The obvious question is probably, "Why isn't your New York publisher doing these?" Well, to be honest, these books aren't right for Tor. They're just too short, in my opinion, for a traditional bookstore release. (Though I originally did do one of them with Tor.com.) I wanted to release nice collector's edition print versions and cheap ebooks at the same time. It's not something that is profitable for a large publisher, and so is better suited to doing myself. (EDIT--Note, with Legion and The Emperor's Soul, I'm working with very talented small presses for the print editions and am self publishing the ebooks. I don't want to take credit for what Subpress and Tachyon are doing, as they've been fantastic to work with. I love the Tachyon cover.)
I'm not sure if this means I officially get to join the indie writers, or if I'm already too far entrenched in my place to ever be considered indie. However, considering the company, it seems like a great place to be. I'm a firm believer that both indie publishing and big-six publishing will have a place in the future of books, and that both serve very useful roles. Seems like this is one of the best times in the history of publishing to be a writer, with more opportunity for more people and more voices.
So while writing two massive books in Memory of Light and Stormlight 2 you found time to write (at least) four novellas? I'm not going to ask how you manage it, I just want to know how you stop your fingers falling off?
Well, two of these are older. (The ones that are free on my website.) The other two I wrote while traveling, when it's difficult to manage something as in-depth as the WoT/SA.
But the real answer is that if I spend too long editing, and not enough time actually writing, I find myself burrowing down for a week and wanting to write something new. This is where a lot of these side projects come from.
Are Legion and Emperor's Soul contained in their own worlds or are they part of the universe of The Stormlight Archive, etc (anywhere with Hoid in it. lol)
The Emperor's Soul is set on Sel, the world of Elantris. It's far off, though, so you have to have your eyes open to catch the clues. Hoid shows up in a deleted scene, and is referenced in the story.
Will we see another book with Waxillium Ladrian? His story doesn't appear to end with The Alloy of Law. And will his story be directly related to the next Mistborn trilogy? This has been eating away at me since finishing that book.
Wax's story was indeed directly related to the second trilogy, but I was intrigued enough with his time period that I find myself wanting to do more with him. I probably will.
When is Emperor's Soul set chronologically in relation to Elantris? Because if its around the same time Teod and Arelon might not have to stand alone against the Fjordell Empire.
My other question is also a timeline one. (There are a lot of those tonight haha) I heard you had to move The Way of Kings a little bit due to some plot constraints. So does Warbreaker still fall around the same time as The Alloy of Law or has that shifted as well?
Thanks for the kind words! Emperor's Soul is after Elantris, but not too long after. It is before Mistborn.
Second question is that I've moved things so that The Way of Kings is around the same time as The Alloy of Law, forced by some behind-the-scenes events. Warbreaker now happens before The Alloy of Law.
Now that you are self publishing - has it given you a new found respect for those who have been self publishing from the beginning? I mean, now you are no doubt speaking with printers, typesetters, cover artists, reviewers, convention organisers. I guess you are having to market your own titles as well (although you've always been a great author for self promotion). Also, has the amount of work surprised you?
Well, I get to cheat. I've done well enough that I have a full-time assistant with a lot of experience in desktop publishing. So, I can hand him the book, and he can take it to design town. That said, we on the more traditional track have had to do some eating of our words in recent years. Once upon a time there was a large stigma to self-publishing, and we all kind of got infected by it. So when it became viable as a real, serious alternative for authors, we had trouble getting rid of our biases.
I wouldn't say the amount of work has surprised me, as I've paid attention to those self-publishing. I teach a writing and publishing class, and I've found that as publishing changes, I've had to keep my eyes on what it takes to publish reasonably on your own. I also know how much work goes into publishing a book on the publisher's end, and had no illusions about how much work it would take us.
I remember you saying originally that a lot of your work you wrote from your heart and based upon your own interests. I believe you struggled to get much attention from this early work and I believe you said Mistborn you wrote for the market as opposed to for yourself. Now that you are self-publishing certain titles, do you think we will be seeing more 'unique' and 'out-there' projects? I.e. Fantasy that is quite unlike things we have seen before?
You've got the story mostly right, though it was the original draft of Mistborn (that did not get published) which was a 'For the market' book. It was awful. The Way of Kings was the book I wrote after that, giving no care to the world, writing only from my heart--and so you can say I've already started doing that. I would like to point out, though, that the second version of Mistborn (the one that got published, in which I tossed aside everything but the magic system and some original character concept) as in my mind a 'return to form' of the books like Elantris that I'd been writing and feeling were not getting attention.
Hi, I could be wrong, but I think I read somewhere that you're writing an Urban Fantasy? Just double checking tha t:P
I wrote one as a 'for fun' deviation during a break about a year and a half ago. I do this often, experimenting. Sometimes it works, sometimes it doesn't. This time, it was fun, but it wasn't high enough quality to release. Perhaps I will re-visit it, but more likely, I will leave it alone. Any artist creates 'b-sides' so to speak as they practice different styles and experiment. This was one of mine, and I don't like the idea of releasing something that didn't turn out well enough.