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Also, you mentioned Snapshot to be set in one of the Core Realities in State of Sanderson 2016 but now that I look at it there is no mention of it? Was it taken out for some reason?
Snapshot can't be in the Reckoners universe right now, as the film rights are with different companies.
So when does that new Reckoners come out in your hierarchy of release?
They've got it planned for Summer 2018. So that's a year where I'll be-- When I'm not doing a big book is when you'll be seeing those.
Is that just the one or--
It's a trilogy.
Also we have the Death by Pizza, it's not Death by Pizza any longer, Song of the Dead?
Oh yeah, Song of the Dead. Yeah, that's still in revision and things, yeah. Maybe someday, well I'm hoping someday. Right now, I mean the things that are looking really good, the Reckoners novellas are done and turned in and being recorded for audio, and those turned out really well. And the first of the Skyward novellas that Janci wrote is just spectacular, I really like it. If you guys like the Skyward books, it's from FM's viewpoint. It kind of takes a character that I had done very little with and does a lot more with her. I'm really excited for those to come out, have some more expansion to some of those worlds and settings and stories. We're working on getting those going.
You mentioned in a previous stream that you envision the three Era 1 books as a movie, TV series, and another movie, respectively. Do you have an idea for what subsequent eras would look like in another medium?
Wax and Wayne is a television show. Straight-up, that's how I envisioned it. I've only started to think of Era 1 as movie/television show/movie as I've worked on the screenplay and seen that the second book, pacing-wise, works so much better as a television show. So that's how I started to envision that. I've always envisioned Wax and Wayne as a television show.
Era 3. I have to write. I have to see how Era 3 turns out. As I've told you before, I envisioned them as Mistborn spy thrillers. Mistborn Tom Clancy, Mistborn Mission Impossible kind of mashup sort of things. So, they're probably going to be paced and plotted more cinematically, which would mean features.
I know a lot of people talk about animation, and that's totally on our radar for some of these things. There's cool things happening in animation right now. I actually was talking with my people and saying, "Do you think we can get anyone on board for the idea of a Reckoners animated show?" Because I think that would be awesome. So, it's totally on our radar. It's things we're thinking about doing. And I imagine it will happen for some of our properties going forward.
A lot of people ask me about video games. We tried for years on Mistborn with a really great group of people who I still really like, Little Orbit and Matt Scott. Just top-notch folks. They treated me great, they treated the property great. But it just didn't come together. Video games are such a hard world.
What if an Epic in the [Reckoners] universe feared losing a loved one? Or feared becoming evil?
Both would be intriguing starts to a weakness. You could get rid of their powers, for example, [by] threatening a loved one.
I think they'd lock said love one away in total isolation then murder anyone else who knew about them b/c of corrupt power.
Yup. Fun times!
This might be our final Oathbringer update--as today, I finished the fifth and final draft of the book, and am ready to send it off to Tor. From here, the book is in /u/peterahlstrom's hands as he handles the copyedits, the gamma read, and the proofreads. It's possible I'll make a few small tweaks to the text, but the book is mainly his burden now.
I'm extremely pleased with the final draft, which I managed to cut to 450k words. That meant trimming about 64k off of it--roughly 12.5%. These are mostly line edits, with only a few small scenes being cut out. I improved pacing, and even added a few small sections to smooth out certain plot lines.
Fans tend to hate the idea of cutting--but trust me, this version reads far better. I did make sure to keep anything substantive I cut so you can see it later as deleted scenes.
We're still planning a November 14th release in the US. (I think UK releases on Thursdays instead of Tuesdays, so it would be a few days later over there.) Simultaneous audio and--if we can swing it--simultaneous Spanish.
For now, I'm at Supanova in Sydney and Perth--which unfortunately means I won't be monitoring these comments (or my direct messages.) Be forewarned, you might not get a reply to questions posted here. (I will try to do a proper AMA about the book once it's out.)
My next project will be The Apocalypse Guard, a book with loose connections to the Reckoners. I'm chomping at the bit to do some actual writing again, as I've been working on revisions of Oathbringer nonstop for almost exactly six months now. I think the last time I wrote anything non-Stormlight was Snapshot, fourteen months ago. Whew!
By the files in my folders, the first chapter I wrote for Stormlight Thee was started on June 24, 2014. The last scene I added was written today, in my hotel in Sydney. The bulk of the writing happened June 2015-December 2016, with revisions lasting until just now.
It clocks in at 122 chapters, with 14 interludes, plus a prologue, epilogue, and ketek.
Looking forward to you all being able to read it, come November. Thanks, as always, for your support--and your patience.
How about the Way of Kings board game?
...Too early to say. There have been some hiccups, how about that? Reckoners board game, though, came out and is really a lot of fun. So if you're looking for Brandon Sanderson themed board games, we do have two of them for you. But the Stormlight one, we shall see. Right now, we are being very cautious with that one.
I've always thought in Steelheart, or in the Reckoners series, what influenced your characters like that, like was there comic books behind that?
I've read a lot of comics, so you can find--
Any specific ones that influenced you?
Watchman influenced everyone. Kingdom Come is one of first that made me really think about comics. My favorite was the old Eastman and Laird original Turtles. But I don't know if that's as much inspiration as me just enjoying it. I don't know. I like the graphic novels like the Killing Joke... that feel like a self-contained story.
PART NINE: TRANSLATION UPDATES
This year I did something I’d been considering for a while—I asked some of my larger overseas publishers if they wanted to include any updates in the State of the Sanderson. I had a few of them get back, and hopefully we’ll grow this section in future years.
As a quick aside, I wanted to mention that we’re working to have a broader availability of my Gollancz hardcovers be more easily available in places like the UK and India. Hopefully more on this in the coming months.
For now, here are a few updates.
Germany
Two of my German publishers sent us a list of recent and upcoming publications.
From Heyne:
From Droemer:
Poland
Zysk, my YA publisher in Poland, enthusiastically got back to us first with news, follwed by MAG and IUVI. All of my Polish publishers have been awesome, so I hope you’ll support them.
One of the things I asked these publishers was how people could order the books internationally, if they wanted copies. Zysk has links for those who want to grab the books, though unfortunately this is a place that only ships to Europe. Eventually, I’d like to have links in this section for those around the world who want to order copies, but we’ll start here.
From Zysk
From MAG
Here is their upcoming lineup for 2021:
From IUVI
The whole Acatraz vs. the Evil Librarians series (vol. 1–5) are available to Polish readers.
Audio editions of of Alcatraz Versus the Evil Librarians Series are available via Storytel.
If you enjoy reading reviews for translated works, here are a few reviews you can check out.
France
From Livre de Poche
At Le Livre de Poche, we are thrilled to work with Brandon Sanderson and Dragonsteel Entertainment to present his novels to French readers worldwide.In 2020 we published simultaneously in paper and digital formats the Omnibus editions of Legion : The Many Lives of Stephen Leeds (Légion : les nombreuses vies de Stephen Leeds) in May, and most recently – last November – the first installment of Skyward (Vers les étoiles) in trade.
2021 will be a very busy and exciting year for Brandon’s French fans. In January, the two-volume mass market editions of Oathbringer (Justicière) will be available alongside the first part of the highly anticipated Rhythm of War (Rythme de Guerre) in trade. The second part of Rhythm of War should be published in May 2021.
Finally, the second installment of the Skyward series, Starsight, will come out in trade in September, alongside the mass market edition of Skyward (Vers les étoiles).
French versions of Brandon Sanderson’s books are available worldwide in online bookstores such as Place des Libraires, Mollat, Décitre, Furets du Nord, Dialogues, and Cultura, or online retailers like Fnac.com, Amazon, Rakuten, Momox, and many others, but don’t forget to ask your local bookseller if they can get it for you!
You will find all the many ways to get Brandon’s books in French on our website.
En français
Au Livre de Poche, nous sommes ravis de travailler avec Brandon Sanderson et Dragonsteel entertainment pour proposer ses romans aux lecteurs francophones du monde entier.
En 2020 nous avons publié simultanément en papier et en numérique la version intégrale de Légion : les nombreuses vies de Stephen Leeds en mai et, plus récemment, en novembre dernier, le premier tome en grand format de la série Skyward, Vers les étoiles.
2021 sera une année intense et passionnante pour les lecteurs francophones de Brandon Sanderson. En janvier, l’édition de poche de Justicière (volumes 1 et 2) paraîtra aux côtés de la très attendue première partie de Rythme de Guerre. La seconde partie de Rythme de Guerre paraîtra en mai 2021. Enfin le deuxième tome de la série Skyward, Starsight (titre français à venir) sortira début septembre, en même temps que la parution en poche de Skyward, Vers les étoiles.
Les versions françaises des ouvrages de Brandon Sanderson sont disponibles à la commande dans le monde entier sur les librairies en ligne telles que Place des libraires, Mollat, Décitre, Furets du Nord, Dialogues, Cultura ou sur les plateformes de vente en ligne comme Fnac.com, Amazon, Rakuten, Momox et bien d’autres, mais n’oubliez pas de demander à votre libraire s’il peut vous les commander!
Vous trouverez toutes les manières de vous procurer les ouvrages de Brandon en français sur notre site.
A few reviews from my French-translated books.
Italy
From Mondadori (my new publisher there, who we’re very happy to be with)
Here in Italy, we published the translation of Rhythm of War the same day as the American release. It was a remarkable feat for which we have to thank Gabriele Giorgi, Sanderson’s inexhaustible and heroic Italian translator, who committed to the cause with the usual abnegation and legendary painstaking accuracy.
2021 will be a year full of Sandersonian releases: we are working on a three-volumes collection of the graphic novel White Sand, which will come out in the first semester, while in the second semester we are planning the release of Arcanum Unbounded, as well as an illustrated edition of Mistborn: The Final Empire, on the heels of the leatherbound American edition. Surprise releases are also not entirely out of the question, although the whole 2021 schedule is still quite fluid in light of the ongoing COVID-19 emergency, which might cause some delays in the second-semester releases in order to adapt to the shifts in exogenous factors and market conditions.
Spain
From Ediciones B
We have just released Rhythm of War in trade on 19 November on a simultaneous launch with the US edition. The first print run of the book in Spain was 14.000 copies and we have already reprinted three times in less than a month. (Now we have a total of 30.000 copies printed since publication.)
The book started very strong in GFK, and reached number 7 of the general trade list of GFK for week 47 and also number 7 of the trade fiction list, with 4.977 copies sold during the first week.
It also reached number 2 of top 100 of FNAC on the first week of sale, and has been top 1 of November sales in Gigamesh bookstore. It has also been in the top 100 of Amazon Spain during two weeks.
Before publication, Gigamesh has sold 700 copies in preorder of their limited edition.
We plan to publish Dawnshard in the summer and our Mistborn 1–3 illustrated edition during the second half of the year. We also plan to publish Skyward 3, depending on the final release date of the US edition and the translation timing.
So, the game Mistborn: Birthright, it's been two years now.
...I love the guys who were working on it, but I, if I were you, would consider it vaporware until you hear more. They've had some real troubles with their funding. They're great people who have just not been able to get the game going. They make a lot of easy, quick games for movie tie-ins, this one is *inaudible*, so it's just been a lot harder for them to get going. Again, they're fantastic people, and I hope that they'll get something going about it eventually, but I'm not gonna talk much about it until they do.
So, someone's gonna ask, the movie thing. So, Shawn Levy, owns The Reckoners, optioned that in June. He did Real Steel, the Richard Matheson story. If you haven't seen that movie, it turned out really well, with Wolverine in it. He also did the Night at the Museum films. And they're working on a screenplay. DMG owns The Emperor's Soul. They were producers on the latest two Iron Man films. They're a Chinese company, they really liked Emperor's Soul, so they came and optioned that from me. The Mistborn books are with the people who have the video game rights. We've combined those together into one right, I gave them a year to work on that. They've been very encouraging on how they're working on that, but it's Hollywood, so who knows what will happen. Legion just lapsed, so if your uncle makes movies, tell him to make Legion, from Brandon. Stormlight is under contract, but I can't say with who yet. So, I think everything novel-wise except for Rithmatist, probably-- Yeah, 'cause somebody optioned the Cosmere. Minus Mistborn. They got really excited by this whole, "Wow, it's a shard universe" thing, which is really hot in Hollywood right now. They're a really good company, but they came to me like, "We can do Marvel with Fantasy," and I'm like, "I'm not gonna say no!" We'll see how it turns out, but that's where we are.
I want to know what process you follow through building your vocabulary. Also, do you use a thesaurus?
What process do I use for developing my vocabulary, and do I use a thesaurus. My vocabulary development comes through reading other people's books and seeing the cool words they use and writing them down. And I can often pinpoint who I learned which word from. Like miasma I learned from Anne McCaffrey. Things like this-- Just seeing the words they use and looking them up when I don't know them. That's my favorite way. Do I use a thesaurus? I do use a thesaurus but only to come up with a word I know I should be using. There's two times I use it. One, when I come to a word I know there's a word there but I don't know what it is yet. The other time I use a thesaurus, which is really useful, is when I'm naming something. Like when I was naming the Reckoners, I need a cool word for this team. One that Marvel or DC hasn't used yet *laughter* They used everything. So I may use a thesaurus, but using a thesaurus is dangerous. It's a good tool but it's a dangerous tool for a writer. Because you don't want to use a word because it sounds cool, usually you want to use the right word. That can be difficult to balance.
Do you have new stuff, or new ideas?
Yes—one is The Silence Divine, a world like ours where you gain magic by diseases; another is a world where the only superheroes are all evil super villains and a group of regular people called the Executioners [Reckoners] gather to hunt them down and take them out.
So for Calamity, like about these others that you mentioned, are we ever going to figure that out? Or is just going to be...
Oh yeah, so the next series I’m doing deals with the greater-- kind of interdimensional travel and who are these people.
Okay good, because I was like “You can’t leave me like this” at the very end. I really liked how it was put together and stuff. My own theories were that David was actually, like his powers were actually figuring out Epics’ weaknesses...
I considered that, I really did. At the end of the day, when I brainstormed the trilogy I said you know what would be most fun for me in this series is to do a trilogy that is basically an origin story, for a character and then when I come back to The Reckoners, if I do, because the next one’s a parallel dimension, right?
From where Firefight is, or from like other?
That -- we will get into why certain ones are stable and certain ones aren’t and why you can pull from and we’ll do something there with a new character. And if I come back, then Mizzy will be the main character in the sequel series.
Awesome if you ask me, because I was always looking forward to more Mizzy.
Does that make sense? That’s where the plan for these is, we’ll see how the new series goes, they’re announcing it next week. And the entirety of the magic system is based on interdimensional stuff.
Right, especially with Megan and her--
Yep.
--multiple hundred personalities coming together and stuff.
So it’s kind of like Megan has opened up this idea of a quantum multiverse, and now I’m going to do a quantum multiverse, which is not something I can deal with in the cosmere so it’s exciting for me to be able to do it.
Yeah ‘cause the first one we see about the others I was like (okay cosmere fandom, but wait) this is not cosmere, don't worry about that.
Not cosmere. Going straight-up quantum multiverse, in kind of a classical sense. I’ve been doing a lot of reading on string theory and things. It’s so hard, string theory breaks my brain. Quantum mechanics break my brain.
The Movie Question
- A film adaptation is different than a graphic novel adaptation. A film brings in new fans who may not be avid readers, a completely different audience. A graphic novel will likely have a similar audience to his books.
- With book to film adaptations he says that there's only a one-in-three chance it will be a good adaptation of one of his books, and it's a risk he's willing to take.
- He quoted someone he couldn't remember saying basically that you can make a bad film, but that doesn't change the fact that the book is good. Someone once asked an author about a film ruining their book and they said "It's still there on the shelf, nothing's happened to the book."
- He sold the rights to people he feels he can trust to make good movies.
- Of all of them, Reckoners has the best chance at getting a movie but he made it clear that's just his hunch/estimate and we shouldn't run to Twitter getting excited about a movie that might not even happen.
What was your premise behind the main character David [in The Reckoners]? Why did you create him as he is, scared yet fearless at the same time, smart about specific things yet totally ignorant about others, etc.?
I built David around two pillars of personality. One is his interest in the Epics, which balances between hatred and fascination. The other one is his fierce determination, which leads him to be impulsive and bull-headed at times, but also pretty inspiring at others.
I feel that as people, sometimes our greatest strengths are also our greatest liabilities. In this respect, every human being is a conundrum in at least one or two ways. With David, his fixation on the Epics is a huge strength but he's been so narrowly focused in his interests that he neglected many other areas of study. So he's both smart and stupid. At the same time, he's impulsive and determined, which leads to acts of great bravery, but he lives in a society that beats people down so if he stops and thinks too long, he can often psych himself out.
Oh, by the way, are we talking about a new series or a standalone [for Skyward]? :)
A trilogy like The Reckoners was.
Now that Skyward and Reckoners are over, and it seems like Apocalypse Guard is never gonna get written, is there anything you can tell us about the connection between their multiverses?
I've kinda been playing loose and freaky. Multiverses are annoying, right? When I wrote Steelheart, I realized, "Ah, multiverses are annoying." And the more I worked on Apocalypse Guard, the more I realized I didn't want to lean into this. And I'm glad I didn't, because as certain media properties have shown us, multiverses are just real hard to juggle and keep any sense of weight or value to the actions of the characters. And so, one of the reasons I didn't want to release Apocalypse Guard is I want to rethink all of that. I do prefer things like I did in Frugal Wizard, where I'm like, "There are certain stable realities. It's not an infinite number of realities; there's an infinite number of possible realities, but some of them are solid. Some of them are real." So you can find alternate versions of yourself, just not an infinite number of them.
So that's one of the places I was going with that. And Apocalypse Guard did lean into this and start to progress that idea. I think one way you could do a multiverse (kind of have your cake and eat it, too) is just be like, "There's not four billion versions of you. There might be seven." And things like that, that are what we call stable, and "real." Which allows you to kind of play with that idea of multiple versions of yourself without everything going out the window in terms of... You know, you guys have seen Rick and Morty. It doesn't matter if we die or if we mess up the plan. There's another one over there. We can only do this an infinite number of times. So, that was one of the things I was playing with, there.
And then, multiverses are just, like, so overdone. Everything Everywhere All At Once did the best one, and we don't need to even try. But that movie is proof you can still have emotional connection and power in a story that is about alternate versions of yourself. And so it is possible.
So what's the connection? I do kind of have in my head that each of these non-Cosmere properties kind of are on the continuum with this multiverse and are shades of one another, and Apocalypse Guard was gonna kind of be jumping between them. But whether or not we'll get to that, I don't know, because I certainly don't want to have Skyward be ruined by the existence of multiverses. I like how Skyward turned out; the whole series, I'm really proud of. So that's the question mark in the back of my head.
Movie/Television Updates
The Reckoners
Still held by Fox, with 21 Laps producing. They renewed their option this summer, so they are still interested in the property, though I haven't had any specific updates in a while. I have no idea how the Disney acquisition might affect things.
What is the status of the White Sand graphic novel?
White Sand graphic novel. Let me run down the big list of things people are waiting for. So, White Sand graphic novel is on the good list, that's going really well. The author we had adapt it was fantastic and the artist is doing a great job. We're doing it in eighteen issues. However, because the people with The Wheel of Time (I don't know if any of you guys bought those graphic novels) but they released those individually, people bought subscriptions up front and then it took them forever to deliver on those. Because I have been burnt by that I said "You can't release any of the issues until you have a certain amount done". So because of that, they just decided they would release them only as graphic novels. So they're doing six-issue chunks. So it's kind of weird, there's eighteen issues, but really it's three books of six issues, and they are working on issue number six right now to release the first chunk next year. And we're very pleased with it.
So, the big list. I am working on Stormlight 3 right now, so you can follow on the progress bars. Once I'm done touring, which I've been doing for way too long, you'll start to see those inch up again, and if I finish it by May or June then it can come out next year. If I don't finish it by then it would be the following Spring. So that's what I'm working on right now.
In the queue we have the sequel to Shadows of Self coming out in January and we have the last of The Reckoners, and that is coming out in February. That's a little too close, I wish they hadn't scheduled them like that, but I'm not in charge when they put the books.
After I write Stormlight 3 my goal is to write a new book that's kind of in the teen-ish-- it's kind of hard because Steelheart here is not published by a teen publisher, the only one published by a teen publisher here is Rithmatist. But something for the Steelheart-- like older teen/young adult-ish, crazy, wacky things like that; I've signed a contract on that. So that'll be my next project.
Then I'm going to do Rithmatist 2, then I'm going to do Wax and Wayne 4, which is the last of that sequence. Then I'm going to do Stormlight 4.
If the book you're waiting for is not in that list then it's going to come after Stormlight 4 so don't hold your breath.
Mistborn videogame is basically vaporware at this point I'm afraid. I love the guys that are making it. They're still working on it, they still plan to release it. I haven't seen even a demo or early footage or anything like that, so I'm not certain they'll be able to do anything and you guys should not hold your breath on that.
So, movies, I've sold Mistborn, The Emperor's Soul and Steelheart, all are in production, but that doesn't mean anything in Hollywood, in production can mean anything. None of them have started filming yet. Until something starts filming you should assume that it's a hopeful dream. Those are the hopeful dreams that people are paying me a lot of money for. So, there you are.
Did David get Steelheart's absolutely correct, or was it just close enough to allow him to destroy Steelheart?
It was absolutely correct. This is something David and Reckoners will actually discuss in Firefight. The second book will reveal much more about the Epics' weaknesses, and you will find out that there is actually a pattern to them, even though everyone thinks it's random.
Are weaknesses somehow related to things, events, or phenomena the Epics feared, or hated, or disliked before they turned Epic?
RAFO, second book. This is the exact question people - and David - are asking in the second book. Good question though.
Do you have any updates on games or movies or shows?
Okay, let's go down the big run-down.
We've been having moderate luck with board games, people are actually producing the things that they sign up to do. So, we should be having another board game before too long. We have the House War game, and we have the Reckoners game coming out, and there might be another one to announce eventually. We've been having a lot more luck there than we have other places. Video games, nada. There's just nothing. I would love to do a video game, but-- yeah. I don't know what's going on over there. We sold the Mistborn rights, they were really nice, and then they didn't do anything for, like, five years, and eventually, they're like, "We can't make this."
So, Hollywood. Steelheart series is owned by Fox, with 21 Laps producing, that's Shawn Levy's company, he made the Night at the Museum films. They still own that, they are on their second renewal of the options, so they've had it for a number of years. I have not heard anything from them since last July, when they called and said they wanted to keep it still and wrote us a check. I don't know what's going on there.
Snapshot is owned by MGM. Snapshot is a novella I wrote about a year ago, it's kind of Phillip K. Dick-ish, with a little bit of Se7en, the serial killer show. It's different. MGM bought that, they have assigned a screenwriter. The screenwriter said his goal would be early this year, in his schedule, to work on it. And they've been fairly good at staying in contact with us every couple of months. We haven't heard from them since, about, December, when they said that there would be there, so we probably need an update there. But things seem to be moving just fine there.
DMG has the Cosmere. They bought it up in pieces, and eventually just bought the rest of it from me. They have been really good to work with. DMG has always involved me in everything. They have shown me every screenplay and script they have come up with, and they made the VR experience as a tool to try to explain the Stormlight to studio execs who don't read books. Which you can get on VR systems, if you want. It's kind of trippy, with you down in the chasms in the Shattered Plains. But that was primarily so we can go to studio execs and be like "It's like this!" But they have been really good to work with. Right now, latest news is they're worried Stormlight is going to be too hard to do as a film series. Surprising! So, latest discussions with them-- Though, we did get a screenplay from them that came in at 250 pages. Which, if you don't know screenplay format, one page equals one minute, so 250 pages is 4+ hours. And it still cut out a lot, so they're like, "Well..." So, I don't know where that will go but that is where we're looking right now. Mistborn, they're still looking at for a feature. They have a screenplay that they are trying to get studios to partner with them, and things like that. They're doing the whole Hollywood runaround. So, who knows.
Most likely, the best thing that could happen for Stormlight would be for Wheel of Time to get made and do really well, and then everyone will be like "Wow, we want more epic fantasy. It's not just Game of Thrones, it's lots of stuff!" Hopefully, that'll go places, but I don't know any more than you guys really know about that. I can't say specifics. I did do a phone call with one of the people involved, they reached out and said "Hey!" but it's just "Hey, we're the TV people, hi!" So, we will wait eagerly for updates on that.
We haven't announced a deal, but we've signed contracts on Legion for another television show. Legion, this will be our third or fourth option on that. If you don't know how Hollywood works, they option things, which means they rent the rights, and they get them for three to four years depending, with payments every year or eighteen months. And during that time, they try to get it in development, try to get everyone excited about it, try to get it to a screenplay, and stuff like that. And at the end of those years, they either pay you the rest of the money, if they have the option-- it's like a rental that applies, it's like rent-to-own. The big price, that they pay a little of that price. Or they just decide to let the option lapse, and then it goes to someone else. So, that has happened at least several times. Nobody wanted it for a while, when the Marvel show was happening, and suddenly, they want it again.
So, there's your rundown. A whole lot of "Well, this looks promising, I think," which is how it's always kind of gone. Hopefully, Wheel of Time or Name of the Wind will come out and do really well, and that will spark everybody wanting to make very expensive fantasy properties and very expensive television shows. Because The Stormlight Archive will not be cheap. It will be really, really not cheap. So, if you have an aunt or an uncle who happens to runs Netflix Originals division, tell them they need a billion dollars. They've got it, right? They have to spend it, or they'll have to pay taxes on it, so might as well do Stormlight.
Updates on Minor Projects
The Reckoners
The Apocalypse Guard was in this universe, and we'll see what happens there, but for now I'm leaving this series alone. There might be a Mizzy book that I end up doing, but no promises.
Status: Trilogy complete. Series done, for now.
This cosmere that you have is gigantic, enormous, and wonderful, by the way. But, it's one of those things... how long has that been kicking around in your head before you started putting it down on paper?
For those who aren't aware, and might just be here having read the Reckoners, all of my epic fantasy books are connected. But they're all connected through little cameos. And I did this before Marvel movies, let's just point that out! They're copying me, I'm sure. I'm sticking to that. But there's little cameos for the various things because there's a story behind the story. I started doing this because I knew, in my career, I was going to have to... just the way I am, I need to jump between worlds to keep myself really interested. But I also like big epics. So it's me trying to have my cake and eat it, too, right? Lots of little things, but a hidden big epic. Right now it's all cameos, you don't have to worry about it, it's never really relevant to the story. Each story is self-contained. And then, if you want more, you can dig into it, and... it goes pretty deep. The guy who bought the Emperor's Soul movie rights was like, "Oh, I hear that this is connected," so he went and started reading. And, like, a few months later, he called us and said, "Uhhh, I just read the whole Cosmere. Uhhh, my brain is breaking." So, you can jump down a rabbit hole with the Cosmere if you want.
So, how long has this been kicking around? I can trace it back to a couple of events in my youth, as a budding writer. First one was, I've talked about this idea that you're the director of the book when you read it. When I was a kid, what I would always do is, I would want to have some sort of... it's hard to explain. I wanted some control over the story, even though it was a book I was reading, I wanted to participate, and so I would always insert a character behind the scenes. Like, in the Anne McCaffrey books, when there's somebody who's a nobody, I'm like, "Actually, this is some secret agent type character," and things like this. And I would always insert these characters into the books. But I would even be like, "Oh, this is the character from this other book, that I'm now reading." I would have my own headcanon, is what you call it, that would be parallel to the book canon, with this story behind the story happening. I also remember really being blown away when Isaac Asimov tied the Robot books and the Foundation books together, and thinking that was one of the coolest things I'd ever seen. Where I'd loved these two book series, and the conclusion to them is interwoven, and at the end of the Foundation books you kind of get a conclusion for the Robot sequence as well. That kind of blew my brain, and I'm like, "I need to do this."
So that's the origin, and that's kind of really the origin of Hoid. He's in the first book that I started writing, in very proto-form. He's kind of the same character who had been hanging out in Anne McCaffrey's books and other people's books as I'd read them. And that was it for a while, until I became a better writer, and then started actually building an epic. So, it's been around for a while. I would say the actual origin of the Cosmere was when I wrote Elantris, and then jumped back and wrote the book called Dragonsteel, which was this next book that I wrote after that, which was the origin of the Cosmere, kind of the prequel to all of it. And then I went and wrote White Sand. And those three together were my beginning. Only Elantris, of them, got published so far, although White Sand does have the graphic novel.
Now I would like to ask a question about what comes next, because this is really something that we're very interested in. You have a comprehensive website where we have a list of all your projects, and when you will finish your next novel, and so on, so forth. As far as we know--and maybe Nova, the publishing house, can confirm this--but for January, we have Calamity, for April, by April, we will have White Sand, and then we have The Rithmatist 2, maybe, or The Stormlight Archive. I don't know, maybe you could clarify, give us some insight into these novelties that we have.
Yes, my next book coming out in Spanish is Calamity, the last of The Reckoners, and Spain is one of the few countries, maybe the only one, that is doing White Sand, the graphic novel, in translation. Right now, I am writing the third of The Stormlight Archive. I wrote some here, in Barcelona, and I am going to be releasing that, hopefully, next year, in English. One of our goals is to eventually get to where we're doing closer simultaneous releases, but that puts so much of a weight on our translators, but we've been talking about it, my agents and I. My poor translators. Rithmatist 2 will come eventually. I tried writing it once. It didn't quite work. I had to rebuild the outline, so now I need to find another slot in my writing schedule for it.
...[Skyward] is teen, 'cause it's in my Reckoners line, and it's a story I've been playing with for some four years now, and I built an outline, and it's kind of like a cross between How to Train your Dragon and Top Gun, with starfighters. A girl finds an old broken-down starship with a really screwy AI that she thinks she can get up and running. In the meantime, she gets into starfighter school and is learning to be a pilot, and there's all kinds of mysteries and things about the nature of really what's happening with the planet why they're being attacked, and things like that. It's a whole lot of fun.
On Skyward, I love the Graphic Audio adaptations. Do you know if there's any plans to do a Graphic Audio recording on Skyward at this time?
There's not plans right now. I'm trying to talk Random House into it. I guess it would be Audible into it, 'cause they have the audio rights. They haven't let us do the Reckoners. It's tough because Audible bought the rights directly, and Graphic Audio is a direct competitor. Whereas with the Stormlight books, MacMillian audio is not the same. So, we'll try.
Will you ever do any more in the Reckoners' world after Calamity? Both [Megan Tarash] and I hope you will.
Leave the man alone, Knees. He's answering the fans' questions, not yours.
How do we win? That's my question.
I'll be releasing a little instructional manual on this in a few weeks called Calamity. :)
Come on. That answer was about as helpful as a dryer full of water balloons.
(I'm only teasing. Please don't kill me in the next book. Please.)
What do you think will come in the future? Like what is-- *interrupted*
"What do I think will come in the future?" I have a bunch of ideas, and I actually said-- I wrote out three one-page synopses of what I wanted to do as a follow up sort of teen series, like the Reckoners, and I sent it to my publisher, and I let them pick which of the three they wanted. And I'm not gonna tell you what that is for a little while, because they're all like freaking out about how to announce it, and things like that. Because they're all like, "Oh we have to get Entertainment Weekly to announce it, or something." *crowd laughs* Okay, whatever. So we'll see.
So will you tell us the two that they didn't pick?
When it comes out I'll tell you the two that they didn't pick, also.
One night at Magic night, he [Brandon] said, "Hey, one of these days, maybe we should talk about doing a co-author project. I have this idea for a middle-grade fantasy."
Which you can't reveal, because some day I'm gonna do that one.
I won't, I won't. So I went home and started thinking about some ideas, and I met with him the next Magic night and said, "Hey, I have some ideas about that book." And he said, "Actually, let's hold off on that one. There's something else that's kind of coming up right now. Audible is interested in continuing the Reckoners series."
Projected Novel Release Schedule
There's a good chance I won't hold to this, but just so you know, here's how I view my upcoming novel release schedule (not including any novellas or short stories that may or may not appear during moments when I need to do something new):
January 2016: Wax and Wayne 3
February 2016: Reckoners 3 (final book)
June 2016: Alcatraz 5
Sometime 2017: Stormlight 3
Sometime 2017: Rithmatist 2
Spring 2018: New YA project 1
Fall 2018: Wax and Wayne 4 (final book)
Sometime 2019: Stormlight 4
Sometime 2019: New YA project 2
Sometime 2020: Elantris 2
Sometime 2020 New YA project 3 (final book)
Sometime 2021: Stormlight 5 (ending of first arc)
Sometime 2022: Elantris 3 (final book)
I really loved the Skyward series and now the we know that's wrapping up I want to know, is there more stand-alone science-fiction on the way?
Is there more stand-alone science-fiction on the way, alright. So the answer is there will almost certainly, if fact there better be because we signed for them, be more books in the Skyward Universe that I'm writing with Janci, yes. And that is for the forseable future my project in that kinda YA/new adult space that I been playing with The Reckoner and Skyward, that's the plan for there. That is the only plan for non-Cosmere books other than Dark One that we are doing right now. So anything else that I would plan would be tied to the Cosmere, but you never can tell, like I was not planning one of the Secret Projects, I wasn't planning any of the Secret Projects but one of them is, [Secret Project] Two is a stand-alone science-fictiony sort of thing. So you can never tell what will pop out, I have no current plans other than what we announced but it's me, so who know.
On tour, I did a reading from what up until now was listed as "Mystery Project" on my website. If you missed the newsletter explanation, I've pulled the book I was going to release next year (The Apocalypse Guard) because it needs more work. Instead, I've turned my attention to something else—and after a furious bout of writing, I'm confident in where it's going. So it's time to announce Skyward.
Like Steelheart and its sequels, this is a kind of borderline YA/Adult project. In the US, it will be published by Delacorte Press (publisher of Steelheart) in the Young Adult section of bookstores, while in the UK it will be published by Gollancz (publisher of almost all my books) in my main line, shelved in the science fiction/fantasy section of bookstores.
I've mentioned Skyward before in summaries of stories I'm working on, but haven't said much about it. I started noodling with the ideas in 2012, I believe. (The year that the Write About Dragons recordings of my lectures happened, where I mentioned it briefly—but not by name.) The first outline thoughts are dated summer 2013. It's a book I've been wanting to write for a long time, and it finally came together this year.
It has its roots in some of the very first books I ever read as a young man getting into fantasy. Like many young readers, I was captured by books about dragons, specifically books about boys who find dragons and learn to fly them. These have been staples of the fantasy genre for some fifty years. For me, it was The White Dragon by Anne McCaffrey and Dragon's Blood by Jane Yolen. For others, the "boy and his dragon" story that captured them was Eragon, or How to Train Your Dragon.
I've always loved this story archetype, but I've never written anything using it. This is in part because…well, it's a familiar story. Too familiar. I wasn't certain I could add anything new to it. So I left it alone, letting ideas simmer, until in 2012 something struck me. Could I mash this together with a flight school story like Top Gun or Ender's Game, and do something that wasn't "a boy and his dragon," but was instead "a girl and her starfighter"?
Skyward was born, much like Mistborn, with me taking two ideas and mashing them together to see where they went. And they went someplace incredible—I grew increasingly excited about the project, as I saw in it a chance to both play in a space I loved, and do some very interesting things with story and theme. It wasn't until this year that I got the personalities of the characters right, but I really got excited when I found a place for this in the lore of stories I'd been creating.
The official pitch is this: Defeated, crushed, and driven almost to extinction, the remnants of the human race are trapped on a planet that is constantly attacked by mysterious alien starfighters. Spensa, a teenage girl living among them, longs to be a pilot. When she discovers the wreckage of an ancient ship, she realizes this dream might be possible—assuming she can repair the ship, navigate flight school, and (perhaps most importantly) persuade the strange machine to help her. Because this ship, uniquely, appears to have a soul.
As I've played with Skyward over the years, I tried to pull it into the Cosmere, then found it didn't work there. However, it is in the continuity of something I've written before. Something that isn't the Cosmere, and isn't the Reckoners. And no, I won't say anything more for now.
The goal right now is to have Skyward done in time for a publication date of November 6, 2018. We'll see if I can meet that deadline! I'm optimistic. As always, you can follow along on the progress bar on my website. Look for a cover reveal and chance to pre-order soon!
I knew I'd have to deal with it sometime, and it finally caught up with me today. My Master Cosmere Timeline spreadsheet has far too many relative dates, and not enough absolutes.
Roshar's date system
The biggest reason I have put it off is that the date system Brandon made up is both supremely logical and at the same time totally crazy. A year has five hundred days, but there's also a thousand-day cycle with different highstorms around the new year. In each year there are ten months of fifty days each. The months are broken into ten five-day weeks. The date indicates what year, month, week of the month, and day of the week it is and looks like this: 1173.8.4.3. It is impossible for me to do the math in my head to decide what the date would be 37 days ago, so I don't use the dates in my reckoning, and only calculate them as an afterthought. This dating system is also a hassle because two weeks in our world is almost three weeks there, and a month there is almost two of ours, and when writing Brandon doesn't even pretend to pay attention to those differences.
Day numbers in The Way of Kings
But then we have to talk about my relative date system. The timeline of The Way of Kings is a mess. The story for Shallan starts more than 100 days earlier than Dalinar's storyline. And Kaladin is roughly 50 days different from that. So for that book I had to pick a day when I knew there was crossover between the viewpoints and work forward and back from there. So a date in The Way of Kings might be marked on my spreadsheet as D 23 or K-57.
Day numbers in Words of Radiance and Oathbringer
For Words of Radiance I started over at day 1 for that book. Those numbers count up until the new year which is day 71. Oathbringer starts just after the new year, so I used the day of the year for my book-specific day number. Of course switching systems at the start of each book made it hard for me to calculate just how many days there were between events in WOR and OB. So I put in another column which indicated a relative number of days counting before and after the arbitrary date of the end of WOR.
Flashback dates
The next problem I dealt with were the line items that say something like "five years ago" for their date. With more than a year of onscreen time from the first chapters of The Way of Kings to the end of Oathbringer, it's really necessary to note that it's five years before what event with a solid date. Once I have a date to assign to it, I also have to decide how exact the date is. When I come back three years from now I will need to know whether this date is firm, or if it would be okay to put it three or four months on either side.
Putting it all together
When Peter found an error in the spreadsheet one day, I decided to match a serial number to each date after the year 1160 (which makes for easy calculating), and make that my absolute day number from here until forever (though I'll probably still make a book relative date, since it's a useful way to talk about things with the rest of the team). To find the Roshar dates from the serial numbers I made another spreadsheet with a vlookup table for the dates and serial numbers, then translated all the dates from the three books into that single new system (finding several more errors as I went).
PART SIX: UPDATES ON MINOR PROJECTS
White Sand
I’m moving this Cosmere story to the minor projects for now, since the graphic novels series is finished. (Though Isaac has been working hard on an omnibus version of it, for those who wanted to wait for that.)
In addition to small fixes to bring the omnibus more in line with the underpinnings of the Cosmere, we’re also adding a 30+-page prologue with art by the amazing Nabetse Zitro, whose work can be found on and on Twitter.
But as a bit of a teaser, here’s one of his sketches from the prologue, showing Khriss and Baon.Someday, I might do a revision of the original prose novel, which is one of the only ones from my unpublished years that is good enough (with some work) to release. If I do so, I’ll update it to match the graphic novel in terms of characters and narrative—as the graphic novel is Cosmere canon.
Status: Omnibus in the works
The Reckoners and Legion
Both are getting some kind of continuation via Mainframe, my audiobook company. See the announcement up above! I talked last year about maybe doing these, and now they’re both in the works for real.
Status: Mainframe projects in the works
Soulburner
Still a cool secret going on here, but I can’t say anything.
The Apocalypse Guard
Still plan to do a revision of this and get it out, likely after Skyward Four.
Other Small Projects
Things I want to do include: Adamant, untitled Threnody novel, Sixth of the Dusk sequel, untitled Emperor’s Soul sequel, The Silence Divine, Secret Standalone Cosmere Book, that wacky YA Cosmere Book with Magic Kites, Kingmaker (First of the Sun YA novel not involving Sixth), and Aether of Night.
No progress I can talk about on any of these, though I did do a reading from the Sixth of the Dusk sequel at the Rhythm of War release party.
Could the Assassin in White assassinate Prof from the Reckoners?
Could he? Yeah, he could. Depends on what- which place in the books you would put him. But I would lay odds on Szeth in that one, in almost every situation. *laughter* Now, the thing is, it depends also on how familiar he is with Prof's powers, how much he's acting like an assassin, right? Which is what he's generally going to try to do, but... you know, Gavilar got a lot of warning. So, if Prof got a lot of warning... the more warning Prof has, the worse it looks for Szeth. But the further in the series Szeth goes - if you pick him from a different book--the more likely it is he's going to win.
'Cause he gets a hold of something very important. *laughter*
Calamity from the Reckoners series–is there any connection between him and the delvers from Starsight?
Yes. Very, very loose connection, but there is a connection.
Okay, because I was like, "They both come from the dark nowhere, quiet, they hate people and everything. There is a connection."
There is a connection. And Apocalypse Guard was kind of supposed to bridge between these things, but it didn't end up coming out, and it may not even be a bridge when we finally revise it because we have to make the book good, rather than worrying about that. But it was supposed to kind of do that. It's gonna work well if I can fix the ending. I've just gotta fix the ending.
On my reread of Reckoners, I remembered it being really kitschy and light-hearted, but the prologue of the first book is really dark. Is the rest of the book so light-hearted because it is David trying to make the best of a really crappy situation, or is it because it's Young Adult?
Yeah. It's also partially, I wrote the prologue, stepped away, came back, and wrote the rest... One of the things I regret about the books is that-- I was telling a story about assassinating superheroes. So I thought it was going to go darker than it did, once I found David's voice. And if I could go back, I might take out the baby skeleton... I couldn't cut it because it's such a great image, but I should have. My biggest regret with that series is the tonal mismatch... It's this thing where I'm like, "That would be the best book for, like, a fourteen-year-old to read of mine, except the prologue which involves dissolving babies."
It is my pleasure, it has been an honor. For those who couldn't hear it was a thank you for releasing books somewhat faster and a thank you for finishing The Wheel of Time.
You know, I've been there. I picked up The Wheel of Time in 1990, my 8th grade year was '89, [...] yeah it's funny, I talk about The Wheel of Time. Everything I picked up while I was coming to love fantasy was all completed series or series in the middle of being written, and so as a kid I'm like "These are all famous series, I want to find one that isn't, what's going to be mine?" You want to be discovering, so I'd go to the bookstore every week to look at the new books coming out and try to find them and I remember grabbing Eye of the World, the first Robert Jordan book, and being like "Oh, this is a big book". I was a kid with not much money, so if you bought a big book it wasn't that much more expensive than a little book but you got a lot more reading in it. It was a good bang for your buck so to speak. So I bought that book and I loved it, and I thought "Oh this is going to be it, this is--" And I remember when the second book came out and they had trade paperbacks and my little bookstore didn't get a lot of those and I went "Oh, OH, something's happening" and then the third book was there in hardcover and I said "Ah-HA! I was right!" So I had this sort of pseudo-paternal instinct for Wheel of Time even when I was 17.
But then I do know what it's like to wait, and you know George [R.R. Martin] is a guest here [at ConQuest 46], I want to speak toward the fact that he has had a long career and given people a lot of books, he may be slowing down a little bit as he's getting older, we all do. And he just wants to make sure his books are all right. I get tired hearing people-- Because I heard people do the same thing to Robert Jordan, y'know cut George some slack. He spent years and years toiling in obscurity until he finally made it big. I'm glad he's enjoying his life a little bit and not stressing about making sure-- You know getting a book that size out every year is really hard on writers. Robert Jordan couldn't keep it up, nobody can keep it up. Stormlight Archive's every two years. Even I, being one of the more fast writers out there, I'm not going to be able to do one of these things every year, there's just too much going on in one. So thank you, I will try to get them to you very consistently but it's going to be about every other year.
Another thing to know about George is George cannot write outside his particular environment-- All writers have their craft and I'll ask [Brandon] about it in a second, but George with HBO sending him out to promote, and cons, he's not writing. Whereas Brandon wrote in his hotel room I heard.
On both nights.
And I often do that too. George can't do that, so that's a difficulty too. There are other factors involved. And people love to meet him but when you meet an author sometimes they're not even writing 'cause they can't keep focus. So let's talk about-- How fast do you write a novel...
My writing approach and how fast I write. I'm actually not a particularly fast writer, for those of you who are writers out there I'll go at about 500 words per hour. What I am is a consistent writer. I enjoy doing this and my average day at home will be I get up at noon, because I'm a writer not a-- I'm not working a desk job, I don't have a desk, I don't go to a desk, I go and sit in an easy chair with my laptop, and I work from about 1 until 5. And then 5 until 9 is family time, I'll go take a shower, play with my kids, eat dinner, spend time with my wife, maybe go see a movie, whatever we end up doing. By about 9 or 10 she goes to bed and I go back to work and then I work from about 10 until 2-4 depending on how busy I am. If I'm ahead on schedules and things at 2 I'll stop and play a videogame or something, that's goof off time, go to bed about 4. And it really just depends on what's going on. If I'm traveling a lot, that puts a lot of stress on the deadline, and I've been traveling a lot lately, so in those cases I try to get some work done while I'm on the road, and it usually is not nearly as effective. I'll get a thousand words out of 4 hours I can sneak out of the day to get writing done. When you're breaking that rhythm, artists are creatures of habit and that rhythm-- Sometimes shaking things up is really good for you, but if that shake up is also kind of tiring, tiring in a good way I like interacting with people and going to cons, but you get back up there I feel like I worked all day and now I have to work all day. It can be rough, and at the same time with the schedule I want to have which is my goal is to release one small book and one big book a year. That’s my goal. One adult book and one teen book, and sometimes those schedules get off so you get one one year and three the next year. Or sometimes I do things like write two books instead of one, I did that this year, or last year. I wrote two Alloy of Law era Mistborn books, the second era of Mistborn books, and together they are half the length of a Stormlight book. So sometimes you'll see three. But I want to be releasing consistently, I want to have a book for teens and a book for larger people who are teens at heart? I dunno. It's hard because you don't want to put a definition on them, I don't want people to go "Oh The Reckoners is for teenagers therefore I don't want to read that" and I don't want to discourage, I've had 7-year-olds come up with their copy of The Way of Kings--
They're strong.
Yeah they're strong. My 7-year-old can barely read the Pokemon video game, so-- we played that-- and so I don't want to discourage anybody from picking up a book they think they are going to love, but I do want to be releasing one quote-unquote teen book and one quote-unquote adult book. By the way, since I've started writing teen, I started distinguishing them and it's really hard to say "I write teenage novels and adult fantasy." *laughter* That term does not always evoke the right image I want… I've been introduced sometimes at conventions that are outside my circuit, writing conferences, as the fantasy guy. They say "Here's our fantasy man" *Brandon makes a shocked/confused face prompting laughter* Okay I can take that.
When might we expect a sequel to Warbreaker?
When might you expect a sequel to Warbreaker. Okay, let me go down the list. I have finished three books, alright? The finished books are: Bands of Mourning, which is the sequel to the one you-- many of you bought today; I have finished Calamity, the last book of The Reckoners; and I've finished, a while ago, the fifth book of the Alcatraz series, for the middle-grade series. Which I finished a while ago, but we had to wait for the contracts to run out before I could release it, it's a big complicated thing. So those are in the queue, and they are coming.
Now I am writing, right now, Stormlight 3. Yes working on that. It's actually-- Anytime I mention Stormlight people are contractually obligated to shout in my crowds. So I'm finishing that and my goal is to have it done by May or June. If it is done by May or June the publisher has said they will publish it Christmastime, so November/December next year. If I miss May or June then it gets pushed back to the Spring sometime. So just watch the progress bars on my website and you'll see-- you'll be able to gauge. It's slowed down a lot because of revisions and touring but they should pick back up as soon as I get home.
After that I'm going to write a book called The Apocalypse Guard, which is my follow-up to Steelheart. Not the same world but the same style, fast-paced, frantic action sort of things. In the US those are published as teen books, here they're published as adult books, I don't even know what they are but I want to have a follow-up for my teen publisher. Something that's similar. So we're going to do that, then I'm going to do Rithmatist 2, and then I will do finally the fourth Wax and Wayne book which will wrap up Era 2 of Mistborn. Then I will do Stormlight 4.
If the book, such as Warbreaker sequel, is not in that list it means it is coming post-Stormlight 4. So we've got a little ways to wait, but I will get around to doing them, I promise.
The Reckoners, it's got a lot of a comic book feel with superheroes. Are there any plans at all for that to be adapted to graphic novel or anything?
Not right now. The graphic novel rights would be owned by the people doing the movie, and if they ever get the movie off the ground then I would say they probably will do a graphic novel. I toyed with graphic novels for many years when I had the original idea for it, but the fun of Steelheart was me trying to take comic book tropes and do them in the novel form. You've seen how movies have taken comic book tropes and turned them into films, and I really have enjoyed that. But they do very different things; it's like its own new genre, the comic book film.
I wanted to do the same thing for books, thinking, what are the strengths for a prose narrative as opposed to a more visual storytelling method?
It's just one of those novels that when you're reading it, it seems like it could be easily adapted and it would suit either.
My five-year plan is: Last Wheel of Time book, January. Next Stormlight book, as soon as possible. Hopefully by next year. If I'm really on the ball, I can do that by next year. We'll see. I have it all plotted. It's very intricately plotted. I get to that point, it's actually about the halfway point for me. So, the actual writing could go as quickly as six months. And if that's the case, we could potentially have that next fall.
I have two books in the pipeline that are coming out next year, probably. These are books that I worked on before the Wheel of Time that I didn't have time... during the Wheel of Time, I said, "We can't release these, because I won't have time to support them." Like, I won't be able to work on sequels or anything like that. And so, now that the Wheel of Time is done, I've given the go-ahead for those. First one is called The Rithmatist. Tor is publishing it. It's a middle-grade book about a boy at a magic school, except he doesn't have any magic powers himself, because he's the son of the cleaning lady who gets free tuition. And so, it's a chalkboard-based magic. Basically, kids play magical Starcraft by drawing big circles around themselves in chalk on the floor, and then start creating little things out of chalk to go chew through their opponent's circle, and stuff like that. It's really cool, and he's... Joel, the main character (I named my son Joel, also; I wrote this before I had a son), he has his free tuition, and a murder happens at the school. And he's, like, a super fanboy of the magic systems, so he gets involved, even though he can't do it himself. So, there's that book coming out. It's targeted at thirteen-, fourteen-year-olds, and anyone who likes Brandon magic systems. It's gonna be much more similar to one of my style for epic fantasy than Alcatraz was. Alcatraz was really crazy, if you read them. They're really crazy. They're my humorous kids books.
The other thing I have coming out, Steelheart. Steelheart is a book, I actually sold an option this summer. It is a post-apocalyptic superhero book. It postulates a world where people start getting superpowers in our world, but only evil people get them. It came from the idea of... I was driving down the street, and someone cut me off, and I was like, "You know, he's lucky I'm not a supervillain, because I would just blow his car up right now." And I thought, "What would happen if that were the case? What would happen if there were just certain people who could, like, 'Boom!'" And, you can't throw them in prison, you can't enforce it. So the world just declares these people 'forces of nature.' Laws can't hold them. If you have these powers, you are completely free to do whatever you want. There's no stopping them. World basically crumbles into little fiefdoms ruled by the most powerful ones of these. And the story's about a group of people who secretly, in the underground, hunt down supervillains, research their weaknesses, and assassinate them. Protagonist is an eighteen-year-old boy whose father was killed by Steelheart, one of the most powerful supervillains around. And he hunts down the Reckoners because he thinks he knows what Steelheart's weakness is, and he wants them to assassinate Steelheart. That's coming out.
Those two things are next year. After I write the next Stormlight, I will probably go straight into Stormlight three, because we've waited so long. I might write the second Wax and Wayne book, because I have that one <partially written>. And after that, I would really like to do an Elantris sequel.
Dark One
This is a series I've talked about for a long, long time about a boy who discovers he's the "Dark One." Basically, it's the classic epic fantasy story told from the eyes of the dude destined to try to destroy the world instead of save it. I've made good progress on the setting, which is going to be awesome. I wouldn't be surprised if this is the teen series I do once the Reckoners and The Rithmatist are both done.
As a note for fans, this is a Cosmere story.
When I write a fourth [Reckoners] book, it'll be a Mizzy book.
So I can turn this into a general question because it's very-- people find it very interesting. How do I plot a series?
What I usually do is I have independent ideas that are spinning around in my head and they start sticking together. An idea by itself, such as "Hey what if the hero prophesied to save the world failed?" that's a cool seed but it's not a story yet. But when you smash that into "Gang of thieves want to pull off a heist. They're gunna rob the dark lord" those two ideas make something cooler. The sum of the parts, for me, is greater than the individual pieces. And ideas come from this, you start with random characters, and plot ideas, and setting ideas, and magic-- Allomancy was developed for a separate book, that I wrote and was terrible, and then it laid in my notes file until I started needing a magic system a bunch of thieves could use that could complement them and each thief could have a different power. And I pulled Allomancy and redesigned it to go in this book. All of these thing happen, often independently.
I then build an outline. I'm an outliner. I build an outline. I then do character sketches, which are short in-viewpoint or first-person dialogue/viewpoint things of the character just living their life. It doesn't go into the book. Usually. But it gives me a feel for who the character is, because it's very hard to outline a character. If you do then they start to feel rigid. And so I do this-- try to discover the character, and then I go back and rebuild my outline, then I write my book. And then I outline the next books in the series. Usually.
So Reckoners is a good example of this. I built the first book, wrote the whole book, had no ideas for sequels when I wrote the first book. Then once it was done I sat down with my team, they read it, and I said "Alright, here's the feel I want for this. We-- For instance I want illusionist powers that are very different from what Shallan does. I want to have this and this and this. Let's design sequels, and then I'll go back and re-write the first one to match, with the new outline for the sequels. I release the first book and then I write the sequels." That is kind of the basic process for designing a story for me.
What are the official Brandon-approved names of the Skyward and Legion universes and the Reckoners multiverse?
Hm. I do need a name for, at least, the Skyward universe. Let me think on that.
I have a question about process. When you start writing on a series how much of it do you have mapped out in advance and at what point does something that you're writing make you change direction completely?
What an awesome question. So how much do we have mapped out and how much-- before we start a series in specific-- and how often to we do something that makes us change, to do something else, or whatnot...
...See I had an advantage over Jason in that, when I was writing Mistborn I had just gotten married and my wife had a very lucrative job as a middle school English teacher *laughter* and so I quit my job, which was working at the front desk at a hotel and was able to write full time almost from the get-go. You can thank Emily for that. That she believed in the fiction, she took care of me while I did this work. And so I was able to write all of Mistborn before I had to turn in the first book. Just so that I could make sure that I could make these connections.
These days what I do-- Because I can't do that anymore-- I usually write the first book of a series just-- I write an outline for it and I write the first book without any sort of feeling for the rest of the series. This isn't quite what happened with Stormlight, that's the outlier, but for most things. Like The Reckoners, or the Wax and Wayne books, and stuff like that. Write one book and then with the book in hand and knowing the characters very well I can more accurately feel out what their arcs can be and things like this. Like the problem with being a planner-- I'm very much a planner-- is that if you over-plan your books, your characters feel stale, right? They feel wooden. And so, write that first book, let the characters have a lot of freedom to become who they need to be. And then I outline the rest of the series in great detail, so I can put into the first book any references that I'm going to need for future books in the series. Just so that I can know where things are going. I'll re-write the characters a little bit, so their arcs now match the over-arching arc they will have for the series, and things like this. So most books, it's "Finish the book, then write five pages about each book in the series, and then revise the first book and write the rest of the series."
With Stormlight I spent a lot of time planning the series. It's the one where I have the most time on. It's a different beast entirely. I went into Stormlight knowing what Dalinar's arc was, knowing what Kaladin's arc was, for the whole series and things like this. But I still did a lot...
I'm actually a big YA reader, and I became a fan of yours through your YA books; I read The Reckoners first. And I actually found-- to put it in a nice way, some resistance from some of your fans because I like your YA stuff better. But I guess my question would be, what would you say to your readers that are really stuck on Stormlight or your older books that are reluctant to read either yours or other teen books?
It's really weird to say "adult fantasy" in this context. I once had a panel where they introduced me as the "adult fantasy guy," and I'm like, "Well, yes?"
...I would say, number one kind of most important thing in this is, "Don't feel bad for liking something and not liking something else." This is a big thing to me. It is okay that I hate fish sticks, and some people in this room love fish sticks. And if we acknowledge that writing is an art, and stories are an art, then I think we have to acknowledge that like or dislike of them must kind of have an inherent subjectiveness to it. Because if we all liked the same sort of art, that would not really be a world I want to live in. So it is okay to try things out and say, "This isn't for me." Whether it's written by me or anyone else, that is perfectly all right.
Though I would also say, if you haven't given a try to a genre just because of-- there's a lot of snobbishness to art, at the same time. Like, I was reading an essay recently about how fiction has existed in this state of feeling snubbed by nonfiction, which was the "true" writing, ever since the novel was invented. But of course, once the novel was invented, we started subsetting into different genres where you could be snobbish against other people in that. And then in the subgenres, you're like, "Science fiction is better than furry fanfic," or whatever. So suddenly, all we do is, we spend time being snobbish about somebody else's art that they love. And you see this a lot in science fiction with-- Someone enters reading Eragon, and they love Eragon, and they go somewhere and say, "Eragon's my favorite book ever." And they're like, "Oh, that's just a bad ripoff of Star Wars and Anne McCaffrey." Instead of being like, "Wow, I'm glad you loved something. Welcome to our community." They're like, "Oh, you don't like the right thing." So, if you kind of let this get to you, and you haven't tried any genre, whether it be one of the YA, or a lot of people in Sci Fi/Fantasy (I won't state the specific genres) like to point and say, "Well, at least we're not as tropey as them." I think you will find, in a lot of variety of places, things that you love and you can learn from. And YA in particular, particularly when I was trying to break in, YA had started doing all the really exciting things in Sci Fi/Fantasy. So if you haven't read some Garth Nix from that era, or if you haven't been reading some of the really cool YA. (I just read the Star Touched Queen, which is amazing.) If you haven't been reading some of this stuff, YA has been doing a lot of really cool explorations of setting and genre and stuff like that, then you are doing yourself a disservice not trying it out. You don't have to like it, but I would suggest that you try it out. So that's what I would say.
For The Reckoners series, it's my understanding that the Epics appear after they've had some sort of life threatening experience to gain their powers is that correct?
No, not always.
That's what I thought after Firefight.
Not necessarily.
Where are all the [movie] rights?
Mostly, at this point, I'm keeping a lot of these rights close to my heart and not selling them off as easily as I did earlier in my career. I just don't need the money anymore. So I'm being a little more discerning, being a little slower to sign deals.
So, we have the Reckoners at Fox, with Sean Levy. I did sell Legion for a television show. That's under option right now. And we likely will sell Alcatraz here very soon for an animated show.
A lot of people ask if I will make animated Mistborn or Stormlight. That's on the table. It will depend on where some of these animation projects like the Castlevania adaptation and things like that, if this continues to be a good, viable method of storytelling. So, it's certainly not off the table, but neither are live action television shows. I really wanna see how The Witcher does. I wanna see how Wheel of Time does. I'm a producer on that. We'll see how the new Lord of the Rings at Amazon does. I wanna see how they're doing with fantasy in this sort of post-Game of Thrones world. So, we'll see. Hopefully, we'll get a really good Rothfuss adaptation out of Showtime. There's a lot of cool things happening.
So, we will see. Right now, most of the Cosmere is not under contract to anyone anymore, and I'm just kind of holding onto it. There's a company, DMG, that I've been working with on some of them. They still are involved, I still like them, but we are moving slowly, right now. We're just kind of keeping our eyes open.
So, why does Warkeeper get putting further back on the back burner, it's, like, my favorite.
So, the main reason for that is, I consider it a side project. I considered the first one a side project. And I have to be careful. The big thing is having both a YA career and an adult career. Which, both sell about the same, Reckoners and Stormlight, which are kinda my two big things, about equivalent, which means I have to make sure I'm balanced, an adult book and a YA book. And if I stop to do Warbreaker, I have to... it's much more likely to happen once I have the Wax & Wayne books done. 'Cause when that sequence is done, I'm like, "All right. I fulfilled that promise." Anyway, it's weird how I view which things I promise. Warbreaker, I've never promised people anytime soon. But starting something like Wax & Wayne, I'm like, "I am gonna do these for a while, I have to be regular with those." I don't know. I wanna write it. It will happen someday.
