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Pat's Fantasy Hotlist Interview ()
#101 Copy

Patrick

The settings of your novels often seem to be something quite different. It seems the majority of fantasy are basically earth with magic and maybe some cool animals to go along. The Way of Kings just feels different (and the Mistborn books for that matter)—harsher, darker, almost like what we would like call a wasteland. How and why did you create the world The Way of Kings in this way? The landscape of the Shattered Plains is especially unusual and evocative. Was it inspired by the landscape of the American Midwest?

Brandon Sanderson

The Southwest, particularly. My visits to places like Arches National Park, relatively close to where I live right now, certainly influenced me. More than that—and I've said this in numerous interviews before—I'm a fantasy reader foremost. Before I was a writer I was a reader, and I'm still a reader. As a reader, I grew a little bit annoyed with the generic setting that seemed to recur a lot in fantasy. I won't speak poorly of writers who used it very well—there are certain writers who used it extremely well—and yet a lot of other writers seemed to just take for granted that that's what you did. Which is not the way that I feel it should be done. I think that the genre could go many places it hasn't been before.

When I approached writing the Stormlight Archive—when I approached creating Roshar—I very consciously said, "I want to create something that feels new to me." I'm not the only one who does this, and I'm certainly not the one who does it best, but I wanted a world that was not medieval Europe. At all. I wanted a world that was its own thing. I started with the highstorms and went from there. To a person of our world, Roshar probably does look barren like a wasteland. But to the people living there, it's not a barren wasteland. This is a lush world full of life. It's just that what we equate with lush and full of life is not how that world defines it. In Roshar, a rock wall can be a lush, vibrant, and fertile place. It may look like a wasteland to us, but we're seeing through the eyes of someone who's used to Earth's flora and fauna. I've also said before in interviews that science fiction is very good at giving us new things. I don't see why fantasy shouldn't be as good at doing the same. Perhaps even better. So that's what was driving me to do what I did.

Words of Radiance Chicago signing ()
#103 Copy

Argent

The ketek in the first book ["Above silence, the illuminating storms - dying storms - illuminate the silence above"], it seems like this refers to Honor's death.

Brandon Sanderson

Mmhmm.

Argent

What does "Above silence," refer to?

Brandon Sanderson

Above a silent land. 

Argent

Hmm. Roshar, somehow? Okay, you're not gonna tell that.

And the second ketek, in Words of Radiance, similarly refers to the highstorm and the Everstorm... Is there more to it?

Brandon Sanderson

No, it's by Navani about the two [storms].

Salt Lake City signing 2012 ()
#104 Copy

Questioner

Do the Parshendi need a highstorm to change forms?

Brandon Sanderson

They do, good guess! Excellent question.

Questioner

Do they eat?

Brandon Sanderson

Do they eat? Yes.

Questioner

So, they eat like grains and stuff like that?

Brandon Sanderson

You will find out, but they do eat.

Salt Lake City ComicCon 2017 ()
#105 Copy

Questioner

How do they handle, like, trash and bathrooms in the Purelake? How does that work?

Brandon Sanderson

Fortunately, you have a couple of things going on here. You fortunately have low population. You have highstorms and driving and-- so, the waste is broken down really easily. The trash is a problem. But it's a pre-industrial society, so the trash is not stuff that doesn't ever biodegrade, and things like this, and you do have traders going through, and things like this. So, it all kind of works out. It's the low population that's really helping with a lot of this. It's not as bad, a big a deal as you would think it is...

All of Roshar has a slight issue in that you just can't bury things, but you do have the crem that comes down and hardens around things and creates a layer of stone, and things like this. In my opinion, the way I've worked it out, it all just kind of works out just fine...

It's no bigger a deal in the Purelake, in other words, than these other places. In fact it's kind of a smaller deal. Like, you might ask, like, traveling out on the greatshells in the Reshi Sea, they would have a harder problem in some ways, 'cause they have a tight population density on top of something that they also can't bury anything, and stuff like that. I just had to work out the ecology of the system to work.

Brandon's Blog 2017 ()
#107 Copy

Karen Ahlstrom

I just finished the timeline for Oathbringer, and thought you might like to hear about the process. (Spoiler warning: There may be tidbits of information in this article about the plot of Oathbringer, but I have specifically made up many of the examples I use, so you can't count on any of it as fact.)

I know that some of you think, "Brandon posted that he had finished writing Oathbringer months ago. Why do we have to wait until November before it's on the shelf at the bookstore?" This is a natural question. I asked it myself years ago when I heard similar news about a Harry Potter book. The timeline is one small part of the reason, but it will give you a small glimpse of what is going on at a frantic pace here at Dragonsteel trying to get the book ready to go to press.

You may know that I'm Brandon's continuity editor. I keep records of every character, place, spren, and piece of clothing to name just a few. The next time a person appears, I make sure they have the right eye color and eat the right kind of food. There's so much more to it than that, but it gives you an idea of the level of detail I try to be on top of.

Another thing I track is the timeline of each book. I have a massive spreadsheet called the Master Cosmere Timeline (I can hear some of you salivating right now, and no, I won't let you peek at certain corners of it).

In some of Brandon's books, there are a few main characters who spend most of their time together in the same place. For those books, the timeline is simple. Take The Bands of Mourning for instance. It's about four days long. Nobody goes off on a side quest. The timeline only takes up 32 lines in the spreadsheet because there are that many chapters. On the other hand, the current spreadsheet for the Stormlight books has over 1100 lines.

Here's a sample of the timeline spreadsheet. The white columns are the dates, which I have an entirely separate post about. In column F we have an event that happens in the book. Column E tells how long it has been since the last event. Then I have the quote from the book that I used to justify the timing, the chapter the quote appears in, and whether the event happened on the day of the chapter, or sometime in the past or future.

The timeline for Oathbringer starts on day 4 of the new year, and ends on day 100. (Which, for those of you who keep track of such things, makes the date 1174.2.10.5). My day count could change by a day or two here and there, but I'm pretty happy with how I got the different groups of people to all end up in the same place at the same time.

Why bother? Well, sometimes Brandon writes a flashback and someone is looking at a cute baby. It's important to tell Brandon that this particular kid wasn't born for another four years. A character might think to themselves, "It's been a month and a half since I was there," and though it has been 45 days, a month on Roshar is 50 days long, so it hasn't even been a single month. Brandon often glosses over those conversions in early drafts.

The most important purpose, though, comes when two groups of characters are apart for some length of time. Let's take Kaladin and Dalinar in The Way of Kings. Kaladin was running bridges for battles where Dalinar and Sadeas cooperated. Were there the same number of days in Kaladin's viewpoint between those battles as there were in Dalinar's viewpoint? The answer is no. I was assigned this job after that book was finished, and as much as we squashed and fudged, there is still a day or two unaccounted for. An interesting tidbit from The Way of Kings‘ timeline is that Kaladin's timeline has 50 days in it before Dalinar's starts. Chapter 40, when Kaladin recovers from being strung up in the storm, is the same day as the chasmfiend hunt in Chapter 12.

Going back to Oathbringer, sometimes I'm amazed at the power I have. As I go through the manuscript, I can take a sentence like, "He spent four days recovering," and simply replace the word four with two. Brandon gives me a general idea of how long he wants things to take, and I tell him what it needs to be to fit. It's a big responsibility, and sometimes I worry that I'll mess the whole thing up.

Oathbringer is the first book in the Stormlight series where I worked with a list of the storms from the start. Peter tried on Words of Radiance, but Brandon wrote what the story needed and expected us to fit the storms in around that (A perfectly reasonable process, even if it makes my job trickier). In Oathbringer though, the Everstorm and highstorm are each on a much stricter schedule. We need such exact timing in some scenes that Peter (with help from beta reader Ross Newberry) made me a calculator to track the hour and minute the storms would hit any given city.

Yet another thing we needed to calculate is travel time. How fast can a Windrunner fly? How many days does it take to march an army from here to there? Kaladin might be able to do a forced march for a week, but what about Shallan or Navani? How long could they manage 30 miles a day?

Hopefully now you can see why we've needed months of work to get this far, and will need months more to get it finished in time. At some point, we're just going to have to call it good and turn the book over to the printer, but even though you think you want to get your hands on it now, it will be a much better read after we have the kinks worked out.

General Reddit 2019 ()
#108 Copy

phoenix1362

So for years GRRM has had a yearly Song of Ice and Fire calendar.

I’d like to think the Cosmere is big enough / popular enough to get similar treatment?

I think there is some great artwork and I love seeing the collections in the leather-bound editions and things.

Brandon Sanderson

This is on our radar. Actually, because of the way the year on Roshar works, we could theoretically come up with an 18-month calendar that has our dates, Roshar dates, and list all the highstorms and Everstorms. That might be more niche than just doing a normal calendar, though.

Skyward Pre-Release AMA ()
#109 Copy

Secondskrull

Way of Kings epigraph:

"Three of sixteen ruled, but now the Broken One reigns (Odium)"

Words of Radiance back cover:

"The Bondsmith (Dalinar), born in blood and death, striving to rebuild what was destroyed."

Am I onto something?

Brandon Sanderson

RAFO.

Phantine

Actually, I have a question for /u/mistborn about that bit. The epigraphs were dictated, and honor's shattered pieces are in the highstorm. Is it "the broken one reigns", or "the broken one rains"?

Brandon Sanderson

It is reigns. (Though that is a cool possible interpretation.)

/r/books AMA 2015 ()
#110 Copy

Boogalyhu34

Do those two weather related phenomenons have something in common. They both seem to have investiture that people can draw on.

Brandon Sanderson

Weather is important to most cosmere magic.

Footnote: The weather being referred to are the mists of Scadrial and the highstorms of Roshar.
Sources: Reddit