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Bands of Mourning release party ()
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Questioner

If you were a Twinborn with both steel, would you be able to move faster than people could use atium to see what you were going to do?

Brandon Sanderson

So you couldn't move faster than their atium, but you could move potentially faster than their mind's ability to process what they're seeing. You might be able to-- but the atium does lend a certain ability of natural reaction, but you are still limited by your muscles, and things like that. So I think you could probably beat atium that way. That would be a valid way.

FanX 2021 ()
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Questioner

Can Leechers leech on other types of Investiture across the cosmere? And how do people power their powers on worlds?

Brandon Sanderson

So, Scadrians can use metal from other worlds. The metal is considered a facilitator, a key for reaching the Spiritual Realm, and distance doesn't matter for the Spiritual Realm. All of the Allomantic powers, Leechers in particular, they do have an influence with the other magic systems. Even as simple as a Shardblade would be very difficult, near impossible to push or pull, because of the level of Investiture it has. Copperclouds have some interesting ramifications, as well as Seekers have interesting ramifications, and Leechers would work on other magic systems as well. It is a little tricky how it interfaces sometimes, but it'll generally do what you're expecting it to do.

The Hero of Ages Annotations ()
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Brandon Sanderson

Vin Gets Her Earring Back

Getting Vin's earring back to her proved a logistical problem here, perhaps one of the biggest puzzles in the entire book for me. If I pulled the earring, then Ruin couldn't talk to her, and I couldn't include the scenes of her and Ruin in jail. I felt they were very important—both to make good use of Vin's time while imprisoned, and to get across useful information about the nature of Ruin—his goals, his motivations.

And so, I needed to have Yomen give the earring back. But why? Why would he give a piece of metal to an Allomancer? Vin's reasoning in this chapter is the best I could come up with. Yes, Yomen has atium, ready to burn it. He is, indeed, trying to spring any traps Vin has ready. In fact, once he had her taken away, he followed a distance behind and waited by her cell for the rest of the day, expecting her to try something. When she didn't, he was rather confused.

The earring also presented a problem in that in the original drafts of book one, silver was an Allomantic metal. I later changed silver to tin and played with what the metals did. However, I didn't have the specifics of Hemalurgy down. And so, when I got this book, I worried that her earring would be the wrong metal. Hence the silver plating explanation, as I worried that I'd forgotten or missed some instances in book one where I mentioned the earring being silver. (I tried to cut all references to its actual metal, so that I would be open to build Hemalurgy as I saw fit.)

Notice that Ruin's voice doesn't come to her until after she puts the earring back in. As she points out later, his telling her to kill isn't as specific as she's interpreting it. He's just sending her a general feeling that she should kill and destroy; his attention is elsewhere at the moment, watching what Spook is doing.

Worldbuilders AMA ()
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jmass12

Quick question on genetics and investiture on Scadrial. Is it weird that Wax would have a different Allomantic power than his predecessors, or does it only matter that you have the ability in the first place, and then it takes different forms generation to generation?

Brandon Sanderson

Great question! I don't think anyone has asked it.

It is the second of your two theories. The power manifests differently in different people; specific powers are not hereditary.

Oathbringer San Francisco signing ()
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Questioner

Everybody talks about steel-steel twinborns. A big topic of discussion. What I'm thinking about, I haven't seen anybody ask, what happens when somebody who's tapping speed, does a steelpush, does the steelpush react in realtime or accelerated time? And the object-- is it like a railgun?

Brandon Sanderson

Yeah, yeah, yeah. I'm surprised that no one's asked me that before. This gets really dangerous really fast... It's RAFO territory, but you are thinking along the right lines.

Mistborn: The Final Empire Annotations ()
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Brandon Sanderson

Vin's attempt at killing the Lord Ruler was, I thought, rather clever. I made a point of making her be able to touch her past self when she was burning gold. There are a couple of reasons why this didn't work. First of all, the images are just that–images. When Vin touched the face of her past self, it was all part of the illusion that gold produced. None of it was real. So, even if she HAD been able to touch the image of the Lord Ruler's past self, she wouldn't have been able to hurt the Lord Ruler himself by killing it.

The other reason is important as well. The thing is, the Eleventh Metal isn't actually an alloy of gold, but an alloy of atium. If you understand Allomantic theory, you'll understand why this has to be. Each quartet of metals is made up of two base metals and two alloys. The base metals are the Pulling metals, like iron and zinc. They are also made up of two internal metals and two external metals. Two change things about you, two change things about other people.

The Eleventh Metal, like atium, changes something about someone else. Both have to be external metals–that's the way the pairing works. Gold (and its compliment) change things about the Allomancer.

So, atium shows the future of someone else, malatium shows the past of someone else. Gold shows the past of yourself, and electrum (gold's compliment) shows your own future. (We'll talk about that in a different book.)

So, anyway, the Eleventh Metal (malatium) matches with atium–both of which create images from other people. And, just like atium shadows are incorporeal, so are malatium shadows. That's why Vin couldn't touch the one she saw of the Lord Ruler.

Salt Lake City ComicCon 2017 ()
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Questioner

You know how Wax has control of his Steelpushes? Well, if someone has an Ironpull ability, can get practiced enough to, in the Wax & Wayne era, swing through downtown Elendel Spiderman-like with controlled Ironpulls?

Brandon Sanderson

I've actually thought about that, and I went away from it, just because of Spiderman. I have to be really careful that I just don't go Spiderman-y. But I would say it's an in-world possibility that someone could do that, and it wouldn't be that hard if you've got the buildings. The trick is, most downtowns are not tall enough, and I would say in Elendel even now, there aren't enough skyscrapers that you could really go full-on Spiderman. But if you could, if you were, like, downtown Manhattan, you could do it.

Holiday signing ()
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zas678

Why can a human be affected by Surgebinding but metals within their bodies cannot be Pushed or Pulled?

Brandon Sanderson

They can be Pushed or Pulled, if you're strong enough.

zas678

So is it just the Innate Investiture--

Brandon Sanderson

The Innate Investiture is interfering with things. Like if you look at it this way: So you're Surgebinding someone, I am touching him and sending the power straight into him. There's difference between there's something inside of him that I'm messing with and going through?

Arcanum Unbounded release party ()
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Questioner

If Marasi could burn duralumin, would that make time go faster or her bubble get bigger? 

Brandon Sanderson

This is on tape so I have to make sure I do this right.

It is less about the size of the bubble and more about speeds. You can expand the size and change the size of the bubble, so it's possible that you could use duralumin for either one if you knew what you were doing, but the speed is the more relevant part. So, I just wanted to say that correctly. 

Skyward release party ()
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Steeldancer

What happens when you flare copper?

Brandon Sanderson

What happens when you flare copper? Various different things can happen when you flare copper. I'll RAFO that for now. [...] I'll delve into that more, I don't want to delve into it too much right now, you'll find out, probably in Era 3, some of the things that can happen with copper.

Mistborn: The Final Empire Annotations ()
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Brandon Sanderson

One interesting aspect of the book that I haven't mentioned yet comes with the metal of tin. Originally, tin wasn't one of the Allomantic metals—I used silver instead. You see, I originally paired silver and pewter together, thinking that pewter had a significant amount of silver in it. Well, turns out that isn't the case. (Remember, each set of paired metals is a metal and an alloy made from it.)

My false impression on the belief that pewter is a silver/lead alloy goes back to my childhood. I remember when I used to paint lead fantasy figures that I bought at the local hobby store. One of the employees told me that they would be going up in price because the manufacturers wanted the figures to be safer. They were going to cast them out of pewter instead of lead, because pewter is much less toxic. I asked what the difference between pewter and lead was, and the employee told me that pewter is lead PLUS silver, and that's why the figures cost more.

He meant tin, I guess. Either way, that's stayed with me for quite a long time. I soundly resisted changing silver to tin during the first drafts of the book, even when I found out the truth. The problem is, I really liked the name "Silvereye" for those who burn silver/tin. It sounds far slicker than "Tineye."

I eventually came around, however. Consistency in the magic system is more important than a single cool-sounding name. I blame Hobby Town in Lincoln Nebraska for my pains.

Dark One Q&A ()
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Questioner

Now that you’re writing the Mistborn screenplay, what would be your ideal way to show emotional or non-physical Allomancy on the screen?

Brandon Sanderson

I’m playing with a lot of different things. The screenplay right now, we’re using blue as a signifier that Allomancy’s being used. The blue lines work pretty well. Mostly, you’re gonna see a very faint blue line, and you’re gonna see the object that the person is pushing or pulling on flashing blue. That is your indication.

And right now, I have someone’s eyes flash blue when they’ve been hit by emotional Allomancy. The problem with that is, it can’t be diegetic. It can’t be in-world; it has to be a thing for the audience. Which, non-diegetic music is fine. Everyone’s used to that in movies. But something like this, we may want to try to find a better way. But right now, that’s what we’re doing. That’s at least what the screenplay is. The person uses their power, someone’s eyes flash blue; they are being affected by emotional Allomancy. You now know. Again, I assume most people who watch the film will assume that’s diegetic. Which makes for problems and a huge weakness in emotional Allomancy that I don’t intend.

It is a trick, right? To show, “How is someone using Allomancy?” I kind of want someone, when a Thug is lifting something and burning pewter, you’d be able to see. I have it written right now that blue veins move across their arms like lightning, being like, “They are using Allomancy to enhance their strength right now.”

And it might be the answer, just make emotional Allomancy be diegetic. That it’s got this big weakness in the film version of the cosmere that it didn’t have in the books, in order to actually make it visual so that people can understand what’s going on. But there might be another answer.

And remember, I am not going to be writing the screenplay. I am going to write a rough draft of the screenplay, and then I’m going to work with a real screenwriter to actually make it into a screenplay. My goal is just to get down on paper what things I think are justified and important changes to make from the book to the film, and what things I think still have to be there. My goal is that anyone I work with would be able to take this screenplay or treatment, look at it, and say, “I am willing to commit to any changes we would make to this being approved by you.”

Because what they won’t do, is they won’t give me creative control. I don’t have enough power in Hollywood to get creative control over a film. J.K. Rowling got it. But Stephanie Meyer had to go to a second-string film studio to get it. And George Martin didn’t get it. That’s kind of your hierarchy. And I am below George; I’m probably actually where George was when he got that deal, I would say. I am in the category of, I don’t have enough power to demand this. I would have to be two ranks in popularity and influence more than I am, and I don’t think that is legitimately something we could wait to happen, because to get to Twilight or Harry Potter level popularity is just not something that you can count on. I don’t think you can count on getting to the level of popularity we’ve gotten to.

So I think, moving forward, my goal is to find ways that I can work with the system. And I think that if they have a screenplay and a treatment, and they’re like, “All right. We can agree that this is good enough that if we have to make any changes to this, we will let you have approval.” Having them say, “Brandon has to have creative control” without any screenplay or thing like that, no one’s ever gonna give me. So that’s the main goal of this. The main goal is to say, “Here is Brandon’s vision. Are you willing to make Brandon’s vision as a film?”

Miscellaneous 2023 ()
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ADHD Projects

Do we see Allomancy in this book [Tress of the Emerald Sea]?

Brandon Sanderson

I don't believe you do

Chaotic Forager

Do we see Allomancy but not Allomancy?

Brandon Sanderson

Potentially. This is what I was working on 3 years ago. I am on the Stormlight world right now, writing Szeth flashback scenes. But I don't believe you see any Allomancy in this book. You're talking about emotional Allomancy?

ADHD Projects

Yes.

Brandon Sanderson

No? Hmm... *hems and haws for a long time*

The only question mark... So, Hoid is not using emotional Allomancy on anybody, how about that?

Hero of Ages Q&A - Time Waster's Guide ()
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Kaimipono

Allomancy is fueled by Preservation's body? How exactly does that work? And how does that interact with Atium—it's fueled by both gods' bodies?

Brandon Sanderson

The powers of Ruin and Preservation are Shards of Adonalsium, pieces of the power of creation itself. Allomancy, Hemalurgy, Feruchemy are manifestations of this power in mortal form, the ability to touch the powers of creation and use them. These metallic powers are how people's physical forms interpret the use of the Shard, though it's not the only possible way they could be interpreted or used. It's what the genetics and Realmatic interactions of Scadrial allow for, and has to do with the Spiritual, the Cognitive, and the Physical Realms.

Condensed 'essence' of these godly powers can act as super-fuel for Allomancy, Feruchemy, or really any of the powers. The form of that super fuel is important. In liquid form it's most potent, in gas form it's able to fuel Allomancy as if working as a metal. In physical form it is rigid and does one specific thing. In the case of atium, it allows sight into the future. In the case of concentrated Preservation, it gives one a permanent connection to the mists and the powers of creation. (I.e., it makes them an Allomancer.)

So when a person is burning metals, they aren't using Preservation's body as a fuel so to speak—though they are tapping into the powers of creation just slightly. When Vin burns the mists, however, she'd doing just that—using the essence of Preservation, the Shard of Adonalsium itself—to fuel Allomancy. Doing this, however, rips 'troughs' through her body. It's like forcing far too much pressure through a very small, fragile hose. That much power eventually vaporizes the corporeal host, which is acting as the block and forcing the power into a single type of conduit (Allomancy) and frees it to be more expansive.

YouTube Livestream 13 ()
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Marcus

I'm really curious about how the Allomancy would be represented in a Mistborn adaptation. While you're writing the screenplay, have you already planned something? And is the screenplay still a project? Because your progress bar has been removed, and I got kind of confused.

Brandon Sanderson

Yeah, I took the screenplay off of the progress bar because I'm not actively writing it right now because I have the [Dawnshard] novella to do. I thought I might be getting into it in July, but it doesn't look like I will. All the progress on the screenplay so far that you see is me writing the treatment, not the actual screenplay. And the treatment is, like, a big fancy outline for a screenplay. And in the treatment, what I have right now is that we represent Allomancy with: steelpushing and ironpulling, the thing that the Allomancer is pushing on is going to flash blue on the screen and you'll see a little line from them to the thing. You won't see all of the lines, most likely. There might be a scene where we show it all once or twice, but mostly it's like, "Allomancer, line to the blue thing, and then zip, off they go." This is gonna really depend on things like people who actually know how to do effects on film telling me if it's going to work or not, but it sounds good so far.

Burning pewter, I'm using the same sort of blue feeling. With that, I'm sending a ripple of blue lines, almost more like little lightning or veins, up the person's arms or body, wherever they're increasing their strength, so to speak. (I mean, it does it for all of you, but visually, to draw attention like that.)

The one that's still iffy is emotional Allomancy. Which, in the treatment right now, I say: when someone's been affected by emotional Allomancy, we show their eyes flash blue for just a second. The trick is, this can't be diegetic, it can't be something that's actually happening in-world, because it would be too much of a tell that someone is having emotional Allomancy. So I don't know if it is okay to go with something that's just a symbol for the viewer to know that it's happening, or if that is just too confusing and people will be like, "Why didn't he see that her eyes flashed blue?" or things like that.

My plan is still to write the first draft of the screenplay, but to work with an established screenwriter thereafter to make it actually good. And this'll depend on the established screenwriter that I work with and who ends up being the director on the project, right? Like, there's a lot of people that we're talking to that would be interested. And it also depends on if it ends up live action or animated. Animation is not off the table, even though I really would like to do live action just because I think that our chances of doing Stormlight live action are much lower, and our chances of doing something animated are much higher, just because Stormlight's got so many weird things going on with the spren and the storyline being such that it is.

A lot of things are up in the air with all of this. The only thing I've decided right now is that I'm tired of optioning it and then waiting to see what happens and then maybe getting a screenplay that's okay or maybe not getting a screenplay at all. Basically, from now on, whoever I work with has to be working more closely with me. I think that I have achieved prominence enough in my field that I can just say no to people more easily and not have to roll the dice quite so much. So we'll see if that works out or not.

LTUE 2020 ()
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Questioner

As far as the Lord Ruler goes, how did he use the Twinborn thing? Feruchemy and Allomancy?

Brandon Sanderson

What he had to figure out how to do is: Allomancy is powered by Spiritual power directly from the Shard of Adonalsium. Whereas Feruchemy is powered by your own Investiture and effort being transferred into the thing. What he needed to do was figure out a way to power Feruchemy with Allomantic power, right? You could have done the same thing by fueling it with the Dor, or with Stormlight, or another external. But he only had access to three magics. So what he had to do was figure out that.

So what he's doing is, he's basically taking metals, (since he's a Feruchemist and an allomancers), and he is burning metals that he has Invested himself, but then using... basically, switching it so he gets a burst of Allomantic power that is charged with a Feruchemical attribute. So it's powering Feruchemy with Allomancy by burning the metal that he himself has Invested.

Questioner

So he was essentially putting stuff into the metal?

Brandon Sanderson

Basically, priming the pump. He puts it in with Feruchemy. Then he burns it with Allomancy. But that fuels Feruchemy with Allomancy, which allows him to draw on the powers of the Shards, rather than himself. So it's not really a perpetual motion machine, because he's drawing the power from someone else. But it's external, which allows him to break the rules of Feruchemy.

The big question I have is: that works in the book, because you can dig into the technicalities of the book. But that's not gonna work in the movie, right? That explanation right there, that's so many levels over the heads of the audience. So I have to figure out a way to not break the cosmere magic, but make it simpler to understand in the movie. Which is the big headache in writing the screenplay. That's probably the biggest challenge in the screenplay is to figure out how to make that all work.

Kraków signing ()
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Questioner

Did Hoid use the bead of lerasium to rewrite his spiritual DNA or Web in a way other than just giving himself Allomantic powers?

Brandon Sanderson

His goal was to become an Allomancer.

Questioner

And did he use it to create other powers than Allomancy?

Brandon Sanderson

It could not give powers other than Allomancy.

Questioner

Because it’s lerasium?

Brandon Sanderson

Yes.

Oversleep

So he did burn it and become a Mistborn, right?

Brandon Sanderson

You have seen him use Allomancy…

Oversleep

Yes, because it’s creating a lot of <misunderstandings>.

Brandon Sanderson

You have actually seen him use Allomancy.

Orem signing ()
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Zas

So what's up with the regeneration issue? With Shards? Because they only have so much power they can access at a certain time, but yet they still have more energy. So how does that work? Is it just they have so much power they can use at any given time?

Brandon Sanderson

What are you talking about? Like which shards?

Zas

Ruin and Preservation. Since we know the most about them.

Brandon Sanderson

Ruin and Preservation were a specific instance, because almost all their energy was thrown into resisting each other. Keep that in mind. Even after Preservation was only a shadow, basically all of it was "Let's keep Ruin from destroying the world." So they were polar opposites. Set in balance. But slightly unbalanced in a couple of ways, that eventually, that slight imbalance... They are a special case, because of that.

Zas

So then why are they hesitant to directly fuel Allomancy?

Brandon Sanderson

Why are they hesitant to? What do you mean by directly fuel Allomancy?

Zas

You mention in the Hero of Ages Q&A that they can directly fuel Allomancy, like Vin does with Elend, but it requires expending their energy in a way they are hesitant to do.

Brandon Sanderson

Because it imbalances them more. Does that make sense? Like, if you are putting your energy here, rather than fighting the other force, you give them an edge somewhere else by trying to gain an edge here. And you have to make sure that's really worth it. Imagine a chess game. Is it worth sacrificing my pawn here to expose myself over here?

Legion Release Party ()
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PrinceDusty

You've talked about some of the correlation between Aviar abilities and Allomantic abilities. Are there any Aviar abilities that are not related to Allomancy, or what are some other abilities that we might see?

Brandon Sanderson

I'll RAFO that, mostly because I want to be free to pick and choose from my list as I canonize them. A lot of Aviar abilities are Cognitive type stuff, just from the way I built them so I can separate the magics. The whole Seeker/coppercloud thing, a lot of Aviar abilities are going to be riffs on that, or they're going to be riffs on glimpsing the Spiritual a little bit. And you see a lot of that in Allomancy. There are abilities that they have that you won't see in Allomancy.

The trick is Allomany is so broad. I built the main magic systems to be able to get a little bit of everything. You see the same thing in Stormlight. So seeing Aviar abilities that you haven't seen some version of it in Mistborn or Stormlight, it's going to be... Mistborn and Stormlight touch on all different parts of the magic system on purpose. But I think you will eventually see some that don't. But they're all going to work on the Cosmere magic, so you can say they're all related.

PrinceDusty

Where might we see them?

Brandon Sanderson

Aviar are known in the Cosmere but are very, very rare. But as you move forward in the future, perhaps you'll see them more often.

General Reddit 2020 ()
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HazelCharm47

Let's say we have a hypothetical situation with Miles Hundredlives. In this scenario, he is wearing a gold metalmind filled to the brim with stored healing power. He is then spiked with a cadmium spike and loses his gold allomancy.

Now, if I recall from various WoBs, he would be able to heal using the gold metalmind and regain his gold allomancy. I could be misremembering and he cannot heal it, but I believe he would be able to since it is part of his Identity.

However, one question I have never seen the answer to is this: what happens to the ability in the spike? Is the allomantic ability still contained in the spike, leading to a duplicate? Or is the spike's ability lost? Or maybe I have this whole thing wrong and Miles could never have regained the ability in the first place.

If the ability duplicates (which I doubt), that could lead to some crazy things. Also, this applies to any Twinborn with gold Feruchemy, I just thought Miles was a good example I guess :)

Brandon Sanderson

I'd like to see the exact WoB's here to make sure I'm being consistent, as I don't know that I confirmed you could regain lost powers--only that you could heal from hemalurgic soul damage. Most likely, what you'd end up with is a person who has been healed and can remove the spike from their body without damage, and without needing it to hold their soul together--but who has lost the ability in the spike.

Regardless, though, what you want here (the mass production of spikes charged and even blanked) is possible with the right levels of investiture. It's an energy, like things in our world. The difficulty is finding out how to 1) get enough investiture and 2) key it to the right people and/or magic.

Hope that's a little more clear.

That said, a lot of times people just ask me if something is possible--and a lot of things are possible, but just very difficult. And with the right boost of investiture, in the right circumstances, it WOULD be possible to regrow lost (to spikes) powers. It's just highly unlikely.

I'm not sure if the questions people are asking me are ones I've qualified, or not, in these instances. Also, this is all something I'm playing with still behind the scenes as we enter the modern age of Mistborn.

HazelCharm47

As requested, here are the WoBs I believe are related. They might be obsolete, however. And I assume things will get changed a lot before Era 4, but hey, it's fun to ask anyways :)

WoB #1:

https://wob.coppermind.net/events/331/#e9434

This one states that as long as Miles still has his Identity, he would be able to use his Feruchemical metalminds after being spiked and would be able to heal.

WoB #2:

https://wob.coppermind.net/events/102/#e983

This one says that Miles would be able to heal his soul using Feruchemical healing and regain his gold Allomancy (assuming he survives the spiking). I think this is the most essential one!

WoB #3:

https://wob.coppermind.net/events/76/#e6335

This one is only somewhat related - implies that the Feruchemical and Allomantic powers are spiritually part of him.

WoB #4:

https://wob.coppermind.net/events/7/#e6435

Also tangentially related - damage to the soul from Hemalurgy can be healed (Although this might just be a Hoid thing). I guess the question could be expanded to include non-Feruchemical healing as a way to repair the soul after being spiked.

Brandon Sanderson

Well, I don't think any of those are specifically inaccurate. I just didn't quite understand what people were trying to get out of me. A lot of times, I don't know quite what people are trying to get out of me. I can see now they're trying to figure out.

I see now, and I appreciate you putting this all together for me so I can see what the fans are trying to figure out. So the answer is a cautious yes. The problem here is that he'd need to compound a TON of healing first--but yes, it would work. You could theoretically turn someone like Miles into an invested spike factory.

If he didn't have enough healing stored, though, he'd end up with a healed soul but a gap (like a scar on his soul) where his spiked-out abilities were. That could theoretically be healed with application of more investiture, depending on things like how he views himself, and if you could get the right type of investiture.

Mistborn: The Final Empire Annotations ()
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Brandon Sanderson

Okay, so I lied. I thought the fight scene came in chapter six, but it came in five. I'm better at pacing than I thought!

The truth is, this is one of my least favorite fights in the book. I put it in primarily because it gave a good, quick showing of the basic concepts in Allomancy. You got to see Kelsier enhance his strength with pewter, his senses with tin (including using it to help him focus), and then use both steel and iron in a variety of different Pushes and Pulls.

The thing is, it wasn't that exciting because it wasn't really a fair fight. As soon as Kelsier got ahold of that ingot, those soldiers were toast. I did spice up the fight a bit by giving them shields–something that was missing from the original draft of the fight. Even still, this seems like a kind of brutal combat, not the more poetic and flowing battles I generally envision for Allomancy.

(This is, by the way, the only fight I ported over from Mistborn Prime. There was a similar scene in that book where the protagonist took down a group of men with only an ingot. Again, I decided to grab it because of how well it introduced the concepts of Allomancy. It was quick and dirty.)

Barnes and Noble Book Club Q&A ()
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BenFoley

You have stated in your blog that Mistborn had three magic systems (Allomancy, Feruchemy and Hemalurgy) and also that The Way of Kings will have upwards of 20. For comparison, how many magic systems would you say the Wheel of Time series has? Two (One Power and the True Power)? How do you classify other abilities (not necessarily related to the One Power or True Power) such as Dreamwalking, viewing the Pattern, Wolfbrother-hoodness, and changing 'luck' or chance? Would you classify these abilities as a magic system in and of themselves? Has your chance to see the background material Robert Jordan left changed how you view these abilities?

Brandon Sanderson

This kind of gets sticky, as it's all up to semantics. Really, you could say that Mistborn had a different magic system for each type of Misting. But at the same time, you could argue that something like X-Men—with huge numbers of powers—all falls under the same blanked 'magic system.' And take Hemalurgy in Mistborn 3—is it a new magic system, or just a reinterpretation of Allomancy and Feruchemy?

So what do I mean by twenty or thirty magic systems in Kings? Hard to say, as I don't want to give spoilers. I have groupings of abilities that have to deal with a certain theme. Transformation, Travel, Pressure and Gravity, that sort of thing. By one way of counting, there are thirty of these—though by another way of grouping them together, there are closer to ten.

Anyway, I'd say that the Wheel of Time has a fair number of Magic systems. The biggest one would be the One Power/True Power, which is more of a blanket "Large" magic system kind of like Allomancy being a blanket for sixteen powers—only the WoT magic system is far larger. I'd count what Perrin/Egwene do in Tel'aran'rhiod as a different magic system. What Mat does as something else, the Talents one can have with the Power something else. Though I'd group all of the Foretelling/Viewing powers into one.

Sounds like a topic for a paper, actually. Any of you academics out there feel like writing one?

Let's just say that The Wheel of Time has a smaller number of larger magic systems, and I tend to use a larger number of smaller magic systems. Confusing enough? ;)

Hero of Ages Q&A - Time Waster's Guide ()
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Czanos

Preservation can fuel Allomancy, (minus atium.) but can Ruin fuel Hemalurgy? (Or atium?) And could Sazed fuel all three Metallic Arts?

Brandon Sanderson

Both gods could, if they wanted, fuel all of the Metallic Arts. Preservation is stronger at fueling Allomancy, Ruin stronger at fueling Allomancy or Feruchemy when it has been given via a spike. Both are balanced when it comes to Feruchemy. But this rarely comes up in the books, as it required expending power in a way that the gods were hesitant to do.

The Alloy of Law Annotations ()
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Brandon Sanderson

Chapter Eighteen

Vindication

I didn't really intend Ranette to become a kind of "Q" figure, providing Wax with a cool gun. I had written into the outline (once I added her) that he got a new Sterrion from her.

However, I wanted some more quirk to her character. Beyond that, I felt that one of the things this book should do is show the ways that Allomancy—and dealing with Allomancers—has entered the common consciousness of the world. It makes sense to build guns to deal with them, just as now we build guns specifically to deal with armor, or specific situations a combatant might find themselves in.

I felt that I wanted to integrate the Metallic Arts more into real society. You may notice, for instance, that I worked hard in this book to work Allomancy and metallurgy into the way that people speak. The metaphors they use, the way they see the world. A person who is up to no good is a "bad alloy." That sort of thing.

It would be possible to overdo this, of course, but I feel—looking back objectively at the original trilogy—that I didn't do enough of it. That's okay, because in the original trilogy Allomancy was something that you kept hidden, and the common people didn't know much about it. Feruchemy was an underground art, and only the Inquisitors knew of Hemalurgy.

Now however, at least two of the three are very common in society. I wanted to account for that. Building Vindication, the special Allomancer's gun, was a way to integrate the two halves of this book—the historical western and the fantasy.