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It seems like we need a ton of Radiants since, like, yesterday. Are these ones gonna get really buff? Or is Lift gonna recruit? Are there lots of shoemakers and Lifts that haven't been found that are gonna come out of the woodwork?
There are some that haven't been found. That's part of the point of the interludes, is to show "This is happening other places."
Are there any existing MtG cards with little lore behind them that have really gotten your creative juices flowing? For example, cards like Helm of the Host or Dark Depths, which hint at tons of story potential but are otherwise ignored by the larger ongoing story.
I have always loved Dark Depths for that reason--and for similar reasons, I like cards that tell a story by themselves. (Figure of Destiny, or the Sagas are examples of this.)
When are you gonna finish the Scribbler [The Rithmatist] - and just by the way I'm a huge fan, and like all of your books are amazing.
Thank you so much!
Uh, so Scribbler we will probably finish... eventually but I don't have a specific date. It's a side project, it has to squeeze in between the other books. When I feel a little ahead on something, that's when we'll see me doing it.
Is that how you work? Just whenever you have strength you just...
Well, normally I'm very good at planning all of what I'm writing and the books that are coming, but side projects like that... like, I will finish Stormlight 4, I'll write Wax and Wayne 4 and I'll write Skyward 3, and then we'll see if I have time right then, and if I do I'll slide in a side project and if not I have to go straight to Stormlight 5. So like, Stormlight, Mistborn, Skyward right now are the things I have to have deadline on and be regular. Side projects is whenever the time happens.
What is Endowment’s long term plan? Like just even in general, is she just like “Keep Nalthis safe” like Sazed is or is she like, does she have a plan for...
Nooo, um...
You don’t have to tell me but like, does she have a plan that involves the cosmere...
Not really.
...or is it just to stay on...
She’s more focused on her thing.
Title Page
You'd be surprised how much can be said about the title of this book. Naming books is one of the most frustrating, and most fulfilling, elements of writing. I'm more fortunate than some authors I know–for most of my books, the names came easily. Sometimes, I even came up with the title before I wrote the book. (This has actually only happened once, when thought up the phrase "The Way of Kings," and thought "Man! That would be a great title for a book!")
Elantris has had several titles. During the rough draft phase, I simply called it "SPIRIT." I knew that the main character's name would be based on the character for Spirit, and that would also be the name he took for himself when he was in exile. I never intended this to be the final title for the manuscript, but it was what I named all the files when I was typing the work.
Those of you who've read the book realize the special significance of "Spirit" (or Aon Rao as it eventually became known) to the climax of the story. I'll talk more about this in a bit.
Well, as I was writing the story, I realized I needed a better title. The most obvious choice was to somehow work in the name of the fallen magical city that was the focus of the book. Now, I'm a little embarrassed to admit this, but the city "Elantris" was actually originally named "Adonis." I'm not sure what I was thinking. Sometimes, when you're coming up with a lot of fantastical names, you create words that have a certain, unforeseen connotations or connections. In this case, I wasn't even thinking of the Greek myth. "Ado" was simply the Aon I chose to base the city’s name around, and "Adonis" (Pronounced with a long "A" and a long "O") was the word that came out of that Aon.
So, I named the book The Spirit of Adonis, hoping to play off of Raoden's name.
It was, however, actually a three-fold pun. I included this line–"The Spirit of Adonis" at the climax, when Raoden realizes that the city itself formed an enormous Aon Rao.
I didn't realize what I'd done until my writing group met for the first time, and they said "I like the beginning of the book. I'm having trouble figuring out what this has to do with the Greeks. Is it because the god-like people were so arrogant?"
Then it hit me. Adonis, from Greek mythology, was a beautiful man loved by Aphrodite. The word has become a kind of paradigm for a beautiful–almost perfect–specimen of the male species. And I had unwittingly named my book after him.
Let's just say I changed that pretty quickly. However, I needed a new name for the city. I played with a number of different combinations of Ado, but somehow ended up trying up different sounds and combinations. Thankfully, I came up with the word "Elantris." As soon as I wrote it down, I knew this was my city. It sounded grand without being overbearing, and it had a mythological feel to it (hearkening slightly to "Atlantis".) I renamed the book "The Spirit of Elantris," and proceeded.</p>
Then came time to send out the manuscript. I had had some comments on the book–people liked "Elantris," but the "spirit of" was less popular. I tried several iterations, and even sent out some query letters calling the book "THE LORDS OF ELANTRIS." That just felt too cliché fantasy for me, however, and I eventually returned to "The Spirit of Elantris."
Finally, the book got sold. At this point, my editor (Moshe Feder) suggested that we shorten the title to simply Elantris. Remembering how other people had been unimpressed with the "spirit of," I agreed. Now that I've seen the cover lettering and worked with it as "Elantris" for some time, I'm very pleased with the change. The new title has more zip, and makes the book sound more majestic. I still get to have a reference to my old title, as Part Three of the book is called "The Spirit of Elantris."
Of course, even this title isn't without its problems. People have trouble spelling it when I say the title, and some think of the car named the "Elantra." At one panel, I even had one person miss-hear me, thinking the name of the book was "The Laundress." That would certainly be a different book...
I will also be doing another YA series to follow up The Reckoners, for those who like those. This one-- So here's the pitch. I'm actually pitching one of my books! It's great. *laughter*
It's the story of what happens if you call the Justice League for help and they're all gone solving a bigger problem and you get the intern. *laughter* It's actually about a girl named Emma and she is the coffee girl for the Apocalypse Guard who are-- Like in the Reckoners universe there's people with super powers. The Apocalypse Guard is kind of bigger than that. In the Reckoners books they've discovered the multiverse, the different dimensions-- A very comic book thing. I'd already done something like the Cosmere, so I decided to go with the multiple dimensions theory in this one. Some of them are stable, they're real worlds and things. A lot of them are just shadows. But the stable ones, they find, are all undergoing some big disaster. Or most of them are. It's all kind-- Something is happening that's put all these worlds in crisis. And so they formed the Apocalypse Guard. There's people with superpowers but there's also lots of engineers and scientists. It's not like they sweep in and save the day in a couple minutes, they spend like eight months building this big plan to save these planets. And so they've got a plan, they're going to save a planet, and then something attacks them. Completely unexpectedly. Disaster happens. Emma the coffee girl gets transported to one of these worlds that's about to be destroyed. And she has no powers, they're all off fighting whatever attacked this thing, and she either has to get off this world or put in action their plan, that they've been working on for many months, by herself and one guy that is tech support. *laughter* Yeah, those are our two main characters. One is tech support, over the headphones, trying to talk her through putting the plan together. And she is the coffee girl. And they have to deal with this.
The world is actually a cool one I came up with a few years ago that's surrounded in an envelope of water, all around it. Based on the idea of the Firmament. So there's land, air, and then water. And the water can't come crashing down, but it's where some old philosophers thought the Flood was. In ancient days, before the Flood, you would have looked up and seen air, the clouds, and then an envelope of water. The Firmament. And I've always thought that idea was really cool, so that's going to happen on the world. They've got to stop the flood that's going to destroy the planet. Or get off of it, or something.
Lightsong Is in Prison
Lightsong here is not giving up, which I think is very appropriate for his character. He still has his sense of confidence. In a way, the priest who kills Blushweaver is right. Lightsong does still see it as a game. His life in the court has taught him that things aren't ever dangerous for him. This is all just politics, and a big piece of him feels that he's just on an adventure. He finds it exciting.
That's why Llarimar blows up at him. It's not Lightsong's fault—he's been trained by the last five years to look at life this way. But here, the games have ended, and it's suddenly become very real and very dangerous. Llarimar is the type who is very calm headed until you just push him past his snapping point, and then he loses it. It's hard to get him there, but the current situation is enough.
How do safepouches work?
Imagine an envelope that you can button closed.
How many hands has Nightblood passed through since he left Vasher?
Since he left Vasher? More than you'd expect. *later adds* It's been a while.
What's up at the south end of the world (during the 'closer to the sun' phase)? Life there? Cultures? Allomancers? Assuming that there is some life down there, can we assume that we'll have some interesting 'culture clashes' in future books?
They will be known by the modern trilogy, so it's safe to assume that a discovery will happen soon. Either during the Alloy of Law era or soon after.
I've been trying to brainstorm what Stormlight characters would have jumped into the other books so far. You told me they had at one point.
Yes, they have but you've got to remember that The Stormlight Archive you are seeing right now, what's happening in it is like late cosmere era, does that make sense? So there are lots of people from the world that have been to other worlds but the people you know--this is happening just before Alloy of Law era-- So does that make sense? That's the first time you'd be able to see anyone here and by that era the bleed over is a lot less because we have the whole Odium trapped and things like that. There's a lot less-- There are a lot fewer people traveling in and out of Roshar than there once were.
Where does the fiber for fabric come from on Scadrial?
[Brandon misunderstands the question to be about Rosharan fabrics] Some of it comes from seasilk. The silk is not the same silk that we [have], most of it is from plant-based textiles. Most of the-- here we have insects, we can use their cocoons and stuff; cocoons on Roshar have rock in them. And so it's a little bit hard. But a lot of the plants do too, and there are a lot of plant-based textiles you can use, so...
Didn't you ask about Scadrial?
Oh, Scadrial! I was thinking about Roshar. Yeah, Scadrial is an Earth analogue. Scadrial is my place that if it's on Earth, you can assume it's on Scadrial. That is not the case for the other worlds, but it is for Scadrial.
Can you make a Hemalurgic spike and get two people at the same time?
So, it's going to Invest from the first one and then potentially spike it into the second one, what it is stealing from the first, generally is what's going to happen.
When creating something for Mr. Sanderson, is it normally a back and forth? As in, if he sees something you draw that doesn’t quite fit what he imagined but might run with it, or is it more so slightly editing stuff until it resembles exactly what was in his mind?
Good question! It is normally a back and forth. Oftentimes we work hard to get a specific vision he has in mind. Other times, he'll see something he likes better in the concepts I present to him. He's pretty open to new interpretations, if he likes the direction we're going better than what he originally had in mind, so long as we don't contradict what's already been written in the text. There have been several times where the art has informed the text of an in-process book, and we go back through the book to change the descriptions to match the art. But most often, we make sure that the art--as best as we can--matches the text.
Is there a time when you two felt strongly on a design and disagreed, or are you both very open minded?
This occasionally happens, but we're both very open minded about these sorts of things, and in the end, Brandon is the director of his stories. I would let him know if I thought going a certain direction in the art was a bad idea. He would let me know if thought the same thing about a direction I was taking something. It's a very respectful process.
Was Nazh married? Do you know how to pronounce the full name?
We call him Nazh (næz), and his name is Nazrilof (ˈnæzɹɪlÉ”f).
We're not ready to reveal whether he was married yet, or not. Or if he still is married. A lot of questions there. However, this is something that we are actively working on, is Nazh's backstory and Khriss's backstory right now. Actively working on them.
I have a question on the recording, since that's mine. To clarify, we need to send it to Peter? The transcripts, or the audio?
The transcripts.
Of all three days?
Yeah. Only the things you're going to post, they're gonna cut out almost all of this. Run it by him. There's a question I'm trying to remember where I flubbed yesterday. I can't even remember what the question was. A lot of times, you're sitting here, and you're just, like, brain dead as people are coming through, and they say something and you're like "Yeah, uh-huh."' And then, you're like, "Wait, no. That's not even the question they asked." I'm pretty sure I got the important words right, but send it through him. It's a practice that I want to get in the habit of doing.
And he sometimes will have all these things all in the notes, so he gets them, and can add them to make sure they're in the notes, for continuity and stuff.
*Talking about Mistborn and Feruchemists.* Personally, which one would you rather be?
Probably a Mistborn. Because I want to be able to fly. Even kind-of/halfway/maybe/sort-of fly.
Are we ever actually gonna see a picture of the Ghostblood symbol?
Yes. We had a prototype. We decided it didn't match well enough what I said in the book, so we're back to the drawing board. There is one floating around online that is pretty good.
I loved the ending of Words of Radiance. When you come up with an idea for a new cosmere book, do you have to go "Oh, now I have to figure out how this fits in with everything else", or do you have it pre-made?
I have a few little holes that I can slot things into, and I try to get them to fit the roles, like I know there are certain things that need to happen, and if it doesn't fit the role, I just go ahead and make it a minor planet, like Shadows for Silence, where I can write a story, but I can't put as much magic into those books. So I've got a few restrictions on me, but I think that's important for maintaining the continuity.
Do you get to work with illustrators?
I do. In fact, the interior artists I hire myself, just to make sure that they look the way I want them to. The cover illustrator, normally author's don't have much control over that. I'm kind of a special case, and so I've been able to pick my cover illustrator for the last few books, and so I have a lot of influence over these sorts of things. It's not standard. I think the artistic design of these books is very important.
Where did you get the inspiration for the <pilot unit> in Skyward, because you get the culture of the piloting program in Israel very well!
I actually went to a lot of pilots and asked them to be my beta readers and talked to them and they gave me a bunch of feedback.
Is there or will there be a shard for Entropy?
That was/is Ruin.
Is there anything in the works right now roleplaying-wise for any of your other works?
Not yet, the response to the Mistborn rpg has been good so I do think we'll do something eventually but right now we just want to support that. It takes a lot of effort to keep one of these supported, because they make it but we have to read everything and talk about continuity and stuff. Maybe eventually.
Siri mentions sounding out words as she reads. This was actually a very common thing in most cultures, even literate ones, up until the modern era. People would speak to themselves as they read. Even someone who could read, like Siri, wouldn't be particularly accustomed to reading. Their society didn't demand it the same way that ours does.
In her scenes with the God King, I didn't have her sound out the words for reasons of brevity and clarity. However, if you were there watching, you'd hear her reading out loud each word that the God King wrote on his board.
Everyone Is the Hero in Their Own Story
Another of the big plot events I wanted for this book was to have a character work for the wrong team for a long period of time without realizing it. I'd rarely seen this plot twist in a book, and even more rarely seen anything like it pulled off with any skill. So I wanted to try my hand at it.
Vasher is right here. Denth was playing with her when he told her that line about heroes. He said it partially because he was trying to justify what he was doing, and partially because he was amused that she thought she was doing what was right—when she was a major motivating force driving her people toward destruction.
Vivenna thought she was the hero, but she was the villain—at least for a good chunk of the book.
Who did the Crownlands historically belong to before there was a king and what purpose do they serve now?
At the moment the Crownlands are the property of the king and work for him, to earn money or to give them away to a lord. Before Gavilar, they belonged to some princedom.
Book six is halfway done, Bastille is writing it. She's doing a very good job; I'm quite excited by her version. It involves lots of stabbing things and Bastille making fun of Alcatraz. It's turning out really well and I think you're going to like it.
I asked him to write something about the Nightwatcher.
The Nightwatcher isn't the same as Cultivation.
I like that you are very involved with the fans. I want to start reading your books. What's the first one to start with?
If you want more action, Mistborn. If you want a slower, more thoughtful pace, Elantris. Thanks!
I have a weird kind of amputation where they reattached my foot back onto my leg so it's sort of like a knee joint. Would Stormlight healing be able to heal that?
A lot of it is going to depend on your perspective on it. But I would say yes, in most cases it would be able to.
So it would grow the leg back to how it normally was?
It would take a little work, but it would. But your perception is going to influence it.
When you tap the nicrosil portion of a medallion, will it run out over time? Or is it like a coppermind, where something discrete is taken, used, and returned?
Good question! Like a coppermind.
When Hoid took the bead of lerasium, did he actually eat it or did he just hang on to it?
You have seen him use Allomancy in other books, so… there's your answer.
The obvious question is probably, "Why isn't your New York publisher doing these?" Well, to be honest, these books aren't right for Tor. They're just too short, in my opinion, for a traditional bookstore release. (Though I originally did do one of them with Tor.com.) I wanted to release nice collector's edition print versions and cheap ebooks at the same time. It's not something that is profitable for a large publisher, and so is better suited to doing myself. (EDIT--Note, with Legion and The Emperor's Soul, I'm working with very talented small presses for the print editions and am self publishing the ebooks. I don't want to take credit for what Subpress and Tachyon are doing, as they've been fantastic to work with. I love the Tachyon cover.)
I'm not sure if this means I officially get to join the indie writers, or if I'm already too far entrenched in my place to ever be considered indie. However, considering the company, it seems like a great place to be. I'm a firm believer that both indie publishing and big-six publishing will have a place in the future of books, and that both serve very useful roles. Seems like this is one of the best times in the history of publishing to be a writer, with more opportunity for more people and more voices.
Marsh is still alive hundreds of years after.
Uh-huh.
He's got, like, Lord Ruler level healing powers. Why does he still have a crushed eye socket?
So all healing in the cosmere has to do--or almost all has to do--with your perception of yourself.
Is investiture finite? Hemalurgy and a Return's need to consume breath seems to show us that it can be destroyed. If it is finite, is the Cosmere's magic source doomed to the law of entropy?
Investiture can not be created or destroyed. It follows it's own version of the laws of Thermodynamics.
So what happens to the investiture that is lost when a person is spiked and the spike isn't set in the new person immediately? Does it return to the big pool of investiture in the sky like the power from wheel of time where if its not actively being used it returns to the source?
What happens to someone's body when it's not being used by a particular person? The system is built to work like that.
So some of us happened across a line in [Mistborn: The Final Empire] that gave us pause. It's in the chapter 19 epigraph:
"Not so Kwaan. In a way, he is as unlikely a prophet as I am a hero. He never had an air of ceremonious wisdom - nor was he even a religious scholar. When we first met, he was studying one of his ridiculous interests in the great Khlenni library--I believe he was trying to determine whether or not trees could think."
This sounded to us like Kwaan the Terrisman might have been looking into or might have known something about Realmatics, like for instance knowing of the Realms and that things have aspects in all three. Is this the case? If so, was such knowledge common among his people or Scadrial?
Realmatic theory was part of the ancient Terris religion.
Why did you gloss over *audio obscured* for Jasnah?
Again you'll want to read on, but Jasnah-- that was not going to happen in this book. In the initial plot it didn't happen, and Shallan was unable to, in the initial scenes I wrote, be able come into her own and so I had to make major revisions to the plot for this outline, the biggest thing I did was that. And once I did that the story started working.
When I read Wax and Wayne, I have in my head, "That's how Batman would look like if Brandon wrote it." When I read The Rithmatist, I think "That's how Harry Potter would look like if you wrote it." My question is: Do you have this in mind when you write such stories and is it intentional?
It wasn't intentional for Wax and Wayne, but my pitch for Rithmatist to my publisher was, "The Muggle at Hogwarts." The Rithmatist is the person with no magic, who's a superfan of the magic, who gets to go to the magic school. So for The Rithmatist, it was actually part of my original pitch and concept, so yeah.
I was wondering if there were any more Doomslugs or if it's the last of its kind.
There are more Doomslugs. Read more and you'll find out about them.
If Feruchemists can store warmth, and you can Compound if you have the dual... Could they harm themselves by drawing too much warmth?
Could they draw it out of their body and therefore kill themselves by freezing themselves?
Either way. Either that, or burn and Compound too much...
This is harder to do that you think it [is], because built into Feruchemy is the natural body's resistance to the things you're doing, but it is possible.
I've been checking Dan Well's twitter pretty often, but there seems to be no update on Apocalypse Guard. Do you have any updates?
We got together before the cruise and did a big brainstorming session where we figured out once and for all how to fix the book--which is very exciting. However, it will take huge revisions (again) and this time, it's my turn to do that. So the ball is back in my court after he did a great job fixing characters. (The next fix involves plot and worldbuilding, which are my duties.)
What would happen if a Shardblade hit Nightblood?
Nightblood would act like a Shardblade, in that it would stop a Shardblade. It is significantly more Invested than a Shardblade, so it would have some ramifications beyond that.
So, in [Shadows of Self], was that actually a Parshendi in the broadsheet?
No, it's not. It was one of the Southern continenters. I just wanted you to think it was.
Which character was the hardest to write and to which one do you relate the most?
They're the same person. There's a character named Jorgen who was both the hardest to get right, but also the most like me, which may sound a bit odd!
What do I like to do besides write? Excellent question.
My nerd hobby is Magic: The Gathering. So, I go to extreme lengths to foil out my cube, and things like that. I used to have a lot more time for things like this than I do now. And that's mostly having a family, right? As you grow up and put on your big-boy pants, you're like: I have three children, I'm gonna spend discretionary time on things that they enjoy. Which means I end up playing Roblox way more than I end up playing Dark Souls these days. But as they get older, I'm hoping they will enjoy some of the things I like, as I spend time doing the things that they like, as well. I actually have a pretty healthy work/life balance. I'm fortunate in that my job, I can do anywhere, at any time of the day. What I usually do is, I get up at noon. (Because I'm a writer. I'm not an insurance salesman, I'm a writer. This is just one perk to the job.) I get up at noon. I work from about noon until five. Then I shower, get ready for the day, hang out with my family from about 5:30 until 8:30, 9:00. And then I'll usually go back to work at about 10:00, somewhere around there, and I'll work from about 10:00 until 2:00.
I found that, for my writing... Writers are all very different, right? I like two four-hour blocks. By the end of about four hours of work, I'm brain dead. The words are just not flowing as well anymore. And if I take a break and go to a second block later on, I'm way more effective as a writer. I have the benefit of having no commute. So I can do things like this. All through college, what I would do is, I actually worked a graveyard shift at a hotel in Provo. And I would go to work at 11:00. And it's Provo, so nobody's there after 11:00. You're a really sketchy person in Provo if you're staying up 'til 10:30. So from about midnight until 5:00 or 6:00, I could write every night. And that's how I put myself through school, was working there. But these days, you know, I try to make time. I used to work Saturdays, and I don't anymore unless there's something like [a convention]. I take Saturdays off. I have a pretty decent balance. The only time where it gets a little unbalanced is if I have a big tour. And those can be pretty grueling. I would much rather have this problem than not, right? My first signings, you can find pictures of me with my grandma here at the Iona Falls Barnes & Noble, where I was sitting in the front, and there were five people there who were all related to me, and that was our book signing! And now I will go to... often, book signings start at 6:00 PM, and get done at 2:00 AM if I'm in Portland, or Seattle, or one of the big cities like that. So, you do that six days a week, in a different city every day, and it can get a little exhausted. So I don't love that part of it. I like the signings. I just don't like the twentieth signing, if that makes sense.
Let me give a little bit of advice here. If there are those of you who are writers out here, there are two things that maybe to keep your life in balance I would recommend. The number one cause of breakups and divorce among my writer friends is that their spouse feels like the writer's ignoring them. It's very easy to do. As a writer, it's very easy to... it's one of these jobs, there are a lot of them like this. Being a schoolteacher is like this. You don't leave your job behind. Your job is always there with you; there's always a little bit more you can do. And because of that, it tends to consume everything if you let it. And you can be out to dinner with your spouse, but you're thinking about your book. You can be driving somewhere and giving only noncommittal responses, because you're thinking about the book. On the other side, if you happen to be the spouse of a writer, the number one thing you can do is jealously guard their writing time. For a lot of writers, a small interruption can mean... To you, it's like, "Oh, I need to ask this question for thirty seconds." But if that breaks the writer's concentration for twenty minutes, because they're spun in to the work, they're really into it, they get interrupted at just the wrong time, it can be a big interruption. So, the balance I suggest is to make a deal. Writer, when you're there with your spouse and your family, be there with your spouse and family. And then make the deal that, when the writing happens, they're gonna try to guard that door and protect you from being interrupted.
First of all, on the [Arcanum Unbounded] endpapers, what's the position of... Where is it from? What's the reference point?
My friend asked (and I was there with him asking my own question) Brandon and Isaac at the Provo release where the perspective on the end papers is from – Brandon confirmed that it was from Silverlight, after checking with Isaac. There was some wonkiness in the response though – Isaac said something like as it was “imagined” from Silverlight, and I tried to get clarification for what that meant (is that because Silverlight is mobile?), but stayed pretty vague (got the impression he was maybe saying there was some sort of artistic license taken?). I consider it confirmed that it is from the perspective of Silverlight, but that that there is more going on there.
Reference point in this, I believe, is Silverlight. But it's not how they would exactly see them all. But it is done by someone from Silverlight. Right, Isaac? This is done by someone from Silverlight? And that's gonna be kind of our reference point, but they are imagining a place... right?
They're imagining a place where the constellations would look like this. There iss an actual place where it looks that way. *talking over one another*
Is that because Silverlight is mobile? Or is that because...
No.
You say "imagine." I just wondered what "imagine" means.
I'm saying, I'm not sure-- *to Isaac* Did you set that from Silverlight?
No, no. It is set from a point in the cosmere itself.
So that they can say they can see all of them in one--
So, that is an actual night sky somewhere in the cosmere.
Okay, okay. Yeah. I now know what he's talking about.
*inaudible* [1:11]
I've been meaning to ask you this 'cause you did the artwork for it. How can you have more than one planet habitable in the same solar system? Don't planets have - I mean I know it's *inaudible* [1:28]
*inaudible* [2:12]
Well there's always a belt in the solar system where *inaudible*
And more than one planet can stay there? 'cause I thought that planets - I don't know the right word but it's like -
No that's fine. There's actually - if there's a planet that's within its habitable zone - it's a zone, so if there are two planets in there, then they both get habitable.
And they come - 'cause I thought that - that one of the definitions of a planet is that they move everything out of the way, like one of the reasons that they *inaudible* planets is that they move *inaudible* out of the way. Like, it doesn't have strong enough attraction to either pull things in or move *inaudible*
Was Bloody Tan an atium misting
No, he was not. Good question.
How do you write Wayne? The guy is a little bit crazy, but when you see things from his perspective it makes sense. How do you get in that headspace to write that?
I put on his hat. Well it’s--characters are so hard for me to define how I do them. Everything else I can define, right? I can talk about it. With character I write their viewpoint and see if I get to know them, and if I do I’ve just got it. That’s all I can say.
Is the word Hoed based off an Aon and if so which one?
Yes, it is. It would be Hoe... no Oed, O-E-D.
I would love to know how Mr. Sanderson comes up with such wonderful names.
I use a bunch of different methods. Some involve creating a language, or parts of it, and building names out of that. Usually, though, I'm looking in those for something with the right sounds. I'll usually "audition" a name for a while by trying it in a book and seeing how I like it.
I also look for certain linguistic markers that can signify a character's country of origin. Symmetrical names for some people from Alethkar, for example.
