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Mistborn: The Final Empire Annotations ()
#52 Copy

Brandon Sanderson

After that, the scene with Ham and Vin discussing pewter is nice, but not one of my favorite of the Allomantic explanation scenes. The thing is, I had to stretch to find things that Ham could tell Vin about this one. She's really good with the physical metals–she uses them instinctively, and may even understand them better than Ham does.

I do like how Ham comes across in this scene. His personality, as the one who doesn't fake or play games in the crew, makes him really work for me as a character.

Then, of course, everything goes wrong. It always does, doesn't it?

The Well of Ascension Annotations ()
#53 Copy

Brandon Sanderson

Zane confronts Vin about her desires and not meeting him atop Keep Hasting

If you didn't pick up on it, one of the things I was trying to do in this chapter–mixed with the last chapter–was forge a link between Zane and Vin. He speaks of things in the very same way that Vin did in the last scene. For instance, Zane here admits to himself that he can't leave Straff because his father is all that he knows. Vin used to think the very same thing about her abusive crewleader Camon.

It goes deeper than that. These two characters share a lot. Even their names are meant to feel a little similar. In fact, the one big difference between them is Kelsier. He injected himself into Vin's life and changed her course drastically. She would have eventually discovered that she was Mistborn, and she would still have become quite powerful. However, she wouldn't have known the people of Kelsier's crew, and wouldn't have learned to trust.

It's interesting to think, sometimes, what she would have done in Luthadel without the Survivor's guidance.

Skyward release party ()
#54 Copy

Questioner

In Secret History, you talked about Kelsier being attuned to Ruin, more to Ruin than to [Preservation]. How come Vin isn't that way.

Brandon Sanderson

I have to say this very carefully. She is, for reasons I'm not going to explain at the moment, and she isn't, at the same time.

Stormlight Three Update #4 ()
#55 Copy

yurisses

You suggested Secret History gave the definitive explanation why Vin didn't meet Hoid but many years ago you hinted at something different (that something he does spooked her and she is too observant for her own good). Can you reveal what the original reason you had intended was? (My favorite theories were eerily skillful humming and her picking up very faint pulses from his Investiture usage.)

Brandon Sanderson

I went back and forth on this one, honestly. I knew Kelsier would be involved, but one thing I was really worried about with Secret History was undermining Vin's story or her agency. While I liked Ender's Shadow, the closest parallel I knew of to a story like this, I didn't like how it weakened a lot of what Ender accomplished and gave it to Bean instead. (I think I've mentioned this in conjunction with Secret History before.)

So I wanted something to have stopped Vin, regardless of whether or not I ever wrote Kelsier's behind-the-scenes story or not. The official answer in my head is not that it was anything specific, but that the whole package that Hoid was presenting was WRONG to her. Her instincts picked up a dozen subtle cues that he was more dangerous than he seemed, and that made her freeze and assess. And that gave Kelsier the chance to nudge her away.

I wasn't trying to lead people to figure out a specific answer, with those comments. I was trying to hint that something was wrong, and Vin didn't quite know what set her off--because it wasn't one thing, but many. So I don't have a smoking gun, so to speak, of things Hoid was doing to drive her off.

Firefight Chicago signing ()
#58 Copy

Questioner

So I'm in the middle of Hero of Ages, and I'm noticing there are constant parallels between Vin and the Hero of Ages and Elend and the Lord Ruler?

Brandon Sanderson

That's done intentionally.

Questioner

Is it going to hurt?

Brandon Sanderson

Is the ending going to hurt? The ending is the right ending. It's going to be satisfying, but it also might hurt.

The Hero of Ages Annotations ()
#60 Copy

Brandon Sanderson

Chapter Seventy-Two - Part Two

Marsh and the Earring

Also, here we get a Marsh viewpoint. It's almost our last one. (I think there is one more in the next chapter.)

He didn't get much screen time, but I hope that what he did get led you to this climax for him. Spook's letter wasn't in vain, though I take delight in knowing that some of my alpha readers were convinced it had been.

I've been told my endings are a little too neat sometimes. Well, that might be valid criticism. However, I prefer it for this particular book. After three novels of building and foreshadowing, I can finally make good on promises and threads I began way back in book one. There's a reason I included that scene with Marsh and Vin on the balcony of Mansion Renoux. Marsh had to know how she'd gotten her earring.

You can probably see it now. Vin's mother, who was schizophrenic, was corrupted by Ruin, who spoke in her mind. He got her to love her first daughter, but hate her second—to see the second as a repulsive monster. In her insanity, she killed the second daughter by cutting open her chest and ramming a pin through her heart. Then, she stuck that same pin into Vin's ear, turning it into an earring.

Reen, the older brother—not even a teenager at that point—stumbled in upon this scene, and it nearly snapped his mind. That night he took Vin and ran.

Vin's mother was tracked down by the Inquisitors a short time after that. Fortunately for Vin, her father had realized he was in trouble and ordered his own lover executed. His assassins got to her just before the Inquisitors, and all they found was a corpse.

The Hero of Ages Annotations ()
#61 Copy

Brandon Sanderson

Chapter Forty-Eight

The Lord Ruler's Final Message

This plaque from the Lord Ruler was very difficult to write. Originally it was much shorter, but I expanded it during the last draft because I felt it was just too useless. Even still, it doesn't say much. And that's the problem.

I was always intending the Lord Ruler's final plate to contain no answers. It works into my themes for this series—this was the "quest" book playing off the epic fantasy ideal of the powerful object that must be discovered and used to fight the evil. Except that this time, I wanted them to get to the place they'd been questing toward and find it empty, with no answers from the Lord Ruler. I felt this would only heighten the sense of hopelessness the characters are feeling in trying to fight Ruin.

The problem is, rereading this plate I realize that I've done exactly what I wanted—but that it's also a really, really big letdown. I hate letting down readers. It feels like breaking promises. After consideration I think this is still the best thing to do, but I wish I'd found another way to deal with this.

Note that the circle with a dot here is completely lost on Vin. The size of the circle in relation to the text around it, and some numerical clues scribbled around the perimeter of the circle, are indications of the size of a scale map it should be placed upon. If placed the right way, the dot will point directly at the Pits of Hathsin.

Vin's awesome, but she's barely got a basic education. A complex mathematical puzzle like that one is completely lost on her. If Elend had had the time to study the plate, he might have figured out where it was pointing. There wasn't time, however.

The Lord Ruler did leave a very important clue on this plate. However, I feel that obscure clues like this are deciphered far too often in books like this one. I think realistically if you're going to leave a clue like that, chances are good that it will end up getting missed or misunderstood. Which is exactly what happened here.

The Hero of Ages Annotations ()
#62 Copy

Brandon Sanderson

Vin's Tactics Improve

Cloth-wrapped coins are something I probably should have thought of in the very first book. The problem is that I worked very hard to establish the "we use coins as weapons and to jump around" idea that I wasn't thinking about ways to improve the method. The coins are cheap, abundant, and effective, not to mention aerodynamic. However, they're also noisy. Adding a thin layer of cloth makes a ton of sense when using them to jump around.

Also, Vin finally ditched the mistcloak. Her reasoning is correct, unfortunately. I loved the image and the symbol of the mistcloak, but it was no longer useful, so it was time for her to go about without one. I'm sure there's symbolism in there somewhere—finally becoming her own woman, shrugging off the mantle Kelsier gave her, something meaningful like that. The truth is, I didn't think about that. I just acknowledged that the cloak no longer made sense. It was too noisy to be worth wearing.

Mistborn: The Final Empire Annotations ()
#63 Copy

Brandon Sanderson

Chapter Thirty-Eight - Part Three

My one disappointment with this chapter is that I had to end up making it look like I was breaking my own rules. The Allomancy-Feruchemy-Hemalurgy triad is one of the most complex magic systems I've ever devised. The interplay between the three systems, mixed into the mythology of the setting (which involves the mists at a foundational level) makes for some very complicated rules. I try to explain them as simply as possible–simple, basic rules are necessary for most sequences to work.

Yet, the depth of complexity leads to some things that are confusing at first glance. I wasn't planning on having Vin draw upon the mists in this book–I was going to save it for later–but the initial version of this chapter (which had Vin simply grabbing the bracelets off the Lord Ruler’s arms with her hands) lacked the proper drama or impact. So, I moved up my timetable, and gave her access to some abilities she wasn't going to get until the next book.

A lot of the "Rules" of Allomancy are, in my mind, like our basic rules of physicist. They make simple sense, and can be explained easily. However, they only apply when generalities–or large-scale events–are explained. When you get down to the really advanced physics, traditional Newtonian Laws start to break apart.

The same is true for Allomancy. The vast majority of Allomancers aren't powerful enough to look beyond the basics. For them, simple rules like "You can't Push on metals inside of someone's body" apply. It's much easier to tell someone that, as opposed to "People's bodies interfere with Allomancy, making it much harder to affect metals inside of them–so hard, in fact, that only some people you'll never meet can Push on metals inside of people's bodies."

It is a matter of degree of power. Vin, for reasons I'll explain eventually, has access to far more Allomantic power than regular people. The Lord Ruler is the same way, though for different reasons. And so, he can affect metals that are blocked by blood. Vin has to draw upon another, external source of power in order to produce the same effect, but it is possible for her.

Narratively, I worry that this looks too much like I'm breaking my own rules. However, I had to balance drama with effect in this chapter, and eventually decided that I could make it work. I've established throughout the book that there are flaws in the commonly-perceived laws of Allomancy. There are metals nobody knows about. You can pierce copperclouds. In fact, one of the unwritten laws of Allomancy is that it isn't understood as well as everyone seems to think.

The Hero of Ages Annotations ()
#64 Copy

Brandon Sanderson

Vin Draws In All the Mist

Here we finally have Vin suck in the mists and use them to fuel her Allomancy completely. I began building this plot arc way back in book one, which ends with Vin drawing upon the mists to fight the Lord Ruler. It took me all the way until here to make good on that, though I still don't even explain how or why she was able to do it. Eventually I'd like to be able to do that, but we'll see. It's bigger than this trilogy. I have to leave some secrets for later.

I do want to mention that this scene of Vin blasting Kredik Shaw to pieces was quite fulfilling to write for some reason. It feels like the end of a series to me, with familiar places being torn down and old expectations being dismantled.

Shadows of Self Chicago signing ()
#65 Copy

Questioner

We were talking about Kelsier, and how he was much more powerful than most Mistborn, and how Vin was slightly more than most Mistborn...

Brandon Sanderson

Why were Vin and Kelsier more powerful?

Questioner

I know why Kelsier, but why Vin?

Brandon Sanderson

Vin was not more powerful. Vin just took to it very naturally. She was highly skilled. It was very instinctive to her, but Elend was actually more powerful than she was, if you count just raw power. Vin just knew her stuff. Beyond that Vin is a rare individual that for reasons I have not explained yet, was able to draw in the mists for a little extra boost at times. And there are other characters you have seen do this.

The Well of Ascension Annotations ()
#66 Copy

Brandon Sanderson

Chapter Thirteen - Part One

I hope this first paragraph isn't too overly-poetic for you. I have a tendency to dabble in writing poetic language, and can veer into sections of prose that are a bit over-written. But, my editor didn't strike this down, so I assume it's all right.

The things Vin talks about in this first scene are, essentially, the things that will come to form the plot of the entire series. In the original drafts of the novel, she worried about these issues much earlier in the book. However, I backed off on them to let the siege take form first.

It's not that these worries about the Deepness and the past aren't important–they're VERY important. And, they'll play a big part in this book. The armies and politics, however, are the established plot of the novel. This book–book two–isn't about the deepness. It's about the "What Next?" So the characters overthrew the empire. What's next? In my opinion, what they're doing now–struggling to keep something going, rather than tear it down–is far more difficult than anything they did in the first book.

This grueling process is going to have a powerful influence on their characters, and make from them the people they need to become in order to deal with the events of the final book. In a way, that makes this the most important–and most interesting–book of the trilogy. It’s the one which is about character over plot.

My goal with Vin, here, is to take the mists from her. Kelsier gave them to her in book one, and now it's time to take them away.

They are the haven of the Mistborn. But, if you watch as the story progresses, you will see that I slowly take them away and leave her without.

The Well of Ascension Annotations ()
#68 Copy

Brandon Sanderson

Elend and Vin Visit Sazed in Turn to Ask about Relationships

I didn't want this scene to feel too much like a sitcom, and I tried hard to make it realistic. But having both Vin, then Elend come to Sazed with their problems has some inherent issues. It feels a little comedic, and perhaps too coincidental.

However, despite those problems, I really like the scenes. They show off the difference in the two characters, and particularly show how Elend has changed over the course of the book. He comes in, confident, ordering people about even as he asks for advice. Vin is more hesitant. Her confidence is in other matters, and here she has trouble expressing herself. It's a nice reversal.

However, the fact that both of them think first of Sazed, and that both of them just really need to speak their minds—without him doing much more than confirm things they already felt—shows again how similar they are.

And I really do think the key and lock speech is one of the most wise things Sazed has ever said.

Skyward Pre-Release AMA ()
#69 Copy

DammyJerry

Have you ever thought (just for fun) which KR Order your characters for other books would fit the best? Like, Sazed is Bondsmith, Kelsier is probably Skybreaker.

Which Rosharian Shard, Honor, Cultivation or Odium, better fits with Dalinar's personality?

Brandon Sanderson

I'd agree with the other commenter that Kelsier isn't much of a Skybreaker. But picking orders would depend on what point in the person's life we're talking, and the situation. It's not a hard-fast rule.

For example, young Dalinar is very Odium. Modern Dalinar is very Honor.

Seifersythe

What about Magic: The Gathering color alignments?

Like, would Kelsier be Red/White or Red/Black?

Brandon Sanderson

Kelsier is blue/black. Vin is Red/green. Sazed is white/green--with arguments for mono-white. Elend is red white. The LR is white/black.

mithrilnova

This actually surprises me a lot. I would have expected Sazed to be Bant-colored, and Elend seems much bluer than he does red.

Brandon Sanderson

Actually, I don't know why I said red/white for Elend. Must have been answering quickly. You're right, blue/white is a better match for him. Ham is red/white.

Shadows of Self London UK signing ()
#70 Copy

Questioner

I make cocktails, and I want to make cocktails based on the characters, have you got any ideas? Particularly Kaladin and Vin, what would they drink?

Brandon Sanderson

...Kaladin and Vin, ah boy. Vin wants something simple, I mean she's going to want something to relax, so maybe something fruity and simple. Kaladin, he'll want something stiff, right, something hard...

The next one actually has a mixed drinks scene. Fortunately, you'll be happy to know, I went to a bartender friend to get some advice on how to make it work, so... If you make Kaladin's stiff and blue, that might be good because of Alethi blue.

The Hero of Ages Annotations ()
#73 Copy

Brandon Sanderson

Playing with Clichés

Well, that turned into a strangely unexpected rant. I'll leave it because it might be interesting to you all, but I did want to continue with my original idea. I didn't bring Reen back (or Kelsier back) because I feel opposed to this kind of plotting unless it is well foreshadowed in advance and built into the magic system. I did, however, want to make the reader think that I'd brought them back, as for some reason it gives me pleasure to bait readers into thinking I'm following the clichés, then ducking away from those clichés. (In a way, that's what this entire series is about.)

As a nod to the intelligence of my readers, however, I didn't let this one last for long. I figured that many would have figured out that the image of Reen was false, particularly after the epigraph strongly hints that Vin has been spiked. In addition, I wanted to use this scene to point out the difference between Vin and Spook. He's an idealist and is rather fresh and inexperienced, despite what the crew has been through. Vin's a realist and a skeptic, and is far more experienced. It makes simple sense to me that she would almost immediately see through Ruin's tricks.

Mistborn: The Final Empire Annotations ()
#74 Copy

Brandon Sanderson

The scene with Vin standing in the darkness and looking in at the people having fun inside was one of the first and fundamental scenes I got for her character. Those who have read other annotations and essays by me know that I build my books by important focal scenes. This image of Vin keeping herself aloof from the fun and good humor, yet desiring to be part of it so badly, seemed to me to be the perfect character for Kelsier's apprentice.

Of course, this scene was actually only half of the image I conjured in my mind. The other half comes, of course, the scene later in the book where Vin has become fully a part of the crew, enjoying their friendship, and looks out of the kitchen at the dark hallway beyond, where she once stood. Nice little brackets of a character arc, and the main focus in my mind of Vin's growth in this book.

Mistborn: The Final Empire Annotations ()
#75 Copy

Brandon Sanderson

Chapter Thirty-Six - Part Two

If I had a chance to rewrite the book again, one of the things I'd change is the scene where Vin gets caught here. If you want to imagine it this way instead, pretend that she dropped both Inquisitors completely, and therefore thought she was safe to inspect the room beyond. The Inquisitors can actually heal far more quickly than I've had them do in this book.

My problem with this scene is how easily Vin lets herself be cornered and captured. I think that breaking into the room is exactly the sort of thing she'd do. However, I just don't think the writing works here (around the section where she gets surprised and grabbed by the Inquisitor.) She's more careful than that. The way it's written makes it seem like she gets grabbed simply because that's what needed to happen. There isn't enough drama, or enough realization, to the scene.

I do like what happens afterword, however–Vin using the Eleventh Metal. In this book we get our first hints regarding just how much Allomancy has been hidden and obfuscated by the Lord Ruler. Vin realizes that the Eleventh Metal must be part of the structure of Allomantic theory, as is the metal that she's given that makes her lose all of her other metals. (It's aluminum, by the way.)

The Hero of Ages Annotations ()
#76 Copy

Brandon Sanderson

Chapter Seventy-Nine

The Mists Chose Someone

There's a lot more going on behind the scenes than even the author of these epigraphs knows. Reasons why Vin was chosen, and why the power of Preservation needed a new mind to control it.

The author is right in that Preservation did need someone to control its power, and it did seek for a host in which to invest itself. It began this search with what mind it had left about sixteen years before the return of the power to the Well of Ascension, just as it began a search for a new host before the return of the power the previous time.

Unfortunately, just as Ruin took control and manipulated Alendi, he took control and manipulated Vin.

The Well of Ascension Annotations ()
#77 Copy

Brandon Sanderson

Vin thinks about assassinating Cett and Straff

The other thing of real importance here is Vin's struggling with whether or not she should just go assassinate her enemies. It seems like such a brutal, effective way to get rid of these armies. I wonder how many more leaders we'd find dead in our world if magical warriors like Mistborn existed.

Explaining why Vin doesn't just go and take care of those two men was challenging for me. This is a harsher world than I've written in before, and it was really tempting to have Vin just go kill her enemies. I toyed with doing that very thing for a long time.

The problem is, I think it would be a bad idea for her to do that. I think it for the very reasons I outline here. I doubt that killing those two men would really have the effect she wanted. And, if she really were determined to drive those armies away, she'd have to kill quite a number of leaders. It seems equally likely to me that, after killing a number of them, the armies might just join forces and take the city.

Firefight release party ()
#78 Copy

Questioner

Who is your favorite character, character development-wise?

Brandon Sanderson

Oooh, favorite character for character development. Who develops the best? That is really hard for me to say... From any book? Who has the most development-- I would say Shallan has undergone the biggest transformation in the major books. No, Vin. Vin goes through the biggest change, so we'll go with Vin. Vin's the best character development across the course of the books.

Writing for Charity Conference ()
#79 Copy

Zas678 (paraphrased)

Is there some reason why both Vin and Kelsier are half-skaa, half-noble, both natural Allomancers, both end up overthrowing the Lord Ruler, and have siblings that are seekers.

Brandon Sanderson (paraphrased)

Both were heavily influenced by Ruin in doing what they were doing. So there is a connection there, maybe not the one you're looking for, but Ruin was looking for talented Mistborn that were easy to manipulate and talented Mistborn tend to come from talented Mistborn lines, and so Ruin is looking for that, and they both end up fitting that role. And the thing is, is that the half breeds ended up being easier for him to manipulate and easier lost in the shuffle of things, so they weren't paid attention to as much by the Ministry, because the Ministry didn't know about them.

So it's mostly coincidental for what Ruin's trying to achieve

The Well of Ascension Annotations ()
#80 Copy

Brandon Sanderson

Chapter Thirty-Eight

Vin waits for Elend to reveal his plan before the Assembly

I had to do a couple of drafts of Elend's "It doesn't change things" section with Vin. I didn't want to reveal his plan–I wanted Vin to work through it–but I also didn't want it to seem TOO forced that he didn't tell her.

I settled on this, which I think has a nice balance. However, you're in dangerous territory as a writer any time you have characters conveniently forget to tell each other things–or when you keep viewpoints characters plans and schemes back from the reader.

I have a history of fudging these things a tad in this series. I don't give myself that much leeway in all of my books–but I figured with the Kelsier "Real Plan" surprise I had in the last book, I have established that the characters don't always tell the reader every single thing they're plotting.

Read For Pixels 2018 ()
#81 Copy

Anushia Kandasivam

Vin stands out to us at the Pixel Project because she went through a lot of abuse in her young life, physical and psychological, at the hands of family and people that she should have been able to trust. She is a survivor, and with the help of her new friends she eventually finds self-worth, she realizes she can overcome her past trauma, she grows as a person. The question is, why did you decide to write a character with this kind of background, and what kind of research did you do to write the character who is an abuse survivor?

Brandon Sanderson

Yeah. So, two part question. First up: How and why did I decide. There are two main parts to this. One is, I knew I was writing in the world of Mistborn, a very less than perfect society. Let's just put it at that. The pitch for myself was, what if Sauron had won? What if you had to grow up in Mordor? I felt that if I had a character who was untouched by that, that the story would lack sincerity. If the only main character was someone who had somehow avoided that, there would be a certain-- like I said, lack of sincerity. There would be a certain, sort of-- I feel that, when you're writing stories, one of the things you should be looking to is to let characters who are part of a problem, solve the problem, rather than people outside the problem coming in to fix the problem. It's generally stronger storytelling, and generally more respectful of people who have had these life experiences themselves. So, I knew I needed someone who had been through a lot of trauma, because of the things we needed to change in this society.

The other part about it was planning-- I am an outliner, with my plots and my worlds and my characters, I discovery write. And oftentimes, what I'll do when I start a book is I'll start with multiple attempts at writing a person into that world. It's almost like I have a bunch of actors come in and try out for the part. I wrote three very different first chapters for that book, and the one that worked was the Vin you ended up with. What drew me to her as a character was the mix of strength and vulnerability at the same time, that she has. It's hard to explain why I came up with that, because really, as a writer, you're just kind of searching for someone whose voice works and whose soul matches that of the story. And it gets very mystical, for me, when you talk about characters, which I don't like, I like to be able to break things down, and talk about how it works and why I made the choice I did. But I made the choice of Vin because Vin was right. Part of that was, she was solving a problem that she had been directly-- that had directly affected her life.

How did I go about doing it right? This is where the best research that I get is reading the stories of people who are willing to share them with the rest of us. Reading firsthand accounts from people who are willing, because that takes a lot of bravery. It takes a lot of-- it's not something I could ever ask anyone to do, but it is something that people offer. On their blogs, and on forums, and spending your time listening to what people say, and trying to get the characters to express the way that these people would express it if they could write that character in their story, is one of my main goals. In fact, I think that's my prime mandate as a writer, is, try to write the characters like the people who have their life experience or beliefs would write them if they had my skill as a writer. And, so I spent a lot of time on blogs, I spent a lot of time on forums, and I wasn't ever posting on these, I was just listening. And then I made sure I had some good readers. Shallan has gone the same way. I can directly credit some very helpful beta readers who have had life experience similar to Shallan's, which have made sure, at least I hope I do this right, and always do better, that I'm walking a line between not sensationalizing, and not glorifying, but using this person's life experience to help them become the person that they want to become.

Anushia Kandasivam

And is that why we don't learn about the characters abuse on screen-- it's never on screen, it's always in their thoughts-- did you purposely write it like this because you didn't want...

Brandon Sanderson

Yes. This was very, very conscious. I feel like one of the biggest traps that writers in fantasy fall into, is using abuse of women, specifically, but all people who are in positions of lacking power, as a means of proving how bad your villains are, or how heroic your heroes are. I think that there are certain authors who are really good at doing this without making it a sense that this is how the world is. So it's not me pointing fingers and saying you shouldn't do that, but I felt that if I was to put it on screen, I don't think I could handle it without sensationalizing it. And by making it there, but never explicit, I think everyone knows it was there, I think everyone knows that Vin suffered abuse, but I could write a story that can deal with overcoming these things without having to sensationalize the thing itself.

The Hero of Ages Annotations ()
#82 Copy

Brandon Sanderson

Chapter Eighty-One - Part Three

Elend's Death

I rewrote Elend's death scene a number of times. In the first draft, it happened much more quickly. He and Marsh met, Elend's atium ran out, and Marsh cut him down. Elend always got his "we've won" line, but Human wasn't getting viewpoints, so we didn't cut there. Nor did we have Vin fuel Elend's metals or have him burn duralumin and atium at the same time.

I just felt he needed more. Part of this was due to the reactions of alpha readers, and part of it was due to my own desire to make his last scene more dramatic. I wanted there to be a closeness between him and Vin at the end, and I also had too many people asking what would happen if you burned duralumin and atium at the same time to ignore that possibility.

So, I rewrote several times, eventually landing at this version. As for why I killed him . . . well, for the same reason that I kill any character in one of my books. It just felt like the right thing to do. It's hard to explain when we get down to specifics like this. On one hand, the rational side of me can explain that there need to be casualties to make victory worth something, and Vin needed to lose Elend so that she'd be willing to do what she had to in order to kill Ruin. Logic says that this book was about Vin and Elend defeating Ruin no matter what the cost to themselves, and allowing them to give their lives for the victory was noble and completed their character arcs.

Emotion, however, is what drove me—not logic. It just felt like the right thing to do. It was the right ending for the book. Now, I could have chosen a different ending. I know that I could have. It would have felt contrived to me, and would have lacked bite. Yet perhaps readers would have liked it better. I honestly don't know what doing this (killing both of my main characters) will do to my readership and if people will still want to buy my books after this. The founder and president of Tor Books, I know, would have preferred that I didn't kill my two main characters.

But in the end, I went with what I knew was the better ending. By doing this, at the very least I've earned something. From now on, readers will know that nobody is safe in my books—and that will create tension, will make the novels feel more real. (Note that I didn't do this because I wanted to make readers feel that way. It's just a side effect.)

Either way, this is where this book was pushing from the beginning. Vin and Elend followed in Kelsier's footsteps. They were both ready to give their lives, and in doing so, saved those they love. In my opinion, that's not a tragic or sad ending. It's just an honest one.

The Well of Ascension Annotations ()
#83 Copy

Brandon Sanderson

Elend and Vin get attacked by Allomancers

And, yay! A fight scene. It's been a little while since we had one of those.

I worry that the lack off battles made me go a little extra-crazy with this one. I apologize if there were too many people moving about, too much going on, or too many enemies to keep track of. This wasn't meant to be a delicate Allomantic dance–this was a brutal, bash people and pop eyes kind of fight. Like I said earlier, I try to give each action scene its own kind of flair and feeling. This one was down and dirty, kill or be killed.

In fact, Vin nearly got killed twice herself. Something I worked hard in book one to establish was that Allomancers, even Mistborn, were not invincible. Both time she's gotten into serious fights in this book, it's nearly killed her. Without the edge that duralumin gives her, she'd have been beaten here twice over.

It's not that she lacks skill–not at all. This fight was simply designed, by her enemies, to be a real and serious threat. The odds were against her, and she had a lot to worry about. Perhaps she should have just grabbed Elend and fled. However, she figured she could beat them. She was right, in the end–even if she came dangerously close to losing.

Mistborn have a tendency to be over-confident.

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Chapter Forty

Zane Visits Vin after the Fight in the Assembly

She mistakes Zane for Elend here, which is a nice little subconscious indication of the mental turmoil she's going through. The best part about this conversation is that I think Zane makes a lot of good points. That fight WAS too hard for Vin, and she really is being turned into a tool. I don't think that's as bad a thing as Zane implies, but he's being honest.

I'm not trying to make a statement against assassination. Given these circumstances, I actually think assassinating Straff would be a reasonable choice. However, I don't think it's a good thing for Vin to do here. She's too close to the edge, too confused and too hurt by the killings she's already had to perform. Plus, I do think that waiting is also a good idea–there's still a chance for diplomacy to work, and the armies haven't attacked yet. Killing someone right now could set the whole thing off.

I still worry that the Zane planting an Allomancer amidst Cett's retinue thing was a bit of a stretch plot wise, and I wonder if any readers are going to be able to follow what happened here. I think this is just about the line of what I think an author can get away with and still have things make sense. Zane's plan went off just a little too well, without problems. I think it works since we don't get to see much of the plan and preparations he made, and can therefore suspend disbelief and give him the benefit of the doubt when it came to how much work he put into making this plan work.

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Chapter Sixty-Two - Part Two

Betrayal and Trust

Sazed's discussion on betrayal and trust here is very important. It harks back to Vin's conflicts in the first book, as well as one of the major interactions between her and Kelsier.

Kelsier believed that it was better to trust people and be betrayed than to never trust at all. He loved his wife, but worried that she'd betrayed him. It was a major source of pain and conflict for him. Yet, in the end, he decided that even if she had betrayed him, he preferred having loved her and trusted her. He treated his crew the same, not letting a worry about traitors ruin the companionship of his team.

I wanted to work this into Sazed's scenes here because, to me, this entire series uses trust as a theme. Whom do we trust and why? Do they deserve it?

It's about being betrayed, but taking the time to understand why we were betrayed. Kelsier forgives Mare, Vin forgives TenSoon. Sazed has to forgive God.

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Chapter Thirty - Part One

Vin Arrives in Her Black Gown

This is kind of a girly moment in the text. I put these in sometimes. Too many female readers have complained to me that I don’t linger enough on what people wear, and I figure that Vin—trained by Kelsier—would know the power of a surprising entrance. Hence the drama of her appearing in that unexpected dress.

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Drawing upon the Mists

Vin draws upon the mists here for the second time. I kind of wish I'd been able to make her do it in the second book somewhere, but I decided to back off on that plot in book two. The thing is, Vin drawing upon the mists is kind of deus ex machina, and I didn't want to make the entire series about that. It's a mystery to be explained, true, and was worked into the magic system from the beginning. But I can't deny that it feels like it comes out of nowhere.

So, having her use her ability to draw upon the mists here was an attempt to have that happen sometime other than a major climax moment, reminding the reader of what happened back in book one so we can begin to delve into what was happening and why.

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Elend Finds Vin

This room where Elend finds Vin is cool in that it's the very first place where we, as readers, met Vin back in book one. She was sitting in that cubby, looking out at the street, wishing she were as free as the ash. Now she has that freedom, and she's terrified by what she's done with it.

So, you can see–maybe–some of the repercussions that I talked about earlier. Vin just confirmed to herself that she's the monster she worried about being. Kelsier casts such a large shadow. Everyone thinks they should be able to do things like he did, but nobody can. They need to find their own way.

Still, Vin has a choice to make. In the last book, she ended up with Elend. Now she has another chance at Kelsier, as represented by Zane. Some people who read the book think she should go with him, others yearn for her to choose Elend. The fact that there really is an option means I've done my job well.

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Also, we get to see here that Zane already has his fingers on Vin's emotions. She's beginning to question and doubt. This, however, isn't a quick change–you should realize that all of these questions were already there inside of her. Not only is she a teenage girl, and living during an emotionally volatile part of her life, but she grew up learning to distrust and fear betrayal. Though she's getting better, the old worries are all still there, and even a little bit of scratching at them reveals them again.

She never really had to confront these things. Falling in with the crew, learning to trust, was actually easy in the last book. Kelsier was there to make everything work out all right, and Vin was always underneath the watchful care of Sazed.

This book is about making her face these things directly.

FanX 2018 ()
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Questioner

If you could choose to cast someone for Vin who would you pick?

Brandon Sanderson

Ellen Page from 10 years ago. Is that ok?

Questioner

*laughs* Yes.

Brandon Sanderson

I think she would've been very good.

A Memory of Light Birmingham Signing ()
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Questioner (paraphrased)

Why did you have to kill Vin and Elend?

Brandon Sanderson (paraphrased)

They demanded that they be allowed to take the chance they did. And I just let them take the chance. I didn't kill them, I just let them take the chance that they demanded that I let them take. That's kind of a cop-out answer, I'm sorry, but that's what it feels like to me. And if I always make it so that there are no consequences, then the books have no heart.

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Brandon Sanderson

Smaller notes

Two other small notes. First off, I drew the reactions of the skaa–wanting to go back to having a tyrant in charge–from some essays I'd read about the fall of the Soviet Union and some other modern countries which had received freedom, then wished for the days when things were easier. I think it's a sentiment that makes sense, even if it frightens me a little bit.

Also, only Vin would assume that someone HAS to be Mistborn, just because they happen to be crippled.

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Chapter Forty-Eight

Vin and Elend's Marriage

A very simple wedding, all things considered. I found that appropriate, as I though that Sazed would approach such things in the most elegant–but simple–way possible.

This is also kind of a strange scene, when you think about it. I write myself into some interesting situations in this series. I don't know that I before this moment, I'd ever thought I would be writing a wedding involving a half-naked eighteen year old girl who is bleeding from three wounds, one in one of her breasts.

Some people have complained that this is just too quick a marriage. One thing to remember is what Sazed explains. For a thousand years, the only way to get married was to get the witness of an Obligator. Even for skaa, an obligator was required to authorize a wedding. And that's ALL it took. If an obligator said you were married, then you were. Sometimes, the nobility or the skaa had their own ceremonies surrounding a wedding, but they were more civil than religious. In fact, it's a tiny bit of a stretch to even have Elend associate a wedding with religion.

Of all the people in the book–heck, in this entire world–Sazed is probably the closest thing to a real spiritual leader one could find. In that way, Vin and Elend were quite fortunate to have his blessing. Breeze and Allrianne, for instance, didn't bother with a wedding. Now that the Lord Ruler is gone, those sorts of things have lost a lot of meaning–if, indeed, there ever was any meaning to them in this society.

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Chapter Twenty-Five

Vin and Tindwyl go Shopping

Part of me wants to get the same reaction out of the reader that Vin gave in this chapter. "Shopping? They're going SHOPPING?" I realize that this scene is a gamble. This is a book about a besieged city, and in the middle of it, I include a chapter spent trying on dresses.

There are a lot of important things I wanted to show in this chunk of the book, and this really did seem like the best way. First off, I wanted to get Vin back to the market so that she could see how tense the people were. Also, I wanted to have a chance to let her interact with Tindwyl–both to show another side of Tindwyl, and to finally force Vin to start confronting some of the things she needs to work on in this book.

She's reacted too strongly against the person she was becoming in the last novel. With Kelsier, and his encouragement, gone, she's reverted. She's frightened to accept the noble half of who she is.

I also wanted to show just a bit more of Allrianne. She's going to get some more screen time in upcoming sections, and I wanted a chance to give her character a little more rounding.

Beyond all of those reasons, I also just wanted to do something different, something a little more light. I miss the ball scenes we had back in book one. There was really no way to work them into this book, and so I let them go. However, I wanted to at least give a nod to those people who enjoyed them in the last novel. This scene and the dinner with Straff are both kind of throwbacks to those chapters from the first book.

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Chapter Fifty-Seven

Vin Wonders If She's Mad

I love Vin's paragraph on deciding if she's mad or not. Zane spent his entire adult life debating this issue, trying to determine whether he was really insane or not and trying to figure out how much of the world around him was a fabrication of his broken mind. Vin? She gives herself a couple of seconds to consider, realizes that if she's mad, there's no way to know, and decides the line of reasoning is useless.

On occasion Vin complains that she's a creature of instinct and not logic—but that's not the right way to put it. She's very logical—far more so than most scholars, I'd say. She just doesn't like to dwell on things and debate them. Present facts to her, and she'll accept them.

In a way, she's literal and concrete—which are the most basic of logical philosophies, I'd say. Elend is abstract. He likes to consider and rationalize. Think around problems, rather than face them head on. But he's logical too.

Perhaps their love of hard facts is part of what draws them together.

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Brandon Sanderson

Chapter Fourteen - Part One

Following Kelsier this night is probably one of the dumbest things Vin does in this book. Letting her follow is undoubtedly the dumbest thing Kelsier does in the book. Yet, these two characters are alike in more ways than they may seem at first. Both have a sense of brashness that borders on the foolhardy.

Vin is beginning to understand that there are crews where people truly care about each other. The problem is, she's feeling a very natural (especially for a girl of her age) desire to fit in and be needed. She has a deep-seated fear that she'll be proven useless, then be abandoned by the people that she's only just beginning to understand that she needs.

So, she wants to learn to be useful as quickly as she can. For Kelsier's part, he just feels that he's invincible. It's always been a problem of his. He's the type of man who can make things go his way. It's easy for him to ignore the failures and focus on the successes–like the fact that the Lord Ruler trying to kill him only ended up turning him into a Mistborn.

And so, they infiltrate together. And, this was the natural result.

17th Shard Forum Q&A ()
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Arcanist

According to [Sanderson's Second Law of Magic] your characters have flaws, weaknesses. What is the reason, that in a lot of them (Vin, Elend, Kaladin, Dalinar, Spook, etc) the most significant weakness is the lack of self-confidence?

Brandon Sanderson

It's because of mode-shifting. The people you noted have been doing one thing for a long time, and are now forced into something else. The self confidence is a side effect of that. However, I wouldn't say it's the primary character attribute for any of them, however. I think you're blanketing self confidence as a larger issue, when it's the smaller part of something larger for each character.

Vin: Trusting Others

Elend: Idealism

Dalinar: Conflict between the killer he was and the man he wishes to be.

Spook: Self Worth

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Vin Meets the Skaa in the Hovel, then does her Horseshoe trick

This scene was very important to the series as a whole. the people in the skaa hovel are just what Vin needed to see. We didn't get to experience a lot of it, but the run for Vin was very draining. It isn't easy to pewter drag. It wears you out, body and mind.

The skaa people laughing, however, recharges her. She gets what she needs to keep going, if in an unconventional way. And this gives her, and us, validation for all the work that Elend has been doing. It's working. For these people, at least, the struggle is worth fighting.

The series works best, I think, when read together as one long novel. I wrote them to feel separate enough that people wouldn't feel cheated when they read only one. However, so much of this story is meant to intertwine. For instance, this Vin scene will be made more powerful if you've 1) Seen how the skaa lived in their hovels back when Kelsier visited them in book one. 2) Remember what a pewter drag did to Vin in the last book. 3) Remember Vin using the spikeway from book one.

I would have liked to have shown another spikeway in this book, but again, there was no room. Still, readers have really liked her horseshoe trick. I would point out, however, that not just anyone–not even any Mistborn–could figure this out as quickly and as well as Vin. Kelsier trained her well in the Pushing and Pulling of metals. That was his specialty.

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This is a short scene, but one of the more important ones to show off a little character development in Elend. He is beginning to see some of the truth in Tindwyl's words.

Pulling off a transformation like his was one of the great challenges of this book. Actually, the plot was pretty easy–but getting Elend and Vin's relationship down, along with the development of both of their characters, was much more difficult. It takes a subtle hand to make Elend learn to be a king without having him progress too quickly, and I'm not sure how well I did it.

Vin's development–showing off her inner distrust without making her seem paranoid or making their relationship seem shallow–was even tougher.

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Brandon Sanderson

Chapter Twenty-Six

Vin and Elend discuss going into Straff's Camp

In the original version of this particular chapter, I had Vin think that Elend's idea to go into Straff's camp was terrible. She thought it was too dangerous, even foolhardy. And, since Vin is generally a very competent and trustworthy character, the readers agreed with her. They all thought that Elend was doing something incredibly stupid in this chapter.

Now, what I had been TRYING to do was have her offer strong objections, then get brought around by the end of the sequence to admitting that Elend was right. Unfortunately, that just didn't work for this scene. The plan was crazy enough that readers were already inclined to thinking it was crazy. When I instead switched the narrative so that Vin had a grudging, yet favorable, opinion of the visit to Straff's camp. With her weight of trust behind the endeavor, suddenly readers had no problem with what Elend is doing.

Readers trust Vin more than Elend, which makes sense. If she tells them that something is a good idea, they're more likely to go along with it. It was an important lesson for me as a writer. I realized that Elend needed Vin's support in these early chapters otherwise he wouldn't have the readers' support. He is untrained and is stumbling as he tries to learn. In order for us to trust him, Vin needs to.