, and my inspirations. So if you’ll forgive me for a moment, I want to walk you down that path--and I think it might explain some of why I ended up making the decision that I did.
When I was first working on the Stormlight Archive back in 2002, I decided early on that I wanted a character like Jasnah in the books, as I was dealing with some gender politics and social structures. (I actually pitched Jasnah to myself as “The woman Serene thinks she is.” No offense to Serene, she’s just young--and I wanted to take a stab at a true scholar and master of politics.)
This decision made, I dove into reading a lot of work from feminist authors--and made certain to talk to some of my feminist friends in depth about how to accomplish an accurate depiction. A lot of times, when I’m developing a character, one or two things will leap out at me from readings, and I’ll start to use that to make up the core of the personality. (Much like the idea of Kaladin came from the idea of a surgeon, trained to save people, being sent to war and being trained to kill.)
Jasnah’s atheism was one of these things--specifically I wanted a rationalist humanist character as a counterpoint to the very mythological setting I was developing with the Heralds. I was extremely excited by the opportunity to have a character who could offer the in-world scientific reasons why the things that are happening are happening.
At the same time, one key takeaway I got from these studies was this: several authors and friends be frustrated with the idea that often in media and discussion, people pretended that a feminist couldn’t also be feminine. As it was explained to me, “Saying you shouldn’t have to play into society’s rules for women shouldn’t also mean no women should ever decide to play into some of society’s rules for women.” It was about choice, and letting women decide--rather than letting society pressure them. This was central to my creation of Jasnah.
And so, fundamental to my view of the character is the need for me to not force her down any path, no matter how much some fans may want that path to be the right one. Jasnah being as I’ve written her was just RIGHT. I’ve always viewed her as sharing some aspects with myself, and one of those is the clinical way I approach some things that others approach emotionally. While I wouldn’t say I identify in the same way as her, this part of me is part of a seed for who she is and how she acts. And with help from betas, I think I found her true voice.
All of that said, the people I’m most sad to disappoint here are those who I know were hoping for Jasnah to be gay. Out of respect for these readers, and to be certain, I did try writing the character that way in this book--and I felt it didn’t quite fit. Obviously, this is a character, and not an actual person--and so it’s all a fabrication anyway. I could absolutely write Jasnah as gay, and it wouldn’t undermine any sense of choice for a real woman.
However, it didn’t feel authentic to me. Plus, now that Way of Kings Prime is out, you all can know that a relationship with a man (Taln) was a plot point to her initial characterization. (I can’t say that I’ll stick with this, to be honest. It will depend on a ton of factors.)
When I discussed all this all with a good friend of mine who is far more involved in feminist discourse and the LGBTQIA+ community, she suggested that I make Jasnah bisexual or biromantic. I resisted this because I knew the only planned relationship I had for her was with a man, and it felt disingenuous to try to imply this is how I see her. (Though, in your head canon, there’s certainly great arguments for this.) The problem is that Shallan is leaning very bi as I’ve written her more, but she’s in a relationship with a man. I don’t know if this is a big issue in fiction, but it would feel somehow wrong to for me to write a bunch of bisexual characters who all only engaged in relationships with people of the opposite gender. It feels I could do more damage than good by trying to pretend I’m being inclusive in this way, without actually giving true representation.
This all might beg another question: will there be other characters in the Stormlight Archive (or cosmere) who are LGBTQIA+. Yes. (Including major viewpoint characters.) However, I worry that by talking too much about that here, I would imply a tone where I’m trying too hard to deflect. (One person I chatted with about this warned me not to send the “wrong message that queer characters are like representation tokens that we can exchange for each other for equal credit.” I found that a very astute piece of advice.)
I am quite happy with Jasnah’s depiction in this book, and while I’m sorry she can’t be everything everyone wanted, I’m excited for her development as a character in the back five books. My promise to you remains the same: to make the Cosmere a place where I explore all aspects of the human experience. And a place that represents not just me, but as many different types of peoples and beliefs as I can--depicted the best I can as vibrant, dynamic characters.
Many thanks to those in the LGBTQIA+ community who have written to me with suggestions, criticisms, and support. And thanks to everyone for being patient with me, and this series, as I continue to shape it.
How did you decide to turn Taravangian into Odium?
How did I decide to do that? There are a couple reasons I decided to do that. This was one of the things didn't have to go this way. It is actually a good one I can talk about because I had multiple options here. Even until I was turning in this outline to my team and saying "Alright, it's time to sink or swim, do we like this or not?", I was going back and forth on it. Really until I had written the scenes and given them to my alpha readers and said, "alright, are you guys ready for me to pull the trigger on this?" because there are costs. The major cost is that Odium is a better ancient unknowable evil. Odium was filling the role in the books of Sauron. Ancient thing, very dangerous, very strange, very powerful and whatnot.
The thing is, my books aren't really about that. I will write books dealing with some of that sort of stuff, but that's not the sort of thing that is as exciting. It's not really as much a theme of my stories, the ancient unknowable evil. The whole purpose of Mistborn—one of them, it's not the purpose—is that even the Lord Ruler you've got to know. Even Ruin became a character that you understood. It is a cost, I will admit. It wasn't as strong for me as it might have been somewhere else. I do know that some people would prefer that, and I can understand why. Sauron makes a pretty great bad guy. Ancient, powerful, unknowable, evil forces—but I feel like I get that in the Shard itself. One of the things that I plan to play up more as the Cosmere goes forward is that these powers have some sort of primal sense to them. That's always in my mind been the bigger danger than than Rayse is that.
That is, the negatives were not that big of negatives. And what are the positives? In Oathbringer, Dalinar did not fall to Odium. That is a huge blow to Odium, Rayse-Odium. The fact that at the end of book three he was defeated in a major way, and in book four he gets defeated again, this time by Kaladin. We have proven that two of our primary viewpoint protagonists of the Stormlight Archive are able to resist and defeat him. My opinion was that by that point in the Stormlight Archive, Odium would no longer, Odium-Rayse would no longer be a threat. You run into this in lots of long running epic fantasy series. I've talked a lot about how when I was designing Stormlight Archive, the things I had read in other long running fantasy series were a big part of why I designed it the way I did. For instance, in the Wheel of Time it was very difficult—even in the ones I was writing—to maintain a sense of threat for the Forsaken when they had just been defeated right and left every book. They do get their licks in now and then, but it's real hard to keep considering Ba'alzamon from the first one to be a threat when boy, Rand just defeats him and defeats him again and defeats him again and then defeats him again. This is a problem for a lot of media. How threatening is Magneto really when he never wins?
At this point in the series, what I wanted to do was hit you with a left hook from somebody that I considered more frightening, more dangerous, more capable, and who had been growing as an antagonist for a while. And while some of his ploys had not turned out, he is still very threatening. My hope was that this reveal to a portion of the audience—I knew that some would prefer Odium, but to I hoped a larger portion—would be like, "Oh, this just got real."
I've mentioned before that my favorite antagonist is Magneto, I've brought him up before. I like characters who have clashes, antagonists who have clashes of ideology, not just clashes of forces. A reason I'm not excited to write about somebody like Sauron is that, while there are clashes of ideology behind the scenes, on screen for the movies and books it's basically: Sauron wants to rule the world and we don't want him to. That works really well in Lord of the Rings because you have, as I've talked about, part of the brilliance of the Lord of the Rings is both having Sauron, Saruman, and Gollum to represent three different kinds of evil and three different antagonists that work in tandem really well together. It's part of the brilliance of the Lord of the Rings. But I like having a villain like Taravangian. Taravangian, who has a world view that is a certain world view and that is terrifying because of how that world view is. Elevating him to Odium so that you mixed that with the kind of ancient spren of hatred that is still a very big, dominant part of what he's now become—I just thought made for a more compelling and interesting villain for the fact that we have many more books left in the Stormlight Archive and in the Cosmere, and I had done what I wanted to with Rayse-Odium.
There's my answer. It is totally viable to have, viable is the wrong term, totally understandable that some would have preferred me to go a different direction, but my instinct says—and I haven't done any polls or things on this—that the majority of fans are going to like this direction better, and I certainly think the story will turn out better. That's what led me to make that decision, but these were all things I was heavily considering. Adam was there watching those emails go around with me and the team when I was asking if I should pull the trigger on this or not. There are a couple of things that I've made decisions on that have been some of the most difficult or most far-reaching in that regard, but that I think I made the right decision on.
The other one was bringing Kelsier back. Kelsier, so I seeded all the stuff in the original books to bring Kelsier back, but then I backed off on it, and for a while I'm like eh, I don't think I'm going to bring Kelsier back. During that whole thing, oh this is a fun spoiler thing that I don't think I've talked about before: during that time in the outlining—some of you may again have much preferred this—TenSoon was actually going to be Thaidakar, wearing Kelsier's bones. There was a time where I was going to play with a kandra believing they were Kelsier, in this case TenSoon. I was going to go this direction where it's like, I'm the Survivor, I'm picking up the Survivor's heritage and I'm doing all of this sort of stuff—I did warn you all about spoilers—and there was a time in there where I decided no, I'm going to leave Kelsier dead—that I'm going to go this direction. Why did I back off on that one? A couple reasons, number one I feel like I really did a solid job with Lessie in the second of the Wax and Wayne books, which was a similar conflict. I felt like I got that out of my system. I did it well, I think that story has some really heart-wrenching things, but as I wrote that story I felt that it was a one-book story.
One of the things I've come to be aware of as I've written, this stretches back to the days of Elantris where my original ending had too many twists. It's been changed, like I had some weird twist where Hrathen had secretly come to Elantris at some point and had a heritage that made him Aleth—not Alethi—made him Aonic and things like that and it was dumb and it didn't work. It was twisting for twists sake. And part of me worries, and part of me actually doesn't just worry, I think that if I had done that whole thing with TenSoon it would have been less cool than what I just actually wanted to have happen, which was to give a full finished character arc to Kelsier. At that point I went back to what my original plan had been and I picked up those threads, and that's when I wrote Secret History, after I had finally made that decision. And it comes with costs too. Everything comes with costs. Having main character die in such a spectacular way and then not being quite dead yet has certain costs in your narrative. The more you do that less that death is meaningful in the stories, the more it feels like a gotcha and things like that. Yet at the same time on the other side, I don't think the Lord of the Rings is weaker for having brought back Gandalf. I think the Lord of the Rings is stronger, and why is that? Gandalf comes back changed as a different person and makes the story more interesting for having returned. My original plan with Kelsier was just more interesting in the long run. Forcing Kelsier to do these things and fi—he did not complete his character arc, and that's part of why it was so heart-wrenching to lose him, which I understand. Bringing him back in that regard lets me finish his story, and I just think that's going to be more satisfying. I gain more than I lose.
Plus there's the fact that someone comes back from the dead in the first chapter of the very first Cosmere book. Second chances at life is a major theme of the Cosmere. Both Warbreaker and Elantris that's kind of—Warbreaker it's the primary theme: second chance at life. You're doing a different thing with your life than you thought you would do, and let's take a second stab at it. I think that being able to play with that with Kelsier is a stronger narrative thing to do. This was also influenced by my, as I've talked about before, sort of shrinking the timescale a little bit of the Cosmere so that more of the characters from the different books can interact. It just makes better storytelling. I would say that those are the two things that in outline I could have gone different directions when I actually got to the story. When it was time to write Secret History I had to make the call. He had been dead, he had been alive, he had been dead, he had been alive, at least in my head, and I made that call. The same thing actually happened with Taravangian. It had been am I going to pull the trigger, was he going to become Odium or not? I actually vacillated on that and eventually have made the decision I made.
Are you ever going to reveal what the alternate was going to be, kind of like what you just did?
Maybe eventually I will, but for now I will not. It's easier to reveal in Mistborn because it's basically all in the past. It isn't to say that I won't do something else like that, with a kandra. I might, but Lessie's story covered that real well. Who knows what I'll do, but I've backed off on, for those who have read Way of Kings Prime, Taln's original story was the story of am I an angel or am I not? Am I a Herald or am I not? Am I this divine being or am I a normal person? And that actually plays real well in Way of Kings Prime. It is just not a thing I could make work in the actual published version of Way of Kings. It's one of the things that's cool about Way of Kings Prime, is being able to see some of these ideas that I can't express in the actual series. Part of the reason I can't is also, number one I wanted to bring the voidbringers in and all of these things, and you just can't... The more fantastical your book is, the less the reader will be able to suspend disbelief about your character who claims that they're not some mythological legend from lore actually not being that mythological—they walk onstage and are like, "I think that I'm this mythological legend from lore but my powers are gone." Ninety-nine readers out of a hundred are going to be like, "yep, I believe you", even though all the rest of the people in the books are going to be like, "No of course you're not." The reader—because it's just cooler that way. It's very hard to fulfill on good promises by not having that turn out that way. Beyond that, the story I wanted to tell involved Taln and so big surprise, Taln is a Herald!
...the Diem had been investigating, does that make sense? One of his former faces. So you're not supposed to be able to spot him. Like early on I was really planning Hoid to be-- When I write the parallel novel you'll be able to see "Oh" these things that he had his fingers on. But that's why in Elantris he's barely even in the book. Same thing with Mistborn. But then people really liked it and I was having a lot of fun with it and so in Warbreaker I expanded his part. And I'd always planned for him to be a big part of Way of Kings when that came along. *audio obscured* But in the graphic novel I think we're going to give him an expanded role, just because people are expecting it so much.
Do Ryshadium exist because of a spren bond, like greatshells?
Yea, they evolved symbiotically with spren, unlike other horses. They can still mate with other horses, but they are genetically distinct.
Do the riots in Kholinar have to do with the Thrill, and is there an Unmade centered there?
...That's a RAFO.
You snake. I just finished Hero of Ages, and come to find out I'll never know the last 2 metals. Grr.
Cadmium and Bendalloy are what you're looking for. They create bubbles of warped time around the Allomancer. I will be doing more books in the world, though not with the same characters, and you'll see the other metals.
Quick grammar question for /u/peterahlstrom: In the sentence 'Instead, the Three dismissed her Blade", shouldn’t that probably be "their Blade" ? Or is it a deliberate decision to refer to the Three in the singular?
It's deliberate.
In Secret History we find out that when Kelsier had the power of Preservation, whenever he was near someone with cracks in their minds he would end up healing them up naturally, right? When he tried to--
Not heal them up but--
The intent was that he would Preserve them, right?  So my theory is that Snapping, when they’re getting physically damaged their cracks are wider and wider and that it ends up Preservation, if they have a good Connection with Preservation or whatever randomly comes in those cracks.  Am I anywhere along the right track?
This theory has merit.
I was wondering if you could elaborate on a past wob. You said that Hoid and Frost are two of the oldest beings in the Cosmere. Does that include the vessels? Are the original 16 vessels younger than Hoid and Frost?
In the current outline, Hoid predates the others by a bit--he'd already started aging oddly before the Shattering. But that's not strict canon yet. (You can find evidence of it in Dragonsteel.)
Do you have any tips for anyone writing a narrative?
Yeah, I do. So, remember that you become a great writer by practicing, the same way you become a great pianist or anything else. And those early stories, your focus should just be on getting them done. Experimenting, learning how you work as a writer. Don't stress them too much. Just practice. Set goals and accomplish them. Say "I want to write this much a week." Usually set an hour goal, be like, "I'm gonna write two hours a week." And then try to dedicate yourself to that. And you will get better. Nothing will teach you more about writing than just doing it.
Speaking of sending Stalins to jail, will Dalinar ever face any consequences for his act of genocide in Rift?
Unfortunately, no. (Other than his strained relationship with Adolin and his own personal guilt.)
Problem here is that by our standards (and now, Dalinar's own) this was a terrible act of destruction. But by the standards of his society, this was just business as usual. A city in open rebellion against the crown? That's basically an invitation.
It's a tricky scene because the awful truth is that in our world, these sorts of things were extremely common in warfare--even up to and including the modern era. It wasn't until very recently that this sort of action was seen as a the war crime that it is.
To be more accurate, I probably should have had this sort of thing happen dozens of times in Dalinar's past. But I felt that wouldn't have made the point any stronger, and felt that one time was bad enough. That said, however, it's not the sort of thing that most rulers through history would have to bear any consequences for.
Has Vasher/Zahel done anything like this? Is that why he is as we see him in the Stormlight Archive?
RAFO for now, but the responses below this do have valid points [Manywar and Nightblood].
Would something like the 1474 trial of Peter von Hagenbach be possible on Roshar? And if yes, would this be something Skybreakers would get behind? It always seemed to be that they'd be interested in the idea of 'make law, not war' (I got that quote from Ben Ferencz).
This sort of thing would have been possible (and indeed inevitable in a situation like that) during the days of the Radiants. Not so much in recent history. Old Skybreakers would have been behind it entirely, new ones have some...different ways of looking at things.
Is the recipient of the letter in Way of Kings also in Dragonsteel?
Yes. (Good question.)
If so would it be the person that Topaz gets mad at?
RAFO on the second one. I've already given you too much!
How did Magic: the Gathering come into your life?
So I was, I believe, a senior in high school - it was '94 - and my brother came home with a deck. The local... so this would have been the late spring, early summer of '94, just when Revised hit. My brother came home from the little... back then it was called Cosmic Comics - was where we bought our fantasy novels and comics, and they had started stocking this game. And what they would do was, to get people interested, they would open the starter decks, and they would put the rares out with the starter deck, so you could pick it based on the colors of the rares that you wanted, because nothing was worth anything back then, you could do that. And you could pick the ones without the lands, because lands were dumb. Though when I ended getting it, I ended up getting a sealed one for whatever reason.
But he'd picked the green one, so he'd gotten the Force of Nature and the Cockatrice, so he was like "ooh, big green." And I went and I bought a starter deck and didn't know what it was, and I looked through the cards (you couldn't tell what was rare back then, right) but the last card in the pack, the one I settled on I thought was rare, was a Royal Assassin, and I'm like, "This is lame. His is an 8/8 and mine is a 1/1." But of course as soon as my Royal Assassin killed his Force of Nature one time, a control player was born and I realized "Oh, this is what we do."
Back then we played with all the cards we had in a big pile, that's just what you did. And I was the first one in our little group to realize how great a Demonic Tutor was when you have a deck of 400 cards that you're playing from. So I played 19 Demonic Tutors, I traded for everyone else's, so that I could actually find some of my cards now and then. That was my experience starting off Magic.
I bought one pack of Legends the week it released, I had gotten into Magic a little earlier. So I guess you can find out exactly when I started playing, because I walked into Cosmic Comics and they said "We've got Legends in." I'm like, "What's that?" They're like, "You want some. It'll be gone within an hour." So I took my money I was going to spend on fantasy novels, and I bought one pack of Legends, and... I can't even remember, I might have even got a Chromium in it, but then they were gone within an hour. That was back when a set came out, it was gone that day, and you didn't see any more of them.
Bronze is an alloy of Copper. Maybe the cloud Smokers gives is in actuality the complementary rhythm to nullify the rhythm from the metals they are in close proximity with
I have to RAFO, I'm afraid, but I like this direction of theorizing.
(indistinct, about Hoid and the black seon)
Yes, the Skaze.
What's the seon's name?
Well, it's one of the skaze. And I haven't... So... I have a name in my notes, but I haven't decided if I want to canonize it yet. RAFO. I'd have to even look it up now, but I've got it.
Do Splinters have to be sentient to be considerate as such?
He did clarify that Splinters don't have to be sentient to be Splinters.
What are you reading?
Right now, I actually just started reading [Under] the Pendulum Sun... I read two chapters of it, it was very good. It's by an author [Jeannette Ng] who is British, who came to one of my signings earlier, so I looked it up... She came in costume, she came as Jasnah, and she's a professional writer herself, so I'm like, "I've got to read her book." ...The first two chapters were delightful. Missionaries going to fairyland, the land of the fae.
Is Book Four still planned to be Eshonai's viewpoint?
Yes.
And, would she have been a Willshaper?
She would be the same Order as her sister.
Now, I can share the Dawnshard theory I am currently running with, and you can super RAFO it (while also providing a cryptic teasing hint that will frustrate for years?). But before that, thank you for this book. It's not quite Secret History level stuff, but it's fantastic in a very similar way, and I am genuinely happy, and giddy, and also not a small amount of confused :P
But theory. So, I am thinking that the Dawnshards are Commands in the way "Let there be light" is a command, and the four of them are enough to explain everything. If one of them is Change (something into something else), then other plausible options might be Create (something from nothing), some form of Destroy (something into nothing), and... Stasis? Maintain? Remain? something like that.
Super RAFO! Nice theory.
Ooh, another "identity of the Dawnshards" theory, triggered by OP's "Let there be light" comment: I don't suppose the Dawnshards are in any way related to Maxwell's Equations (of which there are four), which govern electromagnetism? I used to have a t-shirt that said "And God said: <Maxwell's Equations>. And there was light," which is what got me thinking.
That's a big old RAFO, but mostly because I'm trying to stay tight lipped on the subject of Dawnshards.
Sixteenth - there's a rumor about a second Elantris book.
Yes, that's coming someday, but Stormlight is the priority. Current schedule: Firefight is done, Rithmatist 2 is next, Stormlight 3 after that (working title might still be Stones Unhallowed if he can get it out before Rothfuss finishes Doors of Stone)
Sazed visits the Refugees, and meets Tindwyl there.
This scene with the refugees isn't, actually, a new addition to the book in later drafts, though it works wonderfully to remind the readers of the siege. It was in the very first draft.
Tindwyl did wonder if Sazed really cared about the people or not. You see, in her mind, if he DID care about the people of the empire, he wouldn't be in Luthadel at all—but out doing what a Keeper should. It was good for her to see him here, trying to help as best he could, ignoring his studies to care for the sick. He does care; he's perhaps the most caring person in this series. He's just trapped, trying to do what is best for as many people as possible.
Does the fact that Adonalsium has ten letters in his name at all relate to the big magical number on Roshar?
No. Complete coincidence. Good question. Excellent question. I came up with the name years before. The name existed before I canonized Roshar as ten. The name existed when I was working on Dragonsteel, before I even had Roshar. Back when Dalinar existed, but Roshar didn’t yet exist. The connection there is a just pure coincidence one. If I’d been really cool, it would have sixteen letters. And maybe, in their languages, it does.
Did the intermissions occur on Earth or Mirandus?
RAFO!
So, I loved your Shadows for Silence story. It was just so creepy, and I like how you included the family history aspect of the name. Do you think you'll write another story in that world?
I will.
I am so excited! It was really cool to see you write a more creepier story than your other books. I really liked that change.
It is gonna be nice and creepy.
If you could write a script for any superhero, who would you like to control a story for?
Oh what a great question. I did actually see a comment on YouTube, by the way, Daniel, where apparently in one of your videos, you're like, "Brandon made a really shrewd marketing move by putting Kelsier in Fortnite," and then I released my thing where I'm like: "Yeah, Donald [Epic Games Worldwide Creative Director] and I were hanging out, being like, hey, why don't we put Kelsier in Fortnite, we like, yeah, it'd be fun!"
It was a super shrewd marketing move on my part to go to dinner with my friend.
It can be both. Yeah, we were actually chatting about my son wanting to put something in Fortnite, but can't decide. And you know we ended up with Kelsier instead. Dalin can still do something if he wants, but getting him pinned down on what he wants to do...
So what superhero would I want to write for? I would most likely pick Superman because I feel like he is the most challenging to write for and make work, and I feel like my talents would match that pretty well, but it would probably be like a weird colored kryptonite story - like a red kryptonite thing where it's like "Superman's powers have been changed in a funky and interesting way," and also let's deal with why Superman stories can be so difficult; and write that.
Obviously that would be a bad like film sort of thing, but it would work well in a running comic where it's one installment because it's so different from the norm.
I don't even put spren in on the first draft, that's just too much to keep in my brain. Afterward, I do a draft where I just go in and add all that stuff. It's like adding the special effects to a movie.
So, Brandon actually does put a number of spren in the first draft. But part of Karen's job as continuity editor is to find more places to add the spren and mark those in the document. Then on the next draft Brandon puts spren there if he judges them to be good places for spren.
Most of the Shardblades and Plate abandoned by Radiants during the Recreance are somewhere, missing. Are they mostly, kind of in the same place?
It's a good question. RAFO.
When Jasnah Soulcasts stuff from a distance, is that something she can only do because she's a Radiant? And if so, how does that work?
RAFO. Here's a RAFO card.
In Dalinar's vision, why did Nohadon make a distinction between Soulcasting and Surgebinding?
Because they are distinct in his mind.
Do you imagine anybody when you write, like an actor?
Usually not... They're just usually just who they are in my head.
We post the artwork on my website under the book's individual heading, so don't worry--you can go look at it all there. The trick is that some of it is slightly spoiler-ish, the maps in particular. So you might want to be careful which pieces you look at when.
We're actually planning to release a little free app for mobile that will include all these things, along with a glossary, for audiobook people.
Who are your biggest literary influences?
Robert Jordan *laughter* and Victor Hugo.
What was that reading from?
It's called Skyward, it's not out yet. Hopefully, it will be next Christmastime. A girl and her spaceship, which has a very goofy AI, which I am having way too much fun writing.
Unity is capital. Is there a reason for that.
*hands over a RAFO card*
By the way, Kaladin's comment on Taln and Shalash's mental health makes me wonder: Are the Ten Fools based on the Heralds after they broke the Oathpact? Having 9 immortal, mentally ill people on Roshar for millenia seems like it'd have spawned some stories that could have eventually become stories of the Ten Fools. Taln wouldn't be included in this, but with Vorinism and the number 10, I imagine they'd have created something to oppose his virtues.
Also, I can't remember if this is confirmed or not, but on the topic of the Heralds' mental health, is it at all supernatural? Taln seemed to recover somewhat when Dalinar summoned the perpendicularity at the end of Oathbringer. So, is it just severe PTSD, or something supernatural is involved?
I've tried to make it clear in talking about the books that I separate what has happened to the Heralds and normal mental health. What they're suffering from is in large part supernatural--and has to do with the way souls (or Cognitive Shadows) work in the cosmere. So you are correct. This doesn't mean that some normal treatments wouldn't help them, but their core problem has a huge supernatural component.
And yes, there IS a relationship between the ten fools and the Heralds, though people on Roshar wouldn't be able to point it out.
Is the Heralds' madness related to and/or the same thing as the Fused's madness? The Stormfather mentions that each time one of the Fused is reborn, their mind is further damaged. Is it the same with the Herald? To many rebirths, possibly compounded by the fact that they not only often died each Desolation, but were tortured until the next one?
Yes, these two things are related. (There are some hints in Rhythm of War at how Hoid has avoided a similar fate.)
Note that the torture--and the many rebirths--are a big part of this. But their age is also a factor.
Does this mean that a certain Cognitive Shadow from the Mistborn series is fated to go insane?
Depends on a lot of factors. But the longer a Cognitive Shadow exists, the more likely these problems are.
Would this affect the Returned as well? What about those with a lot (like 8,000) breaths since they are not cognitive shadows.
Returned are Cognitive Shadows. In the Cosmere, there is no way to bring someone back to life, other than normal medical resuscitation, without using a Cognitive Shadow.
What about Dalinar? I thought he has had textbook PTSD, but the screams he continued to hear turned out to be magic.
Dalinar has a whole host of issues, not easily defined by a single definition. Assume, though, that his mental state is a normal response to, in part, supernatural occurrences.
The different for the Heralds is that they have conditions which could only truly exist in the cosmere, even if some of the manifestations and symptoms are similar to what could happen on Earth.
So is that implying that Hoid is a Cognitive Shadow, or is that just an effect of being really really old? Also does Vasher know about/how to avoid these effects? Probably an RAFO, but...
Come back to that question in about a month or so.
The publisher who's doing Isaac [Stewart]'s Monsters Don't Wear Underpants book came to use and said, "Hey, we really like this story in Oathbringer of The Girl Who Looked Up." And they said, "We think this would make a nice children's book." And Isaac knows way more about children's books than I do. And he suggested it needs some revisions to actually work as a children's book. And I suggested some revisions. And he's like, "These probably aren't actually going to work for the children's book." And he suggested some revisions which did work. And so I just said, "Isaac, you just take it over." So it's going to be co-authored by us. The first thing that's, like, officially co-authored. (Except we did get the Nicki Savage story.)
Theoretically, we will sometime... still years away. But we'll have a picture book of The Girl Who Looked Up that takes my writing from the book, Isaac adapts it so it works as a children's book, and then art directs hiring out to get the artwork done. So that will be the first thing you can actually buy from the both of us.
Probably, yeah. I think we're looking (and it may have been in the State of the Sanderson) some time in 2021. It really depends on when the art and when the writing comes together. But we're in the middle of that process right now.
I've warned Isaac that Book Four has a really good one that'll work pretty well, as well.
I did a [film] treatment for Mistborn, recently, where I'm like, "How would I envision this getting made?" And I basically had to throw out the book, start with the same premise, characters, and idea, and build it again for the medium, rather than try to pick specific scenes. Because specific scenes that I wrote in the book are there to work on the page. I needed a scene that did the same thing, but wasn't all internal. (Not really internal, but the character responding in their head.) And it needed to work differently. I have a lot more respect for adaptations.
According to Cord, Rock drew the Bow of Hours at the dawn of the new millennium. Roshar is at year 1173. Do Horneaters have a different calendar, or is Rock just really really old?
No, Rock is not really old, that's a different calendar. Rock is not old enough to have drawn that bow 74 years ago.
What would happen if you shot a thug with an aluminum bullet or stabbed him with an aluminum knife?
Ah, that's a good question. The wound would not be able to heal around the aluminum, but once the aluminum came out and was gone from the system, they would be okay.
Wait, is that a Bloodmaker, not a Thug?
Oh, you're talking about Thugs?
It would work similarly, but it really wouldn't have a huge effect on them.
Alright, because Peter was implying that there was some weird aluminum interaction with Thugs.
What was he thinking of...?
There is some weird interaction but...
In the wedding scene, Wax thinks they would have aluminum bullets to deal with Thugs, and I was like, "Oh, that's a typo." And Peter was like, "Oh no it's not..."
No, no. That would just be-- it's like I said: healing it until the bullet is gone, it's just the same as Bloodmakers.
How many kings have had a Wit?
It is common for a king to have a Wit.
Has Hoid been more than just Elhokar and Jasnah's Wit?
He has been. Most Wits, historically, were a little more fool-like, more court-jestery. Wit does not think highly of that. But there have been others in the past that were more like what he would think what a Wit should be.
Would Kelsier approve of what Taravangian is doing?
No. He would not. He would understand it, but he would disapprove.
Do [you] have an ultimate ending in mind for the cosmere?
Yes I do!
How much influence do you have on the story of the Infinity Blade games?
They tell you what to write and you flesh it out?
No, when I came on they said, "We don't have a story. Can you come up with one?". That was part of the reason I was interested in doing it. Basically, the whole story of games two and three, and the in between, have been my stories. I didn't write the games. I went over the dialogue and told them where it was really bad. I was focused on the novellas. The dialogue in the games, not quite as awesome as I would want it to be. But the basic story, it was me and the creators of the game brainstorming, talking about it. All the characters are ones I came up with.
Because, really, in the first one there weren't exactly characters.
Though it had it's own little fun narrative, which I liked the idea of. But when I sat down with them I'm like, "If you're going to have a series, you can't have a series with no characters ever. You have fifty protagonists that die each time. You've gotta build the mechanism for this. So let's go this direction." They loved it.
And that was why Siris wound up being a Deathless?
Mhmm.
In Secret History the Shard shows a relatively well-written foresight. Did Adonalsium have more of a pronounced version of that?
Adonalsium was-- I would say, yes.
Did it have plans for after it's own--
That's a RAFO...
My first question is about Shallan and whether what she does with her drawings and the deserters in Words of Radiance, kind of changing them, is at all similar to what Shai does in The Emperor's Soul?
Umm, that's a good question. There are similarities, but only so much that The Emperor's Soul is cosmere and is relying on the same foundation of magic. But good question. Are you getting at me saying you've seen somebody do it before?
I talked to Alice.
So you have seen what she does before, but that is not what I was pointing at. It's someth-- No one is going to expect it.
Does Baon's name sound Selish for a reason?
No, that just a coincidence. His name was Bowen in the original, but I'm like ehhh, hes like an archer and gun man, I don't want to call him Bowen, that's a little like calling him 'Bowman'; and so I shortened that. That was before I had written Elantris, so its complete coincidence.
How would a mistwraith bond with a spren? Would he use a gemheart, oaths, or songs like the listeners?
*Brandon motions for Joel to hold up the RAFO sign*
Harmonium is ettmetal... Its chemicals properties are sort of analogous to cesium. It explodes in contact with water. People are made out of water. You try to spike someone, you try to swallow it, you try to wear it as jewelry, it will not end well. Why in the world would he pick something so inharmonious?
He didn't pick it. It's unstable because of the two halves of him not meshing well.
