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Boskone 54 ()
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Questioner

If you draw a line of forbiddance on a piece of on a chalkboard that’s sitting on the ground and then hit that chalkboard, will the chalkboard move?

Brandon Sanderson

This is the number one question I get, actually. The answer is, it depends on the size of the line and the amount of power that’s been put into it. This is actually relating back to Cosmere physics. If you look at the Cosmere physics, you can see exactly what happens with the speed bubbles, it’s the same sort of principle. It’s based on perception. So putting a movable line, oftentimes you will just have trouble engaging the magic on something that’s not stable enough to be viewed as stable. Drawing it on a chalkboard and then turning it toward somebody actually wouldn’t work, because you wouldn’t be able to engage that line very easily with the way the magic works. And if you did, it would disrupt the line, and it would be gone. Treat whatever I do with speed bubbles as the rule for Rithmatist magic, until I write the second book. If I decide to take it in it’s own direction, I will let you guys know.

17th Shard Forum Q&A ()
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ROSHtafARian

In the Mistborn trilogy, the base 16 Allomantic metals separate into different groups like the Enhancement metals, etc. Given that there are 16 Shards, do they also separate into different groupings as well? For instance, are Shards like Honor and Devotion part of one 'grouping', with Shards like Cultivation and Endowment part of another?

Brandon Sanderson

Good question.

...

RAFO

Calamity release party ()
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Questioner

I was wondering if you know, like, exactly how tall Kaladin is?

Brandon Sanderson

Um... Kaladin? 6'-4". But you've got to remember... People on Roshar are taller than people here. So like 6'-4" compared to someone else in Roshar. But it's a low gravity, high oxygen environment which means that he's probably more like 6'-8", or something like that. Like you're gonna see... But it-- that's only-- you know, like for instance their year is different than ours too, and things like that. If you just want to imagine him at 6'-4" that's fine.

Firefight San Francisco signing ()
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Questioner

What kind of embroidery is it [on Alethi women's clothing]? Is it like flowers, patterns?

Brandon Sanderson

No no, it is a lot of things but the Alethi's don't do the flower thing as much... It's not really an Alethi thing, floral patterns. So you are seeing a lot of designs and hatchings. They may look a little Arabic to you. Or the glyphs and things like that you will see worked in but very stylized.

FanX Spring 2019 ()
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Stormlightning

So about the Girl Who Looked Up, when her hair turns white, I'm just wondering, was that a Shallan-caused thing, or was that external?

Brandon Sanderson

External.

Stormlightning

It was nothing to do with her?

Brandon Sanderson

Everything in that had something to do with her.

Stormlightning

But she didn't cause it? Subconsciously or otherwise?

Brandon Sanderson

Well, she was involved, but the original source of that-- Yes, she is involved in that--

Stormlightning

But she didn't know something that caused it, even way back in her memory?

Brandon Sanderson

No, no. You're going the wrong direction for that.

Stormlight Three Update #1 ()
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Brandon Sanderson

Hello, Reddit.

As someone else has posted, I have finished the rough draft of Dalinar's flashbacks for Stormlight Three. I consider the experiment of writing his flashbacks for this book, instead of waiting for book five, to be a success. Therefore, I'm proceeding with the Dalinar/Szeth flip.

The reasoning for this is something I can't discuss in detail until the book is released. I'd be happy to revisit this topic once you all have a chance to read the novel. But for now, a few statistics.

I'm working at about 2,000 words a day on average. That's slow for me (a better rate is around 3,000 words) but Stormlight is difficult to write. The complexity of the worldbuilding and the narrative structure require extra attention and detail. At this rate, though, I should be finishing the book sometime between December and February. We'll see--I have a tour for the new Mistborn book, as well as several weeks in the UK, coming up. They'll impact my ability to write.

I'm doing a revision on these Dalinar scenes right now, and I'm very pleased with them. At fifteen chapters and 55k (rough draft) they're significantly longer than the other two sequences--I had a lot more to cover in them. I still anticipate the finished novel being about the length of the other two; Dalinar's flashbacks will simply eat a little into his other narrative. Also, expect the wordcount to shrink as I do revisions.

Next step is digging into Part One. I anticipate this book moving well in the coming months; my outline is solid, my enthusiasm high, and I will finally get to write some scenes I've been planning for over a decade now.

Thank you for putting up with the delayed pace of Stormlight releases. I know you all think I'm freakishly fast, but the truth is that even if I can get this book in on time, it will be two and half years between Stormlight releases. I've accepted that this is just how my process has to work. The difference between me and other writers (ones I wish readers would disparage less) doesn't seem to be one of actual speed. It's just that the thing that relaxes me for the next book happens to be writing side projects that, hopefully, you all enjoy reading.

Edit: As a bonus, here's the first line from the first flashback: "Rockbuds crunched like skulls beneath Dalinar’s boots as he charged across the burning field."

ICon 2019 ()
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Nameles36

Why was it that Vasher was able to throw Nightblood while fully drawn but Szeth couldn't even drop him

Brandon Sanderson

So it may have been part to why Nightblood has less an effect on Vasher in general than the other people, but there's also a little of a bit a measure of experience... but there's some other stuff going on with Vasher.

FanX 2018 ()
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Questioner

For a writer like yourself and Robert Jordan who both have very expansive and articulate universes, how much of the planning process do you do up front and how much do you let it develop organically as you write?

Brandon Sanderson

I am more naturally a planner, but both methods are valid. Robert Jordan was a little bit more of what we call a pantser. But every book changes as you're writing it. Like, I don't know if you've read Stormlight, but one of the main characters in Stormlight wasn't meant to be a main character until I finished the book and there was something wrong and I went through revisions, and added a character's viewpoint in to fix those problems, and then that sends a ripple through my whole outline, and you know, so stuff like that.

Brandon's Blog 2016 ()
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Apocalypse Guard.jpg

Brandon Sanderson

A lot of people have been asking if this is the end of the Reckoners. It is. The trilogy is finished, and came together wonderfully. However, as you all know, I'm unlikely to leave an ending without some hints of where the characters would go in the future.

I don't currently have plans to do a direct sequel series, but the next project I'm planning is in the same universe. This is a new trilogy in the works with Delacorte (the publisher of the Reckoners), and it's the unnamed project I talked about in my State of the Sanderson post in December. It's scheduled tentatively for a 2018 release, and it's called The Apocalypse Guard.

Here's the pitch:

Over a decade ago, people started manifesting strange, incredible powers. One side effect of this was an awareness of alternate dimensions—some of these powers could reach into other realities, other versions of Earth. Though infinite dimensions are present, most of these are unstable, existing only as vague possibilities.

A few of these worlds, however, are stable. These real, alternate versions of Earth are sometimes very, very different from the one we know. And a bizarrely large number of them, it turns out, are doomed. And so the Apocalypse Guard was founded: an organization of thousands of scientists, engineers, and extraordinary individuals who save planets.

They comb the dimensions searching for stable worlds to contact. When they find one that is facing some kind of cataclysm, the Guard either finds a way to save the planet, or evacuates it. The process can take years, but so far the Guard has saved some dozen planets—though it has lost half as many to utter destruction.

Emma is the Guard's coffee girl. On summer internship at mission control, she gets to witness—from a safe distance—their activities. During the events surrounding the rescue of a planet, however, a shadowy group attacks the Guard and throws it into chaos. Emma finds herself cast through dimensions to be stranded on a doomed planet the Guard had been planning to save. Cut off from mission control, woefully inexperienced, Emma has to try to meet up with the Guard or find another way off the planet before cataclysm befalls it.

In the tradition of the Reckoners, The Apocalypse Guard is a fast-paced, action-oriented story with roots in comic book traditions. This one is a little more science fiction and fantasy than it is superhero, and it will dig deeper into the mythology begun in the Reckoners. It is not a sequel to the Reckoners, in that it has new characters and a new story, but it might help answer some questions left by the end of Calamity.

It's going to be a little while before I write this. Stormlight 3 takes precedence currently, and after that I'm thinking I should probably write the sequel to The Rithmatist. However, I've been mulling over this new series a lot, and even went so far as to commission some concept art.

I've only done this before with the Stormlight books, having Ben McSweeney (who ended up becoming the illustrator for Shallan's sketchbook pages) do concept roughs for the characters, so I could have them as kind of a quick reference for how the characters look.

This was really handy, and so I had it done for The Apocalypse Guard as well. We put the characters together in an action shot, though keep in mind that this was mostly for my internal reference (and kind of as a proof of concept). This isn't the cover art, and isn't intended to be a finished "movie poster" for the books. More a cool piece of concept art trying to nail down character looks and outfits.

Anyway, enjoy!

Art by Kelley Harris – Check out her website and Deviant Art Page!

Firefight release party ()
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Questioner

Is there more to the Roshar world than what is shown on the map or is it just that?

Brandon Sanderson

There is only one continent. Now if you are paying attention, that's not answering your question completely.

Questioner

It's just different realms and all that. I meant like more landmass.

Brandon Sanderson

There is only one continent on Roshar.

Questioner

Just different versions of it.

Brandon Sanderson

That doesn't mean there aren't islands out there.

Now the Mistborn world there is a whole lot more.

Questioner

We've only had that one little part so far.

Brandon Sanderson

Yeah, but it's basically almost all empty because... Which is actually very fun for the worldbuilding, is this idea of a mostly unpopulated world.

Tel Aviv Signing ()
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Brandon Sanderson

And your name is Topaz, huh?

Questioner

Yes, it is.

Brandon Sanderson

Topaz is a great name in the cosmere, because.. I if you know Wit/Hoid? Topaz is one of his aliases. It was the first name I came up for with him, when I was a teenager. I named him Topaz.

Arched Doorway Interview ()
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Rebecca Lovatt

What would you say your proudest moment has been along this journey of 10 years so far?

Brandon Sanderson

There have been several of them, the same type of moment. It's when people come up to me, and they say to me, "Brandon I was not a reader, and your books turned me into one." Because my story, which people can find because I've told it a thousand times, was that I was a reluctant reader. I didn't like books until fantasy novels changed me. I got into this because I thought, "I have to learn to make people feel like Anne McCaffrey made me feel." So in those moments when they say that, that's when I know I'm doing what I set out to do.

A close second is when they tell me I kept them up late at night. I feel nice and evil when I've done that.

Rebecca Lovatt

You have caused me many many sleepless nights. Like the moment I got Words of Radiance--I think I finished that in two or three sittings. Coincidentally, I did not finish my assignment that was due the next day.

Brandon Sanderson

Excellent. Corrupting the youth again. That is the theme of what I do in my life.

Warbreaker Annotations ()
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Brandon Sanderson

Jewels and Parlin Chat and Laugh

Vivenna isn't in love with Parlin. She has affection for him, but it's the affection one might have for a younger brother. That's all she's ever felt for someone so far, however, as she's never given herself a chance for romance in her life. She's always stamped it out. She was going to marry the God King. No room for childish things like love for her. (That will bite her eventually, of course. In a later book, I'm afraid.)

Her affection for Parlin, however, makes her possessive of him. He's her best tie back to the life she left, and she's always kind of seen him as hers. So you can probably see why she might be annoyed to see him spend time with Jewels.

Denth is right. Jewels might be amused by Parlin, but she's not interested in him romantically. She has other ties, which I believe I discussed in a previous annotation.

Warbreaker Annotations ()
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Brandon Sanderson

Lightsong Thinks about How Hallandren Wouldn't Fall

He's wrong here. If he hadn't intervened and taken responsibility, the God King would have died, and another Manywar would have begun. It would have ended with Hallandren in flames, destroyed by the advancing Idrian coalition, who by then would have gained the secret to creating swords like Nightblood from Yesteel, who is hiding in one of the kingdoms across the mountains and who secretly knows what Vasher did to create the sword. He would have brought his kingdom into the conflict. And the world would have burned.

17th Shard Forum Q&A ()
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Odium's_Shard

Lastly, less pressingly, do Spirit Points (Hemalurgic spots) apply to ever magic system, and through the cosmere at large? Ie. could Hemalurgy be used to take any other magic systems aspects, and do other magic systems also have these 'Points', such as Body Focuses, that work in similar ways?

Brandon Sanderson

Hemalurgy crosses magic systems. You could steal things from people on other worlds, if you knew the right places for the spikes.

Firefight release party ()
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Kaladin al'Thor

I noticed my last time reading Words of Radiance that there were several times-- vines that were on Adolin's shardblade as he summoned it. So I was wondering if maybe the Radiant who used it had was an Edgedancer?

Brandon Sanderson

You are right.

Kaladin al'Thor

You mentioned before that it would be possible to revive a dead shard[blade], but it would be very difficult--

Brandon Sanderson

Very difficult.

Kaladin al'Thor

Like I think what you said is that it would have to be the same person that broke the bond?

Brandon Sanderson

That would be the-- Yeah.

Kaladin al'Thor

So if it was an Edgedancer's blade if he made those same oaths could potentially he…

Brandon Sanderson

That would most likely not be enough. Something else would have to happen. Good guess though.

Warbreaker Annotations ()
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Brandon Sanderson

Undead

I'd been toying for a long time with doing a book with "technological" undead in a fantasy world. A place where a body could be recycled, restored to a semblance of life, then set to work. I'm always looking for ways to explore new ground in fantasy, and I've seen people sticking to the same old tropes with undead. (Mindless, rotting zombies or dynamic, goth-dressed vampires.)

I wanted to play with a middle ground. If you've got a magic that can make a stick figure come to life, what could it do with a dead body? How could a society make use of these walking corpses, treating them as a realistic resource?

The Lifeless grew out of this desire. I developed something like them for use earlier in a completely different novel, but I abandoned that plan years ago. They returned to the scrap pile of my mind, from which I draw forth and recombine ideas to create novels.

Berlin signing ()
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Questioner

Would you ever consider doing another Writing Excuses anthology?

Brandon Sanderson

Ooh, you're into the obscure stuff. For those who don't know, my friends and I run a podcast called Writing Excuses. We did something weird where we all brainstormed a story and recorded the brainstorming session, and then went and wrote the story. And did workshops of it on the podcast live, also. The collection has the brainstorm session, the workshop session, the first rough draft, and the last draft of the story. It's an interesting thing for writers to pick up.

Probably not. It was a whole lot of work, and everybody complained about it a ton when I was making them doing it. And they all did it, and they're all wonderful people and excellent writers, but man, it was a big headache. So I don't know if I'll put myself or them through that again.

Elantris Annotations ()
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Brandon Sanderson

Chapter Three

There is some division among readers regarding their favorite viewpoint character. One group chooses Raoden, but I think the majority go with Hrathen. All things considered, I think he's probably the best villain I've ever written. His personality comes off quite well in this first chapter, and I think he might have the strongest introduction–at least personality-wise–of the three.

...

Anyway, back to Hrathen. My hope in creating him was to present an antagonist for the story who would be believable, understandable, and sympathetic. He's a good man, after his own fashion–and he's certainly dedicated. He doesn't want to destroy the world; he wants to save it. It's not his fault he's serving an evil imperial force.

Regardless, Hrathen certainly has the most interesting character progression in the story. Raoden and Sarene, despite many interesting attributes, are two of the most static characters I've designed. This book isn't about their growth as people, but rather their ability to overcome their desperate odds. Hrathen, on the other hand, has a real opportunity to grow, learn, and change. Perhaps this is what makes him people's favorite. It certainly made him the critic's favorite.

Open The Fridge Interview ()
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Lyndsey Luther

Let’s start with an Alloy of Law question, since that’s why we’re both here. You’ve obviously put a lot of thought into the evolution of the world of Scadrial, specifically in how you’ve integrated the world’s technological advances. Was there anything in particular that drew you to the old west setting, and did you do anything to research it, like going to a shooting range or a ranch?

Brandon Sanderson

Good question. I actually wrote the prologue LAST. I wrote it to be the prologue to another book about Wax and Wayne if I did one. I always knew what happened, but I didn’t want to start the book with the old west, because most of it didn’t happen in the old west, it happened in the city. What is now chapter one used to be the prologue. And after writing the whole book I realized that we didn’t see into Wax’s heart, we didn’t know what he was always referencing with Lessie… we actually needed to see it. And so I actually took that chapter and moved it to the front. I worry a bit that it will old-west-ify it a bit too much, because I did see this as a city book. All of the Mistborn books have taken place in cities.

Lyndsey Luther

And will that hold true for the second trilogy, as well?

Brandon Sanderson

Yes. It might not hold for the final one in the same way. But as for the research I did... I actually got my gun nut friend. Gun nuts are very particular. He’s a big Wheel of Time fan, and a very big gun nut. I got him to read the book and give me all the “this is how a gun nut says you’re doing it wrong” notes. That’s how I usually do something that specific. I like to write the book, and then go find an expert. For instance, in The Way of Kings, Kaladin’s surgery and first aid things. I wrote the book, I did do some reading on it, but then I sent it to an author that my editor knows. He’s a medical doctor, and I had him read those things and tell me what I was doing wrong. I prefer to do it that way and then fix it, because I can do enough, but there’s a certain understanding curve. I can pick up 75% of what I need to sound authentic with a little bit of research, and that last 25% requires a Ph.D. (laughs) And so rather than getting a Ph.D., I just give it to someone who has a PhD, and they can crosscheck it for me.

Ad Astra 2017 ()
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Questioner

What's the etymology of "slontze"?

Brandon Sanderson

...This is from the Reckoners series, Steelheart. I wanted a fake Yiddish word. So I, you know, mention things like this, and it's not actually-- I-- It doesn't quite fit, but I wanted something that had the right feel, like that. I don't know why I wanted a fake Yiddish word. That just felt-- So I went through a bunch of Yiddish slang, and that's the word I came up with. So, that's what I do a lot, like "I want the feel of this."

Shadows of Self Edinburgh UK signing ()
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Questioner

Which one of your characters do you think is most like you?

Brandon Sanderson

Which character's most like me. You know I always have trouble answering this because I put a little of me in every character and every character is different from me. And so it's really hard to say who is most like me. Sometimes I think it's someone-- I don't know, the hard part is like who do I want to be or who am I actually? I think I'm a little more Kelsier and I would like to be a little more Sazed.

Warbreaker Annotations ()
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Brandon Sanderson

Chapter Fourteen - Part Two

Vivenna Enters the Court

Color harmonics are one of the things in this book that, I think, have some very interesting philosophical implications. I've always been fascinated by the concept of perfect pitch. Pitches and tones are an absolute; music isn't just something we humans devise and construct out of nothing. It's not arbitrary. Like mathematics, music is based on principles greater than human intervention in the world. Someone with perfect pitch can recognize pure tones, and they exist outside of our perception and division of them. (Unlike something like our appreciation of other kinds of art, which is dealing with things that are far more subjective.)

However, I wondered if—perhaps—there are perfect steps of colors just like there are perfect tones, with color fifths, sevenths, and chords and the like. In our world, nobody has the ability to distinguish these things—but what if there were someone who could? Someone who could tell something innate about color that isn't at all subjective?

I'm not sure if I explained that right, but it intrigued me enough to become part of this book.

Sasquan 2015 ()
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Megalodon

So are you planning to do anything like the Rysn interlude where you record and post videos again?

Brandon Sanderson

Yeah, I would like to do that. For those who haven't seen them, I did record myself typing one of the interludes and then I posted it on Youtube. And I will try to do another one of those. I think it's fun. I sometimes get jealous of Dan-- err Howard I mean, who can sit and draw while he's talking with people and do a demonstration. A demonstration of writing is *pantomimes writing/crowd laughs* But this can be put on and sped up, so you can watch it in speed and with cool music in the background and stuff. I'll try to do another one of those.

West Jordan signing ()
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Questioner

One thing I really liked on your books is that you’ve reinvented a lot of fantasy tropes in a lot of good ways. But you also are inspired by some literary works, you’ve mentioned Les Miserables, which is a fantastic novel. So I was just wondering if what advice would you have for people in terms of speculative fiction and literary works?

Brandon Sanderson

Well, advice for drawing. We did a writing excuses podcast on this, so you can go look up those, “How to be influenced consciously.” But boy. Read good stuff, and start to think about why it’s good. It’s going to help you. I don’t know if I can specifically tell you anything other than that, but read it, decide what ‘s working for you, and try to use that, try to feel. But remember to feel what they did, not what they did. Meaning, here’s a good example. You read Tolkein. You say “Wow”. What Tolkein did wasn’t creating Elves and Dwarves. What Tolkein did was create an interesting mythology that was well interconnected. And a lot of people will say well, I want to learn from Tolkein, so I will use what he did, and they don’t dig that level deeper. They say “Well, I’m going to use the elves and dwarves.” They don’t say “What is it that he did the level down that really made this work?” And that’s what you should be emulating. So when you read the classics, say “What’s making it work?” Try to dig the level deeper if that makes sense.

Stuttgart signing ()
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Paleo (paraphrased)

There's symbols in the temple at the end of The Bands of Mourning which none of the characters recognize. Are they from any writing system known to us or did Kelsier make them up?

Brandon Sanderson (paraphrased)

RAFO.

Footnote: Paleo also mentioned in passing that the symbols didn't resemble any Aons or other symbols he knew. Brandon didn't react much to that.
#rafo
Sources: Paleo's report - 17th Shard
ICon 2019 ()
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Brandon Sanderson

The linguistics there, with the... for the Aonic... so, I had a couple of inspirations there. By the time I was writing this book, I was looking to do a little bit more interesting linguistics, I was looking to explore linguistics, and I like that one of the ideas I had is... I'm a member of the Church of Jesus Christ of Letter-day Saints - Mormon - and I served a two year mission in Korea. While I was in Korea, I fell in love with the relationship between the Korean language and the Chinese language.

If you're not familiar with how that is, in a lot of Asia, Chinese was the writing system for years. For centuries, people wrote in Chinese, even if they didn't speak Chinese, because Chinese is a logographic language, it's not phonetic. When you write the character, the <Hànzì>, you can pronounce it in any language. It can be written... read in any language - we can read them in English, you can read them in Hebrew. They just mean a concept, it's like hieroglyphics, right?

But what this means is, it's really hard to learn to write, because you just have to memorize every symbol and they're very complex, very intricate. So, around... I think it's 1400, someone will have to look that up to make sure, but... the king Sejong of the Korean people, who is remembered as their favorite king, he came in and said "My people are illiterate because Chinese is just too hard to learn. We aren't Chinese, we don't speak Chinese, we're trying to use their writing system for our language. Let's develop an alphabet."

They got a bunch of scholars together and they built an alphabet by which you can write Chinese in Korean, in an alphabet that's a Korean alphabet. It's really fascinating linguistically, because they create Chinese characters that are phonetic to take the place of Chinese characters in their language and then surround them with grammar only in Korean. So, you have like "Chinese character, Chinese character, Korean grammar... Chinese character, Chinese character, Korean grammar..." and you could replace those characters with Korean ones if you want, or you could just leave the Chinese - really cool.

I wanted to develop a language that had these symbols that would also have... that were from an old language... that would then have grammar around them in another language. It was really interesting to me and that's where the Aons came from, this kind of language that predates their culture, predates their linguistics in Arelon. And that they have developed alongside and that they use in their writing system... and if you were to read Aonic, you would see these big Aons and then little Aonic text between them that is bridging all these ideas together with actual linguistics.

So, the Aons I wanted to stand out, I wanted to... when you read them in English to be able to say... and I experimented with making them all caps and it just looked really weird, but that that would be the way that... then you would have to have "RAO" and "den", "RAO" would always be in caps and "den" and readers had real troubles with that. It just read... it looks like you're screaming, right? So, people would read the name *loud* RAO- *speaking normally again* den, *laughter from audience* which is not what I wanted to say.

So I went back, but I still wanted these... So, I used the two long vowels sounds. Whenever you hit a name, they're all gonna have two long vowel sounds in them that are stressed and then an unstressed Aonic portion pushed onto it. So it's /ˈɹeɪ.ˈʊ.dɛn/ [Raoden], where you've got a-o, and you've got /iːniː/ [Ene], /sɑː.ˈɹiː.ˌniː/ [Sarene], and things like that. And even Elantris... I say /e.ˈlɑːn.tɹɪs/ [Elantris], they would say /ˈiː.leɪn.tɹɪs/ [Elantris], and things like that.

I built this just, like, have... I love it, when in fantasy, the form and the function meld together, so that what you're putting on the page actually enhances in all ways the culture and the magic together, but it did make for a difficult reading experience. My first review I ever got for Elantris [...] My first review that ever came in was "This book is great, but the names are terrible. Brandon Sanderson can't name anything. Keep him away from naming things, because the first book he published might be the most linguistically challenging, let's just say."

General Reddit 2020 ()
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LiberalArtsAndCrafts

Lift can drink EVERYONE under the table.

It's established that stormlight can heal the toxic aspects of alcohol, thanks to the misadventures of Veil. It's established that shortly after consumption, Lift can metabolize caloric value into stormlight. Alcohol is VERY high in caloric density, on par with sugar and fat, well above complex carbohydrates and vegetables. So Lift, once she gets around to trying booze, should be able to quickly turn the calorie value of alcohol into stormlight which then cures the drunkenness. Indeed alcohol might well be a good way for her to keep her reserves, since it keeps very well, can be produced from sources that don't work as food, and is so calorically dense. It also means she can beat Rock at a drinking contest, even if they both start with the same amount of stormlight in gems. This should happen.

Brandon Sanderson

Yup, I think this is accurate.

MisCon 2018 ()
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Questioner

This isn't so much a question as just something I noticed... When I first read a summary of the Deadpool movie... to trigger his powers, they basically tortured him. And as soon as I read that, I was like, "They Snapped him!"

Brandon Sanderson

Now, I can't claim ownership of this. I think you will find the idea of "anguish brings powers" reaching back to the early days of the Golden Age superhero comics. And to a lot of the early 70s and 80s fantasy that I was reading and absorbing during those formative years. So, I can't take credit for that. I think it's a very common trope. And so I would not suggest that the writers of Deadpool have anything to do with it... I wouldn't think that they had read-- Just because it's part of the general understanding. I mean, I bet there's a TVTropes page for it, right? ...They'll probably have some pithy name for it or something, "Traumatic Power Inception" or something like that, they'll have some page for it. And you can go find all the places where it came from.

Hero of Ages Q&A - Time Waster's Guide ()
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Chaos

How were the Terris Prophecies created in the first place? Every other magic related thing is quite logically explained in terms of Ruin and Preservation, except that one.

Brandon Sanderson

The Terris prophecies were created by Preservation before he attempted his imprisonment. He knew that he wouldn't be able to do much for the world after he did what he did, and he foresaw a LOT of what was to come.

General Reddit 2015 ()
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bullshque

I thought the spheres of different denominations were also different sizes.

_robbiehunt_

Someone mentioned this, too. Now with a second person it seems to make even more sense. Was it mentioned in the books?

Garnet and ruby are still right next to each other in value, but with all the other differences... it's probably just enough information to differentiate them.

Thanks!

Kabsal

Huh. I'd always assumed that the glass portion of a sphere was the same size for each gem type, but I can't find solid proof one way or another in the books. It's clear that within a gem type the glass size is constant while gem size grows from chip to mark to broam, but otherwise? I'd have to do a careful reread to try and find any evidence one way or another, and it might not be there at all.

This seems like the kind of question [Brandon Sanderson] or [Ben McSweeney] can give a definitive answer to: would a diamond chip's glass be the same size as an emerald broam's?

Ben McSweeney

[Peter Ahlstrom] ought to know for sure.

I want to say they're all the same size sphere, with larger or smaller gems? But now I'm blanking on what that sphere size is... like, about the size of a marble? Half-inch or so in diameter?

Peter Ahlstrom

The spheres are all the same size, about as big around as a man's thumbnail. Only the gems inside the spheres differ in size.

Legion Release Party ()
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Questioner

What inspired the idea of the lenses from Alcatraz?

Brandon Sanderson

The Alcatraz books really did come from me wanting stupid things that I do to be superpowers--and I've always worn glasses, and even when my friends got Lasik or contacts or something, I was like, "Bah, I like glasses, I like how they look; I want to wear my glasses!"

So I wanted glasses to be cool. And so I made a whole bunch of magical pairs of glasses. There is really...If you're questioning anything in Alcatraz, and saying, "Why did you do this," the answer is almost always, "Because I wanted something dumb I do to be cool."

Arcanum Unbounded Chicago signing ()
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Questioner

You mentioned RPGs, what's your favorite RPG?

Brandon Sanderson

Final Fantasy X *audience cheers* I love that one. Like a lot of the Final Fantasies didn't make any sense, and it's okay that they don't make any sense, but that one actually really made sense to me and it really worked. I like that they have-- Like it has a character who's not dark and broody? *laughter* For the first time ever? It's kind of a jock. He's just-- He's just a happy-go-lucky jock who gets caught up in saving the world and it was such a fresh-- Fresh of breath air? It was such a fresh of breath air. *laughter* But yeah. Pen and paper, I grew up playing the Palladium. A lot of Palladium, so TMNT was my introduction to pen and paper RPGs.

Warbreaker Annotations ()
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Brandon Sanderson

Vasher is wrong about Arsteel, by the way. Arsteel didn't need to be killed; Vasher misinterpreted the man's motives in joining with Denth. It's unfortunate that the two came to blows, but Arsteel never intended to kill Vasher in the duel, just subdue him and talk some sense into him. ("Sense" as Arsteel saw it. He wasn't actually right in what he was doing—he didn't understand Vasher's reasoning either. All I'm saying is that Arsteel's motives were, in fact, pure.)

Boskone 54 ()
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Questioner

Do you ever get to travel? Does travel inform your experience? From that little vignette you did [the interlude reading at the monastery] did you go to Sinai or Kyoto for the monastery?

Brandon Sanderson

I travel a lot. I enjoy traveling. It’s a little hard on my schedule, as one might imagine. But I really do like it. That little vignette, I did go to Japan. On a trip to Taiwan, we stopped for a day in Japan to hike monasteries, specifically. We hiked the one that’s right next to the airport, outside the city. Then we went into downtown Tokyo and hiked one of the ones there. The coolest thing is, they have these big rocks that they inscribe quotes in, anciently, just piled on top of each other. I travel a lot, it does inform my writing a lot. Famously, the Emperor’s Soul came after I went to Taiwan one time. Snapshot came after a trip to Dubai. You can’t find as much Dubai in Snapshot as you can Taiwan in The Emperor’s Soul. I usually write one of my novellas as a response to a trip or just taking a break for a trip. That happened to Legion, it happened to most of the novellas.