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EuroCon 2016 ()
#4201 Copy

Questioner

I don't have much time to make many more questions to you, but one of my questions--I'll try to make them short, because then we'll open the floor for the audience--one of my questions is whether you could now, seeing the evolution of The Stormlight Archive, what would you say about this evolution, if you could explain it? Since there has been an evolution, imagine you could go backwards in time and explain it to yourself, or even explain it to Robert Jordan, how would you explain it, the evolution of this?

Brandon Sanderson

So, the evolution of what, of my book series, in my head?

Questioner

The evolution of these ten books.

Brandon Sanderson

Okay. Well, the somewhat cheeky answer is that I would never go back in time. I have read this book, and it always ends with you almost getting erased, or coming back to your home being communist, or to some other disaster. Unless I know I'm in the right Connie Willis book, I'm not going back in time, and even then, I might end up in the time of the Black Plague, so I wouldn't risk it.

But to answer it more seriously, if I were to go back in time and explain about The Stormlight Archive to my young self... Boy, that is a hard question, for me to consider what I would say about it, because I tried to write The Way of Kings in 2002, and I failed at writing it. I completed the book, but the book was a failure. I did not have the skill as a writer yet to juggle the number of characters and the depth of worldbuilding that book requires. It is a book that required about twenty years of writing practice before I was able to write it. And so, I think I would tell my young self to keep going, that the work will be worth it, that I will get to the point that I will be able to do it, but I still would have had to write the 2002 version in order to learn how to write the later version that worked. Working on The Wheel of Time was certainly part of that. It was like going to the gym and knowing I was going to have to be lifting these heavier weights, and I couldn't afford to be doing the light weights anymore.

Elantris Annotations ()
#4204 Copy

Brandon Sanderson

In the original drafts of the book, I had Sarene feeling a sense of foreboding here at the beginning of her section. My thought was that we'd just seen the Dakhor attack Raoden–the reader is going to be feeling some tension, so I thought I'd like to keep it up in the Sarene scene.

There's still a little bit of it there, but I cut most at Moshe's recommendation. He felt that having Sarene feel an unnatural eeriness about this particular night was too melodramatic, and implied a kind of psychic link. Personally, I think there's nothing psychic about it–it's just a general storytelling convention that characters can sense when something is wrong.

Either way, I do think the more subdued tone of this first part has its own advantages. By having Sarene completely ignorant, even unconsciously, of what is coming, I think I build a sense of tension. The reader knows danger is approaching.

The Hero of Ages Annotations ()
#4206 Copy

Brandon Sanderson

The Number Sixteen

Demoux's problems here are intended to give me another means of reminding the reader of the statistical anomaly found in the numbers of people who fall sick to the mist. As I wrote the draft, I'm glad I was forced to keep Demoux alive, as doing so gave me a character who was intimately connected with the problems of the mists and the things they were inflicting on people.

General Reddit 2017 ()
#4209 Copy

Kabsal

Huh. It seems a proto-Shallan did already exist as of this version [Way of Kings Prime]. I thought with the prologue's discussions of House Davar that Shallan would have been a more recent development.

Peter Ahlstrom

Brandon sees Shinri and Shallan as entirely different people who have the same last name and are both Jasnah's ward. However, most of the other characters are the same people as they are in the published novel.

JordanCon 2016 ()
#4210 Copy

Questioner

Is there going to be a map of a recommended reading order or is it…

Brandon Sanderson

Oh, yeah, that's a great question, is there gonna be a recommended reading order. So I've started building a guide similar to the one that they put in the back of Terry Pratchett's books in the US. I don't find that guide incredibly helpful, so I'd want to create one that is helpful, that is basically like what we put on the front page where we list all the books saying "if this intimidates you, turn to this page", and then I'll have kind of a discussion of what the varied series are, and what the entry points are and what-- just kind of like a "what is the style of this book". Like if I can say, you know, if you're really interested, if you're, um, you know, Warbreaker, if you want a standalone, a little bit more romance, a little bit more kind of humor and things like that-- Warbreaker. If you're like "I would love something superaction-oriented that has lots of explosions", then Steelheart, right? And if you're like "I like swimming in the deep end. I want to jump in feet first and see how deep it goes", then we send you to Stormlight, right? And I want to have these introductions at the end and kind of give a sort of mention of "A lot of these are connected, you don't need to read them in any specific--", stuff like that. And we're gonna try and get that starting in books, in the near future.

Skyward Pre-Release AMA ()
#4211 Copy

argau

I was delighted to read in the forward to Arcanum Unbounded that the Cosmere was inspired by Isaac Asimov’s Robots/Foundation universe. Elijah, Daneel, Hari, and Dors are some of my favorite characters ever, but I was horribly disappointed by Foundation and Earth, our de facto endpoint for the series. Since you were so kind as to step in and finish Wheel of Time after Robert Jordan’s death, have you ever considered writing anything in the Robots/Foundation universe to bring us to a more satisfying ending?

Brandon Sanderson

Though I too had mixed feelings about Foundation and Earth, I have come around on it over the years--and like a lot of things about it. The ultimate evolution and implementation of the three laws being one of them.

I think every fan of the series has to come to terms with the differences between the two eras of Asimov's writing life, and the different themes of the two different "halves" of the Foundation series. Though I do prefer the tight early narratives, I can appreciate the more philosophical approach of the late narratives.

I could see myself contributing to a themed anthology of Asimov-inspired or in universe stories, should one happen. But I don't ever see myself doing anything like you mention, in part because Asimov had collaborators he worked with that have already been doing things like continue his legacy--and who are much better suited to it.

Shadows of Self San Diego signing ()
#4212 Copy

halo6819

What planet did humans originate on? Or did they originate on Scadrial when Preservation and Ruin got together?

Brandon Sanderson

Humans did not originate on Scadrial, because they were on Yolen, which is a planet before Adonalsium-- the story that takes place before Adonalsium was Shattered. They may have been on other planets, but they-- the very first ones you would care about are probably on Yolen.

Skyward San Diego signing ()
#4213 Copy

Questioner

If someone were to create a human shape, with full articulations, made out of the four Feruchemical Spiritual metals and copper and do like a full dump into them, would it be able to-- I mean, Investiture attains sapience on its own. And then with-- If those were mixed with the memories in the copper would it be able to effectively become an android of the person who created it?

Brandon Sanderson

So we got a couple of issues you have to overcome in creating this. Number one, the memories are not going to attune to the Investiture itself, they're going to be attuned to you. The Investiture as it attains sapience is gonna create its own Identity, which is then going to be a mismatch for those memories. So you would have to find a way to get those memories to work for that creation.

Questioner

It wouldn't tie with the Identity that was stored in the aluminum?

Brandon Sanderson

No, it would not... The other thing you were getting at there though, is that just Investing it alone, you would have to leave it alone for a long time, naturally, for it to start developing anything. And so we're looking at thousands of years, probably. There are ways to speed that process along, but just doing that and leaving it, it's gonna take a while.

Mistborn: The Final Empire Annotations ()
#4215 Copy

Brandon Sanderson

This initial section, with Tresting and the Obligator, was added during one of the last drafts of the book. I had some troubles starting this novel. I really liked the Kelsier section of the prologue (which was originally the first chapter.) However, before I got to Kelsier, I wanted to have a kind of scene-setting omniscient description of the skaa working.

The important part of this zoom out would have been to show them all with heads bowed, then show Kelsier look up and smile. I tried several drafts of this, and eventually settled on something that was okay. Later on, however, I decided that it was just too much of a viewpoint error to have an omniscient section in one of my books, especially since it was the first section of the novel. So, I decided to set the scene from Tresting's viewpoint.

Once I changed that, I like how this scene turned out. However, it does mean that the very first viewpoint that you see in the book is that of a passing villain who doesn't really matter very much. I guess that's all right, but it's part of the reason I moved this back to being the prologue–I think that gives more of an indication that the characters introduced aren't necessarily the main characters of the book.

Other than that, I liked how this scene let me introduce some of the world elements–obligators, Inquisitors, the ash, the nobility, and the Lord Ruler–in a quick, easy way. Plus, I got to have the scene with Kelsier looking up and smiling, which always gives me a bit of a chill when I read it.

FAQFriday 2017 ()
#4216 Copy

Questioner

Why didn't Dalinar get the powers of a Stoneward when he bonded Taln's [Honorblade]?

Brandon Sanderson

Some readers have already figured this out, so I don't think I'm engaging in too large a spoiler to dig into this one here.

There are several oddities going on here. The most important one relevant to this question is the Blade in question. If you compare the descriptions of the sword described in the epilogue of The Way of Kings to the one that traveled with the madman (allegedly Taln, the Herald) to the Shattered Plains, you'll find they are different.

The one that the characters obtained in Words of Radiance is NOT an Honorblade. It's an ordinary Shardblade (as ordinary as one of those can be called.) I'm not going to say specifically what happened to the Blade Taln arrived with at Kholinar, but I will say that it IS a different weapon from the one in Words of Radiance.

The other issue here is the somewhat lesser question of whether this character is actually Taln, the Herald, or not. Some characters in-world don't believe that it is, though his viewpoint in Words of Radiance strongly implies otherwise. This isn't specifically relevant to the conversation for reasons I'll talk about below--but it is tangentially related. Because in the cosmere, Intent is important to many of the types of magic. It's theoretically possible to hold an Honorblade and not realize what its powers are, and therefore be unable to access them.

As an aside, this character was actually the primary protagonist of the version of The Way of Kings I wrote in 2002. A man who woke up, with lingering memories of madness, and claimed to be a Herald when nobody believed him--as he couldn't manifest any powers, seemed to have lost his sword, and lore said the Heralds weren't coming back anyway.

When I wrote the new version of The Way of Kings in 2009 or so, one goal was to focus the storyline. I'd included so many characters in the 2002 version that none of them progressed very far in their arcs, creating a strong setting and interesting characters--but a bad book. During the new version, I decided that this character would be moved to the later books, and I'd explore him there.

In the 2002 version, the text was very dodgy on whether or not Taln was a Herald. Confronting the fact that he might be crazy was a major arc and theme of the book--however, as I've worked on the new version, I've realized that it would be dangerous to be too vague on this. Stringing people along with the question for a book or two is one thing, waiting until book six or eight to do a character's arc, and leaving the question of whether they're a Herald or not all that time, seemed unfair.

So the text is going to be making manifest fairly quickly who this person is. You'll have confirmations long before we dig into his viewpoint in the later books.

So, a recap:

1) The swords WERE swapped somehow.

2) Someone could hold an Honorblade and not realize they had access to powers.

3) This character may or may not actually be a Herald--but the text is going to make the answer clear, and I'm not trying to trick you.

Shadows of Self San Jose signing ()
#4217 Copy

Brandon Sanderson

I'm working on a story slowly about a world where diseases grant powers while you have the disease. The pitch is you catch the common cold, you can fly until you get it over. This is the idea that bacterial and viruses have evolved to grant these powers in order to spread themselves, and so I need some help with my immunology stuff. Even if it's just...

Questioner

No one ever needs immunologists.

Brandon Sanderson

Here. Give a list of good diseases that have a certain like how long it takes the average person to get over them, and I have to really work out the viruses that you don't ever really get over. Right?

Questioner

The chronic ones, like yeah.

Brandon Sanderson

Like how does that work with the magic, and cuz I actually want one plot point of the story for someone to invent penicillin. And its basically like a weapon, right? To knock out people's powers, and so, I have to make sure I can only use those for bacteria and I have to know how that's going to work and stuff.

Skyward Seattle signing ()
#4218 Copy

Hoiditthroughthegrapevine

If a Dysian Aimian had the Elsecaller honorblade, could just a single hordeling transition to the Cognitive Realm? 'Cause I think I've heard that a person couldn't just transition a single part of their body.

Brandon Sanderson

They could transition a single hordeling, but as it works right now, they would probably lose contact with the host and would become broken-off and no longer part of the hive. It's not truly a hive. But it would be like of your finger got cut off and sent to-- something like that. It would start acting independently.

Hoiditthroughthegrapevine

So would you have to have the preponderance of the Dysian Aimian transition to the Cognitive Realm? And the ones that stayed in the Physical Realm would be cut off?

Brandon Sanderson

Yeah. It would be bad for half-and-half to go. Let's say that, one thing that they would love to be able to do is to have a little more versatility there. Let's just say that.

FAQFriday 2017 ()
#4219 Copy

Questioner

If a fantasy book had an unhappy ending, would that affect how it was received by publishers and readers?

Brandon Sanderson

This is an interesting question to be asking! I'm going to preface this by saying a couple things.

First, there is a difference between UNHAPPY and UNSATISFYING. These are two completely different things. For example: many classic tragedies are enitre stories with momentum pushing toward the tragic. A modern fantasy example would be some of George R. R. martin's work, where the books often have tragic endings, with the protagonists losing or dying. (Granted, his series isn't done yet, so there's no way to know yet if the final ending will be tragic or triumphant.)

These books are still satisfying, however. The tone of these stories implies that tragic events will occur--and sadness is a powerful emotion. Stories exist, in part, to explore emotion. If the Story is built well, and handled expertly, the reader will be SATISFIED with the ending even if it's tragic. You will feel, "This is where the story was supposed to go. Even if I don't like what happened, it's beautiful in its tragic nature."

Many long form stories also tend to have a balance bittersweet ending. Some things are accomplished, some things are lost. As one might say on Roshar, it's not about the last page--it's about whether the journey there was worthwhile.

In response to your question, then, my instinct says that the sadness of the ending doesn't have a direct correlation with sales, goodreads rating, etc. Quality and deft ahndling of the material will certainly affect these things--but not specifically if the ending is happy or not. Publishers would certainly publish one with a sad ending. Note that if you take the bodies of work by some creators (Including both Shakespeare and Star Wars) the most popular and most successful installments WERE the ones with the sad endings.

(Note that I DO think certain readers are going to dislike an ending that is sad, while others are going to dislike an ending that is too neat and happy. Individual certainly will have opinions. I just think the balance, at the end, will probably be around the same.)

That said, you do focus on a "Bad" ending, equating it with sad. So in the interest of discussion, I'll call this a sad ending to an otherwise upbeat book--a twist of tone that happens right at the end, unexpectedly, leaving the reader frustrated. This would be an ending that completely defies genre conventions. The heroic adventure story where the hero unexpectedly dies at the end, or the Jane Austen style romance that ends with the love interest running off with some other woman.

There would be a subset of people who would just love this, but I think if the book doesn't give the proper tone promises at the start, it would create a less commercially viable work. I don't think this is a reason not to try something like that as a writer, but I do think you might have more trouble finding an audience.

Warsaw signing ()
#4220 Copy

Questioner

<> <and then he flies away, end of scene> <Lift eating pancakes> <>?

Brandon Sanderson

Yes. That's intentional. There's more to that story, but I'm cutting around it a little bit because I don't want to spoil Oathbringer, where we really dig into the ramifications of that change. I didn't want-- Because I wouldn't-- that would raise so many questions, so I did cut around that idea and leave it out of the end of Edgedancer intentionally. So, next book will answer that.

Alcatraz Annotations ()
#4221 Copy

Brandon Sanderson

People who weren't impressed by how advanced my culture was

Man, this book is preachy, isn’t it? Ah well. Good thing it’s written from the viewpoint of a guy up on his soapbox dispensing wisdom. Otherwise it might get pretentious.

Isn’t it funny how I can get away with so much in a book like this? If I tried to be this overt with theme and message in one of my epic fantasies, it would completely ruin the book. I always talk about how books shouldn’t have intentional messages–only the messages that the characters want to talk about. However, you can’t help having things come through anyway. And as soon as I started writing in first person with a humorous tone, all kinds of things popped out.

In this chapter, we get Alcatraz having to face the fact that America doesn’t have all the best stuff. This is kind of hard to swallow, sometimes. Everyone wants to believe that their country is the best, and I’m afraid that Americans sometimes tend to go overboard with this.

Rhythm of War Preview Q&As ()
#4222 Copy

jurble

Maybe I'm seeing things but it seems like this chapter is reinforcing to the reader that Kaladin is special amongst the Radiants as well? Or maybe that's just me seeing it like that as a Kaladin-fanboy. I'm a sucker for traditional heroes (and being moody hardly disqualified Achilles from being a hero after all).

Brandon Sanderson

Every one of the main characters I've chosen to focus on has a kind of special relationship with the narrative and the Radiant Oaths, Kaladin included. But I wouldn't say that he is more so than Dalinar, Jasnah, Szeth, or Shallan.

Echono

Interesting, since the Oaths seemed designed to push people to be their ideal selves. Literally power from character growth. Are you saying not all radiants would have this same personal journey tied to them the way our main cast does? Some of the new Windrunners like Lopen are growing, but don't seem to have to overcome the same personal milestones the way Kaladin does. Relatedly, are the these Oaths simply a 'natural' extension of the spren that initiate them, or are they specifically designed to groom (er, cultivate even?) the Radiant to a new self?

Brandon Sanderson

I'm more saying, for example, that Kaladin founded the Windrunners. It doesn't mean the others aren't growing, but he has a special relation with the narrative in that he the reason a lot of other people are Radiants. Likewise, Dalinar (as a bondsmith) has a very different relationship with the narrative than, say, Lopen.

White Sand vol.1 release party ()
#4223 Copy

Questioner

How do people live on the Darkside [of Taldain]?

Brandon Sanderson

Oh!

Questioner

Because like... how to plants grow...?

Brandon Sanderson

So, Darkside has a really weird thing going on. *brief interruption* So, Darkside is full of life. UV light comes through. In fact, on Darkside-- it's very interesting-- basically my concept for Darkside is everything's under a blacklight. So...

Questioner

So it's like the scorpions you see in the--?

Brandon Sanderson

Yes. So actually people's fingernails, eyes, and hair glow on Darkside. And a lot of plant life glows, and things like this.

Firefight Chicago signing ()
#4225 Copy

Questioner

How does it feel to be now known as a mentor to younger writers?

Brandon Sanderson

How does it feel to be a mentor to younger writers? Well I think the fact that I've taught a university course on How to Write Science Fiction and Fantasy for ten years, I kind of had to get used to that pretty early. I took over the class because they were going to cancel it because there was no one else to teach it. The teacher who had been teaching it retired. And so I stepped in and took it over and I still teach it to this day. My requirement being that I get to post the lectures online. So if you want to read them-- err watch them, you can watch them at brandonsanderson.com/writing-advice. Or you can ask for one of these little cards that has my url on it when you come through.

How's it feel? It feels pretty cool honestly. I like interacting with new, young writers. I like helping them out. I'm really proud of like Brian [McClellan] and Janci [Patterson] who've gotten published. *aside to the booksellers* You have Brian's book right there? It's really quite good. He's one of those ones I really can't take credit for, because he came through and he was writing awesome stuff and so I told him like the business side. Here's how you go get published. Some of the other ones, I've been able to give them pointers on their actual writing, that I think have helped out. But I think with Brian he was there already, he just needed the boost to get into the industry.

It feels pretty cool.

Skyward Pre-Release AMA ()
#4228 Copy

kakarotoks

As for Skyward, you said before that you got stuck because you weren't liking it, then you finally figured out how to fix it, will you write a blog post after release about how it was before and what needed to be changed to make it fit your standard?

Brandon Sanderson

Did I say that about Skyward? I got stuck on Apocalypse Guard, and pulled it for that reason. I don't believe I had any big issues with Skyward that weren't up to standards, just normal revision issues. The biggest hurdle came long before writing the book, as I was trying to figure out ways to approach this plot archetype in a way that wouldn't simply be a rehash of what people have done before.

Elantris Annotations ()
#4230 Copy

Brandon Sanderson

Another big nod of thanks goes out to my thesis committee for their suggestion regarding this chapter. I'm not sure how I missed it, but in the original drafts, Raoden and company never acknowledge the fact that Hrathen had been healed. They never even mentioned it, and they certainly didn't give their thoughts on why it happened.

The fix was an easy one–you can read it in a few paragraphs in this chapter. However, the fact that it hadn't been there before was indeed a problem. Moshe was dumbfounded when I mentioned the oversight to him.

So, thanks Sally, Dennis, and John. You saved me from some embarrassment.

I like the explanation that Raoden gives here for Hrathen's healing. It seems like it would make sense to the Elantrians, and it saves me from having them suspect what was really going on.

Barnes & Noble B-Fest 2016 ()
#4231 Copy

JoyBlu

Do you have a pronunciation guide anywhere?

Brandon Sanderson

So, we need to put one of these up. I put one up for Elantris. The trick with pronunciation guides is that, personally, I am kind of a believer in that I write a script where you are the director. You get the script I've provided, and then as you read the story, you are creating the actual final detail of how everything looks and osunds and stuff. And so, in your head, your version of the character names are canon to you, and there is no right pronunciation, really. I can give you the one that I thin is closest to how they would say it in-world, but I don't even always say them right. For instance, I just said Tashikk for the country in the Makabaki region when I was reading the Lift thing. But that's actually the Arab ق (IPA: /q/) sound, I can't even do it, it's the double-q. I can't say that. *Brandon tries to say taʃiq* Peter can do it, my editorial assistant, he's not here, but he can do it. I can't. I say them like an American. I say "KELsier" (ˈkɛlsiər). They say "kelsiEY" (ˈkɛlsiˌei). So, is my version right? My version is wrong, but it's right to me? So, yeah. But if there's a character name you want to know how I say it, I can tell you. Is there one specifically?

Questioner

Shallan?

Brandon Sanderson

I say shuLAWN (ʃəˈlɔn). But, again, none of us are actually Veden like her, so who knows how they say it? They would have some accent that would be something that I can't even do.

Questioner

What's Sazed? How do you say that?

Brandon Sanderson

Oh, Saze? So, I say say-zed (seizɜd). But I say that, and that's how Kelsier says it. Sazed himself is from the Terris region, he's gonna have a slightly different pronunciation. I would say that say-zed is not how he says it. It's gonna be either sawzd (sɔzd) or, it's gonna be something softer like that. I just say it like Kelsier does. But he says it wrong, depending on your definition of wrong.

Words of Radiance Philadelphia signing ()
#4232 Copy

Leiyan

So I had some things I figured out, I just wanted to know if they're maybe true or not. So I have that the orbits of the moons would precess so that the farthest point is always pointing towards the sun.

Brandon Sanderson

So, one more time.

Leiyan

[Holding out and point at diagram she brought] So they precess, so that the long point is always towards the sun?

Brandon Sanderson

Ok, so, we have figured all this out. It's in the wiki...so me just saying...it's not in the wiki that you can find. I would need to go compare this to what we have. 

Leiyan

Because I was wondering how accurate these were, but that's ok, so I can skip that bit. I had like...

Brandon Sanderson

All the calculations on things like this...this is stuff where I sat down with Peter, who knows much more astronomy than I did and said "here's what I want" and he's like "well it has to be this" and I'm like "ok".

Elantris Annotations ()
#4233 Copy

Brandon Sanderson

Chapter Sixty-One - Part Four

Hrathen and Sarene There is some good, if terse, exposition here with Hrathen sorting through his feelings. I don't think he really wants to come to any answers right now. Logic has lead him astray before, and now that he's doing what he feels is right, he doesn't want to pause to give himself a chance to consider the ramifications of what he’s done.

Again, Sarene has fulfilled her purpose in the book. She's thrown chaos into Hrathen's otherwise-orderly life. However, her chaos here–just like the chaos she caused in Elantris with her food–eventually proves to be a good thing. It inspires change for the better, even though that change is painful.

And, of course, I remind the reader here that there is something odd about Hrathen's arm. I've only mentioned it in a couple of places, so I don't expect people to remember what is going on here. I actually forgot to have the sleeve in the original rewrite. I didn't even think to notice that his Dakhor arm would be exposed to Sarene in this scene. . . .
Skyward Seattle signing ()
#4235 Copy

Questioner

If you had a huge block of metal, a single block of metal that's big enough to build a city on, would that just show up as a single bead?

Brandon Sanderson

It depends on how people think of it. The perception of the people in the Physical Realm has a big effect on how things appear. And also the effect of how people see it on that side shapes it over time as well. And often times-- We'll leave it at that. It gets a little complicated.

JordanCon 2016 ()
#4236 Copy

Questioner

Does Hoid learn languages magically or is he just a gifted linguist?

Brandon Sanderson

He is learning them magically. He does-- He's decent with languages but he needs to be able speak as if he were a local in order to pass the way he does. And no matter how gifted you are, doing that, particularly for multiple tongues, is-- Yeah.

Skyward release party ()
#4238 Copy

JoyBlu

At the end of Oathbringer there is an agreement between Odium and Taravangian.

"If you help me, I will save your family.  Anyone within two generations of you."

Taravangian says "Not enough."

"Then we have no deal"

And so then they go on and they make the deal that says "The city itself, and any humans who have been born into it, along with their spouses."

Was the grandchildren included in that? -- or was it meant to be ambiguous?

Brandon Sanderson

Depends on where they were born.

JoyBlu

And then, Grandchildren. There are three listed of Taravangian's: Gvori, Karavangia, and Ruli.  There is also the one that Shallan drew the picture of which I think is a different one.  Is that right?

Brandon Sanderson

*nods head in agreement*

JoyBlu

So far we have four granddaughters.  Karavangia is obviously named after her grandfather, Right?

Brandon Sanderson

*nods head in agreement*

JoyBlu

Does he have more grandchildren named after him?

Brandon Sanderson

*shakes head no*

Why are you asking?

JoyBlu

I was wondering if Tarah was somehow related to Taravangian.

Brandon Sanderson

Good question, no.

Shadows of Self Boston signing ()
#4240 Copy

AndrewStirlingMacDonald (paraphrased)

Are there any other Davars that are Invested?

Brandon Sanderson (paraphrased)

*laughs* That is TOTALLY a RAFO.

AndrewStirlingMacDonald (paraphrased)

I mean, I knew it, when I asked.

Brandon Sanderson (paraphrased)

"Are there any?" is an odd question. Depends on what time you're talking about. But let's just say there are few people in all of Roshar who've gotten as far as Shallan.

Firefight Chicago signing ()
#4244 Copy

Questioner

Do you ever listen to your own audiobooks?

Brandon Sanderson

I do on occasion. I don't listen to them for long because I will find myself wanting to change things. And that's dangerous...

Questioner

Do you have a favorite narrator that you--

Brandon Sanderson

I do--

Questioner

Of your books and of other books.

Brandon Sanderson

It is Michael Kramer, who did the Wheel of Time books. Which is why I asked for him on my books.

Argent

If I may, how do you feel about Graphic Audio?

Brandon Sanderson

I, personally, love that they are available but I find them kind of distracting when I'm listening to them.

Argent

Too much--

Brandon Sanderson

Yeah. I'm glad-- I mean I want to sell as many of them as we can because there are some people who just love them. But I actually love straight reads, like I like Wil Wheaton's reading, where there's very minimal voices.

Argent

Well that's because it's Wil Wheaton.

Brandon Sanderson

It is Wil Wheaton but I-- I do like Graphic Audio because they use women for women's parts, men for men's parts, which is really helpful. Men doing women's voices in books, and women doing men's voices as readers, a lot of them are like fingernails on a chalkboard for me.

Barnes and Noble Book Club Q&A ()
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Zas678

My last question shouldn't be as hard to answer and that is: Who is in charge of the Mistborn movie you mentioned at the #tweettheauthor?

Thank you so much, I love your books!

Brandon Sanderson

It is a small production studio, so nobody you'd recognize. The producer is a fan of the Mistborn books who has some credentials in independent films, and who has impressed me with his treatment of the books and his determination to make the film. This individual is starting a production company to focus on the film. We're in the contract stages now, and once that is done, I can be more specific.

It's not like the Alcatraz movie, which was optioned directly by a studio. Because of that, the Mistborn movie is probably a lot less likely to happen—but, the hands it is in are quite good. Anything having to do with Hollywood is a long-shot in the first place, so (after meeting with the producer) I decided that I'd rather take the slightly more unlikely chance in exchange for the opportunity to work with someone I felt understood the books.

Barnes & Noble B-Fest 2016 ()
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Questioner

Which one have you been the most excited to write? Which brought the most joy to write?

Brandon Sanderson

Yeah, it's really... I love them all. I wouldn't write them if I didn't. I'm at a position in my career where I can say "I'm just not writing this book right now," and not do it. I would say that I'm most proud of the Wheel of time because it was so hard. Particularly the last one, I would say I'm most proud of.

JordanCon 2016 ()
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Questioner

Speaking of the Stormfather, would the Nightwatcher and the giant water spren be on the same level of spren as the Stormfather?

Brandon Sanderson

...The Nightwatcher, yes. Um... There are, I would say, a level below the Stormfather and the Nightwatcher who are also much-- a much bigger deal than something like one of the sapient spren, and that's what Cusicesh is.

Questioner

So the Nightwatcher is a spren you'd say?

Brandon Sanderson

The Nightwatcher-- I mean, they call the Nightwatcher a spren. Everyone in the books thinks the Nightwatcher is a spren. That's what they would call-- that's what they would call, if they knew what Honor was, they would call Honor a spren. A spren is Investiture that is alive.

Bystander

Nightblood?

Brandon Sanderson

So they would call Nightblood a spren. They would call-- That's the word for what all of these things are. They would probably've called Adonalsium a spren…

Moderator

What would Hoid call one of those?

Brandon Sanderson

What would Hoid call the Nightwatcher? *laughter* What would Hoid call one of what?

Moderator

Yeah what would Hoid call the Nightwatcher?

Brandon Sanderson

Um… *long pause/laughter*

Moderator

If Hoid were to use a non-proper noun?

Brandon Sanderson

Unpleasant names. *laughter*

Miscellaneous 2014 ()
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Paragrin

You know you're a Sanderfan when... You're reading Beowulf in English class, the teacher is talking about all the Christian references having been added after the original writing, and you're thinking Storming Hierocracy.

Peter Ahlstrom

Actually Brandon did this in Elantris with a poem based on the style of Beowulf. None of the poem actually appears in the published book though. And we can't find the longer version of the poem. It's probably on a really old laptop.

Shadows of Self London UK signing ()
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Questioner

I finished Shadows of Self and TenSoon is still wearing the dog body, why is that?  

Brandon Sanderson

Because he found he liked it.

Questioner

Really? Because he hated it so much.

Brandon Sanderson

He did, he actually changed back and just didn't like it, he couldn't adapt. So he went back to what he had found very familiar now.