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Cosmere.es Interview ()
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Cosmere.es

We remember that you wanted to write a sci-fi story and send it to several magazines to see what happened with that. Well, we were wondering if in the end did you manage to sell it?

Brandon Sanderson

I did not manage to sell it. Now, I'll put it in the non-cosmere collection when we put it together. It was flash fiction; it was only 500 words long. So it's very not like my normal style. I'm not apparently good enough at flash fiction to sell without my name attached, but I haven't given up hope. I still want to write some more stories under this author's name--the pseudonym-- and see if I can get them published. I don't know if you heard, last night I talked about it on the stream, one of the things we'll be doing while I'm working on Era 3 of Mistborn in a couple years here is we'll likely be releasing the non-cosmere collection. All of my basically science-fiction/horror or whatever, the stories that are not in the cosmere that also aren't Legion, the Stephen Leeds stories which were bound in their own collection. And I want to have a few new things for that, so it's not just stories that have been published before. So these are the stories that I'm like, I'm going to send this off and see if it sells, and things like that. You'll be able to see.

My flash fiction piece is super goofy, so it's not that surprising that it didn't sell, but I'm still very proud of it. Mostly I got confusion in my rejections, they're like, "We didn't get it, it didn't make sense to us." So we'll have to see if it makes sense to all you guys. 500 words is not very much to do a story based around, so we'll see. I wrote another short story to send out. Unfortunately, it's kind of mediocre; it's only kind of okay. Again, science-fiction has one cool concept executed mediocrely, so I don't think that one's going to sell. I have to write a real banger, I have to write something really great and then secretly get it published. But when I'm going to do that is the big question. I have no idea where I'm going to slip in time to write mini-stories that aren't supposed to be by me. This is partially just to get experience so I can tell my students, "Hey, it still works," or "It still is hard." And lo and behold it was still hard, it took like eight months to get through all of the markets and get replies to them and stuff, just for that little flash fiction piece.

YouTube Livestream 30 ()
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Adam Horne

What are you anticipating the length of the books for [Mistborn] Era Three and Era Four?

Brandon Sanderson

Era Three will go back to Era One lengths. The goal is, once I finish Stormlight Five, to write all three books in Era Three together, like I did for Era One. And this means that the releases in between might be kind of other sorts of things. Basically, I'm gonna have to take three years and write those books before we release any of them. And that'll be great for continuity, and for a lot of cool reasons, but it means that... 2023 is hopefully Stormlight Five. (I say "hopefully" because, again, Stormlight Five is the end of a series, so it is possible of all of them that one takes longer. We'll see.) And then, after Stormlight Five, then the releases will probably be some things for a couple of years until I get Mistborn ready.

One of these things is likely to be a non-Cosmere collection; a collection of all my short fiction that is not Cosmere and not Legion. So all of your Defending Elysiums and things like that, collected in one collection, like we did with Arcanum Unbounded. There is a decent chance that I will be getting The Apocalypse Guard into shape, at long last, and releasing that with Dan Wells working with me on those. There is a decent chance that we'll have a prose version of Dark One, because Dan and I are working on that, but we'll see. Who knows. And then there's the perpetual project that I've really started to think that is probably going to happen, where White Sand of all my unpublished novels is the strongest, and I think that if I put it through my current revision process, I'd get a really strong revision, send it to beta readers, and put it through another really strong revision, it would be of publishable quality. I would generally update it to match the events of the graphic novels, and then we would release a prose version, probably, that is the same as the graphic novels. But we'll see. We'll see if that actually happens. For now, we do have the collection of the three graphic novels coming out soon-ish, I hope. And it's looking really nice; Isaac's been putting a ton of work into that.

So, those are all things that you could see in the interim, between. What you're not gonna get is a Mistborn novel or a Stormlight novel for a number of years, as I work on the Mistborn books. In a perfect world, I'm writing Elantris Two and Three then, as well. So I get done with those five books, each of which I plan at 200,000 words (which is the length of Elantris and the original Mistborn trilogy). Which, when I work on a Stormlight book, I do 400,000 to 500,000 words in eighteen months. And so, we would see how these other ones would turn out. One a year, plus change, basically. And then I would jump to Stormlight six.

So, that's a long-term plan. I still have to finish Wax and Wayne Four, and Stormlight Five, and Skyward Four. Which, I am finishing three series in a row. The one I am most worried about, obviously, is Stormlight. I don't know if that'd be obvious, but that's the highest stakes. And beyond that, it's the one that has some of the biggest implications for the cosmere at large, and things like that. Like, I am not terribly worried about Wax and Wayne Four, partially because I outlined the three that came after Alloy of Law really solidly, and the outline stuff I've been sending out for this last one, everyone is liking in the company, and it seems like it's a very... Like, the original trilogy idea I had for those three seems to be working. And Shadows of Self and Bands of Mourning both worked really well, and this one is in that same vein, kind of bringing things together. And so, I'm not really worried about it. I think it's gonna be really strong, and people are really gonna like it. Skyward Four, again, the stakes are just lower. Skyward Three was a tough revision; there was a lot of work to do on that one. But, if I do write Skyward Four this year, then I have plenty of time to work on Skyward Four's revision, because it's probably not scheduled until, like, spring of 2023. Spring or summer, even, summer 2023, before Stormlight Five. And so basically, the revision time on both Wax and Wayne and that are gonna be much bigger than my revision time on Skyward Three.

The time crunch is over for a little bit. It's just: can I squeeze these in before the looming battleship that is Stormlight Five comes sailing into port, and it's all hands on deck.

State of the Sanderson 2020 ()
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Brandon Sanderson

PART ONE: MAINFRAME ANNOUNCEMENTS

As I will be getting into some of these projects below, I think it’s time to talk a little bit more about Mainframe, my audiobook company.

A few years back, a friend of mine from Hollywood and I were chatting about how hard it was to get things made for film/television. Such projects are just way too big for us to do on our own. Yet I had a lot of projects I thought would work really well in this space.

As kind of a stepping stone toward that, the two of us founded Mainframe with Recorded Books being a launch partner. We figured that we could start taking some of the things I wanted to do for film/television and do them as audio originals—as this was a space the two of us, with some help from things like a writer’s room, could do ourselves. This would let me both explore storytelling in some new ways and build toward one of my eventual goals, which is having my own film production company.

The main goal of Mainframe, then, is to take ideas I have that I (so far) haven’t been able to do anything with, or to take stories I want to see done more as a television show, then try to make audio-drama-style expansions to them.

The first thing we collaborated on was The Original, which you can find right now on audiobook platforms—and is on sale for just $2.75 on audiobooks.com until the end of the year. This was written with Mary Robinette Kowal. I wrote the outline, she did the first draft, I went through (kind of more in an editorial role) and did a second draft, then she did a third draft. I hope you’ll give it a look!

(Note that it, like the other things that come out from Mainframe, should eventually have ebook/print releases. However, they will need some revision to accomplish that, because they are being written specifically for audio. MRK did some excellent work in this area for The Original, as she has a lot of expertise in the world of audio.)

Along with The Original, we began several other projects like this for Mainframe. And I finally get to talk about them here! The first is an extension to the Reckoners series. When I wrote the original books, in my pitch to both the publisher and Hollywood, I explained that I’d really like to do a video game or other tie-in to the series by showing a different group of Reckoners and what they were up to.

To that end, we’ve developed three novellas (cowritten with the talented Steve Bohls)—Author of the middle grade book Jed and the Junkyard War (which has fantastic worldbuilding)—following a new group of Reckoners in the same universe. The novellas start around the time of the end of the original trilogy, then go past them into the future of the series. They can be seen as three “episodes” of a television show, or read together as a single novel, since they are all told from the same character’s viewpoint.

The second project is working on the Legion/Stephen Leeds series. Many of you may know that I wrote the original novella as kind of a pitch for a television show—and while that show has been in development pretty much continually since then, it’s never actually gotten made.

Therefore, we decided to try and basically build our own television series based on the concept, only doing it as audio dramas. In this case, we went with a traditional Hollywood writer’s room, letting a “showrunner” (in this case, my partner Max, with whom I founded Mainframe) guide the process. We’re working together on a “pilot episode” in this framework.

The final project I want to announce is an expansion to the Skyward series. The way the series has gone, the second book focused only on Spensa, without much of a look at the rest of Skyward Flight. As the third novel mostly continues Spensa’s story, I worried about how isolated from the rest of the team the narrative would feel.

Therefore, Janci Patterson and I have designed a sequence of three tie-in novellas to this series. These will each be from a different viewpoint, three members of the team back on Detritus, running parallel to Skyward Three and having some cool overlaps between them.

While the previous two announced Mainframe projects will be audio only, it’s our intention to release these Skyward novellas simultaneously in ebook and audio, with a print follow-up. We feel that because the series is ongoing (and these novellas are therefore a little more important for keeping track of the novels), we don’t think audio exclusive is as good an idea for these.

This may seem like a lot with these three projects, but we’ve been working on most of this for years now—I just haven’t been able to announce it yet. Plus, we wanted to try a variety of different things and see what my readers liked the most.

The Original is a completely new story. The Reckoners novellas are a continuation of a series I’ve finished. The Legion series is a Hollywood-style adaptation, using screenwriters instead of novelists. And the Skyward tie-ins are unique in that Janci and I are working very closely on a story in progress, with the goal of expanding the narrative to give it more depth. (These should read a little more like the Stormlight novellas I’ve been doing.)

After a few years, once these are all out, I’m hoping to get some feedback from you all in regards to these projects about what you liked and what you didn’t. The eventual goal will be to try some things like this in the Cosmere (since I’ve been getting a lot of requests for more Cosmere material). However, I wanted to experiment a little first with things outside the Cosmere, where continuity isn’t as complex and the stakes aren’t quite as high.

So if you want to help me with quality control and making sure we’re doing expansions like this right, check out these projects as they come along! Some of them (like the Reckoners novellas) should be available to grab for free for those of you with Audible Plus, as I believe they’re being released under the Audible Originals banner.

And lastly, Tor just recently released a new box set of Stormlight books 1-3 and make a great gift last minute gift for the holiday season. We’re not sure, but we’re hoping a year from now that we’ll be able to offer a hardcover box set with the first four books.

State of the Sanderson 2020 ()
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Brandon Sanderson

PART SEVEN: FILM/TELEVISION/VIDEO GAME UPDATES

The film/television world is a strange place right now, with COVID, and a lot of things slowed down or got stalled. So there are no big updates for you on anything here, though I’ve still broken everything down here by series. Basically, I’m afraid I have to tell you there hasn’t been motion on any of them.

That said, there are some cool things happening behind the scenes on a few of these projects. I hope to have announcements sometime this year that will make you excited.

Stormlight

This is still owned by Dan Mintz/DMG Entertainment. There has been no motion this year.

Mistborn/Rest of Cosmere

I still have all of these rights, and have not yet sold them, though I’ve been working on a screenplay for Mistborn myself and have had some interesting opportunities behind the scenes. Nothing I can announce yet.

Legion

Still owned by Cineflix Media. No updates.

Skyward

Owned by Universal Television, purchased last year. I’m eager to see what they come up with!

Alcatraz

Optioned by Gaumont with Stuart Beatie, the writer of the Pirates of the Caribbean franchise, adapting for an animated series.

Dark One

Joe Michael Straczynski wrote a pilot for this earlier in the year, and we’re still shopping it around. It’s been a cool experience so far, working with someone who knows the business as well as JMS does.

Snapshot

Option lapsed this year. We’ve been looking for another home for this.

Steelheart

Option lapsed last year. No home for this yet either.

State of the Sanderson 2020 ()
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Brandon Sanderson

PART NINE: TRANSLATION UPDATES

This year I did something I’d been considering for a while—I asked some of my larger overseas publishers if they wanted to include any updates in the State of the Sanderson. I had a few of them get back, and hopefully we’ll grow this section in future years.

As a quick aside, I wanted to mention that we’re working to have a broader availability of my Gollancz hardcovers be more easily available in places like the UK and India. Hopefully more on this in the coming months.

For now, here are a few updates.

Germany

Two of my German publishers sent us a list of recent and upcoming publications.

From Heyne:

  • Edgedancer / Die Tänzerin am Abgrund: 11 November 2019
  • Children of the Nameless / Die Kinder des Namenlosen: 13 April 2020
  • Oathbringer Vol. 2 / Splitter der Macht: 11 January 2021 (paperback)
  • Rhythm of War Vol. 1 / Der Rhythmus des Krieges: 15 February 2021
  • Rhythm of War Vol. 2 / Der Turm Der Lichter: 24 May 2021

From Droemer:

  • Skyward / Der Ruf der Sterne: 1 July 2021 (ebook) & 2 August 2021 (paperback)

Poland

Zysk, my YA publisher in Poland, enthusiastically got back to us first with news, follwed by MAG and IUVI. All of my Polish publishers have been awesome, so I hope you’ll support them.

One of the things I asked these publishers was how people could order the books internationally, if they wanted copies. Zysk has links for those who want to grab the books, though unfortunately this is a place that only ships to Europe. Eventually, I’d like to have links in this section for those around the world who want to order copies, but we’ll start here.

From Zysk

  1. Skyward (published 2nd of April 2019) and Starsight (published 14th of April 2020)Audio editions of The Skyward Series & The Reckoners Series are available via Storytel.
  2. Zysk plans to publish book #3 in The Skyward Series: “Nowhere”, publication dates to be determined once they receive material.
  3. Polish bookstores which deliver internationally (to Europe)

From MAG

Here is their upcoming lineup for 2021:

  • Rhythm of War Vol. 1: March
  • White Sand Vol. 3: March
  • Dawnshard: March
  • Rhythm of War Vol. 2: June
  • Children of the Nameless: June
  • All available 10th Anniversary Editions: Between March and October

From IUVI

The whole Acatraz vs. the Evil Librarians series (vol. 1–5) are available to Polish readers.

  1. Piasek Raszida
  2. Kości Skryby
  3. Rycerze Krystalii
  4. Zakon Rozbitej Soczewki
  5. Mroczny Talent

Audio editions of of Alcatraz Versus the Evil Librarians Series are available via Storytel.

If you enjoy reading reviews for translated works, here are a few reviews you can check out.

France

From Livre de Poche

At Le Livre de Poche, we are thrilled to work with Brandon Sanderson and Dragonsteel Entertainment to present his novels to French readers worldwide.In 2020 we published simultaneously in paper and digital formats the Omnibus editions of Legion : The Many Lives of Stephen Leeds (Légion : les nombreuses vies de Stephen Leeds) in May, and most recently – last November – the first installment of Skyward (Vers les étoiles) in trade.

2021 will be a very busy and exciting year for Brandon’s French fans. In January, the two-volume mass market editions of Oathbringer (Justicière) will be available alongside the first part of the highly anticipated Rhythm of War (Rythme de Guerre) in trade. The second part of Rhythm of War should be published in May 2021.

Finally, the second installment of the Skyward series, Starsight, will come out in trade in September, alongside the mass market edition of Skyward (Vers les étoiles).

French versions of Brandon Sanderson’s books are available worldwide in online bookstores such as Place des Libraires, Mollat, Décitre, Furets du Nord, Dialogues, and Cultura, or online retailers like Fnac.com, Amazon, Rakuten, Momox, and many others, but don’t forget to ask your local bookseller if they can get it for you!

You will find all the many ways to get Brandon’s books in French on our website.

En français

Au Livre de Poche, nous sommes ravis de travailler avec Brandon Sanderson et Dragonsteel entertainment pour proposer ses romans aux lecteurs francophones du monde entier.

En 2020 nous avons publié simultanément en papier et en numérique la version intégrale de Légion : les nombreuses vies de Stephen Leeds en mai et, plus récemment, en novembre dernier, le premier tome en grand format de la série Skyward, Vers les étoiles.

2021 sera une année intense et passionnante pour les lecteurs francophones de Brandon Sanderson. En janvier, l’édition de poche de Justicière (volumes 1 et 2) paraîtra aux côtés de la très attendue première partie de Rythme de Guerre. La seconde partie de Rythme de Guerre paraîtra en mai 2021. Enfin le deuxième tome de la série Skyward, Starsight (titre français à venir) sortira début septembre, en même temps que la parution en poche de Skyward, Vers les étoiles.

Les versions françaises des ouvrages de Brandon Sanderson sont disponibles à la commande dans le monde entier sur les librairies en ligne telles que Place des libraires, Mollat, Décitre, Furets du Nord, Dialogues, Cultura ou sur les plateformes de vente en ligne comme Fnac.com, Amazon, Rakuten, Momox et bien d’autres, mais n’oubliez pas de demander à votre libraire s’il peut vous les commander!

Vous trouverez toutes les manières de vous procurer les ouvrages de Brandon en français sur notre site.

A few reviews from my French-translated books.

Italy

From Mondadori (my new publisher there, who we’re very happy to be with)

Here in Italy, we published the translation of Rhythm of War the same day as the American release. It was a remarkable feat for which we have to thank Gabriele Giorgi, Sanderson’s inexhaustible and heroic Italian translator, who committed to the cause with the usual abnegation and legendary painstaking accuracy.

2021 will be a year full of Sandersonian releases: we are working on a three-volumes collection of the graphic novel White Sand, which will come out in the first semester, while in the second semester we are planning the release of Arcanum Unbounded, as well as an illustrated edition of Mistborn: The Final Empire, on the heels of the leatherbound American edition. Surprise releases are also not entirely out of the question, although the whole 2021 schedule is still quite fluid in light of the ongoing COVID-19 emergency, which might cause some delays in the second-semester releases in order to adapt to the shifts in exogenous factors and market conditions.

Spain

From Ediciones B

We have just released Rhythm of War in trade on 19 November on a simultaneous launch with the US edition. The first print run of the book in Spain was 14.000 copies and we have already reprinted three times in less than a month. (Now we have a total of 30.000 copies printed since publication.)

The book started very strong in GFK, and reached number 7 of the general trade list of GFK for week 47 and also number 7 of the trade fiction list, with 4.977 copies sold during the first week.

It also reached number 2 of top 100 of FNAC on the first week of sale, and has been top 1 of November sales in Gigamesh bookstore. It has also been in the top 100 of Amazon Spain during two weeks.

Before publication, Gigamesh has sold 700 copies in preorder of their limited edition.

We plan to publish Dawnshard in the summer and our Mistborn 1–3 illustrated edition during the second half of the year. We also plan to publish Skyward 3, depending on the final release date of the US edition and the translation timing.

State of the Sanderson 2020 ()
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Brandon Sanderson

PART SIX: UPDATES ON MINOR PROJECTS

White Sand

I’m moving this Cosmere story to the minor projects for now, since the graphic novels series is finished. (Though Isaac has been working hard on an omnibus version of it, for those who wanted to wait for that.)

In addition to small fixes to bring the omnibus more in line with the underpinnings of the Cosmere, we’re also adding a 30+-page prologue with art by the amazing Nabetse Zitro, whose work can be found on and on Twitter.

But as a bit of a teaser, here’s one of his sketches from the prologue, showing Khriss and Baon.Someday, I might do a revision of the original prose novel, which is one of the only ones from my unpublished years that is good enough (with some work) to release. If I do so, I’ll update it to match the graphic novel in terms of characters and narrative—as the graphic novel is Cosmere canon.

Status: Omnibus in the works

The Reckoners and Legion

Both are getting some kind of continuation via Mainframe, my audiobook company. See the announcement up above! I talked last year about maybe doing these, and now they’re both in the works for real.

Status: Mainframe projects in the works

Soulburner

Still a cool secret going on here, but I can’t say anything.

The Apocalypse Guard

Still plan to do a revision of this and get it out, likely after Skyward Four.

Other Small Projects

Things I want to do include: Adamant, untitled Threnody novel, Sixth of the Dusk sequel, untitled Emperor’s Soul sequel, The Silence Divine, Secret Standalone Cosmere Book, that wacky YA Cosmere Book with Magic Kites, Kingmaker (First of the Sun YA novel not involving Sixth), and Aether of Night.

No progress I can talk about on any of these, though I did do a reading from the Sixth of the Dusk sequel at the Rhythm of War release party.

General Reddit 2020 ()
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MistbornSynok

So is the 4th Wax and Wayne book coming after Skyward 3 or after Skyward 4?

Brandon Sanderson

Skyward 3 will happen next, then Wax and Wayne 4. I realize people have been waiting for Wax and Wayne longer than they've been waiting for Skyward, and in a perfect world, I might do it next.

However, there are two big things pushing me the other direction. First, my Skyward and Mistborn are different publishers--and I just delivered a Stormlight book to the Mistborn publisher. The Skyward publisher has been very patient and understanding, but I feel I need to make good on my promises to them too.

Beyond that, I really like to alternate between projects. If I did Wax and Wayne 4 next, I'd be left with two Skyward books in a row. I'd rather split those up.

That leaves us with Skyward 3, W&W4, Skyward 4, then Stormlight 5. That should, barring some kind of big problem, be the next four books I write. I've been doing well at moving random ideas I have (like the Original) into things like collaborations lately. This has both let me do some fun things (for example, I think The Original is better as a collaboration than it would have been if either of us had tried to write it alone) and save time to focus my attention on my main book projects.

The nice thing about this is that it puts us in really good shape in 2023 with Stormlight 5 coming out. Since Alcatraz 6 is done, and Legion is finished, this means I'll have wrapped up every major arc I've been writing as we hit the halfway point of the cosmere.

That will leave me free to dive into Mistborn era 3 and the Elantris sequels as the next "chunk" of books I write. But we shall see how things play out.

AutumnWell

I was wondering if you intend to write a novella set between Stormlight 5 and 6 to bridge the gap between the two arcs.

Brandon Sanderson

I don't have any current plans. Like the gap between books three and four (though, admittedly, longer) I have constructed the story so that the information is part of the narrative. To actually write it out would, I think, be anticlimactic--since you'll be getting plenty of it through context. To say more would stray into spoilers, so I'll leave it there.

YidItOn

Do you have plans for a sequel to "The Rithmatist" in the next chunk after Stormlight 5, or will it more likely be sometime after that?

Brandon Sanderson

I keep telling myself I'll get to it, but still haven't found the right time. But I've always said that once Legion and Alcatraz are finished, it would be the last of the "loose end" series from the first part of my career that I want to tie up. So it's very much on my mind.

meh84f

What about Warbreaker 2? Is there any plan to write another book in that world? It seems like it’s set up for one and there’s a lot of questions raised by the characters worldhopping.

Brandon Sanderson

I do plan to do it, but it's been perpetually in a "We'll see" in regards to when.

YouTube Livestream 17 ()
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Brandon Sanderson

I am likely done writing Legion novellas. I still hold out hope for a television show; we have the rights to that sold. And there's a decent chance we'll do some audio originals that I'll do with a co-author on those. So if you really like Steven Leeds, I've always imagined Legion as a television show pitch. That is from the very first novella, I am writing in-depth episodes (kind of like the Sherlock episodes of the BBC Sherlock), standalone episodes that build on each other was my pitch to myself.

General Reddit 2020 ()
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DataLoreHD

The Original (audio book) release date, and an unexpected new story!!!

The Original. Author(s): Brandon Sanderson, Mary Robinette Kowal. Released: Sep 14, 2020

Stephen Leeds: Death & Faxes. Author(s): Brandon Sanderson. Released: Sep 01, 2021

Brandon Sanderson

They are official. We're trying some new things.

The Original, which I wrote with Mary Robinette, was a true collaboration. I pitched an idea and an outline, Mary Robinette did the first draft, I did a pass myself, then she did the final touches. It turned out great.

With Legion, I' wanted to try something different. I've got a partner in Hollywood, and since I've had so much trouble getting a Stephen Leeds television show made, I figured we'd try it as an audiobook series. Basically, we got a writer's room, brainstormed some ideas, and are treating this like a pilot to a "television show" but only audiobook.

This means I'll be overseeing the project like a show runner, but won't be writing the individual "episodes." We're only doing this first one as a try-out to see what fans think of this process.

SageOfTheWise

Does that mean the Legion audio is a reboot or sorts or is it still a continuation from the books?

Brandon Sanderson

More a continuation, not really a reboot, but not happening after the third novella. More like, "From the case files of" sort of thing.

dIvorrap

What about the two "Dark One" titles: Dark One: Prophetic Histories and Dark One: Forgotten?

Brandon Sanderson

These are just in the concept stage, but we're getting closer to making them. Dark One is being made into a television show, but I don't have a lot of power over how/when that will happen--so we are doing the graphic novel. Separately from that, we're going to do a couple of audio dramas. One will take my outline and make it into a novel. The other is this wacky idea I had for a "Serial" style podcast, with a journalist tracking a killer, which ties into all of this. Forgotten is that.

YouTube Livestream 4 ()
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Ashton Smith

I just finished the Legion series and it was amazing. Do you ever think you'll go back to it?

Brandon Sanderson

So what my pitch for Legion has always been is me wanting to do a television show. When I conceived the very first Legion story, I wrote a series Bible to go along with it and this never has materialized. Now, it is still optioned by someone. It's our third or fourth option on it, which means that there is a company out there called Cineflix who has the option to make a television show, and as far as I know they are still developing that and hoping they can make that happen. But after a decade of trying to get a television show made, and realizing that I just don't have the resources to do this on my own, I have instead decided let's try doing an audio drama series using Stephen Leeds and his aspects. So we actually got together a little writers' room. Myself and a friend of mine that I started an audiobook company with. Max Epstein is my friend, and together we have an audiobook company called Mainframe, and we have been developing various projects with various people, mostly with me kind of trying to kick off things that'll feel more like television shows but audio dramas, and Legion is one of those. So if you really liked Legion, when we release that audiobook version, which theoretically we're going to do an audio original Legion thing that would be like a pilot for a series that we would do other audio dramas for, with a writers' room, just like a television show. If that comes out, give it a listen, and if you like it, let us know and let whoever we end up putting it with know so that we can continue doing them. So there's a decent chance that there will be a Legion one manifesting.

State of the Sanderson 2019 ()
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Brandon Sanderson

Part Five: Updates on Minor Projects

For many of these little projects, you may want to glance back at previous State of the Sanderson documents to see what they even are, as this is pretty long already and I don’t want to keep making the same pitch every year. So really, take note if a specific idea interested you, but don’t worry if you’re confused and you don’t get many details here on these.

The Reckoners, Legion

Both are completed. Though I’ve had enough people asking after them that we’re toying with doing some audio-original novellas set in these worlds. For example, one of my big goals for Legion was to get it made into a television series. While that could still happen, as it’s under option by a production company, I’ve been thinking that maybe I could do something like that on my own—as an audio series. We could create a sequence of episodes written by a writer’s room with me as the “showrunner.” I could see doing something like this with the Reckoners to continue that story, for those who want to know what happens next.

If we can get these off the ground, I’ll let you know. Also, if you like The Original, please let me know—as that will influence me in doing similar projects with Legion and the Reckoners.

STATUS: Completed, but cool things could still happen.

Adamant

No change from last year. This space opera series of novellas is in limbo until I find the right time to work on them. It will happen eventually.

STATUS: No movement.

Starburner/Soulburner

Something’s happening here, but it’s hush-hush for now.

The Apocalypse Guard

Well, this book got weirder—as expected with Dan and me working together on something. It’s moved to the back burner, as even Dan’s revision wasn’t enough to get it where we want it to be. So this one is entering limbo for now.

STATUS: No motion for months now, might be dead.

Other Projects

Untitled Threnody Novel, Sixth of the Dusk sequel, another story with Shai, and The Silence Divine persist as “maybe” stories that someday I might write. They are joined by a Secret Standalone Cosmere Book, that wacky YA Cosmere Book with Magic Kites, Untitled First of the Sun YA novel (not involving Sixth), and a few others as Cosmere novels that might someday make it to the front burner. (Once Skyward is done, I think it would be good to do a YA book in the Cosmere, so I’ve begun working on possible ideas.) Aether of Night also is still hanging around, maybe needing a novel. So we’ll see. I’ll talk a little more about the Cosmere in a future section, after we get to the film stuff.

If I write a novella to go with the Stormlight Kickstarter, it has about an equal chance of being Wandersail (a Rysn novella), Horneater (a Rock novella), or a sequel to Sixth of the Dusk (which is tricky because it reveals maybe a little too much about Space Age Cosmere politics).

State of the Sanderson 2019 ()
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Brandon Sanderson

Part Six: Film/Television

Note: read last year’s State of the Sanderson for more talk on what it takes to make a film or television show out of a novel. However, the biggest news here is that I’ve decided to try taking a more active role in getting some of these made. To that end, I’ve most specifically been working closer with Dan Mintz, the producer who is trying to get some Cosmere things made. See below.

Snapshot

New screenplay has been written, and is being shopped to directors right now, so far as I know. Still under option by MGM, and looking good—but no real updates.

Stormlight Archive

I’ve offered Dan Mintz to do treatments for this myself, and he’s been very amenable. He and I have been working more closely together lately to see if we can make this happen.

Steelheart

Option lapsed at Fox just last month. This wasn’t surprising, as after the Fox/Disney merger, there wasn’t much of a chance that Disney would greenlight a non-Marvel superhero project. Instead of immediately going out to shop this again though, I’m taking a few months to consider how I want to approach film and television.

Legion

Still under option to Cineflix Media. No updates lately.

Skyward

Deal is in the works, but can’t talk about it yet.

Alcatraz

Likewise, deal is in the works, but can’t talk about it yet.

Dark One

Working on this with JMS, which has been super cool.

Mistborn

Considering maybe writing the screenplay on this myself. After speaking with Dan Mintz, we decided he would focus on spearheading Stormlight, and I would focus on spearheading Mistborn. So we’ll see what I decide to do.

Starsight Release Party ()
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Questioner

When will the second Rithmatist book come out?

Brandon Sanderson

So here's the deal with the Rithmatist. Rithmatist was the book I wrote right before the Wheel of Time hit me like a train going very fast. I was not expecting this in my life. The books I was working on at the time were the Liar of Partinel, which is Hoid's backstory, and the Rithmatist and both of these books got derailed to one extent or another by me dropping everything and working on the Wheel of Time. When I sat back down to write the Rithmatist 2, I had been derailed for so long and so much had happened in my life that the outline that I had just did not work. I wasn't pleased with it. It is one of things that I considered a mandate that I must do. I will finish it, but it's gonna take me a little bit more time. I've been trying to write things, like novellas, that don't promise sequels as much and finish off the things that did promise sequels. So I finished off Legion. The last Alcatraz book is basically done. It is called Bastille Versus the Evil Librarians or subtitle "Alcatraz Versus His Own Dumb Self." We're actually sending that off for artwork and things, so that should happen pretty soon. There's like one little scene that needs to be revised and then Rithmatist will be on the list of things to do. So, I promise it someday but I'm just not sure when. Stormlight 4 is going to take all my time for the next 7 months still, most likely. I won't be done with that until July 1st and then I really need to get the next Wax and Wayne book done and there are 2 more books of Skyward that I need to write. So, we'll see. My biggest goal is to not, whatever I do, let myself slip behind on Stormlight books because these kind of form the backbone currently of the cosmere sequence. So those can't come out less frequently than about once every 3 years. Once every 3 years is about as fast as I can do them. They take about 18 months and I need about 18 months off between them, otherwise I'll get burned out. There's an answer that's not a full answer for you. I'm sorry. It will happen. I'm not sure when.

Starsight Release Party ()
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Questioner

What character have you written that you felt is most inspired by your own personality?

Brandon Sanderson

My mom says it's Alcatraz, my middle grade series, is most like me so I trust her. Other than that, it's hard for me to say. You have to go to my friends and things. I feel like ever character's part of me and every character's not. Stephen Leeds, from the Legion series, has a lot of writer-ish stuff in it. Particularly the last of the three if you've ever read that one. That was kind of a very personal book and it was getting into kind of the way... So maybe Stephen Leeds as a middle manager. I feel like a person who's controlling all of these characters. Rather than this person having the adventures, I'm keeping them organized.

ICon 2019 ()
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Questioner

Where are all the [movie] rights?

Brandon Sanderson

Mostly, at this point, I'm keeping a lot of these rights close to my heart and not selling them off as easily as I did earlier in my career. I just don't need the money anymore. So I'm being a little more discerning, being a little slower to sign deals.

So, we have the Reckoners at Fox, with Sean Levy. I did sell Legion for a television show. That's under option right now. And we likely will sell Alcatraz here very soon for an animated show.

A lot of people ask if I will make animated Mistborn or Stormlight. That's on the table. It will depend on where some of these animation projects like the Castlevania adaptation and things like that, if this continues to be a good, viable method of storytelling. So, it's certainly not off the table, but neither are live action television shows. I really wanna see how The Witcher does. I wanna see how Wheel of Time does. I'm a producer on that. We'll see how the new Lord of the Rings at Amazon does. I wanna see how they're doing with fantasy in this sort of post-Game of Thrones world. So, we'll see. Hopefully, we'll get a really good Rothfuss adaptation out of Showtime. There's a lot of cool things happening.

So, we will see. Right now, most of the Cosmere is not under contract to anyone anymore, and I'm just kind of holding onto it. There's a company, DMG, that I've been working with on some of them. They still are involved, I still like them, but we are moving slowly, right now. We're just kind of keeping our eyes open.

DragonCon 2019 ()
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Brandon Sanderson

Let me go down all the movie rights stuff.

Reckoners is still owned by Fox. Shaun Levy's company, 21 Laps, producing. He's the guy who made Night at the Museum. He's one of the directors on Stranger Things. Really great guy, I really like Shaun Levy. They called recently and said, even though there was a lot of turmoil at Fox right now, they were still interested and wanted to keep working on the thing. They just had a new script come in. That's where we stand on that. So, they're enthusiastic, they like it. I worried that The Boys coming out, which is a similar idea, would make our chances less. They think it makes our chances more, because The Boys turned out really well and everyone likes it, and we have a more family-friendly version of basically the same premise. So they think that that will still work. So I'm very hopeful on that.

Let's see, what else is in development. I just got an offer on Alcatraz. Can't say a lot about that yet, but it has been offered on. Legion is still under option for a television show by Cineflix up in Canada. The Cosmere rights, I'm still working on DMG on part of those, and I'm working with other people on other parts of those. The Cosmere rights are kind of in flux right now, we're looking at a bunch of different things. Nothing I can announce yet.

Of course, the big one that is not mine, but that I am a producer on, is the Wheel of time. Harriet, I asked her first. I'm like, "Harriet, tell me if you would be uncomfortable with me being a producer." Because this is not mine, I don't want to take it over. And she said, "No, no, I want you on it." So I said yes to being a producer. That basically comes down to, they are showing me the scripts, and I am offering feedback. I have liked what I have read so far. The first script is spectacular, and the second one's pretty good. (They warned me ahead of time, the second one needed a little work, so I didn't ream them too much on it. Actually, there was a lot good to it, but the things they said needed work did need work. But they knew it already.) I was able to offer a few (I think) very helpful pointers. I can't say a ton, because I'm under NDA. But I will be flying out to Prague in October, and I hope to represent all of you Wheel of Time fans and get some photos and things that I can release and what-not. I think the Wheel of Time show is in good hands. Rafe, I really like Rafe. He's the showrunner. Every interaction I've had with Rafe has been extremely positive. He loves the series. He has his own vision for it. So I will warn you that. Any adaptation you get is filtered through the eyes of the showrunner, and this is going to be filtered through Rafe's eyes. And there are certain things he wants to do that are bold, but are good choices. So just keep that in your mind. That's what I would say.

Otherwise, let's see. I think that's about everything on there. I'll keep my fingers crossed on the Fox thing. Like I said, I really like Shawn Levy. His adaptation of Real Steel, the Richard Matheson story. If you guys haven't seen that, it's spectacular. I really like it. It's got Wolverine making robots punch each other. It turned out to be a really touching story, really great adaptation. That was one of the main reasons I said yes when they came knocking.

DragonCon 2019 ()
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Brandon Sanderson

I was working on a book called The Rithmatist, and had just finished it in 2007, when I got a very interesting phone call. The phone call was from Harriet Rigney, who was Robert Jordan's widow, a week after his funeral. She called and said... I'd never met him or her. I'd seen him once at a convention. I didn't know them. And she asked, "Will you finish The Wheel of Time?" Just like that. I didn't know I was being considered, it just came as a phone call. And I said, after much deliberation and thought, I said "Blaeah. Yes. Absolutely." And that required me dropping everything I was working on at the time. Throwing everything into working on that. Any time I did have, I then spent on Stormlight, because I knew I wanted to release Stormlight around the same time I was doing Wheel of Time books. I thought it would be the best calling card that I could do for Wheel of Time fans. What that meant is, three projects I was working on at the time... Several of them actually. The main ones were: The Rithmatist which I just shelved. I said, "We can't publish this yet." The other one was Alcatraz vs the Evil Librarians. And the other one was the Legion stories.

I have finished the Legion stories, after a 5-year delay on The Wheel of Time, and then a longer time delay of just being in a different mindset. I have Alcatraz Six, which is being written by Bastille, almost done. It's 45,000 words out of the 50,000 words it will be. So that will be out next year, I would guess. Somewhere around there.

The big cliffhanger, then, is The Aztlanian. Which, I tried writing. I tried working on it a few years ago. It just did not work. The outline that I had for it was wrong. And there was a certain amount of reading and study I needed to do before I felt I could do the book justice. The first one turned out well, but there's certain things looming over me on the first one that I think I did poorly that I want to correct in doing a sequel. And it's still looming over me. I still feel that I need to get it done. It's, like, the biggest promise so far I haven't fulfilled is getting that done, now that I have Alcatraz Six on the way. So, I will do it. But I can't really promise when. Because, there's certain things I want from the sequel that haven't filtered through my brain about exactly how to work yet. I do have confidence I'll do it.

But this is part of the price that I paid by saying yes to The Wheel of Time, was I had to shelve basically all my side projects. And I had to, for a while, dedicate myself only to the mainline Cosmere books and to The Wheel of Time. Sorry about that. But it will happen.

If I could go back, I would revise that ending to make it a little less cliffhanger-y.

General Twitter 2019 ()
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Pastor Chris

Don't suppose you're flying by Leeds while you're jetting around Europe? I'm guessing Stephen Leeds is named after Leeds after all!

Brandon Sanderson

Afraid not. (Though yes, he was. I was traveling in Europe when I wrote the first Legion story.)

Berlin signing ()
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Questioner

Are there plans for some more books for The Rithmatist?

Brandon Sanderson

...Rithmatist was the book I was writing when the Wheel of Time call came. And I was required, by my kind of own determination, if I was gonna do this, I had to drop everything and do it. So I finished The Rithmatist, I gave it to my publisher, and I said, "You can't publish this yet. Because I don't know when I'll be able to do sequels." And then I went to work on The Wheel of Time. Eventually the publisher just couldn't hold-- help themselves. They're like, "We have a Brandon Sanderson book. They sell really well. He says we can't publish it." And then they begged and they begged and they begged, and I said, "All right. You can publish it." But I had no idea when I'd be able to do the sequels. And I still don't quite know that. I did sit down a couple years ago and try to write one, and it just didn't work at all. There are just multiple problems with getting that sequel to work right. I still think I will be able to do it. And think I owe it to you, because the ending implies sequels. But I have no idea when.

I'm kind of trying to clear my plate of all the things I was working on before The Wheel of Time, which is now almost ten years ago that that started. I was working on Legion, I was working on Alcatraz, I was working on The Rithmatist. Legion, I managed to finish up. Alcatraz book six... the rough draft is done. So those two will be done. Then I just have to find a way to fix Rithmatist. But I don't know. Wax and Wayne four has to be written before that. Skyward probably has to be written before that. So then we'll see where I sit. I apologize. That's the one that I have to be really vague on.

Orem Signing ()
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Questioner

Has anyone ever given you any flak about the endings of Shadows of Self?

Brandon Sanderson

Yeah, definitely. It is one of the more controversial endings that I've done. If people are going to have a problem with an ending, it's usually that one, or it's the Legion ending people have issues with. Or, of course, Alcatraz Five; but they're supposed to have an issue with that one.

Orem Signing ()
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Questioner

What's the most personal thing you've ever written?

Brandon Sanderson

Probably the third Legion story. Which is an odd answer, not as many people have read that, but that's the one I would give. If you ever get to that one, and you get to the third one, you may understand why.

State of the Sanderson 2018 ()
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Brandon Sanderson

My Year

January-March: Skyward and Legion Revisions

I kicked off the year quickly doing a second draft of Skyward. Pulling The Apocalypse Guard from the publisher, then promising them Skyward to publish in the fall of 2018, meant that I had to scramble. It wouldn't do to pull a book I judged to be of inferior quality, only to replace it with a book that I didn't have time to revise up to my standards. So you'll see a number of months dedicated to Skyward. (Which, if you somehow missed it, did come out—and is still sitting quite happily on the New York Times bestseller list many weeks later, so thank you all very much!)

Another thing I'd been putting off for months was the necessary revisions of the third Legion story. Tor was quite patient with me on this one, considering the Legion collection was scheduled for publication in the fall as well. But during these three months, I did multiple revisions of both books, eventually getting Legion into a polished state. (There was one more draft of Skyward still to do.) Legion Three, Lies of the Beholder, can be found in the Legion collection that was published earlier this year.

Finally, somewhere in here, I squeezed in an outline and world guide for Death Without Pizza. (Yes, that's a name change—no it's not the final name, but just a placeholder.) More on that later.

April: Children of the Nameless

Sometime around March of last year, Wizards of the Coast sent me an exploratory email. It being the 25th anniversary of their card game, they were wondering if I'd be interested in doing a story with them. As most of you know, I'm quite the fan of Magic: The Gathering. It's my primary hobby, and I have way too many cards. (Which still aren't enough, of course.) I was enthusiastic, and you can read more about the process I used to approach the story in this blog post.

I knew that by doing so, and by writing the story as long as it ended up, it would make getting to some of my other projects later in the year more difficult. (Namely, the fourth Wax and Wayne book, which I'll talk about shortly.) But this was kind of something I had to do, so I ask your forgiveness in taking this detour to Innistrad. I'm exceptionally pleased with the story and the response it has gotten, so if you haven't read it, I present it to you here! Reading it requires no prior knowledge of the card came or the lore surrounding it.

May: Skyward Final Draft

How long it takes to write a story depends on a lot of factors, but in general, three months gets me around 100k words. Shorter stories, with fewer viewpoints, tend to be faster—while longer stories with more intricate plotlines (like Stormlight) tend to take longer. But that's just for the rough draft. Generally, doing all the other drafts takes an equivalent amount of time to the first draft. (So, if the first draft takes three months, the second through fourth drafts will together take another three months.) You can see this at play in Skyward, which took about three months to write in the end of 2017, then took three additional months of revision to polish up.

I did sneak in a little time to do an outline for a piece called The Original in here as well, which took about a week. I'll update you on that in the secondary projects section.

June–August: Starsight First Draft

And, speaking of three month first drafts, here we get me buckling down and doing the sequel to Skyward. It's finished in its first draft form, and dominated my summer. In here, I also did detailed outlines for the third and fourth books of the series. (And this is where I determined for certain that the series would need to be four books instead of three.)

September–October: Odds and Ends

In these months I had some travel to record episodes of Writing Excuses, I did a quick second draft of Starsight to send to my publisher, and I did some revisions to Children of the Nameless. I also did more work on The Original, Death Without Pizza, and Alcatraz Six (AKA Bastille vs. the Evil Librarians, or Alcatraz vs. His Own Dumb Self). Finally, I slipped in some brainstorming with Dan Wells on how to fix The Apocalypse Guard.

Basically, I knew that November would be mostly lost to touring, and I was scrambling to get some work done on small projects to clear my plate for 2019, which will be dedicated to working on Stormlight Four.

November: Skyward Tour

I spent most of November on tour for Skyward, and quickly finishing up final revisions on Children of the Nameless. I got to see a lot of you while touring for the book, and had a blast—but these tours get more and more difficult as the lines get longer and longer. The tour for Stormlight Four in 2020 might require me to do some things I've been dreading, such as limit the lines to a certain number of tickets. It makes me sad to contemplate, but I'll keep you all in the loop about what we decide to do.

December: Death Without Pizza

I needed a break from all the other things I've been doing, so in classic Brandon style, I worked on something fresh and new to give myself a breather. This was where I was going to do Wax and Wayne Four, but doing Children of the Nameless meant that instead of three months extra space at the end of the year, I only had one month. (As CotN had taken one month to write, and one month to revise.) I had the choice of pushing back the start of Stormlight Four, or doing something else for this month and trying to sneak in W&W 4 sometime next year. I chose the latter. It's important to me that I let myself do side projects to refresh myself—but I also think it's important to keep to my Stormlight schedule. It would be too easy to keep putting off the big books until they stretch to years in the making. I told myself I was going to divide my time in half between Stormlight and other projects.

The truth is, I'm getting really anxious about getting back to Stormlight. That's a very good sign, as once I finish a Stormlight book, I'm usually feeling quite burned out on the setting, and need a number of months to recover.

State of the Sanderson 2018 ()
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Brandon Sanderson

Updates on Secondary Projects

The Apocalypse Guard

I do someday want to do something with this book. I've given it to Dan Wells, my long-time friend and sometimes partner in crime. He's come back with some suggestions on how I could fix it, along with some brainstorming on where it could go as a series.

I'm going to give you fair warning, though. Every time Dan and I brainstorm together, weird things happen. Legion was the result of one of those sessions, as was Dan's book I Am Not a Serial Killer. (Which you should all go read, if you haven't.) The two of us are odd enough on our own, but together we're downright strange. (You should see the two of us in role-playing sessions, where we constantly try to out-bizarre one another with our character concepts.)

I fully expect something to come out of The Apocalypse Guard sessions I'm doing with Dan, but…well, don't expect it to be normal by any stretch of the word.

Status: In revisions, getting weirder.

State of the Sanderson 2018 ()
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Brandon Sanderson

Movie/Television Updates

Stephen Leeds/Legion

The Stephen Leeds stories have recently been optioned for a television series by a new production company. This is the property's third time being picked up for an option, so I'm hopeful we'll make it work this time. I don't believe the company has been announced officially yet, so we'll hold off on mentioning them for now. But we're probably in the middle of Step Two for this one.

State of the Sanderson 2018 ()
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Brandon Sanderson

Updates on Secondary Projects

Alcatraz

I've been tweaking Alcatraz Six. I did a partial draft a few years ago that went off the rails, and this year, I trimmed that back with some help from a friend into the parts that worked. From there, we've been trying to figure out how to get Bastille's character voice right. It's moving. Slowly, but it's moving. Book Six, written from Bastille's viewpoint, will be the end of the series.

Now that Legion is done, the next series I want to make sure gets tied up is Alcatraz. It shouldn't be too much longer.

Status: Book Six made some small progress this year.

State of the Sanderson 2018 ()
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Brandon Sanderson

Updates on Minor Projects

The Reckoners, Legion

These are both finished, and I don't foresee any future updates anytime soon. Do note, however, that the Reckoners board game has been shipping, and it turned out great. You should soon have a chance to buy copies if you missed the Kickstarter, and I suspect there will be expansions in the future.

Status: Completed

Skyward Houston signing ()
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Questioner

Did you always envision the way that Legion ended?

Brandon Sanderson

No, I did not. That is one I worked out-- I didn't have an ending in mind for Legion when I started. So when I sat down and said, "What ending am I going to write?" This is the one that evolved out of that, but that one was more-- I outlined the story, but it was more of a discovery written ending.

Questioner

It was fascinating. I loved it, but I was really surprised.

Brandon Sanderson

It is perhaps one of the oddest things I've done.

Skyward Houston signing ()
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Questioner

I know FOX bought the rights to Steelheart. Do you know if there is anything coming out of that? An update?

Brandon Sanderson

Alright. Big update on media properties based on Sanderson things. We'll start with Reckoners since you started there.

FOX owns the rights to the Reckoners, they have been bought by Disney. We don't know what that's going to do to it, but FOX has always been very excited about Steelheart so we will see what happens. We do have the Reckoners board game that came out and is shipping to backers. It's not for sale yet to people who haven't been backing it but it will be eventually. Let's see-- let's go down some of the smaller projects.

Legion is owned by a company out of Canada called Cineflix, and they are working very hard to make a television show out of that. They just bought the rights last summer, but last I heard they had a showrunner interested, so maybe some announcements about that.

The closest to being published-- the closest to being a movie is probably Snapshot. You probably don't know what that is. It's one of my novellas, it's like a mix between The Matrix and the movie SE7EN, so it's very different from a lot of my stuff. It's very close, they have a script and the screenplay's really good, they have someone attached to direct but they haven't announced it yet so I can't announce it. That one is probably the most close, which is going to be weird when my first movie is a serial killer thriller, but y'know, whatever.

The Cosmere books are owned by DMG Entertainment. They are a Chinese company that funded some of the Marvel films. They've moved into making their own films. They have been a wonderful partner. They are trying very hard to make Stormlight a television show and Mistborn as a movie. It's very hard to get epic fantasy things off the ground but they're making good progress, but there's nothing to announce yet. I think that is everything.

Skyward Houston signing ()
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Questioner

So, you've mentioned-- you have an idea of how the Cosmere's going to go. The ending of the Cosmere, considering you have seven more Stormlight books to write and years to go, does the ending of the Cosmere hang over your head?

Brandon Sanderson

Does the ending of the Cosmere hang over my head 'cause I've got a ways to go-- Yeah, it's starting to loom a bit! You know, when I was in my twenties and thirties doing this, "Ah! I can write every story, I've got plenty of time!", but now that I'm in my forties I'm-- let's make sure we focus and keep going on this. So one of my goals has been to try to learn to write novellas so that the random ideas that pop in my head became novellas and not novels, because the way I work, I can't stay on one thing between books I find that it burns me out really fast if I don't have something new to work on, but if that new thing to work on can be a novella like one of the Legion books, or like Perfect State, or Snapshot or something like that and then I can jump back on the kind of mainline book I can reset myself quickly. And that why you see me practice that and things like that.

My goal is kind of closing things off faster than I open them. This is why Legion got finished this year, why Alcatraz will probably get finished next year. Those of you waiting for a Rithmatist sequel *sighs* eventually. I need to get those other two closed off first. For those of you waiting for Reckoners, I consider Reckoners to be done. If I eventually fix and release Apocalypse Guard, that might answer some of the questions you have about the end of that series. Elantris and Warbreaker are both part of the Cosmere arc, what I'll probably do is I'll write Stormlight 4 and 5 and the last Wax & Wayne book over the next few years-- five years, next five years probably. *laughter* And then I'll probably stop and do Mistborn Era 3, which is the 1980s Mistborn, and maybe some Elantris sequels. And then I'll come back and do Stormlight 6-10 which take place about 10 years in-world after Stormlight 5. Same characters, at least the ones that survive. *eruption of laughter* That might be all of them! No spoilers there. But Stormlight is ten books. The way Stormlight will go is Book 4 is Eshonai, Book 5 is Szeth, 6 is Lift, 7 is Renarin, 8 is Ash, 9 is Taln and 10 is Jasnah. That doesn't mean that the person survives, it means that it's a flashback sequence. *nervous laughter* Just keep that in mind. So if your sequel wasn't on that list then don't hold your breath.

Skyward Chicago signing ()
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Questioner

Aside from The Apocalyse Guard, are you planning on making a sequel to Calamity?

Brandon Sanderson

This is actually a really good question, because Apocalypse Guard was going to dig in to a few of the questions that Calamity asked at its ending. And so cancelling Apocalypse Guard leaves me saying, "Well, I maybe need to answer those questions." So there's a chance I will do a Mizzy book in the future. I'm not 100% sure, because I want to be closing off more things than I'm opening these days, so promising more sequels is a bad place for me to be.

But to run down the big sequel list, Legion is done. Reckoners is done. It doesn't mean that I might not do more, but just consider it done for now.

Alcatraz versus the Evil Librarians, halfway through the last book. Don't believe Alcatraz when he says Book Five is the end. He lies. You should know that from Chapter One of the first book. The last book is called Bastille versus the Evil Librarians. That one should be out pretty soon. That is the last book. You can trust me on that, because I'm saying it, not Alcatraz...

Rithmatist, I can't promise. It's the number one requested sequel I get. I was working on it when the Wheel of Time came along, and The Wheel of Time changed my career dramatically. It's been very hard to figure out how to do that sequel the right way. So no promises when on that, though it is still on my radar.

Warbreaker, Elantris, probably yes, but not until Stormlight Five is done. Stormlight Four, I start on in January. You can follow the progress bars. *applause* The last Wax and Wayne book will probably be also next year, as I need to take a break at some point from Stormlight.

If it wasn't on that list, then don't hold your breath. Most of the novellas I write, I write specifically so that I won't be starting a new series. Turns out if I write a novel, I'm very bad at writing that novel standalone by itself. Instead, I've written novellas in order to get the idea out of my head and be expanding the cosmere in interesting ways but not be promising sequels, okay? That said, there's a Threnody novel somewhere in me that will probably come out.

Skyward Chicago signing ()
#34 Copy

Brandon Sanderson

Where are Brandon Sanderson properties as far as other media are concerned? So let's run down them.

Fox has The Reckoners. I don't know how being bought by Disney affects that at all. But they have been very enthusiastic about The Reckoners for many years, and I hope that they will continue to be.

MGM has Snapshot, which is lesser-known, it's like a cross between The Matrix and Se7en. It's very different for me. They are very far along, they have a really excellent screenplay, and that one, I wouldn't be surprised if that's the first one that gets made. Which would be kind of odd if the first Brandon Sanderson property is a serial killer thriller.

Speaking of thrillers, Legion is owned by a group, they just bought it this summer, and last I heard they were working on showrunners and had somebody interested, so that is in a good place also. We probably have to change the name, now that Marvel has a Legion show.

The Cosmere is owned by DMG Entertainment, whom I love. They have been great to work with. The Cosmere is very difficult to adapt. They have been good partners in trying to find the right way to adapt that. Nothing is off the table. I still think it's most likely that we would see Stormlight as a television show, Mistborn as a movie, but these things are still in the foundational stages, just of getting screenplays that we like and things like that.

I think that is everything right now. I'll do a bigger thing on my blog in December where I catch anyone up.

Any more board games? There was a Stormlight board game, and we have backed off on that because some of the early things we got, we didn't like the direction it was going. We have really liked the two board games that have come out. They have both turned out really well. They have both fulfilled their Kickstarter requirements, which is one of our number one things, we don't want to have that hanging over people. So they've both been really great partners. I still would like to see Stormlight, we were going to do a Shattered Plains style game. We'll see how that goes.

Skyward Denver signing ()
#35 Copy

Questioner

Reading Legion, my question was: do you think yourself a little mentally ill?

Brandon Sanderson

The way I think about psychology (and granted, this is just Brandon, this is not me saying "This is how it has to be") is that every person has their own mixture of things. And what might be a disorder in someone else is not in others, because of the way that it works in their life and the way they perceive it. So I do not-- I think my psychology is very healthy for me. But in other people, my psychology could be unhealthy for them. How about that?

Skyward Denver signing ()
#36 Copy

Questioner

[What is your favorite] disorder to write about?"

Brandon Sanderson

I don't know if I have a favorite. I have revisited dissociative disorders in multiple different ways because they make for interesting narrative... but it's not the disorder that's interesting to me, it's the person interfacing with the world and the challenges they deal with. And writing about that sort of thing is really interesting to me. I try not to let the disorder define the person, though it is sometimes a little harder, particularly with something like Legion.

Skyward Anchorage signing ()
#37 Copy

Questioner

Are there plans for another thing like Arcanum Unbounded?

Brandon Sanderson

Yes. But it's gonna be a ways off.

Where Arcanum came from is the fact that, early in my career, I would have an idea, I would sit down, I would write a novel. That is how I trained myself to be a writer. That's where I came up with thirteen novels before I sold one. That turned into my greatest advantage, and one of my greatest liabilities as I have progressed as a writer. The reason it was an advantage is, having spent all those years learning to write and learning my process, I knew what to do when a book wasn't working. I knew what to do with a book when it worked, but I wanted to make it better. I knew how to build an outline that would really make me excited about a story. But I also was really, really good at telling a new story and opening things up, and I had not practiced closing things off. All thirteen of those novels were basically all standalones with series potential, where I was hinting at something larger. And so early in my career, I was very good at, "Let's write a book. And of course, because I know what came before and what'll come after, I will make those things open for me."

And then I ended up-- The Wheel of Time came along, and kind of slammed into me like a freight train, and left me with all these first books that I had started. The Rithmatist. I had started, at that point, working on Legion. I had been doing Alcatraz versus the Evil Librarians. And I found that what I needed to learn how to do was write a self-contained novella to get some of these ideas out of my head, rather than writing a novel that promised sequels. Because I also had promised sequels to Elantris, and sequels to Warbreaker.

And so Arcanum Unbounded is my attempt to kind of do like the interludes in Stormlight in my own career. Little interludes where I take an idea and I dig into it and I explore some part, often of the cosmere, without promising sequels. And part of my goal right now as a writer is to make sure I'm closing off more things than I open, or at least at the same rate. So that's why I finished Legion this year, which is done, and why I'm trying to finish Alcatraz for next year. If you're waiting for Rithmatist--which is the one I get the most requests about--eventually. It's gonna take a little while. It's been a really hard one to figure out how to do the sequels to.

But, closing things off. What you'll see me doing are more novellas like that, as time progresses. Eventually, I will start collecting them, like I did with Arcanum. But it's gonna take me a few years to get enough of them written that then they'll be worth another collection.

Skyward San Francisco signing ()
#38 Copy

Questioner

I just finished rereading through Legion, and I was curious what led you to write so much about religion and that sort of thing. As a religious person, I really appreciated the fair way that you dealt with it in those books.

Brandon Sanderson

Being religious myself, it fascinates me, and the different ways that people intersect religion. Having one person who had all of these different personas that can all have different, varying levels of interaction with religion and the divine was also really fascinating to me. It offered me an opportunity that I probably couldn't do in any other story.

Skyward San Diego signing ()
#39 Copy

Questioner

Do you find it more difficult to write a story that includes or excludes magic? Or--

Brandon Sanderson

Every story I've tried to write that didn't have magic, ended up having it. *laughter* And so, I'm gonna say, so far it's proven virtually impossible for me to write something without magic. Even my science fiction basically has magic systems, right? Legion, which is supposedly set in this world, has a magic system. And so I would say, much harder to write something without magic.

Skyward San Diego signing ()
#40 Copy

Questioner

What has been the craziest, most off-the-wall, unexpected kind of feedback you've ever gotten--

Brandon Sanderson

Ooh. *crowd laughs*

Questioner

...you know kind of how it sent you in the right direction.

Brandon Sanderson

Wow, craziest off-the-wall feedback I've ever gotten and what direction did it send me. I have so much trouble with these things. Some people ask me the line "what's the weirdest thing a fan has had you write in a book". And I know, if I took the time, I could think of it, but off the top of my head it's kind of hard. I'm not sure what the craziest, most off-the-wall sort of feedback I've gotten. I've given a lot of crazy, off-the-wall feedback. Legion... came about because I was trying to convince my friend Dan Wells to write this book. *crowd laughs* "Oh, you could do this thing, and it could be like schizophrenia but not really, it could be a superpower," and he's like, "Brandon, that's not a Dan Wells book. That is a Sanderson book". And so I ended up writing the book, but that has happened. I've given weird feedback. I'd have to think about that one a little more.

Skyward release party ()
#41 Copy

Questioner

I'm curious, you mentioned at the Legion release that the Fused were after the spren that Hoid bonded. Was there a specific reason why they wanted that spren? Or was it just because [it was] the enemy?

Brandon Sanderson

I will say they would have done that for another spren in that situation.

Questioner

Any other spren?

Brandon Sanderson

Not any other spren; but there wasn't something uniquely identifying about that spren that they were hunting.

Questioner

They wouldn't have done it for any spren, but there were other spren they had done it for?

Brandon Sanderson

Yes.

Subterranean Press Interview ()
#42 Copy

Gwenda Bond

You've talked a bit elsewhere about how this is some of the most personal storytelling you've done. What do you think you've discovered or uncovered through exploring mental health and the mind through the story of Stephen Leeds? 

Brandon Sanderson

I am often quite certain I know (in general) what a reader's reaction will be when I release a story.  That's part of my job—to create something that produces an emotional response. Art is the act of inspiring emotion. Once in a while, however, I do something for the emotion it inspires in me, with less regard for how I think it will be received. Of course, usually these two are one and the same—the emotion it gives me will be the emotion most readers will feel.

This story is different. It is partially about mental health, yes, but it's also about the voice of a storyteller finding balance between all the voices crying for his attention.  It's about the unwritten stories.

You see, as a young writer, I never worried if I'd have time to get to all the stories I wanted to tell. I was far more focused on whether or not I'd even have a career. I wrote assuming that if a story didn't work now, I'd eventually find a place for it. But as I've grown older, the realities of aging have begun to whisper to me that I need to stay focused—that if I want to complete my life's work, some other stories will simply have to be abandoned. That has been a hard realization. I don't know if anyone else will see that meaning in this story, or how this even relates—but it is certainly part of Lies of the Beholder for me. That's the part I say is very personal, but which means it's more difficult to gauge how readers will respond—because so much of this is a very individual story.  

Subterranean Press Interview ()
#43 Copy

Gwenda Bond

Lies of the Beholder finds Stephen Leeds in a more precarious place—psychologically and otherwise—than we've ever seen him. What are the challenges of writing a character like this with so many aspects? Was this a difficult story to write?

Brandon Sanderson

This was a very difficult story to write, but not because of all the aspects. They've always made the story easier, not harder. Being able to take an individual's personality and split it into various themes and ideas...well, that was fun, and helped me understand him a great deal.

The challenge of this story was finding myself wanting to explore the more philosophical and conceptual side of what it means to be Stephen Leeds—and why I related to him specifically as a character. I had to decide if I wanted this ending to be like the other two novellas—pretty straightforward detective mysteries—or if I'd let myself go off into something more conceptual.

In the end, I went more conceptual, which I felt was appropriate to ending this series. However, it does mean this story was a challenge in that I was dealing with some heady themes while trying to do justice to the actual mystery. I'm not 100% sure if those two ever ended up balancing right, but I do think this was the correct way to go with the ending.

Subterranean Press Interview ()
#44 Copy

Gwenda Bond

Before we jump in on the third installment [of Legion], can you tell me a little about where this idea came from and how it developed into this novella series?

Brandon Sanderson

I was talking with my friend Dan Wells, who was writing a story about a schizophrenic. I started brainstorming this idea about a person whose hallucinations helped them, kind of turning it into a super power. Dan laughed and said, "That’s much more a Brandon story than a Dan story," and he was right—so eventually, I decided to write it myself.

Subterranean Press Interview ()
#45 Copy

Gwenda Bond

The mysterious Sandra plays a big part in this final story—did you know from the beginning what her role would turn out to be or was this ending a surprise to you? (Without spoiling anything, of course!)

Brandon Sanderson

With my shorter works like this, I tend to let the story evolve over time more than I do with longer stories. This means more discovery, as I'm not sitting down with a framework—the goal, often, is to practice other skills in my writing. (Things that my novel writing doesn't teach me.) In this case, I had ideas for Sandra, and some of those ended up going all the way through—but some I discarded over time. I'm not one who is "surprised" by my writing, however. I don't generally like that phrasing. Sometimes as you're working on a piece, you discover a thread or theme that intrigues you—so you dig into it further, then develop it. Sometimes this means the final piece of art doesn't match the outline. It's not really a surprise so much as a common side effect of the writing process.

Subterranean Press Interview ()
#46 Copy

Gwenda Bond

Is it really the end? Could you ever potentially come back to Legion?

Brandon Sanderson

I'd like to do more with Legion—though it's likely to be in the form of other media. We have a television show in the works, and I've toyed with doing some original audio stories with Stephen in the lead. (Though the Marvel show Legion probably means I'll need to change the name of mine if we do get the show off the ground.)

The Great American Read: Other Worlds with Brandon Sanderson ()
#47 Copy

Questioner

I liked Snapshot quite a bit. Is there any chance you're gonna do more with that world in the future? Crossing over with Legion, or anything?

Brandon Sanderson

It's possible. They're kind of in the same cycle of me exploring reality and [plots], slightly futuristic. Snapshot, right now, is the best shot that we have as a movie. The screenplay came in, and it's great. It is better than the story is, which is fantastic. It's what you want to have happen with a screenplay, you want to have a collaboration, and someone take and integrate and do a better job. It's the first time I've gotten a screenplay back that has been better than the original... So, we have a really good shot, I think, at that one. The screenwriter knocked it out of the park.

Skyward Pre-Release AMA ()
#49 Copy

Jamester86

Is writing a full book with no magic system easier harder when compared to the freedom (and limitations) involved in traditional fantasy? (I haven't read the spoilers, so if there is a magic system, ignore this question :-)

Brandon Sanderson

Science in a book like Skyward tends to be its own type of magic--even the Legion books (taking place as the closest to our own world) really have a brand of magic, done my way. So I suspect I'd work this sort of thing into a story no matter what. I do tend to try to do a different tone or style in different genres.