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Questioner

In the cosmere we've seen Investiture manifest in different ways all across the systems. So I was wondering, when it comes to the powers of Dalinar, is it possible for that power to open a Perpendicularity anywhere, say on Scadrial or any different planet? In a different way, where you could potentially combine all the Realms, open the doors for the Realms.

Brandon Sanderson

Let me say this very carefully. I'm being recorded now... Any time where you gather the right amount of Investiture in the right way, you are going to have kind of a version of a cosmere singularity, right? Which is where you are pulling the different Realms together into a kind of-- you are piercing between them with a large amount of Investiture. So what's happening with Dalinar is both the bug and the feature at the same time. But it is not necessarily the only way. And once things are kind of, once the Spiritual Realm is being involved, time and space don't mean anything anymore on the Spiritual Realm. That's your answer.

Questioner

How do you keep everything straight in your head?

Brandon Sanderson

So, it's kinda weird. I forget my keys. I forget what day it is, I'm one of these types, right. But stories, I don't forget. Stories are in there. Part of the help for this, though is I do use a wiki, called wikidpad, it's, like, a personal wiki thing. And I stuffed a whole bunch of it in there, not all of it, but a whole bunch of it. I actually have someone whose job it is to go through each book, add in all the new details and things like this to keep kind of a personal encyclopedia of the Cosmere, for myself, for reference that I can be working with as I'm building things.

So, yeah, it's a mixture of tools, my own personal weird brain psychology, and good help and forum assistance. Like, if you read one of my early drafts, there's, like, so many continuity errors. So many, right? Because there's just stuff I... like, when you're writing, you're not thinking about. And your fingers, they just type it. Or, like, I forget, like... one of the things I have to do for a Stormlight is I have to go through and add in way more spren. Because it's just so unnatural to us to have emotionspren, that first draft, I don't even worry about them. Like, get down what's happening, and then I will highlight where the spren appear. It's almost like I do post-production on my books. But, even still, to this day, I write silver when I mean tin in Mistborn, because for years it was silver was that power. Like, it's been ten years since it was silver, that I changed it to tin, but even still my fingers type silver. And the alpha readers and beta readers are like, "Oh, there's a silver in here! We found one!" Like for years, Clubs, I think it was Clubs, and... I had two of the powers swapped for the... anyway, so there's all that. And then there's all the stuff that I forget I changed in revision in previous books.

So, it's not like I'm photographic memory who keeps all this. I have a good team, a good process, and enough up here that we can make a good book come together. But those early books... don't become an alpha or beta reader for me unless you're willing to be like, "Okay. Canon is not here." Like, in the Lift chapter, there was even a place where I'm like, "I think this is connected. I wanna connect this to something in the Cosmere, but I can't remember what it is. Karen, can you look up some of this and see, so I can make sure that I can..." I think it's in there. And then in the beta read document, everyone's like, "Oh, you can do this! You can do this! You can do this!"

Questioner

No that wasn't in Lift!

Brandon Sanderson

Yeah, it is! I just went and looked at it. Maybe Karen posted that quote that I gave her, maybe Peter pulled it out, and she posted it in the document later on.

Brandon Sanderson

Not to give you too many spoilers: Secret Project One probably has some of the most bizarre worldbuilding I've done in a book. Actually, I would say One, Three, and Four all have pretty out-there worldbuilding. All three of the Cosmere novels have worldbuilding a step beyond; it's more Stormlight worldbuilding and less... Setting-wise is what I'm talking about here, not magic system-wise. More like Stormlight, less like some of the other Cosmere novels that are playing it just a little closer to normal worldbuilding. I experimented more with worldbuilding; these worlds are... Let's just say that my science people, I'm giving them some headaches trying to figure out how to make some of this cosmology actually work. It's really cool, but... How does this work, Brandon? Well, we'll figure it out.

Little more extreme in some of the worldbuilding. Not as weird as some of the weird ones I throw at Dan on the podcast; not quite as weird as, like, Apocalypse Guard, which had an ocean in the sky. I'll figure that out someday.

Pillotsky

What's with the Stormlight Chapter symbols, and their similarity to other Cosmere symbols? I guess this is specifically talking about Kaladin and Shallan's symbols, and their resemblance to an Allomantic symbol and an Aon, respectively.

Is this just showing Roshar's place as significant in the Cosmere? Is there a reason those specific symbols were chosen for those characters? Anything you'd want to share, I'll take.

Brandon Sanderson

The meaning of Kaladin's symbol will be made manifest eventually. The connection to an Allomantic symbol, however, is mostly coincidental. (Both were drawn by Isaac.)

the.fulgid

I feel like knowing both basic and advanced studies of Realmatic Theory are key to understanding not just how the magic works, but how the very nature of the cosmere works. We already have some of the fundamentals, including:

- The three realms- Shard aspects, knowing that they were made with intent, but the form they building blocks of much of the cosmere- Connection to a Shard is necessary to access its Investiture- I have a bit of an analogy where Identity and Connection work similar to an access badge to a building

Is there a more advanced concept of Realmatic Theory we don't have yet that you'd be willing to share?

Brandon Sanderson

Yeah, I could buy that.

the.fulgid

Is there a more advanced concept of Realmatic Theory we don't have yet that you'd be willing to share?

Brandon Sanderson

No. Too hard to say, something like that, what we don't know. So no, I will RAFO that. I apologize. I will put them in the book when they are developed, and I can explain them in the way that I feel is appropriate.

Brandon Sanderson

Speaking of the convention. I named this convention Dragonsteel years ago. I was the one that came up with that. But we always knew it would need something a little bit more. Our company is named Dragonsteel, right? It gets a little bit confusing. We wanted to take our time, and I'm actually going to announce our rebrand today. We've finally, all of our team, gotten together and have figured out what we want to call it. Because, you see, there's this place in the Cosmere that I have named, and it turns out that part of that name, there are no major conventions named this.

I'm going to announce the name of our convention going forward. And it's going to be: Dragonsteel Nexus. And you will find out what the Nexus means as you read further in the Cosmere, but we really liked the idea of bringing people together, and things like this. And so, we are going to be calling it Dragonsteel Nexus, or Nexus 2024, if you want to call it that.

We spent a lot of time on this, so I hope you guys will enjoy that. It's gonna just work a little bit better.

Brandon Sanderson

I wonder sometimes if I should do a full-on rewrite of Alloy. It would also be my vote for weakest Cosmere novel. (I think it's probably my weakest novel overall.) The big problem came from it being a short story, that became a novella, that became a fun little novel not meant to do any heavy lifting. But the series went from there to get some of my strongest books, as I fell in love with world and characters, and became a full-blown era rather than a pit stop between tow large eras.

So you have something weaker, meant as a kind of "Secret History" novella, to a load-bearing pillar of the Mistborn series. And it's the place where already (coming off the main trilogy) where people were the most likely to abandon Mistborn as a larger mega-series. So I have my weakest cosmere book in a pivotal place in the sequence.

The solution could be to just take it and give it a ground-up rewrite with more depth of characterization and narrative rigor. But then, we have the problem of their being two significantly different versions of a book, which causes other logistical problems.

Brandon Sanderson

On tour, I did a reading from what up until now was listed as "Mystery Project" on my website. If you missed the newsletter explanation, I've pulled the book I was going to release next year (The Apocalypse Guard) because it needs more work. Instead, I've turned my attention to something else—and after a furious bout of writing, I'm confident in where it's going. So it's time to announce Skyward.

Like Steelheart and its sequels, this is a kind of borderline YA/Adult project. In the US, it will be published by Delacorte Press (publisher of Steelheart) in the Young Adult section of bookstores, while in the UK it will be published by Gollancz (publisher of almost all my books) in my main line, shelved in the science fiction/fantasy section of bookstores.

I've mentioned Skyward before in summaries of stories I'm working on, but haven't said much about it. I started noodling with the ideas in 2012, I believe. (The year that the Write About Dragons recordings of my lectures happened, where I mentioned it briefly—but not by name.) The first outline thoughts are dated summer 2013. It's a book I've been wanting to write for a long time, and it finally came together this year.

It has its roots in some of the very first books I ever read as a young man getting into fantasy. Like many young readers, I was captured by books about dragons, specifically books about boys who find dragons and learn to fly them. These have been staples of the fantasy genre for some fifty years. For me, it was The White Dragon by Anne McCaffrey and Dragon's Blood by Jane Yolen. For others, the "boy and his dragon" story that captured them was Eragon, or How to Train Your Dragon.

I've always loved this story archetype, but I've never written anything using it. This is in part because…well, it's a familiar story. Too familiar. I wasn't certain I could add anything new to it. So I left it alone, letting ideas simmer, until in 2012 something struck me. Could I mash this together with a flight school story like Top Gun or Ender's Game, and do something that wasn't "a boy and his dragon," but was instead "a girl and her starfighter"?

Skyward was born, much like Mistborn, with me taking two ideas and mashing them together to see where they went. And they went someplace incredible—I grew increasingly excited about the project, as I saw in it a chance to both play in a space I loved, and do some very interesting things with story and theme. It wasn't until this year that I got the personalities of the characters right, but I really got excited when I found a place for this in the lore of stories I'd been creating.

The official pitch is this: Defeated, crushed, and driven almost to extinction, the remnants of the human race are trapped on a planet that is constantly attacked by mysterious alien starfighters. Spensa, a teenage girl living among them, longs to be a pilot. When she discovers the wreckage of an ancient ship, she realizes this dream might be possible—assuming she can repair the ship, navigate flight school, and (perhaps most importantly) persuade the strange machine to help her. Because this ship, uniquely, appears to have a soul.

As I've played with Skyward over the years, I tried to pull it into the Cosmere, then found it didn't work there. However, it is in the continuity of something I've written before. Something that isn't the Cosmere, and isn't the Reckoners. And no, I won't say anything more for now.

The goal right now is to have Skyward done in time for a publication date of November 6, 2018. We'll see if I can meet that deadline! I'm optimistic. As always, you can follow along on the progress bar on my website. Look for a cover reveal and chance to pre-order soon!

Argent

With Intent and Command, I've been thinking about how these things would apply to other worlds. On Nalthis they seem kind of folded together into the same thing, but I can't crack the metals on Scadrial and the Aons in Elantris. Because the Aons seem very Command-y, not very Intent-y, right? What about the metals?

Brandon Sanderson

The Aons, you should be able to eventually figure it out. With the metals, when I wrap this in, it's going to be very slight, and you shouldn't assume that every one of the permutations of the cosmere magics are going to require the same levels of... I need the freedom on each one. So Intent and Command can't be a major feature of every magic, otherwise it's too restrictive. You're going to end up with too many that feel the same. You can imagine, on Scadrial, that different metals would not have had to do what they do in the origin of the magic system. That is not necessarily innate, that is relating to the creation of the magic.

Argent

How it was built manually, almost, by a Shard?

Brandon Sanderson

Does that make sense? You can imagine an in-cosmere magic system that is very similar to Allomancy, where each of the metals do a different thing than is in Allomancy.

Brandon Sanderson

Dilaf's Backstory

I hope that Dilaf's explanations about his past are suitably creepy. I also hope they give some explanation. He is a man who betrayed his religion when he thought it would save the woman he loved–only to find himself, in turn, betrayed by the Elantrians. His wife became Hoed, and he himself burned her. This would have something of an effect on a man's psyche, I think.

Now, recall that Elantris was at the height of its power when Dilaf took his wife in to be healed. I mentioned her earlier in the book, in a Raoden chapter. He found a story in one of his textbooks about a woman who was improperly-healed, and it turned her into what the Elantrians now are. This is Dilaf's wife. (Go re-read Chapter Twenty-Five for the story.) I find this little item beautifully circular.

Anyway, we now have an explanation for Dilaf's instability and his hatred. I really like how Dilaf, normatively, grows into being the prime villain for this book. He comes to it slowly, kind of stealthily, while the reader is focusing on Hrathen. Yet, Dilaf is there from the first Hrathen chapter, always dangerous, always trying to destroy Elantris, always making his own plans. I worked hard to bring about his rise to power in the book, and I hope that it worked. Puling off the Dilaf/Hrathen reversal was one of my main goals in the story.

classicalkhlennium

A while ago I was talking with my friend about the presence of isotopes in Mistborn, and we thought surely the metals have ions and isotopes like they do in the real world, otherwise how else would they exist on an atomic level? We wondered if there were radioactive isotopes on Scadrial or even in the Cosmere as a whole, else they would never discover nuclear weaponry and fuels. None of the non-god metals in Mistborn have radioactive components, but that isn't to say that radioactive metals don't exist in the cosmere. Radioactive elements such as uranium (a necessary discovery for the 3rd and 4th Eras of Mistborn if they want to have long term fuel sources/weapons) and radium (necessary discovery in the field of medicine) seem necessary to the advancement of civilization. This also raises the question of where would the god metals, lerasium, atium, and harmonium, fit on the Periodic Table, and would all of their isotopes be stable, would they perhaps have radioactive isotopes that can somehow affect their Allomantic properties?

Brandon Sanderson

These are things we'll start answering in the modern day Mistborn novels, so RAFO for now.

jurble

but one kingdom (led by a mysterious figure who knew far too much)

Did this evolve into or influence the Ishar/Tezim situation at all? Or maybe the latter is a parody even of that idea.

Brandon Sanderson

The mysterious figure was [Aronack] (though I don't remember how I spelled it) one of the original figures planning to kill Adonalsium. Back then, before the cosmere fully formed, they were demigods--but I later decided it was more interesting for the Shards to have been (mostly) ordinary mortals before the shattering. So he's no longer canon.

He was basically breaking the agreement between the others of his kind by giving rapid technological development to his people. This was, in part, because I was intrigued by the idea of a single highly-advanced (in technology) culture among a group of bronze age peoples. An idea you see play out in science fiction (with advanced aliens among modern cultures on earth) but not often in fantasy. (Except in some versions of "Old world meets new world" style recreations of what happened on Earth.)

ericsando

(mostly) - translation: dragons?

Brandon Sanderson

Well, at least one Dragon. And at least One Sho Del.

LewsTherinTelescope

Is [Aronack] (though not necessarily with the same name) still one of the original Vessels in the current version of the Cosmere? If so, does he have a different name in the current canon?

Brandon Sanderson

RAFO, I'm afraid.

Questioner

I was wondering if a Hemalurgic spike would take surges, or if it could take a spren bond? Would it interact at all for that?

Brandon Sanderson

Hemalurgy can interact with every one of the magics. I designed it specifically in writing Mistborn for future use. Because some of the magics are so limited by their planet I wanted one that transcended all of them and Hemalurgy is very important to the entire cosmere. Its invention is a thing of great power and great danger to the entire cosmere.

Questioner

Quick question on aluminum. Why does it affect other forms of Investiture?

Brandon Sanderson

When I was building the cosmere, I just had to build certain themes into it, and metal was one of those. And the metals have kind of a Spiritual integrity, and Spiritual component, that if I can get into Dragonsteel explaining why, you'll get your kind of origins.

Questioner

And that's why, in Warbreaker, metals are different with Awakening, and stuff.

Brandon Sanderson

And even in Roshar, the cages that you're building for fabrials, once you start to figure out how those metals affect it, you'll be like, "Oh wait, that makes sense!" And these are just across the cosmere.

And if you want an in-world answer, it has to do with stuff in Dragonsteel. But really, the answer is, I was building this and I'm like, "I just want this to be a theme. So I'm just going to give this Spiritual component to metals." So it works in Mistborn, and it works all across everything.

sandersonfan

I've read that you were thinking of 32-36 books total for the Cosmere, but it seems like the series are going to go beyond that if numbers you've given before are published (e.g. Mistborn being a trilogy of trilogies so 9, Stormlight Archive 10, Warbreaker 2, Dragonsteel 6 or 7, and still White Sand and others to come) so has the estimate of 32 been thrown out the window?

Brandon Sanderson

Eh...I don't know. My original breakdown:

Mistborn 9 Wabreaker 2 Elantris 3 White Sand 3 Stormlight 10 Silence Divine 1 Dragonsteel 7 (A two book and a five book.)

That's the 32, with allowances for a few side stories to get us to 36. There are planets not included in that, however, that I may write stories about. So maybe. But the core cycle is this (in order)

Dragonsteel Mistborn first trilogy Stormlight - Mistborn second trilogy (around the same time.) Mistborn third trilogy.

Everything else is important in their own stories, but as we're talking about the connections between the worlds are considered, this is the prime cosmere cycle.

Questioner (paraphrased)

Would a conventional science fiction society be able to travel between worlds via FTL?

Brandon Sanderson (paraphrased)

Yes, they definitely could. In fact, built into the system is...you will see space travel. In fact I have several of them plotted, I just can't write them yet. It is going to be really fun. One of my very first ideas for the cosmere was this spaceship going between, and actually, Sixth of the Dusk, which is coming out, the Writing Excuses Anthology one, is cosmere and they mention space travel in it, so...

Argent

I've been thinking about possession within the Cosmere - is it possible for beings (dead, alive, or inbetween) to possess other beings in the Cosmere? Allomantic control over spiked creatures, and the existence of the Lifeless are both close to the idea, but neither is quite what I've been trying to imagine. I think I am looking more into whether one being's cognitive (and/or spiritual) aspect can fully replace (temporarily or permanently) another's. I imagine the victim would natively fight this, similarly to how Rashek's spiritual aspect resisted his anti-aging trick, but... is such a thing possible?

Brandon Sanderson

This is possible. (There are places where you've already seen the process either begin, or work partially.)

Oversleep

Are you talking about Ruin/Harmony controlling Hemalurgic Constructs and Odium controlling Voidbringers... or is there something else?

Brandon Sanderson

You will see soon.

Questioner

Would you ever consider releasing the grimdark version of Mistborn as a Prime novel?

Brandon Sanderson

I will release it as a Prime novel, I'll do that and Final Empire because they're both cohesive stories. The one I can't release is Mythwalker because it ends part the way through the ideas I have made. The magic system in Mythwalker is just broken beyond all my ability to fix. I plan to eventually get to you Dragonsteel Prime, Aether of Night, Final Empire, and Mistborn Prime in some incarnation. The others get harder because they just get worse and worse after that. But those ones are of interest to Cosmere fans. The first is Aether of Night, there's digital versions but there's no print version. The first showing up of a Shard, and Midnight Essence, and all sort of cool stuffs in there. Dragonsteel takes place on Yolen, which is still canonically part of the Cosmere. And you see Sho Del popping up which are a race that are in Dragonsteel Prime. Final Empire and Mistborn, there's not as much of real cool interest to you because I already took the best ideas and reused them, but I'll get it out there someday.

Questioner

With the strength of The Stormlight Archives, the strength of the Mistborn series and Alcatraz, I find that Legion often gets overlooked, and it's a-- such a fantastic collection. And they just combined the two novellas into one actual novel, which is great cause the first novella ended and it's like, "Well that's like halfway through a book. Still going." Is there gonna be any continuation--

Brandon Sanderson

Yeah, I will write a third Legion story. The plan is to write that next year and to release a collection of all my non-cosmere stories. This year I released a collection of all my cosmere stories. So the plan is to do a collection of non and to write the third and final of the Legion stories. Chances are good I will have to rebrand them, because of the Legion TV show. Not that I couldn't release it, because they're different enough. But, like, when I first wrote Legion-- For those who don't know, Legion is about a guy who has maybe schizophrenia, except all the hallucinations help him. And they're very very helpful, useful people. And it's like-- they're like detective science fiction stories. And when I first wrote it, everybody in Hollywood wanted it. And then the project dried up like that. And it was right the moment that Marvel announced they were doing their Legion. So I'll probably rebrand them as just "The Stephen Leeds Stories", and do the third one. So that's the plan right now.

Questioner

Are the [singers] living computers, and are spren variables in a computer system?

Brandon Sanderson

Excellent question. The answer is: I would say no, I wouldn't consider this. But I have considered this idea, and there is a place in the cosmere where people are using spren-- not spren but something similar on another planet, for a little bit of computation. Which I want to be able to write that story some day, but-- It's a very fun thing that I dug down a rabbit hole in one time. You might see this somewhere in the cosmere, but it's not actually Roshar. I wouldn't call them that.

Questioner

[Did you pull] from the story of Osiris for cosmere stuff?

Brandon Sanderson

I did use some Osiris myths for cosmere.

Questioner

So, how much mythology did you pull from?

Brandon Sanderson

Quite a bit. I have a deep interest in all kinds of mythologies. And I had a really good professor of folklore in college. I ended up really liking her, so I took a ton of classes from her. So, my senior course was mythology in folklore. So, yes, you'll find all kinds things from all over the place in the books.

Questioner

Even, I guess, just within different worlds, even within the different cultures.

Brandon Sanderson

Watch the stories Hoid tells. You'll be able to be like, "Oh, that's inspired by a coyote myth, right there." You'll pick them out here and there.

Questioner

Is Skyward in the Cosmere?

Brandon Sanderson

No, Skyward is not in the Cosmere. It started out there, and I pulled it out for continuity reasons. It is related to something else I’ve written in the past, though.

Questioner

Going back to the technology issue, in some of your books, particularly the Mistborn books, you explain why technology hadn’t developed for thousands of years. [...] What’s happened to gunpowder and combustion? Why isn’t that there?

Brandon Sanderson

In Rithmatist the reason why we don’t use gunpowder and combustion is early on, people figured out how to wind springs into the aether, and if you can wind a spring into the aether you can get energy out of it. Basically the way we’ve got it working in the Rithmatist (I would have to dig out the exact notes, so be warned) but the way we have it working right now is if you wind a spring made the right way, you can wind it into the aetherial winds. And you can wind, and then twist it, and when you unwind it catches the aetherial winds and spins with it. So you can actually get more energy out than you put in if you wind it one direction, lock it, and then lock it into the aetherial winds and unwind it. It’s like hydropower, but it is unseen hydropower.

So my explanation is they learned how to do this, and because they had access to this easier source of energy, their experiments with gunpowder and combustion weren’t as…. You could still make gunpowder. You could go build a gun on the Rithmatist world, and it would work just fine. But since they’ve been focusing on this other line of technology and they can access this energy, everything’s gone that direction instead. And I kind of built on the idea of the difference engine and things like this. People were trying to make mechanical versions of computers and whatnot. And if they had found a way to get energy out of it, they might have gone this direction.

That said, I did not put the rigor into the science that I often do in the cosmere books. That comes in the revision stage when I give it to scientists and to my assistant Peter, who look at the actual science and raise some of the issues. So Rithmatist, I didn’t have to worry about that as much. In the cosmere I have to worry about things like redshift and breaking causality, and all of this stuff, and at least have in-world reasons why people don’t get irradiated by light when you speed up time, whereas in the Rithmatist I can say, “It’s a fun alternate history fantasy book. So we’ll just go with that and be internally consistent and not worry about the laws of thermodynamics quite as much.

Brandon Sanderson

So, one thing I think I did wrong in the books was not having more allomancer guards and soldiers who were women. I don't think our same gender norms would be the case on Scadrial.

One of the [screenplay] revisions is this: Shan is no longer Elend's fiance, but his sister. Their father has left on business to the outer domninances, and so Shan is making a play to secure the heirship, trying to prove she is more bold and strong than her brother. This is what gives the team an opening, and why they're striking now with the heist, as in this version, House Venture maintains the city policing and has access to the atium stash.

The plan is to put a few Allomancers (including Ham) into the Venture house guard, and exploit Shan's desire to prove herself by creating chaos in the city that she'll think she needs to put down with decisive action. That will involve her pulling out the atium stash, which will in turn let the team know where to go to rob them.

It streamlines the book's story in some elegant ways to do this. Shan becomes the primary "mark" of the book, in many ways. It also lets me explain a little more succinctly what various members of the crew are doing in the background while we focus on Vin, who is to get close to Shan as a confidant--which is why she's sent to the parties. And why Shan being a brat to her isn't just annoying, it means a major part of the plan isn't yet in place.

It explains way better, in my opinion, why Shan would act against Elend. It's all clicking into place as I move pieces around. That said, I understand those who want a Television show. I could see going that way, perhaps.

Trouble is, nobody in streaming needs a big fantasy property. Anywhere I go right now, I'd be in a distant second or third place to Tolkien, WoT, Witcher, or Kingkiller. The offers I've gotten have been for a fraction of the budget of those shows--since everyone has already spent big money on their big fantasy show, and isn't really interested in another.

I'm confident feature is the place I want Mistborn; but even if I weren't, I'm not thrilled by the idea of being lost on Netflix as their "other" fantasy show.

Rapharasium

I don't know if I'm being negative, but these changes really worry and disappoint me. I really like Era 1 as it is, and all this change in the dynamics of society and the plot as too drastic.

Brandon Sanderson

This isn't negative; I understand this response, and think it's valid.

At the same time, I'm of the personal philosophy that a film should generally be a different beast than a book--a book can lean into the little intricacies of a story, while a film should be a bold but unified statement.

Nothing will happen to the books; those will remain the same. But if I want this film to work as a film, I believe I need to be willing to re-imagine parts of the story.

Mycroft_canner

With Elend having a sister does that mean you don’t need the Zane plot anymore?

Brandon Sanderson

That's from the second book--so it would be in the television show, and we'd likely still do it.

DataLoreHD

prove she is more bold and strong than her brother

Which brother?It certainly could not be Elend, right? Elend had no Allomancy powers (before he ate the lerasium in WoA), so Straff despised Elend and thought him too weak.And Zane was a bastard and also mad dog.If Shan was Straff's legitimate daughter, then her succession was already 100% secure. She wouldn't need to prove anything to anybody.

Brandon Sanderson

It will be Elend, but it's more that this is the first time that Shan gets to be on her own, leading by herself, and wants to show off for the Lord Ruler. Also, there's the question of whether the male heir--though inferior in this case--might get the nod for sexism reasons. I think it's going to work just fine, but I'll admit, it's getting a little rough to discuss all these details on a thread like this--I can't answer everyone's questions, I'm afraid. I just wanted to indicate the kinds of changes I'm looking at making.

Whatever I do will go through my standard "show it to tons of beta readers and get feedback" process, so I should be able to catch problems and fix them.

meh84f

The bit about atium is a bit confusing. The Ventures are going to have the Atium stash? Not the stash that we don’t find until the end I’m assuming? So it’ll be a stash but much smaller than expected?

Brandon Sanderson

So, I'm not sure I can explain it all in this, but one big change I wished I'd made from the start of Mistborn is making atium usable by all Allomancers. As I've gotten further in the cosmere, using a god metal as just for Mistborn has felt off.

So the lore change for the films will mean any Allomancer can use atium. This, in turn, lets House Venture have access to the LR's atium as a "Control the city" last resort. They keep a task force of allomancers for this purpose--which Ham can join, in anticipation of being able to steal it once Shan accesses it. (They don't know that House Venture is only given about a hundred beads of atium, not access to the full mythical cache, which will be reserved for the third movie.)

Makes the worldbuilding and storytelling more elegant, I've found, in the film. And it fits better with more "modern" cosmere fundamentals as have developed over the last decade. I think I'd make this change even if we moved to a television show and long form.

The Lord Ruler is still the "big bad" but Shan and the Inquisitors both get a little more screen time. (Actually, about the same as in the books--it's just that other parts are being trimmed, making them more front-and-center.)

Phantine

Based on that, you're also streamlining away the Sign of Sixteen if it gets a sequel? To be honest, that didn't really work for me in the novel anyway.

Brandon Sanderson

It's one of my least favorite parts of the trilogy. It (along with Vin drawing upon the mists in book one) are big changes I'm hoping to make to fix weaker sections of the continuity.

Questioner

The Ars Arcanum, is there an in-cosmere author of that?

Brandon Sanderson

Those are in-cosmere, yes.

Questioner

It sort of seems like they would be written by someone like Hoid or someone.

Brandon Sanderson

It is not. I don't know if I've released who it is. It's probably not who peole are thinking, but it is in-world.

Questioner

Is Skyward going to be part of the cosmere at all?

Brandon Sanderson

It is unrelated to the cosmere - since Earth is part of its history, and because certain elements of space travel are done differently.

Questioner

Zellion, is that name taken from the unpublished novel, The Sixth Incarnation of Pandora?

Brandon Sanderson

Yes, that name is taken from that book. Zellion's appearance in the Cosmere is related to, not that book, but it's kind of the same character, reincarnated now into the Cosmere, if that makes sense.

Questioner

So the scene at the end of Oathbringer, when Odium is confronting Taravangian and he uses futuresight to expand upon the Diagram, we have this blacked out section with Renarin's name linked to it.

Brandon Sanderson

Yes.

Questioner

Is that because Renarin's abilities interfere with Odium's futuresight similar to how electrum interferes with atium?

Brandon Sanderson

Any time that someone else is seeing the future in the cosmere, it's going to have ripples against your ability. Like they are-- you can't-- It's the same sort of thing that if-- someone who has access to atium is going to mess up anyone else's futuresight in any way, because once you use that it's going to cause you to act differently, which then-- And remember futuresight is not very good in the cosmere anyway. But yeah, it's just gonna mess things up.

vandar10

Will we see in Nightblood why the returned base breath cannot be given away in the same way the other breath are given?? I'm referring to the fact that when a returned gives his breath the person who receive it don't reach any heightening but use it to heal instead of reaching the fifth heightening and healing anyway.

Brandon Sanderson

RAFO.

Questioner

Is there like a Cosmere-significant reason why, on Scadrial, the Investiture is hereditary, but that that doesn't really seem to be the case on any of the other worlds?

Brandon Sanderson

Yes there is, but it has to do more with the fact that on Scadrial, human beings were directly created by Ruin and Preservation. And most of the Cosmere worlds you've seen don't have that same sort of aspect. It is the case on Nalthis, but it's not the case on Roshar, it's not the case on Taldain, it's not the case on Sel. And so because of that instance, that's how I'm kind of working, that changed the way people interact with magic directly. But there is some wiggle room there for me. But that's your answer, that's the actual... there's.. I'm not hiding anything there, there is wiggle room. What I'm saying is don't extrapolate that that has to happen every time that the Shards were directly involved in the creation...

Questioner

Are the graphic novels of Dark One still supposed to be prequels to the eventual television series? Or will the television series be an adaptation of the graphic novel?

Brandon Sanderson

If I get my way, television series is an adaptation of the graphic novel. Let me talk you all through the long history of Dark One. I, as you might know, I really like to take sort of modernist, deconstructionist looks at the epic fantasy core idea, the Hero’s Journey you might call it, the epic fantasy of it. And in a lot of ways, you might call this my foundational myth. The idea of the young man born to a peasant family who has a noble heritage, who goes on a question, becomes a king, gets magic objects, saves the world. Like, this is the story of the David Eddings, The Wheel of Time, Memory Sorrow and Thorn, Sword of Shannara. I read a ton of these works when I was a young man, and it is kind of the core fantasy myth of the ‘70s and ‘80s. Fantasy really doesn’t do as much of that anymore, ‘cause it was done quite a bit and quite well. But I really like looking at that and deconstructing it. It’s not religious, but it’s very similar to that for me, the thing that kind of is my origin as a writer.

So, like you see authors deconstructing, in the Middle Ages or even the Renaissance and later, the Adam and Eve story, you see me deconstructing the heroic journey in fantasy. Mistborn was doing this to an extent. And after doing Mistborn, I found that I really wanted to explore another version of this, and it started to take shape in my mind as just being called Dark One. Obviously a nod to The Wheel of Time, but also a nod to a lot of these stories that have the Dark Lord who is the antagonist of this sort of monomyth. And I really wanted to do a story about, “What if you found out that instead of being prophesied to be Harry Potter, there was a prophecy that you would become Voldemort. And how did you deal with that? And what did that do to your life?”

Well, I tried this story multiple times until I cracked it. The first version I can remember writing was in its own complete fantasy world, and was a Young Adult/Middle Grade attempt at it. This is because Harry Potter was one of the inspirations for it, so it had a very Harry Potter-esque sort of… I was kind of using some of J.K. Rowling’s prose constructions. Not, hopefully, plagiarizing them, but looking at how she wrote and trying to do something a little more light-hearted and whimsical, like hers. And it just did not work. Just completely flopped on its face. Though, it’s the first place that Pattern, that eventually ended up in Stormlight Archive, showed up. Something like Pattern. And I set that aside and left it for a few years.

A few years, I came back to it and said, “What if I did this as a portal fantasy?” Fantasy where you start on Earth, and then transition to the fantasy world. And I tried it again, and I got, like, two or three chapters in, and it still was not working. It felt better. I felt like it made a step forward, but I had not cracked it. It was still a Middle Grade story; young YA, old Middle Grade, kind of like where Alcatraz sits.

I left it alone again.  Years later, this would be, like, 2014 maybe, I thought, “What if I tried setting this in the cosmere?” I moved it to the cosmere. Go three or four chapters in. And it still didn’t work. This is not unusual. I mean, this is the most unusual one for me in that it’s gone on the longest. But a lot of times, you try something and it just doesn’t feel right, doesn’t work. So I set it aside yet again.

And when I came back to it, the big change I made in my brain is that I’m like, “I think that the problem is that this is a book for someone who grew up reading these stories, but who is not still themselves a young person who hasn’t experienced these stories.” This story works way better if you share, kind of, in this foundational myth that I love so much. So that you can understand how it’s kind of trying to deconstruct it. And I realized I needed to write this as an adult property, not a Middle Grade. Or, if YA, it had to be old YA.

And that’s when I sat down and I wrote this treatment that really, finally, worked. When I say “treatment,” it is the plot outline, pretty detailed plot outline. And at that point, I decided it would probably work best as a television show. And I outlined it episode-by-episode. I went really into detail on all the characters and things, and it just sang to me. It worked; it really clicked. And that’s when I said, “Let’s try to get this made.”

So I took it to Hollywood, and there was a lot of excitement immediately surrounding it. Didn’t go anywhere, didn’t go anywhere… then, some things happened with Random House, my publisher, and one of the people that worked in their film department got ahold of the treatment and was like, “Wow, this is amazing. Let’s do something with this.” And then it just started to go “Bam, bam, bam, bam, bam.” That is when I decided to do the graphic novel.

So, the graphic novel is taking my original outline for the TV show, which does include chunks of dialogue and things like that, and doing it as a graphic novel format. Meanwhile, the television show started to take on a different life. This was when Joe Michael Straczynski was brought on, and he had some things to add that are very cool. But the television show really started to drift away from the original property. So we’re still kind of in talks about how much this will look like the graphic novel. But the graphic novel kind of turned into the way to express my vision for what this would be.

I don’t know what will happen with the TV show. I honestly can’t say. Joe is great to work with. I really like Joe. I am hopeful that something very cool will come out of it. It might look completely different. And in fact, there’s a chance we will rename the project property Joe and I are working on into something else, and call it something else. Who knows. Hollywood is weird, as we probably all already know.

Regardless, this is my vision. Graphic novel is not the prequel. Graphic novel is the actual outline that I wrote, taken and adapted really faithfully. They did a spectacular job with this. They focus a little more on Mirandus. The actual outline has more with Lin, Paul’s mom, and Mr. Caligo. And they focused their attention a little more on Mirandus. It’s not like they added anything; it’s just that there was too much there, I think. (Because it was meant to be a full season of a television show.) And so they focused their attention there. But Lin is still in it. There’s still plenty, and the scenes that are still there are all ones I had in the outline.

If I do a novel, it would be the prequel to this. Because the prequel, not giving any spoiler stuff, would be the thing that would work in an epic fantasy novel sort of form.

There’s the short version of the long history of Dark One.

Questioner

Are you thinking of making a card game? I kind of searched your--

Brandon Sanderson

Am I thinking of making a card game? So Crafty Games who has the rights to the Mistborn stuff, they want to do a card game. I like what they've done with the RPG, if you play pen and RPG's we do have one, it's pretty decent, but first I think they're going to do a board game, and then that. So I have no plans to do one other than the standup cards, the one that are in the cosmere, may eventually have some sort of weird game that goes with them that I've come up with, but I can't promise when that'll actually happen. These ones don't have stats on them because they're not in the cosmere. But they're still cool.

Brandon Sanderson

*reading a personalization request* In the concept of an unreliable narrator, there is a...scope of unreliability. One can be limited by perspective, another can be unreliable with intent. Could you...examine the second type in the Cosmere? Who would be a good example?

Hoid can be very intentionally misleading. The thing is, there aren't many first person viewpoints in the Cosmere stories so if its ever from someone's actual viewpoint-- Like Kelsier is a little unreliable in his viewpoint in that he doesn't go into his plan, which is technically unreliable narrator and it technically is by intent, but it's more like, he's like "I can't think about this" and stuff, but is also him lying to the reader a little bit. Does that make sense? Kelsier is probably the best example of unreliable narrator.

Questioner

Soul Forging. Emperor's Soul. If one created the stamp properly, could you, using it, say, Windrunner you stamp, rewrote past to be Lightweaver. Possible?

Brandon Sanderson

That is possible and a little easier than a lot of other things. It's gonna run into problems... in that the Oaths are gonna be hard to align.

Questioner

Probably require some very fine crafting on the stamp.

Brandon Sanderson

Very fine crafting on the stamp. And there are certain people that they're just gonna have a hard time fitting into certain Orders. This is a lot easier though than just taking a random person and making them into one, because you're gonna already have Investiture that they've got.

Questioner

And have the basis of the First Oath.

Brandon Sanderson

Yeah. So this is not as hard as it might at first sound. It's the sort of thing that people in the cosmere are looking at. Like, being able to transfer magics between-- and things like that is one of very much interest in the cosmere.

Brandon Sanderson

My Year

This year was almost completely dominated by the writing of Oathbringer, Book Three of the Stormlight Archive. The first files I have for the book were Kaladin scenes, written in June 2014. But the book didn't really start in earnest until July 2015, when I wrote the Dalinar flashback sequence. (See State of the Sanderson 2015.) I had those done by October, but November was when I really dove into the novel.

I spent most of 2016 working on it, with only a few interruptions. It was an extremely productive year spent writing on something I'm very passionate about—but it was also a monochrome year, as I poured so much into Stormlight. There were far fewer side projects, and far fewer deviations, than the year before.

I've come to realize I can't do a Stormlight book every year, or even every two years. You can see that this one took around 18 months of dedicated writing time (though that does include some interruptions for edits and work on other things.) My process is such that, when I finish something like Stormlight, I need to move on for a while to refresh myself.

That said, Oathbringer is done as of last week! Here's a quick breakdown of the year.

January: Oathbringer

A lot of this month was revisions. I decided to do something unusual for me, and revise each chunk of the book as I completed it, which let me get my editor working on his notes early in the year—rather than making him wait until this month, when the whole thing finished. That means I'll soon have a second draft of the book completed, though I only completed the first draft a little bit ago.

Also squeezed into January was a trip to Bad Robot, where I had a cool meeting with J.J. Abrams. (In conjunction with a video game my friends at ChAIR Entertainment are making—the Infinity Blade guys. I just gave a few pointers on the story; I'm not officially involved.)

February: Calamity Tour

I toured for Calamity, the last book of the Reckoners. The whole series is out now, so check it out! There is a nice hardcover boxed set of all three available in most bookstores, and it makes a great gift.

While on tour, I read from Stormlight 3, and some kind person recorded the reading for you all. Also, here's another version from FanX in SLC.

March: Trip to Dubai

I was invited to, and attended, the Emirates Festival in Dubai, then traveled south to Abu Dhabi to visit some friends. This was an extended trip, and I often find it difficult to work on a main project (like Stormlight) while traveling. I have too many interruptions. I can write something self-contained, but have more trouble with something very involved.

On this trip, I wrote a novella called Snapshot: a science Fiction detective story where people solve crimes using exact recreations of certain days in the past. It's a little Philip K. Dick, a little Se7en. This one's coming out in February, and will likely be my only release in 2017 other than Oathbringer (which will be in November). More details here.

April: Oathbringer

I got back into the groove of writing, and did a big chunk of Oathbringer Part Two. If you missed the discussions on Reddit, here are my various updates there spanning about a year's time, talking about the book: One, Two, Three, Four, and Five.

May: Edgedancer

I took a short break from Stormlight 3 to write…Stormlight 2.5, an extended story about Lift, with smaller appearances by Szeth and Nale. If you want to get your Stormlight fix before the release in 2017, you can find Edgedancer in Arcanum Unbounded: The Cosmere Collection. (There will eventually be a solo ebook release, but that's a number of years away, as required by my contract with Tor.) I also wrote essays and annotations for each world and/or story in the collection.

When I decided I wasn't going to kill myself (and my team) trying to get Oathbringer out in 2016, I committed to writing this novella to tide people over. I think you'll enjoy this one, unless you're one of the people that Lift drives crazy. In which case you'll probably still enjoy it, but also want to punch her in the face for being too awesome.

June-August: Oathbringer

I finally got a good long chunk of time dedicated to Oathbringer.

I do love traveling, but it takes a big bite out of my writing time. So please don't get offended when I can't make it out to visit your city or country on tour. I try to do as much as I can, but I'm starting to worry that has been too much. Last year, for example, I was on the road 120 days for tours or conventions. This year was a little better, clocking in at about 90 days.

September: Alcatraz Release & Writing Excuses Cruise

Book Five of my middle grade series, Alcatraz vs. the Evil Librarians, came out this month. (A long-awaited book.) You should read it.

The cruise was a fun time, but very unproductive for me. There is too much going on, and too much to organize, for me to get much writing done. I did finish one chapter of a potential novella on the single day of writing time I got. (The story, called "The Eyes," is a space opera inspired by Fermi's Paradox.)

I might do something with the chapter eventually, but for now I'm sending it in to be this month's Random Hat reward for the $10 patrons of Writing Excuses on Patreon.

As a warning to those planning on attending the cruise in 2017: we'll have a ton of awesome guest instructors, and it will be well worth your time and money. I, however, won't be attending. I'll be on the cruise other years in the future, but (like JordanCon, which I love) I can't promise to go every year. Once every two or three years is more likely. It's just a matter of trying to balance touring/teaching with writing.

By the way, JordanCon, FanX, and Dragon Con had some amazing costumes this year—but I'll save those for another post.

October: Europe Tour

Though I had a few good weeks of writing between the end of the cruise and the start of the Europe trip, I quickly lost steam again as I visited France, Italy, Spain, and Portugal on tour. I had an awesome time, signed a ton of books, and met many people in excellent costumes.

November: Arcanum Unbounded Release

Finally, I released Arcanum Unbounded: the Cosmere Collection. The tour for this was short, and I apologize for that, but…well, there's this writing thing I need to do sometimes…

December: Writing Excuses and Oathbringer

I got about half the episodes for next year's writing excuses season recorded at various locations, and then finally managed to type "THE END" for Oathbringer.

There's still a lot of work left on the book, but I'm confident we'll hit our November 2017 release date.

Questioner

Could there be a cure for diabetes in the cosmere?

Brandon Sanderson

Yes, there very much could be a cure for diabetes in the cosmere. Right now, if you become a Knight Radiant, that would be a solution. That's not a solution for everyone; that's a very narrow solution. But there would be other solutions.

Questioner

How long after Warbreaker do these events take place?

Brandon Sanderson

We have numbers in the wiki. We haven't canonized a lot of them in the books yet. Because my original plan for the cosmere involved more space between the series than I'm probably going to eventually do. What I've said is, that basically the books that have been released have all been chronological except for White Sand, which takes place before the other books chronologically. Wax and Wayne takes place after Stormlight Five, but before Stormlight Six. And that's all I'm saying about how far apart things are right now.

One thing you have to remember is, also, time dilation is a thing in the cosmere that comes up a lot more often than it does in our world, for various reasons, because of the way I am treating Investiture. So treat that how you will.

Chaim

I understand that although Shadesmar is a Rosharan term, Brandon sometimes uses it generically to refer to the Cognitive Realm. But I would not have expected Khriss to do the same (AU, Drominad system). Is that a mistake or deliberate?

Peter Ahlstrom

As far as I know, it is not a Rosharan term.

Chaim

My understanding came from several WoB, such as https://wob.coppermind.net/events/221-words-of-radiance-omaha-signing/#e7199 … and https://wob.coppermind.net/events/225-words-of-radiance-san-diego-signing/#e5814 … . While obviously not canon, can you clarify with Brandon?

Peter Ahlstrom

Eh, well the first quote actually answers the question. Whatever word people use throughout the cosmere, Brandon translates it as Shadesmar in the books. I still think the word is widely used though.

Chaim

I think that in the first quote when he says "these books" he is referring to Stormlight. Hence the reference to Wit, whose words are translated to Rosharan and Cognitive Realm is thus translated to Shadesmar. Have you found Shadesmar anywhere else in the cosmere?

Peter Ahlstrom

Well, clearly Khriss calls it that too. :)

Brandon Sanderson

Movie/Television Updates

The Cosmere

DMG Entertainment optioned the rights to the Cosmere, and they have been wonderful to work with. They commissioned screenplays for The Emperor's Soul, Mistborn, and The Way of Kings. They're currently in Step Three above, trying to get studio interest for the properties. Mostly, they've been pitching Mistborn as a film series and The Way of Kings as a television series.

Likely, the success of things like the new Lord of the Rings show and the Kingkiller Chronicles will influence how this goes in the future.

NOOK

How, if at all, did the Wax and Wayne books alter your Cosmere plans?

Brandon Sanderson (Part 1/Part 2)

They made me accelerate some cosmere and Scadrial events forward to that era.

Brandon Sanderson

We might do Cosmere children’s books. The most likely thing that I would like to do is adapt Wit’s stories. Do Wandersail, do maybe Fleet. Fleet doesn’t work as well as The Girl Who Looked Up, which works really well. Stuff like that, I could see. Cosmere storybook.

Anthony

Sixth of the Dusk doesn't have much that directly ties it to the cosmere. Is this a world we'll see later?

Brandon Sanderson

It is not hugely important to the cosmere. We will see signs and hints of it, but don't expect a book set there.

Brandon Sanderson

The Sleepless are one of the very first fantastical races I developed, and they made an appearance in Stars' End (my second--very bad--novel, which never was published.) I migrated them to the Cosmere after I started designing it, as I wanted some truly alien species. I was interested in an entity that could have "generations" within its own swarm of beings, breeding to evolve parts of its body, and spreading consciousness across a large number of individual pieces. I'd seen a lot of hive minds, and some group minds, in science fiction--and wanted to play with something that was a hybrid between the two.

However, in order to properly integrate them into the Stormlight story, I decided to make them be able to imitate humans. (And through these efforts, they are slightly more humanoid in the way they perceive the world.) That made them able to play in the events of Roshar more directly.

There are plenty of swarms in the cosmere who are not connected to those on Roshar, however.

Questioner

Why or how are the Heralds the only ones we've seen so far that are affected by magical maladies due to either their high Investiture or long lives?

Brandon Sanderson

I would argue the Fused are having the same situation, so they're not the only ones. The why and how... there's a whole host of things going on here. Like a lot of physical and mental illness, it's not one thing or the other. But it is a compound of other things.

One is going so long without certain protections that you kind of need to take. The human being's soul might be immortal, depending on your argument in the cosmere. (That's really up to you.) But they certainly aren't meant for thousands of years of existence, the same way that our bodies aren't. There's some of that.

There's some of the things they've been through. Like, legit trauma; this is not all simply a magical ailment. You've got people with PTSD, layers of PTSD on top of layers of PTSD, for thousands of years, bearing things that no human being without their level of Investiture would even be able to bear. You've got that manifestation, you've got their own sense of guilt.

And these things are all just kind of overlapping together with the fact they've been alive for so, so very long. And a lot of the people that you've seen otherwise have not been alive nearly... orders of magnitude more for the Heralds. The only people you've seen that are that old are: some of the dragons, Hoid, and Vessels of various Shards. And you're basically at that group. And this is a group who knows what they're doing. Either they were built like the dragons, this is part of their innate nature, that they are functionally immortal. Or you are getting the Shards. Or you're getting people that are 300 years old, which is a very different thing, cosmere-wise, than having lived for thousands and thousands of years, part of it being torture.

MoriWillow

In the Spiritual Realm, does there exist an ideal of tables that is a separate entity from the spiritwebs of all extant tables? If so, did that ideal always exist, even before the invention of tables? Or was it born out of the people inventing tables?

Brandon Sanderson

The answer is no. This is where we diverge from Plato’s Theory of the Forms. Again, Theory of the Forms was a conceptual benchmark for me. I thought the Theory of the Forms was awesome, and it stuck in my head for many years and eventually gave birth to Cognitive, Spiritual, and Physical. (The first book really delving into that being Dragonsteel Prime, and it’s in the opening chapters of Dragonsteel Prime.)

But where it differs is: there is not a Platonic idea of a table in the cosmere. All ideals in the cosmere are filtered through the perception of sapient beings.

Questioner

Is Hoid your cameo character in the cosmere?

Brandon Sanderson

Good question. No, he is not. I'm actually not very much like Hoid. The thing I share with him is a love of stories. So the closest he will be to me is when he's talking about storytelling; that's the part of me that is in him. But personality-wise, we are very different. He is a main character in the cosmere; I don't consider him... he's done cameos in other books, but I don't consider him to be an author insert character.

The closest I've come to an author insert is probably when I put my sword into the Wheel of Time, the one that was given to me by Wilson, Robert Jordan's very, very close cousin of his who was taking care of the armory that Robert Jordan had. I wrote my sword into it, like Robert Jordan wrote himself in as a ter'angreal in one of the books. And I could see myself doing a cameo for myself in that sort of manner. I probably wouldn't do a human cameo. Though I do that for a lot of my friends, is I write them into the books as cameos. So who knows.

Questioner

Spren. The phenomenon that creates spren. Is that Roshar-specific or is that a general effect?

Brandon Sanderson

Well, yes and no. So the question is, the effect that creates spren, is that Roshar-specific or is it general. The general fundamental rules that create spren are cosmere-wide. Spren are pieces of Investiture, usually pieces of Investiture that come straight from one of the Shards of Adonalsium, split off in some way, that because of human or other sapient creatures thinking about it or interacting with the power, the power starts to take on a life of its own. Develops personalities and comes alive, so to speak. And this can happen on any pla-- in any place where there is Investiture. So it could happen on any planet in the cosmere with significant amounts of free Investiture. The places you've seen this happen most commonly are on Sel and Scadri-- err Roshar. You haven't seen it on Scadrial, and you've seen little kind of hints at it on Nalthis, but not quite. And so-- But it's possible for it to happen anywhere. Seons and spren are basically the same thing with different powers-- powers kind of pushing them in different-- growth out of them-- That said, the non-sapient spren, so the spren that are not quite as-- They're not going to stand up and talk to you. Those all existed-- not all, but most of them existed on Roshar before the Shattering of Adonalsium.

Lance Alvein (paraphrased)

Is Shadows of Silence a cosmere story?

Brandon Sanderson (paraphrased)

It is cosmere, but takes place on an unimportant side planet that doesn't have anything interesting going on there. Hoid is not in the story.

TheBurningDusk

Mistborn era 3 is chronologically after the back half of Stormlight, but will be written first. With the ever-increasing cosmere connections, how will you keep era 3 from spoiling Stormlight?

Brandon Sanderson

It's a challenge. I mean, technically era 2 is post-Stormlight 5, so I have been juggling that so far, it's not long after Stormlight 5 but it is post-Stormlight 5. Karen has to, when I force her to lock down certain parts of the timeline various places but there's certain things we haven't locked down, for instance, I still haven't decided how long the time jumps are going to be until I write the various series. Let's just say, I've managed to write Sixth of the Dusk I hope without spoiling too much, and it's not the only future era Cosmere thing that is perhaps coming through the pipeline eventually, before we get through with Stormlight 5, so I will just juggle this and balance this very well, I hope. I will try. I will do my best to keep this all balanced without spoiling too much. 

simonthekillerewok

In the 2019 and 2020 State of the Sandersons, you talked about a Secret Standalone Cosmere Book. Is this that? Or is that something different?

Brandon Sanderson

That's something different.

simonthekillerewok

Also, in Livestream #22 in November 2020, you were looking through the cloud archive on your phone and you mentioned there was a Secret Project manuscript there. Was this the book you were referring to? Or is this also something else?

Brandon Sanderson

Something else. That one was Kingmaker, which I did a reading of, that didn't work. That's the one I was referencing there. Not one of these, but a different one entirely.

And the other one is still, yet, an unannounced different one that someday I will announce. I will tell you a little bit about this thing. You'll know when it comes. It is projected at 200K-300K words. It is set in the future of the Cosmere. And it's more beastly and epic than, perhaps, a lot of my other side projects are.