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Joshua_Patrao

About your characters, Brandon: Which ones are the most like yourself?

Brandon Sanderson

There's a piece of me in every one of them, but I'm not really like any of them. People who know me well say that Alcatraz's humor reminds them of my humor (which is different from Lightsong's humor or Kelsier's humor, which are different from mine.) Elend in the original Mistborn book represents some of how I've been known to act (bringing books to social events). Shuden in Elantris has a lot of me in him, actually. Raoden has my optimism, Hrathen my logical and thoughtful (and dangerously devious) mind, Vin my pragmatic determination, and Sarene my utter lack of skill with painting or drawing. In the end, I don't know if I can pick one who is most like me. Perhaps you should ask my wife. She'd probably be better at seeing this than I am.

Joshua_Patrao

Your favorite male and female characters you've written?

Brandon Sanderson

Well, I guess it depends on what you mean by favorite. A lot of people ask me this question, and my response is often different. Who am I writing at the time, what I am feeling at the time? Lightsong makes me laugh, but Kelsier is conflicted in a more personal, dangerous way—and that appeals to me. Vin is best rounded, but Sazed is (perhaps) closest to my heart.

Joshua_Patrao

Your favorite male/female characters of all time?

Brandon Sanderson

Man, I'm bad at answering questions like this. Okay, male is probably Jean Valjean. Female...urg... Moiraine, maybe? Sioned from Dragon Prince is pretty awesome too. Double urg. I don't know. Jenny from Dragonsbane has long been one of my favorites, so maybe I'd pick her.

Questioner

You mentioned one time that there were guards hiding under the bed and in a secret room when Siri first goes to the God King?

Brandon Sanderson

Yes, I at least imagined it that way.

Questioner

Do you always add details like that in your imagination?

Brandon Sanderson

It's very frequently I do. Just cause I want to be a few steps ahead. And I want to be making sure that my motives for the characters—particularly the side characters, we're not seeing through their eyes, make sense. Motives are really important to me.

Questioner

How do you keep your characters’ voices distinctive? Because Jordan is terrible, all the women sound exactly the same, but you don’t.

Brandon Sanderson

It’s weird. Character is the one I have the hardest time talking about. I’m naturally an outliner and planner for everything but my characters. What I do is, I cast my characters. I put a person in this role and I write a scene from their viewpoint and, if it is distinctive and it works, I go with it. If not, I set it aside and I try some other personality until I get something that  feels distinctive, and then I use that chapter as a model. Anytime I’m going to go back to that character, I go back to that chapter like, this is who they are. Later on, I’ll have touchstone chapters where they change and I’ll use that one instead.

Questioner

What did you do to get into the head of the opposite gender?

Brandon Sanderson

This is an excellent question. She is saying that Vin turned out really well and it's hard for her to write male characters. This was actually really hard for me at first too. Several of my first unpublished novels had really lame, weak female chaarcters and it was one of the big transitions I had to make in transitioning from aspiring to professional.

 The biggest change was just a mindset change for me, and this might not be your problem, but I found that I was sticking people into roles rather than creating character who had a life outside of the story and then saying what happened when the story happened to them. It was this transformation in my head where I'm like "Wait, everyone is the hero in their own story, what would they be doing otherwise, what are they passionate about, how are they weird, how are they quirky."

 This is the problem with a lot of people who are kinda aware of this issue who write the other gender: they don't make the other gender weird and quirky. You'll see this: female writers, the men will just kinda be this paragon. Male writers: the woman will be up on this pedestal. They don't feel real because of that. Try to say, "if they were staring in the story, how would I design them. What makes them weird, what makes them passionate, why don't they fit their role?" That's the best thing you can ask, "why dont they fit their role."

Questioner

Something I found really interesting and refreshing--it's sad it is that way, but it is--about your books are female characters, and I recently read that for a while you were kind of mortified because, talking about feedback, someone told you that you were writing really plain female characters. Now, seeing Vin or Megan, I barely can believe that, and I think as fans sometimes maybe get a bit too caught up in how amazing your worldbuilding is, and your magic systems, and we sort of disregard something that really works as well, and that's characters. I really like that your characters have, even if they are kind of secondary, they have purpose, they have motive, they have a backstory, they are not just there as background, really. So, could you describe how is character building for you and how has it changed since then?

Brandon Sanderson

Yeah, this is an interesting thing to think about, as a fan of science fiction and fantasy, because the thing that draws us all to sci-fi/fantasy, the reason we're here, is because of the setting. And yet, the setting is in some ways the least important part, because, if you have a bad setting, but great characters, you usually can still have a good book, but if you have terrible characters and and interesting setting, usually that book is still going to be boring.

This was a problem early in my writing, as you have brought up, particularly my female characters. I can still remember sharing one of my first books with someone, and being very excited for their feedback, and hearing how much they loved the magic system, and then getting to the criticism and saying, "It's unfortunate that the female lead is so wooden," and this was something that I needed to work on. No writer starts out good at everything. I was fortunate in finding early on some of these things that I needed to work on.

For me, one of the big breakthroughs came when I started to look at each character as the protagonist of their own story. In some of these early books, characters were fit into a definition by my brain. This is the love interest, this is the sidekick, this is the mentor. But that's not how we are in our lives. Every one of us is a romantic interest at times, a mentor at times, a sidekick at times, but throughout the course of all of it, the only perspective we have of it is our own, and we are always the protagonist in that story. So when I started asking myself for each character, no matter how insignificant to the plot, who are they, what are they passionate about, what would they be doing today if the world weren't ending, and how are they the hero of their story.