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General Reddit 2018 ()
#1 Copy

Brandon Sanderson

You guys might find this amusing. I read this threat [about Andrzej Sapkowski suing CD Projekt Red] last night at about 3:00, and came REALLY close to posting, "Dear CD Projekt. You can have the Mistborn rights, if you want them..." But this was looking like it would explode as a thread, and I REALLY didn't want to wake up to several hundred replies in my inbox. I have work to do today...

In all seriousness, I'd love to do something with CDPR. They've made by far the best book-to-video game adaptations ever. It's the sort of thing the rest of us salivate over--if for the simple reason that the entire genre (books, film, and games) benefit from something high-quality on the market like the Witcher games.

I would seriously consider giving CD Project Red the rights to my books for free, because the overall cultural impact that a great story adaptation can have is enormous. Though...I suspect they're done dealing with self-important fantasy authors, and are likely more interested in creating their own new IPs.

Brandon Sanderson

Well, this kind of exploded, didn't it!

I appreciate the outpouring of enthusiasm and kind words in this thread, but let's rephrase this title a little. Saying that I'm considering giving them the rights for free implies that I have the option. I haven't talked to CDPR (though I've considered several times sending them an email and seeing if they'd be willing to meet next time I'm in the area.) I'm not in a position to offer them anything. Part of the reason I didn't post in that other thread until I was summoned was because I didn't want to come off as presumptuous.

But...I did read the original article and think, "Man, is Sapkowski crazy? I'd practically kill to have such a high quality adaptation of my work." If you magically gave me the chance to have an adaptation on the level of the Witcher--but with no payment given to me--I'd take that in a heartbeat. I'd much rather know it will be good (or at least be in the hands of someone skillful and passionate) than gamble on big money up front with a risk of bad quality.

Please, though, don't put CDPR on the spot or bother them too much about this. I've had some discussions with those who run video game companies, and I know a little of the stresses put upon them. If something goes wrong with a book I write, and it flops, then I'm the only one who suffers. But video game companies work on tight margins for years, employing the passion and enthusiasm of hundreds, to create a game. They need to pick their projects VERY carefully, because a flop has huge ramifications for all of their employees.

I'll continue to explore getting a good video game adaptation of Mistborn and/or Stormlight--in part because I want to play them myself. But the proper way for me to do this is keep meeting with companies, talking to them, and learning more about their business. I didn't want to hijack a thread about another author to do this, and I feel a little bad that this exploded like it did.

(That said, you guys are awesome.)

State of the Sanderson 2017 ()
#2 Copy

Brandon Sanderson

Movie/Television Updates

Other Properties

Legion and Dark One are currently in negotiations. The rest of the Cosmere is covered by the DMG deal, as we want one company working on that at a time. We have a small deal for Defending Elysium that has it under option with a screenwriter, and the first draft screenplay is good. That leaves Alcatraz, The Rithmatist, and a couple of shorts (Dreamer, Perfect State, Firstborn) with no options right now.

Oathbringer Edinburgh signing ()
#3 Copy

Questioner

The casting for these films. Is that just gonna be, like, professional people, or will it be open to the public?

Brandon Sanderson

I have asked them to hold open casting calls. So, I don't know if they'll do it, but I have asked them. We're not even that close yet, though, right? It takes forever. We're not close enough for you to start being eager about that. It's still a few years if-- even if it happens.

Oathbringer release party ()
#4 Copy

Questioner

Are you worried, because of the length of the Stormlight Archive books, that the movies will not be able to encompass them fully?

Brandon Sanderson

What a well-stated way to say that... So, movies. Hollywood. Bless them, they try. No, seriously, like, there are a lot of really creative people who really are passionate about books in Hollywood, just none of them have any money? I'm exaggerating, strike that from the record. But we've sold the rights to people that we trust. Otherwise, we wouldn't sell them. It's always a gamble. We're never sure if it's gonna work. Like, even people who are really well-intentioned. The Golden Compass movie is a great example of this. Really good intentions. Everything about that movie should have worked: great actors, great design. And the movie was boring. And, it's like everybody tried really hard, and it just didn't work. And I know how that feels. I tried really hard on Apocalypse Guard, and it didn't work. And, so, yes, I am totally worried about that. But the thing about it is, if I don't risk that, then I can't ever have a good movie, 'cause I'll never have a movie.

Now, would we rather Stormlight be a television show? Probably. And I think the chances-- So, what I've been saying is, let's just hope that the other fantasy television shows do well. Let's hope the new Lord of the Rings one does really well. Let's hope that Pat Rothfuss's show goes really, really well. If a bunch of these things get made, and they're good, it improves our chances, and things like that. I've constantly said, I would rather a television show. But, you know, I wouldn't have thought that the Lord of the Rings films could be adapted as well as they were. And they worked. So, who knows. I'm willing to roll those dice, and see what we end up with.

Oathbringer release party ()
#5 Copy

Questioner

Any plans for a Mistborn, or just Cosmere, collectible card game?

Brandon Sanderson

Um, yes. Asterisk. It's a hard thing to get going. It would probably be more like a deck building game than a CCG, just 'cause we would sell a box set of something you could draft or something like that, rather than trying to go the whole CCG route.

General Reddit 2017 ()
#7 Copy

Oversleep

Also, you mentioned Snapshot to be set in one of the Core Realities in State of Sanderson 2016 but now that I look at it there is no mention of it? Was it taken out for some reason?

Brandon Sanderson

Snapshot can't be in the Reckoners universe right now, as the film rights are with different companies.

Kraków signing ()
#9 Copy

Questioner/Translator

There are games, comic books and films had been made or are being made based on your novels. How do you coordinate work so there are no, lets say, errors in it and tell something about <that experience>

Brandon Sanderson

Coordinating to make sure there are no errors: I wish that Hollywood would let us do that! Mostly they kinda do what they want to do and then send us what they've come up with. I am working with one company right now that seems like that they are willing to listen a little bit better.

<Throughout> other things that hasn't been particularly difficult. <For> the RPG, I am a gamer, I love RPG and so it's very easy to work with them. In fact where it came from is they came to one of my signings and said "Do you want to make an RPG?" and I'm like "Yeah, I want to make an RPG!". So we had some brainstorming sessions where I told them my favorite styles of game and they built rules that they've thought to match Mistborn and kinds of things I wanted.

We'll see what happens with the movies. They are in development and they're very early in the process.

Kraków signing ()
#14 Copy

Questioner/Translator

So this is the question about White Sand. Why did this text become the basis of a comic - this one particular text - and how was the work going on converting White Sand into a graphic novel?

Brandon Sanderson

So White Sand was the very first book that I ever wrote, or at least a bad version of White Sand was the first book I ever wrote. I started it in 1994 and it was terrible. But I liked some of the ideas so years later I gave it another try. And it became my 7th or 8th book; I can never remember which came first: White Sand or Dragonsteel. And it was much better but still not quite where I wanted it to be. So I never ended up publishing it.

When a comic book company in America came to me and asked if I was interested in doing a comic book, it <immediately> sprung to mind. Because they wanted to do an adaptation of one of my books except I didn’t want to do a book that was already published, I wanted something for readers that was new. And I’ve always felt that White Sand was close to being good enough, it was just too long, it needed an edit. So the primary process for adapting it with Rick, who is a UK graphic novel writer involved him taking my text and cutting it way down to just the dialogue and the actions. And he did a fantastic job, we’re very pleased with that, but he did most of the work on that.

DrogaKrolow.pl interview ()
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DrogaKrolow

What about cameos? Do you have some ideas in your mind?

Brandon Sanderson

Cameos for me? I want to die in a different way in every movie. As payment for killing off characters. And so I want to be like the Redshirt or whatever, the person who gets killed in a new creative way. That's my thought.

DrogaKrolow.pl interview ()
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DrogaKrolow

Few months ago we've received great news about some of your books which will be adapted into movies. So what do you think, which one is most likely to get adapted first?

Brandon Sanderson

I’ve always thought that Mistborn would be the most likely 'cause it's the easiest to translate to a film, but the people who bought the rights to the Cosmere bought everything but Mistborn 'cause Mistborn was owned by someone else. And then they bought Mistborn a year later, when it became available. So Mistborn is a year behind the others. Emperor's Soul and Stormlight have been going the longest. Stormlight is so hard. Right, we’ve just got the screenplay in and the screenplay is like *does a gesture* you know, it's like for a five hour movie or something like that. And they're like "We have to cut this down!" "Yes. Yes, we do." And that is super hard. And Mistborn is a lot easier to adapt. So I still expect we'll see Mistborn first, but who knows.

DrogaKrolow.pl interview ()
#19 Copy

DrogaKrolow

Would you like to see your stories adapted into video games?

Brandon Sanderson

Yes. I've tried a couple of times. So far they haven’t worked out. We had someone working on Mistborn for a long time. Video game industry is hard. But-- I mean, there've been some really great games made from books so I hope to have one someday.

DrogaKrolow.pl interview ()
#20 Copy

DrogaKrolow

Who would you like to be the composer, do the music for your movies? Do you have any idea?

Brandon Sanderson

I have never been asked that before! Wow! I have no idea. Right? Like I listen to a lot of soundtracks and I like them all but I'm not an expert in this. Michael Kamen was always my favorite. He's passed away. So we resurrect Michael Kamen and have him do it.

DrogaKrolow

A Lifeless?

Brandon Sanderson

What's that? Yeah, yeah, Michael Kamen the Lifeless.

Boskone 54 ()
#21 Copy

Questioner

At this point, a lot of your work has been optioned. I was wondering if you would be interested in some of it being a serious animated tv show? Maybe that might also work for Wheel of Time.

Brandon Sanderson

I would be totally on board except for one thing, that there is no market for it worldwide. There are markets in very small places, but so far every animated in the US and in large parts of the world as well has either been something like The Simpsons, which is comedy, which can work for adults and they’ll watch that, or it’s been child-focused with some hidden depth of themes like the Last Airbender, which is the quintessential example. If I could get a television show on one of my books as good as that, I’d love it, but nobody’s going to finance it, because there’s no audience for it unless it’s a children’s show. And there’s nothing wrong with being a children’s show, this is what Pixar has figured out how to do, it makes movies that everyone will love. But anytime someone even tries to make a teen focused one, it’s a huge disaster. Treasure Planet was an example of this, which is famous in Hollywood for being a disaster, even though it’s a fun movie. Until US audiences grow up in their treatment of animation, it’s not a realistic thing, because the cost-to-earnings… I can’t just say, okay guys, spend 50 millions dollars on this, I know it’ll only make 5, but it’ll be really cool. Maybe if your aunt is an executive at Netflix, you could tell her, and they could be on the forefront of this, but until then, we are looking at Netflix-style, complete season, Stranger Things-type stuff, or traditional feature film.

Arcanum Unbounded Chicago signing ()
#22 Copy

Brandon Sanderson

Movie deal? Let's preempt that one. Yes, we are doing Cosmere as a movie series. *audience cheers* What happened is-- The short version so I don't get in too much trouble. The short version. We started-- They came to me for The Emperor's Soul, like three or four years ago. And I was like, "Emperor's Soul? You realize this takes place all in one room?" *laughter* And it turns out they're a Chinese company and they had been looking for good fantasy properties, and action properties, or fantasy-- whatever, they just wanted properties where they could feature a Chinese actor because they feel there aren't enough Asian people given roles in Hollywood. And so the company's specific goal was to do this. They're one of the production companies for Iron Man 3, so they've done some things. And so they came to me "Emperor's Soul stars a Chinese woman and it's this awesome fantasy story. We might have to leave the room and go to different locations, and stuff like that, or field trips. But we want to try and adapt it." And so I said, "That sounds really cool, go for it." So they bought Emperor's Soul and then a few months later I got a phone call from them. And it was a guy in LA, one of their American correspondents they said "Start working on how we would adapt this. Pick a-- Work with a screenwriter and things like this." And he said "Alright let's get some backstory, it's related to Elantris I'll read that. Oh Elantris is related to Mistborn, I'll read that." *laughter* So he called me having just read all the works of the Cosmere across about a month and having spent about eight hours on the 17th Shard's Coppermind. *crowd cheers* So that's actually how the movie deal happened. He called and said "I need all the unpublished books."

There are two unpublished Cosmere books I'll send out to people. They're not very good but you can write us through my website and we'll send them. Theoretically... So if you want'em-- It takes about a month or two to get back to you on them, but will send them to you. Because I don't think they're worth charging for, but-- One of them is White Sand, which is now a graphic novel, it's the prose version of that. So hopefully you can get the graphic novel and compare it to the prose. and the other one is Aether of Night. Which is really fun but it's like two books that never matched. Like how I have those ideas, right? So you read this book and it's like this mistaken identity, Shakespearean comedy, fantasy thing plus one of the Shards of Adonalsium trying to destroy the world. And it just doesn't mesh. But it's got cool magic. So if you want those you can write to us.

So he got those, he read those, he's like "I need everything." and got all that and I'm like "What do you want?" and he's like "I'm trying to convince my boss to buy the whole Cosmere." And he did, he convinced his boss to buy the whole Cosmere. Except for Mistborn which was optioned to someone else. So when people read the thing and said "Why are they developing Way of Kings first?" Well technically they were developing The Emperor's Soul first. That came back as "This a really hard one to develop because it takes place in one room." And so they're like "We're going to fast-track Way of Kings." Way of Kings is also very hard to develop, but that's what they started on. And when Mistborn became a available this summer they bought that and that's when they did the big announcement. "We now have the whole Cosmere and they put Mistborn immediately into development for screenplay. So I bet the screenplays come in at about the same time, even though they had Way of Kings for about a year longer. Adapting that book-- We want feature film because there are so few places to do a tv show right. There's like two markets, maybe three. Amazon, Netflix, HBO. That's basically-- There's so few options, and there's way more movie studios and things like that. If it doesn't fit into a film we all agree that television is next. But if the screenwriters can get it into a film that we like we'd rather do-- we'd rather do that. Our chances of getting something good go up. There are lots of markets for television but most of them don't have a budget, right? So that's what we're looking at. Everything's looking well. They're great people. Multiples of them have read the entire Cosmere now. And when I get phone calls from them I get asked questions like this. *laughter* They're good people, they're doing a great job. I can't guarantee we'll make any films, right? It's Hollywood. It took twenty years to do a Spiderman film. It took like twenty-five to get an Ender's Game film, and that's practially written-- When you read the story it has "Oh this is a screenplay" all over it. So I can't promise that we'll get it done but we're going to give it the old college try.

Arcanum Unbounded Seattle signing ()
#23 Copy

Questioner

Has anyone approached you about making a movie?

Brandon Sanderson

A few people are laughing because we did sell rights to the entire cosmere this summer.

*cheers*

Some people are like terrified by that news. So what happened is there is a company that optioned the Emperor's Soul, just itself. They really liked it. They're like, "We're gonna do Emperor's Soul." They're a Chinese company, DMG. Iron Man 3 was one of their things that they helped produce and stuff like that. So they've done some cool stuff. And I'm like, "Sure, I'll sell Emperor's Soul." And then they read Emperor's Soul and they're like, "Huh, this is connected to Elantris," so they read Elantris. And then they started reading and then they dove into the cosmere. And I still remember when I called one of the people from DMG to see how things are going and he was  just like, "I just started reading the cosmere and I just spent 20 hours on the fan websites and things." And so they came back to me a few months later and said, "Has anyone optioned the cosmere?" And I'm like well, "Mistborn is under rights to someone but the rest of the rights are available." So they started negotiations to buy the entire cosmere. Then when Mistborn lapsed from the people who had that, they bought that too, to fold them all in, and then they made the announcement, "we have the cosmere".

People were very confused when they saw, the "we have the cosmere," because they were working on The Way of Kings and Emperors Soul but they didn't have Mistborn, which is the one that makes the most sense to do. They immediately put that into production but they're further along on Way of Kings and Emperor's Soul.

I sold to them because they seemed to get it. Anything in Hollywood is a gamble, I can't promise this will even happen, but they get it. They understand the cosmere, they're behind this, they want to do these films the right way. So I am very excited and eager and I will keep you guys up to date as we know more.

Though as a side note, every time something really cool happens to me, Pat Rothfuss, who is a good friend, kicks down the door, saunters in, and says, "Hey Sanderson, guess what? Lin-Manuel Miranda, who wrote Hamilton, is writing The Name of the Wind. How's that sound?" So, I'm like, "Oh Pat, oh every time..." If you haven't heard that, Lin-Manuel Miranda, the Hamilton guy, is attached to Name of the Wind. So that looks like it's going very well also. I'm actually very eager. I think it's a really good match. It's just funny to me, I make my announcement then and Pat's like, "Oh by the way, better announcement!"

Arcanum Unbounded San Francisco signing ()
#24 Copy

Questioner

I really enjoy the Graphic Audio versions of your novels. I really like the Way of Kings and the Words of Radiance. I'm wondering, how long after Oathbringer comes out would Graphic Audio be able to get their hands on it?

Brandon Sanderson

So the question is about the Graphic Audio. So for those who don't know, we do two editions in audio of most of my books. We do a straight-read edition, which is one, or two, narrators that just read the whole book and they'll do voices and things but it's a traditional audio book. The Graphic Audio instead does a slightly abridged version, where the abridgement is only taking out the he-saids and she-saids and things like this, and replacing it with a full cast to do the dialogue instead. So it's like one step toward a radio drama, or something like that. It's not fully there but they do add in a few sound effects and do the full cast audio. So they're fun sort of ways you can read the book. They're not abridged in that there are no scenes taken out, but they do cut out a word here and there.

And usually what happens is we do the straight edition first and eventually do a Graphic Audio edition because they take longer to get the full cast together-- to make the proper abridgements and things like that. I can't-- I have no idea how long it will take them, but I can ask. I actually haven't gotten this question, because we only just started doing dual editions. We started by doing some of them Graphic Audio, some of them not, and then figuring out what fans liked. And it turns out that what fans like is having both. So then we started Mistborn and caught Mistborn up, and then are doing the Stormlight books as well. So I'm hoping we will get to the point where we can do them simultaneously in both editions, but I can't promise that that will happen.

Stormlight Three Update #5 ()
#25 Copy

mathota123

With Cosmere movies looking more and more like a reality, are there any other types of media you would like to see your works in? Personally I feel Mistborn would translate very well into an anime.

Brandon Sanderson

I'd investigate that if it were an actual possibility, but the chances of it happening are basically zero. Anime companies are not regularly buying western books for adaptation--aside from the few by Miazaki's company (which I'm not going to try to spell because I can never remember how the vowels go.) I would of course say yes to them, were the chance to arise. But an anime based on my books is not something I've ever seen the faintest, tiniest nibble on from any Japanese company.

(Generally, western fantasy novels do not sell well in Japan; they seem to prefer science fiction in prose form, at least from America.)

Oversleep

How about western animation? For example, Avatar: The Last Airbender or Legend Of Korra? I feel Stormlight would do very well animated, since all the visual problems go away. And Legend Of Korra feels very much like Second Era Mistborn.

Brandon Sanderson

The problem is that these, though great, are still pitched as children's programming. I know there are all kinds of arguments with that, but the reality is that the marketing people control things like this, and the chances are really, really slim.

EuroCon 2016 ()
#26 Copy

Questioner

So, of course we need to ask you to start about something which is important, which is the sale to DMG of the rights for the Cosmere. Now it's not just, I mean, it's the champion's lake that we're talking about, right? You're at the same level as many very important authors, and the rights will be sold to the cinema, TV, and so on, so forth, the Cosmere books, which can be about thirty. My question is, are you excited about that? Are you scared, or both? Because you know that when dreams come true, sometimes it's not as nice as it seems. So, the question is, now that you have made your dream come true, will you think that you were better when you were writing and having that dream, or is it okay now?

Brandon Sanderson

A writer I once read got asked what he thought of the bad movie that got made from his book. Actually, the phrasing of the question is, "What do you think of what they did to your book?" And I have always remembered his response, which was, "My book is the same. It's right there. They did nothing to my book; they made a bad movie." My dream is not to make movies, my dream is to write books, and I am living that dream right now. Now, the chance of having a good movie come out is exciting to me. I wouldn't have sold the rights if I didn't want to take that chance, and hopefully we'll get some great movies and great television shows, but if we don't, I still am writing books, and my books are what I started this to do. I am going into this with my eyes wide open. I have had some good friends who had some terrible movies made of their films and I have talked to them about their experience, and I am willing to risk that happening. You can't get a Game of Thrones if you don't risk an Eragon.

EuroCon 2016 ()
#27 Copy

Questioner

We have to wrap up, I think, so everyone here is going to kill me if I don't ask you about DMG which acquired the rights to your Cosmere. I wanted to ask how are you feeling about this, do you know at this stage how involved are you going to be? I heard you mentioned that the best adaptations are those that are done by people, just by leaving them do their thing, but I was also asking myself, in regards to this, if you're planning on any other cross-media stories? We have White Sand, we have whatever happened to Mistborn: Birthright. I wanted to ask about that too, because...

Brandon Sanderson

So, we'll start with Mistborn: Birthright. Unfortunately, it is dead, sorry. This was a video game we worked on for many years, and it just is not going to happen. As for other cross-media stories, I am very open to doing more. It will depend on how White Sand is received, and whether I can do other video game projects that look like they will work. As for the film, I spent a long time interviewing a lot of different people before we decided to go with DMG. I chose them primarily because I feel they understand the Cosmere, and are willing to approach it as a whole, as opposed to little pieces of something not connected. How much I'll be involved really remains to be seen. They've promised to let me be involved, they gave me a fancy title, we will see once the film's actually in production. I have every reason to believe that they will involve me, and so far they have done so, but I don't want to be the one directing or writing these films, because I am not a director or a screenwriter.

White Sand vol.1 release party ()
#29 Copy

Questioner

So you've branched out into graphic novels. What about other types of media--?

Brandon Sanderson

So the question is, "I've branched out into graphic novels. What about other types of media? TV and things like that." Well a graphic novel is something we can kind of have enough control over to make it happen ourselves. Right? Like I know the people at Dynamite. We can work directly with the writer. We can work directly with the artist. And so a small team can put together a graphic novel. It's more than required to put together a book, like I do, but it's still a small team. It's basically me, the writer, the illustrator, and then Isaac and Peter working on this. So, you know, five people can put this together.

A movie--have you seen the credits scroll? *crowd laughs* I can't really do that on my own. So the best we can hope for is for me to sell the rights, which I've done for most of my properties, and hope that someone in Holywood can actually make a film out of them that's good. And that's just a roll of the dice. So, yes we're trying. It is slow. Watch my website--we'll say if there's any news. There really isn't right now. Fox has *Steelheart*. They've been doing work on the screenplay, which looks good. But, you know, the screenplay is the easy step--the next two steps are the hard ones.

Phoenix Comic-Con 2016 ()
#30 Copy

Brandon Sanderson (paraphrased)

The Movie Question

- A film adaptation is different than a graphic novel adaptation. A film brings in new fans who may not be avid readers, a completely different audience. A graphic novel will likely have a similar audience to his books.

- With book to film adaptations he says that there's only a one-in-three chance it will be a good adaptation of one of his books, and it's a risk he's willing to take.

- He quoted someone he couldn't remember saying basically that you can make a bad film, but that doesn't change the fact that the book is good. Someone once asked an author about a film ruining their book and they said "It's still there on the shelf, nothing's happened to the book."

- He sold the rights to people he feels he can trust to make good movies.

- Of all of them, Reckoners has the best chance at getting a movie but he made it clear that's just his hunch/estimate and we shouldn't run to Twitter getting excited about a movie that might not even happen.

#NookTalks Twitter Q&A with Barnes & Noble ()
#31 Copy

ALMTY BAM

Any plans for any adaptations in the near future?

Brandon Sanderson

If, by this, you mean film adaptations--we're trying very hard. Unfortunately, it's up to Hollywood more than it is me.

Stevie Finegan

Would you prefer film or TV adaptations? (If the choice was magically yours)

Brandon Sanderson

Depends on the series. I'd like to see Mistborn and The Reckoners as film, Stormlight and Wax and Wayne as TV.

Bands of Mourning release party ()
#36 Copy

Questioner

I have a young game-development studio and we're interested in making a Rithmatist game because I think the magic system lends itself very well to tablets and mobile devices. So what type of prototype or product would you have to see to be able to say "Yes this is good or no this is "--

Brandon Sanderson

That is an excellent question. So the question is he works for a game development studio and he wants to potentially make a game from The Rithmatist. And he's asking how he would go about doing that. So, we have had about five proposals on The Rithmatist and we haven't taken any of them. This is mostly because the game studios who proposed them, none of them have actually been able to show us developed games they made on their own. They all were game studios that were still working on something. And knowing the little I know about the gaming world, having friends who are in gaming, I take people who have actually finished things with more respect.

So, I’ve sold video game rights before, except nothings ever been made, I've sold Mistborn and things. I sold it to the people who came and said "Look we have a bunch of games". So if you have actually built games then I am really interested in talking to you about the potential of doing a Rithmatist game. If you haven't actually built and released games I would suggest go and build and release some of your own games, let us see that you can do it, and then come and talk with us. And if you do have released games and it's all good come up and I'll point you at my assistant Adam and he can tell you how to get in touch with my agent and send a proposal to me and the agent at the same time and we'll look it over.

Bands of Mourning release party ()
#37 Copy

Questioner 1

So I hear that you have a director for Steelheart--

Brandon Sanderson

Do we have a director for Steelheart. So Steelheart was purchased by Shawn Levy's company, at Fox, Shawn Levy directed the film Real Steel, which I really like, he also directed the Night at the Museum films, which I enjoy.

Questioner 1

Do you have an idea as to when casting might start?

Brandon Sanderson

So the way this goes-- breaks down for those who aren't aware. First thing they do, usually, when they buy a property is they commission a screenplay. Which they did. Screenplay came in some time in January, I haven't seen it yet they are sending it out for a polish. Once they are satisfied with the screenplay, at that point that's when they go to the studio and try to-- Oh that's when they try to get talent attached. Usually a director, like Shawn Levy is enough talent if he says "Yup, this screenplay turned out good, it's my next project" that would get it a greenlight and they would go to casting. So it's actually going really well. If it weren't a studio deal, if it weren't through Fox, at that point they would have to get some talent attached and then they'd have to convince a studio to give up funding and stuff like this. But if Shawn Levy likes the screenplay and says "Yes I'm doing this" it will then go to casting.

Questioner 2

Would you have any option on the screenplay?

Brandon Sanderson

Would I have any option on the screenplay-- No I do not have any power over the screenplay. No. When you sell rights like this most of the time you just have to hope they do a good job. I feel I gave them a pretty good screenplay in Steelheart in the book itself so I'm hoping Steelheart the book works out as a film.

The Alloy of Law Annotations ()
#39 Copy

Brandon Sanderson

Chapter Thirteen

Train-Top Fight

Yes, I had a fight atop a moving train. DON'T JUDGE ME.

I couldn't help myself, honestly. This fit perfectly with the narrative, and while I realize it's a bit of a stereotypical place for a fight sequence, I really wanted to see it happen. So there you go.

This is a rather cinematic book—meaning I see it as translating easily to film. Unfortunately, I doubt that will ever happen. Not because I'm pessimistic about having films made in the first place (which I am), but because this is essentially book four in a series. Beyond that, it's a very odd book four, one that departs wildly from the previous trilogy in setting and (in some cases) tone.

What that means is that we'll probably never see a film. We couldn't start with one just of Wax and Wayne, because the setting is too much of a mismatch. Magic, plus the wild west, plus urbanized early 1900s, but it's not on our world and has three books worth of mythology to it? This sort of thing can work on paper, but I find it unlikely that studio executives would look at it and say, "Yeah, that sounds like a surefire hit to fund."

Still, we can still hope for the original trilogy making it to film. Perhaps if they’re really successful, we could see something happen with these books.

Shadows of Self Newcastle UK signing ()
#40 Copy

Questioner

What is the status of the White Sand graphic novel?

Brandon Sanderson

White Sand graphic novel. Let me run down the big list of things people are waiting for. So, White Sand graphic novel is on the good list, that's going really well. The author we had adapt it was fantastic and the artist is doing a great job. We're doing it in eighteen issues. However, because the people with The Wheel of Time (I don't know if any of you guys bought those graphic novels) but they released those individually, people bought subscriptions up front and then it took them forever to deliver on those. Because I have been burnt by that I said "You can't release any of the issues until you have a certain amount done". So because of that, they just decided they would release them only as graphic novels. So they're doing six-issue chunks. So it's kind of weird, there's eighteen issues, but really it's three books of six issues, and they are working on issue number six right now to release the first chunk next year. And we're very pleased with it.

So, the big list. I am working on Stormlight 3 right now, so you can follow on the progress bars. Once I'm done touring, which I've been doing for way too long, you'll start to see those inch up again, and if I finish it by May or June then it can come out next year. If I don't finish it by then it would be the following Spring. So that's what I'm working on right now.

In the queue we have the sequel to Shadows of Self coming out in January and we have the last of The Reckoners, and that is coming out in February. That's a little too close, I wish they hadn't scheduled them like that, but I'm not in charge when they put the books. 

After I write Stormlight 3 my goal is to write a new book that's kind of in the teen-ish-- it's kind of hard because Steelheart here is not published by a teen publisher, the only one published by a teen publisher here is Rithmatist. But something for the Steelheart-- like older teen/young adult-ish, crazy, wacky things like that; I've signed a contract on that. So that'll be my next project. 

Then I'm going to do Rithmatist 2, then I'm going to do Wax and Wayne 4, which is the last of that sequence. Then I'm going to do Stormlight 4.

If the book you're waiting for is not in that list then it's going to come after Stormlight 4 so don't hold your breath.

Mistborn videogame is basically vaporware at this point I'm afraid. I love the guys that are making it. They're still working on it, they still plan to release it. I haven't seen even a demo or early footage or anything like that, so I'm not certain they'll be able to do anything and you guys should not hold your breath on that.

So, movies, I've sold Mistborn, The Emperor's Soul and Steelheart, all are in production, but that doesn't mean anything in Hollywood, in production can mean anything. None of them have started filming yet. Until something starts filming you should assume that it's a hopeful dream. Those are the hopeful dreams that people are paying me a lot of money for. So, there you are.

Shadows of Self Newcastle UK signing ()
#41 Copy

Questioner

Obviously a movie's going to be a long way off, but how much input would you have in it and would it be like what you want compared to what--

Brandon Sanderson

How much input would I have in the movie? That really depends on the producer. I can't-- I'm not powerful enough to get in the contract. I'm actually like two ranks, two like not powerful enough-- the rank of of author above me, George RR Martin's rank, they don't even have the power. It's the rank of author above that, like Jo Rowling or Stephanie Meyer-- they have enough sales that they can demand something in the contract and, you know, I'm a number one bestseller but there's a big leap between me and Stephanie Meyer or JK Rowling and so-- There's-- I would have to say no. With some authors, they just say no; I would roll the dice and gamble on getting a good movie and I try to stay very in touch with the producers, so they know I'm a good resource, and some of them have made use of that, and some of them have made less.

Shadows of Self Portland signing ()
#42 Copy

Questioner

Do you have any plans <for, like, having any of your novels made into graphic novels>?

Brandon Sanderson

"Would I like to have any of my novels made into graphic novels?" We're actually doing one right now. I've hit-- I've kept away from doing this for a while because I didn't want to just give people the same story. So <I kept thinking>, "Oh, I'll write a side story for something." But then that requires so much time for me, that if I were going to do that I'd just release it as a novel. So we <caught> this kind of weird place where I wasn't sure what to do. But then my agent pitched taking one of my books that was unpublished during my days that I was trying to break in, that was pretty good, and had a good magic system, but needed a lot of editing. And said, "Why don't we do that? Because we can edit it during the same time that we're preparing the graphic novel, and then do a graphic novel version." And that turned out really well. We got another writer to help me and do the writing-- someone who knew comic books. And the script turned out fantastic, so we sent it in as being turned in. They've done 5 out of 6 issues. And it will be 18 issues, but they'll issue them in 6-issue clumps. They actually will only be graphic novels, there won't be-- And there will be three of those. So the first of those should come out next year. The first six. It's called White Sand. If you want to read the book, I do send that book out to people who just write to me. Because I don't think the book as it stands is good enough to charge you for. So be aware that if-- But it was written about the same time as Elantris, and it's just a little worse than Elantris.

Shadows of Self Portland signing ()
#43 Copy

Questioner

Have you been approached by anybody about making a movie?

Brandon Sanderson

Okay, "making a movie," okay, okay. *sighs* *crowd laughs* So, Holywood. Holywood! Holywood is this-- they do this thing where they option books, right? And this-- most of the deals you see, they get signed, are what we call an option. They come in, they say, "We think we might be able to get a movie made, but we don't know for sure. So we're going to rent the rights from you." Against-- Like leasing. Renting to own. Where we pay you a certain amount every year that's against a big payout, and if we ever decide to make a big payout we buy the rights outright. But until then we can rent them for like five years and pay you every year or eighteen months. These are very common in Holywood. They happen a lot. And it's-- now that I've become involved in this it's kind of interesting to me that, like, when something gets optioned it's like, "Huge news! Oh, it's gonna get made!" But one in thirty of these get made <by general>. And most of the deals you're hearing about are those. As well you'll probably hear about this deal, you'll be like, "Oh, somebody's going to make this film." And then five years later you're like, "Whatever happened to that?" Well, it was just an option deal. And I've had like ten things get optioned. Like I've sold things over and over again and stuff like that. And so yes, people have my works optioned. Nothing I've done has ever gone past screenplay except for Alcatraz, at DreamWorks Animation which went to storyboard before then they decided to kill it. So, yeah obviously you didn't get that movie. That was years ago. They made the Croods instead. *crowd laughs* No, really, I-- those were the two competing projects. So I got-- So nothing has gone past screenplay-- I have gotten a screenplay a couple times before, but the step after that is like to get a director attached, and then like, you know, then get a greenlight, or get actors attached. The greenlight is the hard thing. The only thing I know of that got greenlit recently is The Sword of Shannara, which is coming out in January I think. Everything else I know is just an option. And so, yeah. But Steelheart's at Shawn Levy's company, who did the Night at the Museum films. Emperor's Soul is at DMG who were producers on two of the Iron Man films. The rest of the Cosmere is optioned by somebody else, but they haven't announced it yet, so I can't talk about it. They're very specific about stuff like that. Legion's been optioned twice, and both people have not been able to get that made as a television show. I mean, everything's been optioned.

Shadows of Self San Jose signing ()
#45 Copy

Questioner

I was wondering if there was any update on the movies, similar to video games?

Brandon Sanderson

The movies are moving along better. They're taking some time, but they are moving along better. I think, right now the farthest along are going to be Steelheart and Emperor's Soul. 

Questioner

Okay. Are they like in production right now?

Brandon Sanderson

No. They are in screenplays. So, yeah, nothing's really gotten done.

Questioner

Are you writing the screenplays?

Brandon Sanderson

I'm writing the treatments.

Questioner

Okay.

Brandon Sanderson

I don't want to write the screenplays but I can do the treatments.

Shadows of Self San Diego signing ()
#46 Copy

Questioner

So, the game Mistborn: Birthright, it's been two years now.

Brandon Sanderson

...I love the guys who were working on it, but I, if I were you, would consider it vaporware until you hear more. They've had some real troubles with their funding. They're great people who have just not been able to get the game going. They make a lot of easy, quick games for movie tie-ins, this one is *inaudible*, so it's just been a lot harder for them to get going. Again, they're fantastic people, and I hope that they'll get something going about it eventually, but I'm not gonna talk much about it until they do.

So, someone's gonna ask, the movie thing. So, Shawn Levy, owns The Reckoners, optioned that in June. He did Real Steel, the Richard Matheson story. If you haven't seen that movie, it turned out really well, with Wolverine in it. He also did the Night at the Museum films. And they're working on a screenplay. DMG owns The Emperor's Soul. They were producers on the latest two Iron Man films. They're a Chinese company, they really liked Emperor's Soul, so they came and optioned that from me. The Mistborn books are with the people who have the video game rights. We've combined those together into one right, I gave them a year to work on that. They've been very encouraging on how they're working on that, but it's Hollywood, so who knows what will happen. Legion just lapsed, so if your uncle makes movies, tell him to make Legion, from Brandon. Stormlight is under contract, but I can't say with who yet. So, I think everything novel-wise except for Rithmatist, probably-- Yeah, 'cause somebody optioned the Cosmere. Minus Mistborn. They got really excited by this whole, "Wow, it's a shard universe" thing, which is really hot in Hollywood right now. They're a really good company, but they came to me like, "We can do Marvel with Fantasy," and I'm like, "I'm not gonna say no!" We'll see how it turns out, but that's where we are.

Shadows of Self Houston signing ()
#47 Copy

Questioner

Are there any actors that you would love to see in an adaptation of your work?

Brandon Sanderson

Wow, excellent. Are there any actors I would love to see in an adaptation of my work? Wow, you know, you toy with this in your head, but I usually only do it after I've written the book because-- and then it's kind of hard because I'm like this character is the person in my head, not a specific actor. But we've had to start doing it, where people come when they're making the films and they're like "Who do you see in this role", or something like this. And so I have come up with some of these things. For instance, the guys who have Mistborn keep talking about Sazed, and they kind of want to go Asian with Sazed, which I think would work just fine for the Terris, and they keep using Chow Yun Fat as someone they would look at. Which would be pretty cool. 

Legion I wrote with a few actors in mind, one of the few books I've done that, so if you've read that I actually cast Ivy, JC, and Tobias as three actors I like. You should read it and see if you can figure out who those three are, because I've said online and you can read that and say "I wonder", and then you just google it and they'll all be there. One of them is from Firefly, so-- I'll give you a hint, this character's initials have been the same in like five or six different movies, and they're the same initials I use for the character and the fact that he's playing a character with the same initials, and so I use those initials. But for the most part I don't really think on this too much, because you spend a lot of time thinking about it, like when someone first bought Mistborn I was like "Ooh who do we get to play Vin"? And now all those actors, they're all like ten years older than being able to play Vin now, so it's like what was the point in doing all that. So I'm just going to let something actually get to casting, and then hopefully they'll invite me in and I can give my feedback.

Shadows of Self Houston signing ()
#48 Copy

Questioner

Any more information on like the efforts to go to the movies--

Brandon Sanderson

Oh the movies stuff--

Questioner

--or television or even maybe animated?

Brandon Sanderson

Television or things like this. So for those who don't know, what we do with Hollywood is they come and they option our books. This is where they give us some money not to sell the books to anyone else while they try to get things together to make a film, and most of the time it doesn't pan out. Sometimes it does, but making a film takes a lot of effort, takes a lot of time, so they want to make sure that they've got the rights looked-up while they do that. So it's basically like renting the rights, but it's a rent-to-own, because eventually they have a buy-out price they have to pay, but all the rental payments kind of apply to that. And I have had things for option since 2006 I think, and nothing's ever gotten made, and right now I have under option Mistborn, I have Emperor's Soul, I have Stormlight, I have Steelheart, and Legion just lapsed, so if somebody wants that, let me know. And all of those are in various stages of production, I've chosen production companies that I feel good about, and so I feel good about all of them, but I don't know what the chances are, right.

The most recent one was Steelheart, with Shawn Levy's company, he did Real Steel, that's what convinced me, it's a Richard Matheson story that he adapted. He also did the Night at the Museum films. And they've been really cool, they invited me in, I got to tour Fox Studios, and they're working on a screenplay, I'm hoping that will turn out well but I have really no power to make Hollywood do stuff. Nobody really does, even the people there, I think they're all kind of confused by how it sometimes works out. So I would do animated if the right project came along, and someone offered me, and I thought it looked good. I'm not opposed to that. I'm not opposed to TV. We just have to see who comes to me.

Ben McSweeney AMA ()
#49 Copy

TsorovanSaidin

How awesome an anime do you think Stormlight would make?

Ben McSweeney

OH MY GOD SO AWESOME.

I am biased, as an animator, of course. But I think the world of Roshar is too fantastic and unique to be anything other than fully animated. If you do it with actors, they're gonna do it in the big green rooms, and that so rarely works out well.

I'd be content with a CG animated series (Shardplate kinda begs it), but it'd be a lot trickier to do well. That being said, I've seen some really great CG, so it could be done.

TsorovanSaidin

I'm so happy you agree. I've been a pretty huge fan of Knights of Sidonia on Netflix. That's a perfect style for Plate in my opinion.

Ben McSweeney

KoS is pretty great (awesome manga, too), but the cines for Guilty Gear Xrd are just sick.

Game cinematics offer the best examples of quality, but it's not easy to get a studio in the range of Plastic Wax or Blur to dedicate the resources required for a full feature or a 22x12/24 series. Well, mostly it's just crazy expensive. But costs are always adjusting, the field is expanding, and we've got a lot of books left to publish before anyone's adapting it for animation or film.

ari54x

I think some of the 2.5d CG animation they do could work well for Stormlight- you know, where it's mostly illustrated but some action scenes use cell-shaded 3d models as a reference for the perspective and animation so it's really spot-on? That would be really cool.

Ben McSweeney

Oh, it's entirely feasible. Just a matter of the right budget with the right people at the right time. 'Course, that's a tricky triumvirate. :)

ari54x

Definitely. I'm hoping White Sand does well as a start to prove that drawing Brandon's work is a good idea.

Ben McSweeney

I think it might. And if nothing else, it's one more branch on the tree. Reaching out to new audiences is almost always a good strategy. :)

Shadows of Self release party ()
#50 Copy

Questioner

Will Stormlight Archive ever possibly get an anime?

Brandon Sanderson

Will Stormlight Archive ever possibly be an anime. Anything is possible. *laughter* But it is unlikely unless somebody comes to me and really wants to make one. It's not a market I know well enough to pursue. I'll watch good anime when my brother gives it to me, but it's not like I know that market and how to make it happen.