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What are dragons like?
In the Cosmere? They are sneaky and long-lived.
Will they have wings?
They do have wings, depending on what form they're in. They are natural shapeshifters.
Are they Cognitive Shadows or are they people?
They are people.
What is your most memorable gaming experience/best gaming memory?
Probably Final Fantasy 10. At that time I was working the graveyard shift at a hotel, and I was doing a lot of writing on my own trying to get published. I would come home every morning at seven a.m. and play for a couple of hours alone in the quiet apartment, thinking about my own stories, experiencing the story of the game.
Other than that, I would say, honestly, the game that sucked most of my time was probably the original X-Wing game, which really made me feel like I got to be an X-Wing pilot, which, you know—Star Wars geek! That was so much fun! In a lot of ways every space game since then has failed to live up to the sense that I got from that game.
What are some of your favorite videogames and why?
When I was growing up I always really enjoyed the Final Fantasy games because they felt like they spent more time on story. I would list Final Fantasy 10 as one of my favorites of all time. That said, the last few installments I've found myself getting more and more bored with. I guess maybe you can only do the same thing so many times, I don't know. I haven't been excited about the most recent ones as much; maybe I played 10 and just loved it so much that after that, where does it have to go?
Recently I've liked the game Demon Souls, in part because of the fantastic sense of immersion that everything went into in that game—the ambiance, the level design, the solitary feel. That is a way you can tell a great story without a lot of dialogue and a lot of forcing cutscenes down your throat. Batman: Arkham Asylum was just brilliant, for all of the reasons I stated above. And I've really enjoyed the games that ChAIR has made—Shadow Complex, Infinity Blade of course.
What is your most memorable gaming experience / best gaming memory?
Probably Final Fantasy 10 as I mentioned. At that time I was working the graveyard shift at a hotel, and I was doing a lot of writing on my own trying to get published. I would come home every morning at seven a.m. and play for a couple of hours alone in the quiet apartment, thinking about my own stories, experiencing the story of the game.
Other than that, I would say, honestly, the game that sucked most of my time was probably the original X-Wing game, which really made me feel like I got to be an X-Wing pilot, which, you know—Star Wars geek! That was so much fun! In a lot of ways every space game since then has failed to live up to the sense that I got from that game.
I'm on my second read and as interested as I am in the big questions the little ones catch me just as much. Shallan questions how do skyeels stay in the air? They arent spren and dont have obvious wings. So, how do they stay up there? BS has created a trap of describing ecology a lot and now I think Im going to want to know about the natural world as much as the people in it.
You guys have mostly figured it out; lighter than air gas, gliding fin/wings, undulating action combined with expulsion for propulsion/ballast. The "luckspren" that follow them around aren't inconsequential, however.
Though in retrospect, it probably takes more than an hour or two to fill up the sacs once again.
We try to think of semi-reasonable pseudoscientific reasons for as much of the flora and fauna as possible, if only to hold the internal logic together. So there are reasons for how/why Chulls grow big boulders on their backs, reasons for how and why plants interact with storms to spread their seeds or migrate to better ground, reasons for why the axehound's head is shaped as it is, and so forth. There's very little Brandon creates that doesn't come with some logical basis behind it, even if it's never made explicit in the text.
The Navani and Raboniel storyline was one of my favorites in Rhythm of War, and I'm really sad we're probably not gonna get any more Raboniel for now?
Yeah, that's an anti-Investiture death, so yeah. She's gone, I'm sorry.
Fingers crossed maybe Herald's flashbacks we might see a little more [Raboniel]? Maybe my favorite new character in Stormlight that we've had introduced later on.
Oh yeah, right you can see her in Herald flashbacks, definitely as somebody you can see back then.
Well the other thing I wanted to do with this book, was really get some Fused to show their viewpoints on life, because it's not something I've really been able to do yet. I've had her waiting in the wings in order to - basically as Rayse/Odium became, in my mind, less of a threat because Dalinar had just completely defeated him. I also I needed a more personal antagonist for this book, that we could approach in a different way. Rayse is the unknowable evil, I wanted the knowable antagonist. Not even necessarily evil, evil-ish in Raboniel. I was really looking forward to be able to write her, and one of the decisions by being able to make Navani a main character, by saying "Brandon I'm gonna let you do this" to myself. Let me pull off that dynamic between them, that was extremely fulfilling to write.
What was the thematic decision behind the number 16? Why did you choose that?
I really like how divisible it was. It looked really cool when I was playing with things like an Allomantic table and whatnot. It was mostly an aesthetic choice. Like, it just felt right.
So was it originally the Shards or the metals you decided on?
So, I started with the metals. And then expanded out to that, yeah. So what you've gotta remember is, like, I write Elantris without knowledge of the cosmere. I knew I was gonna do something, but I didn't know what I was gonna do. And then I wrote Dragonsteel, and in Dragonsteel I had all sorts of theories and plans, but I never canonized any of that. And when I sat down to write Mistborn, I said, "All right. We're building the cosmere for real now." And before then I had just kind of been winging it. So when I did Aether of Night, which I put Shards in, I was like "Okay, there'll be some of these things, and what-not." Mistborn was, like, the first real cosmere book, if that makes any sense.
All right, so most of you were probably expecting this one to appear sometime today--and here it is. The Previous Update can be found here. As I announced over social media this weekend, I have finished the final draft of Book Four. Rhythm of War is finally done. (Or, rather, my part is done. At least for the prose text of the book. See below.)
I finished the revisions on Saturday, and then today wrote the ketek and the back of the book text. (The in-world text. Tor does the marketing blurb.) The only thing I have left to do is the acknowledgements, plus the ars arcanum. The bulk of the work left to be done will be handled by Peter, my editorial director, who will oversee the copyedit (which is like a really in-depth proofread that also watches for style guide changes and things like in-book continuity) and the proofreads. In addition, Art Director Isaac will be finalizing the artwork done by himself and his artists. (Including Ben, who now works for us full time. He usually drops by the comments to say hi.)
Peter/Isaac's work will take several months to complete, and then the book will be sent separately to the US, UK, and Australian printers for English Language distribution. Excitingly, for the first time, we're hoping to do a simultaneous Spanish launch for the book, and my Spanish publisher has been putting a lot of extra effort into trying to make this happen. So if you live in Spain, and meet my team over there--translator, editor, etc--buy them a drink. They've been putting in some heroic work to try to get this beast of a novel ready in time.
I can't promise timelines for other foreign language editions; but if the Spanish experiment works, we will approach some of our other publishers to suggest trying the same thing with them.
Other random updates of note. The tour seems likely to go digital at this point because of the virus. We'll keep you in the loop. (This will likely include the release party.) Goal is to ship huge cases of books for me to sign so we can get them to partner bookstores for a signed launch, with talks/readings done digitally. Don't consider this an official confirmation of that yet, though. Tor is the one working it out, and we'll need to wait for them to figure out the details.
The kickstarter has been...well, a little crazy. We're in the process of adding new stretch goals; if you didn't see today's update over there, it has a poll of suggested new stretch goal rewards for you to mull over.
So, what's next for me? This week, I'm doing a quick revision of Songs of the Dead, the book-formely-known-as-death-by-pizza, which I'm writing with Peter Orullian. I plan this to take about a week. After that, I'm going to dive into the kickstarter novella, the official title of which I believe we'll be announcing tomorrow.
After that is done, I owe Skyward 3 to my very patient YA publisher, who has been sitting in the wings waiting for eighteen months or so for me to start it. Wax and Wayne 4 will follow, with my goal being to start it January 1st. Skyward 4 (the final book of that series) will follow starting about a year from now. After that, it will be time (already) for Stormlight 5, final book of this sequence of Stormlight novels. (Whew!) That will mark roughly the halfway point of the cosmere.
Thanks, as always, for your patience as I juggle all of these projects. Also, I'll be doing another livestream this Thursday, where I'll be chatting more about the kickstarter and this book (we keep it non-spoiler, so don't worry.)
I'll be turning off inbox replies to this thread, as usual, so I apologize if I don't see your questions here.
With that, I officially conclude my Book Four updates series. Expect to see me back in around eighteen months, January 2022, when I start updates for Book Five. (I do plan to do updates for Mistborn on that subreddit when I start the fourth Wax and Wayne. So if you're really hungry for more rambling posts about in-progress books, you can visit there.)
As always, thanks for everything. You folks are great. It's been quite the pleasure working on these books for you.
Brandon
I hated sending Syl away from Kaladin here, but it had to happen—in part because of how much it hurt to send her away. She's basically the only light left in these scenes with Kaladin in Bridge Four.
Syl wasn't in the original draft of Kings. I developed her over the years between 2003 and 2009; there was a time when the four winds from mythology would be active and alive on Roshar, and she was one of those. Eventually, the spren developed as a concept. They grew out of the greater worldbuilding and magic system rules for the cosmere. (The connected universe of my epic books.)
At that point, she became a sentient spren—one of many that would be in the books. Still, she was very special. I do worry about the Tinkerbell vibe that she gives off to some people. I tried hard to distance her from that. No wings, the constant shape changing, that sort of thing.
Her innocence and childlike nature is an important foil and balance to the darkness in Kaladin's life. Then she leaves, and all innocence is gone from him.
It's a Larkin [on the back of the Stormlight-themed playing cards]. It's based on a design we worked up for the icon in the book and on the cover of the novella, but I worked out the anatomy the same as I do for all the other critters. Bear in mind, any artwork you're seeing at this time remains subject to change.
It's sorta like a wasp, but the wing profile and the flight dynamics (such as they be) are more like that of a hummingbird.
I would like to know the process of working with other artists, like Isaac. And I saw there was a very big list of credits in the start of Oathbringer. Does the artist also affect your writing? Or you write first, and then the artists do their artwork?
For each Stormlight book, we have twenty or thirty pieces of art, and I can't do them all myself. We've had a bunch of people waiting in the wings, a bunch of artists that we send the art to. I read the book, I make notes, Brandon gives me notes of what he would like to see in the book. We combine it into a big list. I assign out to different artists. And then we have art reviews, where I get art from the different artists, and Brandon and I go over it and say what they got right, what maybe they could change. And then we go back and forth with the artist until it's just exactly what we want it to be for the book. The same thing happens when Brandon and I are working on maps or symbols. That's basically the process.
So it never affects your writing?
It does affect my writing. I can give a couple little examples of this. The American cover for Elantris, I love. It's done by Stephan Martinière. It's this gorgeous cover, it’s a very distinctive, different sort of style. But the actual scene he painted wasn't in the book. And I liked it so much... And that doesn't matter that much. The cover of the book, think of it more like a movie poster for the book. The actual scene doesn't have to occur, that doesn't bother me. But I realized I could change one little part, and have Sarene and Hrathen on the wall, looking like they did on the cover. So I rewrote the passage to match the cover. So that has happened before.
For instance, Isaac has inserted a character named Nazh into the books, who is kind of one of the people in-world-- It's important to me, particularly in Stormlight, that all the art you're seeing is something from in-world. I don't want it to be-- The covers are different. The covers are one thing. But the other stuff that we wanna have in there, we want it to be what we call ephemera. It's a map that actually existed in Roshar. It's sketches done by a character from the books. This is to not break the immersion. You're not going into the book and getting it illustrated for you. You are getting the scraps of drawings and things that were in-world. Because I feel like-- Tolkien started this. The map that you got in The Hobbit was the map they carried. It's not like someone came along and drew a map. And I liked that way better. So Nazh is one of the characters gathering these maps, and bringing them together. So I wrote him into the books.
Other things that Isaac has done like that, or an artist has sent us something and I'm like, "This is really cool. Let's work this in somehow." It does happen, certainly. And we do get the art early enough, in a lot of the cases, where I'm still doing revisions, and I'll add tweaks and things like that.
I'd love to hear what some of your inspirations were for Skyward. I know you've listed How To Train Your Dragon and The Last Starfighter, but I'm curious if there are any books or movies that inspired you for the sci-fi worldbuilding and starfighter combat? As someone who loves pretty much anything starfighter, from Wing Commander to Stackpole's Rogue Squadron books, I'd love to hear how you approached it or if you have any reccos I'm not aware of!
I spent a lot of time on YouTube watching interviews and videos about what it's actually like to fly or take G-forces. Tom Scott did a nice one on centrifuges. https://www.youtube.com/watch?v=DMKcO-T5Y4o
As for starfighter books, there really aren't a ton are there? Most everything in books focuses on the Lost Fleet/Honor Harrington/Vorkosigan style large ship combat. Stackpole is great, but you've already read him. A Fire Upon the Deep is great, but again, not a lot of starfighter battles. I'll have to think about it more--I don't have any that were specific inspirations for this series.
*posting a thread in the "WhoWouldWin" subreddit titled "Randland vs Scadrial"*
Round 1: Zen Rand (after revelation, before last battle) vs Mist Vin (Feeding on infinite metal sources) - Both at their top tiers, they should, by my estimation, be matched because of the rays of power vs seeing the future.
Round 2: The armies of Randland vs The armies of Scadrial - Aes Sedai, Asha'man, dragons/cannons, vs koloss, mistings, mistborns.
Bonus round: The Lord Ruler and his armies have to take on the Dark One, and his armies. How well do they fare?
Other rounds would be cool if you come up with more.
EDIT: Since people seem to think that RandLand would stomp, how would Vin and crew, with/without the Lord Ruler, fare if they had full knowledge of Rand's abilities and 6 months to prepare?
I think that while Vin in the state you mention might be able to give a good fight to Rand, overall, Randland winds. Channelers are more powerful and versatile than most metalborn. Randland has far better generals; everyone on Scadrial is basically still winging it. I hand this one to Randland, unless Kelsier can pull off some improbable assassinations before the whole thing begins.
Would the time reversing properties of balefire remove the ability [of atium] to see the future?
Boy, this one is a tough call. Mixing cosmologies is tough. If we're IN Randland, then atium would work by reading the pattern--but in the cosmere, it looks into the Spiritual Realm--where all times, locations, and possibilities conflate. Either way, I'd say Balefire could counteract atium--but it would be tricky to use correctly, as you'd basically have to balefire some object that the atium burner was factoring into their plans very soon, tripping them up and catching them unable to adjust to the new futures quickly enough.
Not too long ago you told us atium works in the Cognitive - to quote you in reference to how stronger atium burns, "However, there's a certain breaking point where you kind of crack the whole system, peer straight into the cognitive realm, and kind of have a "It's full of stars" moment."
Are the two replies still compatible?
I meant Spiritual there. Sorry. I deal with the cognitive so much in the books, and Spiritual so infrequently, I often have a silver/tin moment when my fingers just type the thing I'm used to typing.
If you have a form of manipulating your Identity and a form of healing, are you able to shapeshift or even evolve your body like growing wings?
You'd have to do some real work on your Spiritweb to make that work. It'd take more work than you're implying, but the [singers] for instance are doing this. It'll take a little more work, it's not just blanking your Identity. Hemalurgy would make it very easy, but also very evil. But what you want to achieve is possible.
So in Words of Radiance, at the end of the book, the singers in their Stormform can summon red lightning and it's revealed Shardplate can neutralize it. I was wondering, can Shardplate neutralize ALL electric discharges or just the "special" kind from Voidlight/voidspren powered from.
And if Shardplate can defend against lightning in general is their a maximum voltage/amperage before it loses effectiveness?
In my mind - the plate likely acts like a Faraday cage - essentially allowing the lightning to never have a path through the user's body (electricity moving through your body is how you get injured). This would assume that Shardplate is conductive.
If they jumped, then likely the lightning would again travel through the outside Shardplate metal and then to ground - again avoiding the human altogether..... That said, small aluminum airplanes have been known to have damage to wings from strikes. In the case of Shardplate, I doubt that thermal shock or melting temperature is an issue for the material.
This is along the lines of what I was thinking, though I'm not sure I have a maximum volt/amp answer handy.
Was basically asking to find out if I can use Shardplate users against Electromaster characters on /r/whowouldwin
Then I give you an official, "Yes you can."
In The Lost Metal, we find that Sho Del have four arms, making six appendages. In the [sample] chapters for The Liar of Partinel, we find that a fain deer has six legs. Is this pattern important?
Yeah.
Further, how relevant to this is [it] that if you count four legs plus two wings, dragons have six limbs?
Yep, that is the exact correlation that I would like you to draw! Dragons are fain, if you're wondering. If that's what the question is, yes, dragons are fain.
That was the big final showdown. Brandon had built this thing that was supposed to be--
Don't tell this one because I'm actually going to use this in a book. I've been waiting for years to use this in a book so don't say anything. After I use it in a book you can tell the story. You guys are going to love this. It is involved in the ending of Stormlight 5.
Let's just say I came up with one of the best endings for a story that I have ever come up with and because it's roleplaying the PCs did not play along. Ruined it completely. And I'm like, "I'm going to use that someday." And I actually put it right in the outline of Stormlight a week or two later, and it's been waiting all this time to be used.
Wow, a week or two later, and that would have been like [1999]. So it's been waiting a long time in the wings.
*In YouTube comments*
Book five's ending has had literally 20 years to brew in my head, and I've been pushing toward it from book one. When you read it, I think it will recontextualize a ton of important other moments in the series. So I really, really hope it lands right with people. I've been holding this one in reserve for a long while, as I feel it's one of the legitimately best ending ides I've ever come up with for a story. Not to over-hype it. The execution is everything for a story like this, and it's still possible what works in my head will not work as well on the page. I just really hope it will.
