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In all your books, who's your favorite character?
You know, I usually cheat on that question and I say "whoever I'm writing right now", cause I like them all, they're my children...
Okay, but you have to pick one.
Probably Dalinar, probably but...
My favorite is Steris.
Steris is a lot of fun.
Would you consider writing a short story about Wayne's origins?
I don't generally do this. The reason being that I construct stories, generally, in such a way, particularly a story like Wayne's story that starts a little in media res, and he's already had quite a bit of life experience and foundational things... I construct a story knowing that I'm going to give you touchstone moments for that character's narrative in a way that indicate to you what happened in the past. And with Wayne, I feel like I've done a pretty good job of that. There's still a little bit more for the next book, but I feel like if I were to go back and tell this story, it would be like going back and telling Rashek's story or Alendi's story from the Mistborn series. Where the epigraphs are there to give you the story, and if I wrote it out, it would just be really repetitive to things I've already done.
The characters that I'm more likely to write short stories or novellas about are ones where there just isn't room in the narrative to dig into something deep about their character. Rock is an excellent example of this, from the Stormlight books. There's just not room. Which is why I plan to write a Rock novella. Be like, "All right, let's really dig into who Rock is, his past, and stuff like that." Because you just don't get those answers. With Wayne, I feel like I have given the answers in such a way that if I did more, it would be boring.
Are Renarin and Adolin Dalinar's legitimate children?
Good question! Yes, they are both legitimate. Though Renarin didn't get as much of the hair, which is probably what people are asking about.
Do you have any plans of writing any prequels for the Mistborn [series]?
No, not right now. One of the reasons that-- I have to put an asterisk on that. I did write out a prequel story happening hundreds of years earlier that was going to be the video game, that ended up never getting made. So there's a chance I will do something with that,a graphic novel or something. So there is a chance. What I won't probably tell is the story that you read in the epigraphs, the story of Rashek and Alendi and all those things, because I feel like that story is told best the way it is in the books, that you get it revealed as it's going along. If I told it again, I feel like it would just be a rehash of that. I can see myself telling other stories potentially, but I am the type that generally likes to keep moving forward. There are some great prequels out there to books that I love, but mostly I like sequels, so I like to move forward. Not impossible, but yeah.
So since Adolin has blond and black streaked hair and Shallan has red hair, would their potential children have all three of their parents' hair colors to have blond, red, and black hair?
Yes.
I know the whole, like, "all those characters are your children" type of thing, but is there a favorite one of yours, from your writing and/or how the character is played out.
Um, I-- You know-- Robert Jordan always said, "It's whoever I'm writing at the moment", which I've stolen wholesale and said that a lot of times. If I'm pressed, I'll usually pick Dalinar, just 'cause he was one of the first, but that doesn't do it justice, because you really do need to-- when whoever you're writing needs to be your favorite at the time.
I've searched this subreddit for someone mentioning Jane Elliot before, but nobody has, so I decided to share this.
I was explaining The Stormlight Archive to a friend yesterday when he told me that BS must have been influenced by Jane Elliot, so I researched her and found the wikipedia article about her.
This woman was a school teacher who decided to teach her class about racism the day after Martin Luther King's death by segregating the class between light eyed and dark eyed children. It's a very interesting exercise and I love how the darkeyed vs. lighteyed issue was actually experienced for real on this earth, not just in the SA books. You can read more about the experiment on the wikipedia page or in this article.
The coolest part of this is that the 3rd time Jane Elliot did that experiment, she filmed it and it was made into a documentary in 1970 with the title : The Eye of the Storm
I think it's a pretty cool coincidence (probably influence rather than coincidence) and I thought I'd share!
The study sounds familiar to me, so I'm sure I've read it before--but I can't remember if it was like this (in reference to the SA, which I'd already started working on) or if I read about it before, and it lodged in my brain as something to try some day.
One of the things we're doing with these novellas is: I don't have time in the mainline books to devote to developing these characters. The mainline books are about Spensa (and, to a lesser extent, some few of the characters, like Jorgen). But I don't really have time to dig in; they're hundred-thousand-word YA action-adventure books. One of the goals with this [Evershore] is to be like: basically, Janci, FM is yours now. Let's make her a real character, rather than just the little bits that I can give in the novel. And it was really fulfilling for me to just basically turn over one of my children and be like, "Raise this child, FM." And then have you come back and be like, "What about this? What about this? What about this?" She'll still be in the books I'm working on and things, but I consider her now Janci's character that is playing a role in the stuff I'm writing, because she's now so vivid and alive. And that has been really satisfying for me as an author.
I thought it was really fun, too. Jorgen wasn't on my original list of characters, because I was given this list of, basically, people I could do anything with. And he's not one of those. But I thought it was really fun.
We were much more kind of collaborating on Jorgen.
TenSoon comments that when the unbirthed are given Blessings, they lose the mimickry instinct that mistwraiths have and have to be taught anew. If their only native senses are touch and taste, how exactly do you teach a blob of muscles how to form things like eyes and ears?
Basically, you feed it some partially digested eyes, then some more eyes, then eventually it starts making eyes on its own. It takes a while; Kandra 'children' grow more slowly than human ones.
I don't know if you've considered how mistwraiths would be taxonomically classified; have you decided whether or not mistwraiths would be considered 'mammals'?
They are not mammals. Since they were deliberately created, I'd place them in their own branch.
I think you're going to get asked a lot about the Cosmere today, so I wanted to make a question about the Reckoners saga, because, while I was reading it, there was one recurring thought in my mind, and it was, "Gosh, I wish I could have read this as a teenager," and it's equally enjoyable as a adult, but that kept running in my mind, and I was wondering if when you wrote it, you wrote it with these audiences in mind, or it's simply that David is so real and so like us when we were fifteen or fourteen that it came out that way?
I'm very curious that you noticed this, because in the United States, this is actually published as a young adult novel. In the UK and Spain, and France, it is published as an adult novel. And I very much left it up to my publishers to decide what was best for their market, because David is nineteen, which puts it on the border between is this a young adult or an adult novel. However, when I was writing it, my target reader in my head was me at age fourteen, because, when I was young, it wasn't that nobody gave me books--people did give me books, they tried to make me into a reader--but the books were all boring, and I think the great power of science fiction and fantasy is that we are able to mix deep thought and exciting narrative. Every morning, my wife makes a smoothie for my children with ice cream. They love ice cream, my three little boys, so they're very excited, and every morning she adds a handful of spinach to it, because they love the color green and they think it's cool to drink a green drink. Of course, she adds it because the spinach is very healthy, and I feel like science fiction and fantasy is very good at this blend for books. All of our books are green, because we deal with very important issues, but we mix them with wonder, exploration, adventure, and human experience.
The Reckoners is about power corrupting. I started the first book after driving on the road and nearly getting in a car wreck because someone pulled in front of me too quickly, and I was very annoyed with this person, and in that moment I imagined myself blowing the car up. I thought, "You are so lucky I don't have superpowers." It was a very cool explosion, too. Yeah, I have a good imagination. After this, I was immediately horrified, because I write books about people, generally, who get incredible powers, and then go on to protect others, but in that moment, I had the worry that I could not be trusted, myself, with those powers. So, The Reckoners is about what happens if people start gaining superpowers, but only evil people get them. It's Marvel's universe with no Avengers.
Tenth - third son born during WoR, did that affect the writing process?
Yes, can now pick out when children are written poorly in books. family keeps him grounded; writing is about our world, not the fantasy world, and family reminds him of that.
The dog and the dragon release date? I think Brandon mentioned something about turning this into it's own children book at some point. Has he mentioned when he would release it?
Yeah the first publisher he reached out to wanted too much creative control I think.
This, they wanted to turn it into something Brandon wasn't comfortable with.
A publisher Isaac has worked with doing picture books asked if maybe we could do an adaptation of “the girl who looked up” story that Shallan and Wit tell in Oathbringer. We thought this was a pretty cool idea, and so Isaac is working on the adaptation. If we do this right, it could come out around the same time as Book Four.
Brotherwise Call to Adventure Board GameThis summer, Brotherwise Games will release Call to Adventure: The Stormlight Archive. Originally planned as an expansion for the board game Call to Adventure, it has grown into a full standalone game with 120 cards and everything you need to play. Call to Adventure is a hero-crafting game that combines strategy and storytelling. It’s similar to some “tableau-building” games where you’re creating a kingdom or civilization, but in this game you’re building a character. Each player begins with cards that define your hero’s origin, motivation, and destiny. Over the course of the game, you overcome challenges and gain traits. It’s a game with points and a clear winner, but the highlight of every game is telling your hero’s story at the end.
The guys at Brotherwise are huge fans, and they’ve worked closely with us to make sure the Stormlight Archive game is true to the books. It emphasizes cooperative play as players become Radiants and face Odium, but it’s possible to choose a villainous path and work against the team. The cards are all inspired by familiar scenes and themes, and in Call to Adventure you’re piecing together those moments to tell new stories. Here’s a sneak peek at illustrations for some of the cards: Choose A Side (Ganna Pazyniuk), Herald of Justice (Petar Penev), Face the Unmade(Artem Demura), Leader (Ari Ibarra), Elsecaller (Randy Vargas), and One More Try (Artem Demura). Expect more news on the game closer to its release date in summer 2020!
Crafty Games Dice KickstarterIf you’re reading this when it comes out, know that you’ve only got a few hours left to get in on the Mistborn dice Kickstarter (and help them try to meet their final stretch goal). This should be the last Kickstarter we do for anything until we reach the Stormlight one in the summer.
Crafty has been doing great work on the RPG front, and have been an excellent partner. If you’re at all interested in dice, have a look at their Kickstarter. I’m really looking forward to getting mine!
Does emotional Allomancy work on animals?
Emotional Allomancy requires a certain level of sapience.
So dolphins, oragutans, mistwraiths and parrots might work?
I was intentionally vague. :)
Huh, so that would mean that divine Breath (or just regular Breath?) works in a completely different underlying mechanism than emotional Allomancy in providing that calming effect for animals and children. I had previously thought it was just an overlap in abilities.
There is an overlap. But it involves playing with Spiritwebs and/or the Cognitive Realm.
During Adolin's exploration of Urithiru (right before he murders Sadeas) he comes across a painting
A fanciful picture with animals from mythology. He recognized a few from children's stories, like the enormous mink like creature with the mane of hair that burst out around and behind its head. What was it called again?
Let's answer Adolin's question. Is that a lion. Does this mean that normal animals once inhabited Roshar but became extinct or were forced to adapt after the arrival of Odium or the Highstorms. Or maybe these were artist illustrations from stories brought over to Roshar by worldhoppers? What do you think?
With shardpools being a thing and worldhoppers like Hoid being a thing as well it's entirely possible that people brought stories of the fauna of their world with them when they came to Roshar. After all, we know (via Word of Brandon) that the Horneater lakes are shardpools so they could have knowledge of lions via travelers, seeing them in the pools or some other way (worldsingers?)
Edit-- just noticed you mentioned worldhoppers. I think that's what it is, but it could also be stories from the original inhabitants if (big if) the original inhabitants came from elsewhere in the Cosmere.
Edit again -- They might have gone extinct after the arrival of Odium. If the rest of the world was akin to Shinovar prior to Odium then it's entirely possible for their to have been lions, tigers, and bears (oh my!).
Unless someone asks (or has asked) Brandon then I have no clue.
[Brandon]can you aid us in our questions?
No, it seems like you're asking the right ones.
Can you aid us in getting answers?
I've done so already, by providing two in-depth discussions of the nature of Roshar. They're called The Way of Kings and Words of Radiance.
Who's your favorite character that you've ever created?
Who's my favorite character that I've ever created? They're all like my children, and so I can't say who my favorite is. It's usually-- I use Robert Jordan's answer to this, which was, "The one I'm writing right now." And today I was writing... uhp, that's a spoiler. *crowd laughs*
I was wondering if there will be any follow-up books to Elantris?
Follow-ups to Elantris. Yes, I would like to do some sequels. They are probably the sequels to the world rather than sequels to the characters. One of the reasons I didn't do them, or haven't done them yet, is when I first published, Elantris was my sixth book. It was the first published of those thirteen I wrote. It's the only one of those thirteen that got published. It was the only one that was worth being published. And when I wrote it I was really excited by Mistborn--or when I published it, because it was years later. I thought I could do a really good job with a trilogy. When they said, "Do you want to do a sequel to Elantris?" I thought, "I really like that there are sometimes really great standalone books to try an author out on, and I would rather people be able to have a standalone to try me out." Because back then I remember looking at new authors coming out and saying, "Brand new author. Book one of twenty," and thinking, "I don't know if this author can pull it off," right? I would rather try them out on a single book, or maybe a trilogy, and see if they can really tell a good story before I commit to something huge. So I figured doing a couple of standalones--I did two standalones and one trilogy before I launched into anything big of my own, because I wanted people to be able to try me out. And I really like how Elantris has stood on its own as a single book.
I do have plans for some follow-ups. Elantris, that world, is pretty important to the cosmere. I need to bring it up to speed with the other things. So there will be sequels, but like I said they're going to be world sequels. Like Sarene and Roaden may get mentioned and you may see them, but they won't be the main characters.
So if there *inaudible*.
Yeah, yeah. Maybe a little closer to like-- For years I wanted to do the sequel about Kiin's children (that's Sarene's uncle). Like after they're grown up have them be the main characters, and I was kind of seeding that. We'll see if that's still the way I go, but that's the plan right now.
Is there a reason why Rashek left a nugget of Lerasium at the Well of Ascension?
He left several. It was, in his opinion, one of the best kept secrets and best protected locations in his empire.
Were there originally 16 of them?
An excellent guess.
Could a modern human and a listener have fertile children?
RAFO. Good question
What can your fans expect from The Rithmatist, as compared to your other adult novels? Was it easier or harder to write for a YA audience (or was there anything different about the writing process for this particular book)?
That's an excellent question! I wouldn't say it's either easier or harder. For me, a story grows in my mind till I just can't ignore it anymore, and I have to write it. That certainly happened with The Rithmatist.
As for what I did differently, there are a couple things. When I work on a teen book, I usually try to focus the viewpoints. That's one of the big distinctions for me between an epic fantasy that has teen characters—like the Mistborn books—and a book that I've specifically written for a teen audience. I usually focus on a single character—maybe two—so the narrative is a bit more streamlined.
The other big difference here is that I really wanted to write something with a sense of fantasy whimsy to it. I say whimsical, and it might be the right term, and yet it's not. For example, the magic system is one of the most rigorous and specific that I've written. I hope readers will find it as interesting as I do—with the defensive circles and the different types of lines.
With my epic fantasy books like The Way of Kings, for example, I looked at the size of the planet, its gravitation, its oxygen content—all the sorts of things that allow me to worldbuild with some scientific rigor. I consciously didn't want to do that with The Rithmatist. I replaced the United States with the United Isles, turning the country into an archipelago. I shrank the planet, and I did really weird things to the history of the world because I thought it would be fun. For example, I let Korea conquer the world, because I'm a fan of Korean history.
It's not like I'm sitting down and saying, "What is plausible?" I'm sitting down and saying, "What is awesome?" Then I write a story in which that awesomeness can shine. I let myself do that in my YA works more than in my adult works to give them a different feel. Writing this way allows me to exercise different muscles.
I believe that children and teens are better able to mode shift. When they pick up a book, they don't necessarily feel that it has to fit in one of the genre boxes. As an author, that allows you to do some interesting things in teen that are harder to do within an adult genre.
Also, you should tell us what the last two metals are.
The last two metals are chromium and nicrosil. We'll reveal what they do on the Allomancy poster. Suffice it to say that in the next trilogy, the main protagonist would be a nicrosil Misting. And, to make a Robert Jordan-type comment, what those two metals do should become obvious to the serious student of Allomancy... (It has to do with the nature of the metal groupings.)
If I read the poster correctly, and have the correlations down, these metals are the external enhancement metals.
The simplest idea is that they do to another person what aluminum and duralumin do to the Allomancer burning them. If this is true, then chromium would destroy another Allomancer's metals (useful skill, that, especially in a group of Mistings fighting a Mistborn) while nicrosil would cause the target's metals that are currently burning to be burned in a brief, intense flash. This could be used either to enhance a group of Mistings or to seriously mess up an enemy Allomancer.
The other metals do not have exact one-to-one power correlations like that, so it seems more likely to me that they would work differently. It could be like an area effect weakening or enhancing spell. You would want an enhancer in your party, and you wouldn't want to go up against a weakener.
Nicrosil is a rather more complicated alloy than the others. It's an interesting one to pick, rather than something simpler like nichrome (though I guess that's actually a brand name).
Nicely done.
Ookla is right, the others don't have 1/1 correlations. But I liked this concept far too much not to use it.
In a future book series, Mistborn will also have become things of legend. The bloodlines will have become diluted to the point that there are no Mistborn, only Mistings—however, the latter are far more common. In this environment, a nicrosil Misting could be invaluable both as an enhancer to your own team or a weapon to use against unsuspecting other Mistings.
I take it either Spook did not have children or Sazed made him a reduced-strength Mistborn rather than giving him the full potency of the 9 originals and Elend?
Spook is a reduced power Mistborn.
Very interesting about the nicrosil.
So, if there is no more atium, then that would mean in any future trilogy, there would only be 14 metals, right? Somehow, that doesn't seem right, but maybe that is because it irks me that one quartet to be left incomplete with the absence of atium.
Would it be possible for Sazed to create a replacement metal, by chance, or will the temporal quartet remain inherently empty? It doesn't seem like it's too far of a stretch for Sazed to make more metals: after all, the metal Elend ate was a fragment of Preservation, and now Sazed holds Preservation.
That's a RAFO, I'm afraid. Suffice it to say that what the characters think they understand about the metals, they don't QUITE get right. If you study the interaction between the temporal metals, you might notice an inconsistency in the way they work...
Uh-huh. That was already noticed by theorizers in the forums here. Gold works like malatium and electrum works like atium. Yet they're on opposite corners of the metal square.
Ah. I wondered if that had been noticed.
I've been thinking about possession within the Cosmere - is it possible for beings (dead, alive, or inbetween) to possess other beings in the Cosmere? Allomantic control over spiked creatures, and the existence of the Lifeless are both close to the idea, but neither is quite what I've been trying to imagine. I think I am looking more into whether one being's cognitive (and/or spiritual) aspect can fully replace (temporarily or permanently) another's. I imagine the victim would natively fight this, similarly to how Rashek's spiritual aspect resisted his anti-aging trick, but... is such a thing possible?
This is possible. (There are places where you've already seen the process either begin, or work partially.)
Are you talking about Ruin/Harmony controlling Hemalurgic Constructs and Odium controlling Voidbringers... or is there something else?
You will see soon.
What do I like to do besides write? Excellent question.
My nerd hobby is Magic: The Gathering. So, I go to extreme lengths to foil out my cube, and things like that. I used to have a lot more time for things like this than I do now. And that's mostly having a family, right? As you grow up and put on your big-boy pants, you're like: I have three children, I'm gonna spend discretionary time on things that they enjoy. Which means I end up playing Roblox way more than I end up playing Dark Souls these days. But as they get older, I'm hoping they will enjoy some of the things I like, as I spend time doing the things that they like, as well. I actually have a pretty healthy work/life balance. I'm fortunate in that my job, I can do anywhere, at any time of the day. What I usually do is, I get up at noon. (Because I'm a writer. I'm not an insurance salesman, I'm a writer. This is just one perk to the job.) I get up at noon. I work from about noon until five. Then I shower, get ready for the day, hang out with my family from about 5:30 until 8:30, 9:00. And then I'll usually go back to work at about 10:00, somewhere around there, and I'll work from about 10:00 until 2:00.
I found that, for my writing... Writers are all very different, right? I like two four-hour blocks. By the end of about four hours of work, I'm brain dead. The words are just not flowing as well anymore. And if I take a break and go to a second block later on, I'm way more effective as a writer. I have the benefit of having no commute. So I can do things like this. All through college, what I would do is, I actually worked a graveyard shift at a hotel in Provo. And I would go to work at 11:00. And it's Provo, so nobody's there after 11:00. You're a really sketchy person in Provo if you're staying up 'til 10:30. So from about midnight until 5:00 or 6:00, I could write every night. And that's how I put myself through school, was working there. But these days, you know, I try to make time. I used to work Saturdays, and I don't anymore unless there's something like [a convention]. I take Saturdays off. I have a pretty decent balance. The only time where it gets a little unbalanced is if I have a big tour. And those can be pretty grueling. I would much rather have this problem than not, right? My first signings, you can find pictures of me with my grandma here at the Iona Falls Barnes & Noble, where I was sitting in the front, and there were five people there who were all related to me, and that was our book signing! And now I will go to... often, book signings start at 6:00 PM, and get done at 2:00 AM if I'm in Portland, or Seattle, or one of the big cities like that. So, you do that six days a week, in a different city every day, and it can get a little exhausted. So I don't love that part of it. I like the signings. I just don't like the twentieth signing, if that makes sense.
Let me give a little bit of advice here. If there are those of you who are writers out here, there are two things that maybe to keep your life in balance I would recommend. The number one cause of breakups and divorce among my writer friends is that their spouse feels like the writer's ignoring them. It's very easy to do. As a writer, it's very easy to... it's one of these jobs, there are a lot of them like this. Being a schoolteacher is like this. You don't leave your job behind. Your job is always there with you; there's always a little bit more you can do. And because of that, it tends to consume everything if you let it. And you can be out to dinner with your spouse, but you're thinking about your book. You can be driving somewhere and giving only noncommittal responses, because you're thinking about the book. On the other side, if you happen to be the spouse of a writer, the number one thing you can do is jealously guard their writing time. For a lot of writers, a small interruption can mean... To you, it's like, "Oh, I need to ask this question for thirty seconds." But if that breaks the writer's concentration for twenty minutes, because they're spun in to the work, they're really into it, they get interrupted at just the wrong time, it can be a big interruption. So, the balance I suggest is to make a deal. Writer, when you're there with your spouse and your family, be there with your spouse and family. And then make the deal that, when the writing happens, they're gonna try to guard that door and protect you from being interrupted.
I remember that you said that we will have like tops two Kickstarters a year, one for books, one for products. This will cover like the product one.
Yeah. Yeah. Plan is for next year for there just to be one and then the year after for there to be two. But the goal is tops two. Like this year we technically had three because there was the White Sand preorder campaign and we feel like that could get out of hand very quickly. Everybody who works with us might want to do a Kickstarter now because they've been so successful so we're kinda making this promise to make sure that we keep ourselves in line as well and I feel very good about having done that.
So if the product for 2024 is like maybe the RPG would the book be the art book for the story?
The book is more likely to be the Hoid Storybook Collection. So The Dog and the Dragon, Wandersail, and The Girl Who Looked Up done as picture books slash kinda coffee table books. That's more likely. The art book is a challenge because you know there's just so much that goes into that sort of thing—Isaac would have to be so deeply involved and it's whether he can find the time or not because he wants to be writing stories in his free time. We'll see, I do think we'll eventually get like an art book and an encyclopedia out but I'm a little more excited by the Hoid storybook personally.
And fully illustrated—they are going to look gorgeous.
Yeah. I really would like people to have like—my goal on those is like The Dog and the Dragon to be like a traditional children's book, Wandersail to be more like a giant illustrated coffee table book right—more targeted a little bit older, and The Girl Who Looked Up to be something in between.
I have been lying to you. And it is time for me to admit the truth.
I know that what I'm about to say will disappoint some of you. Others will undoubtedly take joy in my forced admission here. But either way, I can no longer live with this secret.
The last few years have been hard for many of us. These are strange times. In particular, these last years have increased pressure on me in difficult ways, emotionally and mentally, to the point that I could no longer continue working on my series of books as I always had before. As this pressure mounted, something had to give. I thought I could handle it like I always had before, but that proved optimistic. And so, the time has come for me to admit the truth.
I've been lying to you. Over the last two years, I've acted with extreme irresponsibility.
Because I accidentally wrote an extra novel in secret!
I apologize. I couldn't help myself. We all respond to pressure in different ways; I, it might be said, responded characteristically. So how did this irresponsible event occur? Well, to explain that, I'm going to need to go into professor mode.
You see, 2019 was one of those years where I overscheduled myself. What I told you earlier was true; over these last years, 2019 in particular, I really was beginning to feel overwhelmed by everything I had to do. However, it wasn't the stories doing this. It was all the non-writing work, particular the traveling. That is what is truly exhausting. You see, I keep notes on what I do day-by-day, and I've outlined for you my 2019. This largest block is writing time; and I also do make sure to keep a good, healthy amount of work/life balance and time for my family. These other non-writing days are essential, as they are the days I do interviews, I write introductions, and answer work emails. This section in red: that's the one that's really glaring. I was on the road a third of my year. Four months, spent traveling, mostly going to conventions.
Now, I love seeing the world; which is why it's so difficult to say no when people ask if I want to visit. When you look at it this way, with a third of my time spent on the road, you can see maybe why I felt so overwhelmed. I had dreams, plans, ideas; but I couldn't write them because I was touring so much.
This was too much. I knew it was too much. But I was trapped in this cycle where I'd say no to traveling, then read the requests from fans and feel guilty that I wasn't going to see them. And I really do enjoy seeing the world. At least I did, before I started to get overwhelmed.
Eventually, it started to feel like a chore. Then 2020 hit, and the whole world changed. Suddenly, I couldn't travel, not even a little. I'd been planning to scale back, but scaling back in this context meant traveling eighty or ninety days, instead of over a hundred. Fewer days, yes, but not by a significant margin. Except, with the pandemic, that need to travel, indeed the option to travel, went away. Suddenly, I had time again.
This [novel] is the result. I start writing it as a gift for my wife, telling only her, letting her read the pages as I wrote them. The experience of writing a book in secret reminded me of the early days of my career, before I published, when I could write whatever I wanted, whenever I wanted. The process rejuvenated me, which is important, because, like a lot of you, I was feeling stressed in 2020. When I finished this, I presented it to my wife as a gift: her own secret book. She read it and told me, "You need to share this." So after two years of keeping it just to her and me, I'm telling you. That's my big secret.
Well. Maybe not the entire secret.
You see, the pandemic wasn't over, and writing that secret novel had been a ton of fun. So let's just say that one thing led to another, and a second secret novel materialized in early 2021. Longtime followers of this channel might remember me talking about one regret I've begun to have as I grow older. When I was younger, any new, fresh idea that came to me could end up becoming a novel. But the more I write, the more I lock myeslf into series. Which is great; I love my big series. I'm working on Stormlight now, which is as exciting as ever. I want my legacy to be the massive, interconnected universe that is the Cosmere. At the same time, I always saw myself doing standalone novels now and then, exploring the reaches of the Cosmere or other strange worlds. For a while, I managed to do this with novellas. But in recent years, with travel demands, I hadn't even been able to do those. I can sometimes write when traveling, but the more that I do, the more exhausted I get, which makes it tougher and tougher to be productive.
If you compare this [pie chart] average of the last two years to 2019, you can see a lot has changed. I did still travel, and I've also had more non-writing work days, on average. This is mostly the time I've invested into YouTube and into our Dragonsteel convention, things my team and I see as replacements for me visiting you all in person. Even with this, the significant drop in travel time has added to both my writing time and my family time.
If you leave me alone too long, I will start telling stories. It's a mathematical constant, as irrevocable as pi. And... what would you expect to happen? The best part was, nobody expected me to do anything with this time. No editors were scheduling books because of it. No fans were wondering what I was doing with it. Because for most of my professional career, I'd been traveling eighty to ninety, and sometimes a hundred and twenty days a year. Suddenly, I had time for all those other ideas. The ones that weren't planned as big, core series. The ones that I always wanted to be the spice of my career. I've always loved the idea of surprising you all now and then with some random Brandon Sanderson novel. I wanted my fans to consistently have the opportunity to get lost in something completely new, something surprising, different from what you'd seen from me before. This is the mindset that created The Emperor's Soul and Warbreaker.
This extra writing time has become very precious to me. Before 2020, I'd begun to let all these ideas just wither away, as there wasn't time for them. I'd begun to think that, as much as I loved the big series, they would consume the rest of my life. So, call this the silver lining of 2020. Life has been tough lately, but it has also restored to me something very precious.
And I might have gone a little overboard, because I've written five extra novels in the last two years.
Look, I know. Don't roll your eyes at me. You deal with isolation and quarantine in your way; I'll deal with it in mine. We all handle stress differently, okay?
Four of these are full-length novels of adult-oriented science fiction or fantasy. One is a middle grade story, written as a gift to my children, which I'll probably make as a graphic novel. We'll put that one aside for now, as I don't yet know how I'm going to present it to you. But that leaves us with four full-length novels. I wrote three of these as gifts for Emily, and one purely for myself. Three are in the Cosmere; one is something completely different.
I kept all five of these secret from my team until late last year. Then, I just left them on a table at our offices with the words "Top Secret" on the top of each one. The team had no idea. I'm a bit of a showman, if you can't tell, and this experience was a blast. I wanted to replicate that feeling for you in this video, which is why you might have to excuse my somewhat dramatic opening. I do apologize for that, but it's technically all true. I have been keeping a secret, and I think it will make some of you very happy, while others are just likely rolling their eyes at me.
The Attack on the Salt Merchant Was a Cover
Denth did dozens of things like this, subtle methods of bringing the two kingdoms closer to war. This is the only one that Vivenna and Vasher figure out soon enough to be able to counter.
In this scene, Vivenna's chapter arc is her struggle with deciding when to make judgments and when not to. It seems that in our society, it's taboo to judge someone. If you judge, you're seen as intolerant. And most of us hate being labeled that way. I remember seeing an advertisement online just a few days ago that said something like "Please teach your children tolerance; teach them not to judge others."
Now, those who read my blog know that I'm big on trying to understand other people's viewpoints. I don't like how harsh our dialogues about charged issues tend to be. I've said I'm a peacemaker by temperament. However, I think telling someone, "Don't judge others" is just plain ridiculous. (Of course, maybe it's all just semantics.)
We have to judge. We do it every day. We decide who we want to be friends with. We judge which candidates we want to vote for. We judge which activities we want to be a part of. A lot of these judgments are influenced by our thoughts on the people involved in them.
It's not good to be racist. Skin color is a terrible reason to judge someone. But that doesn't mean that you shouldn't sometimes make judgments about people for other reasons. I think maybe we've become hypersensitive to this sort of thing.
As your characters have evolved and grown, as we've seen in different books-- We've also seen, like with your character Wayne, kind of the sense of humor inside of the characters changed, and with him we've kind of seen this-- I guess, uh, kind of more seedy and base sense of humor with him, which in some ways made him more lovable and more of a favorite sense of humor. But like with kids, I've kind of been like-- worried a little bit.
Yeah Wayne is…
--with the age level and I'm wondering if we're going to see more characters like that grow in as we're looking at Mistborn Era 2 and 3 coming out, and if so, do I need to be more concerned, or is it really gonna be, or is it… what methods, do we need some rating system.
*amused* Rating system… *laughter*
*audio obscured*
Yeah, I would say that this is more, "I write the character that fits the situation" rather than any sort of an evolution on my part of this, so… I don't know. I will… really, I would leave that to other people. This is kind of one of those weird things where, like, I will both get on the same day, sometimes, e-mails from someone who's like "how can you be so crude in your books, I thought your books were supposed to be family-friendly" followed by "why won't you address adult topics in your books *laughter* why do they all feel so children-esque, child-esque", and I would assume that those are the types of e-mails that everyone gets, even George RR Martin. *laughter* "When are you gonna get to some real adult themes, George?" I'm sure there's someone who's sent that e-mail to him. Um, yeah, I write the books, you know, I have… I'm certainly not as interested as some authors in digging into the more... quote-unquote "explicit content", but at some points there are characters like Wayne where I'm like, "you know, I need to write this character who they would be", and I can have them dance around the worlds-- words to obstinate *laughs* that was not an intentional slip! Dance around the words to obfuscate things and stuff like that, but if I don't let Wayne say some of the things he wants to say, then I'm not being true to that character in the same way I wouldn't be being true to Dalinar if I didn't let him, you know, be the strictly "I follow the rules" type person that he's become, because both of those types of people exist in the world.
Um, your specific question on Era 3 of Mistborn, um, is… I don't anticipate a Wayne-like character, but who knows? Right, Era 3 right now is kind-of focused on two Terris people, the main character and her brother, and she's a computer programmer in the early days of computer programming, and--
Fortran.
Yeah, like a Fortran programmer or something like that… And, you know, it's going to be-- Her story will be a little bit more geek-culture-ish and things like that. You'll have very fun with the artwork in those, let's just say that.
I can't promise you one way or the other what I'm going to do, so I think what you're-- what you should be doing is reading them yourself and then deciding for yourself with whom you will share the books.
How do you choose ages for your characters and how often does that change throughout the writing process?
How do I choose ages for my characters and how often does that change the writing process. I choose my characters... It's really hard to talk about. Because I can really drill down into how I come up with settings, so magic systems and things, and I can talk a lot about how I plot and why I plot. Character is the one that I discovery write. Writers tend to fall somewhere on this spectrum generally between what we call discovery writers and we call outliners, and I'm mostly an outliner. I like a nice tight outline, I like to know where I'm going and what's going on in my world before I start writing. But I found that I have to free write my characters, I have to figure out who they are as I write. Otherwise this outline is going to be too restrictive and I'm going to end up with characters who feel wooden. And I think that's the real risk of outlining too much, is writing the life out of your characters. And so the ages do change, and the personalities change. The famous one is Mistborn, which stars a sixteen year old girl named Vin, she was a boy in the first chapter I tried to write of that. And then that didn't work so I tried a girl with a different personality and that didn't work either. So it was the third try where it's like I'm having people walk in and and try casting calls and seeing who works. And that's generally how I go about it.
With Steelheart the character didn't click for me, and I was really worried about that. Like the prologue worked wonderfully and I wrote the prologue separately, I wrote it years before I went back to the book. Because I just had that prologue pop into my head and I wrote it out. So if you read Steelheart the prologue is like 5,000 words, it's huge, it's like twenty pages or something like that. It may not be that long, but it's a big chunk. It was the first thing that I did, and then I put the book aside. And I was really worried when I started writing that I didn't have a voice for the character, because the prologue takes place ten years before when the main character is a child. So I started writing and it didn't work, and I started writing again and it didn't work, and the thing that ended up working, this is the silliest thing, but it was when I wrote a metaphor that was really bad, a simile, right? And I'm like "Oh that's stupid" because that's what normally happens. That's what you do when you are writing, you come up with something and go "Why did I write that, it's dumb?" and you delete it. And this time I started to delete it and thought "What if I ran with that?" So I started running with it and this character grew out of the fact that he makes bad metaphors. And that's just a simple trope, a simple thing, but it grew into an entire personality. This is a person who is really earnest, trying really, really hard. They are smart, they are putting things together, but they just don't think the same way that everyone else does and they are a little bit befuddled by things. It's like they are trying a little too hard. Ironically-- Or I guess coincidentally, not ironically, the metaphor of writing bad metaphors became what grew into the personality for David. His entire personality grew out of this idea of someone who is trying so hard, and you just love him because he is trying so hard but sometimes he just faceplants. And my children do this. Like I remember my child when he was five years old and he was running toward me so excited, telling me about something and this thing that he had in his hand and there was a pole in front of him but the thing was so important. And he smacked right into and fell right back over just stunned. Like "Who put this pole in front of me?" *laughter* It was at our house, it's not like he didn't know there was a pole there, right? He was just so excited by this thing Dad, this thing! And that was where David came from.
'inaudible*
There's a lot of divisions in the lighteyes. The lighteyes are basically...there's as many of them as there are darkeyes and the lower ranks of lighteyes are basically peasants, like you would look at them and say, but they're not quite, they're like Roman citizens, not all the Roman citizens were wealthy, things like this. And so all of them, their lives would be fairly familiar to you. The higher you go on the rankings, the less likely they are to care for their own children.
*inaudible*
You'll see a very young child in the next book and I think at least one baby. But it's not a baby of relevance to any of the main characters.
PART EIGHT: TRANSLATION PROJECTS
Since Elantris was published in 2005, Brandon’s reach has expanded every year. As of now his books have been translated into 35 different languages and have sold over 21 million copies.
The newest language releases coming up include Arabic (Mistborn and Legion), Persian (Warbreaker), and Bengali (Legion). It’s an exciting time to be a Sanderson fan.
Brandon’s German and French publishers sent along some announcements, so if you read those languages you’re in for a treat!
Germany
Recent and upcoming releases from Heyne
For Brandon Sanderson fans who would like to buy German editions of his work we can recommend:
We successfully launched our German landing page for all things Sanderson, brandon-sanderson.de where you can find all of his translated work, from Penguin Random House publishers as well as from others.
Recent and upcoming releases from Droemer-Knaur
Brandon also did an interview with Droemer on Instagram.
France
In 2021, at Le Livre de Poche, we published, simultaneously in paper and digital formats, Rhythm of War (Rythme de Guerre) in January, alongside with the mass market edition of Oathbringer (Justicière). Last May we published the second installment of the Cytoverse, Starsight (Astrevise), and last September the mass market edition of Skyward (Vers les étoiles).
In January of 2022 we will publish Children of the Nameless (Les Enfants de l’Innommé), Brandon’s incursion in the Magic: The Gathering multiverse. The mass market edition of Starsight will be out in early May. For the end of 2022, the spin-off to the Stormlight Archives, Dawnshard (Aubéclat), will hit the stores in September and the mass market edition of Sixth of the Dusk (Sixième du crépuscule et autres nouvelles) will come out in November.
As always, French editions of Brandon Sanderson’s work are available worldwide in online bookstores such as Place des libraires, Mollat, Décitre, Furets du Nord, Dialogues, Cultura, or online retailers like Fnac.com, Amazon, Rakuten, Momox and many other, but don’t forget to ask your local bookseller if he can get it for you!
You will find all the many ways to get Brandon’s book in French on our website.
A question that's been on my mind for a while. If Returned can't have children, how are Siri and Vivenna descended from one?
Excellent question. One I have to RAFO. When I was writing WRBRKR, I was planning on two books.
I seeded two questions to be answered in the next book. One was the origin of the royal family..
The second was how Vasher was able to survive while hiding his divine Breath. I will answer these questions.
Eventually. (It has to do with restoring Breath and life to the child while still in the womb.).
In The Rithmatist, in that world, do they ever use Rithmatics for practical purposes? I can easily see using Lines of Forbiddance for children to just draw a line on the wall, and like--
They should do it more than they do. But there are people using it, chalklings included.
Part Four: Updates on Secondary Projects
Elantris
As I said, I’m getting ready to start into this series again! Expect more updates next year as I finalize my outlines for this and Ghostbloods. Elantris will soon become a Primary Project again.
Songs of the Dead
Back from the, uh, proverbial dead, this book is actually ready! It’s been sent out to publishers, and there are offers on it. So finally, the long-awaited story about an American necromancer living in London is a go.
Now, I did want to say one thing about this project. I built the outline and the world, but as things have gotten so busy with the Cosmere—and because revisions were taking a long time—I made the tough decision to hand this project completely to Peter Orullian, the coauthor.
I did two passes on the finished novel, but I’ve realized I won’t have the time to support the rest of the series in that way. The Cytoverse is really the only non-Cosmere thing I can devote time to right now, and while I think this novel turned out great, I have decided that I’m not going to be involved in any sequels. (Other than the worldbuilding being mine.) Now, some of you might try to read between the lines on this, so let me say, there’s nothing to find other than what I just wrote here. Peter and I get along great. I think you’ll love the book. It’s just that I can only do so much, and some five years ago I started to realize I had to limit the number of series (particularly non-Cosmere ones) that I can work on.
Peter fought valiantly for this book though, as did my agent—who really believes in it. So it finally came to fruition. I expect Peter himself to make an appearance on my livestreams in the future to talk about the book and the process, and I’ll keep you all updated. But do expect to see this one released in the near future.
White Sand
The time is nearly here. In July I expect to take the graphic novel, my original book, and a lot of notes I’ve been making, and create the definitive novel version of White Sand! Khriss is a major player in the Cosmere, and so having her book be readable in a prose version is an important task I want to get to.
Maybe we’ll have this one for Dragonsteel 2025.
Dark One
Dan is still working away on our novel here! I’ll let him give you an update.
Hi! Dan here. Dark One is a wonderful project, and one we both believe in strongly. Unfortunately, as listeners of our podcast are aware, I was diagnosed with depression in 2021, and 2023 is the year it came to a head and messed everything up. So the book’s been delayed while I get my brain in order, but that’s mostly done now and I’m working hard on a new revision of Dark One.
In the past we’ve talked about this as the first of a trilogy, but the more we look at it, the more Brandon and I have decided that it wants to be a single book. Certainly more stories could be told about this world and these characters, but this first story, now that we see it take shape, is flowing very naturally into a clean and simple novel of about 150k words (give or take).
At the same time though, we are also expanding the story’s scope a little to include Christina and Sophie, the characters from the audio prequel Dark One: Forgotten. They were intended to be one-off characters exclusive to the prequel, but not only did we fall in love with them, they can help solve a lot of logistical puzzles we hadn’t quite cracked in the original outline. All in all, the Dark One story will be a little shorter but a lot more deep and rich. We think you’re going to love it.
Again, if you missed Dark One: Forgotten, the audio original Dan wrote last year, it’s awesome.
Super Awesome Danger
You might remember that when I did the reveal for the Year of Sanderson I had five manuscripts, not four. The fifth one (let’s call it Secret Project Zero, so that in discussing it people don’t think there’s one they’ve missed) was a middle-grade graphic novel about two brothers, based loosely on my children. One designs a video game named Super Awesome Danger, and the other gets trapped in it.
It’s a whole lot of fun. We’ve moved forward on working on some test images for the graphic novel, and I thought I’d share those with you! We’ll be producing this completely in house at Dragonsteel, using Ben McSweeney (who did the Shallan’s Sketchbook illustrations, among others) and Hayley Lazo (artist for the Alcatraz books) to create the art, using my script.
Back in 2019, my son Oliver drew a picture of a creature he named Robog—half robot and half frog—and he gave it to me. I hung it up on my mirror and looked at it every day for many months. Super Awesome Danger started as the story of Robog and developed into a tale of two brothers who design a video game together, and then one gets trapped in it.
Ben McSweeney is doing initial layout on the graphic novel, and Hayley's doing pencils and inks, and while we're still at the beginning of the process, so far it's turning out fantastic. Here's an initial layout by Ben along with some of Hayley's concept art. We're excited to show more of this as the month's progress.
Chapter Twenty
I worry a little bit about this chapter. The problem is, it's probably one of the chapters that has undergone the most revisions. Not in a "Fix problems" way–more in a "I need to add scenes to the book. Where shall I put them" kind of way.
For instance, the beginning has a few paragraphs that–looking at them now–I think drag on a bit. The reiteration of Vin's relationship with Shan, for instance. I put it in because I need to indicate that time has passed, and that Vin's relationships have continued, but I worry that I spent too much time on it at the beginning of the scene. Next, I added another scene showing skaa life (the one with children shaking the trees) in order to remind the reader of how bad things are. Then, later on, I changed the book to have canal convoys rather than caravans. So, this chapter got some more revisions. Then, I added a lot to the scene with Marsh, including Vin’s discussion of her mother.
All in all, it feels like a hodge-podge chapter to me. A lot of important information is explained, but it doesn't fit together as well as I might have wanted. The rhythm of the chapter is just a little. . .off.
I'm not certain how interested people are in the real theory of Allomancy and how it works. However, I do think that some people like to hear the theory and background to magic systems like this, so I try to include the occasional explanation. For those of you who don't fit into this category, I apologize for Marsh's lengthy explanation here.
Looking at Allomancy, you've mentioned that over time the power dilutes and each ability becomes less powerful. (for example a Tineye in Era 2 will generally be less powerful than one in Era 1) Does the same effect happen in Feruchemy as well? How would Feruchemy become less pure or diluted (other than Ferrings appearing)?
I have not gone as far with Feruchemy in that regard. I would say that if you're going to get a weakening of Feruchemy, which you're asking about, is the amount of stored attribute you get for lost attribute. There is decay there, you don't get a 1:1. Feruchemy generally I would say is not much weaker than it was before, a little bit but not much. This was done partially for narrative reasons. I wanted Allomancy... I wanted to back off a little on Allomancy and tell stories with it a little bit weaker. Again, mostly narrative reasons at this point. At this point on Scadrial, it's weakened about as much as it's going to because by this point people are having children that are more powerful because of the certain mixing. I'm not saying it's going up, I'm saying they have hit an equilibrium on Scadrial for the most part, at least in the Basin.
What was your inspiration for Wayne?
Wayne had a lot of inspirations... Obviously, there's some Mat Cauthon going on for me when I do Wayne, particularly the way that Mat would see the world differently from the that way he would act. The original inspiration for Wayne was a character who changed personalities based on which hat he wore. He was actually the lead in a Mistborn story I was writing, and he didn't work well without someone to play off of... Some characters work way better when they are surrounded by more normal people. Not gonna say anything about things like the Minion movie (which my children loved), but it's very hard to tell a story about everyone being crazy instead of having a framework of someone to keep it going in the right direction. So that was a big inspiration for Wayne.
The other big inspiration for Wayne was something I noticed about human nature, where I wanted to tell a story about a character who had some really deep-- Wayne should bother you. Like the way he treats Steris. And the way he treats Ranette. And the way he treats some of the people in his life should really bother you. And one of my goals with Wayne was to tell a story that mimics what I see in real life, where there are people I know and I love who also have this way about them that you realize they aren't quite-- grown-up's the wrong term... Like, all of us are the heroes in our own group of friends. We're all the hero of our story. We each have different things we're working on. And some of them are classic good storytelling things, like "I'm gonna learn to be more bold." Which is totally me. Totally something I need to work on. But some of them are "I treat people who aren't in my inner circle really poorly, especially if they're trying to get into my inner circle. And then when you're in my inner circle, I have a dysfunctional relationship with you a lot of time." And I thought I could only really do that with a character that you loved while you were really annoyed by them, because otherwise I feel like the character wouldn't work. Maybe I could do it a different way, but I really wanted to dig into that in these new Mistborn books, and Wayne was my vehicle for doing this.
Some kind of nebulous sort of writerly things going on there.
How old is Taravangian?
Taravangian is in his 80's, I believe. He is not immortal, he has not lived an extra long time. He might be 70's local time.
How many kids does he have? If he has all these granddaughters running around.
He has a number of children, but I have not defined it.
Were they all with the same wife?
No. That, I have defined.
Were they all by a wife?
A better question. RAFO.
Was he as much of a stud as Spook?
RAFO.
Is it possible for Heralds to have children?
So yes, asterisk.
When either Rashek or a Twinborn like Miles, how does he fuel his metalminds? Does he have to actually burn the gold in order to fuel them? Because, I feel like there's a paragraph in here where you kind of explained it, but I feel like you didn't actually say that you had to burn more gold in order to fill a metalmind. Is that how that works?
Yes. You can cross the streams and use one to power the other. But you are using the metal to power your Feruchemy instead of your own-- You're using, basically, the power that's coming through the metal...
So you do have to be burning one the whole time? Sounds good, good to know. So you could just infinitely fill it, basically? As you burn, you just use it to fill it and it just gets-- and that's where that comes from?
Yep. You are burning a metalmind that you've already filled, right? That's the key there. You fill a metalmind, then you burn that, and what that does is it keys the metalmind to the Feruchemy instead. Which normally no one can do because you could-
You can't do both.
Yeah. But if you can do both, you fill a metalmind, you burn that metalmind. What comes out of it is Feruchemical power instead, and you then are filling the metalmind with more.
So Allomancy is fueled by the power of the Shard. So what you're doing is you're powering your Feruchemy with the power of the Shard, instead of your own body. Using their Investiture instead of yours. Which is very dangerous.
How old would you say somebody has to be in order to attract a spren (with bonding intentions)? I can't imagine infants performing anything remarkable enough, but what about, say, 5-6 year olds? I could easily imagine them being selfless and protecting in their own little way - does this mean we can have children who can barely speak well Lashing their breakfast to the ceiling?
Someone like Lift is near the lower threshold, though it does depend on the spren in question.
Who has been your favorite character to write so far?
It's hard to say, they're all like my children. I often default to Wayne, because he's a blast.
Would you be willing to take bribes to start "Nightblood" before finishing WoT!?
Heh. Nightblood will happen someday. Bribes of cookies or Magic Cards at signings might help. More seriously, I do intend to do this--and post it online as I write it-but it probably won’t be for a few years.
Then you shall have both when you come here this winter. Help turn a few years into six months, right?
lol. Well, it can’t hurt. But I DO have a lot on my plate... We’ll see. I want an ELANTRIS sequel out for 2015.
Wow, an Elantris sequel would be awesome too. Where would it fit chronologically after the end of Elantris?
Elantris direct sequel would be 10 years later and use Kiin’s children as viewpoint characters living in Fjorden.
What form is a listener at birth?
Listeners are technically dullform, but they kind of view it as childform. And it is vibrant and alive in a way that dullform, later on, is not. It dulls as you get older. The listeners, I think I have them hitting maturity, right now, at seven or eight. I don’t know if that works with the continuity. I just mentioned it in the lastest draft, so Peter and Karen will have to make sure that that’s in continuity.
I don’t bring it up a lot, because it would be really weird to people. But I think, in these Venli sequences, in the flashbacks… I think Venli, right now, is probably fourteen. Because listeners mature, like… their eight is our sixteen. They just mature faster. But I don’t bring it up because it’s one of those things like the fact that I don’t often mention that Roshar has twenty-hour days, or I stay away from the five-day week. Just because it really kicks people out. You’ve gotta be really careful about how you write things like that. I’m like, “Venli is fourteen.” You’d be like, “What? Venli does not feel fourteen.” Well, she’s not fourteen; she’s fourteen for a listener. And some of these flashback sequences, she’s ten. But she’s gonna read like she’s sixteen or seventeen. Because that’s what she would be in maturity level for a human.
It gets very sticky in those sorts of things. The answer is, they are dullform. But dullform acts differently with children.
How technologically advanced was the society before the Final Empire? You reference gunpowder, and certainly the current day seems to have technologies like canning and clocks, so how much did Rashek destroy?
They had steam technology, and were just about to hit the railroad era. Something near early 1800s in our world.
Since the dawn of Scadrial, why was Feruchemy isolated in a single distinct population in the world, namely the Terrismen? Allomancy, while rare within the population of Scadrial, at least was not isolated to one population, it was spread evenly, it seems. What is special about the Terrismen that only they get the power of Feruchemy? Does it have something to do with the previous Ascensions before Rashek, with the guardian keeping the power for a time?
It's all in the spiritual DNA, which is passed on like normal DNA. However, they are a separate people. They've kept themselves isolated, similar to the Jews in our world. When I asked he said there have been some Feruchemical-mistings [Ferrings] in the past, but they are very rare.
Are we going to learn the similarities between the two people, the surgeon's first words when they were born... <Demid> and Taravangian? The cord around their neck?
I'll just say, I didn't intend that to be something you look at and say, "Oh, it's the same!" What I mean that to mean is bad medical care. All three of my children would have died in childbirth if we didn't have modern medical care. My first one had the cord around his neck. The doctors have told us they would all be dead. I just think that's very common in a society like this. The things going on with Roshar is, Rosharans are innately tougher because of their Investiture, so they're more likely to survive traumatic experiences. It's not meant to say you should be looking for any other connection in something like that.
Who's your favorite spren in The Stormlight Archive so far?
...Right now it's probably Pattern. But I don't know. I love them all. They are my children.
If a person held enough breath to attain the 5th heightening, lived for a thousand years, and then sold all but their initial breath, would their spiritual age force them to rapidly age as we saw with Rashek, or would they resume natural aging from the point at which they ceased?
I think they would rapidly age.
But I'm not ready to say 100%.
Lightsong Feeds on the Child
Why a child? It doesn't much matter, truthfully. An adult, or even someone elderly, could provide a Breath that would keep a god alive.
But the Breaths of those who are aged aren't as vigorous as those of those who are young. If Lightsong were given one of those to feed on, he'd survive for another week—but he wouldn't feel as vibrant or alive as he does after feeding on the child's Breath.
The people of Hallandren are faithful. Even if Lightsong himself doesn't believe, they do, and they want to provide the best for him. Hence they use children. Old enough to know what they are doing, yet young enough to give a powerful, vibrant Breath to their god.
I’m now extremely anxious to see the symbol for Hemalurgy.
We considered creating these but soon realized that Allomantic symbols were probably used by Hemalurgists and actually might've been Hemalurgic symbols before they were Allomantic. (See the little nails sticking through each symbol?) Feruchemy, though, needed something different.
Given the rather dark and arcane nature of Hemalurgy, it does make me wonder if Rashek simply co-opted it’s symbology for Allomancy, given the quick spread of Allomantic powers during his rise and reign and the need for classification.
That's very likely!
