Where were you in your writing process for Elantris-- I know it was your sixth book and you were on your nineteenth when you got it published or--
Yeah, good question.So, where was I in my process when I wrote Elantris and when I got published, which was my sixth novel. So what happened with my career, it's kind of a very weird thing. You find that everybody has a different path to success as a writer. I heard early on that your first five books are generally terrible and this was really relieving to me, because I--a part of my brain-- this would not-- someone else, this might've been the worst thing to tell them. But for me it was the best thing because my brain said, "Okay, good, you don't have to be any good at this for your first five books".
And so my first five books I experimented quite a bit in story and tone. I did a gritty cyberpunkish thing. I did a comedy. I did an epic fantasy. I tried a lot of-- I did a space opera. I did a lot of different things. And once I had done all that, I came back and said, "You know, my first love is epic fantasy, and it's what I really want to do." So I sat down to write book number 6, which was Elantris.
And at that point, I had gotten a few books underneath me. I kind of knew what I was doing, though I was not-- I hadn't figured out my process quite as well as I would have liked. Elantris and a lot of the books during that era I did a lot more discovery writing, and I naturally am better when I have a stronger outline. But that's where I was.
My biggest weakness as a writer at that point was revision. I had spent those five early books just trying different things, and that permission for me to not be good yet also kind of gave me the psychological ability to be like, "Well, I don't have to revise this one, because I don't have to be good yet." But what that meant is I didn't practice revision. So once I finished Elantris, I was not good enough yet to know how to take a good book and make it great. So it went the rounds in New York and got rejected; rightly so, because it was very flabby and had not been focused. And I know, from a guy who writes thousand-page books, focus is a weird thing to say. *laughter*
And so, when I actually sold Elantris to Tor, it was after it had gone through four or five drafts and I had finally sat down and kind of buckled down and said "I need to learn revision and learn how to make my books better". So I sold it right after-- right while I was working on Way of Kings in 2002, 2003, somewhere around there.