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If Adonalsium was based and shattered on the cosmere galaxy, what of the rest of the universe? Does it also have Investiture or is Investiture something strictly bound to the cosmere galaxy? Are there even other galaxies on that universe?
I've been RAFOing that particular question--though it only just started popping up, at least with people asking it to me. :)
Do you have the "end state" of the Cosmere in your mind? Do you know where, thirty years or so from now, where the main characters will be once all major Cosmere series are finished? Or do you plan on having them end at all?
Yes, I have a plan--but remember, we'll be dealing with a lot of new characters by then. The goal is not to take everyone you're reading about now, and have them appear in the final books. Some will persist, but my end game is more focused on events.
As a man of many projects, you seem very good about compartmentalizing your workload to be able to complete or advance a project independently while midway through even larger commitments. That being said, even authors such as Stephen King have viewed a certain project as their 'life work'. Would you consider The Stormlight Archive to be this to you (or at least your early life's work-being as young as you are) or rather does your ability to compartmentalize extend to your accomplishments as well as your workload in that you can view your achievements independently?
I consider the Cosmere sequence to be my life work—of which the Stormlight Archive is a major part, but it's not the only part. Compartmentalizing projects is the nature of how I work, to keep myself fresh, but the interconnection of the cosmere means it's not entirely compartmentalized.
Is there ever going to be a mash-up where different magic systems are actually going to collide and--
The question is is there going to be a mash-up where different magics, from my books, collide. Yes, there will be. I came up with the concept of what I call the cosmere… Long ago, it was about 20 years ago now, when I wrote my very first story that was about a guy traveling between different planets in a magical universe. Where he would go to the planet, try to figure out how the magic worked, then just get it working, then see if it was something he wanted to learn about and know. And that grew over 20 years into what I call the cosmere, which is a collection of planets in a fantasy universe, in which all of the magics are interacting in interesting ways. And we will eventually have some cool crossover books but right now the series I am writing are about the series themselves and so we won't have crossover yet but it will happen eventually.
So for the Old Magic, in this classification system of end-positive, end-neutral, and end-negative, where would that fall under?
So, almost every magic in the cosmere is end-positive, almost every magic is relying upon an external source of Investiture to power it. So that phrasing is mostly more relevant to Scadrial than anywhere else, because that concept is how I'm dealing with things like the laws of thermodynamics, and even what they call end-neutral is relying a little bit on the power of Investiture to facilitate. So even an end-neutral magic system as they define it on Scadrial is actually not end-neutral. What you get put in you get out, but the power is facilitating that transfer… So that phrasing is kind of a... Take that as a science on.. Scadrial that does not extrapolate well, and may not even be 100% accurate.
That would have been a great thing to know before we did the cosmere magic panel. *laughter*
I look at it as, is an Investiture externally powering the magic, and if you look at Allomancy, yes it is. You are drawing that power out. Feruchemy, you are putting Investiture in from your own body, it's your energy transferring to Investiture, which is being stored, which you are then drawing out, and things like that. But that changing forms is facilitated by the magic. Whereas you're stealing stuff with-- So you could look, for instance at the magic on Nalthis, you could look at that one as being-- as kind of working as end-negative, meaning "I am taking it away from someone else", or end-positive depending on if you're the one receiving it or not. So again, it's a phrasing that can be useful as a tool but doesn't scale well to the other magics.
Your work on the lore of the cosmere is immense. How much have you had to figure out ahead of time? How much do you develop on the fly while writing?
It really depends on the situation. I do some of both. Mostly, the on-the-fly stuff is where I realize that there is a hole in my understanding where I'm like, "I didn't account for this." And you'll see this when fans ask me questions; I'd say a good half the time or more, they ask a question, I'm like, "I didn't account for that. Let me think..." This is why I like having foundational principles of how the cosmere works, rather than focusing on little details. (Which, a lot of those, I'm deciding on as I'm writing.) I try to get these really solid foundations so that the little details answer themselves, if that makes sense.
I've heard people talk about this with characters. Like, instead of deciding when you're building a character what their favorite color is, decide who they are, decide the personality, decide the foundational moments in their life. So when someone asks you a question that you haven't anticipated, it makes sense; there's only one way you could answer. "Well, of course their favorite color is blue, because that's the color of the uniforms of the soldiers that saved them when they were a young child, so they're gonna pick that color." That sort of thing for worldbuilding works really well, too. When someone asks an off-the-wall question, you can say, "Well, the mechanics are like this, this, and this. So that leads me to have an answer that is this." That you get into more trouble when you assume that's the case, but then when you think about it later, you're like, "No, that doesn't necessarily mean it has to be that way," and you can go a different way. But that's how I try to do it.
Is there a center to the cosmere?
There isn't a center in the cosmere... I keep calling it a dwarf galaxy but I think they decided it's a cluster, instead of a dwarf galaxy.
Even a dwarf galaxy is still really big.
Yeah, still too big. So we had to call it a cluster. Because we only wanted like what, we came up with 50 or 100 stars? So it's a cluster. Or a really dwarf galaxy.
*inaudible* this thing I have fallen in love with *inaudible* when you're the only one that knows that you can only talk about...
I end up RAFOing a lot. "Read and find out". I do a lot of that.
Will it ever be in print or will it always be a backstory...
There will be several series about the cosmere, but they're a little ways off.
Do you ever find it difficult writing for two kinds who read your books, the kind that only want to read it and have a lot of fun and take nothing away from it, and the people who obsess over every sentence for hidden cosmere-ic meaning?
Right, right, right. For those of you who don't know, though I'm not sure there are many who don't know still, all of my epic fantasies are in the same universe and there are characters in each book who are interfering with each other's stories. There are characters from Mistborn in Way of Kings, and there are characters from Elantris in Mistborn.
This was done, for a little bit of backstory, I love big epic fantasy works, if you can't tell Wheel of Time is one of my favorites ever, I like the big things. Breaking in I felt that it was a lot to ask new readers to take a chance on me as a writer by saying "it's book one of 25" I felt it was better to say "here is a standalone novel, self-contained that you can enjoy reading and kind of figure out who I am as a writer." That's kind of my purpose for Elantris and Warbreaker, and lately Emperor's Soul. "Here's how to try out my writing style to see if you like it." But loving these epics I couldn't help connecting them and hiding an epic behind the scenes. This was partially inspired by Asimov, who later in life joined his two main series, the Robot books and the Foundation books in what I felt was a clever way. But it had some problems in that he had to juryrig it after the fact. He'd been writing these books for decades and then he brought them together and I thought "wouldn't it be cool if someone were to take that idea and start it from the get go." It's this whole shoulders of giants thing, people try something out and you go "that was awesome, can I improve upon it?" or "whoah I'm not ever going to try that because that had certain issues" Book 10, the Wheel of Time fans know--
Robert Jordan actually talked about that book about how he wish he hadn't written it the way he did. I have the advantage of having read Robert Jordan, so I can see how that book went wrong and I can avoid making that pitfall. I went ahead and did this hidden epic because I thought it was really interesting, I did not expect it to come to the forefront as much as it has. Which is awesome, people started peeking these things out. Secrets that I embedded in Elantris, That I didn't expect to come out for another ten fifteen books people are already asking me about. Which means I kind of need to step up my game to make sure that all this stuff is very subtle. The whole idea is that you don't have to have read Elantris to read Mistborn, you don't have to have read Mistborn to read Way of Kings, they are all easter eggs right now. Eventually I will write a series that ties them all together in a direct way, that's many years off, and I will be very upfront with "You have to read all the others, you will be very lost if you aren't familiar, at least go read the summaries of the books before you start this one." We are far away from that.
Do you know which book is gonna be the Final book released in the Cosmere? Chronological/Release Date
Almost 100% certain it will be the final book of the space-age Mistborn trilogy. (Right now, that is Era Four--but it's not impossible that I'll slip another smaller era, like the W&W era books, in as a Mistborn cyberpunk story while working on the back five Stormlight books.)
Do you ever find you own stories, your own characters, coming back and influencing you?
Yeah. More, it's like I have these things I'm really interested in. And so I find myself rounding those things again and again. And I've actually started a list of 'You've covered this thing, Brandon. You can't do this one anymore'. Just because I work in the cosmere where everything is connected, so the underlying physics of the books are sometimes very similar. And so I just have to be very careful not to repeat myself too much.
We've seen some hints of the over-arching cosmere story arc, what was the inspiration behind that story originally?
I had an idea for a book when I was fifteen and just getting into fantasy novels—just getting into meaning, reading everything I could get my hands on and diving in face first—and I developed that idea over the next few years. I started writing and realized I was just no good as a writer yet. Which was okay, it wasn't a big deal to me. I realized this story was beyond my ability to approach, it was a vast, enormous story. And so, years later when I was writing Elantris I thought "Well let's just pretend I wrote that book and it was awesome and it's the prelude to what's going on here." That expanded into something much larger and much greater.
I've mentioned before, part of my inspiration for this was the fact that one of my favorite writers, Asimov, later decided to connect two of his main story universes, the Robot books and the Foundation books. It was really cool when he did it and I felt what would happen if I started doing something like this from the get go. I've known several authors who do it at the end of their careers—well I guess Stephen King's not even at the end of his career, in the middle of his career—saying let me tie a bunch of these things together. What if I seeded all of this from the get go and use this story, this awesome story, that I wasn't able to write when I was younger as a foundation for it.
Did Kelsier really hear Preservation's voice telling him to Survive when he was in the pits of Hathsin? Or was it Ruin pretending to be Preservation?
If it was Preservation, does that mean Kelsier died in the pits? Or were there special circumstances that allowed Kelsier to hear Preservation's voice without dying?
Special things often happen in the cosmere when someone is very close to death, or undergoing intense pain (either physical or emotional.) Barriers between the realms weaken.
I can confirm that the Kelsier who left the pits was not a Cognitive Shadow.
Could he have become a Shadow using the pits if he died immediately after snapping?
Possibly.
You have a couple of fantastic running jokes, such as the High Imperial.
Yes.
How do you think of those things and when do you decide to commit to a great joke like that?
When do I decide to commit to a running joke. See Spook doesn't consider that a joke, he thinks it's awesome. So with this, I love-- I'm kind of going to expand this to not just jokes-- Which, definitely-- It's the sort of insider things. I love, in series that i have read a lot of books on, when there is something you will only get if you have been invested in the series. I love this stuff. It is part of the seed of the Cosmere, this idea that if people are reading my books they will start to see and make these connections. It's important to me that it never becomes the forefront, at least until I'm very clear to people that this is-- now you have to have the background of all of the books. That hasn't happened. There will be series that I do that with but I want you to be able to read Stormlight and not feel like you have to know a thousand pages of the wiki behind-the-scenes stuff before you can appreciate it. But I do like these inside references and things like that, and so it comes very natural to me. Some of it's planned out, some of it is something that I think of as I'm working on the story. Some of it's seeded, some of it just works. So you do it as it works. I wouldn't say that I-- With like High Imperial. High Imperial I knew about the time when I decided Spook was going to be a larger character in the series. But if you know Mistborn, my original-- I wrote the first book, did a quick outline of the second two, and then wrote the second two and Spook was the big discovery written surprise. He wasn't intended to be the main character that he became in the later books. And so once he-- I was writing the third book, I'm like "Oh, I know what's going to happen here. I know where this is going." And High Imperial grew out of that.
Before Adonalsium was Shattered, was there magic in the cosmere and what form did it take?
Yes, and when I write Dragonsteel, you shall see the answer to this.
You've said that the the laws of physics in the cosmere are ours except where they're messed with by the Spiritual... But are the laws of physics actually in the Physical Realm all the time, or are they in the Spiritual Realm doing their stuff on a Spiritual level that's trickling down to the Physical as a matter of course?
The three are more closely aligned than-- *Breaks off to focus on the books he's signing, the speaking was distracting him*
So you were saying that physics-- laws of physics-- that the Realms are a lot more closely bound and the laws of physics are not just tied to one of them?
Yeah.
I heard a rumor that the universes of all your books are interconnected?
Yes. Most of my books, not all of them. If a book mentions Earth, it is not connected to what I call the cosmere, I kind of made this decision early on. So for those of you who don't know, my epic fantasies are indeed all connected. There are characters who cross over between them. I've been planning this for twenty years so I've got this intricate thing going on. There will eventually be big crossover books but for right now I don't want people to feel like they have to read everything in order to understand what's going on, and so for right now each of the books are only cameos. But you will be able to notice characters crossing between and there will be big crossover books eventually.
Another thing he talked about was some common themes that appear in fantasy. One of them is that Rennassaince air of the Rise of the Common man. You see that in Mistborn for example. The great writing question of the Cosmere, the underlying theme is, What do men do when given the Power of the Gods? How do they act? What do they do?
Was the other god in Scadrial, Trell or whatnot, they're kind of mentioning him, does that imply there other really powerful beings out there outside of the Shards?
There are possibly really powerful beings, but… how should we say… *long pause* I mean, there are those who would call Hoid a very powerful being, who exist outside Shards, but if you're talking deific level things in the cosmere, they're all related to the Shards… Or demigod level.
Do you have any plans to do a Cosmere crossover book?
Yes, but it's a little ways off.
Who or what is Hoid? Or Wit?
Wit? He is a person who has shown up in all the books. What else do you want to know?
All of the books?
He has shown up in all of my epic fantasies, yes.
Every single one of them?
Yeah, he's been...
Wit or Hoid?
Hoid-- is the same, Wit.
But how do you know it's him?
Because he says his name in all of them.
As Hoid?
As Hoid.
Really?
Yep.
I-- now I need to be more careful.
How does he know so much information about what's going on, and how is he always in the right place at the right time?
Those are two excellent questions.
That you won't tell me.
That I won't tell you. You get a [RAFO] card. But he has a sp-- surprising ability to be in the right place at the right time very consistently in the cosmere. That's the name of the shared universe of all the books.
I didn't realize it was a shared universe.
Yes, it is. There are characters in Way of Kings from Elantris, and... yeah. But it's all Easter eggs. It doesn't-- it isn't something you have to.
So it's not, like, crossovers.
There are crossovers, but it's all Easter egg-ish right now. Some day there'll be one where I do full-blown crossover. For now the story is about this. And so the crossover is all just in the background.
At the very front cover of the Arcanum Unbounded there is a constellation map, that has a lot of the cosmere stars on it. What point-of-view is that from?
So the question is, in Arcanum Unbounded... Yes, the cover of Arcanum Unbounded has a star chart in it, a map. And the question is, is this from a specific viewpoint, and if so, what is that viewpoint. So, yes, it is from a specific viewpoint. It's the sky as seen from-- Some of the stars are enhanced a bit-- But it's the sky as seen from a specific point of reference that Isaac came up with when I told-- gave him this assignment. He's my illustrator for a lot of the interior art of the books and he RAFO'd it when we were asked at the release party. So I'm going to RAFO it until he decides he wants to reveal it.
How far are you into the Cosmere stuff, like how much more can we expect?
There are 10 books of Stormlight, around 12 Mistborn, 3 Elantris, 2 Warbreaker, 1 Threnody, 3 Dragonsteel.
How did you know that Stormlight and Mistborn were going to be the focus [of the cosmere]?
A lot of writers figured out the *inaudible* exploration. And I had the advantage when I broke-in that I had written all these books before, and I was able to go back and say, "The Way of Kings, there's something special about--" right from the beginning, there's something special about that.
I was able to look back at say, Mistborn, which had I had tried the magic system. The magic system really worked, my best magic system. I know this has the best magic magic system, if I can match a plot to it that makes it a good book, I can make that magic system kind of the spine of what I'm doing.
...So I got lucky on that. In some ways, not publishing for a long time was the luckiest thing that could have happened to me.
What are dragons like?
In the Cosmere? They are sneaky and long-lived.
Will they have wings?
They do have wings, depending on what form they're in. They are natural shapeshifters.
Are they Cognitive Shadows or are they people?
They are people.
Is all the worlds in the Cosmere on a linear timeline?
Yes, with an asterisk. There is time dilation. If you get too close to large amounts of matter or large amounts of Investiture, you will have time dilation.
Any thoughts on whether Scadrian spaceships might have AI onboard?
AI in the cosmere will be an important topic I'll address in the future.
Talking about physics and cosmere... Is the gravity on each planet the same as on Earth? It shouldn't.
And if it isn't? How does the changes affect things like Coinshoting or Surges out of Scadrial/Roshar?
They are not all the same. And you'll have to wait and see on how that affects things. :)
Book One was White Sand.
Book Two was Star's End.
Book Three was called Lord Mastrell. It was the sequel to White Sand.
Book Four was Knight Life.
Book Five was The Sixth Incarnation of Pandora, the weird cyberpunk think that I did a reading from a while ago.
Book Six was Elantris.
Book Seven was Dragonsteel.
Book Eight was White Sand, rewritten.
Book Nine was Mythwalker, that I never finished. Fabrials came from Mythwalker. Siri and Vivenna came from Mythwalker. I threw that one to the wood chipper and took a lot of the ideas. It had a really bad magic system that some day I want to fix.
Then there was Aether of Night, which was the introduction of the aethers. Aethers are still canonical to the cosmere. They will show up.
And then there was Mistborn Prime and Final Empire Prime, which are the two "I'm gonna be George R. R. Martin for a day" books.
And then I gave up on that and I wrote Way of Kings Prime.
Hi! I just finished Warbreaker, and I caught my mind that they have animals that exists on Earth (at least by the name, like monkeys, panther, and so). Is this a common thing in the all the planets of the cosmere?
It is common on many of the planets, though it is more likely to happen on a planet (or an ecosystem on a planet) created by Shards, as they're often basing the animal life on creatures they've seen before. That said, some planets with life predating the splintering had Earth-like ecosystems too.
The writing answer is that this was a way for me to control learning curve in my series, so that I could have some (like Roshar) that take a lot of effort to get into, and others that are a little more easy to get into. This lets me save the really crazy worldbuilding for a few specific series.
We know that Mistborn needed to Snap, and Surgebinders needed have the cracks in their souls filled. But what about the people in Warbreaker or Elantris? Is cracking and snapping only required on certain worlds?
This is universal to the cosmere; however, in certain magic systems / on certain worlds, this is easier than others.
In the annotations for Elantris, you were talking about the shardpool. I know that it was the earliest one of three, and the cosmere wasn’t fully developed.
I have expanded it since.
So that annotation felt a little odd.
I’ll have to go back and look at it. I knew that they were going into the cognitive realm when I wrote it, but I had changed… Roshar for instance, did not have the spren when I wrote that. And Mistborn was only in the outline stages. No, when I wrote Elantris I hadn’t even written Mistborn. I also, you have to remember, early in my career I was being very vague about all of this. Because I was worried that people would get distracted by this and it would hurt my career. So you notice in the early appearances of Hoid, I used pseudonyms for him. Even in unpublished books where it’s obvious it’s him, he’s got a pseudonym and you never know. Because I didn’t want people to get this and be like, “He’s trying too much.” So I was really coy about a lot of things. But other things I didn’t figure out until later on, when I’m like “How exactly is this going to work?” It really helped once I had Peter to help me work out the physics of it and I could bounce ideas off of someone who knew enough about realmatic theory and stuff like that.
Do you have the endings of all of your books already pre-planned or does that kind of evolve as you go along?
I have the ending of Stormlight 10. I have the ending of the Mistborn series. But I don't have all the endings of all books.
The main core line of the Cosmere, I do have, but those are subject to change as I go. I don't necessarily have the ending of the Threnody book. Like, that I would have to outline and sit down.
In the first three Mistborn books, and Elantris and Warbreaker, you focus a lot on sort of gods and religion, is there a particular reason for that?
Why do I focus on gods and religion in my books. Well there's a couple of reasons. The main one is the kind of overarching story of the cosmere, which all my books are connected, there is some divine force named Adonalsium that was broken apart long ago and the scions of that-- people who have that power are showing up and causing problems and things on planets. So that's kind of the hidden epic behind the scenes, and so because of that religion is a very big part of what happens there.
I'm also a religious person. For those who don't know, I'm Mormon, I'm LDS. And so religion is important to me and whatever I'm fascinated by works it's way into my books. Now I'm generally the type of writer who doesn't feel like I should go into a book with a theme, I should explore what the characters are passionate and let the theme manifest naturally. And so I do that a lot, I don't go in saying "Oh I'm going to teach people this" I say "Who is this character, what are they passionate about" But the things I'm interested in you see. That's why you end up with stories about a god who doesn't believe in his own religion, from Warbreaker. Or you end up with these different things, with Kelsier founding a religion to use it, or having people with different types of faith. And I really think that part of the point of fiction is to, for me, to explore different ideas from different angles and try to just tackle them. And so you'll see me coming back to some of the same concepts again and again, because I want to try them from a new angle, see how this person thinks, see how this character deals with it. Because that's just really interesting to me.
Are the reds [in the cosmere star chart] anything to do with the red stuff in Bands of Mourning, the one where he goes and talks to Harmony?
It's more, if you look in the sky, in certain places, you will see red stars in the sky.
We need to see a cosmere world with a more musical magic system!
I've thought of a few, but have trouble finding something that feels distinctive from other song-based magic systems.
I really wish the Rithmatist books was on a Shardworld where...
It started as one... I just decided I didn't want to canonize Earth into the cosmere, it was too much.
Had you planned to write... the whole Cosmere when you initially started?
So, I wrote Elantris, had a bunch of the ideas. I started planning right then, and it has evolved a lot since. A lot of Elantris kind of got retrofitted into the things I came up with over the next four or five years... By the time I did Mistborn, I had most of this in mind, but it changes so much, even while I'm writing it.
So, like, when you had Warbreaker, it was--
Warbreaker, I wrote as a prequel to Stormlight. I had already written Stormlight One by that point, but I didn't like it, so I wrote about Kaladin's swordmaster, who was in the first book in that version.
When will be see the whole Cosmere-concept (Shards, the plans of Hoid) at the level of the books? In the third Mistborn trilogy or earlier? In which books do you plan to finish the "hidden story" which connects all your earlier books?
Third Mistborn Trilogy will certainly include some of this. We shall see if I do any of Hoid's stories before then.
I had been thinking about the Cosmere constellations map, and why certain constellations are what they are. Some look pretty obvious to me - of course the one that includes Roshar would be a Shardbearer, and of course the one with Nalthis would be somebody exhaling or giving Breath. But others? Threnody is maybe a part of a grieving woman, so that could kind of make sense, but Sel being featured in a lamp?!
So I asked Brandon, and he said the constellations were all you. He also encouraged me to convince you to write an essay for the website about this map, but I wanted to see if you could answer some questions about this map.
Is this alright with you?
Thanks for the email. I'll try to answer some of your questions, and you're right, an essay about the map on the website might eventually be the way to go. (Got to find time to write it.) The constellations weren't really all me. I had several discussions with Brandon, who made many suggestions. Maybe he forgets how much input he had. :) Unless he means the actual lines of the constellations. Those are purely me.
Sel's constellation is symbolic (as is the constellation Threnody is found in). As for the lamp, notice that Sel is not exactly part of the lamp. It's part of the flame. How does Aon Dor work? An Elantrian creates an opening for it to pour through and affect the world. Think of the flame as a symbol for the Dor. Does that make sense?
Send away with your questions. Maybe they'll help direct how I should handle the essay. :)
When are we first getting a look at the cosmere coming together?
The third Mistborn trilogy is going to involve--it's the first one I planned to do a lot with. I doubt I will do much in the second Mistborn trilogy, more than I probably have done [so far]. It's fun for me, so I'll keep including things in. You'll notice that Hoid is a bigger part of the Stormlight than previous ones, but I still don't want it to come to the forefront quite yet.
Do specific colors have an impact on Awakening in Warbreaker?
Not usually, you just need a certain amount to Awaken. But there can be more due to various reasons connected to the cosmere. It is connected to the significance of eye color on Roshar.
How was the universe created?
...The cosmere? I'm going to give you a RAFO card.
Do you have a layout of the cosmere, like everything is happening written down or is it just up here?
It's written down. Some of it's up in the head, some of it's written down. Most of it is somewhere...
Somewhere?
Yeah most of it's somewhere.
Are all cosmere languages derived from Yolish (like French and Spanish are to Latin) or did the Shards create them on their own?
Some peoples other than those on Yolen predate the Shattering of Adonalsium, remember. So no. But many others do share a common root.
Just in the cosmere alone, are there any--Do you believe there are any specific magic systems that are stronger than the others, or have an advantage? Or do they kind of even out?
Oh, do-- Yeah. Do any of the magics have advantages or stronger-- Definitely some are stronger than others. Definitely. There is no attempt made on my part to power balance between magic systems and things. Power balancing is for RPGs where it's very important, it's not for storytelling.
A lot of people like to ask the "Who would win, X or Y?" sort of thing, and I don't get into a lot of that, I usually say, "Well, what's the situation?" I'm not big on the-- I will, if people clash, or if different powers clash, I will write the situation, but it's so conditional. So I have a hard time with these cage match things that people really like to do and things like that, because they're fun, but as an author I'm like, "I can come up with a dozen situations where either one of them wins or someone else does". Right? That's what you do, in writing. You say, what is the context of this?
But that's a tangent from your question, which is the powers are not equal. The Shards were generally equal. Some have given up more power than others.
What can you tell us about what magic was like in the cosmere before Adonalsium was Shattered?
Magic was...
Was it very different or...
It was-- I mean-- It was similar, different in some fundamental ways but the things that were done you’ll be able to see other-- You'll be able to see the pieces.
Is there any effect on a Shardblade if the deadeye is really far away from where the Blade is?
Define really.
The one that's trapped on the ship. Let's say they're taking him to the far side of Shadesmar, but the dude that owns that Blade lives in...
We will deal with that in the books. There is an effect, but that's not enough of an effect.
Considering no one says that their Shardblade is acting weird in two and a half thousand years.
That happens all the time in Shadesmar. If you were able to get it off the planet, it would have an effect.
If you as the owner of the Shardblade were offworld and you tried to summon it, that would be the effect?
Either way. But you can't take spren off-world. I mean, you can, but you can't really. Really all that I have in the notes for it to do right now, is to add slightly more time. So you're like, "That's weird that felt like not ten heartbeats, it felt like twelve." But it's like, you're on another planet, then it's suddenly speed of light type stuff. So suddenly it's like, "This is taking three years instead. That's a pretty big deal!"
...So I've got a few weird speed of light things mixed into the cosmere, and that's one of them.
Was Adonalsium the one who created the cosmere universe as a whole?
That is widely assumed to be the case.
Do you have a story arc for the whole cosmere?
Yes. I do. The original plot outline was 36 books.
