Miscellaneous 2020

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Name
Name Miscellaneous 2020
Date
Date Jan. 1, 2020
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Entries 16
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#1 Copy

Jory Michael Phillips

You feel as strongly about Dawnshard's relevance to the series as you did about Edgedancer?

Brandon Sanderson

It's a little of an odd duck, in that it's super relevant to the cosmere, but less so in relation to Stormlight. Unlike Lift, Rysn's story isn't directly intertwined with that of the main Stormlight characters.

#2 Copy

Isaac Stewart

Art director Isaac here with an art reveal today. Recently Brandon, Kara, and Adam have been discussing publicity for Rhythm of War, and one thing that Tor has asked for is a simplified symbol to represent the Stormlight Archive on certain marketing materials.

Now, to be clear, we love the original Stormlight Archive symbol, and we are in no way abandoning or replacing it. Many readers have bought shirts and decals or have even gotten tattoos of it. We are using it in The Way of Kings leatherbound and will continue to use it as a chapter icon in Rhythm of War and future Stormlight books. So rest assured that we are not retiring this tried and true iconic symbol.

However, the symbol is complex, and it doesn’t read well at small sizes, so at Tor’s request, we’ve sought a simplified design. During this search, it occurred to Brandon and me that eventually we’ll need simplified symbols for all of the Cosmere worlds—symbols that will need to be easily recognizable from far distances—basically, space-era versions of our current symbols.

So, after hundreds of drawings and thumbnails, we’re unveiling to you now the space-era symbol for the Stormlight Archive.

We’ve built this on the skeleton of the original symbol, preserving the relationship between the sword, circle, and main focal point. Instead of extra swords, we have rays of light. Instead of the complex double-eye of the Almighty, we’ve chosen the burst of light from the original Cosmere symbol.

Going forward, we will actively use both this symbol and the original in promoting the Stormlight Archive, and eventually you can expect space-age versions of many of the current Cosmere planetary symbols.

#3 Copy

Argent

Hey Peter,   I've been meaning to ask you about this since Alice's article on the Heralds went up. In it, she lists each Herald's role (e.g. Jezrien is the King, Battar is the Counselor, Kalak is the Maker, etc.), and I noticed that those same roles were listed (but not used) in the Radiant Quiz as the archetypes for each Order. Some of these show up in the books, but a few don't, and the source for those appears to be an old old email from you. I wanted to know how canonical these are, and whether I can include them in the Coppermind (and if I can, it would be nice to know what they are - roles, titles, archetypes?)

Peter Ahstrom

These, along with Jester, are the names of the Photoshop layers for the faces on the chapter arches. Since the words themselves don’t really appear in the books, I couldn’t say that they’re canon. In our internal wiki we call them Face/Title. I don’t have an opinion on putting them in the Coppermind.

Footnote: The roles, starting with Jezrien's and going clockwise, are: King, Judge, Guard, Healer, Scholar, Artist, Counselor, Maker, Soldier, and Priest.
#5 Copy

Brandon Sanderson

The time has come! Though I’ve had an instinct for many months that the title of Book Four would be Rhythm of War, I had to make certain it fit into the last chapters of the book as I wrote them.

Indeed it does, and I feel comfortable announcing this at long last as the official title of the book. Like previous titles in this series (The Way of Kings, Words of Radiance, and Oathbringer) this one is taken from the title of an in-world volume of text. To tell you more would, of course, be a spoiler. Let’s just say that this is the first of one of these in-world books that has involved the writings of someone who is not human.

I’m hard at work on revisions, and am excited for the end of the year—when I can finally share Rhythm of War with you all!

#6 Copy

Isaac Stewart

It’s been a dream of ours here at Dragonsteel to get to work with Donato on a piece of epic fantasy art depicting a scene or character from one of Brandon’s books. We were admirers of Donato’s work even before he created the illustration for “Firstborn” on Tor.com, and wow, did he create something beautiful there. So when Brandon came to me with the idea of paintings of all ten Heralds from the Stormlight Archive, the first person that came to both of our minds was Donato.

And again, Donato has knocked this one out of the park. His rendition of Taln (Talenelat’Elin) is gorgeous. It strikes the right balance between realism and symbolism, and gives us a heroic, yet tormented, version of this beloved Herald. We love what Donato has done!

We have several paintings of the Heralds in the works, so this one is likely to appear on the end pages of this book or the next, depending on which Heralds we feel look good together and best represent the themes of the books.

#7 Copy

Christopher Paolini

Without spoilers, what can readers look forward to? [In Rhythm of War]

Brandon Sanderson

There is a character moment that was one of the pillars of my outline from the very beginning. This scene that I was working on. There were only two or three scenes that were core pillars. My beta readers feel like it landed. There won’t be a moment like this again until Book 7 or 8.

#8 Copy

Christopher Paolini

Will we ever get anything from Wit’s point of view? Maybe an interlude?

Brandon Sanderson

Each book has an epilogue from Wit’s point of view. You will eventually get his backstory. That’s a three-book series that I’m planning after the Stormlight Archive narrative is done, so I’ve gotta keep moving! I actually think it would be fun some time to write a novel of him telling a story.

#9 Copy

Brandon Sanderson

Writing the climactic sequence of Rhythm of War was the culmination of decades of planning and hoping. “It’s one of the big touchstone moments from when I built the outline all those years ago. When I was first trying to break in, I wrote so many first novels,” he says. “You can’t sell book three of a series if a publisher rejected book one, which meant I was creating all these outlines for huge series I never got to write. Young Brandon wished he could write some of the cool things he’d imagined for later books. This one I actually got to execute, and it was so satisfying. I finally got to a book four.”

#10 Copy

Geck O Kerr

In Mistborn, where are people getting their metals from? Mining is *never* mentioned. Skaa/workers work in fields and factories etc but mining (atium excluded) is never mentioned. Wouldn't noble houses (particularly in era 2) want to own mines?

Brandon Sanderson

Indeed! But most of the best mines were not in the central dominance, so they didn't play as often into the story. You should expect mining all across the land, but do remember that the amount of metal used by allomancers (who are still relatively rare) doesn't really impact how much needs to be mined. Compared to what's needed for industry and the like, the amount used by allomancers just doesn't figure in. And so what is produced in the Final Empire would be similar to what would be in any other nation of their tech level.

#11 Copy

Brandon Sanderson

As Elantris was getting published, I sat down and did an outline for the Mistborn trilogy (which I expanded to nine books in the middle of that outline" and said, "What if I made this backbone series to the cosmere?" (As I was then kind of officially calling it in my head.) I went to my editor, I pitched it; I talked about Adonalsium, this god who was Shattered long ago, and sixteen individuals took up pieces of that god, the Intents of the god. Like that god's Honor, or that god's sense of entropy (which was called Ruin) or things like this, and then went out into the cosmere and were kind of ruling over these planets, or involved in these planets, or sometimes just lightly touching these planets. The sixteen Shards of Adonalsium, as we call them.

#12 Copy

Brandon Sanderson

At long last, after two years of hard work, I’m pleased to present to you Rhythm of War, the fourth book of the Stormlight Archive. I won’t give you a pitch on the book, since by now I suspect you know whether or not you’re going to be reading it. (And if you’re not certain, you’d start with Book One anyway.) Instead, I present to you a few little tidbits about the story.

Part One

Favorite chapter in Part One: Chapter Twelve

Most difficult chapter in Part One: Chapter Seven (Getting the foreshadowing and viewpoints right required a lot of revision.)

Part Two

Favorite chapter in Part Two: Chapter Thirty-Four

Most difficult chapter in Part Two: Chapter Twenty-Four (This is one of the new chapters I had to add late in the process, in order to make this viewpoint sequence work.)

Part Three

Favorite chapter in Part Three: Chapter Sixty-Six

Most difficult chapter in Part Three: Chapter Sixty-Seven (This viewpoint character had a lot of revisions through the process to get them right.)

Part Four

Favorite chapter in Part Four: Chapter Eighty (This is actually my favorite chapter in the book.)

Most difficult chapter in Part Four: Chapter Ninety-Three (Probably the single most revised chapter in the novel, and it required a lot of continuity, delicate foreshadowing, and help from beta readers.)

Part Five

Favorite chapters in Part Five: a sequence that starts in 105 and ends in 110. This is actually a central sequence from my very early outlines, which I’ve mentioned I’ve been waiting over a decade now to share with you all.

Most difficult chapter in Part Five: Chapter 105. You’ll see why.

#16 Copy

Brandon Sanderson

Hey, welcome to the Brandon Sanderson Frequently Asked Questions. We're going to take some of the questions I get the most often and record me answering them on YouTube. And our first one is, "What is the Cosmere?" This is indeed a frequently asked question. Most interviewers ask me this when I begin, though most fans have kind of figured it out by now. The Cosmere is my shared universe of epic fantasy stories. What happened is ... when I was 16-17 and was really getting into science fiction and fantasy, I read Isaac Asimov's later Robot books—later Foundation books, actually—he was combining Foundation with the Robot novels, and it blew my mind. I had never seen anything like this before. Now, granted, Marvel in comics and DC in comics had been doing shared universe for a long time with continuous continuity across multiple books. But in novels, Asimov was the first person I saw do something like this, and it really, really interested me.

Meanwhile, as I'd been reading these books, I really got into Anne McCaffrey's books, one of the very first authors I read, and then I got into Melanie Rawn's books, and then I got into David Eddings, and I got into Tad Williams, and I got into—I was just reading a lot of books. And however my mind works, I started to add my own characters to their books. It's a very weird thing. I've found out that other people do it too. So, I guess it's not individually weird, but we are collectively weird, those of us who do this. I would be reading a book and imagine a backstory to this side character, because I wanted to add something to the book, put something of myself into it, I guess. And then later on I'd pick up a different book by a different author and I'd be like, "Ooh, this side character, that's secretly the same person in disguise." And I started imagining this kind of back story where characters that I had devised were jumping between these different worlds and were having this big adventure behind the scenes where they were slipping in and out of other people's epic fantasy worlds. And I thought that was just really fun. It's something I continued doing all through my teens and 20s as I was reading. I still do this a little bit with games and books I read. I'll rewrite the story to match how I want it to be for me, particularly in video games, which gives me volition over my character. So, I figure I should be able to change what the character says, even if the dialogue option isn't there. My canon version of various video games is very different from the actual canon version.

Regardless, I had this character, Hoid, who was jumping in and out of books. When I started writing my own books in my early 20s, I started adding him as cameos to my books. I wrote 13 novels before I sold one. Book 6, Elantris, is the first one that got published, and it's the first time where I really sat down and said, "You know what? Epic fantasy is really what I want to do. Let's start building something here." And so, I wrote Hoid into that book. Then I wrote a book called Dragonsteel, where I jumped back, and I told his backstory on a different planet. Then I wrote something called Aether of Night a little bit later, where I delved into what had happened to some of those characters on a different planet far, far in the future. And I started building this thing that I called the Cosmere, which was an interconnected world of all these epic fantasy stories that people were moving around behind and jumping in and out of these worlds with different magic systems and different lore, but [which] all had some fundamental rules for the way the magic worked and where all these places had come from.

Well, eventually I sold Elantris, and Hoid was in there as a cameo. And I'd been giving a lot of thought to the Cosmere at that point. So as Elantris was getting published, I sat down and did an outline for the Mistborn trilogy, which I expanded to nine books in the middle of that outline and said, "what if I made this backbone series to the Cosmere", as I was then kind of officially calling it in my head. I went to my editor. I pitched it. I talked about Adonalsium, this god who was shattered long ago and sixteen individuals took up pieces of that god, the intents of the god, like that god's honor, or that god's sense of entropy, which was called Ruin, or things like this, and then went out into the Cosmere and were kind of ruling over these planets, or involved in these planets, or sometimes just lightly touching these planets. These sixteen Shards of Adonalsium, as we call them. And I grew, out of Mistborn and Stormlight, this idea for this large, super mega series, so to speak, behind the scenes.

Part of where this came from was me knowing that, as a new writer, pitching people on something that big was going to be tough. But if I could sell them a standalone novel like Elantris, they would be more likely to try that out, or a standalone trilogy like Mistborn. So, the whole goal was to have this hidden epic behind the scenes. And I wasn't even sure if I was ever going to get the chance to do more with it than just have it be cameos. You'll notice, if you watch for Hoid in the early books, they're just very cameo-ish. He briefly shows up here and there. In Mistborn 3 he's mentioned by name and you see him off in the distance. You don't even talk to him. This is because I wasn't sure if this was going to fly. One of the things that is difficult, particularly about storytelling back in the ‘80s and '90, was that you couldn't always rely on your audience being up to date with everything in the series. You couldn't expect them always to re-read everything. A lot of the books from the ‘80s and ‘90s will take a large chunk at the beginning to try to catch you up to speed in as non-annoying a way as possible. Well, that all changed once the Internet came around, and we were all able to just go look up summaries, or if we forget a character go to the wiki and find about them and things like that, which really is what I believe allowed something like the Marvel Cinematic Universe to actually exist and work, to have this deep and complex continuity.

And I was writing books just by happenstance that was doing all of this at the same time that this became a viable way of telling stories, at least a more viable way of telling stories. And people really latched onto the Cosmere and gave me the opportunity to really launch into it deep, so that there's a lot of interconnectedness growing between the books, as I always dreamed that I wanted to do but I wasn't sure if anyone would go along with me in it. And people have.

So, there's the long version of "What is the Cosmere?". The short version is it is my interconnected world of stories. But the long version is, it is the mega epic hiding behind the scenes, starring characters who make cameos in the other books.

Event details
Name
Name Miscellaneous 2020
Date
Date Jan. 1, 2020
Entries
Entries 16
Upload sources