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Elantris Annotations ()
#153 Copy

Brandon Sanderson

I worked for a while on the last line of Part Two. Originally, Hrathen thought to himself "Well, this isn't good." However, Moshe disagreed with that line. First, he thought it was too quippish. He wanted something more serious here. Second, he didn't think that these events were actually bad for Hrathen. Telrii, a man who had been giving Hrathen serious troubles, and Eondel, one of his main enemies, had just killed each other. On top of that, Roial—the main rival for the throne—is dead. All in all, a lot of annoying people are dead.

Moshe had a point, though I did disagree a bit. I think Hrathen would see Telrii's death as a wasted investment. He was still hoping to control the man, and having Telrii on the throne and amiable to Hrathen would have been a much better outcome, since it would leave Hrathen looking less powerless before Wyrn.

However, I went ahead and changed the line. It now reads "So much for avoiding a bloody revolution." It gets across the same ruefulness as before, without being as flippant.

/r/books AMA 2015 ()
#154 Copy

Amerikoni

I only yesterday found out you changed the ending for [Words of Radiance]. So here is my question. I've only read the first version where Kaladin kills Szeth. When Szeth gets killed now, it's by the storm. What is it that specifically kills him since he can normally just evade the storm or even be healed by stormlight?

Brandon Sanderson

Good question! So, the idea here is that Szeth has given up, and wants to die. I wanted the storm to kill him, then, as opposed to Kaladin. What kills him is losing control in the storm, and being slammed into the ground.

The bigger change here was actually my desire to leave it at least partially clear that he's not dead, in order to avoid the 'fake out' ending. Having him be dead and reborn was important, but I felt in the first stab I erred on the side of pulling a fast one on the reader.

FanX 2021 ()
#155 Copy

Questioner

How did Nale bring Szeth back to life?

Brandon Sanderson

Szeth's spirit had not moved onto the Beyond. It was basically Rosharan CPR. He repaired the body, and Szeth was not dead dead. His heart had stopped, but when his body came back together, it started beating again.

Shardcast Interview ()
#156 Copy

Argent

If we are looking at very highly Invested beings, we have Yumi, and we are told that she is more Invested than Elantrians, more Invested than Returned. Let's compare Yumi, Elantrians, and Heralds. Who is most Invested, who is least Invested?

Brandon Sanderson

Of those, probably Heralds... The thing is, the Heralds varied. How in tune and aligned they are with their oaths, their promise... It wasn't Oaths, but they did promise certain things when they became Heralds. It was pre Knights Radiants, it's not as formalized as Oaths. How in line with the power of Honor, how in line with the kind of natural Investiture of Roshar--which is separate from Honor, Cultivation and Odium--are they, how can they draw upon that. I will call them the least of the three though.

Argent

So Heralds on the bottom, and Yumi on top, and Elantrians in the middle?

Brandon Sanderson

Yumi on top, but Yumi's very close to an Elantrian. They're within the same conversation. And most of the yoki-hijo were traditionally in the past less, they've gained Investiture over time.

TWG Posts ()
#157 Copy

Brandon Sanderson

Folks,

I've turned my full attention back to this book, and have done a heavy rewrite of Chapter One, which helped me pound out who Midius is (in my mind at least.)  You can see the effect your comments had.  Here's the new version.  As always, comments are welcome!

Brandon Sanderson

All, here's an experimental change I'm considering for the Theus chapters (and note the new Midius chapter at the bottom of the previous page.) I think this may soften the brutality somewhat, even though it's all still there. It will make for a drastic change in feel for the king as a character, but I'm very tempted to do this instead. Reactions?

NEW CHAPTER TWO BEGINNING

It’s a bad day to kill, Theusa thought. Too cloudy. A man should be able to see the sun when he dies, feel the warmth on his skin one last time.

She marched down the dusty path, crops to her right and left, guards behind her. The men of her personal guard wore woolen cloaks over bronze breastplates. Bronze. So expensive. What farming supplies could she have traded for instead of the valuable metal armor?

And yet, she really had no choice. The armor meant something. Strength. Power. She needed to show both.

Several of the soldiers pulled their cloaks tight against the morning’s spring chill. Theusa herself wore a woolen dress and shawl, the copper crown on her head the only real indication of her station. King. It had been twenty-some years since anyone had dared question her right to that title. In the open, at least.

Her breath puffed in front of her, and she pulled her shawl close. I’m getting old, she thought with annoyance.

Behind her towered the grand city state of Partinel, circled entirely--lake and all--by a rough stone wall reaching some fifteen feet high. The wall had been commissioned, then finished, by Yornes the grand, her father-in-law. She’d married his son, Didarion, in her twenty-third year of life.

Didarion been a short time later. That had been almost thirty years ago, now.

Old indeed, Theusa thought, passing out of the ring of crops. Partinel’s trune ring was one of the largest in the Cluster, but it still provided a relatively small area in which to grow food. They grew right up to the edge of the city wall in a full circle around the city. Running in a loop around them was a narrow, earthen road. Beyond that, a wide patch of carefully-watched and cultivated walnut trees ran around the city. Her people cut down one group of trees every year and planted a new patch. It was a good system, giving them both hardwood for trade and nuts for food. In the Cluster, no land could be wasted.

Because beyond the trees, the land became white. The walnuts stands marked the border, the edge of Partinel’s trune ring and the beginning of fainlands.

Theusa could see the fain forest through a patch of walnut saplings. She paused, looking out at the hostile, bleached landscape. Bone white trees, with colorless undergrowth twisting and creeping around the trunks. White leaves fluttered in the breeze, sometimes passing into the trune ring, dusted with a prickly white fungus.

Skullmoss, the herald of all fain life. Her soldiers and workers gathered the leaves anyway and burned them, though it wasn’t really nessissary. Though eating something fain--animal or plant--was deadly to a human, simple interaction with it was not. Besides, fain life, even the skullmoss, could not live inside of a trune ring.

That’s how it had always been. White trees beyond the border, trune life within. People could go out into the fainlands--there was no real danger, for skullmoss couldn’t corrupt a living creature. Some brave cities even used fain trees for lumber, though Theusa had never dared.

She shivered, turning away from the fain forest and turning to where a group of soldiers--with leather vests and skirts--stood guarding a few huddled people. The prisoners included one man, his wife, and two children. All knelt in the dirt, wearing linen smocks tied with sashes.

The father looked up as Theusa approached, and his eyes widened. Her reputation preceded her. The Bear of Partinel, some called her: a stocky, square-faced woman with graying hair. Theusa walked up to the kneeling father, then bent down on one knee, regarding the man.

The peasant had a face covered in dirt, but his sandaled feet were a dusty white. Skullmoss. Theusa avoided touching the dust, though it should be unable to infect anything within a trune ring. She studied the man for a time, reading the pain and fear in his face. He lowered his eyes beneath the scruitiny.

“Everyone has a place, young man,” she finally said.

The outsider glanced back up.

“The people of this city,” Theusa continued, “they belong here. They work these crops, hauling water from the stormsea to the troughs. Their fathers bled to build and defend that wall. They were born here. They will die here. They are mine.”

“I can work, lady,” the man whispered. “I can grow food, build walls, and fight.”

Theusa shook her head. “That’s not your place, I’m afraid. Our men wait upon drawn lots for the right to work the fields and gain a little extra for their families. There is no room for you. You know this.”

“Please,” the man said. He tried to move forward, but one of the soldiers had his hand on the man’s shoulder, holding him down.

Theusa stood. Jend, faithful as always, waited at the head of her soldiers. He handed Theusa a small sack. She judged the weight, feeling the kernels of grain through the canvas, then tossed it to the ground before the outsider. The man looked confused.

“Take it,” Theusa said. “Go find a spot of ground that the fainlands have relinquished, try to live there as a chance cropper.”

“The moss is everywhere lately,” the man said. “If clearings open up, they are gone before the next season begins.”

“Then boil the grain and use it to sustain you as you find your way to Rens,” Theusa said. “They take in outsiders. I don’t care. Just take the sack and go.”

The man reached out a careful hand, accepting the grain. His family watched, silent, yet obviously confused. This was the Bear of Partinel? A woman who would give free grain to those who tried to sneak into her city? What of the rumors?

“Thank you, lady,” the man whispered.

Theusa nodded, then looked to Jend. “Kill the woman.”

“Wha--” the outsider got halfway through the word before Jend unsheathed his bronze gladius and rammed it into the stomach of the kneeling outsider woman. She gasped in shock, and her husband screamed, trying to get to her. The guards held him firmly as Jend pulled the sword free, then he cut at the woman’s neck. The weapon got lodged in the vertebrae, and it took him three hacks to get the head free. Even so, the execution was over in just a few heartbeats.

The outsider continued to scream. Theusa stooped down again--just out of the man’s reach--blood trickling across the packed earth in front of her. One of the guards slapped the outsider, interrupting his yells.

“I am sorry to do this,” Theusa said. “Though I doubt you care how I feel. You must understand, however. Everyone has a place. The people of this city, they are mine--and my place is to look after them.”

The outsider hissed curses at her. His children--the boy a young teen, the girl perhaps a few years younger--were sobbing at the sight of their mother’s death.

“You knew the penalty for trying to sneak into my city,” Theusa said softly. “Everyone does. Try it again, and my men will find the rest of your family--wherever you’ve left them--and kill them.”

Then, she stood, leaving the screaming peasant behind to yell himself ragged. Theusa’s personal guards moved behind her as she returned to the corridor through the wheat, Jend cleaning his gladius and sheathing it. Over the tops of the green spring plants, Theusa could see a man waiting for her before the city.

(Edit, cleaned up language.)

Brandon Sanderson

Thanks for the comments, folks.  A new version has been uploaded, mostly making minor tweaks as suggested by db.  Some good points, and the prose needed streamlining.

Dawn:

For some reason, this just feels less brutal to me.  Theusa's language is softer than Theus's had been, and I think more reasonable.  Still brutal, yet somehow it works better for me.  That might just be because I've seen (and written) too many characters that feel like Theus, and changing the character to a female (who's a bit older, and who is arguably the legitimate ruler of the city) makes them feel a lot more exciting to write. 

Gruff, Gritty, Male solder king: Feels overdone.

Gruff, gritty, grandmother king: Not so much.

I know it's more about how well the character is done, and less about whether it's been done before or not.  However, excitement on my part seems to make for a better story over-all.  So, I'm wondering if this character will be more exciting for me this way, or just much more trouble.  (I'll have to think of what to do for the next Theus chapter, for instance.  I really liked the fight there, and I can't really put Theusa in the same role.)

Brandon Sanderson

DavidB

There are, unfortunately, reasons why I have to start the book where I did.  I can't get into it without major spoilers.  You are perfectly right about this chapter lacking a hook, which is why I decided from the get-go that I'd need to start with a scene from the middle of the book, then jump back. 

So, this chapter should be considered the SECOND, and not the one that introduces Midius's character. 

My goal is to try some new things with this book.  Who knows if it will work, but they will present narrative challenges for me, because even when we flash back, we're starting in the middle of a story, with Hoid already dead.

Brandon Sanderson

I'll admit, I'm really torn on this one.  I can't quite decide which way to go.  The thing is, I've been thinking about the characters so much that they're both--Theus and Theusa--now formed in my head.  I know their motivations and their feelings, but I can only use one of them.  

With Theus I gain the ability to have he, himself fight.  I can show him with his family, which could really round out his character.  Yet, I worry that he's too similar to other characters I've written.  (Cett and Straff both come to mind from the Mistborn trilogy, though neither of them are as rounded, as well as Iadon from Elantris.  I've done a lot of brutal rulers.)   

With Thesua, I lose the two things I mentioned above.  I couldn't soften her by showing a spouse and children, and while she'd still have a daughter, I don't see the child being as much of an influence on reader opinion.  And, there would be less action in the book by a slight amount as Theusa will not be a warrior, and will have to rely on Jend to do her combat.   

However, I gain a tad of originality.  (How many tyrant grandmother city-state rulers are there in fiction?  Have to be fewer than men like Theus.)  I also gain some subtlety--Theusa's rule would be much more tenuous, because of her gender, and there would be a lot of politics working against her.   

Both would play off of Yunmi very well, if for different reasons.  Midius's interactions lean slightly toward me liking Theus, but not a huge amount.   

I keep going back and forth on this one.  So, I'll put off the decision until tomorrow and write a Yunmi chapter instead.  Huzzah!

Brandon Sanderson

After much playing with the plot and wrangling, I've decided to go with the male version of the character.  The new Midius chapter is here to stay, however.

I'll just have to do the old grandma tyrant king in some other book. 

JordanCon 2018 ()
#158 Copy

Argent

Are mandras gravityspren?

Brandon Sanderson

*Very hesitantly* Nooooo? Kind of-- So the actual gravityspren, you're talking about the things Kaladin saw stuck to the wall? Those are not mandras.

Argent

Oh no, I was thinking about the ones that appear around dead chasmfiends.

Brandon Sanderson

Oh, dead chasmfiends, okay. Yyyes. The arrowheads, yeah.

Argent

But you're saying those are not gravityspren, they're--

Brandon Sanderson

Well--

Argent

--they're mandras?

Brandon Sanderson

I am not-- Yeah. I am-- So the things Kaladin saw stuck to the wall are not gravityspren, right? But I want to make sure-- So arrowhead spren, that Shallan is philosophizing, theorizing about, are mandras.

MisCon 2018 ()
#159 Copy

Questioner

What do you feel about the role of allegory? The whole debate between Lewis and Tolkien. But connected to that, the other side of it, how do you feel about the duty of fiction to say something good, or send a message...

Brandon Sanderson

So, where I fall on that is, I fall on Tolkien's side. In my own fiction, I do not want my fiction to be an allegory of anything other than "Here is how some people see the world." And I think that that is a powerful thing that fiction does, is it shows different perspectives on the same issues. I stole a quote that I swear was from Robert Jordan. I hope someone finds it one day, where said he wrote his stories to give people interesting questions. He didn't write his stories to give them answers. And I put that as a quote from one of my characters in one of my books. I haven't been able to find where Robert Jordan said that, but I swear he said it at some point. That the idea is, that I think fiction is about questions and not answers. But that doesn't mean that I don't enjoy reading Phillip Pullman, who's like, "This is an allegory for my life experience." I enjoy reading C.S. Lewis. I don't enjoy certain authors, we won't extrapolate further along that path. But there are lots of authors that have written books as allegory that I think are great books. A Christmas Carol is an allegory. It's a great allegory, it's fun, but that's not how I generally write. I generally write by saying, "Who is this person? What are they passionate about?" I will look for theme in what the characters are struggling with and bring that theme out as a manifestation of the characters, but I won't go in saying "I'm gonna teach people about the nature of honor." But maybe one of the characters is really interested in the nature of honor, and so they'll talk about it.

Orem signing ()
#160 Copy

Questioner

In the cosmere, sixteen is obviously a very important number, or very significant, but on Roshar everything comes in groups of ten. Is that a cultural construction or is that really how things are being grouped on that planet?

Brandon Sanderson

It is both. It is a cultural construction that came from slight cosmere events that are not super, super, super important. Like, there's a reason we think in base ten, right? Is it important to the universe? Meh? Right... And it's maybe a little more on Roshar, but at the same time it's like--

Questioner

There are ten orders of Surgebinders. Did they order them that way? Or are there actually sixteen different--

Brandon Sanderson

Well, it kind of goes back to there were ten [Heralds] with ten sets of power given by Honor, and Honor is an individual, right, so does that make sense? You cannot separate, in a lot of places in the cosmere, the perspectives of the sapient beings who are interfering with what's going on. Even going back to the number sixteen.

Firefight release party ()
#161 Copy

Questioner

The dead Shardblades, could you possibly get Stormlight into them to reawaken them?

Brandon Sanderson

Dead Shardblade, could you pump enough Stormlight into them? That alone would not be enough.

Questioner

So you would have to find someone to re-swear with oaths?

Brandon Sanderson

There is something broken on the Spiritual Realm because of the broken oath and simple Stormlight will not fix that.

Questioner

So say--

Brandon Sanderson

If the person were still alive and could re-swear the oath then yes.

Questioner

But someone like [...] could go [...] the Spiritual Realm?

Brandon Sanderson

It is not outside of reason but it would be very, very, very difficult.

Boskone 54 ()
#162 Copy

Questioner

So with Soulforging, are you able to Soulforge yourself so that you die?

Brandon Sanderson

Uh, can you Soulforge yourself to death? So, Soulforging that requires large state changes of Investiture and/or inputs of Investiture are very difficult. However, killing yourself is not that hard, but basically you could - so, Soulforging yourself so that you are already dead would a little bit harder, but Soulforging yourself would be, yeah.

Questioner

<background noise> and be able to check in the afterlife and then return--

Brandon Sanderson

No, because transfer of Investiture to and from the Beyond or even into the Cognitive Realm is going to require more investiture than a Forger pulls through, you can Forge yourself to death.

Questioner

So I can kill myself but I can’t come back.

Brandon Sanderson

Yes. That would be one of those things where you kill yourself, your soul passes to the Beyond, your body when the Forgery is broken comes back, and just dead.

Leipzig Book Fair ()
#163 Copy

Questioner

Glys, Renarin's Spren, is he a Cultivation Spren?

Brandon Sanderson

RAFO.

Questioner

Could you say that he is equally bonded to a different entitiy/to a different Shard like Sylphrena is bonded to Honor?

Brandon Sanderson

You're asking... Is his like the windspren?

Questioner

I mean allegion to his aspect.

Brandon Sanderson

Are you still talking about Glys?

Questioner

Yes. Sylphrena is like 100% of Honor. Is Glys like 100% anything?

Brandon Sanderson

RAFO.

/r/books AMA 2015 ()
#164 Copy

_0_-o--__-0O_--oO0__

With Jasnah not being dead when we thought she was dead and Szeth coming back to life; how will you retain tension during future battles if the audience thinks that death might not be the end of someone?

Brandon Sanderson

I try hard to make sure things like this are well foreshadowed, but it's always a concern as a writer. Basically every book you write, in an action/adventure world, will contain fake outs like this.

There's certainly a balance. Gandalf coming back in LOTR worked, and Anakin turning out to be alive Empire Strikes back is a powerful moment--but I feel RJ, for example, may have brought people back too often.

Not sure where this balance is for me yet. I know the story I want to tell, though, and I try to leave clues when something like this is going to happen so that it feels less like a fake out and more like an "Aha. I knew it."

Steelheart Seattle signing ()
#165 Copy

Wetlander

Please explain what you will about Shards and Splintering and Slivers.

Brandon Sanderson

An event happened long ago which destroyed something called Adonalsium into 16 pieces. And 16 people took up that power.

Questioner

People?

Brandon Sanderson

I call all intelligent species people. If someone takes up the power and lets go of it, it has the effect much like a balloon that's been stretched and then the air is let out. I call that a Sliver; based off of the Lord Ruler calling himself the "Sliver of Infinity". The Lord Ruler is someone who held the power and then released it. And so, current Slivers are the Lord Ruler, Kelsier, and there may be others around who at one point held the power and let go of it. A Splinter is a term used by certain people in the cosmere for power of Adonalsium which has no person caring for it, no... no person holding it, which has attained self-awareness.

Wetlander

So is that like the mists and the Well? Are they...

Brandon Sanderson

They are not, because they have not attained self-awareness. But, the Seons are self-aware. So, any piece, for instance there were some spren on Roshar before Honor and Cultivation got there. Those were already Splinters of Adonalsium where he had left power which attained sentience on its own. So, it can be intentional is what I am saying, does that make sense? You have seen other Splinters.

Wetlander

Are the highstorms related to the Splintering of Honor?

Brandon Sanderson

The highstorms are more related to the mist from Mistborn which terminology we have not discussed yet. You have seen Splinters quite a bit on various planets.

Emerald City Comic Con 2018 ()
#166 Copy

Questioner

So we know some Orders are of-- Radiant are of Honor and Cultivation, right? So Jasnah is more logical and is definitely kind of, you know, set in stone about her ways. But Shallan, she's got a lot of personal growth and I know-- So I'm wondering is Shallan like one of the Orders that is of Cultivation?

Brandon Sanderson

In their-- They would theorize that's more Cultivation than Honor.

Arcanum Unbounded release party ()
#167 Copy

Djarskublar

So, say you have a gold/gold Twinborn and they worldhop to Roshar and they study the magic and do the whole Khriss and Nazh thing for a while so they know a lot about the magic, but they've also left themselves a lot of options with what they can do. So then they manage to pull up a gold shadow of them having actually become a Surgebinder and then kind of meld themselves with that shadow a bunch, could they change their Cognitive Identity enough so that they could, like, tap a lot of gold and grow the spren and actually be a Surgebinder?

Brandon Sanderson

Unfortunately, no. It's a good question, but no. That won't work for a couple of reasons. One of which is, simply creating Investiture is not something that can happen, right?

Djarskublar

They are a gold Twinborn, so they can tap a lot of gold...

Brandon Sanderson

They can tap a whole bunch, that's true, they can do that, but simply having it is not gonna create a spren because the spren is from a different god, right, a different Shard.

Djarskublar

So if they had Regrowth cast on them, would that do it?

Brandon Sanderson

*hems and haws for a second*

Djarskublar

A really, really big Regrowth, like in the middle of a Highstorm.

Brandon Sanderson

Hmmm, this, you are getting to the realm of plausibility at that point. I still don't think gold is the way to do it. I think you just get all that Investiture. It would become sapient by you sticking a whole bunch of Investiture in, and then you can bond to that. But it's not like people gain what you would have done. Does that make sense? That's just what's going to happen, is you're gonna, you can create a, potentially create a spren that way, but you are more likely to end up with something like Nightblood. But you could potentially create a spren, but I mean you're just gonna end up...

Djarskublar

So there are other, more optimal ways to do that?

Brandon Sanderson

Yes, go bond a spren. (evil grin of course)

Djarskublar

But you can't easily bond multiple, and if you did this you could maybe get multiple.

Brandon Sanderson

Nyeaaahhh... The spren still has to choose. If you want to be a Surgebinder, the choice is being made. You can't fake your way into it. Decision and Honor are too much a part of Surgebinding for you to be able to fake your way into that. Other magics you might be able to do that. Other magics that don't require, like... Surgebinding works because a piece of Honor or Cultivation or a mix has chosen you specifically. There is will from the actual Investiture involved in it in Roshar. So it's not something you can cheat your way into, right. But cheating your way into Breath might be easier.

General Reddit 2019 ()
#168 Copy

TheFoxQR

Is this (see sources) a valid breakdown of known Rosharan Magic? The idea here is that two Shards on Scadriel gave us 3 systems - two mono-shardic and one di-shardic. Mono-shardic systems being each shard expressing itself, and multi-shardic systems arising from an interaction between the two. So by that logic, on Roshar, 3 shards should give us 3 mono-shardic, 3 di-shardic, and 1 tri-shardic systems. It is mentioned that Odium (the Void) is bound by the powers of Honor and Cultivation. With the caveat that the Everstorm is also probably in between Honor and Odium?

Brandon Sanderson

RAFO. I'd suggest the chart is worth studying, however.

Footnote: I don't know if Brandon was talking about the Voidbinding chart or my linked chart.
Dragonsteel 2022 ()
#169 Copy

Balescream (paraphrased)

Can all the Shards manifest the same powers, for example could Honor create an Allomancer?

Brandon Sanderson (paraphrased)

Yes, but there would be more natural ways for Honor to achieve this.

Balescream (paraphrased)

As a follow-up, do you understand what polymorphism is? If so, could all the Shards meet the same contract?

Brandon Sanderson (paraphrased)

Yes, I do, yes they can.  I understand what you are asking and it is a soft yes.

Words of Radiance Washington, DC signing ()
#170 Copy

Questioner (paraphrased)

In Shallan, in the beginning and middle of the book it's 10 heartbeats, and in the end of the book it's none...?

Brandon Sanderson (paraphrased)

The 10 heartbeats is required to revive a dead Shardblade.

Questioner (paraphrased)

But he wasn't dead the whole time.

Brandon Sanderson (paraphrased)

He wasn't.  But perception-- all magic systems in the Cosmere are based on perception-what you think you can do. For instance, Kaladin can't get healed because he sees himself as having a wounded forehead with the scars and that can't vanish because his perception is in the way.

Shardcast Interview ()
#171 Copy

Weiry Writer

Why are Seons stuck as floating balls of light in the Cognitive Realm, while true spren get to be people shaped? I feel that is unfair.

Brandon Sanderson

That is a little unfair isn't it. Boy, Sel has all sorts of unfair things going on. But they can leave Sel, so there's some sort of clue there. But lots of unfairness to everybody from Sel in various ways. But the thing that is not unfair is: they're able to get places.

Chaos

Just gotta escape the deadly plasma, you know. No big deal.

Brandon Sanderson

If they can escape the deadly Investiture plasma covering the Cognitive Realm... not even covering, like... suffusing the Cognitive Realm where they are, the Expanse of Densities. If they can escape that they can go places. 

I'll be honest. I couldn't decided if I should use a seon there at the end or a Tamu Kek. In one draft it was a Tamu Kek, and then I thought, "Eh, seons are way more interesting because they have volition. Tamu Kek is just a bone." It was a Tamu Kek originally, and then it was a seon, then back to a Tamu Kek, and then I released it as a seon. 

Elantris Annotations ()
#172 Copy

Brandon Sanderson

Hrathen

So, Hrathen wasn't really dead. (Ironically, while many of you are probably saying "yeah, yeah. That was obvious," I actually didn't have him appear here in the first eight drafts of the book. I'll explain later.)

I think this is my favorite scene of this chapter. Not only is it written a little better than the rest of the book (I added it quite late–just this last summer) but it gives final closure to the Hrathen-Dilaf relationship. It uses Hrathen's time in Dakhor as an ironic twist against Dilaf. In short, it is a pretty good scene. Fulfills character, plot, and theme at the same time–while giving us a nice image to boot. (Though I do hate to do the "Hey look, a guy we thought was dead is really alive" twist.)

The story behind this scene is pretty recent. One of the original rewrites Moshe asked for was a fix of the ending, which he thought was too Deus Ex Machina. (Which, indeed, it was.) I don't think I'll go into the entire original version here–it was quite different. You can read the alternate ending in the deleted scenes section, when I throw it up next month. The short of it, however, is that Ien (Raoden's seon) showed up to save Raoden and Sarene from Dilaf. I used a mechanic of the magic system that I have since pretty much cut from the novel (since it was only in the book to facilitate this scene) that allowed Ien to complete his Aon, "healing" Dilaf. Except, since Ien's Aon was broken, it turned Dilaf into an Elantrian instead. (A non-glowing Elantrian. One like Raoden the group used to be–like Dilaf's own wife became after she was improperly healed in Elantris.)

I know that's probably confusing to you. The scene, over all, was just kind of weak. It relied on a barely-explained mechanic mixed with a tangential character showing up at just the right moment. When Moshe asked for the change, I immediately saw that I needed to bring Hrathen back to life for a few more moments. Letting him die on the street just wasn't dignified enough (though originally I wanted him to die this way because it felt more realistic.) I wanted a final confrontation between Hrathen and Dilaf, since it would give most people's favorite character a heroic send-off, and would also let me tie in the aforementioned Dakhor irony.

In the end, I was very pleased with the rewrite. It's good to have an editor.

Firefight release party ()
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Herowannabe's wife

In this one [Sixth of the Dusk] is the guy he [Dusk] finds dead, is that Hoid?

Brandon Sanderson

They guy he finds dead is not Hoid. Good question.

Herowannabe's wife

Is it anyone we already know?

Herowannabe

Does Hoid make an appearance in that one?

Brandon Sanderson

Hoid does not make an appearance in that one.

Herowannabe

What about Shadows for Silence?

Brandon Sanderson

In Shadows for Silence he does not make an appearance. I established with those two, my goal was, he-- I found that if I just shoehorned him in it didn't actually fit the narrative. Like I want this to not just be a cameo, he's actively doing things. Does that make sense? He's not just there for cameos... he's actively up to something.

Now he has been to Threnody. Threnody is very interesting to him for certain reasons. He hasn't been to First of the Sun, he's never visited Sixth of the Dusk's planet, yet.

State of the Sanderson 2019 ()
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Brandon Sanderson

Part Four: Updates on Secondary Projects Dark One

We’re moving ahead with the graphic novel on this, and giving you some glimpses of that is one of the big things I’m happy to announce for this State of the Sanderson. We’ve included some gorgeous pages below. The graphic novel is turning out to be something really special. We don’t have an exact release date for this yet, but it shouldn’t be too much longer before we can announce one.

In addition, many of you may have heard the news that J. Michael Straczynski (creator of Babylon Five, among many other cool projects) is attached to this project to make a television show. The same outline I came up with for the graphic novel drew serious Hollywood attention, which is how this happened. That said, JMS has other projects he’s working on as well, and Dark One needs to wait for the right time for him to work on it.

STATUS: Real motion here. Exciting developments in the process!

Songs of the Dead (Was Death by Pizza)

This perpetual entry in the State of the Sanderson is creeping ever closer to being a reality. My co-author, Peter Orullian, has suggested the title Songs of the Dead—which is a really great title, considering it’s about a heavy metal singer necromancer.

We’ve got a second draft done, but it needs a third one. Unfortunately, the hangup is me, as Stormlight has taken basically all my time this year. Peter sent me his latest draft in June or so, and I’m only halfway through my revision of it at this point. So I’m sorry it’s taking so long; I’m excited for you all to read the book, but as it’s my first true book collaboration, there are some growing pains as we figure out how to make the process work right for us.

Hopefully I can finish my next revision early next year, send it back to Peter for one final draft, then begin showing it to editors.

STATUS: Waiting on my next revision.

The Original

This novella that I wrote with the fantastic Mary Robinette Kowal is finished and being recorded as an audio original. It should come out very soon, and I’m quite proud of it.

I’m a little annoyed as the Will Smith movie that came out earlier this year has a similar premise. But that movie bombed and apparently wasn’t very good. So maybe people will appreciate a similar idea done right? We’ll see. I had hoped to get this out before Mr. Smith’s movie came out, but Mary Robinette was busy winning all of the awards for her excellent Lady Astronaut series, and I was busy getting rained on in Roshar.

STATUS: Out soon.

Alcatraz Six

This one is mostly done, just needing a few little tweaks. Again, I haven’t had a ton of time last year, but this one is looking really good. It’s basically all complete, only needing one last pass. We should be doing the interior artwork and editorial work next year.

STATUS: Basically done.

Elantris, Warbreaker, The Rithmatist

No updates from last year, I’m afraid. There was no intention to make progress on these this year. Once Alcatraz is wrapped up, I’ll turn my attention back to The Rithmatist as the last looming series that needs a wrapup that hasn’t gotten one. Elantris and Warbreaker sequels aren’t to be expected until Stormlight Five and Wax and Wayne Four are done.

I know a lot of you keep waiting on Rithmatist news, and I feel bad having to give you the same news every year. (Yes, that paragraph above is the same one I put in the State of the Sanderson last year.) But the truth is, I really can’t work on this until at the very least Alcatraz is finished.

A glimmer of light for you Rithmatist fans is this: my son just read the book, and he’s joined the crowd calling for me to do a sequel. So you have an in-house representative.

STATUS: Keep Waiting. (Sorry again, again.)

White Sand

Graphic novel three is out now! So if you haven’t picked it up, please check it out!

We’ve learned a lot doing our first graphic novel series. Again, there were some growing pains. (We aren’t thrilled, for example, by how often we ended up needing to change artists.) The good news is that we really enjoy doing these, and so we are planning to do another graphic novel series set on Taldain, visiting darkside and dealing with Khriss and her adventures there. So if you are one of those people who read the prose version years ago, and have been waiting for some resolution, Isaac and I are outlining a sequel series right now.

STATUS: Trilogy complete, likely to do a collection of all three in coming years. Sequel series being outlined.

/r/books AMA 2015 ()
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WeiryWriter

Could you explain a little more about Cognitive Shadows? When you first mentioned the name and gave the examples of Kelsier and the Shades from Threnody you kind of gave the impression that they were kind of like ghosts. But this past December at the Orem signing you mentioned that the Stormfather and the mist were also Cognitive Shadows. The first makes sense to me, I had an [entire theory about that (although I argued he was specifically Tanavast’s and not Honor’s). The second however really doesn’t make sense to me, unless it was actually the mist spirit that is the shadow and that got missed in the report (it wasn’t verbatim), but even still Preservation is still alive at that point so how can he have a “ghost”? (Unless him sacrificing his mind to form Ruin’s prison counts as “death” in this situation?)

Brandon Sanderson

On the first question, I did not say the mists themselves were a Cognitive Shadow. That must have been a misunderstanding. The Stormfather totally is, though. Cognitive Shadows are basically ghosts, which can take a lot of different forms in the Cosmere, but follow general rules.

WeiryWriter

Is the mist /spirit/ a Cognitive Shadow then?

Brandon Sanderson

The mist spirit is a little more complicated than that. That was actually Leras, kind of. He was in the process of dying. But other things are involved there that, unfortunately, must be RAFOd.

The Well of Ascension Annotations ()
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Brandon Sanderson

Vin thinks about assassinating Cett and Straff

The other thing of real importance here is Vin's struggling with whether or not she should just go assassinate her enemies. It seems like such a brutal, effective way to get rid of these armies. I wonder how many more leaders we'd find dead in our world if magical warriors like Mistborn existed.

Explaining why Vin doesn't just go and take care of those two men was challenging for me. This is a harsher world than I've written in before, and it was really tempting to have Vin just go kill her enemies. I toyed with doing that very thing for a long time.

The problem is, I think it would be a bad idea for her to do that. I think it for the very reasons I outline here. I doubt that killing those two men would really have the effect she wanted. And, if she really were determined to drive those armies away, she'd have to kill quite a number of leaders. It seems equally likely to me that, after killing a number of them, the armies might just join forces and take the city.

The Hero of Ages Annotations ()
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Brandon Sanderson

Chapter Eighty - Part One

Her Eyes Lingered Fondly

If you've been keeping track, this Terriswoman is, indeed, the romantic interest I promised Micah DeMoux by the end of the book. He said he didn't care if he ended up with an important character—that didn't matter to him. He just wanted Captain Demoux to find romance. It took some working, but I managed to work it in. The story behind this is, of course, Captain Demoux and his troops showing up to lend organization and authority to the Terris people, who had been flooded with refugees.

Demoux and his men created law and order, stopping the petty theft and the like that had been a problem with the refugee bands. He essentially took command of the entire place, though he was very respectful to the Terris leaders. This woman, daughter of one of the Terris elders, fell in love with Demoux for his honor and his respectability, and he began to reciprocate.

Even as the world neared its end, she and Demoux were able to find love.

General Reddit 2016 ()
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TheJMan211

In the first book the group is focused on getting control of the palace and is not worried about the return of the army because they think that if they get the palace they'll have the atium and, thus, the ability to pay for the loyalty of the army, since they're mercenaries. Well they didn't find the atium, right? So no ability to pay the old army for their loyalty. I'm just saying that it seems to me that the absence of the Lord Ruler's army supporting the city should be a huge indication to all the other warlords that the atium isn't in Elend's possession.

People have been saying that he wouldn't have anyone to trade with so the atium would be worthless but he would have had a year to work out trade with someone if he wanted to monetize it (with as valuable as atium is made out to be in the first book he would have found someone wanting to buy some even if he couldn't get the price the Lord Ruler charged for it).

Brandon Sanderson

Ah! Well, that makes sense. I certainly think some people in world might have come to this conclusion. But they'd still think the atium must be somewhere in the city, even if Elend doesn't have/isn't spending it.

However, I think the issue is a little less cut and dry. For one thing, Elend DOES have the loyalty of much of the local army--the garrison serves him now, which would be an indication that he has access to some of the Lord Ruler's resources. I don't think the lack of a larger army would be an indication he doesn't have the atium, however.

Let's say you were a small band, and were able to seize and control Ft Knox, and get the guards stationed there to serve you. The president is dead, and the country is fragmenting into city-states.

A senator from a nearby state might easily round up the military in his area, promise them that he's the new civil authority--then push them to go seize the gold. When they arrived, they wouldn't think, "Why is their force so small? They must not actually have the gold." They'd think, "They're ripe for the picking. We got here first."

That's basically what is happening. The "Lord Ruler's Army" doesn't exist any more--it's fragmented, taken over by various groups who ruled their own local regions. And the bulk of the most frightening part, the koloss, are their own uncertain band.

State of the Sanderson 2013 ()
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Brandon Sanderson

And finally, media properties.

  1. Mistborn: Birthright. (Video Game for consoles and maybe PC, cross platform.) We’re looking at 2015 for this right now. (Sorry.) The new console generation made us push it back. I’m still planning to write it, and development is still moving. It’s far from dead.
  2. Mistborn film. Option runs out in January. I’ve had a very good experience with the producers, but so far, we do not have funding for the film. We’ll have to see where we are in another six months.
  3. Legion television show. Lionsgate still has this under option!
  4. Steelheart Film. I had lunch with the producer at Comic-Con. It’s still early in the process, but they’re very engaged and very excited.
Stormlight Three Update #4 ()
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Aaronator17

I was wondering whether any of the Vessels are blood related?

Aside from the romantic relationship between Honor and Cultivation I'm not sure that we know anything about the relationships that others have with each other within the group of 16, and it would be interesting to know.

Brandon Sanderson

I'm saving most of this for Dragonsteel, I'm afraid. So RAFO.

Alcatraz Annotations ()
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Brandon Sanderson

Dedication

This book is for my father.

It’s a tough call, to match all the people you want to honor with the right books. My mother got my first book, which was a good match for her because it was very easily appreciated by people who don’t read fantasy and sf. And, of course, she’s my mother–she deserved the first book.

Next, I went for my grandmothers. I’m afraid that matching a book to my maternal grandmother was pretty much impossible. She’s not a fantasy reader, and though she loves me and reads my books out of solidarity, I know that she doesn’t really get them. My paternal grandmother, on the other hand, is pretty much insane (in a good way), and she loves fantasy novels.

The next book, however, needed to go to my father. I think this one is a good match for him. The boy in this book, Alcatraz, is about the same age that I was when I discovered fantasy novels–and the kid on the cover actually looks a lot like I did when I was that age. It’s a fun match, and the Brandon of that age owes a lot to his father.

My father spoils people outrageously. That’s just one of his things. He takes care of us, and gives us what we need–and more. In my case, that was books. He fed my addiction, making sure I was always supplied with things to read. And, because of that, I ended up becoming a novelist.

So thanks, Dad.

Firefight San Francisco signing ()
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KiManiak

So, for Shardplate, when Kaladin killed the Shardbearer, which we know is Helaran, in Way of Kings, Amaram remarked that Amaram knew the Shardbearer was dead both because the Shardblade didn't disapper and also because the Shardplate began to fall off of him. And so my question is, is there some type of "lesser" bond between Shardplate and its wearer, like is it in sync with the wearer's lifeforce or--

Brandon Sanderson

Yes.

Skyward Pre-Release AMA ()
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Firm_Spell

How does Connection to a Shard actually work? 16 random people took 16 Shards in the past, I don't think all of them had special Connection to a certain Shard each of them picked. We even know that Ati, Ruin's Vessel, was a kind, generous man, direct opposition to Ruin's Intent.

However, in Mistborn we find out that you must gain certain amount of Connection to become a Shard Vessel. Kelsier wasn't Connected to Preservation well enough (he's more of Ruin), Sazed was somehow Connected to both Preservation and Ruin? So, should you be Connected to a Shard to Ascend? Why was it different in the past?

Also, what would happen if, theoretically Dalinar, a good, honorable man, kill Odium's Vessel and take a Shard for himself? Will he change Shard's Intent to something...let's say less destructive or Odium's intent will just devour his personality and he'll act just like Odium's current Vessel?

Brandon Sanderson

That's pretty big RAFO territory, I'm afraid. I'll just say that this is something I do intend to delve into in the books.

Calamity Philadelphia signing ()
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VirtuousTraveller

Have any other Shards--if the Shards were split, for some reason, to I guess protect, why is it that some of them clumped together, like Ruin and Preservation, and Honor and Cultivation?

Brandon Sanderson

Some are more naturally like that, but at the same time they also had personalities driving them, and it’s mostly the personalities.

VirtuousTraveller

Friends would have gotten together in the same place kinda sorta?

Brandon Sanderson

Yeah, or business associates how are “We can do something cool together”. Before Odium just hunted them done and y’know… But the personalities are driving most of that.

Secret Project #3 Reveal and Livestream ()
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ArgentSun

The way Painter transforms nightmares into other things is reminiscent of the way spren are affected by perception - only much more extreme. Is perception (and the way the world is set up) the only important factor here, or is Painter using Investiture too somehow?

Brandon Sanderson

What's going on here is not Painter using Investiture really. It's the fact that the nightmares have less control over them from another source. Spren have an oversight from Honor, Cultivation, and Odium, and this is kind of leaving them less at the whims of other people's perception. The nightmares do not have that. I'm not going to say they don't have it at all, but Painter is not using Investiture, but the nightmares are specifically more susceptible to what's going on. So for instance, a good way to answer this is if he went and did this for a spren he would not have the same level of power.

Words of Radiance Portland signing ()
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Swamp-Spirit

How do you-- Like both Shallan and Kaladin obviously haven't had good lives, but like-- How do you write these really tragic backstories without them feeling kind of gratuitous or forced?

Brandon Sanderson

Good question... This is really about the whole idea of making sure you are avoiding melodrama... And melodrama-- the defining aspect of a melodrama is a story in which each character only exhibits only one emotional state. A great example of this done poorly is--despite me liking a lot about it--there was a show called Lost... So there's a character whose son gets kidnapped, and from that moment on the only thing he cares about or talks about is the loss of his son. And it's a very tragic thing for him. Losing your son, I can imagine how tragic that would be, and yet this character became so defined by that one attribute that it turned into melodrama for him. The rest of the characters will be standing around saying "Alright we need to do this thing, these guys are over there with guns, they are going to take us down. What do we do?" And they're like "We should do this." "We should do this." and this guy is like "My son!" They're like "We know you want your son back but--" "My son!" "What do you want for dinner?" "My son is gone! How can I eat dinner?!?". And so having a character exhibit only one emotional state is always going to feel like you just set-- It's going to ruin the character, whatever that is.

So a tragic backstory-- People joke about Batman. When Batman is written poorly it's always about "My father's d-- My parents are dead" and when he's working well that's an aspect that influence things he does but it's not the only thing about him. And so that would be my warning to you. You can do all of these sorts of things but make the character's not about-- You know we are in part defined by things like this but as real people we are not about the bad things that have happened to us, we are about so much more. And make that the case, alright?

JordanCon 2016 ()
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Questioner 1

So, it's been established when Syl transformed for Kaladin that a living Blade can become any weapon, right?

Brandon Sanderson

Yes, based on the perception of the wielder.

Questioner 1

Right. So, why is it that there are only dead swords?

Brandon Sanderson

That's a good question that will be answered in the future.

Questioner 2

Could they make a lightsaber?

Brandon Sanderson

Could they make a lightsaber? W-- They could make metal weapons of a similar style to that, so no, we're not talking lightsabers because… Creating plasma is not something that we're looking at.

Moderator

But like a bow, for example?

Brandon Sanderson

They could create, probably--Well, let's RAFO that one, I'll show you what's going to be happening.

The Hero of Ages Annotations ()
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Brandon Sanderson

Kelsier Speaks

The final thing I'll note on this chapter is that the voice Spook hears after he's pulled out the spike is actually Kelsier. You'll see Kelsier's voice pop up a few more times in the narrative, now that Preservation is dead.

Ever the meddler, Kelsier can't just sit around and let the world end. Preservation's death left a void, and Kelsier has managed to piggyback his spirit just slightly onto Preservation's power. He can't do much, but he can reach out and whisper a few choice words to people. At least until Vin takes the power and shoves him out.

I know I said he wouldn't come back, but . . . well, he's Kelsier. He doesn't listen to what I say. He just does what he wants.

Firefight release party ()
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Questioner

So I have heard that it is harder to Push a Shardblade with Allomancy than it is a normal sword.

Brandon Sanderson

Yes.

Questioner

Is that true of both living and dead Shardblades?

Brandon Sanderson

Yes.

Questioner

Equally?

Brandon Sanderson

Uh, no.

Questioner

Okay, so it's even more difficult to Push one alive.

Brandon Sanderson

The thing-- An Invested object is more difficult with any of the magics. So, for instance, even a Feruchemical metalmind is going to be harder. Depends on how much it is Invested, and things like that. But, y'know, it can range from you barely notice it or don't even notice it to "Wow, that's hard to Push on". Same for a Hemalurgical spike, depending on how much Investiture is left over, how long has it been outside of a body, and things like that. Same thing Pushing on something inside a person's body, their Investiture is going to interfere with it.

Same thing, when you read White Sand, why a person slapping their hand through someone's stream of sand can throw off the entire creation of the sand mastery. It's just-- There's interference patterns, and things like that.

Questioner

And is that true of a Drab as well? Does the body affect--

Brandon Sanderson

The Drab is going to have less.

Questioner

So they just have less Investiture, but they still have some natural Investiture?

Brandon Sanderson

They do still have some. They've lost their Breath but that isn't the entirety of the Investiture inside of them.

Almost all of the times we see Vin--in fact I think every time--we see Vin, or someone in the Mistborn books, Pushing or Pulling on an Invested metal they are either drawing on the mist or they're Elend or the Lord Ruler who have the enhanced power, or something like that. Or it's a duralumin Push, or its one of the Inquisitors who's had a spike-- y'know, and things like that, that've-- And so it's not something that you see done very often in the Mistborn books.

Rubix

I can actually confirm that's correct.

Brandon Sanderson

Oh you guys looked it up?

Rubix

I checked.

Brandon Sanderson

I mean it can be done. And depending on Investiture it can be not even that hard to do but--

Arched Doorway Interview ()
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Rebecca Lovatt

Anyway, your first published book Elantris came out 10 years ago next month. You've had quite a journey since then; you've published 15 novels and half a dozen novellas. What's been the most surprising or interesting thing you've learned along the way? I'm going to exclude anything pertaining to The Wheel of Time.

Brandon Sanderson

One of the most interesting things was how fast the fans became experts in the world. Bigger experts than I thought they would become, and faster. But I knew that was going to happen, because I was a Wheel of Time fan and I knew what the fans did for The Wheel of Time. So it was more of a mark of honor to me that they actually doing this for me. I'm surprised to see it happening for my books, though I'm not at all surprised that they can do it.

I think the biggest surprise is how little time I would have to actually write, after I became a writer. I had more time to write when I had a full-time job than I do now, because then I was working a graveyard shift at a hotel, and I could write overnight. I had a good six hours of writing time every day despite being a full-time student and having a full-time job.

Now that I'm full-time as a writer, I travel and tour and do interviews. These things are all important, and I enjoy them. But what it means is that I just can't work as much as I used to. I became a storyteller because I love doing the storytelling part. It's like I have to squeeze it between the cracks sometimes, the thing that actually is my job.

Warbreaker Annotations ()
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Brandon Sanderson

The City Guard Attacks

Some of you may be wondering whose plot led to this attack by the city guard on the meeting.

Well, it's complicated. The city watch—worried about the upswing in crime and the political tension lately—has grown more aggressive. They know that someone snuck into the palace of Mercystar herself, threatening one of their goddesses. The watch captain is making a play for a promotion and favor, and is looking to score a major victory to look very good in front of the Returned. He got a tip that three of the most important slumlords—whom he's been afraid to attack up until now, fearing to commit his guards to action—will be meeting together. He doesn't even know about Vivenna.

But he did authorize his Lifeless (the city guard has a stock of about fifty that can be used at their discretion) to use deadly force. The Commands weren't quite specific enough, unfortunately.

Beyond that, Bluefingers has managed—by sneaking through the tunnels that Vasher discovered—to get his forces to Command Break some of the Lifeless in the compound, then insert hidden Commands into them alongside their existing ones. In this case, he wanted the Idrians to see the Lifeless and the city watch cause a slaughter among their people. So he seeded some of the Lifeless with Commands to attack and kill if they were shown aggression by Idrians.

He didn't know when the slaughter would happen; he doesn't have enough control over events in order to do that. His little Lifeless bombs just happened to go off here, when the Idrians started to resist. Since the regular soldiers—and even the Lifeless not under Bluefingers's Commands—overreacted once blood began to be shed, everything went crazy from there.

Denth wasn't in on this plan, and Bluefingers never told him that he was behind it. In the end, the whole battle turned into a major embarrassment for the city guard, though they did capture one of the slumlords. He was held until after the events of the book, then eventually released.

Idaho Falls signing ()
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Questioner

My question is not really a question, it's more of a theory. How Odium keeps the Fused around is more if he has them tied to his essence, so it's like he's essentially fishing them out of the Spiritual Realm and since their minds are left behind in the Cognitive Realm and their minds are *inaudible* damaged, because their spirits are separated and it just pulls them back.

I'm 100% convinced Nightblood did kill the thunderclast, because Nightblood consumes all investiture, that's something I asked you back at Barnes and Noble a couple years ago, during Christmas and you said your soul is investiture. So my thought is, that thunderclast isn't coming back any time soon.

Brandon Sanderson

You are correct on that one.

Questioner

When I saw that, my thought was, "Yep, It's dead." Other people were like, "I don't know, will it come back?" Nope.

Brandon Sanderson

I'll tell you this. They have not run into something like this before, and there will be ramifications of what happened there.

Questioner

That is fun to know.

Brandon Sanderson

If you are used to death having no consequence, and suddenly your friend vanishes forever...

Questioner

Yeah I, know I already thought of that. They're going to fight over Nightblood.

Brandon Sanderson

Mmm.

YouTube Livestream 10 ()
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Andrew

Had the Stormfather sent visions to Jasnah instead of Dalinar, how would that have changed her?

Brandon Sanderson

That's an excellent question. I think that Jasnah and the Stormfather would not be a terribly great match. But I think her coming to understand a very powerful spren like the Stormfather and seeing all of this, I think it would have really helped Jasnah build her philosophy of life. Because, what's going on in the cosmere, is that the gods are lowercase-g gods, right? And this is a really fascinating thing that I like when fantasy deals with. I'm certainly not the only one. But at what point do you worship a being who is pretty flawed, but super powerful and able to help you in your life? And what kind of worship is that, right?

There's a level between atheism and theism in fantasy works, where it's like, "We can see that someone legitimately has supernatural powers, and following that person makes some logical sense. But does that make them God?" Certainly not as the church teaches, where there is a perfect being who is concerned with the lives of people and doesn't make mistakes.

So I think Jasnah would have arrived at some of the conclusions that she made, probably, faster if she had had these visions to see the past. She would have known some things that she was suspicious of and hoped would be the case. She probably could have gotten to Urithiru much faster. It would have made a big difference in a lot of different ways. But it was not a good match, let's say. She was not the person the Stormfather was looking for for these sorts of things, to continue the legacy of Honor and things like this.

Hero of Ages Q&A - Time Waster's Guide ()
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LexLuthorXIV

So I have a couple of questions....

I loved the book, it was all great UNTIL Vin and especially ELEND died. I can see why you did it, but I was crying so hard when Vin confirmed Elend was dead. I actually had an urge to burn the books right then and there and pretend it had never happened. Either way, I continued reading and then found some sliver of hope when Sazed said he hadn't figured out how to restore the souls YET, he said he would get better at it.

1)Does that mean that he might someday, maybe, hopefully (pretty please) bring them back to life? I suspect that you might not answer, but can I at least hope? Cause if anyone deserved to live a full NORMAL life it was Vin and Elend. Besides, it would ROCK if Elend and Kelsier ever got to meet each other......

Aw man.....I'm still crying over Elend....Is it wrong I get so attatched to characters? Its just that Elend and Vin got so little time together. It's so sad. Which reminds me: You mentioned, when someone asked about Sazed meeting Twindyl again, that he hadn't because he hadn't reached that space where souls were and the ones that were trapped in the in between were the ones that had a connection with either the physical or the concious world. Those weren't the exact words but it was something like that that IMPLIED that Vin, Elend and Kelsier were somehow still connected with the earth because unlike Twindyl the hadn't progressed past that in between place.

2) Am I right and maybe going somewhere, or am I talking total nonsense and simply trying to cope with the loss of Elend?

Brandon Sanderson

One of the reasons for that line at the end is to give you, the reader, the power and authority to bring to the characters the ending you wish. I may do more in this series, but until then, please take the future of the characters wherever you want in your own mind. (Also, you mention that they had such little time together—which is true, but also remember that there was a year between books one and two, then another year between books two and three. They spent most of this time together.)

The door is open for a return of Elend and Vin. Will I write it? It isn't likely to be soon, if I ever even do. Does that mean it won't happen? No. Not at all. If I write more Mistborn books, they will be hundreds of years in the future. During that time, Sazed could have learned to get souls into bodies, given Vin and Elend a life together somewhere away from the others, where they wouldn't have to struggle quite so much like they did through their lives, then ushered their souls on to the beyond. Or they could hang around with him, working with him as he takes his next steps to shepherd humankind on Scadrial. Or neither of the above. Imagine it how you wish, for I'm not going to set this one in stone for quite some time, if ever.

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Questioner

In Secret History, Nazh briefly mentioned that there's requirements or conditions to become a Cognitive Shadow. Can you tell us one of those?

Brandon Sanderson

Uh, lots of Investiture. Is one way. As a certain person discovered.

Questioner

If that person were to not have entered Preservation's pool, it still would have given the same result?

Brandon Sanderson

If they had not, they would be gone.

Questioner

I wasn't clear. If they had done a different pool, not Preservation's.

Brandon Sanderson

Oh, if they had been able to Invest themselves heavily, then they could have stuck around, yes. That wasn't Preservation's pool, that was more a function of--dipping themselves, pulling an Achilles inside of a Shardpool when you are dead, turned out to work. It's not the only way, not everyone on... Threnody, for instance, is heavily Invested.