Advanced Search

Search in date range:

Search results:

Found 307 entries in 0.115 seconds.

YouTube Live Fan Mail Opening 1 ()
#1 Copy

Questioner

The violet eye color in The Way of Kings. We got to know that Dunny had violet eyes and Sigzil said the color wasn't native to Alethkar. Navani also has violet eyes, Jasnah too, and Tanalan from The Rift. So, is Navani or her family line not Alethi? And is there more to this specific eye color than we know so far?

Brandon Sanderson

There's a little bit more there that I will talk about eventually. You should not look at Navani and be like, "Oh, they're not native" in that I designed the Alethi as a race of conquerors who also--like I said before, one of the inspirations for the Alethi were the Mongols and particularly how the Mongols ruled after they had their empire. They were perfectly willing to incorporate anybody. The Romans did this too, "If you want to be part of our empire, great. If you're not gonna rebel, great. We will, to an extent, respect your religions and your ways and if you're willing to integrate then we're not gonna treat you terribly."

The Alethi have this history of being one of the, in that way, most multi-ethnic cultures on Roshar. Now, the sad thing is, the reason some of those ethnicities are there is due to brutal conquest and treatment of the world. But regardless, the Alethi have--most of them have no kind of pureblood sort of perspective, they don't care. They don't care what you look like, they care about whether you act like as part of their culture, whether you're integrated.

Emily Sanderson

As long as you have light colored eyes.

Brandon Sanderson

Yes, well, they'll still accept you as Alethi.

Emily Sanderson

That's true. You just don't get to be the ruling class.

Brandon Sanderson

You just don't get to be highborn. So, this is just a hint much like you will see the Alethi have a very varied skin tone, they have lots of varied hair colors. You know, you're going to see mostly the kind of traditional Alethi black, but you know, there are multiple main characters in the series [where] that is not their hair color despite being considered one hundred percent Alethi. They would not look at Adolin and say he's half-not-Alethi, he's all Alethi even though one of his parents was raised in a different culture, he's one hundred percent an Alethi. And that's just how they look at things. So that's how you'd read into that, though there is a little bit to the eye color that maybe I'll get into some day.

General Reddit 2018 ()
#2 Copy

simon_thekillerewok

I just finished my copy of Skyward (I got it at launch, but I've been finishing up your other books) - did the story of The Eyes (Fermi's Paradox space opera novella) end up being rolled into Skyward?

Brandon Sanderson

Yup, it did. I actually still imagine The Eyes mostly being in continuity, with tweaks.

simon_thekillerewok

Is this to say we should expect a tweaked The Eyes novella to come out in the Skyward universe sometime in the future? Or were you just saying that The Eyes was basically the first draft of Skyward?

Brandon Sanderson

I imagine the characters from The Eyes are still around. (You'll see the alien race from the story in the second Skyward book.) It requires a few tweaks because of how humans are regarded, but otherwise, the story could have happened--so maybe I'll eventually finish it and release it.

Shadows of Self San Jose signing ()
#3 Copy

Questioner

I almost have a little bit of trouble understanding the difference between the Lighteyed and the darker...How did you come up with it?

Brandon Sanderson

I wanted to have some kind of racism in the books that was removed from the racism we have in our world, so I could talk about it in a more isolated way related to the books; and so, having it based on eye color made sense because the Voidbringers have these glowing red eyes and the Heralds have these bright eyes. So, this idea of eye color being related to your level of nobility, which is not true, but it entered the culture and became the form of racism and prejudice that they use.

Barnes & Noble B-Fest 2016 ()
#4 Copy

Questioner

I've been recently introduced to you as an author, and I heard "lighteyed" and "darkeyed." What is that?

Brandon Sanderson

So, in The Stormlight Archive, their ethnic divisions in one of the cultures is by eye color. It traces back to when there was an ancient magic that eye color was related to, and in the modern culture, if you have lighteyes (like you), that's nobility. If you have Darkeyes (like you), you are not noble, you are... you know. So, instead of dividing by skin color or by nationality, they are much more interested in eye color. But that's only one of the cultures, that's a big important one.

ICon 2019 ()
#9 Copy

Questioner

Is Hoid named after the Sephira of Hod? Like with an Ashkenazi pronunciation? The Kabbalistic thing.

Brandon Sanderson

Oh, the Kabbalistic thing. Not consciously, though the Double Eye is based a little bit on the Kabbalah tree of life, consciously. That's the illustration on the front cover of the first Stormlight book. And I have read a bunch of Kabbalah, so it's totally possible that it ended up in there on accident.

The Way of Kings Annotations ()
#10 Copy

Brandon Sanderson

Endpapers

The endpapers were one of the things that we weren't certain whether we'd get into the final book or not. Tor was iffy on paying for them, as they add a large expense to the novels. In the end, Tor stepped up because they believed in the project, for which I am very grateful.

These are one of the last things we finished, and it took several tries to get them right. I knew I wanted them to be in-world pieces of art–things that are supposed to have been created by artists living within the world of Roshar. The front endpapers are murals crafted from stone and gems fitted together, and the back endpapers are stained glass. But the tones and the exact look of the images took some time to get right. (For a while, the symbols of the various magics on the first one had gemstones overlaying them. That turned out to look bad on the page. Perhaps when Peter is putting this up, he can grab those old drafts and post them beneath here.)

The first one of these is the one I'll talk about the most, the design that outlines the magic for Roshar. (Well, some of the magic.) This design is one of the very first things I developed for the art of this book, way back in 2001. The "Double Eye," as the people in world would call it, is a connection of ten elements.

I avoid elemental magic systems. I feel they're overdone. However, one of the concepts of this world was to have a theology that believed in ten fundamental elements instead of the ordinary four or five. A focus would be on them, and on the ten fundamental forces—the interplay between the two being a major factor in the magic, the philosophy, and the cosmology of the world.

Well, that's what these twenty symbols represent, with each of the larger symbols being a Radiant element. The smaller symbols are the forces. You can draw a circle around one element and the two forces that connect to it, and you have one of the orders of Knights Radiant.

For example, top right is the symbol for air—with the symbols for pressure and gravitation connected to it. The Windrunners.  

Peter Ahlstrom

Indeed, there was a lot of swapping around at the last minute to get everything working right with the magic. This is actually why the Way of Kings audiobook gets the Ars Arcanum chart wrong—it was using a version that was messed up between rounds of changes.

State of the Sanderson 2016 ()
#11 Copy

Brandon Sanderson

My Year

This year was almost completely dominated by the writing of Oathbringer, Book Three of the Stormlight Archive. The first files I have for the book were Kaladin scenes, written in June 2014. But the book didn't really start in earnest until July 2015, when I wrote the Dalinar flashback sequence. (See State of the Sanderson 2015.) I had those done by October, but November was when I really dove into the novel.

I spent most of 2016 working on it, with only a few interruptions. It was an extremely productive year spent writing on something I'm very passionate about—but it was also a monochrome year, as I poured so much into Stormlight. There were far fewer side projects, and far fewer deviations, than the year before.

I've come to realize I can't do a Stormlight book every year, or even every two years. You can see that this one took around 18 months of dedicated writing time (though that does include some interruptions for edits and work on other things.) My process is such that, when I finish something like Stormlight, I need to move on for a while to refresh myself.

That said, Oathbringer is done as of last week! Here's a quick breakdown of the year.

January: Oathbringer

A lot of this month was revisions. I decided to do something unusual for me, and revise each chunk of the book as I completed it, which let me get my editor working on his notes early in the year—rather than making him wait until this month, when the whole thing finished. That means I'll soon have a second draft of the book completed, though I only completed the first draft a little bit ago.

Also squeezed into January was a trip to Bad Robot, where I had a cool meeting with J.J. Abrams. (In conjunction with a video game my friends at ChAIR Entertainment are making—the Infinity Blade guys. I just gave a few pointers on the story; I'm not officially involved.)

February: Calamity Tour

I toured for Calamity, the last book of the Reckoners. The whole series is out now, so check it out! There is a nice hardcover boxed set of all three available in most bookstores, and it makes a great gift.

While on tour, I read from Stormlight 3, and some kind person recorded the reading for you all. Also, here's another version from FanX in SLC.

March: Trip to Dubai

I was invited to, and attended, the Emirates Festival in Dubai, then traveled south to Abu Dhabi to visit some friends. This was an extended trip, and I often find it difficult to work on a main project (like Stormlight) while traveling. I have too many interruptions. I can write something self-contained, but have more trouble with something very involved.

On this trip, I wrote a novella called Snapshot: a science Fiction detective story where people solve crimes using exact recreations of certain days in the past. It's a little Philip K. Dick, a little Se7en. This one's coming out in February, and will likely be my only release in 2017 other than Oathbringer (which will be in November). More details here.

April: Oathbringer

I got back into the groove of writing, and did a big chunk of Oathbringer Part Two. If you missed the discussions on Reddit, here are my various updates there spanning about a year's time, talking about the book: One, Two, Three, Four, and Five.

May: Edgedancer

I took a short break from Stormlight 3 to write…Stormlight 2.5, an extended story about Lift, with smaller appearances by Szeth and Nale. If you want to get your Stormlight fix before the release in 2017, you can find Edgedancer in Arcanum Unbounded: The Cosmere Collection. (There will eventually be a solo ebook release, but that's a number of years away, as required by my contract with Tor.) I also wrote essays and annotations for each world and/or story in the collection.

When I decided I wasn't going to kill myself (and my team) trying to get Oathbringer out in 2016, I committed to writing this novella to tide people over. I think you'll enjoy this one, unless you're one of the people that Lift drives crazy. In which case you'll probably still enjoy it, but also want to punch her in the face for being too awesome.

June-August: Oathbringer

I finally got a good long chunk of time dedicated to Oathbringer.

I do love traveling, but it takes a big bite out of my writing time. So please don't get offended when I can't make it out to visit your city or country on tour. I try to do as much as I can, but I'm starting to worry that has been too much. Last year, for example, I was on the road 120 days for tours or conventions. This year was a little better, clocking in at about 90 days.

September: Alcatraz Release & Writing Excuses Cruise

Book Five of my middle grade series, Alcatraz vs. the Evil Librarians, came out this month. (A long-awaited book.) You should read it.

The cruise was a fun time, but very unproductive for me. There is too much going on, and too much to organize, for me to get much writing done. I did finish one chapter of a potential novella on the single day of writing time I got. (The story, called "The Eyes," is a space opera inspired by Fermi's Paradox.)

I might do something with the chapter eventually, but for now I'm sending it in to be this month's Random Hat reward for the $10 patrons of Writing Excuses on Patreon.

As a warning to those planning on attending the cruise in 2017: we'll have a ton of awesome guest instructors, and it will be well worth your time and money. I, however, won't be attending. I'll be on the cruise other years in the future, but (like JordanCon, which I love) I can't promise to go every year. Once every two or three years is more likely. It's just a matter of trying to balance touring/teaching with writing.

By the way, JordanCon, FanX, and Dragon Con had some amazing costumes this year—but I'll save those for another post.

October: Europe Tour

Though I had a few good weeks of writing between the end of the cruise and the start of the Europe trip, I quickly lost steam again as I visited France, Italy, Spain, and Portugal on tour. I had an awesome time, signed a ton of books, and met many people in excellent costumes.

November: Arcanum Unbounded Release

Finally, I released Arcanum Unbounded: the Cosmere Collection. The tour for this was short, and I apologize for that, but…well, there's this writing thing I need to do sometimes…

December: Writing Excuses and Oathbringer

I got about half the episodes for next year's writing excuses season recorded at various locations, and then finally managed to type "THE END" for Oathbringer.

There's still a lot of work left on the book, but I'm confident we'll hit our November 2017 release date.

General Reddit 2017 ()
#12 Copy

namer98

I just finished the audiobook this morning, and in the setting are rules about how to not provoke shades of the dead. The rules are in order of least to most severe:

  • Don't run
  • Don't kindle a flame
  • Don't draw blood

The post script talks about how these rules were based on shabbos as presented in the Torah. It was just interesting to see a non-Jewish author (In this case, Mormon) base something off of Judaism.

Brandon Sanderson

:) Thanks for the thread.

The Double Eye from the Stormlight books (inside front cover illustration of the magic in the hardcover of book one) has some roots in the Tree of Life also, and if you look at Alethi, you'll find some Hebrew poking through now and then.

namer98

I read all of your books as audio books because they are all so well narrated, especially the Wax and Wayne series.

I will have to keep a better ear out for the Alethi.

Brandon Sanderson

It can be easy to miss, as I play with it a little first, fitting it to Alethi. But Moash came from Moshe, for example.

MuslinBagger

Is that a hint of things to come? Is Moash like Moses or something? He is, isn't he?

Brandon Sanderson

Sorry. It doesn't mean anything other than "My editor is named Moshe, and I've always liked how the name sounds."

PM_ME_LEGAL_PAPERS

Speaking of which, there's a Lighteyes named Yonatan (a very Jewish name) that Wit insults in...I think it was Way of Kings. Is that based off of someone you know as well?

Brandon Sanderson

That is indeed. (Look again at what he's wearing.)

That's based off of my editor's nephew, who was included as a wedding gift.

Goodreads: Ask the Author Q&A ()
#14 Copy

William Anderson

Why are do the Windrunners, Elsecallers, Stonewards, and Dustbringers have an extra connection on the Surgebinding diagram? Why do the Edgedancer, Skybreaker, Lightweaver, Willshaper's have a broken connection on the diagram? What are the dragon type things in the back of the diagram?

Brandon Sanderson

The dragon type things are a certain animal you've seen several places in the story so far.

These connections will be explained eventually, but remember it's not the orders being connected, but instead their elemental representations. This diagram is very metaphysical, and some of the elements of it are cultural.

General Reddit 2019 ()
#15 Copy

grampipon

Considering inside the hardcover Words of Radiance is a giant, extremely high quality, official art of [Shallan], and she totally looks like the northern european stereotype. We might need /u/mistborn for this, because sometimes even official artwork is a mess [with regards to ethnicity].

Brandon Sanderson

Yeah, I've had a tough time pushing to get the images to work like I want. (Oathbringer's cover was more successful here.) The problem is that a lot of artists work from models, and it's hard to find appropriate models.

I've let Shallan slide because I know that if the films get made, she's likely to be cast with a Caucasian actress--and am more ready to make a fight over Kaladin, Jasnah, and Dalinar. So I don't particularly mind if people see Shallan as white, for various reasons--the main one being the one that's been brought up in this thread, I believe. The fact that Vedens, Alethi, and Horneaters aren't real Earth races--and can't really be cast with them. Shallan, having all three bloods intermixed, makes for a difficult description--particularly since I know the average reader is going to peg her as Irish in complexion because of the hair.

I would say that it's all right to imagine the characters however you would like, as it's your version of the story in your head. The Whelan art in book two is how I think most people will imagine her, and I'm fine with that--I wish I'd been able to get Kaladin looking a little more right on the book two cover, though I was successful with Jasnah on book three.

Enasor

How would you cast Adolin? He's always been one I struggled to pinpoint too due to his blond hair and his mixed heritage. Blond hair and blue eyes do bring in given imagery which seems to clash with the Alethi racial identity. Or at least, it does to me as a reader. So how would you approach it while remaining faithful to your work?

Brandon Sanderson

I actually think Adolin could be somewhat easier than others.

When we make the movies, I'll probably suggest that we make anyone from Shin, Iri, or Rira (all along the coast there) look Caucasian. The books can handle a lot more of a learning curve, I feel, than the films--and we won't have things like the Interludes to jump over to Iri to explore their culture. So a race of strange, golden-skinned and haired people who ALSO aren't native to Roshar (different from the Caucasians in Shinovar) might just be too odd.

The Rirans, which Adolin comes from, are already a mixed ethnicity themselves--not even Iriali, so it's fine to make them Caucasian. So Adolin could be cast white, if they really want to. Basically, I'm expecting it to be a bit of a fight to get them to cast four of the leads (Kaladin/Dalinar/Jasnah/Navani) as Asian actors. Maybe I'll be wrong, but from what I've heard from actors in Hollywood, directors and studios are hesitant about not being able to cast known names in big roles. (Ignoring the fact that's hard for Asian American actors to become big names if they aren't ever given big roles...)

So, I can imagine allowing them to go with someone Caucasian for Adolin and Shallan, in exchange for pushing the rest of the cast to be how I'd like.

In a perfect world, though, I'd want someone like Dave Bautista for Dalinar--and someone like Alex Landi for Adolin. (Note that I'm not a casting director myself, so I have no idea who could act the role the right way--I'm just judging based on what I've seen of them in the past.)

Badloss

How would you differentiate the "weird" Caucasian Shin eyes from the others in that case?

Would you go for Alita Battle Angel eyes or something to make the Shin distinctive?

Brandon Sanderson

No, I wouldn't do that. In this theoretical land, the Iriali and those around them would also have Shin eyes. That's basically how it is in the text right now. (Drehy, from Bridge Four, for example isn't Shin--but he's mentioned as looking like a person from "Western Roshar" which means Caucasian to them.)

Badloss

Why do people think Szeth's eyes are creepy and "child-like" if Caucasian eyes are more prevalent on Roshar than being a uniquely Shin characteristic? I read it as the eyes being an exotic and strange Shin thing, just like their animals and plants.

Brandon Sanderson

They are exotic and strange. A pure-blooded Shin is a rare sight, and the way I have it now, even westerners like Drehy are mixed breeds. Even then, someone like them would not be something you see often. But at the same time, it might not be as rare as you think. Like encountering an American when in Japan. Something that happens regularly, but they still stand out. And many people from the rural parts of Alethkar would never have seen one.

JordanCon 2016 ()
#16 Copy

Ruro272

THIS JUST IN: KELSIER'S EYES ARE HAZEL.

I have a lot more tidbits and all of them more juicy than this, but this may be the single thing all weekend that actually added to the canon. As far as Peter and Brandon know, they never explicitly stated Kelsiers eye color, only that they were "dark", and Brandon thought about it and went with hazel.

Does it matter? Probably not lol. But the moment he said it Peter contacted the wiki writer to add it officially. Pretty cool to ask a simple question that Brandon graciously chose to answer and then add to the canon story

bschnebs

Since when is Hazel considered dark?

Peter Ahlstrom

It isn't. What we said is that Mistborn doesn't give anyone's eye color and only says Vin's eyes are dark. (Shan Elariel's eyes are also dark.) Kelsier's eyes will now be considered canonized as hazel, which is not dark.

San Diego Comic-Con@Home 2020 ()
#17 Copy

Argent

Shardblades burn out the eyes of the victims, and deadeyes have their eyes scratched out in Shadesmar. Is the connection here purely thematic? Or are there actual Realmatic mechanics behind it?

Brandon Sanderson

There are, but they're pretty slight. I would lean more on the idea of the thematic, this more being a Roshar thing, with the eye color, the eyes being scratched out, Shardblades burning out the eyes. There are some Realmatic things behind this, but mostly it's me trying to connect a theme in this magic system.

As you might know (maybe, maybe not), Shardblades originally did cut flesh. I wrote the entire prologue with Szeth and them cutting flesh and... ooh, boy, was that bloody! These are books about war, but man, it was just so gory that I'm like, "I'm gonna back off on this. Let's have it burn out the eyes instead." And I liked it way better that way.

Oathbringer San Francisco signing ()
#18 Copy

Questioner

On the eye colors on Roshar, there are some weird ones, like orange and yellow. Are those there for a specific reason, or are they just--

Brandon Sanderson

Yeah. The whole eye color thing is kinda based a little bit on the Knights Radiant, the eyes changing is involved there. What's normal eye colors to them, it's just normal to them. It's not weird to see violet eyes and things like that. But it would be weird to us.

Questioner

Did the eyes have to do with the Orders?

Brandon Sanderson

Yes.

General Reddit 2020 ()
#19 Copy

atrossin

Are dark blue eyes considered dark eyes or light eyes? Are dark eyes just brown or are they any colour but shades different?

Brandon Sanderson

A darkeyed person can have many shades of dark eyes. (I believe we've mentioned some few in the books.) So someone with dark blue eyes is a darkeyes.

YouTube Livestream 1 ()
#20 Copy

Sebtub

I've you say in other interviews that the Stormlight Archives was your go at a big epic everything's-on-the-table fantasy series. But was there any particular series or religion or myths that inspired the story?

Brandon Sanderson

There's a whole bunch going on. You will find a whole lot of Eastern shamanism, like shinto or things like that, built around the idea of everything having a spren. That is one obvious influence.

Another one is Plato's theory of the Forms (from the Phaedrus, I believe it is), and this idea of different realms of existence directly became Realmatic theory, which is the Physical, Spiritual, and Cognitive of the books. He just had two; I ended up with three. But you can directly trace that to Plato.

A lot of the Alethi culture came from me wanting to build something based off of my research into the Mongol people, particularly during the time of Genghis Khan. But I took away the horses; you don't have cavalries on Roshar to the extent that you would on Earth. And I thought that was really interesting, because most people who base anything on the Mongols go with the whole horse lords things to the point that it's become a cliche. So I'm like, "What if I strip that away, and I'm forced to look at other nuances of their culture?" Particularly, I love the moment (trying to remember what the name of the dynasty was) where the Mongols conquered China, and then basically became a dynasty in China and became basically another Chinese government. The Chinese were used to this idea, that different people take over, the bureaucrats start serving them instead, and the big machine that is China keeps going with a new Dynasty in charge; now they're Mongols. That's really cool to me. And this idea of the Alethi as this famous infantry, this conquering infantry, that (also kind of you see this in Dalinar) have to, in some ways, settle down and rule an empire now that they have one. That's really cool to me, that's really interesting. And that's probably one of the most direct things you can point to Mongol culture for, is this idea. But also kind of, I feel like when people do a warrior culture in fantasy, too often 1) they all feel alike in some ways, and I didn't like that. I wanted to do where you were reading through the eyes of people who were from what I thought was a nuanced, realistic warrior culture. And you didn't realize until you were partway through the book, you were like, "This is a warrior culture! This is, like Klingons. These are the bad guys to a lot of people's eyes!" But it's more nuanced, it's not one note, and so you've got a lot of variety in the culture and a lot of people to it, and a lot of different opinions and perspectives that you may not even notice.

I love doing stuff like this. Like, Elantris is a zombie story. The original premise for Elantris is a zombie story. And I hope that a lot of people don't even realize that. Because I'm trying to strip away some of the trappings and use some of the core concepts. I like it when people get done with Elantris, and they're like, "Wait, zombie story? Oh, yeah!" And I like it when people are reading the Alethi, and they get to the end and they're like, "Oh, those are the Mongols? This is a warrior culture? I didn't even get that! I was through their eyes, and I didn't understand that these are the scourge that everyone else is afraid of, because I was seeing through their eyes and just seeing them as people." That's a greater sort of worldbuilding and storytelling philosophy that I have.

The highstorms came from tidal pools. A lot of the ecology on Roshar was, "Can I create something that looks like a tidal pool or a reef that's, like, a break for the waves, where things are crashing into it a lot." Just kind of building this idea around that.

There's a few of them for you. There are tons more. Stormlight Archive, it's hard to point out one idea for. In fact, it's really hard to point out one idea for the plot premise at all, because telling people what The Way of Kings is about is really hard. Mistborn's easy, right? This is why I think it would probably be wise, if we're going to do any media, is to start with Mistborn. Because we can pitch Mistborn. "Hero failed. Gang of these rob the Dark Lord." Easy pitch. What is Way of Kings about? "Uh... it's about this guy who's trained as a surgeon and he finds out he's really good at killing people and he goes to war but he doesn't actually get to fight, he gets put in the bridge crews, but it really about him building a team of friends among these people in this terrible situation... But it's actually about restoring lost Orders of Knights from long ago... But it's actually about an impending war that they were set up to fight, these Knights, that they told everyone that they'd won, but they really didn't win, but they kind of did..." It just gets really convoluted. It is hard to explain what The Way of Kings is about. This is why The Way of Kings has three prologues. (Don't do that, by the way. One prologue is bad enough; you don't need three. Unless you're writing Way of Kings. Then it was totally necessary.)

YouTube Livestream 2 ()
#21 Copy

Timberwolves

Does the term Brightlord/Brightness have anything to do with eye color? Or is it related to the fact that money and artificial light are synonymous?

Brandon Sanderson

Yes. The problem here, answering this, does it have only to do with eye color? No, of course not. But eye color, and the fact that money glows, are both things that have been themes in Vorin culture for thousands of years now. And because of that, the two are very closely interlinked, it would be hard to pick which one is causing this and pull the other one out.

So, it is both. If you would an Alethi, they would probably say it has more to do with eye color. But culturally, the fact that money glows is just really deeply embedded into the way they think about light and the way they think about wealth and that sort of thing.

/r/books AMA 2015 ()
#22 Copy

Oudeis16

TenSoon comments that when the unbirthed are given Blessings, they lose the mimickry instinct that mistwraiths have and have to be taught anew. If their only native senses are touch and taste, how exactly do you teach a blob of muscles how to form things like eyes and ears?

Brandon Sanderson

Basically, you feed it some partially digested eyes, then some more eyes, then eventually it starts making eyes on its own. It takes a while; Kandra 'children' grow more slowly than human ones.

Oudeis16

I don't know if you've considered how mistwraiths would be taxonomically classified; have you decided whether or not mistwraiths would be considered 'mammals'?

Brandon Sanderson

They are not mammals. Since they were deliberately created, I'd place them in their own branch.

/r/fantasy AMA 2013 ()
#23 Copy

claytonphillips

Several times in Way of Kings, you have characters think of the Shin as having big or round eyes. Do the Shin really have giant eyes, or do all the other peoples of Roshar have an epicanthic fold on their eyes?

It seemed to me that this was very similar to how characters in second world fantasies, like Faile in Wheel of Time, are designated as "Asian" even though there is no Asia in the book. Is this a subversion of that? Are the Shin the only people on Roshar who look Western European?

Brandon Sanderson

You are right, actually. Normal eyes on Roshar are those with an epicanthic fold. The Shin do not have this. Note, however, that they wouldn't look "Western European." Roshar races are fairly far off from what we imagine as Earth ones. The people most likely to look Western European to you would be those from Mistborn.

Firefight Chicago signing ()
#24 Copy

Questioner

My question has to do with the color of Shallan's eyes currently, because we've noticed over the books that Kaladin's eyes, as he's continued to use his Surge, changed to lighter and lighter blue. Whereas one could argue that Shallan is farther in her Ideals than Kaladin is, yet her eyes have not changed at all.

Brandon Sanderson

Right, 'cause they were already light.

Questioner

'Cause they were already light? So it only affects lightness or darkness in the eyes, not necessarily any other color?

Brandon Sanderson

It's not like it is-- It's not like it's saying "Light minus 50%".

Questioner

It's not like Honor is blue and--

Brandon Sanderson

No. It is not. It is just kind of the way that the changes the Stormlight is making the body and certain people are already descended from people who had repeated, over time, changes by the body which stopped physically... That's not to say that all lighteyes that's where they came from. There are some that are natural mutations.

Words of Radiance Philadelphia signing ()
#25 Copy

Questioner

*inaudible*

Brandon Sanderson

So, ideas bounced off of my editor? I needed epigraphs for Part One that increased the tension for the book. Because I was really worried that Part One was very establishing, and I wanted to ramp up the tension. And so, a lot of ideas we bounced off of him. I eventually came up with what to do, but I did a lot of talking on that.

Failing continuity? Keeping track of how many Shardblades the Alethi has, and how many Adolin had won? I just fail continuity at that completely. That's, like, math, or something! So I just let Peter tell me. I'll write, "How many do they have now?" Or, "Does this guy have one yet?" And then, once I write the book, it all goes in the wiki, and I can just look it up. But until then, I kind of need Peter. And, you know, eye color. I don't remember what people's eye color is. But it's really important to the books what color someone's eyes are! So, I fail continuity at those sorts of things. I'm really good with plot arcs and stories, but remembering what someone's eye color is, I just have to look it up. I did the same thing in the Wheel of Time. It gave them so many headaches. Where they're like, "How can you not know what somebody's uncle is?" I'm like, "I don't care what their uncle is! What's their emotional resonance?"

Words of Radiance Chicago signing ()
#26 Copy

Argent

When a Surgebinder's eye color changes when they Surgebind or have a Blade [out], is the color of their eyes corresponding to their Order? So Windrunners would do blue, and then--

Brandon Sanderson

Yes. 

Argent

So each Order gets a different eye color?

Brandon Sanderson

Each Order does indeed have an eye color representation.

General Reddit 2017 ()
#27 Copy

kakarotoks

I've searched this subreddit for someone mentioning Jane Elliot before, but nobody has, so I decided to share this.

I was explaining The Stormlight Archive to a friend yesterday when he told me that BS must have been influenced by Jane Elliot, so I researched her and found the wikipedia article about her.

This woman was a school teacher who decided to teach her class about racism the day after Martin Luther King's death by segregating the class between light eyed and dark eyed children. It's a very interesting exercise and I love how the darkeyed vs. lighteyed issue was actually experienced for real on this earth, not just in the SA books. You can read more about the experiment on the wikipedia page or in this article.

The coolest part of this is that the 3rd time Jane Elliot did that experiment, she filmed it and it was made into a documentary in 1970 with the title : The Eye of the Storm

I think it's a pretty cool coincidence (probably influence rather than coincidence) and I thought I'd share!

Brandon Sanderson

The study sounds familiar to me, so I'm sure I've read it before--but I can't remember if it was like this (in reference to the SA, which I'd already started working on) or if I read about it before, and it lodged in my brain as something to try some day.

Elantris Annotations ()
#28 Copy

Brandon Sanderson

It's a tie–best cheesy line from this chapter.

FINALIST NUMBER ONE:

He half-smiled, his eyes unconvinced. Then, however, he regarded her with an unreadable expression. "Well, I suppose the time during your Trial wasn't a complete loss. I gained something very important during those weeks."

"The supplies?" Sarene asked.

"That too."

FINALIST NUMBER TWO:

"When I opened my eyes, I thought that time I had died for certain." (Remember, when this happened, Raoden was laying on his back. He opened his eyes, and the first thing he would have seen was Sarene's face hovering above him.)

What can we learn from this? That people who are falling in love are utter cheese-heads.

Skyward Pre-Release AMA ()
#29 Copy

Govir

During a reread of The Way of Kings, I noticed Kaladin mentions a light eyes by the name of Katarotam. Will we ever find out more about this light eyes? (For some context, Katarotam is listed along side Roshone and Amaram as a light eyes that Kaladin believes to be corrupt).

Brandon Sanderson

RAFO. (This is possible, but not likely, in a Kaladin flashback.)

Holiday signing ()
#31 Copy

little wilson

Which eye did Gaz lose?

Brandon Sanderson

Which eye did Gaz lose? Did I go back and forth on that?

little wilson

I have no idea.

Brandon Sanderson

Okay, that's a Peter. I thought it was the left eye but if i did it wrong… It's entirely possible. I have no idea. It's in my notes.

little wilson

How did he lose it?

Brandon Sanderson

Well that is a RAFO! That is definitely a RAFO.

Stormlight Three Update #4 ()
#32 Copy

Argent

When, in Stormlight, Shardblade victims are described as having burned out eyes, do the eyes physically burn out leaving empty eyesockets, or is it closer to a surface burn, maybe just looking like they had burned?

Brandon Sanderson

Eyes actually burn. It is an oddity that I might some day explain.

Goodreads: Ask the Author Q&A ()
#33 Copy

Moogle

If a non-Windrunner Surgebinder (who had spoken all the Ideals of their Radiant Order) summoned Jezrien's Honorblade, what color eyes would they get? A blend? Different colors for each eye?

Brandon Sanderson

:) I'm going to RAFO eye color questions for the moment. We'll actually be dealing with some of these in the books. Maybe not the specific ones you ask, but the concepts in general.

Tor.com The Way of Kings Re-Read Interview ()
#34 Copy

Isilel

Does military service raise one's nahn/dahn?

Let's say somebody from a very low nahn, who is basically a serf, right? I mean, they don't have the freedom of movement. So, what if a man like that rises to a sergeant and serves 25 years with distinction, does he go back to being a serf when/if he retires from the military? Would he be required to return to his village/town of origin? Can something like this be properly controlled, even? I mean, do they check traveling people's papers?

Brandon Sanderson

There's a lot of parts to this. Rising within nahns and dahns happens more easily in Roshar than rising in social status did in most societies that had similar things in our world—for instance India, or even England. To an extent, it is very easy to buy yourself up a rank. What you've got to remember is the very high ranks are harder to attain. By nature, the children of someone of a very high rank sometimes are shuffled down to a lower rank—until they hit a stable rank. There are certain ranks that are stable in that the children born to parents of that rank always have that rank at as well. Your example of the soldier who serves with distinction could very easily be granted a rank up. In fact, it would be very rare for a soldier to not get a level of promotion if they were a very low rank—to not be ranked up immediately. The social structure pushes people toward these stable ranks. For the serf level, if you're able to escape your life of serfdom and go to a city, often getting a job and that sort of thing does require some measure of paperwork listing where you're from and the like. But if you were a serf who was educated, that would be pretty easy to fake. What's keeping most people as serfs is the fact that breaking out of it is hard, and there are much fewer of those ranks than you might assume. The right of travel is kind of an assumed thing. To be lower ranked than that, something has to have gone wrong for your ancestors and that sort of thing. There are many fewer people of that rank than there are of the slightly higher ranks that have the right of travel. It's a natural check and balance against the nobility built into the system. There are a lot of things going on here. Movement between ranks is not as hard as you might expect.

Isilel

Ditto with the lighteyes—does exemplary service raise one's dahn?

Brandon Sanderson

It's much harder for a lighteyes, but the king and the highprinces can raise someone's dahn if they want to. But it is much harder. In the lower dahns, you can buy yourself up in rank. Or you can be appointed. For instance, if you're appointed as a citylord, that is going to convey a certain dahn, and you could jump two or three dahns just by getting that appointment. Now, if you serve poorly, if a lot of the people who have the right of travel leave—which this doesn't happen very often—if your town gets smaller and you're left with this struggling city, you would be demoted a dahn, most likely. If a lot of the citizens got up and left, that would be a sign. They could take away your set status by leaving. That’s something that’s built into the right of travel. So these things happen.

Isilel

If parents have different nahns/dahn's, how is child’s position calculated? For instance, if Shallan had married 10-dahner Kabsal, what dahn would their children belong to?

Brandon Sanderson

The highest dahn determines the dahn of the child, though that may not match the dahn of the highest parent. For instance, there are certain dahns that aren't conveyed to anyone except for your direct heir. The other children are a rank below. I believe that third dahn is one of the stable ranks. If you're the king, you're first dahn. Your kid inherits. If you have another kid who doesn't marry a highprince, and is not a highprince, then they're going to be third dahn, not second, because that's the stable rank that they would slip down to, along with highlords and the children of highprinces.

Isilel

Or, and another thing—what happens if a lighteyed child is born to darkeyes or even slaves? Which should happen often enough, given that male nobles seem rather promiscuous. Anyway, are such people automatically of tenth dahn?

Brandon Sanderson

The situation is very much taken into account in these sorts of cases. Normally—if there is such a thing as normal with this—one question that's going to come up is are they heterochromatic. Because you can end up with one eye of each color, both eyes light, or both eyes dark. That's going to influence it a lot, what happens here. Do you have any heirs? Was your child born lighteyed? This sort of thing is treated the same way that a lot of societies treated illegitimate children. The question of, do I need this person as an heir? Are they born darkeyed? Can I shuffle them off somewhere? Set them up, declare them to be this certain rank. Are you high enough rank to do that? Are you tenth dahn yourself? What happens with all of these things? There's no single answer to that. The most common thing that's probably going to happen is that they are born heterochromatic. Then you're in this weird place where you're probably declared to be tenth dahn, but you may have way more power and authority than that if one parent is of a very high dahn, just as a bastard child in a royal line would be treated in our world.

YouTube Livestream 27 ()
#35 Copy

Questioner

Which Cosmere character would make the best political candidate?

Brandon Sanderson

Here's the thing. Best candidate is not the same as best... Who would be best in the office? Because Taravangian could probably do a really good job of running a candidacy. Jasnah could probably do a really good job in the right circumstances.

If I had to put one completely in charge? Sazed is a good choice. And he would be my default choice. Sazed would never run for the office. But he is a good choice.

We joke the best politicians are those who don't want it; I don't know that that's actually true. I think that there are definitely people who could very much want it, and that wanting it is an advantage. I joke that I'm gonna vote for Emily's dad, who is just a good person, but he would never want to be President. And I don't know if he would actually make a good President because of that. And there is something to be said for political experience, experience being in the public eye, and being the type of person who seeks it out because you know you can deal with it, because it is not easy to be in the public eye (even as a novelist who writes stories about knights who live in space, or whatever). It can be difficult. Someone who's self-selected can be a bad thing, but it can also be a really good thing, I think. So somebody who wants it, who understands how politics works, and things like that. And in that case, Jasnah becomes a better choice, because Jasnah can navigate those political systems and can be in the public eye and make difficult decisions, but also has a moral grounding for the things that she's deciding.

But Jasnah's also a little dangerous. The scene in Book One with Jasnah and the thieves is supposed to make you a little worried about the way that Jasnah views power.

Sarene, she would be a good choice after she's had a little more experience. She's not as good as she thinks she is, is the problem with Sarene.

Elend is a good choice. Elend is a political theorist, and particularly if you get him at the right point after some world experience has forced him to see some other perspectives, he might actually be the single best choice, now that I think about it, to just make into President.

White Sand vol.1 release party ()
#36 Copy

Questioner

The Sovereign...

Brandon Sanderson

Mhm.

Questioner

...has a <nail> in his eye. Which eye is *inaudible*

Brandon Sanderson

I am going to RAFO that one. Just in case.

Questioner

Has Bloody Tan seen the Sovereign?

Brandon Sanderson

*laughs* So... here's the thing-- and this is why I'm RAFO-ing these, it's not because of what you think. I'm RAFO-ing these because these the nature of the Sovereign, and who they call the Sovereign, and these sorts of things is stuff that I want to potentially leave for Secret History 2-- or for [Secret History3, if I write more Secret Histories. So the answers are probably simple, right? And they're not ones that are gonna be mind blowing. But I don't want to lock myself down until I've written those, which is why I'm RAFO-ing most of the questions dealing with this, okay?

*a moment later Brandon overhears continued conversation about Secret History*

So, oh, you were asking it that specific way to not give spoilers to someone here? Yeah, I see what you're doing. I see-- I thought you were trying to wiggle out of me something that you weren't trying to wiggle out of me.

Questioner

Not everyone here has read...

Brandon Sanderson

I get it, I get it. I see what's going on.

Questioner

We're not trying to be that *inaudible*

Brandon Sanderson

Okay, okay. I was misinterpreting the intent of those questions a little bit. Yes, being very tricky. Okay. 

*pauses to sign a book*

So the answer of which spike is it? I can answer that one? *interruption* Or really I can tell you--it's in my notes, and I don't have them, but it's not particularly relevant--it's the opposite side of the one where Death's skull was crushed. 

Questioner

Oh, yes. Yes.

Brandon Sanderson

They would look like mirror images if you saw them.

Brandon's Blog 2004 ()
#37 Copy

Brandon Sanderson

Aonic: Pronounce Aonic names by finding the Aon (most of them are listed in the back of the book. Otherwise, find the two nearest vowels.) Then, pronounce the Aon’s vowels in ‘long’ form (I know—my linguist friend told me that’s not exactly correct. See below for examples, however) and any other vowels in short form. The first syllable with the Aon in it always gets the stress.

Examples: Aon = AY-Ohn Raoden = RAY-Oh-den

List of Aon vowels: A = a as in ‘bake’ E = e as in ‘eat’ or a as in ‘bake.’ (See below.) I = i as in ‘bike’ (A double i Aon pronounces both long i sounds. See below.) O = o as in ‘boat’ U = There are no ‘u’ sounds in Aons.

Every other vowel should be pronounced in short form without a stress.

A note on ‘E’ sounds in Aonic. The only exception to the rule includes words written with ‘e’ in the Aon. In English, ‘e’ can often produce a long ‘a’ sound. So, I wrote many long ‘a’ sounds with ‘e’s. This was a device I used to try and make the names look better and have a chance of being pronounced more accurately. Note the examples in names below.

Common Aonic Names Raoden = RAY-Oh-den Sarene = sa-RAY-Nay (or sa-REE-Nee, if you want to get technical.) Elantris = EE-Layn-tris (Though most people say el-lan-tris, which is fine.) Kiin = KYE-Eye-n Teod = TAY-Ohd Arelon = ah-RAY-Lone Daorn =DAY-Ohrn Kaise =KAY-Ice Ahan = AY-Hayn Roial = ROH-Eye-al

Other Names: Hrathen = Ray-then (with a very subtle ‘h’ sound at the beginning.) Fjorden = Fee-ohr-den Galladon = Gall-ah-dawn Dilaf = Dee-lawf

/r/books AMA 2015 ()
#38 Copy

mooglefrooglian

1) How simple is it to bond an Honorblade? Is it just a matter of willing it? Shardblades need gemstones, but it seems like Honorblades might not even need those.

2) Do you need to be bonded to an Honorblade to Surgebind? Or is just holding it in your hand sufficient?

3) Do you need to be bonded to an Honorblade for it to change your eye color? Or would holding it in your hand be sufficient to do the eye color trick?

Brandon Sanderson

RAFO.

Read For Pixels 2018 ()
#39 Copy

Anushia Kandasivam

Stories are one of the most powerful ways of bringing about change. In your opinion, how can authors strike a balance in their storytelling between raising awareness about things like violence against women, while telling an engaging story, without being pedantic or preachy?

Do you think it's important for influential authors such as yourself, who are read all over the world, to make a conscious effort to include characters in your stories that show reinforcements of respecting women as people and as human beings?

Brandon Sanderson

Definitely a big "yes" to your last one.

This is a big issue, and I'm glad you asked it, because it's something I've thought about quite a bit. At its core, it comes down to, "How do you write a story that explores difficult questions without preaching." Because, at the end of the day, we're picking up an epic fantasy book because we want to go to a new world, enjoy this new world, and have an interesting adventure. And we're not picking up it up because they want Brandon Sanderson to lecture them. And certainly, there are authors I do read to be lectured. So it's not a blanket statement, "This is how someone should do something."

But for me, there's a couple of core tenets. One is the one I've already mentioned. Which is, if I'm going to put a character in (which I think I should put a wide variety of characters in) approaching questions from different directions, make sure that I am researching that person's viewpoint, people who have that viewpoint in the real world, and make sure I'm doing the job that they would want me to do with their position, their subculture, their belief structure, and things like this.

But that kind of plays into another big... pillar of what I think my duty as a writer to do, which I've expressed it in the books, I've gotten it through things I've heard other authors write. Which is "Raise questions. Don't give answers." I believe that if you are raising questions, and having multiple people who are all sympathetic disagreeing on this question, or struggling with this question in different ways, it innately makes the reader start to say, "Well, what do I think about that? And is it something that I need to think about more?" And not dodging these topics, but also not coming down with long sermons about them, I think, is the way that I want to be able to approach them.

I often share this story, so I apologize if some of you heard it before. But the book that got me into science fiction and fantasy was Dragonsbane, by Barbara Hambly. And Dragonsbane, by Barbara Hambly, is criminally under-read in the science fiction/fantasy community. I have read it again as an adult, it holds up, it is a fantastic novel. What made Dragonsbane work for me? I was a fourteen-year-old boy who was handed this novel by his English teacher, and she said, "I think you are reading below your level. I think you would like something a little more challenging. Why don't you try one of these books on my shelf." And that's the one that I ended up picking up. This book should not have worked for a fourteen-year-old boy, if you read the Cliffnotes on how to get a reluctant reader to read books.

Dragonsbane, if you haven't read it, is about a middle-aged woman who is having a crisis as she tries to balance having a family and learning her magic. Her teacher has told her she can be way better at the magic if she would dedicate more time to it, but her family takes a lot of her time. And this is her main character conflict through the story. Now, it also involves going and slaying a dragon, and things like this. And it's a wild adventure with some excellent worldbuilding, and a really interesting premise. The story is about having to kill a dragon, her partner has been asked to slay a dragon, he's the only person who's ever slayed a dragon, but he killed a dragon when he was in his 20's, and now he's middle-aged, and he's like, "I can't do that like I used to anymore." And together, they go down and try to figure out how to kill a dragon when you're an old person. But this story should, on paper, not have worked for me, but it was the most amazing thing I'd ever read in my life.

Meanwhile, my mother graduated first in her class in accounting in a year where she was the only woman in most of her accounting classes. She had been offered, as she graduated, a prestigious scholarship to go become a CPA. And she actually turned that down because of me. She was having me as a child, and she decided that she would put off her education and career for a few years. She is now the head accountant for the city of Idaho Falls power plant, so she did go back to her career, but she put that off for me. Now, as... a middle school kid, if you told me the story, I'd be like, "Of course she did. I'm awesome. I'm me. Of course she would do that. That's the right thing to do." I read this book, and I'm like, "Oh, ditch your kids, woman. You could be a wizard!" I got done with this book, and I realized: I just read a fantasy book about slaying a dragon. High fantasy, all the stuff that should have just been brain popcorn. And yet, I got done with this book, and I understood my mother better. And it hit me like a ton of bricks, that a story could teach me about my mom in some ways better than living with her for fourteen years, because I was a stupid kid who wouldn't listen, and assumed he had the answers. But when I saw through someone else's eyes, who was very different from myself, that changed the way I saw the world.

This is why stories are important. This is why it is important-- if you're writers out there, it's why your stories are important. When you ask, "Well, what can I write that's new?" You can write who you are. And that will be new. And that is valuable in and of itself. Those stories have value because you're telling them. And this is what stories do. And this is how, I think, I want to be approaching telling stories. I want people to read the stories, and I don't want them to feel lectured to. But I want them to see the world through the eyes of someone who sees it in a very different way. Maybe that'll make them, make you, make all of us think a little harder about some of the things in our lives.

Secret Project Kickstarter Reveal and Livestream ()
#40 Copy

Brandon Sanderson

I have been lying to you. And it is time for me to admit the truth.

I know that what I'm about to say will disappoint some of you. Others will undoubtedly take joy in my forced admission here. But either way, I can no longer live with this secret.

The last few years have been hard for many of us. These are strange times. In particular, these last years have increased pressure on me in difficult ways, emotionally and mentally, to the point that I could no longer continue working on my series of books as I always had before. As this pressure mounted, something had to give. I thought I could handle it like I always had before, but that proved optimistic. And so, the time has come for me to admit the truth.

I've been lying to you. Over the last two years, I've acted with extreme irresponsibility.

Because I accidentally wrote an extra novel in secret!

I apologize. I couldn't help myself. We all respond to pressure in different ways; I, it might be said, responded characteristically. So how did this irresponsible event occur? Well, to explain that, I'm going to need to go into professor mode.

You see, 2019 was one of those years where I overscheduled myself. What I told you earlier was true; over these last years, 2019 in particular, I really was beginning to feel overwhelmed by everything I had to do. However, it wasn't the stories doing this. It was all the non-writing work, particular the traveling. That is what is truly exhausting. You see, I keep notes on what I do day-by-day, and I've outlined for you my 2019. This largest block is writing time; and I also do make sure to keep a good, healthy amount of work/life balance and time for my family. These other non-writing days are essential, as they are the days I do interviews, I write introductions, and answer work emails. This section in red: that's the one that's really glaring. I was on the road a third of my year. Four months, spent traveling, mostly going to conventions.

Now, I love seeing the world; which is why it's so difficult to say no when people ask if I want to visit. When you look at it this way, with a third of my time spent on the road, you can see maybe why I felt so overwhelmed. I had dreams, plans, ideas; but I couldn't write them because I was touring so much.

This was too much. I knew it was too much. But I was trapped in this cycle where I'd say no to traveling, then read the requests from fans and feel guilty that I wasn't going to see them. And I really do enjoy seeing the world. At least I did, before I started to get overwhelmed.

Eventually, it started to feel like a chore. Then 2020 hit, and the whole world changed. Suddenly, I couldn't travel, not even a little. I'd been planning to scale back, but scaling back in this context meant traveling eighty or ninety days, instead of over a hundred. Fewer days, yes, but not by a significant margin. Except, with the pandemic, that need to travel, indeed the option to travel, went away. Suddenly, I had time again.

This [novel] is the result. I start writing it as a gift for my wife, telling only her, letting her read the pages as I wrote them. The experience of writing a book in secret reminded me of the early days of my career, before I published, when I could write whatever I wanted, whenever I wanted. The process rejuvenated me, which is important, because, like a lot of you, I was feeling stressed in 2020. When I finished this, I presented it to my wife as a gift: her own secret book. She read it and told me, "You need to share this." So after two years of keeping it just to her and me, I'm telling you. That's my big secret.

Well. Maybe not the entire secret.

You see, the pandemic wasn't over, and writing that secret novel had been a ton of fun. So let's just say that one thing led to another, and a second secret novel materialized in early 2021. Longtime followers of this channel might remember me talking about one regret I've begun to have as I grow older. When I was younger, any new, fresh idea that came to me could end up becoming a novel. But the more I write, the more I lock myeslf into series. Which is great; I love my big series. I'm working on Stormlight now, which is as exciting as ever. I want my legacy to be the massive, interconnected universe that is the Cosmere. At the same time, I always saw myself doing standalone novels now and then, exploring the reaches of the Cosmere or other strange worlds. For a while, I managed to do this with novellas. But in recent years, with travel demands, I hadn't even been able to do those. I can sometimes write when traveling, but the more that I do, the more exhausted I get, which makes it tougher and tougher to be productive.

If you compare this [pie chart] average of the last two years to 2019, you can see a lot has changed. I did still travel, and I've also had more non-writing work days, on average. This is mostly the time I've invested into YouTube and into our Dragonsteel convention, things my team and I see as replacements for me visiting you all in person. Even with this, the significant drop in travel time has added to both my writing time and my family time.

If you leave me alone too long, I will start telling stories. It's a mathematical constant, as irrevocable as pi. And... what would you expect to happen? The best part was, nobody expected me to do anything with this time. No editors were scheduling books because of it. No fans were wondering what I was doing with it. Because for most of my professional career, I'd been traveling eighty to ninety, and sometimes a hundred and twenty days a year. Suddenly, I had time for all those other ideas. The ones that weren't planned as big, core series. The ones that I always wanted to be the spice of my career. I've always loved the idea of surprising you all now and then with some random Brandon Sanderson novel. I wanted my fans to consistently have the opportunity to get lost in something completely new, something surprising, different from what you'd seen from me before. This is the mindset that created The Emperor's Soul and Warbreaker.

This extra writing time has become very precious to me. Before 2020, I'd begun to let all these ideas just wither away, as there wasn't time for them. I'd begun to think that, as much as I loved the big series, they would consume the rest of my life. So, call this the silver lining of 2020. Life has been tough lately, but it has also restored to me something very precious.

And I might have gone a little overboard, because I've written five extra novels in the last two years.

Look, I know. Don't roll your eyes at me. You deal with isolation and quarantine in your way; I'll deal with it in mine. We all handle stress differently, okay?

Four of these are full-length novels of adult-oriented science fiction or fantasy. One is a middle grade story, written as a gift to my children, which I'll probably make as a graphic novel. We'll put that one aside for now, as I don't yet know how I'm going to present it to you. But that leaves us with four full-length novels. I wrote three of these as gifts for Emily, and one purely for myself. Three are in the Cosmere; one is something completely different.

I kept all five of these secret from my team until late last year. Then, I just left them on a table at our offices with the words "Top Secret" on the top of each one. The team had no idea. I'm a bit of a showman, if you can't tell, and this experience was a blast. I wanted to replicate that feeling for you in this video, which is why you might have to excuse my somewhat dramatic opening. I do apologize for that, but it's technically all true. I have been keeping a secret, and I think it will make some of you very happy, while others are just likely rolling their eyes at me.

YouTube Livestream 13 ()
#41 Copy

Marcus

I'm really curious about how the Allomancy would be represented in a Mistborn adaptation. While you're writing the screenplay, have you already planned something? And is the screenplay still a project? Because your progress bar has been removed, and I got kind of confused.

Brandon Sanderson

Yeah, I took the screenplay off of the progress bar because I'm not actively writing it right now because I have the [Dawnshard] novella to do. I thought I might be getting into it in July, but it doesn't look like I will. All the progress on the screenplay so far that you see is me writing the treatment, not the actual screenplay. And the treatment is, like, a big fancy outline for a screenplay. And in the treatment, what I have right now is that we represent Allomancy with: steelpushing and ironpulling, the thing that the Allomancer is pushing on is going to flash blue on the screen and you'll see a little line from them to the thing. You won't see all of the lines, most likely. There might be a scene where we show it all once or twice, but mostly it's like, "Allomancer, line to the blue thing, and then zip, off they go." This is gonna really depend on things like people who actually know how to do effects on film telling me if it's going to work or not, but it sounds good so far.

Burning pewter, I'm using the same sort of blue feeling. With that, I'm sending a ripple of blue lines, almost more like little lightning or veins, up the person's arms or body, wherever they're increasing their strength, so to speak. (I mean, it does it for all of you, but visually, to draw attention like that.)

The one that's still iffy is emotional Allomancy. Which, in the treatment right now, I say: when someone's been affected by emotional Allomancy, we show their eyes flash blue for just a second. The trick is, this can't be diegetic, it can't be something that's actually happening in-world, because it would be too much of a tell that someone is having emotional Allomancy. So I don't know if it is okay to go with something that's just a symbol for the viewer to know that it's happening, or if that is just too confusing and people will be like, "Why didn't he see that her eyes flashed blue?" or things like that.

My plan is still to write the first draft of the screenplay, but to work with an established screenwriter thereafter to make it actually good. And this'll depend on the established screenwriter that I work with and who ends up being the director on the project, right? Like, there's a lot of people that we're talking to that would be interested. And it also depends on if it ends up live action or animated. Animation is not off the table, even though I really would like to do live action just because I think that our chances of doing Stormlight live action are much lower, and our chances of doing something animated are much higher, just because Stormlight's got so many weird things going on with the spren and the storyline being such that it is.

A lot of things are up in the air with all of this. The only thing I've decided right now is that I'm tired of optioning it and then waiting to see what happens and then maybe getting a screenplay that's okay or maybe not getting a screenplay at all. Basically, from now on, whoever I work with has to be working more closely with me. I think that I have achieved prominence enough in my field that I can just say no to people more easily and not have to roll the dice quite so much. So we'll see if that works out or not.

Skyward Seattle signing ()
#42 Copy

Questioner

The lighteyes-- Do their eyes actually glow or is it just blue or green?

Brandon Sanderson

No. It's a very pale blue or green though. You can tell pretty easily looking at them who's lighteyed and who's dark. They don't glow. So--

Questioner

It's otherworldly?

Brandon Sanderson

Some of them would look-- You would say otherworldly, but not impossibly. You can find people on Earth who have eyes the shade that they are. Not all of them, right? Because some of them are yellows and things like that that we don't have. But if you looked at them and they were here, you might wonder if they were wearing contacts but it wouldn't be unusual to find out they weren't.

Legion Release Party ()
#43 Copy

Steeldancer

On Threnody, the Shades, their eyes turn red when they get really mad. Is that the same thing as with the Voidbringers and all the other ones?

Brandon Sanderson

I have a subtheme in the Cosmere of the redness and it's supposed to be intentional.

Steeldancer

So it is the same thing?

Brandon Sanderson

It's the same theme. But I do not mean to imply that it's the same Shard.

Steeldancer

But it's the same effect?

Brandon Sanderson

Yes. I'm doing it intentionally. Red eyes specifically are meant to mean something but I use it a few other ways [the same way?].

Dark One Q&A ()
#45 Copy

Questioner

Now that you’re writing the Mistborn screenplay, what would be your ideal way to show emotional or non-physical Allomancy on the screen?

Brandon Sanderson

I’m playing with a lot of different things. The screenplay right now, we’re using blue as a signifier that Allomancy’s being used. The blue lines work pretty well. Mostly, you’re gonna see a very faint blue line, and you’re gonna see the object that the person is pushing or pulling on flashing blue. That is your indication.

And right now, I have someone’s eyes flash blue when they’ve been hit by emotional Allomancy. The problem with that is, it can’t be diegetic. It can’t be in-world; it has to be a thing for the audience. Which, non-diegetic music is fine. Everyone’s used to that in movies. But something like this, we may want to try to find a better way. But right now, that’s what we’re doing. That’s at least what the screenplay is. The person uses their power, someone’s eyes flash blue; they are being affected by emotional Allomancy. You now know. Again, I assume most people who watch the film will assume that’s diegetic. Which makes for problems and a huge weakness in emotional Allomancy that I don’t intend.

It is a trick, right? To show, “How is someone using Allomancy?” I kind of want someone, when a Thug is lifting something and burning pewter, you’d be able to see. I have it written right now that blue veins move across their arms like lightning, being like, “They are using Allomancy to enhance their strength right now.”

And it might be the answer, just make emotional Allomancy be diegetic. That it’s got this big weakness in the film version of the cosmere that it didn’t have in the books, in order to actually make it visual so that people can understand what’s going on. But there might be another answer.

And remember, I am not going to be writing the screenplay. I am going to write a rough draft of the screenplay, and then I’m going to work with a real screenwriter to actually make it into a screenplay. My goal is just to get down on paper what things I think are justified and important changes to make from the book to the film, and what things I think still have to be there. My goal is that anyone I work with would be able to take this screenplay or treatment, look at it, and say, “I am willing to commit to any changes we would make to this being approved by you.”

Because what they won’t do, is they won’t give me creative control. I don’t have enough power in Hollywood to get creative control over a film. J.K. Rowling got it. But Stephanie Meyer had to go to a second-string film studio to get it. And George Martin didn’t get it. That’s kind of your hierarchy. And I am below George; I’m probably actually where George was when he got that deal, I would say. I am in the category of, I don’t have enough power to demand this. I would have to be two ranks in popularity and influence more than I am, and I don’t think that is legitimately something we could wait to happen, because to get to Twilight or Harry Potter level popularity is just not something that you can count on. I don’t think you can count on getting to the level of popularity we’ve gotten to.

So I think, moving forward, my goal is to find ways that I can work with the system. And I think that if they have a screenplay and a treatment, and they’re like, “All right. We can agree that this is good enough that if we have to make any changes to this, we will let you have approval.” Having them say, “Brandon has to have creative control” without any screenplay or thing like that, no one’s ever gonna give me. So that’s the main goal of this. The main goal is to say, “Here is Brandon’s vision. Are you willing to make Brandon’s vision as a film?”

Skyward San Francisco signing ()
#46 Copy

Questioner

Why are Spensa's eyes purple?

Brandon Sanderson

Because the artist drew it that way. Since Spensa's eyes, I don't imagine actually being purple, but it looked really cool on the cover, so there we go. Maybe they're canonically purple now. Maybe I'll write that in.

Warbreaker Annotations ()
#47 Copy

Brandon Sanderson

Chapter Seventeen

Siri and Lightsong Interact

This chapter has our first real melding of several viewpoints. In a way, it's a focus chapter for that reason. All four viewpoint characters, who have been off doing other things, congregate here, meeting and mixing. Lightsong and Siri, whose plotlines influence one another a fair amount, sit and talk for the first time. Vivenna and Vasher, who are far more intertwined through the story, meet eyes for the first time.

Vasher shouldn't have brought Nightblood. But he's always a little afraid to leave the sword alone for too long. That can have . . . consequences.

Anyway, it was good to be able to show an interaction between two of the viewpoint characters in the form of Siri and Lightsong. This lets us see how Siri acts through the eyes of another, and I think this scene here is one of the first where we really get to see into Lightsong's soul.

Skyward release party ()
#48 Copy

Questioner

What do Shardblade Cryptics look like? They can't really have crossed out eyes. Would their pattern-

Brandon Sanderson

You mean like a deadeye?

Questioner

Yeah.

Brandon Sanderson

It will be noticeable, but it won't be the same as the eyes. Let's just say their algorithm is messed up.

The Well of Ascension Annotations ()
#49 Copy

Brandon Sanderson

Koloss are something I've been trying to work in for a time. Originally, in the very first draft of Mistborn one, I had them make an appearance in the prologue:

The skaa worked the fields with the lethargy of the hopeless, their motions methodical and listless. Though the sun's light was darkened and ruddied by the ever-present smoke, the day was still oppressively hot. Yet, no skaa man paused to wipe his soot-stained brow–being seen resting by a koloss fieldmaster would invite a whipping.

So, the skaa worked. Eyes down, watching the dirt by their feet, they dug at the weeds–daring not to speak, barely even daring to think. Koloss stalked amidst them, blood-drop eyes alert for signs of skaa laziness.

Obviously, I changed their place in the world drastically. During the drafting of book one, I was still working out what I wanted the koloss to be. I knew they were going to be something monstrous, and as the first draft of Mistborn One progressed, I slowly cut them from the book and decided to save them for book two. As the characters talked about them, the koloss reputation became more and more nasty–and I went so far as to explain that the Lord Ruler himself feared to keep them near human settlements.

So, when it came to plan book two, I put a lot of effort into developing the koloss. I wanted them to be cool visually, live up to their reputations, and work within the worldbuilding and magic of the setting. You'll find out a lot more about them as the series progresses.

Brandon's Blog 2019 ()
#50 Copy

A. Worland

Whenever I write, I have all the inspiration and stuff to do so and I know what I want to write. But when I come back to what I have written the next day or so, that feeling of inspiration and satisfaction that I had when I was writing goes away and I feel unsatisfied with what I have written. I have great ideas that I think are great, but sometimes I don’t think they are great anymore. Often times I re-write it, but the situation is a continuous loop. Any advice?

Brandon Sanderson

This is a common sort of attitude, and you are not alone. Writers tend to fall into two camps, I’ve found. The people who think their writing is terrible while writing it, but then discover it’s not so bad afterward—and the people who think it’s great while writing it, but then look back and find it disappoints them. I don’t think either attitude is 100% correct, but I can understand both.

What I see happening here (as an off-the-cuff diagnosis not knowing you enough to do a detailed and specific one) is that your ability to see a perfect and wonderful book in your head is not yet matched by your actual writing skill. You’ve likely read a lot of books, and have developed a very discerning eye for what works and what doesn’t in fiction. You feel like you should be able to produce that great fiction, therefore.

But you’re like a person who has become an expert in tasting cheese—that doesn’t mean you can make your own. You have an advantage over someone else, but you still have to put in the work to learn the process of cheese making. Here, you’re comparing the perfect version of the book in your head (or, perhaps, the published books you’re reading) to the first draft, unpracticed work you’ve written.

The challenge here is to recognize your first draft doesn’t have to match a published finished draft. Beyond that, you’re going to grow a lot as a new writer as you finish your first few books—to the point that you will often be much better as a writer by the end of a sequence than you were at the start.

In all these cases, however, the solution is the same: keep your eye on the goal. Finish that story. You can’t learn to do endings until you practice them. Learn to let yourself be bad at something long enough to be good at it. This is an essential step many artists have to take. You can and will make that story better, but you need to finish it first.