Michael M. Jones
What was your inspiration for Skyward?
Ever since I was young, I’ve loved the quintessential “boy and his dragon story.” My favorite is Jane Yolen’s Dragon’s Blood. It was one of the very first fantasy books I ever read, and it left a lasting impression on me. But there was also Anne McCaffrey’s The White Dragon, Christopher Paolini’s Eragon, and the How to Train Your Dragon film series. I love this archetype of story, and I’ve always wanted to do one, but I held off until I could find a new direction in which to approach it. Eventually, it drifted away from “a boy and his dragon” towards “a girl and her spaceship.”
About four years ago, I hit on this idea, but I only had the framework. I still needed setting, characters, things that would really make me excited about the entire story. As a writer, it’s always about digging down deep into what I love about certain stories—what are the essential elements, what are the concepts that thrill me, and can I build those back up into something new? The more I built this back up, the more excited I became.
For most things, like worldbuilding and plots, I do outlines. But characters develop by instinct, as their voices emerge. The character of Spensa came to me almost fully formed. I was intrigued and enthralled by the idea of this girl who had been raised on stories from our world, the myths and legends, even ones we know are fiction like Conan the Barbarian. She sees herself as the latest in a long line of warriors, except her actual job is hunting rats and selling them for meat on the street. She has this idea of who she should be, what her destiny is, but in real life she’s just barely getting by. Characters come out of conflict, and hers is the contrast between what her life is like and what she thinks it should be, the difference between perception and experience.