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Skyward Seattle signing ()
#1 Copy

Questioner [PENDING REVIEW]

How does the destructor blast for a Poco not destroy its own shield

Brandon Sanderson [PENDING REVIEW]

In Skyward, I have the shields work directionally, the same way a lot of science fiction does. Like you could fly out of a hangar bay that has a shield on it, but you can't fly back into it unless they change the frequency and stuff like that. That's how things are working for me. They will let things not come in but will let things go out. It's Sci-Fi technology that's kind of an old stand-by for how shields work and I just kind of rely on that one.

Skyward Pre-Release AMA ()
#2 Copy

NotOJebus

What do you feel is the main difference between writing sci fi and fantasy is? Did you learn things in writing Skyward that you feel will help you write Mistborn Era 4?

Brandon Sanderson

For me, it's a fine line, because I'm not writing Hard SF--but instead, a kind of hard fantasy. So my books tend to ride the line between SF/Fantasy anyway. And Skyward is straight up space opera, I'd say--most of the technology that we use in the books is fantastical anyway.

In SF, I feel I can lean on shared vocabulary a little more. This has been particularly handy in the novellas I've done, where we can use Earth as a reference point. Modern (and beyond modern) communication, and expectations of character education, also play a big part in changing how I approach the stories.

In some ways, it comes down to different storytelling traditions, and what they each afford you. Again, though, it would be different if I were writing hard SF.

The Great American Read: Other Worlds with Brandon Sanderson ()
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OrangeJedi [PENDING REVIEW]

She noticed that the race in Skyward that the people are fighting are Krell, and that there are krell in Sixth of the Dusk.

Brandon Sanderson [PENDING REVIEW]

That is not a direct connection. It's just, the Krell are a race of aliens from Forbidden Planet, one of my favorite classic science fiction movies, and I'm just doing it in Skyward as an homage to that. Krell in Sixth of the Dusk is just me looking for a thing that sounds like the right name for the thing.

OrangeJedi [PENDING REVIEW]

So they're completely unrelated?

Brandon Sanderson [PENDING REVIEW]

Completely unrelated. Other than the fact that I've watched Forbidden Planet, like, six times.

Oathbringer release party ()
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Brandon Sanderson [PENDING REVIEW]

I talked a bit about it, in the Write About Dragons lectures at BYU, I just had the idea. I realized that a lot of my favorite stories were kind of like these boy-with-a-dragon-egg stories, right? One of my favorite stories of all time is Dragon's Blood, by Jane Yolen. Just, absolutely amazing book. And I thought, that's the kind of story I like, but it's been done to death. But then I thought, hey, I can do a different version of that. So, this story, basic premise is How To Train Your Dragon, but instead it's a girl who finds a spaceship, and goes to Top Gun school. So, it's like a mashup between Top Gun and Ender's Game and How To Train Your Dragon with an old broken down spaceship with a really weird personality. And I'm going to read you the prologue of this, which happens when the main character is rather young.

Skyward Pre-Release AMA ()
#7 Copy

zorro_pickanalytics

Did you know from the start Skyward would be a good fit for an existing world or was it something you realized after starting to develop the story?

Brandon Sanderson

It was once I started developing the story. I often am working on the elements of stories separately before I combine them into one whole--and so it wasn't until I sat down to do the outline, officially taking several pieces of various story ideas and combining them--that I knew for certain that this was a good fit.

Skyward Pre-Release AMA ()
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KillerSlipper

What was your biggest challenge when writing Skyward? And possibly as a follow on - are there any new challenges or surprises that come to you as a writer even after all these years of doing it ?

Brandon Sanderson

The biggest challenge to Skyward was getting the actual fighter-pilot stuff right, followed closely by the fact that I didn't really have a safety net for this book. Having already pulled a book from the publisher, and having a very small time to get this one written, I felt I really needed to nail it on first try--and I did, fortunately.

State of the Sanderson 2017 ()
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Brandon Sanderson

Updates on Main Projects

Mistborn

Wax and Wayne 4 is on the slate next after I finish Skyward. (Though if it's going well, I may do the entire trilogy for Skyward first.) I need four or five months at least to do Wax and Wayne, so rain or shine, my plan is to get into this on September 1st at the latest. Hopefully a little earlier.

This will wrap up the second era of Mistborn books. (And yes, I've settled—at long last—on just calling it that. All the other terms I tried were just too confusing.) Once the Wax and Wayne books are done, I'll look to do something else for a little while before coming back for Era Three. (1980s spy thriller Mistborn.)

Status: To be written in 2018.

Skyward Pre-Release AMA ()
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R'Shara

Hey, is Brandon willing to tell us which universe Skyward is in yet? He said a while aback that it was in a universe (not cosmere) that he'd written before.

Brandon Sanderson

So, here's the thing--it's a pretty big spoiler. Meaning if you know the novella this is tied to (and it's one of the ones mentioned in this thread) you'll know a moderately large plot point in the book.

It's not the type of spoiler that will ruin a story--I do think some readers would enjoy watching how I lace them together. But do be warned that if you haven't read my science fiction novellas, and you hate spoilers, you might want to wait until Skyward is out to read them.

That said, if you know the terminology of the novellas in question, you'll find your answer in chapter seventeen.

Skyward Houston signing ()
#14 Copy

Questioner [PENDING REVIEW]

In this book [Skyward], you have a little bit of telepathy and teleportation. So, was that magic?

Brandon Sanderson [PENDING REVIEW]

Yes, absolutely.

Questioner [PENDING REVIEW]

So it's fantasy and sci-fi?

Brandon Sanderson [PENDING REVIEW]

What it is is, sci-fi trappings. But my science in this is pure magic.

Publishers Weekly Q & A ()
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Michael M. Jones

What kind of research did you do?

Brandon Sanderson

Mainly, it was about fighter pilots and what they go through, what g-force feels like, stuff like that. I'm indebted to a couple of real-life fighter pilots for helping me to get it right. Also, I had to research what it's like to live in societies where the machine of war grinds people up out of necessity to keep the country alive, what it does to them. I took inspiration from real-world regimes to create an amalgamation, which still doesn't go as far as it could have. I just included subtle markers to the reader to suggest the sort of stress they live under.

Publishers Weekly Q & A ()
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Michael M. Jones

What was your inspiration for Skyward?

Brandon Sanderson

Ever since I was young, I’ve loved the quintessential "boy and his dragon story." My favorite is Jane Yolen’s Dragon’s Blood. It was one of the very first fantasy books I ever read, and it left a lasting impression on me. But there was also Anne McCaffrey’s The White Dragon, Christopher Paolini’s Eragon, and the How to Train Your Dragon film series. I love this archetype of story, and I’ve always wanted to do one, but I held off until I could find a new direction in which to approach it. Eventually, it drifted away from "a boy and his dragon" towards "a girl and her spaceship."

About four years ago, I hit on this idea, but I only had the framework. I still needed setting, characters, things that would really make me excited about the entire story. As a writer, it’s always about digging down deep into what I love about certain stories—what are the essential elements, what are the concepts that thrill me, and can I build those back up into something new? The more I built this back up, the more excited I became.

For most things, like worldbuilding and plots, I do outlines. But characters develop by instinct, as their voices emerge. The character of Spensa came to me almost fully formed. I was intrigued and enthralled by the idea of this girl who had been raised on stories from our world, the myths and legends, even ones we know are fiction like Conan the Barbarian. She sees herself as the latest in a long line of warriors, except her actual job is hunting rats and selling them for meat on the street. She has this idea of who she should be, what her destiny is, but in real life she’s just barely getting by. Characters come out of conflict, and hers is the contrast between what her life is like and what she thinks it should be, the difference between perception and experience.

Oathbringer Glasgow signing ()
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Questioner [PENDING REVIEW]

Skyward. Is that gonna be a Cosmere story?

Brandon Sanderson [PENDING REVIEW]

Not right now... I've decided mostly. It's possible I'll pull it out, but I feel like I need to reference Earth for some of the things I'm doing. That's kind of my baseline.

Skyward Pre-Release AMA ()
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Jofwu

I'm really hooked by the "girl and her dragon" idea. Were there any fun or interesting things you were able to explore by virtue of replacing the dragon with a spaceship? That is, it's easy to imagine the fun similarities, but I'm curious if there were any notable differences introduced by that swap.

Brandon Sanderson

Hm... Well, normally in the dragon egg story, a trope is that the dragon needs to learn how to fly/fight and the trainer needs to learn with them.

Here, the ship knows how to fly--but is busted up. So there's a lot of fun in the story relating to how exactly to get parts for the ship--which leads to a completely different style of storytelling.

Oathbringer San Francisco signing ()
#20 Copy

Questioner [PENDING REVIEW]

So, you always talk about how you're an outliner. So, what do your outlines look like, and how long are they ranging from your YA books to something like Stormlight?

Brandon Sanderson [PENDING REVIEW]

So, the one for the new book, Skyward, is about five pages long, and it's mostly-- first it's "Here's the worldbuilding paragraph," there's a bunch of headings and paragraphs. Characters, about a paragraph or two about each one. And then five parts, I tend to do a lot of five act things. So, prologue, part one, part two, part three, climax. Just a bunch of bullet points.

Questioner [PENDING REVIEW]

And how long would one be for, like, Oathbringer?

Brandon Sanderson [PENDING REVIEW]

Oathbringer one's, like, 30 pages.

State of the Sanderson 2018 ()
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Brandon Sanderson

My Year

January-March: Skyward and Legion Revisions

I kicked off the year quickly doing a second draft of Skyward. Pulling The Apocalypse Guard from the publisher, then promising them Skyward to publish in the fall of 2018, meant that I had to scramble. It wouldn't do to pull a book I judged to be of inferior quality, only to replace it with a book that I didn't have time to revise up to my standards. So you'll see a number of months dedicated to Skyward. (Which, if you somehow missed it, did come out—and is still sitting quite happily on the New York Times bestseller list many weeks later, so thank you all very much!)

Another thing I'd been putting off for months was the necessary revisions of the third Legion story. Tor was quite patient with me on this one, considering the Legion collection was scheduled for publication in the fall as well. But during these three months, I did multiple revisions of both books, eventually getting Legion into a polished state. (There was one more draft of Skyward still to do.) Legion Three, Lies of the Beholder, can be found in the Legion collection that was published earlier this year.

Finally, somewhere in here, I squeezed in an outline and world guide for Death Without Pizza. (Yes, that's a name change—no it's not the final name, but just a placeholder.) More on that later.

April: Children of the Nameless

Sometime around March of last year, Wizards of the Coast sent me an exploratory email. It being the 25th anniversary of their card game, they were wondering if I'd be interested in doing a story with them. As most of you know, I'm quite the fan of Magic: The Gathering. It's my primary hobby, and I have way too many cards. (Which still aren't enough, of course.) I was enthusiastic, and you can read more about the process I used to approach the story in this blog post.

I knew that by doing so, and by writing the story as long as it ended up, it would make getting to some of my other projects later in the year more difficult. (Namely, the fourth Wax and Wayne book, which I'll talk about shortly.) But this was kind of something I had to do, so I ask your forgiveness in taking this detour to Innistrad. I'm exceptionally pleased with the story and the response it has gotten, so if you haven't read it, I present it to you here! Reading it requires no prior knowledge of the card came or the lore surrounding it.

May: Skyward Final Draft

How long it takes to write a story depends on a lot of factors, but in general, three months gets me around 100k words. Shorter stories, with fewer viewpoints, tend to be faster—while longer stories with more intricate plotlines (like Stormlight) tend to take longer. But that's just for the rough draft. Generally, doing all the other drafts takes an equivalent amount of time to the first draft. (So, if the first draft takes three months, the second through fourth drafts will together take another three months.) You can see this at play in Skyward, which took about three months to write in the end of 2017, then took three additional months of revision to polish up.

I did sneak in a little time to do an outline for a piece called The Original in here as well, which took about a week. I'll update you on that in the secondary projects section.

June–August: Starsight First Draft

And, speaking of three month first drafts, here we get me buckling down and doing the sequel to Skyward. It's finished in its first draft form, and dominated my summer. In here, I also did detailed outlines for the third and fourth books of the series. (And this is where I determined for certain that the series would need to be four books instead of three.)

September–October: Odds and Ends

In these months I had some travel to record episodes of Writing Excuses, I did a quick second draft of Starsight to send to my publisher, and I did some revisions to Children of the Nameless. I also did more work on The Original, Death Without Pizza, and Alcatraz Six (AKA Bastille vs. the Evil Librarians, or Alcatraz vs. His Own Dumb Self). Finally, I slipped in some brainstorming with Dan Wells on how to fix The Apocalypse Guard.

Basically, I knew that November would be mostly lost to touring, and I was scrambling to get some work done on small projects to clear my plate for 2019, which will be dedicated to working on Stormlight Four.

November: Skyward Tour

I spent most of November on tour for Skyward, and quickly finishing up final revisions on Children of the Nameless. I got to see a lot of you while touring for the book, and had a blast—but these tours get more and more difficult as the lines get longer and longer. The tour for Stormlight Four in 2020 might require me to do some things I've been dreading, such as limit the lines to a certain number of tickets. It makes me sad to contemplate, but I'll keep you all in the loop about what we decide to do.

December: Death Without Pizza

I needed a break from all the other things I've been doing, so in classic Brandon style, I worked on something fresh and new to give myself a breather. This was where I was going to do Wax and Wayne Four, but doing Children of the Nameless meant that instead of three months extra space at the end of the year, I only had one month. (As CotN had taken one month to write, and one month to revise.) I had the choice of pushing back the start of Stormlight Four, or doing something else for this month and trying to sneak in W&W 4 sometime next year. I chose the latter. It's important to me that I let myself do side projects to refresh myself—but I also think it's important to keep to my Stormlight schedule. It would be too easy to keep putting off the big books until they stretch to years in the making. I told myself I was going to divide my time in half between Stormlight and other projects.

The truth is, I'm getting really anxious about getting back to Stormlight. That's a very good sign, as once I finish a Stormlight book, I'm usually feeling quite burned out on the setting, and need a number of months to recover.

State of the Sanderson 2017 ()
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Brandon Sanderson

Updates on Main Projects

Stormlight

It's time to take a little breather. I've begun working on the outline for book four, which is kind of a mess right now because of things I've been moving around between books as I write. My goal this year for Stormlight will be to have rock-solid outlines for books four and five done by December 2018.

My current projection is that I'll spend half of my time writing Stormlight, and half of it doing other things. (I spoke last year about just how big an undertaking a Stormlight book is–and why I can't write them back to back.) I realize that many of you would prefer to have only Stormlight, but that would drive me insane–and drive the series into the ground.

I think this is a realistic schedule. So, I'm giving myself 2018 to work on Skyward (hopefully a trilogy) and other projects. Then on January 1st, 2019, I go back to Stormlight refreshed and excited to be back in Roshar, and I write on book four until it's done. (With a 2020 or 2021 release, depending on how the writing goes.) I do hope to find time for a novella, like Edgedancer, that we can put out between books. This one is tentatively called Wandersail.

For those who don't know, The Stormlight Archive is a ten-book series composed of two five-book arcs.

Status: Writing outline for book four.

Skyward Pre-Release AMA ()
#25 Copy

Questioner

Is there anything in particular that majorly influenced the path that Skyward took at any point?

Brandon Sanderson

There's a big reveal at the ending that, once I came up with it, made me really excited to write the book - but you'll have to read it to find out.

Skyward Houston signing ()
#28 Copy

Questioner [PENDING REVIEW]

Did you know Hurl's fate before you started writing it all?

Brandon Sanderson [PENDING REVIEW]

Yes, I built that all out in the outline. I needed somebody who was the image of Spensa who went the wrong way, as kind of like a model for what she would see herself in. And part of the inspiration for Skyward is Top Gun, which has that as a major theme. So it was a very natural sort of thing to weave into the story as I was going.

Emerald City Comic Con 2018 ()
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Brandon Sanderson [PENDING REVIEW]

We'll have the Skyward beta coming up soon.

Questioner [PENDING REVIEW]

Oh cool. Yeah, I'll bug Kara and Peter. See if they need some help with that.

Brandon Sanderson [PENDING REVIEW]

Mhm, yep. We need teenagers for that one. We're going to have a separate teenager one, because it's a YA, and an adult one. And the adult one is to find all the nitpicky stuff, and the teenager one is just "respond to each chapter, what did you think of it?"

Skyward Atlanta signing ()
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Questioner [PENDING REVIEW]

For Jerkface. Was he supposed to stay a jerk, or did you want him to...?

Brandon Sanderson [PENDING REVIEW]

I planned out his arc. I tried very hard to evoke Malfoy, Crabbe, and Goyle. I tried very hard to evoke that, and then try to pull the rug out from underneath that. Whether I was successful or not, depends on your interpretation, but he was always supposed to be.

And the real fun and twist to this book is, Spensa's kind of the bully, but she presents him as the bully. And hopefully, as you read, you're like, "Wait a minute..."

Oathbringer Houston signing ()
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Brandon Sanderson [PENDING REVIEW]

...[Skyward] is teen, 'cause it's in my Reckoners line, and it's a story I've been playing with for some four years now, and I built an outline, and it's kind of like a cross between How to Train your Dragon and Top Gun, with starfighters. A girl finds an old broken-down starship with a really screwy AI that she thinks she can get up and running. In the meantime, she gets into starfighter school and is learning to be a pilot, and there's all kinds of mysteries and things about the nature of really what's happening with the planet why they're being attacked, and things like that. It's a whole lot of fun.

Skyward Atlanta signing ()
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Questioner [PENDING REVIEW]

In Skyward, what is your callsign? And what was the process for creating so many callsigns?

Brandon Sanderson [PENDING REVIEW]

My callsign is Mr. Prolific. That probably wouldn't work as a good callsign, but it was my callsign way back when I was in my writing group, my first writing group with my friends.

The process was, actually, I wanted to pick a callsign that used the same sound as their real name, to help people keep them straight. Because you basically have a double number of names in the book. So same letter or same sound, creating it. And I just started with that letter or sound. And then I wanted them each to feel distinctive. If they're all, like, initials. Or they're all one-syllable names, it can be really easy to mix them up. So I wanted some that were two or three syllables. Some that, they wanted to reinforce who the character was sometimes, things like that. That's where I went on that.

State of the Sanderson 2017 ()
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Brandon Sanderson

Projected Schedule

My projected publication schedule looking forward swaps The Apocalypse Guard out for Skyward and moves the Legion collection into the place of Wax and Wayne 4, reflecting what I actually wrote this year. (Note, these are always very speculative. And Peter is probably already worried about Stormlight 4.)

September 2018: Stephen Leeds/Legion Collection

November 2018: Skyward

Fall 2019: Wax and Wayne 4

Sometime 2019: Skyward 2

Sometime 2020: Stormlight 4

Sometime 2020: Skyward 3

Publishers Weekly Q & A ()
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Michael M. Jones

One thing we tend to expect in YA is the presence of romance. There's no real sign of it in Skyward, though. Was this your intention from the start, or did the characters just not work out that way?

Brandon Sanderson

It was more the characters. In my first draft, I tried to shoehorn a romance in. I like romance; you'll find them in my adult books. But here, it didn’t fit the characters or the theme, and it felt inappropriate. This is a very traumatic time for Spensa, who's focused in every way on becoming a pilot and finding out the secrets of her past, and romance just didn't work. So I revised in the direction the characters demanded.

The obvious pairing was Spensa and Jerkface. That’s where I was trying to go, but it felt like a cheesy romance in the middle of an action-adventure story about finding out who you really are, and about going into battle, and all of that stress and pressure. Maybe someday I'll release the deleted scenes and people can see how poorly it worked.

Skyward Houston signing ()
#38 Copy

Questioner [PENDING REVIEW]

Why didn't Spensa just go home to get food, instead of just having to hunt?

Brandon Sanderson [PENDING REVIEW]

Well, there's a couple of reasons. Number one, she's kind of independent and strong-headed, and doesn't want to admit that she can't do it. And number two, she needed that time to work on M-Bot. If she were going down and coming back up, she wouldn't have the time. But she would set snares for rats, which she checked in the off-time, which meant that it saved her a lot of time eating only rats.

State of the Sanderson 2017 ()
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Brandon Sanderson

My Year

January–June: Oathbringer Revisions

I spent most of this year doing revisions for Oathbringer. I did several exhaustive drafts during the January–June months, and did the final handoff to Peter (for copyediting and proofreading) right at the end of June.

June–Mid September: The Apocalypse Guard

Then, for the first time in what felt like forever (it was really only about sixteen months), I got a chance to work on something that wasn't Oathbringer or Edgedancer. I launched right into The Apocalypse Guard, the follow-up to The Reckoners…and it didn't work. I spent July, August, and part of September writing that. (I finished the last chapter sometime in early September, and turned in the second draft a few weeks later.)

September–October: Legion 3

I was already feeling a little discouraged by that book not quite coming together, though at that point I assumed I'd be able to fix it in revisions. (Well, I still think I can do that–I just think it will take more time.) Mid-September, I launched into Legion Three: Lies of the Beholder. That took around a month to finish, bringing us to mid-October. By then, I knew something was seriously wrong with The Apocalypse Guard, as my revision attempts were fruitless. So, I called Random House and pulled the book–then launched into Skyward.

October–November: Skyward

I have been writing on that book ever since, and you can read the blog post yesterday about that.

November–December: Oathbringer Tour

The tour was wonderful–somehow both exhausting and energizing at the same time. Here are some of the fan costumes that showed up this year. Thank you all for coming out to see me!

December so far: Skyward

Unfortunately, and I know you guys know to watch for them, there are no hidden or secret novellas or books for this year. I have been running around feeling behind all year, first on Oathbringer, and then trying to find a replacement for The Apocalypse Guard.

General Reddit 2017 ()
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Torrieltar

For those who haven't seen this before, Brandon recently updated his website to show that he's started working on a new "Mystery Project".

Anyways, Brandon mentioned in his interview with Crendor that, over the summer, he finally managed to craft a really solid outline for "The Dark One", and I'm almost certain this is his mystery project.

"The Dark One" is a Cosmere YA story that has stymied Brandon for years on end, so it'd be no surprise that he'd want to write it as soon as possible now that he's "finally cracked it" and has a storyline he's confident with. I can just see him cackling at the idea of springing this on us out of the blue after all these years. We're on to you, Brandon!

Brandon Sanderson

It was almost Dark One...but I have other plans for that right now.

This is a different book that has been brewing for many years that I finally decided to work on. I probably won't talk about this until State of the Sanderson, though, because it will take some explaining.

Skyward Pre-Release AMA ()
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Questioner

Which character was the hardest to write and to which one do you relate the most?

Brandon Sanderson

They're the same person. There's a character named Jorgen who was both the hardest to get right, but also the most like me, which may sound a bit odd!

Skyward Atlanta signing ()
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Questioner [PENDING REVIEW]

Back to the callsigns. Did you come up with Jorgen's name first, or did you come up with his callsign first?

Brandon Sanderson [PENDING REVIEW]

The callsign was first. And then the name followed out of some of the linguistics I was using. Yeah, the callsign was first.

Idaho Falls signing ()
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Questioner [PENDING REVIEW]

I read Skyward, like, two weeks ago, I finished it in two nights. It was honestly one of my favourite books I've ever read, and I can't wait to see where it goes. 

Brandon Sanderson [PENDING REVIEW]

Thank you! Book two is done. 

Questioner [PENDING REVIEW]

I'm excited to see what... I need to read, uh, about the "Defense of Elysium"?

Brandon Sanderson [PENDING REVIEW]

Yeah, yeah, Defending Elysium, it's free on my website. It'll tie in in ways that you'll find interesting. One of my very first short stories.

Questioner [PENDING REVIEW]

I'm super, super excited to see it. I loved the whole idea of when they're peering into the skies, it's like they're looking back with hatred. It's awesome.

SpoCon 2013 ()
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Questioner

You recently announced in your blog post a new Cosmere short story called Skyward. I was wondering if you could talk about that a little bit?

Brandon Sanderson

Skyward is the working title. I've talked a little about it before in my class, so if you watch my videos, I talk about it a little bit in there. It will be a teen novel in the cosmere. It is science fiction era.

Brandon's Blog 2017 ()
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Brandon Sanderson

On tour, I did a reading from what up until now was listed as "Mystery Project" on my website. If you missed the newsletter explanation, I've pulled the book I was going to release next year (The Apocalypse Guard) because it needs more work. Instead, I've turned my attention to something else—and after a furious bout of writing, I'm confident in where it's going. So it's time to announce Skyward.

Like Steelheart and its sequels, this is a kind of borderline YA/Adult project. In the US, it will be published by Delacorte Press (publisher of Steelheart) in the Young Adult section of bookstores, while in the UK it will be published by Gollancz (publisher of almost all my books) in my main line, shelved in the science fiction/fantasy section of bookstores.

I've mentioned Skyward before in summaries of stories I'm working on, but haven't said much about it. I started noodling with the ideas in 2012, I believe. (The year that the Write About Dragons recordings of my lectures happened, where I mentioned it briefly—but not by name.) The first outline thoughts are dated summer 2013. It's a book I've been wanting to write for a long time, and it finally came together this year.

It has its roots in some of the very first books I ever read as a young man getting into fantasy. Like many young readers, I was captured by books about dragons, specifically books about boys who find dragons and learn to fly them. These have been staples of the fantasy genre for some fifty years. For me, it was The White Dragon by Anne McCaffrey and Dragon's Blood by Jane Yolen. For others, the "boy and his dragon" story that captured them was Eragon, or How to Train Your Dragon.

I've always loved this story archetype, but I've never written anything using it. This is in part because…well, it's a familiar story. Too familiar. I wasn't certain I could add anything new to it. So I left it alone, letting ideas simmer, until in 2012 something struck me. Could I mash this together with a flight school story like Top Gun or Ender's Game, and do something that wasn't "a boy and his dragon," but was instead "a girl and her starfighter"?

Skyward was born, much like Mistborn, with me taking two ideas and mashing them together to see where they went. And they went someplace incredible—I grew increasingly excited about the project, as I saw in it a chance to both play in a space I loved, and do some very interesting things with story and theme. It wasn't until this year that I got the personalities of the characters right, but I really got excited when I found a place for this in the lore of stories I'd been creating.

The official pitch is this: Defeated, crushed, and driven almost to extinction, the remnants of the human race are trapped on a planet that is constantly attacked by mysterious alien starfighters. Spensa, a teenage girl living among them, longs to be a pilot. When she discovers the wreckage of an ancient ship, she realizes this dream might be possible—assuming she can repair the ship, navigate flight school, and (perhaps most importantly) persuade the strange machine to help her. Because this ship, uniquely, appears to have a soul.

As I've played with Skyward over the years, I tried to pull it into the Cosmere, then found it didn't work there. However, it is in the continuity of something I've written before. Something that isn't the Cosmere, and isn't the Reckoners. And no, I won't say anything more for now.

The goal right now is to have Skyward done in time for a publication date of November 6, 2018. We'll see if I can meet that deadline! I'm optimistic. As always, you can follow along on the progress bar on my website. Look for a cover reveal and chance to pre-order soon!

Skyward Houston signing ()
#49 Copy

Questioner [PENDING REVIEW]

On Skyward, I love the Graphic Audio adaptations. Do you know if there's any plans to do a Graphic Audio recording on Skyward at this time?

Brandon Sanderson [PENDING REVIEW]

There's not plans right now. I'm trying to talk Random House into it. I guess it would be Audible into it, 'cause they have the audio rights. They haven't let us do the Reckoners. It's tough because Audible bought the rights directly, and Graphic Audio is a direct competitor. Whereas with the Stormlight books, MacMillian audio is not the same. So, we'll try.