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Brandon Sanderson

Origin of Bluefingers as a Character

Bluefingers originated, like most ideas for my books, as a character unconnected to any story or world. I wanted to tell a story about a scribe in a palace who was looked down on by the nobility for his simple birth, but who became the hero of the story. I felt that a scribe would make a nice, different kind of viewpoint character.

And maybe I someday will tell a story like that, but the character evolved to be the one who entered this story. He's much changed from those origins, as you can see, but he's largely the same person in my mind. And I love the name Bluefingers for a scribe character.

Yes, Bluefingers was also planned as a traitor from the beginning. The whole reversals idea required me to build my shadowy villains quite carefully and deliberately.

Just above, I spoke of the original Bluefingers as a hero. Well, the thing is, that's how he still sees himself. The heroic Pahn Kahl figure with his fingers in events, ignored by the nobility (or, in this case, the priests) because of his race and position, he was able to manipulate quite a bit of what was going on in the kingdom.

He was the hero trying to free his people. He just took it too far.

carmen22

Who or what was your inspiration to start writing fantasy?

Brandon Sanderson

When I was 14, I discovered the fantasy genre through Barbara Hambly's Dragonsbane. After her, I read McCaffrey and Rawn. They are really the ones who inspired me to start. When Robert Jordan's books came along, I was done for. ;)

Mariya Kiryakova

What was your inspiration for Kaladin?

Brandon Sanderson

Kaladin was inspired originally by reading about surgeons in the middle ages.

Questioner

Where did you get the idea of the Elantris magic system?

Brandon Sanderson

The drawing glyphs is based on Korean and Chinese writing systems. I'm Mormon, I served a mission in Korea for two years, loved the writing system and the language. It was part of what inspired me to do that. There is this really cool thing where in Korea they used Chinese characters to write for a long time and they are very difficult to learn because you just have to memorize them and there was a great king, named Sejong, who said, "My people are being mostly illiterate because this is so hard and we don't even speak Chinese, we are not Chinese. We use their characters, can we develop a language, a writing system that will allow us to do this" and his scholars got together and devised Korean which is a way to phonetically write Chinese characters kind of? It's their own thing. You write them in little groups to make little Chinese characters, it's the coolest thing ever. But you can write most Korean things, not everything, most you can write as a Chinese character or as a phonetic Korean construction of three letters that create that Chinese character sound and I liked that idea and it spun me into the idea of the Aons and the Aonic language and things like that.

Questioner

Where did Wayne come from? ...Who is he modeled after?

Brandon Sanderson

He is not modeled after anyone specific. He came from me wanting to write a character who changed his personality based on the hat he wore. Like, literal, a person who wears lots of hats... I started a short story with him as the main character, and I found he needed someone to play off of, and that's where Alloy of Law came from.

Questioner

Where did the idea for Girl Who Stood Up come from?

Brandon Sanderson

Girl Who Looked Up grew out of my love of folklore and fairytale. And the various incarnations of Pandora myths all around the world, in different societies, presented differently, would be my guess at the inspiration there.

WeiryWriter

So I just recently read the Allomancer Jak short story in the MAG Alloy of Law supplement. I have to ask was the dynamic between Jak and Handerwym at all inspired by your relationship with Peter? I can very easily picture you blazing some sort of fantastic literary trail and Peter following behind explaining why it isn't possible (Kind of like how you initially intended the time bubbles to do red/blue shift and Peter was like "No you'll microwave people")

Brandon Sanderson

Peter is not nearly as biting toward me, but always having an editor looking over my shoulder and saying, "Uh...is that actually RATIONAL Brandon?" is probably a big part of my inspiration here.

Peter Ahlstrom

I hadn't made the connection... >_>

Gwenda Bond

Before we jump in on the third installment [of Legion], can you tell me a little about where this idea came from and how it developed into this novella series?

Brandon Sanderson

I was talking with my friend Dan Wells, who was writing a story about a schizophrenic. I started brainstorming this idea about a person whose hallucinations helped them, kind of turning it into a super power. Dan laughed and said, "That’s much more a Brandon story than a Dan story," and he was right—so eventually, I decided to write it myself.

TheRealKuni

Throughout TWoK, Kaladin complains that he is cursed. When others call him lucky, he thinks about all the times he has failed to protect people and considers himself unlucky. Everyone around him dies.

His Journey in that book takes him to Bridge 4, the bridge team that has the most losses, that everyone knows is a death sentence. Death being the end of every journey, this is appropriate.

But what I've never really noticed before is the importance of the bridge number. 4 is, in East Asian cultures, considered unlucky or cursed. In Chinese 4 is nearly a homophone to the word death. Buildings will skip the 4th floor, companies will skip from version 3 to version 5 of their products (Palm, OnePlus, I'm sure there are other examples but I can't think of them right now).

We already know that The Stormlight Archive finds some of its inspiration in anime/manga. We know that the Alethi are what we would consider ethnically East Asian. Dark hair, tan skin, and they don't have the large, round eyes of the Shin. It seems very fitting that the least lucky bridge, the one responsible for the most death, is Bridge 4.

Of course, Kaladin comes to believe he isn't cursed as he uses his powers to defend his bridgemen. 4 becomes the most envied bridge as they suffer the fewest deaths, have camaraderie, and eventually become squires to a radiant.

They are numbered unlucky and cursed, but turn out to be the most "lucky" of the bridge crews.

This all struck me today because at the end of Oathbringer, Dalinar casually mentions that his personal guard from Bridge 13 isn't there because that bridge crew became Teft's squires. 13 is the number in Western culture that we consider "unlucky" or "cursed," so fitting that it would be the second bridge crew to become squires of a Radiant! With that realization, everything about Bridge 4 clicked in my head.

Did anyone else catch this, or notice anything else cool with these numbers?

Brandon Sanderson

A lot of things fans find are coincidence...but neither of these are, actually. Those are both intentional, as are a few other little numbers things.

Numerology has not become a big thing in Stormlight during the development of it, but original (2002 version) The Way of Kings leaned a lot more heavily on numerology (gematria style word/number interactions) and that's still around in the world.

Cassidy

What was your premise behind the main character David [in The Reckoners]? Why did you create him as he is, scared yet fearless at the same time, smart about specific things yet totally ignorant about others, etc.?

Brandon Sanderson

I built David around two pillars of personality. One is his interest in the Epics, which balances between hatred and fascination. The other one is his fierce determination, which leads him to be impulsive and bull-headed at times, but also pretty inspiring at others.

I feel that as people, sometimes our greatest strengths are also our greatest liabilities. In this respect, every human being is a conundrum in at least one or two ways. With David, his fixation on the Epics is a huge strength but he's been so narrowly focused in his interests that he neglected many other areas of study. So he's both smart and stupid. At the same time, he's impulsive and determined, which leads to acts of great bravery, but he lives in a society that beats people down so if he stops and thinks too long, he can often psych himself out.

Wisconservationist

Side note on Elantris, it is a surprisingly emotional experience for someone who suffers from a chronic pain disorder. I don't know if you intended this.

Brandon Sanderson

The chronic pain connection was an intentional one, and I'm both glad and sad to hear that it connected with you.

Questioner

In Elantris, we talked briefly about Shuden and ChayShan... and I was wondering if you had based that on a particular martial arts?

Brandon Sanderson

Yeah, it's just Tai Chi was my origin for that. It's pretty obvious, but yeah.

Questioner

Are going to do anything else in that world [of Dreamer]

Brandon Sanderson

Probably not. She [Charlaine Harris] wanted me to write a horror story, and I'd never written one before so I said, "All right, what is the most frightening thing I can think of?" The most frightening thing I could think of was the kids who play Xbox having power over real people’s lives, and that’s where that story came from.

Questioner

I noticed in a lot of your cosmere books, like for example Elantris or Mistborn, they have something to do with some sort of subject matter or school or something. For example the Steelpush and Ironpulling in Mistborn is based on physics.

Brandon Sanderson

Yes.

Questioner

If you push too hard it's based on...

Brandon Sanderson

Vector physics, yes.

Questioner

And then like Warbreaker is just like math, adding Breaths together. Did you intend that?

Brandon Sanderson

Not necessarily. I read a lot and I like science and I like philosophy and I like and things like this. And those spark most of my ideas. So yes in a term but I'm not like "Let's do this subject".

I would say Warbreaker, the big part of Warbreaker is the idea of sympathetic magic. Which is the idea that like affects like, which is a very common type of magic throughout all cultures on the planet, on our planet. When people believe in magic they believe in sympathetic magic. A voodoo doll is sympathetic magic. And that's where the idea came from.

Questioner

So in Elantris, which is different and then--

Brandon Sanderson

Yeah that's basically fantasy programming, is where that one came from.

Questioner

And then there is The Stormlight Archive, which basically violates all the laws of physics by just saying everything comes from spren.

Brandon Sanderson

Well no they still have arguments on that, are spren attracted to these things or do they cause them.

Questioner

Yeah that's kind of weird...

Brandon Sanderson

Stormlight Archive was based on the fundamental forces, if you want go read on physics google fundamental forces.

Questioner

What was your inspiration for Kaladin? What made you want to make him?

Brandon Sanderson

Kaladin's origin was in me reading about the interesting lives of surgeons in pre-industrial eras. Surgeons who were at times treated no different from a butcher, and at other times straddled this line between superstition and science in a really interesting way. And I wanted to write a surgeon who straddled that line. Where the superstition was against them, but in some ways the science that they knew also worked against them because the people didn't trust it. That's a really fascinating character. He started more as his dad, and as I worked the books he became Kaladin the son of a surgeon instead of the surgeon himself.

Questioner

This is a line in Way of Kings where it kind of sounds like my homeboy Nephi. Was that on purpose?

Brandon Sanderson

I'm not sure if that one's on purpose. You'd have to tell me which quote it is.

Questioner

Taravangian who's like "better for one man to sin than a whole nation perish?"

Brandon Sanderson

That is probably unintentional. I don't know if that was intentional or not.

Questioner

Are there intentional ones in there?

Brandon Sanderson

Yeah. The Nohadon Way of Kings is directly influenced by king Benjamin's speech and Mosiah. That one is intentional. Most others will probably be unintentional though, of course, what I read a lot and what is important to me ends up in the books one way or another.

Questioner

The theme of creating people in The Emperor's Soul, is that an example of my brainstorming process?

Brandon Sanderson

It is actually drawing upon some of those same things so I would say that is a true analogy.

Questioner

Is there any connection or coincidence to the Krell in Skyward, versus the Krell from Forbidden Planet?

Brandon Sanderson

Yes... Forbidden Planet is one of my favorite movies. Perhaps my favorite classic science fiction movie. I really dig any sort of Shakespearean interpretation in another medium. So I named the Krell after the Krell from Forbidden Planet.

Questioner

How did you sort of develop and write the character of Vin? 'Cause her upbringing is so different from anything we-- that I have experienced and I'm guessing you had a similar experience. So did you have a model or somebody you could talk to?

Brandon Sanderson

I-- Not really. Now I did have two sisters, which helped, but my sisters were not raised in such a manner. It is more just trying out personalities, like I talked about in my speech until I got one that worked. Lots of practice if you want to be a good writer, lots and lots of practice. Try writing people very different from yourself and try to get them right. Give it to people and have them see if anything "Yes this feels right" and things like that. Just do lots of practice.

Brandon Sanderson

I've had to hide this news for a long time. It was almost one year ago that the Dark One outline finally snapped together for me at long last. We had interest almost immediately from Fremantle, and I've done multiple flights to LA to chat with them about it. I think this one might finally be the real deal when it comes to a Sanderson adaptation--which is amusing, considering we don't have any books for Dark One yet. But if this goes forward, I'll be sure to write some.

Aurimus_

I'm a big fan of this multimedia approach, but I'm wondering what inspired it. Was it your idea or Fremantle's? Is this an experiment for other properties in the future at all? A lot of us on the 17th Shard discord have discussed the sheer size of Stormlight, for example, and worry about DMG either going the Hobbit route (hours upon hours of content for a single book, which'll really rack up even by the time we reach OB), or missing out on a ton of content. If Dark One pans out well, would you use this multimedia approach for Stormlight? (I'm a big fan of the idea of a Black Mirror style show for the interludes, but straight up separating them from the rest of the books would take a lot away, especially with characters such as Szeth and Venli)

Brandon Sanderson

With Dark One, I've pounded myself against the idea for years. Finally, I sat down with it and said, "What if I were going to design this for a television show or graphic novel first?" Using Stranger Things and the recent Westworld reboot as guides, I dug into a parallel narrative--half in our world, half in another world. A kind of dark "portal fantasy" story.

It came out as an eight episode outline that I really liked, with a solid outline for two prequel novels about the previous generation. (Characters still important in the episode outline.) With this in hand, I took it to Hollywood and said, "If you guys are interested in doing the episodes, I'm interested in writing these books--and we can intertwine them in a (hopefully) very cool way."

Fremantle was on board immediately. (They'd been intrigued by Dark One from a one-page outline they'd seen, back before I did this new treatment.)

Warning: I can't say how much of my original outline will end up in the show; I've never written for a television show before, and the showrunner will know better than I will what will or won't work. But (theoretically) the graphic novels will follow the outline pretty closely.

If this works, will I apply it to the Cosmere? That's the goal. I do like the idea of getting some experience with TV/Film through non-cosmere projects, particularly as we see how things shake out these next few years in regards to TV/film distribution.

cusoman

Brandon, I'm curious how you see the same scenario playing out with Cosmere material considering the material already exists and the opportunity for the same intertwining wouldn't be quite the same. Unless of course you go back and interweave new stories with the already completed books?

Very excited to see what comes of this venture! I've loved the concept from the moment you first mentioned it and I can't think of a better way to see it come alive than how you're doing it here.

Brandon Sanderson

I can't really say at this point. There are just too many variables. There are a lot of ways these things could be approached, however.

Brandon Sanderson

Architectural and Character Cameos

Many of the High Noble keeps I described in the first book are real buildings. Keep Venture, for instance, is based on the National Cathedral in Washington D.C. Well, Keep Orielle here is based on the LDS Salt Lake Temple, only with more stained glass. Go read the description again (I think it's in this chapter) and maybe you'll be able to see it.

Questioner

When I read Wax and Wayne, I have in my head, "That's how Batman would look like if Brandon wrote it." When I read The Rithmatist, I think "That's how Harry Potter would look like if you wrote it." My question is: Do you have this in mind when you write such stories and is it intentional?

Brandon Sanderson

It wasn't intentional for Wax and Wayne, but my pitch for Rithmatist to my publisher was, "The Muggle at Hogwarts." The Rithmatist is the person with no magic, who's a superfan of the magic, who gets to go to the magic school. So for The Rithmatist, it was actually part of my original pitch and concept, so yeah.

Questioner 1

So the Sleepless kind of have me wondering about what sentience is in the cosmere. Like how would a Sleepless manifest on the Cognitive Realm--

Brandon Sanderson

That's a good question, you'll-- that I'll RAFO. But they are a single consciousness, but they would argue that all your cells are independent of you. So they are cells that can move around. They're really fun... they started in a non-cosmere book when I was 22. Obviously a bit inspired by Fire Upon the Deep, one of my favorite science fiction books. And I read that book and I'm like, "Group consciousnesses are cool!" what if you had a species that was made up of-- Not like one of these Ender's Game y'know, one, but each swarm was an individual and they could breed and evolve their own things to do different stuff. So each of these little bits, these hordelings is what I call them-- I might change because we've got cremling now. But each of these little bits is bred for a specific purpose, "Feed the swarm" and stuff like that. So they've got all kinds of cool stuff going on.

Questioner 1

Are they slivers?

Brandon Sanderson

Oh slivers. Not quite like slivers. Slivers are a little more that whole Ender's Game thing, right? And this is actually an individual that's not a hivemind. This is an individual, single consciousness, and they've got a step between cell and body. We kind of do too, like mitochondria are kind of "What are these? Are these things we ingested somehow and got working for us?" It's all very cool.

Questioner 2

So is it like Malazan Book of the Fallen, like the D'ivers?

Brandon Sanderson

Ehhh, there's little--

Questioner 2

Okay, a little?

Brandon Sanderson

Yeah.

Brandon Sanderson

By the way, I took the bit where Sarene judged Raoden's height from real-life experience. My friend, Annie Gorringe, always used to talk about how her near 6' height sometimes made it difficult for her to find men to date. Often, the first thing she'd do when she was interested in a man was judge his height compared to her own.

Watch out, folks. If you know an author, you have to watch your tongues. Anything you say is fair game to be used in a novel, as far as we're concerned.

Questioner

I was just wondering what your inspiration was for the setting, for the United Isles.

Brandon Sanderson

The United Isles. We call this historical fantasy, this is where you take a historical period and you fantasize it. I knew I was so divergent from our world that I wanted people immediately to know, complete alternate dimension. I wanted an easy early sign that when you read this, you weren’t going to be asking, “What happened in the War of 1812 in this?” I didn’t want you to be asking that, I wanted you to say, this is so different from our history that I can’t take anything for granted anymore. Which allows me to sweep away expectations and rebuild them in the way I want. You run into this all the time in fantasy, like, you ever want to write a book about vampires, everyone’s immediately going to bring to that world a lot of expectations. It’s much more important early on to sweep away expectations if you’re not going to fulfill them. So with Rithmatist, I was looking for a way to do this, and the idea of America as an [planet?] archipelago was really cool to me, and I also wanted to indicate that things were really bizarre. It’s a much smaller planet version of Earth, so I could put in time distances and say, you can take the train to London and it doesn’t take that long. In their terms it takes forever, for us it’s not that long. Smaller planet, denser core, everything’s islands. This is to say, I’m throwing out everything about our Earth and rebuilding a fantastical version of it.

Questioner

And my last one, Obliteration, the Epic, is based on an author.

Brandon Sanderson

He is based on an author.

Questioner

It's Jim Butcher, right?

Brandon Sanderson

I couldn't say if it were, with these handsome locks and wearing a trenchcoat, and the goatee.

Questioner

It's totally Jim Butcher.

Brandon Sanderson

Well Jim Butcher doesn't have hair like this anymore. He cut his hair.

Questioner

Will you tell us a little about the sword from Warbreaker?

Brandon Sanderson

Nightblood is a weapon that I devised. He is partially inspired by my love of Michael Moorcock's writing. He was built into the cosmere using many of the foundational cosmere magic system things that exist on multiple worlds.

Questioner

What was your inspiration for making Doomslug? It's a very fun character.

Brandon Sanderson

You know, it was basically me wanting to have a pet sea slug and it just not being something you can do in real life. And I knew I wanted a creature that had some import to the worldbuilding and I settled on something that I thought would look cute.

Steve Kilzer

Are the Terris people in the Mistborn series based on a race/religion in real life?

Brandon Sanderson

No specific single inspiration. Many partial ones.

Questioner

So there's a line in Secret History that references, like, a mythical string that shows the way home in the maze of Ishathon. Is that an intentional reference to--

Brandon Sanderson

Yes, yes, so here's one thing I do in the cosmere, because my senior course was in folklore, I had a really good folklore teacher-- So you should all thank Dr. Thursby for this. One of the things I learned in folklore-- I don't know if you guys have studied this, but it's really interesting-- Societies come up with the same myths. Right? They do! You'll find-- The biggest one is the Cinderella myth. There's a version of Cinderella in almost every culture, and it's shocking how they hit the same beats. And so my folkloristic inclinations lead me to say that certain stories that I know are common, whether it's the string that leads you out, or breadcrumbs-- different people use different things-- But these stories exist. Mythical mazes, you will find stories about. And so that's not meant to be anything more than for the folklorists to say "Ah! I recognize this, Roshar has some of the same myths, and the same versions, that we have."

Brandon Sanderson

Chapter Three

Wax investigates

If you've read the book, then you probably won't be surprised to find that a partial inspiration for it was the Sherlock Holmes stories. Of course, you'd have to search pretty far to find any kind of detective story that isn't somehow influenced by good Mister Holmes. This story, however, is more consciously inspired along those lines. I purposely developed a mysterious (almost even magical) series of robberies along the lines of what you see in the Holmes stories. The technological era is similar as well.

Of course, the characters are much different—even down to the character roles and dynamics. I wanted Wax to be a thinker, but more of a lawman than an eccentric. Wayne has enough eccentricity for three characters. I wanted the way that Wax approached solving a problem like this to be more methodical, more like a lawman who has grown accustomed to doing things on his own—but who has procedures he follows.

Beyond that, I wanted Wax to be solid. Many people are going to prefer Wayne for obvious reasons, but I prefer this story to be about Wax. (I'll talk more about Wayne's origins later.) Wax's solidity helps anchor the story, I feel. Perhaps I find him more interesting than others will, but the different parts of him that are warring inside create for a stronger dynamic than some of the other characters, who are more static.

Questioner

What was your inspiration for Sixth of the Dusk? It feels so, Polynesian or Hawaiian...

Brandon Sanderson

I love Hawaiian and Polynesian culture, and it was basically me reading some stories about Kamehameha, and his unification of the islands, and all this stuff, and I'm like, "Ah, I've got to use this someday." It was years later before I got to use it, but I did find a time to use it. And then we got Kekai [Kotaki] to do the illustration, and he's Polynesian, so...

Questioner

Where did the idea to use chalk come from?

Brandon Sanderson

Y'know, I have trouble pinpointing that one. I remember the idea of chalk circles, and things like that, and just seeing those in the lore of our world's sort of magical mythology and thinking about chalk circles. I remember thinking about how I want to do a book some day about people who play a game with magic, and things like that. At the end it is just one of things that I'm like "Hey, magical Starcraft with chalk. Go!" and I just started working on it, and it happened.

Sensitivemuse

Also, was there an inspiration for Vin and if so who/what was it?

Brandon Sanderson

Vin has been hard for me to pin down, inspiration wise. I tried so many different variations on her character (even writing her character as a boy) that it's hard to pinpoint when I got it right. There was no one single inspiration for her. (Unlike Sarene, who was based on a friend of mine.) She's a mix of my sisters, a good writer friend of mine, and a dozen different other little bits of people.

The time when I got her character RIGHT was when I wrote the scene that became her first in Mistborn, where she's watching the ash blow in the street, and envies it for its freedom. That, mixed with Kelsier's observation that she isn't a bad person—she just thinks everyone else is—were the big points where her character took form.

Brandon Sanderson

Sazed and Clubs, then Tindwyl in the Keep

Finally we get the Sazed scene. This is my favorite in the chapter, and it's a chapter filled with a lot of scenes I really like. Allrianne may make me chuckle, but Sazed MEANS something. Showing off the cost of Feruchemy like this made for some interesting worldbuilding, and having Sazed interact with Tindwyl and Clubs gave us some character.

Sazed is beginning to feel troubled by what he's done and what is happening around him, but he's not the type to show it yet–even in his thoughts. However, the fact that he preaches a religion to Clubs (the first time he's done that to anyone in a while) shows that he's stretching, trying to figure out who he is and find his place in this mess. He figures that with the fall of Luthadel, he'll probably end up dead–and so he wants to know who he is before that happens.

Which is also why he finally seeks out Tindwyl to confront her. The scene where he brings back his senses while holding her is one of the great moments that you can have as a fantasy novelists that those realistic writers just can't have.

Two little behind the scenes thoughts on this section. First, Clubs mentions that the latest messenger to visit Straff was executed. If you guessed that this was because Straff himself is now awake, you guessed right!

Also, the religion Sazed preaches here is one I decided to spin off into its own book, focusing Warbreaker around it. They aren't the same planet, but I wanted to do more about a religion that worships art, and that was one of the initial motivations for Warbreaker's setting.

Kurkistan

So, could you give us some examples of how the ideals that spren represent work in other magic systems, like we have Forging where you get plausibility, or Returned how they're beautiful or any other systems?

Brandon Sanderson

Okay, one more time on that.

Kurkistan

Okay, so you know the ideals the spren are manifestations--

Brandon Sanderson

Yes.

Kurkistan

How-- Do those have impacts on other magic systems?

Brandon Sanderson

Yes, yes, in the same way the Returned- that's the exact same system at work there.

Kurkistan

Is it the same reason why the Lord Ruler has to die of old age, and why you can't heal yourself into being an octopus or something?

Brandon Sanderson

Um... Yes, that is all connected in the exact same way.

Kurkistan

Okay, so it's all like these highfalutin Spiritual ideals?

Brandon Sanderson

Yes.

Kurkistan

And are there like, median Cognitive ideals that gradually kind of influence these, or--

Brandon Sanderson

Yeah, they transcend between the three. I mean the original concept for the Three Realms is Platonic philosophy.

Kurkistan

So it goes up *makes absurd reverse-waterfall hand gesture*

Brandon Sanderson

Yeah, it goes up and it comes back down. A lot of the Cognitive is-- So like, the Cognitive has a bigger effect on how you can heal and things like that. Does that make sense?

Kurkistan

Yeah.

Brandon Sanderson

But the power to heal is a actually a Spiritual thing.

Kurkistan

So it's like the Spiritual says "I want to be like this" and the Cognitive is like "Okay I'll try really hard to be like that, but I have a limit."

Brandon Sanderson

Right. Right. Filtered through how you see yourself, yeah.

Questioner

Where did you get the idea for a chasmfiend?

Brandon Sanderson

This actually a pretty good one. So, what has happening with the Stormlight books is-- Originally, the Shattered Plains were not in Stormlight. If you didn't know about this, Stormlight started without the Shattered Plains. And when I came back to the series to write it after kind of failing at that 2002 version and wanting to try again, I hired a concept artist to do sketches of characters and settings for me. His name was Ben McSweeney... Ben is the person I eventually hired to do a lot of the artwork, because he had done all this great concept art. And one of the things he did is, he drew a giant brain coral, 'cause I said, "Give me corals, things that you would normally find underwater in a coral reef, but above ground, and this is where we're gonna start our big brainstorming," and he did this giant one that people were walking through the cracks, and there was a little crustacean monster in there. And I'm like, "Oh, that looks like the Shattered Plains. Hey, the Shattered Plains! Why didn't I think of that? They work really well!" 'Cause they had originally been in Dragonsteel, they hadn't really worked there. So, I brought the Shattered Plains over, and the original inspiration for a chasmfiend was that little beastie. It looked more like a crayfish, that he had stuck in one of these grooves. That's where chasmfiends came from.

Questioner

What inspired you to write Dalinar's amnesia and all that? What was your inspiration for that?

Brandon Sanderson

That, all of that, was really just partially narrative necessity. I didn't want to dig into that until I got to the right book, and so I needed the meddling to have pulled a little bit of that back. Plus, the fact that he was an alcoholic let me get away with a little bit of what was going on there. I really liked the intriguing element of someone who had had a piece of their memories ripped away and then was being given it back at the right time, right? That deliberateness of it was really interesting to me. I thought it made for an interesting story hook, when you meet a character and then realize he's had part of his memory excised. It's a bunch of things moving together.

Questioner

I have a question in regards to the soulstamps… When Shai is creating it she blows flakes off of it. Are those flakes able to be enchanted and do they have any power?

Brandon Sanderson

Do the flakes that Shai blows off the front of the soulstamp have any hidden power? The answer is, no. I'm sorry, nice theory. The blowing off is actually just related directly to my experience. Soulstamps come from--

I lived in Korea for two years as a Mormon missionary, and then I went back to Taiwan to visit because there's a huge Brandon Sanderson fan base in Taiwan. For those who don't know, what happened is the publisher who got The Emperor's Sou-- No, no, the publisher who got Mistborn in Taiwan, published it the same month or so that Hunger Games came out, and everyone who was looking for-- read The Hunger Games wanted something like it ended up buying Mistborn. So actually-- *laughter* It's one of those things over here, like The Maze Runner or one of these other YA dystopians are what took off in the kind of halo of The Hunger Games. Over there, Mistborn was in the halo of The Hunger Games. It actually sold about as well in Taiwan which is-- So we just sold tons of copies in Taiwan. So I went back and it was really fun-- by the way you can go to my timeline on Facebook and whatever, and here, people like to ask questions. A lot of the superfans like to have a question and things like that. There, the superfans like to get pictures. And so there are like 5,000 pictures of me and teenage schoolgirls *laughter over Brandon* just all over Facebook from that period. But I went and visited the palace museum.

And anyway, I remembered a time in Korea where I'd seen someone carving these and he would do a little of this and blow it off, do a little bit and blow it off. Kind of the old-school carver. Now most days it's actually-- they're actually made by machines. You load in a design, you lock in your little tojong into the machine, and it goes and it will carve it out to look like the little computer design. But you see occasionally old school people carving them hand-- That's why I made it do that, because I'd actually seen someone carving one. There is not supposed to be any hidden magical meaning, other than the fact the stone that they're using is a traditional type of stone, which may or may not have Invested properties.

Brandon Sanderson

Vivenna Goes to Two Restaurants to Meet with Crime Lords

Can you tell that I hate seafood? How does anyone eat that stuff? I mean, honestly. I've been forced to choke down raw clams before, and it was just about one of the most traumatic events in my life.

EndlessKng

As someone who has studied Asian cultures and history and mythology, would you consider writing a story in the Kamigawa plane? It's one of my favorites but it seems to be a bit underloved, and I'd love to see some more development of it in a story.

Brandon Sanderson

I'm a big fan of Kamigawa, and would call Toshiro Umezawa an inspiration for doing a black-aligned hero in this story. So it is something I'd consider.

Questioner (paraphrased)

In your novellas Legion and The Emperor's Soul, there was a common theme of a creation of character. Were you making a comment on that as a writer?

Brandon Sanderson (paraphrased)

The Emperor's Soul was much more so, specifically dealing with the artistic process. That was part of the theme for me. Legion was more "Wow, this idea's awesome." I originally told Dan (from Writing Excuses) that he should write this, it's really quirky. He said, "I got my own ideas—go write it yourself!"

Brandon Sanderson

Goradel Volunteers

Good old Goradel—or Richard Gordon, a good friend of mine and a fantasy fiction fan. Since this became the series to work in cameos (I didn't put many at all in Elantris), I wanted a place for Rich. He's very similar to how Goradel looks and acts; a solid, good-natured guy. The type you want running your important message through a dying world in an attempt to save it.

allofthe11

Is Dalinar based off of Genghis Khan to any extent, and if so did you blend him with other historical figures?

Brandon Sanderson

One inspiration for the Alethi is the Yuan Dynasty, which has Mongolian roots. Because of that, I've included little hints here and there connecting the peoples. I'd imagine Dalinar more as a Subutai than a Genghis, but the episode where he recruits a guy who shot him with an arrow is based off of a piece of folklore that surrounds Genghis, so it's not off base to note the connections there.

Questioner

What was the thought process behind Shinovar being so similar?

Brandon Sanderson

A couple of reasons. One is, by having some sort of Earth analogue on-world, I could give some contrast, and I could have a kind of an explanation for why they might use words like chickens and things until I can get to the big reveal. Like, if there weren't Shinovar there to act as a red herring, I think it would give away the twist very early.

Beyond that, I like the idea of the people that are like us being the alien ones to the society. Kind of helps separate it and make it this is a different world, this is a different culture. So, it gave me a lot of advantages. Plus it also gave an explanation for how they could-- humankind create a foothold on this planet after coming across. So, lots of different thought processes behind that.

BusinessCress

In Stormlight Archive, all three main characters, Dalinar, Shallan and Kaladin, suffer from various mental health issues. Is that a normal psychological condition for all Radiants or the lead three is an extreme example of how people break?

Brandon Sanderson

I am very interested in mental health, and the way that we--as human beings--react to and interpret the world around us in different ways. This is a theme of the Stormlight books, but it's going to take a lot of work to do it justice--and I want to approach it from different directions. So yes, it's a theme, and these sorts of issues were common for Knights Radiant.

But I'd point out that they are also common themes for being human. And one of the correlations between orders of Knights Radiant is people who overcome, persist, and push through very difficult trials.

Questioner (paraphrased)

What idea sparked Stormlight for you?

Brandon Sanderson (paraphrased)

The very first seed for everything was a man who's brother to a king. The king gets assassinated and the nephew becomes a bad king. How he copes with that is what I started thinking about. We all have somebody in our family. That became Dalinar and Elhokar in The Stormlight Archive.

Brandon Sanderson

Chapter Thirty-One

Vivenna Visits the Idrian Slums

Vivenna probably should have expected what she would find here. She knows that the slumlords, who are Idrians, run whorehouses and illegal fighting leagues. However, she deluded herself into assuming that they employ Hallandren whores or that the fights aren't all that bad.

I think this would be a hard thing to come to grips with. It's happened repeatedly throughout history—a poorer segment travels to a new country and becomes part of the lower, working class. In Korea, they were always complaining about people from Burma coming in and stealing their jobs. I remember hearing the Japanese saying the same thing about Koreans. I've heard Americans complain about all three. Things like this have far less to do with culture or race and far more to do with relative economic standing and fluency with the language/culture.

Knowing it happens, however, wouldn't make it any easier to find your own people in such a state, I think.

Notice that the Idrians here often wear dark clothing. This is partially to hold to their old ways of avoiding colors, but they tend to wear clothes that are black and dark instead of light. (Though there are some who follow the more traditional way.) However, by wearing these dark colors, they completely defeat the original stated purpose of dull clothing—that of removing color to keep Awakeners from using their art.

Questioner

How do you get the Asian themes in without it being so corny?

Brandon Sanderson

You try to break down... Use multiple inspirations and tie them together. Try to extrapolate. Try to look at what are caricatures and stray away from that. Being influenced by the philosophy and the thinking and the culture to create things that are similar but going their own direction will help you do that sort of thing. Justifying things in-world rather than just dropping them in. Take a look at the safehand, which is based off of not -- but as an Asian culture thing, when I lived in Korea, you didn't show the bottom of your feet to people. It was considered rude. That was really interesting to me, and creating a similar taboo but with different groups and different reasons, it was... You can see my experience in how it came out. Do things like that.

Questioner

Any of those people that you learned with, did you relate any of them with characters in some of your stories?

Brandon Sanderson

Yes, actually. But most of the times, I take one aspect of somebody. Like, I had a good friend named Annie who was a six-foot-one woman. And I had never thought about the problems being six foot one in our society as a woman could cause. And she talked about it a lot, it's not all who she was, but it was something that was a conflict that I had never seen. So when I wrote Elantris, I'm like, "I'm gonna use this, because it feels real, it's really interesting, it's something I'd never heard about from someone else. Plus I have a reader who can read it and tell me if I get it right." So it's not like Sarene is based on Annie. But Sarene has that one aspect of Annie that I used. And that's usually how you normally see me using people in books.

Bridge Four are all my friends, though. All of the non-main Bridge Four members who keep surviving and not getting killed, those are just my friends. Skar and Drehy and Leyten, and Peet is Peter my assistant. All my friends ended up in Bridge Four, except for Ben, who's still in my writing group, who said "No, you can't put me in."

Because that actually happened during Mistborn. I said, "Hey, Micah," who was my roommate at the time, "Your last name is DeMoux, that's a cool French-sounding name. Can I use it in a book?" He's like, "Sure. But I have to get a girl. And I have to not die. It doesn't have to be the girl. I have to be successful in my romantic inclinations." And I'm like, "Alright." So Captain Demoux got put in. Meanwhile, Ben was walking by, who was my roommate at the time, and he's like, "Put me in, but kill me in a really, really terrible way." So I did. I put him in Mistborn and killed him in a terrible way. Then he read the book, and he's like, "No, you can't use me like that." It's okay, it became a guy who dumped my sister-in-law. *laughter* But there's a very gruesome death in Mistborn 2 that happens in a very-- shall we say, someone who does not do well for themselves, let's just say that. And that was Ben. But he made me take him out. And then I was putting people in Stormlight, I'm like, "You don't want to be in?" He's like, "No, don't use me." I finally got away with slipping him into the Wax and Wayne books under his online name Rick Stranger.